Identifying Idioms in Chinese Translations
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The Learning of Chinese Idiomatic Expressions As a Foreign Language
Higher Education Studies; Vol. 7, No. 2; 2017 ISSN 1925-4741 E-ISSN 1925-475X Published by Canadian Center of Science and Education The Learning of Chinese Idiomatic Expressions as a Foreign Language Li Liu1 & Jiayi Yao2 1 Faculty of English Education, Guangdong University of Foreign Studies, Guangzhou, China 2 Faculty of English Language and Culture, Guangdong University of Foreign Studies, Guangzhou, China Correspondence: Li Liu, Faculty of English Education, Guangdong University of Foreign Studies, No. 2 North Baiyun Road, Baiyun District, Guangzhou, China. Tel: 86-136-1144-2506. E-mail: [email protected] Received: March 13, 2017 Accepted: March 17, 2017 Online Published: April 5, 2017 doi:10.5539/hes.v7n2p27 URL: http://doi.org/10.5539/hes.v7n2p27 Abstract Chinese idioms are mostly four-character phrases and are called Quadra-syllabic Idiomatic Expressions (QIEs). It has long been reported that learning of Chinese QIEs poses a great challenge for both young L1 speakers and adult L2 learners as the condensed form is often associated with complicated figurative meanings. The present study explored the factors that influence the learning of Chinese QIEs as a Foreign Language (FL). The results of a comprehension test and a questionnaire showed that semantically transparent QIEs were understood much better than opaque ones; being structurally symmetric also facilitated QIE understanding, but with limited effect. Language transfer was another factor to consider especially when the learners were from mixed nationalities. The results were then compared with those reported in the Native Language (NL) QIE learning and were further discussed in terms of the pedagogical implications for the learning of QIEs in FL teaching. -
A Comparative Study of Syntatic and Phonetic Features of Internet Quasi-Chengyu and Existing Chengyu
A COMPARATIVE STUDY OF SYNTATIC AND PHONETIC FEATURES OF INTERNET QUASI-CHENGYU AND EXISTING CHENGYU Yautina Zhang Master program: Language and Communication Linguistics Institute Leiden University Contents 1. Introduction .................................................................................................................................... 2 1.1. Internet language ................................................................................................................................ 2 1.2. Forms of Internet words ...................................................................................................................... 3 1.3. Introduction of related terms .............................................................................................................. 9 2. Internet quasi-chengyu .................................................................................................................. 13 2.1. Forms of Internet quasi-chengyu ...................................................................................................... 13 2.2. Syntactic features of real chengyu and Internet quasi-chengyu ....................................................... 18 2.2.1. Syntactic features of real chengyu .............................................. 18 2.2.2. Syntactic features of Internet quasi-chengyu ....................................... 29 2.3. Summary ........................................................................................................................................... -
Shared Literary Heritage in the East Asian Sinographic Sphere
Shared Literary Heritage in the East Asian Sinographic Sphere Oxford Handbooks Online Shared Literary Heritage in the East Asian Sinographic Sphere Wiebke Denecke and Nam Nguyen The Oxford Handbook of Classical Chinese Literature Edited by Wiebke Denecke, Wai-Yee Li, and Xiaofei Tian Print Publication Date: May 2017 Subject: Classical Studies, Ancient Prose Literature Online Publication Date: Apr 2017 DOI: 10.1093/oxfordhb/9780199356591.013.33 Abstract and Keywords This chapter traces the origins and nature of the shared literary heritage in the East Asian “Sinographic Sphere,” namely China, Korea, Japan, and Vietnam, focusing on developments before the early modern period, in keeping with the temporal and thematic scope of this handbook. It explores modes of cross-cultural communication