DOCSLIB.ORG

Michael Jablonski's CV

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Michael Jablonski's CV Curriculum Vitae of Michael D. Jablonski 51-34 30th Avenue #E4P Woodside, NY 11377 [email protected] 917-749-2040 Fall 2020 EDUCATION Master of Fine Arts Florida State University (Spring 2021 candidate) Major - Directing Bachelor Of Arts State University of New York at Buffalo Major - Theatre and Dance Minor - Mathematics PROFESSIONAL TRAINING 2019 - Present Theatrical Intimacy Education - Workshop Intensives (Instructed by Founders - Laura Rikard & Chelsea Pace) 2018 - Present Violent Practice on Stage - Stage Combat Florida State University (SAFD Certified in Unarmed and Knife Technique) (Adjudicator - Mark Quinn) (Instructor - Jason Paul Tate) 2018 Program for Instructional Excellence (PIE) Teaching Training Recognition - Florida State University 1998 - Present Study in New York City at Broadway Dance Center & Steps on Broadway, & other locations with various master teachers including: Josh Bergasse, Andy Blankenbuehler, Ann Reinking, Joey McKneely, Diana Laurenson, Jim Cooney, Dana Moore, Carol Schuberg, Dorit Koppel, Chet Walker, Tony Stevens, A.C. Ciulla, Bob Richard, Phil Black, Richard J. Hinds, Al Blackstone, Chris Bailey, James Kinney 1 2010 - Present One on One Studio - New York City On Camera Workshops (Selection by Audition) Instructors - Bob Krakower & Marci Phillips EMPLOYMENT HISTORY 2020 - 2021 Fall & Spring Florida State University, Florida Instructor In The School of Theatre (Intro to Music Theatre Dance - New Course Developed) (Instructor of Record - Michael D. Jablonski) (Culminations - Senior Seminar Course) (Instructor - Michael D. Jablonski) 2019 - 2020 Fall & Spring Florida State University, Florida Instructor In The School of Theatre (Intro to Music Theatre Dance - New Course Developed) (Instructor of Record - Michael D. Jablonski) Graduate Teaching Assistant (Performance I - Uta Hagen Acting Class) (Instructor of Record - Chari Arespacochaga) (Performance I Lab - Uta Hagen Workshop class) (Instructor of Record - Michael D. Jablonski) (Culminations - Senior Seminar Course) (Instructor of Record - Michele Diamonti) 2018 - 2019 Fall & Spring Florida State University, Florida Graduate Teaching Assistant (Performance II - Stanislavski/Grotowski Acting Class) (Instructor of Record - Kris Salata) (Performance II Lab - Stanislavski/Grotowski Workshop class) (Instructor of Record - Michael D. Jablonski) 2018 - Spring Semester Elon University, North Carolina Instructor in Performing Arts - Musical Theatre Specialist (Dance For The Musical Stage 200 Level) (The Musical Theatre Audition 300 Level - New Course Developed) (Coordinated the Dance Section,On Campus Admission Auditions) (Guided/Advised - Senior MT Casting Director and Agent series) 2017 - Fall Semester Elon University, North Carolina Instructor in Performing Arts - Musical Theatre Specialist 2 (Dance For The Musical Stage 300 Level) (Dance For The Musical Stage 400 Level) (The Fosse Legacy 300 Level) (Choreographed the Main Stage production Hello, Dolly!) Guest Lecturer and Master Instructor of Dance & Musical Theatre audition technique 1998- present Provided Performance Master Classes @ Multiple Universities and Theatre’s across the country o Masters of Broadway - https://www.mastersofbroadway.com o Florida State University o Florida State University Student Theatre Association o City Dance Corps - Guest Teaching Artist - Toronto, Ontario o Metro Movement - Guest Teaching Artist - Toronto, Ontario o Believe, NYC - Guest Teaching Artist - www.believe-nyc.com o Brooklin High School - Guest Teaching Artist - Brooklin, Ontario o Shenandoah University o University at Buffalo o University of Texas o Goodspeed Opera House o University of Utah o 5th Avenue Theatre o Sacramento Music Circus Summer Intensive Program o Stages St. Louis Young Artists Program Master Class Curriculum o Audition Preparation Technique o Vocal Repertoire Selection o Technique for 16- and 32- bar format o Proper Sheet music preparation and Building a student’s audition “book” o Accompanist and audition room etiquette o Warm up and Advanced stretching technique o Musical Theatre Dance audition preparation technique and Original Broadway Dance Repertoire o Basic and Advanced partnering technique o Recreated instructed dance repertoire from numerous legendary Broadway Choreographers o Maintaining the Business of being a Professional Actor o Dance Captain and Swing workshop o Boundary and Consent practice 3 PERFORMANCE EXPERIENCE 1997- PRESENT BROADWAY / NEW YORK The Book of Mormon Swing/Ensemble Dancer West Side Story (2009 revival) Riff/Big Deal/Diesel Cry-Baby (original cast) Swing/Ensemble Dancer Radio City Christmas Spectacular (2003-2006) Principal Dancer FILM The Producers (starring Matthew Broderick & Nathan Lane) Principal Dancer NATIONAL TOURING COMPANIES Matilda (1st National) Dance Captain/Supervisor The Book of Mormon (1st National) Swing/Ensemble Dancer West Side Story (50th Anniversary World Tour) Riff Saturday Night Fever Joey (Standby for Tony Manero) Doctor Dolittle (World Premiere) Nigel Best Little Whorehouse in Texas (Starring Ann-Margret) Dance Captain/Supervisor Victor/Victoria Dance Captain/Supervisor Brigadoon Dance Captain/Supervisor REGIONAL THEATRE COMPANIES Goodspeed Opera House, Pioneer Theatre Company, LaJolla Playhouse, Pittsburgh Civic Light Opera, Seattle 5th Avenue Theatre, Kansas City Starlight, Stages St. Louis, Sacramento Music Circus, Houston Theatre Under The Stars, Flat Rock Playhouse, Riverside Theatre, North Shore Music Theatre, Forestburgh Playhouse, New London Barn Playhouse, Atlanta Theatre of the Stars, Theatre by the Sea, Woodstock Playhouse, Austin Musical Theatre. DIRECTING & CHOREOGRAPHY EXPERIENCE *upcoming - Kinky Boots - Florida State University, Richard G. Fallon Theatre - Director - Fully Produced University Theatre Production - Spring 2021 (Tallahassee, FL) 4 *upcoming - West Side Story - Totem Pole Playhouse - Director & Choreographer (Reproduced Jerome Robbins Original Choreography) - Professional Regional Stock Theatre Production - Summer 2021 (Fayetteville, PA) *upcoming - Anything Goes - Woodstock Playhouse - Director & Choreographer - Professional Regional Stock Theatre Production - Summer 2021 (Woodstock, NY) We are Proud to Present a Presentation about the Herero of Namibia, formerly known as South West Africa, from the German Südwestafrika, Between the years 1884-1915 (by Jackie Sibblies Drury) - Florida State University, Lab Theatre - Director - Fully Produced University Theatre Production - Spring 2020 (Tallahassee, FL) Untitled Devised Film - Florida State University - Director - Socially Distanced Film Project - Spring 2020 Mamma Mia! - Woodstock Playhouse - Director & Choreographer - Professional Regional Stock Theatre Production - Summer 2019 (Woodstock, NY) Grease - New London Barn Playhouse - Choreographer/Fight Choreographer - Professional Regional Stock Theatre Production - Summer 2019 (New London, NH) The Producers - Forestburgh Playhouse - Choreographer - Professional Regional Stock Theatre Production - Summer 2019 (Forestburgh, NY) Wildwood Park (by Doug Wright) - Florida State University, Lab Theatre - Director - New Horizons Festival - Fully Supported