Catalogo-FIC-2019 WEB1.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Catalogo-FIC-2019 WEB1.Pdf Este programa es público, ajeno a cualquier partido político. Queda prohibido su uso para fines distintos a los establecidos en el programa. La impresión de este catálogo ha sido posible gracias al apoyo de la Universidad Autónoma de Nuevo León, a través de su Secretaría de Extensión y Cultura. Conarte Cortometrajes Internacionales en Competencia: 248 Índice Animación International Short Films in Competition: Animation Index 260 Israel País Invitado: una mirada al cine contemporáneo Israelí Cortometrajes Internacionales en Competencia: Israel Guest Country: a look at contemporary Israeli Documental cinema” 44 Secciones 76 Galas International Short Films in Competition: Documentary Sections Homenaje Internacional a la Trayectoria The Other Story Cortometrajes Internacionales en Competencia: Artística: Avi Nesher 46 Bienvenida Ficción International Career Achievement Tribute: Avi Nesher Welcome Cineconcierto: Algol, la tragedia del poder International Short Films in Competition: Fiction Cinema concert: Algol, The Tragedy of Power Homenaje Internacional a la Trayectoria 62 Ganadores 2018 154 Competencia Mexicana Artística: Tomer Heymann 82 Homenajes Mexicanos 2018 Winners Mexican Competition International Career Achievement Tribute: Tomer Mexican Tributes Heymann 64 Premios 2019 Largometrajes Mexicanos en Competencia: Homenaje Mexicano a la Trayectoria Artística: 2019 Awards Documental Israel País Invitado: Largometrajes Eugenio Caballero Mexican Feature Films in Competition: Documentary Israel Guest Country: Feature Films 66 Premio de la Audiencia al Mejor Largometraje Mexican Career Achievement Tribute: Eugenio Caballero Audience Award to the Best Feature Film Largometrajes Mexicanos en Competencia: Israel País Invitado: Cortometrajes Ficción Israel Guest Country: Short Films 67 Presea Rogelio A. González Ícono del Cine Mexicano: Joaquín Cosío Mexican Feature Films in Competition: Fiction Icon of Mexican Cinema: Joaquín Cosío Rogelio A. Gonzalez Award Israel País Invitado: Cortometrajes de la Escuela Cortometrajes Mexicanos en Competencia: de Cine Sam Spiegel 94 Competencia Internacional 68 Jurado Animación Israel Guest Country: Sam Spiegel Film School Short International Competition Jury Mexican Short Films in Competition: Animation Films Largometrajes Internacionales en Competencia: Jurado de Largometrajes Internacionales en Cortometrajes Mexicanos en Competencia: Obra gráfica de RONNY SOMECK Animación Competencia Documental Graphic Work of RONNY SOMECK International Feature Films in Competition Jury International Feature Films in Competition: Animation Mexican Short Films in Competition: Documentary Jurado de Largometrajes Mexicanos en Largometrajes Internacionales en Competencia: Cortometrajes Mexicanos en Competencia: Competencia Documental Ficción Mexican Feature Films in Competition Jury International Feature Films in Competition: Mexican Short Films in Competition: Fiction Documentary Jurado de Cortometrajes en Competencia Short Films in Competition Jury Largometrajes Internacionales en Competencia: 212 Ficción Selección oficial en competencia Jurado International Feature Films in Competition: Fiction Oficial selection in competition Jury 40 41 288 Haz Corto con la corrupción Cut away From Corruption Homenaje Mexicano a la Trayectoria Artística: Jaime Humberto Hermosillo 368 Panoramas del FIC Monterrey Mexican Career Achievement Tribute: Jaime Humberto FIC Monterrey Panoramas Hermosillo 374 FILMO: Foro por el futuro del cine mexicano Presentaciones especiales FlashForward FILMO: Forum for the Future of Mexican Cinema Flash Forward Special Presentations Certamen de Cortometraje UANL 2019 378 Encuentro Internacional de Mujeres en el Cine UANL 2019 Shortfilms in competition International Women In Cinema Encounter 386 Celebremos el movimiento: 15 años del FIC 314 Galería Monterrey Galleria Celebrate Movement: 15 Years of the Monterrey IFF Gala del cine alemán Cinema Uno Celebra los 15 años del FIC German Film Gala Monterrey Cinema Uno Celebrates 15 Years of the Monterrey IFF Gala de cine mexicano Mexican Film Gala 398 Créditos y agradecimientos Credits and Special Thanks Largometrajes invitados de animación Guest animated feature films Créditos Credits Esto es Para Esto presenta Esto es Para Esto Presents Agradecimientos Special Thanks Una Noche Terrorífica A terrifying night Voluntarios Volunteers