The Noteworthy Life of Howard Barnes at Village Theatre Encore

Total Page:16

File Type:pdf, Size:1020Kb

The Noteworthy Life of Howard Barnes at Village Theatre Encore SEPTEMBER 2018 September 2018 Volume 18, No. 1 RECEIVINGBR STANDING OVATIONS AVO! & RAVE REVIEWS FROM PATIENTS · Sports Medicine · Foot & Ankle · Spine Surgery · Joint Replacement · Hand & Wrist · Surgery Center Paul Heppner President Board Certified Orthopedic Surgeons Mike Hathaway Vice President (425) 339-2433 Kajsa Puckett www.ebjproliancesurgeons.com Vice President, Marketing & Business Development Genay Genereux EAP 1_6 H template.indd 1 9/30/16 11:56 AM Accounting & Office Manager Production Susan Peterson Design & Production Director Jennifer Sugden Assistant Production Manager Ana Alvira, Stevie VanBronkhorst Production Artists and Graphic Designers Sales Amelia Heppner, Marilyn Kallins, Terri Reed San Francisco/Bay Area Account Executives Joey Chapman, Brieanna Hansen, Ann Manning, Wendy Pedersen Seattle Area Account Executives Carol Yip Sales Coordinator Marketing Shaun Swick Senior Designer & Digital Lead Ciara Caya Marketing Coordinator Encore Media Group Corporate Office 425 North 85th Street Seattle, WA 98103 p 800.308.2898 | 206.443.0445 f 206.443.1246 [email protected] www.encoremediagroup.com APPARITIONS Encore Arts Programs and Encore Stages are published monthly by Encore Media Group to serve musical and theatrical events & in the Puget Sound and San Francisco Bay Areas. All rights reserved. ©2018 Encore Media Group. Reproduction without SPELLBOUND written permission is prohibited. September 18 through November 18, 2018 Opening Reception September 21, 2018 6pm – 8pm, FREE Image: Marlene Seven Bremner. The Transfiguration of Thoth. Oil on canvas. 620 Market Street Kirkland, WA 98033 kirklandartscenter.org 2 VILLAGE THEATRE ROBB HUNT Executive Producer JERRY DIXON Artistic Director Book and Lyrics by Christopher Dimond Music by Michael Kooman Francis J. Gaudette Theatre Everett Performing Arts Center September 13 – October 21, 2018 October 26 – November 18, 2018 Director BRANDON IVIE Choreographer Music Director Scenic Designer AL BLACKSTONE R.J. TANCIOCO CHRISTOPHER MUMAW Costume Designer Lighting Designer Sound Designer Orchestrations ROSE PEDERSON AARON COPP BRENT WARWICK MIKE PETTRY Stage Managers Assistant Stage Managers Properties Manager Wig Master PAMELA CAMPI SPEE* TERESA MICHELETTI RACHEL BENNICK DOUGLAS DECKER CATHERINE COSTANZO* LAUREL NICHOLS BRENDA K. WALKER* Master Scenic Artist Technical Director Costume Shop Manager Production Manager JULIA B. FRANZ BRADLEY C. BIXLER ESTHER GARCIA JAY MARKHAM The Noteworthy Life of Howard Barnes was developed during a residency at the Eugene O’Neill Theater Center’s National Music Theater Conference in 2013. Preston Whiteway, Executive Director. Paulette Haupt, Artistic Director. Developed as part of the “Village Originals” Series of New Musicals. Village Theatre, Issaquah, Washington. Robb Hunt, Executive Producer. Steve Tomkins, Artistic Director. Developed in part at Rhinebeck Writers Retreat. The Noteworthy Life of Howard Barnes was presented at National Alliance for Musical Theatre’s Festival of New Musicals in 2014. The Noteworthy Life of Howard Barnes was developed by Goodspeed Musicals in 2015. SHOW SPONSOR SHOW MEDIA SPONSORS SEASON SPONSORS SEASON MEDIA SPONSOR PRODUCING SPONSORS DIRECTING SPONSOR IN-KIND SUPPORT Made possible in part by assistance from the Snohomish County hotel-motel tax fund. VILLAGE THEATRE’S 2018–2019 SEASON THE NOTEWORTHY LIFE MATILDA I DO! I DO! THE CURIOUS INCIDENT OF THE MILLION DOLLAR OF HOWARD BARNES November 8, 2018 – January 17 – DOG IN THE NIGHT-TIME QUARTET September 13 – November 18, 2018 February 3, 2019 March 24, 2019 March 14 – May 19, 2019 May 9 – July 28, 2019 Author's Note Cast Michael and I first started kicking Howard Barnes ................................................................................................................... Joshua Carter* around ideas for what would become Maggie .......................................................................................................................................Taryn Darr* The Noteworthy Life of Howard Barnes in Von Schwartzenheim ..............................................................................................................Jeff Steitzer* 2010. The comedic potential for a fish-out- Grace ................................................................................................................................Jasmine Jean Sim of-water story about a man who wakes up Ensemble ........................................................................................................... Greg McCormick Allen* to the horrific realization that his life has Ensemble .............................................................................................................................. Kate E. Cook* become a musical struck us immediately. Ensemble .................................................................................................................................Alex Crozier Ensemble .............................................................................................................................Nick DeSantis* What took a little more time and thought Ensemble .............................................................................................................................Paul Flanagan* was the far more important task of Ensemble .......................................................................................................................... Danielle Kelsey* discovering and digging into the heart of Ensemble ................................................................................................................................Mallory