University Theatre Production - Spring 2019 (Tallahassee, FL) Voices Heard & Voices Unheard: Another Day - Florida State University, Lab Theatre - Director & Choreographer - Devised Theatre Project - Fall 2018 (Tallahassee, FL) Eurydice (by Sarah Ruhl) - Florida State University, Lab Theatre - Choreographer & Assistant Director - Fully Produced University Theatre Production - Fall 2018 (Tallahassee, FL) West Side Story - Shenandoah Summer Stage - Choreographer (Reproduced Jerome Robbins Original Choreography) - Professional Regional Stock Theatre Production - Summer 2018 (Winchester, VA) West Side Story - Leonia Summer Stage - Choreographer (Reproduced Jerome Robbins Original Choreography) & Fight Director - Professional Regional Stock Theatre Production - Summer 2018 (Leonia, NJ) 5 West Side Story - New London Barn Playhouse - Choreographer (Reproduced Jerome Robbins Original Choreography) & Assistant Director - Professional Regional Stock Theatre Production - Summer 2017 (New London, NH) Hello, Dolly! - Elon University McCrary Theatre - Choreographer - Fully Produced University Theatre Production - Fall 2017 (Elon, NC) The Playbill - City Dance Corps 9th Annual Faculty Showcase - Choreographer - Fall 2016 (Toronto, Ontario) Assistant Stage Manager - Matilda (2016 Toronto Production) Les Miserables - Pioneer Theatre Company - Assisted Choreographer Karen Azenberg as her Dance Captain - Spring 2013 (Salt Lake City, UT) West Side Story - Festival Internacional de Musica - Choreographer - Staged Concert Version - Summer 2012 (Maputo, Mozambique) The Adventures of Tom Sawyer - Assisted in the Pre-Broadway Workshop that opened at The Minskoff Theater in 2001. Additional Choreography created for the National Tour of The Best Little Whorehouse in Texas starring Ann-Margret, choreographed by Thommie Walsh in 2000. Dance Supervised 4 National Tours and 3 Regional Productions. PROFESSIONAL CONNECTIONS / AWARDS o Acting client for Garber Talent Agency 1999 - present o 2018 - Actors Fund Grant - The Sono Osato & Victor Elmaleh Foundation o 2017 New Hampshire Theatre Award Finalist - Best Choreographer (West Side Story - New London Barn Playhouse) o 2016 Dora Mavor Moore Award Nominee - Outstanding Ensemble (Matilda Original cast member - Toronto, Ontario) o 2008 Tony Award Nomination - Best Musical (Cry-Baby Original cast member - Broadway production) 6 o Original
Load more

Recommended publications
  • The Top 101 Inspirational Movies –
    The Top 101 Inspirational Movies – http://www.SelfGrowth.com The Top 101 Inspirational Movies Ever Made – by David Riklan Published by Self Improvement Online, Inc. http://www.SelfGrowth.com 20 Arie Drive, Marlboro, NJ 07746 ©Copyright by David Riklan Manufactured in the United States No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic mechanical, photocopying, recording, scanning, or otherwise, except as permitted under Section 107 or 108 of the 1976 United States Copyright Act, without the prior written permission of the Publisher. Limit of Liability / Disclaimer of Warranty: While the authors have used their best efforts in preparing this book, they make no representations or warranties with respect to the accuracy or completeness of the contents and specifically disclaim any implied warranties. The advice and strategies contained herein may not be suitable for your situation. You should consult with a professional where appropriate. The author shall not be liable for any loss of profit or any other commercial damages, including but not limited to special, incidental, consequential, or other damages. The Top 101 Inspirational Movies – http://www.SelfGrowth.com The Top 101 Inspirational Movies Ever Made – by David Riklan TABLE OF CONTENTS Introduction 6 Spiritual Cinema 8 About SelfGrowth.com 10 Newer Inspirational Movies 11 Ranking Movie Title # 1 It’s a Wonderful Life 13 # 2 Forrest Gump 16 # 3 Field of Dreams 19 # 4 Rudy 22 # 5 Rocky 24 # 6 Chariots of