and textual culture conditioned by the Chinese script, including gloss-reading techniques, “brush talk,” and biliteracy; surveys shared political and social institutions and literary practices, sustained by the flourishing book trade; and touches on the rise of vernacular literatures, the dynamic between Literary Chinese and local vernaculars, and the role of women. With the recent death of Literary Chinese as the lingua franca of East Asia we are facing a new phase in world history. The Chinese-style literatures of East Asia point to cultural commonalities and tell stories of creative engagement with Chinese literary history that offer insights about Chinese literature. Keywords: Sinographic Sphere, East Asian literatures, vernacular, biliteracy, East Asian women writers, logographic scripts, gloss-reading, Japanese literature, Korean literature, Vietnamese literature Page 1 of 27 PRINTED FROM OXFORD HANDBOOKS ONLINE (www.oxfordhandbooks.com). (c) Oxford University Press, 2015. -
Language Variation and Social Identity in Beijing
Language Variation and Social Identity in Beijing Submitted in partial fulfillment of the requirements of the degree of Doctor of Philosophy in Linguistics Hui Zhao May 2017 School of Languages, Linguistics and Film Queen Mary University of London Declaration I, Hui Zhao, confirm that the research included within this thesis is my own work or that where it has been carried out in collaboration with, or supported by others, that this is duly acknowledged below and my con- tribution indicated. Previously published material is also acknowledged below. I attest that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge break any UK law, infringe any third party's copyright or other Intellectual Property Right, or contain any confidential material. I accept that the College has the right to use plagiarism detection software to check the electronic version of the thesis. I confirm that this thesis has not been previously submitted for the award of a degree by this or any other university. The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author. Signature: Date: Abstract This thesis investigates language variation among a group of young adults in Beijing, China, with an aim to advance our understanding of social meaning in a language and a society where the topic is understudied. In this thesis, I examine the use of Beijing Mandarin among Beijing- born university students in Beijing in relation to social factors including gender, social class, career plan, and future aspiration. -
Dva Typy Čínských Frazeologizmů – Chengyu a Xiehouyu Two Types of Chinese Phraseological Units
Univerzita Karlova v Praze Filozofická fakulta Ústav Dálného východu Bakalářská práce Jakub Roček Dva typy čínských frazeologizmů – chengyu a xiehouyu Two Types of Chinese Phraseological Units – chengyu and xiehouyu vedoucí práce: Praha 2010 PhDr. David Sehnal Za výborné přednášky, trpělivé vedení, konstruktivní konzultace a toleranci při psaní děkuji vedoucímu práce PhDr. Davidu Sehnalovi. Za podpůrné konzultace děkuji prof. PhDr. Františku Čermákovi, DrSc. Za inspiraci děkuji panu Claudio Poetovi. Prohlašuji, že jsem bakalářskou práci vypracoval samostatně a výhradně s použitím citovaných pramenů a sekundární literatury. V Praze dne 11.6.2010 Jakub Roček Anotace: Práce se zabývá popisem dvou významných frazeologických jevů současné čínštiny – chengyu a xiehouyu. Popisuje jejich původ, povahu a funkci. Práce je členěna na tři hlavní oddíly. V prvním oddíle je nastníněna problematika obecné frazeologie, druhá a třetí část je vyhrazena zkoumaným frazeologizmům. Závěrečný krátký oddíl srovnává zjištěné charakteristiky čínských frazeologizmů s českými. Annotation: The presented paper is devoted to the description of two important phraseological units in modern chinese language – chengyu and xiehouyu. It describes their origins, nature and function. The paper is devided into three main sections. The first section introduces issues of the general phraseology, the second and the third part speaks about the analyzed phraseological units. The last short sections compares revealed characteristics of the Chinese phraseological units with Czech ones. Klíčová slova: Frazeologie, chengyu, xiehouyu, lingvistika, čínština Key words: Phraseology, chengyu, xiehouyu, linguistics, chinese language Obsah Úvod 1. Obecná část 1.1. současný stav frazeologie a idiomatiky 1.2. terminologie 1.3. postupy 1.4. univerzálie 2. Chengyu 成语 2.1. povaha frazému typu chengyu 2.1.1. -