King the story itself. What exactly did music Ensemble ........................................................................................................................ Richard Peacock* mean in this world? What was missing Ensemble .............................................................................................................................. Sarah Russell* from Howard’s life that only the absurdist Ensemble ....................................................................................................................Hannah Schuerman intervention of musical theatre could Ensemble ........................................................................................................................John David Scott* provide? Ensemble ..........................................................................................................................Brenna Wagner* As we honed in on that idea, we found Dance Captain ................................................................................................................. Danielle Kelsey* ourselves thinking a lot about all of the things that we love about musicals. UNDERSTUDIES Beneath the silliness and the satire, we Howard Barnes ..............................................................................................................John David Scott* wanted this show to be a celebration of Maggie ...............................................................................................................................Brenna Wagner* musical theatre in all of its joyous, heart- Von Schwartzenheim .........................................................................................................Nick DeSantis* warming, magnificent, ludicrous glory. Grace ..................................................................................................................................... Kate E. Cook* Experimentals ....................................................................................................Greg McCormick Allen* We’re hoping that much of what we love Ensemble ....................................................................................................................... Coulson Bingham about this crazy art form comes across Ensemble ................................................................................................................................Sasha Conley in the show itself, but there’s one aspect Ensemble ...................................................................................................................Mackenzie Malhotra of musical theatre that can be clearly Ensemble ..............................................................................................................................Kayden Oliver demonstrated right here in the program. Take a look at all of the names listed here. Spoiler alert: there are a lot of them. Orchestra No musical is born solely in the minds of its creators. It’s an unbelievably Keyboard 1/Conductor ......................................................................................................... R.J. Tancioco collaborative art form. It takes, if you’ll Keyboard 2 ....................................................................................................................... Michael Nutting pardon the pun, a village. Violin ........................................................................................................................................Valerie Tung And that is possibly the thing we love the Trumpet ...................................................................................................... Charles Butler or Greg Lyons most. Trombone ................................................................................................ Keith Winkle or Nathan Vetter Reed 1 ..................................................................................................................................Dane
Recommended publications
  • Brian Stokes Mitchell Outside at the Colonial
    Press Contacts: Katie B. Watts Press Manager (413) 448-8084 x15 [email protected] Becky Brighenti Director of Marketing & Public Relations (413) 448-8084 x11 [email protected] For immediate release, please: Monday, July 20 at 10am Berkshire Theatre Group Announces An Intimate Performance with Two-time Tony Award-winner Brian Stokes Mitchell to Benefit Berkshire Theatre Group and a Portion of Sales to go to The Actors Fund and Black Theatre United Pittsfield, MA – Berkshire Theatre Group (BTG) and Kate Maguire (Artistic Director, CEO) are ​ excited to announce two-time Tony Award-winner Brian Stokes Mitchell in an intimate ​ ​ performance and fundraiser to benefit Berkshire Theatre Group. In this very special one-night-only concert, Brian Stokes Mitchell will deliver an unforgettable performance to an audience of less than 100 people, outside under a tent at The Colonial Theatre on Labor Day ​ Weekend, September 5 at 8pm. Dubbed “the last leading man” by The New York Times, Tony Award-winner Brian Stokes ​ ​ Mitchell has enjoyed a career that spans Broadway, television, film, and concert appearances with the country’s finest conductors and orchestras. He received Tony, Drama Desk, and Outer Critics Circle awards for his star turn in Kiss Me, Kate. He also gave Tony-nominated ​ ​ performances in Man of La Mancha, August Wilson’s King Hedley II, and Ragtime. Other ​ ​ ​ ​ ​ ​ notable Broadway shows include: Kiss of the Spider Woman, Jelly’s Last Jam, Women on the ​ Verge of a Nervous Breakdown and Shuffle Along. In 2016 he was awarded his second Tony ​ ​ ​ Award, the prestigious Isabelle Stevenson Tony for his Charitable work with The Actors Fund.