    [Show full text]
  • Rosena Hill Jackson Resume
    ROSENA M. HILL JACKSON 941-350-8566 [email protected] www.RosenaHill.com BROADWAY/New York Carousel Nettie Jack O’Brien/Justin Peck Prince of Broadway swing Harold Prince/ Susan Stroman After Midnight Rosena Warren Carlyle/Daryl Waters/Wynton Marsalis Carousel Ensemble Avery Fisher Hall/PBS “Live at Lincoln Center” Cotton Club Parade Rosena Encores City Center Lost in the Stars Mrs. Mckenzie Encores Z City Center Come Fly Away Featured Vocalist Marriott Marqui Theatre/Twyla Tharp The Tin Pan Alley Rag Monisha/Miss Lee Roundabout Theatre Co./Stafford arima,dir Oscar Hammerstein II: The Song is You Soloist Carnegie Hall/New York Pops Color Purple Church Lady Broadway Theatre Spamalot Lady of the Lake/Standby Mike Nichols dir. Imaginary Friends Mrs. Stillman & others Jack O'Brien dir. Oklahoma Ellen Trevor Nunn mus dir./Susan Stroman chor. Riverdance on Broadway Amanzi Soloist Gershwin Theater Marie Christine Ozelia Graciela Daniele dir. Ragtime Sarah’s Friend u/s Frank Galati, Graciela Daniele/Ford’s Center REGIONAL The Toymaker Sarah NYMF/Lawrence Edelson,dir The World Goes Round Woman #1 Pittsburgh Public Theater/Marcia Milgrom Dodge,dir Ragtime Sarah White Plains Performing Arts Center Man of Lamancha Aldonza White Plains Performning Arts Center Baby Pam/s Papermill Playhouse Dreamgirls Michelle North Carolina Theater Ain’t Misbehavin’ Armelia Playhouse on the Green Imaginary Friends Smart women soloist Globe Theater 1001 Nights Sophie George Street Playhouse Mandela (with Avery Brooks) Winnie Steven Fisher dir./Crossroads Brief History
    [Show full text]
  • The Evolution of Musical Theatre Dance
    Gordon 1 Jessica Gordon 29 March 2010 Honors Thesis Everything was Beautiful at the Ballet: The Evolution of Musical Theatre Dance During the mid-1860s, a ballet troupe from Paris was brought to the Academy of Music in lower Manhattan. Before the company’s first performance, however, the theatre in which they were to dance was destroyed in a fire. Nearby, producer William Wheatley was preparing to begin performances of The Black Crook, a melodrama with music by Charles M. Barras. Seeing an opportunity, Wheatley conceived the idea to combine his play and the displaced dance company, mixing drama and spectacle on one stage. On September 12, 1866, The Black Crook opened at Niblo’s Gardens and was an immediate sensation. Wheatley had unknowingly created a new American art form that would become a tradition for years to come. Since the first performance of The Black Crook, dance has played an important role in musical theatre. From the dream ballet in Oklahoma to the “Dance at the Gym” in West Side Story to modern shows such as Movin’ Out, dance has helped tell stories and engage audiences throughout musical theatre history. Dance has not always been as integrated in musicals as it tends to be today. I plan to examine the moments in history during which the role of dance on the Broadway stage changed and how those changes affected the manner in which dance is used on stage today. Additionally, I will discuss the important choreographers who have helped develop the musical theatre dance styles and traditions. As previously mentioned, theatrical dance in America began with the integration of European classical ballet and American melodrama.