Akesu Highest Honors: Myingjie Ma
UNIVERSITY OF NEW HAMPSHIRE Dean's List for Term 201950 - International and other Miscellaneous Students Akesu Highest Honors: MYingjie Ma Andover Highest Honors: GEvan Vaughan Lewis Gwynne Davies Aranda de Duero Honors: BAlvaro Briones Perez Atripalda, AV Highest Honors: WAshley White Bangalore Karnataka Highest Honors: J Anuj Joshi Bavaria Highest Honors: MAnna Daniela Metzler Beijing Highest Honors: L Xiaodi Li MShihan Meng WChenghan Wang Z Jiamin Zhang Z Ruichun Zhang High Honors: HYue Hao L Tiancheng Liang Honors: L Danshu Li Bekkestua Highest Honors: SMarius Solbakken Billericay Highest Honors: HBenjamin Higgins Cardiff Highest Honors: AHenry Amery UNIVERSITY OF NEW HAMPSHIRE Dean's List for Term 201950 - International and other Miscellaneous Students Cardiff Highest Honors: DGeorgina Dunn Changchun Highest Honors: SRui Sun Changzhi Honors: Z Danhui Zhao Chengdu Highest Honors: F Jiawei Fu JiMengxiao Jin Corbridge, Northumberland Highest Honors: BElena Bluck Cottesmore Highest Honors: CFrances Copeman Cullompton Highest Honors: MDaniel Marek Daegu Highest Honors: KMinhyung Kim Datong High Honors: WTianzuo Wang Djursholm Highest Honors: OIda Eleonora Olsmats Dongguan High Honors: CLingyun Chen F Wanting Feng SDi Sun Dong Phu UNIVERSITY OF NEW HAMPSHIRE Dean's List for Term 201950 - International and other Miscellaneous Students Dong Phu Honors: PNguyen Kim Thuy Phan Dubai High Honors: AMohamed Baqer Alaali Eindhoven High Honors: VBloem VanDenBrekel Enping High Honors: WZiwei Wu Ferriere La Grande Highest Honors: L Anaelle Loiseau -
Distinctive Features of Chinese Proverbs: a Comparative Study of Suyu and Yanyu and Other Types of Shuyu
ROCZNIKI HUMANISTYCZNE Tom LXIV, zeszyt 9 – 2016 DOI: http://dx.doi.org/10.18290/rh.2016.64.9-3 NASTAZJA STOCH * DISTINCTIVE FEATURES OF CHINESE PROVERBS: A COMPARATIVE STUDY OF SUYU AND YANYU AND OTHER TYPES OF SHUYU A b s t r a c t. This paper is an attempt to lay out the distinctive features of Chinese proverbs. Because of the frequent inconsistency of applying Chinese terms that could stand for ‘proverbs’ (i.e. suyu and yanyu), it seems necessary to define them by juxtaposing them with other, apparently similar types of fixed expressions. The typological analysis in this paper shows that there are no particular valid reasons not to treat suyu as proverbs, and thus as synonymous to yanyu. Further, the paper outlines the variety of content of Chinese proverbs and provides some of their structural patterns, with special attention to the variation phenomenon. Finally, it centers upon the metaphoricity of proverbs, which is a crucial means, especially in studies of linguistic worldview. The body of work concerning Chinese phraseology is quite extensive. It involves numerous dictionaries of idiomatic phrases, papers on acquisition of Chinese as a second language, works in the field of metaphor study, in corpus linguistics, and such. However, attempts to focus on discerning the idiomatic phrases specific to Chinese language are not widespread. This paper is an attempt to point out the characteristics of Chinese pro- verbs by, firstly, discriminating them from among other idiomatic expres- sions present in Chinese language, and, secondly, by determining their cha- racteristic features. In investigations on the matter there is an inconsistency in applying the Chinese terms for fixed expressions, and thereby those for proverbs, what causes that the scope of Chinese suyu proverbs in particular is defined incoherently, and, in consequence, there appears to be a blur between suyu and other similar Chinese expressions. -
An Analysis of Chinese Four-Character Idioms Containing Numbers: Structural Patterns and Cultural Significance