    [Show full text]
  • Broadway Patina Miller Leads a (Mostly) Un-Hollywood Lineup of Stellar Stage Nominees
    05.23.13 • backstage.com The Tonys return to Broadway Patina Miller leads a (mostly) un-Hollywood lineup of stellar stage nominees wHo will win—and wHo sHould 0523 COV.indd 1 5/21/13 12:26 PM Be the Master Storyteller Learn to engage in the truth of a story, breathe life into characters, and create powerful moments on camera. Welcome to your craft. acting for film & television Vancouver Film School pureacting.com Vancouver Film Sch_0321_FP.indd 1 3/18/13 11:00 AM CONTENTS vol. 54, no. 21 | 05.23.13 CENTER STAGE COVER STORY Flying High 1 8 s inging, acting, dancing, and trapeze! Patina Miller secures her spot as one of Broadway’s best with her tony-nominated multi- hyphenate performance in “Pippin” FEATURES 17 2013 tony awards 22 smackdown who will—and who should— UPSTAGE take home the tony on June 9 Col a NEWS : Ni 05 take Five hair ipka what to see and where to go r in the week ahead ith DOWNSTAGE D : Ju griffith; 07 top news CASTING D Looking ahead at the 2013–14 27 new York tristate ewelry tv season Notices audition highlights heia; J 08 stage t : the Drama League opens 39 california Ng a new theater center Notices lothi in downtown Manhattan audition highlights illey;Miller: photo: Cha l ayes; C ayes; 10 screen 43 national/regional h ouise l 72 hour shootout 18 Notices gives opportunities audition highlights arah arah s to asian-americans : Chelsea CHARTS ACTOR 101 54 production stylist ; 13 Inside Job L.a.: feature films: N Dogfish accelerator upcoming co-founders James Belfer n.Y.: feature films: k salo ; lilley: Courtesy C N and Michelle soffen upcoming so N 14 the working actor 55 cast away a robi Dealing with unprofessional hey, Beantown! for roy teelu NiN co-stars D MEMBER SPOTLIGHT har C 16 secret agent Man 56 sarah Louise Lilley rit p why you could still lose your “i was once told that my roles ai k pilot job have a theme in common— : characters that are torn oftware; Dogfish: s akeup 17 tech & dIY between two choices, snapseed whether it be two worlds, two e; M N men, two cultures, or two cover photo: chad griffith personalities.