    [Show full text]
  • 2019 Silent Auction List
    September 22, 2019 ………………...... 10 am - 10:30 am S-1 2018 Broadway Flea Market & Grand Auction poster, signed by Ariana DeBose, Jay Armstrong Johnson, Chita Rivera and others S-2 True West opening night Playbill, signed by Paul Dano, Ethan Hawk and the company S-3 Jigsaw puzzle completed by Euan Morton backstage at Hamilton during performances, signed by Euan Morton S-4 "So Big/So Small" musical phrase from Dear Evan Hansen , handwritten and signed by Rachel Bay Jones, Benj Pasek and Justin Paul S-5 Mean Girls poster, signed by Erika Henningsen, Taylor Louderman, Ashley Park, Kate Rockwell, Barrett Wilbert Weed and the original company S-6 Williamstown Theatre Festival 1987 season poster, signed by Harry Groener, Christopher Reeve, Ann Reinking and others S-7 Love! Valour! Compassion! poster, signed by Stephen Bogardus, John Glover, John Benjamin Hickey, Nathan Lane, Joe Mantello, Terrence McNally and the company S-8 One-of-a-kind The Phantom of the Opera mask from the 30th anniversary celebration with the Council of Fashion Designers of America, designed by Christian Roth S-9 The Waverly Gallery Playbill, signed by Joan Allen, Michael Cera, Lucas Hedges, Elaine May and the company S-10 Pretty Woman poster, signed by Samantha Barks, Jason Danieley, Andy Karl, Orfeh and the company S-11 Rug used in the set of Aladdin , 103"x72" (1 of 3) Disney Theatricals requires the winner sign a release at checkout S-12 "Copacabana" musical phrase, handwritten and signed by Barry Manilow 10:30 am - 11 am S-13 2018 Red Bucket Follies poster and DVD,
    [Show full text]
  • (The Musical) Is Awesomely Lame | Culture | Religion Dispatches
    REVIEW June 12, 2011 Why The Book of Mormon (the Musical) is Awesomely Lame Never mind the Tony awards and all the acclaim, Broadway's best is not all that. By JARED FARMER The Book of Mormon cleaned up at this year's Tony Awards, winning nine of the 14 awards it was nominated for, including Best Musical. But tonight's success is hardly unexpected, capping off, as it does, an extraordinary season of critical adulation. What’s going on? Why has a good-not-great religious satire from the creators of South Park received rapturous praise from the whole canon of media tastemakers? It may be true that The Book of Mormon is the second best musical début (behind American Idiot) on the Great White Way in recent memory, but that’s really not saying much. In a season devoted mainly to re-runs, revivals, and adaptations, The Book of Mormon stands out for being a first-run play with an original score and book. Also, while the musical adheres to 1950s Broadway conventions— tunefulness, campiness, and uplift—it's modishly vulgar. The Book of Arnold? The plot concerns two unprepared and ill-paired missionaries, a pious hunk and a delusional geek, sent from Utah to Uganda. There the rural villagers suffer from AIDS, dysentery, and political violence. The Ugandans say they have no use for this American religion; it doesn’t help their situation. But when the chubby, bespectacled geek—a Mormon who has never read the Book of Mormon—invents “scriptural” stories in the form of practical allegories, with embellishments borrowed from Star Trek, Star Wars, and Lord of the Rings, the Africans respond enthusiastically.