Pantalla Abierta Open Screen Créditos Institucionales Institutional Credits Talleres Cinetransforma en Esferas Culturales de CONARTE Cinetransforma Film Workshops at CONARTE Cultural Spheres 42 43 FILMO: Foro por el futuro del cine mexicano Secciones Este año integraremos la premiación del Concurso de Un espacio dedicado al diálogo y la reflexión acerca del Cortometrajes de la Máxima Casa de Estudios, además rumbo que el cine mexicano debe tomar para vencer los Sections de una selección especial para los alumnos de la UANL: actuales retos de narrativas y ventanas de exhibición. largometrajes, cortometrajes y una Clase Magistral con el FILMO: Forum for the Future of Mexican Cinema Gala cineasta mexicano Jaime Humberto Hermosillo. A space created discussing and reflecting on the path that Mexican En nuestra decimoquinta edición podrás disfrutar del En su decimosegunda edición, KinoStart presenta Flashforward cinema should take in order to overcome its present challenges in estreno en Nuevo León de la cinta “The Other Story”, cortometrajes de alumnos universitarios de todo México. This year the Festival will host the UANL’s Short Film Competition narratives and exhibition periods. en el Homenaje Internacional a la Trayectoria Artística Award Ceremony, and will also offer a special selection of short and de Avi Nesher. For its 12th edition, KinoStart presents a selection of short films Encuentro Internacional de Mujeres en el Cine made by Mexican college students. feature films for UANL students and a Master Class with Mexican filmmaker Jaime Humberto Hermosillo. Dos días de convivencia para compartir experiencias, In the 15th edition of Monterrey IFF, as part of the International oportunidades, proyectos y futuros en una imperativa Tribute to the Artistic Trajectory of Avi Nesher, you’ll be able to Galería reunión de realizadoras de varias latitudes del planeta. enjoy the premier in Nuevo León of his film, “The Other Story”. Un espacio de experimentación para que jóvenes cineastas colaboren con profesionales creativos del medio. En esta Este año tenemos diversos programas de cortometrajes y International Women in Film Encounter Homenajes edición, KinoStartLAB se centrará en la realización de la largometrajes, resultado del trabajo y la colaboración del FIC Monterrey con otros festivales e instituciones. A professional two-days gathering for female filmmakers from Este año reconocemos la trayectoria artística de dos ópera prima. different parts of the world, which will create a space for them to share grandes del cine mexicano: el diseñador de producción Galleria experiences, opportunities, projects and future plans. Eugenio Caballero y el actor Joaquín Cosío. A place for young filmmakers to experiment and work with established creative professionals. In this edition, KinoStartLAB will focus in This year we’ll offer several short and feature film programs, as a result of collaborations with other festivals and institutions. Celebremos el movimiento: 15 años del FIC Monterrey Tributes the creation of the first film. La edición número 15 del Festival se tenía que festejar en This year we will celebrate the artistic career of two outstanding Panoramas del FIC Monterrey grande, y qué mejor que con los realizadores y el cine de figures in Mexican cinema: production designer Eugenio Caballero País Invitado: Israel Nuevo León, así como la presentación especial del libro and actor Joaquín Cosío. Una especial selección de cine israelí. Largometrajes Una selección de cine nacional e internacional recorrerá Entre pantallas y montañas. acompañados por la presencia de nuestros homenajeados: sedes dentro del área metropolitana y algunos municipios Competencia Internacional Avi Nesher y Tomer Heymann, así como la participación de Nuevo León. Celebrate Movement: 15 Years of the Monterrey IFF Llega a Monterrey una selección de los mejores filmes de la Escuela de Cine Sam Spiegel y una selección de FIC Monterrey Panoramas The Festival’s 15th edition needs a big celebration, and we can’t think realizados por los nuevos autores del cine internacional. cortometrajes dirigidos por mujeres. We’ll take a showcase of national and international films to different of a better one than a gathering of filmmakers and Nuevo León’s spaces in Monterrey’s metropolitan area and several towns in Nuevo cinema, including the special presentation of the book Entre Pantallas International Competition Guest Country: Israel León. y Montañas (In Between Screens and Mountains). Monterrey will receive a selection of the best films by international We’ll have a special selection of Israeli films. We’ll screen feature films cinema new auteurs. attended by our honorees: Avi Nesher and Tomer Heymann; and we’ll welcome the participation of the Sam Spiegel Film School and Competencia Mexicana a special program with short films by women filmmakers. Desde todos los rincones del país llega a la ciudad lo mejor del nuevo cine nacional. Mexican Competition Films From every corner of the country, we showcase the best from the new Mexican cinema. 