    [Show full text]
  • HOMECOMING 2011 • CHRISTIAN BORLE ’91 President’S Message DEAR SHADY SIDE ACADEMY of Talented Student Musicians, COMMUNITY: Singers, Actors and Artists
    WINTER 2011-2012 INSIDE: HOMECOMING 2011 • CHRISTIAN BORLE ’91 preSIDeNt’S Message DEAR SHADY SIDE ACADEMY of talented student musicians, COMMUNITY: singers, actors and artists. We are also lucky to have such an In November, I attended the Senior incredible facility, the Hillman School’s fall drama production, an Center for Performing Arts. adaptation of Shakespeare’s Romeo thanks to the tremendous work and Juliet. Classic Shakespearean lines of executive Director Sarah York were interspersed with contemporary Rubin, we see not only wonderful vernacular, and the result was a student performances at the thoughtful, humorous and evocative Hillman, but also an impressive performance. In fact, an extra show had schedule of performances by to be added to satisfy the demand for world-class professional artists. tickets. Led by first-year theater teacher One of my other favorite places is Dana Hardy-Bingham, Shady Side the Benedum Visual Arts Center, students participated in the writing of the an incredible space that originally play; the acting, of course; the live music; housed the Senior School’s and all of the behind-the-scenes work. power plant. At any given time, It was a fantastic way to harness the many visitors to the BVAC can observe feedback from our community to help talents of our students and make the show students sketching architectural designs, shape Shady Side’s next strategic plan, it a true SSA community production. exploring painting techniques or throwing has been rewarding to find that the arts is A few days earlier, I attended the a ceramic pot, with our accomplished now perceived as one of our strengths.
    [Show full text]
  • (The Musical) Is Awesomely Lame | Culture | Religion Dispatches
    REVIEW June 12, 2011 Why The Book of Mormon (the Musical) is Awesomely Lame Never mind the Tony awards and all the acclaim, Broadway's best is not all that. By JARED FARMER The Book of Mormon cleaned up at this year's Tony Awards, winning nine of the 14 awards it was nominated for, including Best Musical. But tonight's success is hardly unexpected, capping off, as it does, an extraordinary season of critical adulation. What’s going on? Why has a good-not-great religious satire from the creators of South Park received rapturous praise from the whole canon of media tastemakers? It may be true that The Book of Mormon is the second best musical début (behind American Idiot) on the Great White Way in recent memory, but that’s really not saying much. In a season devoted mainly to re-runs, revivals, and adaptations, The Book of Mormon stands out for being a first-run play with an original score and book. Also, while the musical adheres to 1950s Broadway conventions— tunefulness, campiness, and uplift—it's modishly vulgar. The Book of Arnold? The plot concerns two unprepared and ill-paired missionaries, a pious hunk and a delusional geek, sent from Utah to Uganda. There the rural villagers suffer from AIDS, dysentery, and political violence. The Ugandans say they have no use for this American religion; it doesn’t help their situation. But when the chubby, bespectacled geek—a Mormon who has never read the Book of Mormon—invents “scriptural” stories in the form of practical allegories, with embellishments borrowed from Star Trek, Star Wars, and Lord of the Rings, the Africans respond enthusiastically.
    [Show full text]
  • Hair for Rent: How the Idioms of Rock 'N' Roll Are Spoken Through the Melodic Language of Two Rock Musicals
    HAIR FOR RENT: HOW THE IDIOMS OF ROCK 'N' ROLL ARE SPOKEN THROUGH THE MELODIC LANGUAGE OF TWO ROCK MUSICALS A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Music Eryn Stark August, 2015 HAIR FOR RENT: HOW THE IDIOMS OF ROCK 'N' ROLL ARE SPOKEN THROUGH THE MELODIC LANGUAGE OF TWO ROCK MUSICALS Eryn Stark Thesis Approved: Accepted: _____________________________ _________________________________ Advisor Dean of the College Dr. Nikola Resanovic Dr. Chand Midha _______________________________ _______________________________ Faculty Reader Interim Dean of the Graduate School Dr. Brooks Toliver Dr. Rex Ramsier _______________________________ _______________________________ Department Chair or School Director Date