    [Show full text]
  • Digital Commons @ Otterbein Nine
    Otterbein University Digital Commons @ Otterbein 2008-2009 Season Productions 2001-2010 5-21-2009 Nine Otterbein University Theatre and Dance Department Follow this and additional works at: https://digitalcommons.otterbein.edu/production_2008-2009 Part of the Acting Commons, Dance Commons, and the Theatre History Commons Recommended Citation Otterbein University Theatre and Dance Department, "Nine" (2009). 2008-2009 Season. 4. https://digitalcommons.otterbein.edu/production_2008-2009/4 This Book is brought to you for free and open access by the Productions 2001-2010 at Digital Commons @ Otterbein. It has been accepted for inclusion in 2008-2009 Season by an authorized administrator of Digital Commons @ Otterbein. For more information, please contact [email protected]. OTTERBEIN COLLEGE DEPARTMENT OF THEATRE AND DANCE AND DEPARTMENT OF MUSIC Present Nine Book by ARTHUR KOPIT Music & Lyrics by MAURY YESTON Adaptation from the Italian by Mario Fratti Broadway Production Directed by Tommy Tune Original Cast Album on Columbia Records & Tapes Directed by CHRISTINA KIRK Music Director DENNIS DAVENPORT Choreographer STELLA HIATT-KANE Set Design Costume Design ROB JOHNSON MARCIA HAIN Lighting Design DANA L. WHITE Stage Managed by KELSEY FARRIS May 21-24, 28-30, 2009 Fritsche Theatre at Cowan Hall Produced by special arrangement with SAMUEL FRENCH, INC. cast Guido............................................................................................. Cesar Villavicencio Young Guido..........................................................................................Conner
    [Show full text]
  • 2018 Annual Report
    Annual Report 2018 Dear Friends, welcome anyone, whether they have worked in performing arts and In 2018, The Actors Fund entertainment or not, who may need our world-class short-stay helped 17,352 people Thanks to your generous support, The Actors Fund is here for rehabilitation therapies (physical, occupational and speech)—all with everyone in performing arts and entertainment throughout their the goal of a safe return home after a hospital stay (p. 14). nationally. lives and careers, and especially at times of great distress. Thanks to your generous support, The Actors Fund continues, Our programs and services Last year overall we provided $1,970,360 in emergency financial stronger than ever and is here for those who need us most. Our offer social and health services, work would not be possible without an engaged Board as well as ANNUAL REPORT assistance for crucial needs such as preventing evictions and employment and training the efforts of our top notch staff and volunteers. paying for essential medications. We were devastated to see programs, emergency financial the destruction and loss of life caused by last year’s wildfires in assistance, affordable housing, 2018 California—the most deadly in history, and nearly $134,000 went In addition, Broadway Cares/Equity Fights AIDS continues to be our and more. to those in our community affected by the fires and other natural steadfast partner, assuring help is there in these uncertain times. disasters (p. 7). Your support is part of a grand tradition of caring for our entertainment and performing arts community. Thank you Mission As a national organization, we’re building awareness of how our CENTS OF for helping to assure that the show will go on, and on.
    [Show full text]
  • Belvoir Terrace Staff 2018