AN ANALYSIS OF CHINESE FOUR-CHARACTER IDIOMS CONTAINING NUMBERS: STRUCTURAL PATTERNS AND CULTURAL SIGNIFICANCE A DISSERTATION SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY BY TIMOTHY M. NALL DISSERTATION ADVISOR: DR. ELIZABETH M. RIDDLE BALL STATE UNIVERSITY MUNCIE, INDIANA MAY 2009 Abstract This dissertation explores the robust confluence of syntactic and cultural factors involved in the structure and content of chéngyǔ. It unpacks a number of structural tendencies in the data sample, and illuminates selected underlying cultural themes. The presence of syntactic and semantic parallelism within chéngyǔ, as an expression of the correlative Chinese philosophy of the wǔxíng (五行 ‗Five Phases‘ or ‗Five Elements‘ of the universe), in the dataset is a recurring point. Syntactic parallelism is demonstrated via chéngyǔ with invertible elements and by the overwhelming preference for syntactic parallelism, in particular the # N # N structure. Semantic parallelism is demonstrated via content words with related semantic fields or separable content words. The Chinese philosophical concepts of yīn and yáng are shown to have a clear impact on the use of numbers within chéngyǔ. Yīn and yáng are preferably arranged in balance with each other. If only one is present, however, then yáng is considered to be preferable over yīn. The interaction between the numbers within chéngyǔ has several pragmatic effects. For example, the combination of the numbers qī (七 'seven') and bā (八 'eight') is used to suggest disorder, untidiness or physical or emotional disturbance (Pellatt 2007:96). Bàn (半 ‗half‘) may be used in chéngyǔ to denote the meaning of ‗a proportion.‘ It also may be used together with yī (一 ‗one‘) to indicate ‗any at all‘ as well as a cluster of closely related concepts generally indicating ‗the existence of a small amount.‘ Numbers also often have the effect of highlighting the contrast between two content words. -
Infrastructures of Language and Chinese Scripts in an Age of Global Information Revolution Ulug Kuzuoglu
Codes of Modernity: Infrastructures of Language and Chinese Scripts In an Age of Global Information Revolution Ulug Kuzuoglu Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2018 ©2018 Ulug Kuzuoglu All rights reserved ABSTRACT Codes of Modernity: Infrastructures of Language and Chinese Scripts in an Age of Global Information Revolution Ulug Kuzuoglu This dissertation explores the global history of Chinese script reforms—the effort to phoneticize Chinese language and/or simplify the writing system—from its inception in the 1890s to its demise in the 1980s. These reforms took place at the intersection of industrialization, colonialism, and new information technologies, such as alphabet-based telegraphy and breakthroughs in printing technologies. As these social and technological transformations put unprecedented pressure on knowledge management and the use of mental and clerical labor, many Chinese intellectuals claimed that learning Chinese characters consumed too much time and mental energy. Chinese script reforms, this dissertation argues, were an effort to increase speed in producing, transmitting, and accessing information, and thus meet the demands of the industrializing knowledge economy. The industrializing knowledge economy that this dissertation explores was built on and sustained by a psychological understanding of the human subject as a knowledge machine, and it was part of a global moment in which the optimization of labor in knowledge production was a key concern for all modernizing economies. While Chinese intellectuals were inventing new signs of inscription, American behavioral psychologists, Soviet psycho-economists, and Central Asian and Ottoman technicians were all experimenting with new scripts in order to increase mental efficiency and productivity. -
Rohsenow, John S. a Chinese-English Dictionary of Enigmatic Folk Similes (Xtehouyu)
BOOK REVIEWS 149 because of the government’s slogan for Westernization, bunmei kaika 文 明 開 化 (“ Civili zation and Enlightenment”). Yonemura’s interpretation, while dencient in some areas, does offer insights into the way the Japanese adapted to new situations, in this case by adapting their artistic conventions. For example, she points out that *‘a popular subject with an established audience, such as portraits of beautiful courtesans (btjtnga), would thus be ‘translated’ into a foreign theme by the simple substitution of foreign women” (32). She also shows that Japanese artists’ lack of familiarity with Western culture appears in the form of various odd, misunderstood details in the prints. Concerning this point, the significance of Yokohama prints might have more ap peal to the reader if Yonemura had referred to other, lesser-known Japanese attempts to depict foreigners during the Edo period. Each attempt shows different interpreta tions of foreigners. For example, there are Nagasaki prints that depict the Dutch and Chinese in Nagasaki as well as folk and popular