Dr. Ann Usher ii TABLE OF CONTENTS Page LIST OF TABLES ............................................................................................................. iv CHAPTER I. INTRODUCTION ............................................................................................................1 II. BACKGROUND OF THE STUDY ...............................................................................3 A History of the Rock Musical: Defining A Generation .........................................3 Hair-brained ...............................................................................................12 IndiffeRent .................................................................................................16 III. EDITORIAL METHOD ..............................................................................................20
    [Show full text]
  • 2018 Annual Report
    Annual Report 2018 Dear Friends, welcome anyone, whether they have worked in performing arts and In 2018, The Actors Fund entertainment or not, who may need our world-class short-stay helped 17,352 people Thanks to your generous support, The Actors Fund is here for rehabilitation therapies (physical, occupational and speech)—all with everyone in performing arts and entertainment throughout their the goal of a safe return home after a hospital stay (p. 14). nationally. lives and careers, and especially at times of great distress. Thanks to your generous support, The Actors Fund continues, Our programs and services Last year overall we provided $1,970,360 in emergency financial stronger than ever and is here for those who need us most. Our offer social and health services, work would not be possible without an engaged Board as well as ANNUAL REPORT assistance for crucial needs such as preventing evictions and employment and training the efforts of our top notch staff and volunteers. paying for essential medications. We were devastated to see programs, emergency financial the destruction and loss of life caused by last year’s wildfires in assistance, affordable housing, 2018 California—the most deadly in history, and nearly $134,000 went In addition, Broadway Cares/Equity Fights AIDS continues to be our and more. to those in our community affected by the fires and other natural steadfast partner, assuring help is there in these uncertain times. disasters (p. 7). Your support is part of a grand tradition of caring for our entertainment and performing arts community. Thank you Mission As a national organization, we’re building awareness of how our CENTS OF for helping to assure that the show will go on, and on.
    [Show full text]
  • Colonial Concert Series Featuring Broadway Favorites
    Amy Moorby Press Manager (413) 448-8084 x15 [email protected] Becky Brighenti Director of Marketing & Public Relations (413) 448-8084 x11 [email protected] For Immediate Release, Please: Berkshire Theatre Group Presents Colonial Concert Series: Featuring Broadway Favorites Kelli O’Hara In-Person in the Berkshires Tony Award-Winner for The King and I Norm Lewis: In Concert Tony Award Nominee for The Gershwins’ Porgy & Bess Carolee Carmello: My Outside Voice Three-Time Tony Award Nominee for Scandalous, Lestat, Parade Krysta Rodriguez: In Concert Broadway Actor and Star of Netflix’s Halston Stephanie J. Block: Returning Home Tony Award-Winner for The Cher Show Kate Baldwin & Graham Rowat: Dressed Up Again Two-Time Tony Award Nominee for Finian’s Rainbow, Hello, Dolly! & Broadway and Television Actor An Evening With Rachel Bay Jones Tony, Grammy and Emmy Award-Winner for Dear Evan Hansen Click Here To Download Press Photos Pittsfield, MA - The Colonial Concert Series: Featuring Broadway Favorites will captivate audiences throughout the summer with evenings of unforgettable performances by a blockbuster lineup of Broadway talent. Concerts by Tony Award-winner Kelli O’Hara; Tony Award nominee Norm Lewis; three-time Tony Award nominee Carolee Carmello; stage and screen actor Krysta Rodriguez; Tony Award-winner Stephanie J. Block; two-time Tony Award nominee Kate Baldwin and Broadway and television actor Graham Rowat; and Tony Award-winner Rachel Bay Jones will be presented under The Big Tent outside at The Colonial Theatre in Pittsfield, MA. Kate Maguire says, “These intimate evenings of song will be enchanting under the Big Tent at the Colonial in Pittsfield.