    Belvoir Terrace Staff 2018 Belvoir Terrace Staff 2018 Diane Goldberg Marcus - Director Educational Background D.M.A. City University of New York M.M. The Juilliard School B.M. Oberlin Conservatory Teaching/Working Experience American Camping Association Accreditation Visitor Private Studio Teacher - New York, NY Piano Instructor - Hunter College, New York, NY Vocal Coach Assistant - Hunter College, New York, NY Chamber Music Coach - Idyllwild School of Music, CA Substitute Chamber Music Coach - Juilliard Pre-College Division Awards/Publications/Exhibitions/Performances/Affiliations Married to Michael Marcus, Owner/Director of Camp Greylock, boys camp Becket, MA Independent School Liaison - Parents In Action, NYC Health & Parenting Association Coordinator - Trinity School, NYC American Camping Association Accreditation Visitor D.M.A. Dissertation: Piano Pedagogy in New York: Interviews with Four Master Teachers (Interviews with Herbert Stessin, Martin Canin, Gilbert Kalish, and Arkady Aronov) Teaching Fellowship - The City University of New York Honorary Scholarship for the Masters of Music Program – The Juilliard School The John N. Stern Scholarship - Aspen Music Festival Various Performances at: Paul Hall - Juilliard - New York Alice Tully Hall - New York City College - New York Berkshire Performing Arts Center, National Music Center - Lenox, MA WGBH Radio - Boston Reading Musical Foundation Museum Concert Series - Reading, PA Cancer Care Benefit Concert - Princeton, NJ Nancy Goldberg - Director Educational Background M.A. Harvard University
    [Show full text]
  • We Finally See Rockwell, Williams in FX's First 'Fosse/Verdon' Trailer
    We Finally See Rockwell, Williams in FX's First 'Fosse/Verdon' Trailer 02.25.2019 FX's upcoming eight-episode limited series, Fosse/Verdon, unpacks the turbulent five-decade relationship of legendary Hollywood director and choreographer, Bob Fosse (Sam Rockwell), and his wife, muse and star in her own right, Gwen Verdon (Michelle Williams). Their relationship starts as a director-star cliche and then evolves into something much more complicated as Fosse fuels his manic creativity with drugs, alcohol and sex. Verdon, meanwhile, reaches the height of her career as a Broadway triple threat and multiple Tony winner but watches Fosse stay in the spotlight as she fades into age and obscurity. Still, she remains his unrecognized collaborator even as their marriage unravels. Eventually, Fosse forges a connection with Ann Reinking (Margaret Qualley), an up-and-coming Broadway dancer who has all the talent and tenacity of a young Verdon. She hopes to follow in Verdon's footsteps, but may not have the stomach to put up with everything Fosse demands. Surrounding the couple are a coterie of fellow artists, friends, collaborators, and rivals: playwright and screenwriter Paddy Chayefsky (Norbert Leo Butz); former modern dancer- turned-homemaker Joan Simon (Aya Cash); Joan's husband, playwright Neil Simon (Nate Corddry); and theater producer and director Hal Prince (Evan Handler). The series is executive produced by Rockwell, Williams, Thomas Kail, Steven Levenson, Lin-Manuel Miranda, Joel Fields and George Stelzner. Levenson wrote the premiere episode, which is directed by Kail. Nicole Fosse, daughter of the couple, serves as key creative consultant, co-executive producer and keeper of the Verdon Fosse legacy.
    [Show full text]
  • Resume 2017.Pgs
    JANE LABANZ www.janelabanz.com Height: 5’5” / Weight: 120 212 300 5653 Soprano/Mix/Light Belt AEA SAG/AFTRA Strong High Notes 330 West 42nd Street, 18th Floor New York, NY 10036 212-629-9112 [email protected] BROADWAY/NATIONAL TOURS Director Anything Goes Hope u/s (Broadway and National Tour) Jerry Zaks The King and I Anna (Sandy Duncan / Stefanie Powers standby) Baayork Lee The Best Little Whorehouse in Texas Ginger (Doatsey Mae u/s) Thommie Walsh (Cast album, w/ Ann-Margret) Eric Schaeffer Annie Grace Farrell Bob Fitch 42nd Street Phyllis Dale (Peggy u/s) Mark Bramble The Sound of Music (w/ Marie Osmond) Swing/Dance Captain Jamie Hammerstein Bye Bye Birdie (w/ Tommy Tune/Anne Reinking) Kim u/s (to Susan Egan) Gene Saks Dr. Dolittle (w/ Tommy Tune) Puddleby Tommy Tune Cats Jelly/Jenny/Swing David Taylor REGIONAL THEATRE Tuck Everlasting (World Premiere /Alliance Theatre) Older Winnie (Nanna u/s) Casey Nicholaw (Dir.) Love Story (American Premiere) Alison Barrett Walnut Street Theatre A Little Night Music Mrs. Nordstrom / Dance Captain Cincinnati Playhouse 9 to 5 Violet Newstead Tent Theatre I Love a Piano Eileen Milwaukee Repertory Always…Patsy Cline Louise Seger New Harmony Theatre The Cocoanuts (Helen Hayes Award, Best Musical) Polly Potter Arena Stage Noises Off Brooke Ashton Totem Pole Playhouse Cinderella Fairy Godmother / Queen u/s North Shore Music Theatre The Nerd Clelia Waldgrave Totem Pole Playhouse The Music Man Marian Paroo Pittsburgh Playhouse George M! Nellie Cohan Theatre by the Sea George M! Agnes Nolan (plus 9 other