art that depicts foreign embassies in procession to Edo (now Tokyo). When Commodore Perry’s expedition arrived at a small fishing village in 1854, the locals and professionals created what are called the Black Ship Scrolls. In the Scrolls, Perry appears like tengu 天 狗 ,a fearful genie with magical power over human beings (see S t a t l e h 1963,6 6 -0 7). Therefore, a comparison with other attempts to depict foreigners would most probably better characterize Yoko hama prints. The author mentions that the prints ‘‘portray the foreign community in an exuberant and festive spirit that reveals no trace of the complex and ambivalent attitude that some Japanese officials held toward the newcomers” (129). -
On the Cultural Traits of Chinese Idioms
Intercultural Communication Studies V:1 1995 Chu-Hsia Wu On the Cultural Traits of Chinese Idioms Chu-hsia Wu Department of Foreign Languages and Literature National Cheng Kung University, Taiwan, ROC This study is designed to provide a basis for a theory of Chinese idioms 'chengyu' as a phenomenon in natural language. The study focuses on a description of idioms and formations of idioms with emphasis on the exploration of cultural traits to historical backgrounds. Idioms are defined as 'chengyu' usually in four-character form, distinguished by form, meaning, function, and sources from literary works or sayings. Most Chinese idioms have to be distinguished from other lexemes by virtue of their conventional implicature. Understanding the cultural traits of Chinese idioms helps people better understand Chinese communication both within the culture and across cultures. 0. Introduction The Chinese idioms1 'chengyu' 2 lie near the heart of the Chinese language. It is a special category of lexical items which not only distinguish themselves by their constituent relations, but also show singular types of intrinsic grammatical structure. Idiom's integrated sense lies in the whole unit as defined in 1.2, thus each idiom can be considered as a single lexeme. As a consequence, the communicative use of idioms in 61 Intercultural Communication Studies V:1 1995 Chu-Hsia Wu integrated expressions or sentences is recognized. By analyzing the constituent relations, and the idiom's grammatical functions relating to other expressions or sentences, the purpose is to provide a basis for a theory of idioms as a phenomenon in natural languages. A description as well as formations of Chinese idioms with emphasis on the exploration of cultural traits to historical backgrounds are presented in this study. -
Bibliography of Chinese Linguistics William S.-Y.Wang
BIBLIOGRAPHY OF CHINESE LINGUISTICS WILLIAM S.-Y.WANG INTRODUCTION THIS IS THE FIRST LARGE-SCALE BIBLIOGRAPHY OF CHINESE LINGUISTICS. IT IS INTENDED TO BE OF USE TO STUDENTS OF THE LANGUAGE WHO WISH EITHER TO CHECK THE REFERENCE OF A PARTICULAR ARTICLE OR TO GAIN A PERSPECTIVE INTO SOME SPECIAL TOPIC OF RESEARCH. THE FIELD OF CHINESE LINGUIS- TICS HAS BEEN UNDERGOING RAPID DEVELOPMENT IN RECENT YEARS. IT IS HOPED THAT THE PRESENT WORK WILL NURTURE THIS DEVELOP- MENT BY PROVIDING A SENSE OF THE SIZABLE SCHOLARSHIP IN THE FIELD» BOTH PAST AND PRESENT. IN SPITE OF REPEATED CHECKS AND COUNTERCHECKS, THE FOLLOWING PAGES ARE SURE TO CONTAIN NUMEROUS ERRORS OF FACT, SELECTION AND OMISSION. ALSO» DUE TO UNEVENNESS IN THE LONG PROCESS OF SELECTION, THE COVERAGE HERE IS NOT UNIFORM. THE REPRESENTATION OF CERTAIN TOPICS OR AUTHORS IS PERHAPS NOT PROPORTIONAL TO THE EXTENT OR IMPORTANCE BIBLIOGRAPHY OF CHINESE LINGUISTICS ]g9 OF THE CORRESPONDING LITERATURE. THE COVERAGE CAN BE DIS- CERNED TO BE UNBALANCED IN TWO MAJOR WAYS. FIRST. THE EMPHASIS IS MORE ON-MODERN. SYNCHRONIC STUDIES. RATHER THAN ON THE WRITINGS OF EARLIER CENTURIES. THUS MANY IMPORTANT MONOGRAPHS OF THE QING PHILOLOGISTS. FOR EXAMPLE, HAVE NOT BEEN INCLUDED HERE. THOUGH THESE ARE CERTAINLY TRACE- ABLE FROM THE MODERN ENTRIES. SECOND, THE EMPHASIS IS HEAVILY ON THE SPOKEN LANGUAGE, ALTHOUGH THERE EXISTS AN ABUNDANT LITERATURE ON THE CHINESE WRITING SYSTEM. IN VIEW OF THESE SHORTCOMINGS, I HAD RESERVATIONS ABOUT PUBLISHING THE BIBLIOGRAPHY IN ITS PRESENT STATE. HOWEVER, IN THE LIGHT OF OUR EXPERIENCE SO FAR, IT IS CLEAR THAT A CONSIDERABLE AMOUNT OF TIME AND EFFORT IS STILL NEEDED TO PRODUCE A COMPREHENSIVE BIBLIOGRAPHY THAT IS AT ONCE PROPERLY BALANCED AMD COMPLETELY ACCURATE (AND, PERHAPS, WITH ANNOTATIONS ON THE IMPORTANT ENTRIES).