    [Show full text]
  • Del Hughes Program 2019
    The Del Hughes Awards for Lifetime Achievement in the Art of Stage Management , Stage Managers Association September 23, 2019 , Connolly’s, Times Square STAGE MANAGERS MAKE IT HAPPEN USITT is pleased to celebrate the art of stage management and the work of this year’s Del Hughes Award winners. Congratulations. STAGE MANAGEMENT MENTOR PROJECT each year at our Annual Conference & Stage Expo usitt.org Program SMA Welcome Cheryl Mintz Chair of the Awards & Recognition Committee and Del Hughes Event Director at Large of the Stage Managers’ Association Opening Remarks Elynmarie Kazle Chair of the Stage Managers’ Association Masters of Ceremonies Bill Hare, Elynmarie Kazle ,Cheryl Mintz, and Matt Stern Elizabeth Franz to introduce Del Hughes honoree Rich Costabile Meredith Greenburg to introduce Del Hughes honoree Barbara Donner George C. Wolfe to introduce of Del Hughes honoree Mary K Klinger Arturo E. Porazzi to introduce Founders Award honoree Janet Friedman Closing Remarks Cheryl Mintz Del Hughes Award Event Committee Cheryl Mintz, Chair John Concannon, Bill Hare, Elynmarie Kazle, Robert Mills, Melissa A. Nathan, Matt Stern, Adrienne Wells, and Mark A. Zimmerman Special Thanks Robert Sutherland-Cohen, Monique Bernier Broadway Stage Management Symposium Welcome SMA It is my pleasure to welcome you to the Del Hughes Awards. I first want to thank the Awards and Recognition Committee, along with the Del Hughes Award Event Committee, and most especially Cheryl Mintz for taking the reins for this import- ant event. She has planned a great evening for our community and awardees. When the SMA was formed 39 years ago, stage managers from the New York the- atre community came together in an effort to give a voice to those in our profession.
    [Show full text]
  • On the Purple Circuit with Bill Kaiser Volume 11, Number 4 the JEFFREY SOLOMON / MARJORIE CONN ISSUE
    On The Purple Circuit With Bill Kaiser Volume 11, Number 4 THE JEFFREY SOLOMON / MARJORIE CONN ISSUE Welcome to On the Purple Circuit! Our informal network exists to encourage, promote, and and Ragged Blade and Chris Jackson from St. Louis and the celebrate GLBQT Theatre and Performance throughout rest of the shows preceding my arrival. Again, I want to the world! congratulate Frank Barnhart for his achievement and for letting me become a part of it. The Festival will be back in This is The Jeffrey Solomon/Marjorie Conn Issue. They were 2004, so contact [email protected] Meanwhile, Frank is NYC two of the many stars that performed at The Columbus directing MEMBERS OF THE TRIBE and Dale Gregory is National Gay and Lesbian Theatre Festival that I was able to directing THE EIGHT- THE REINDEER MONOLOGUES for attend part of in September. The entire Festival was ran with Act Out Productions in Columbus. a great degree of organization, professionalism, and community support. Kudos to Frank Barnhart and Act Out Sadly, I have some tragic losses to report. Pioneer Productions, publicist Dale Gregory, and their entire staff! playwright Sidney Morris has died in NYC. He was the author Truly this can be a model of how to run a festival of more than 50 plays including IF THIS ISN'T LOVE, and successfully. Audiences numbered more than 4,000 during many other wonderful plays some of which remain to be the ten-day festival with 24 productions to see. It was a feast produced. Arrangements for a memorial service are still of talent for the theatre patron! pending at this time.
    [Show full text]
  • Tom Kitt Brian Yorkey
    WHITBY COURTHOUSE THEATRE | 2018/19 NEXT TO NORMAL Music by Book & Lyrics by TOM KITT BRIAN YORKEY November 8-24, 2018 PROGRAM whitbytheatre.ca Whitby Centennial Building, 416 Centre St. S. | 905.668.8111 Next to Normal is presented through special arrangement with Music Theatre International (MTI). Small by design. All girls with a purpose. ALL GIRLS DAY & BOARDING GRADES 4-12 Join us Winter Open House Saturday, February 2 10 a.m. to noon 401 Reynolds Street 905.668.3358 Email us at trafalgarcastle.ca [email protected] to arrange your own personal visit. Small by design. All girls with a purpose. WHITBY COURTHOUSE THEATRE PRESENTS NEXT TO NORMAL Music by Book & Lyrics by Tom Kitt Brian Yorkey Producer Director Music Director Heather Doucette Shael Risman Nick Denis ALL GIRLS Stage Manager Assistant Director Back Stage Manager DAY & BOARDING Paul Sowerbutts Melissa Gibson Peggy Sowerbutts GRADES 4-12 Costume Design Lighting Design Set Design Sound Design Join us Rhonda Martin Greg Poulin Erastus Burley Margo Rodgers Original Broadway Production Produced by David Stone, James L. Nederlander, Winter Open House Barbara Whitman, Patrick Catullo and Second Stage Theatre. New York Premiere Produced by Second Stage Theatre, New York. February 2008 Saturday, February 2 Carole Rothman, Artistic Director Ellen Richard, Executive Director 10 a.m. to noon ‘Next To Normal’ was subsequently produced by Arena Stage in November 2008. 401 Reynolds Street Developed at Village Theatre, Issaquah, WA (Robb Hunt, Executive Producer, Steve Tomkins, Artistic Director). 905.668.3358 An earlier version was presented in the 2005 New York Musical Theatre Festival.