    [Show full text]
  • Theatre Getaway
    HAMILTON THE MUSICAL THE MUSIC MAN BREAKFAST & DINNER INCLUDED THEATRE GETAWAY T AUGUST 7 – 8, 2021 SATURDAY - SUNDAY FUN & LAUGHTER FEATURING “THE MUSIC MAN” AT THE CHANHASSEN DINNER THEATER AND HAMILTON AT THE ORPHEUM. Join Judy’s Leisure Tours as we travel to Minneapolis for a theater get- away. We have lots to look forward to: food, laughter and two wonderful performances. $495.00Based on Double Occupancy Single Supplement Add $65 For Reservations Contact: • Motorcoach JUDY’S LEISURE TOURS • Quality Accommodations 4906 16TH ST N • Tour Director FARGO, ND 58102 • Chanhassen Dinner Theatre 701-232-3441 • AThe Music Man@ • The Orpheum Theatre • AHamilton” • Breakfast/Dinner Day 1, Saturday, August 7: Traveling down I-94 with our traveling companions we enjoy the view of the Minnesota countryside. We will stop in route for you to have lunch before we arrive in the twin cities at our overnight lodging, the Country Inn and Suites in Chanhassen. You will have time to relax and freshen up before we head over to our performance this evening. We have reserved seats at the Chanhassen Dinner Theatre where we will enjoy a delicious dinner from their menu and see the exciting musical “The Music Man” a fun transformative story. This musical theater classic features songs like “(Ya Got) Trouble.” “Seventy-Six Trombones,” The Wells Fargo Wagon,” Til There Was You,” “Gary, Indiana” and more. Meredith Wilson’s six-time, Tony Award- winning musical comedy has been entertaining audiences since 1957. The Music Man follows fast-talking salesman, Harold Hill, as he cons the people of River City, Iowa into buying instruments and uniforms for a boys’ band that he vows to organize- this, despite the fact that he doesn’t know a trombone from a treble clef.
    [Show full text]
  • New Studio on Broadway: Music Theatre and Acting
    ® ® 2019 CELEBRATING JIMMY NEDERLANDER James M. Nederlander or “Jimmy,” Chairman of The Nederlander Organization, was the visionary theatrical impresario who built one of the largest private live entertainment companies in the world known for producing and presenting world-class entertainment since 1912. Jimmy started working in the theatre at age 7 sweeping floors for his father, David Tobias (D.T.) Nederlander, in Detroit, Michigan. During a career that spanned over 70 years, Jimmy amassed a network of premier legitimate theatres including nine on Broadway: the Brooks Atkinson, Gershwin, Lunt-Fontanne, Marquis, Minskoff, Nederlander, Neil Simon, Richard Rodgers, and the world famous Palace; in Los Angeles: The Pantages; in London: the Adelphi, Aldwych, and Dominion; and in Chicago: the Auditorium, Broadway Playhouse, Cadillac Palace, and CIBC Theatres, and the Oriental Theatre which this year was renamed the James M. Nederlander Theatre in Jimmy’s honor. He produced over one hundred acclaimed Broadway musicals and plays including Annie, Applause, La Cage aux Folles, Les Liaisons Dangereuses, Me and My Girl, Nine, Noises Off, Peter Pan, Sweet Charity, The Life and Adventures of Nicholas Nickelby, The Will Rogers Follies, Woman of the Year, and many more. “Generous,” “loyal” and “trusted” are just a few of the accolades his friends use to describe him. Jimmy was beloved by the industry and the recipient of many distinguished honors including an Honorary Doctorate of Fine Arts from the University of Connecticut (2014), the Exploring the Arts Foundation Award (2014), the United Nations Foundation Champion Award (2012), The Broadway League’s Schoenfeld Vision for Arts Education Award (2011), the New York Pop’s Man of the Year (2008), and the special Tony Award for Lifetime Achievement (2004).
    [Show full text]