    [Show full text]
  • Theater Events: Mooney Does 'Shakespeare on Demand' in 'Breakneck Hamlet'
    dailyherald.com http://www.dailyherald.com/article/20150529/entlife/150528711/ Theater events: Mooney does 'Shakespeare on demand' in 'Breakneck Hamlet' Barbara Vitello Writer/director Tim Mooney stars in "Breakneck Hamlet" at Clockwise Theatre in Waukegan. COURTESY OF DALE JESSEN/CLOCKWISE THEATRE Fast-paced 'Hamlet' Clockwise Theatre presents the world premiere of "Breakneck Hamlet," writer/actor Tim Mooney's accelerated version of William Shakespeare's longest plays. Having introduced the melancholy Dane in Act 1, Mooney takes audience requests for the Bard's most famous speeches in the second act, which he dubs "Shakespeare on demand." Opens at 8 p.m. Friday, May 29, at 221 N. Genesee St., Waukegan. $20. (847) 775-1500 or clockwisetheatre.org. Standup showcase Standup comedians including Jordan Holmes and Peter Daniel perform as part of Comedy Shrine's monthly showcase of its favorite Midwest comedians. 8 p.m. Friday and Saturday, May 29-30, at 4034 Fox Valley Center Drive, Aurora. $20. (630) 585-0300 or comedyshrine.com. Playing his songs Theo Ubique Cabaret Theatre salutes the late composer Marvin Hamlisch as part of its summer showcase. "A Marvin Hamlisch Songbook" features standards like "The Way We Were" along with tunes from the musicals "A Chorus Line," "Sweet Smell of Success" and "They're Playing Our Song." Aaron Benham serves as musical director and arranger. Previews begin at 7:30 p.m. Thursday, June 4, at No Exit Cafe, 6970 N. Glenwood Ave., Chicago. The show opens June 6. $20-$34. (800) 595-4849 or theo-u.org. Other theater events • Lifeline Theatre, 6912 N.
    [Show full text]
  • ARTS the Producers Takes an Extra Bow 20 SPORTS Lacrosse Team
    MeMphis University school ARTS The Producers takes an extra bow 20 SPORTS Lacrosse team claims state title 26 GIVING Students pack Inside 56,000 food-bank meals 44 Volume 14, Number 3, Summer 2012 Table of Contents by Mr. Barry Ray, Upper School principal Cover Story 3 European Travels Owlcolades 10 Goldstein Academic All-Star days off before the new semester begins. 11 Foreign Language Awards Winter’s chill seems unending, but even- 12 Chess Team and EconChallenge Success 13 Notable Honors tually it yields to warmer, longer days. 15 Book Awards and Special Honors To EvEry Springtime invigorates the earth, yet it 16 Faculty Owlcolades SEASoN THErE seems to zap student energy levels. Many Fine Arts seniors view these last few months of 18 Fine Arts Updates 19 Music Theory Class high school as a time to be endured. As IS A PUrPoSE 20 Musical Theater: The Producers students elect new leaders for the coming 22 Shankman at The Jimmys In the midst of summer, I am reminded year, seniors are thinking about college, 22 Art Awards of cycles. and juniors are thinking about being seniors. Sports Buzz Life is always changing, always revolv- Spring gives way to summer, the school 23 Sports Updates 24 Varsity Basketball ing. Every end makes for a new beginning. year ends, and students go their separate 26 Varsity Lacrosse We see this clearly in nature’s seasons, which ways – to camps and academic programs 27 Fencing 28 Varsity Baseball bring variations that are essential to life. at home and abroad or vacations with 29 Trapshooting The school year also has its seasons, family and friends.
    [Show full text]