44 45 The Monterrey International Film Festival has reached its fifteenth edition, and it is due to the unbreakable bond it has established
Recommended publications
  • “I'm Rare As Affordable Health Care...Or Going to Wealth
    Media RepresentationsAugust of Poverty 2020 “I’M RARE AS AFFORDABLE HEALTH CARE...OR GOING TO WEALTH FROM WELFARE” * Poverty & Wealth Narratives in Popular Culture INTERIM SUMMARY OF RESEARCH PREPARED FOR: Bill & Melinda Gates Foundation PREPARED BY: USC Annenberg Norman Lear Center Erica L. Rosenthal, Veronica Jauriqui, Shawn Van Valkenburgh, Dana Weinstein, and Emily Peterson *The title of this report comes from lyrics in the song, “Big Bank,” www.learcenter.org by YG, featuring 2 Chainz, Big Sean and Nicki Minaj. Interim Summary of Research TABLE OF CONTENTS 3 INTRODUCTION 6 MERITOCRACY: THE DOMINANT NARRATIVE 10 DEPICTING THE LIMITATIONS OF MERITOCRACY 13 HIGHLIGHTING SYSTEMIC BARRIERS AS THE REASON MERITOCRACY FAILS 16 DISCUSSING THE ROLE OF RACISM 19 SHOWING ALTRUISTIC SOLUTIONS AND RESILIENCE 22 MODELING SYSTEMIC SOLUTIONS 24 TWO CRISES 25 RECOMMENDATIONS FOR STORYTELLERS AND ADVOCATES 28 REFERENCES 32 APPENDIX: METHODOLOGY Interim Summary Report page 2 Interim Summary of Research INTRODUCTION The USC Annenberg Norman Lear Center — with funding from the Bill & Melinda Gates Foundation (the foundation) — is conducting a cultural audit of poverty narratives. A cultural audit is a method of gaining a deeper understanding of priority audiences by understanding the pop culture narratives they consume. The project has two overarching goals. The first is to provide evidence-based insights to the foundation’s Voices for Economic Opportunity grantee cohort, a group of organizations who are designing new narratives of poverty to correct misconceptions and address systemic barriers to mobility. The second is to establish a baseline of existing narratives for longitudinal tracking by Harmony Labs, another foundation grantee. The formative research summarized in this report examines how poverty and wealth are constructed in the pop culture narratives in which media consumers are immersed — specifically scripted TV and film, popular music, and top-selling video games.1 In later stages, the Lear Center will expand this analysis to TV news and unscripted content.
    [Show full text]
  • December 2020 Salvador Velazco Claremont
    DECEMBER 2020 SALVADOR VELAZCO CLAREMONT McKENNA COLLEGE DEPARTMENT OF MODERN LANGUAGES AND LITERATURES 850 COLUMBIA AVE. CLAREMONT, CA 91711-6420 (909) 607-7984 Office: RN 220 (909) 621-8419 FAX E-MAIL: [email protected] PROFESIONAL EMPLOYMENT Fall 2004-date ASSOCIATE PROFESSOR, Department of Modern Languages and Literatures, Claremont Mckenna College. 2005-2010 (Summers) VISITING PROFESSOR, Spanish School, Middlebury College at Vermont and at Guadalajara (México). 1998-2004 ASSISTANT PROFESSOR, Department of Modern Languages and Literatures, Claremont Mckenna College. 1997-1998 VISITING ASSISTANT PROFESSOR, Department of Modern Languages and Literatures, Claremont Mckenna College. 1996-1997 VISITING PROFESSOR, Department of Foreign Languages and Literatures, Lewis and Clark College. EDUCATION Ph. D. ROMANCE LANGUAGES AND LITERATURES: SPANISH University of Michigan, 1996. M.A. HISPANIC LANGUAGES AND LITERATURES University of California, Los Angeles, 1991. B. A. LICENCIATURA: LATIN AMERICAN LITERATURE University of Guadalajara, Mexico, 1988. PUBLICATIONS BOOK Visiones de Anahuac. Reconstrucciones historiográficas y etnicidades emergentes en el México colonial: Fernando de Alva Ixtlilxochitl, Diego Muñoz Camargo y Hernando Alvarado Tezozomoc. México: University of Guadalajara Press, 2003, 304 pages. BOOK CHAPTERS 3. “Cineastas mexicanos en Hollywood: la (im) posible integración.” En Tendencias del cine iberoamericano del nuevo milenio: Argentina, Brasil, España y México. Coordinador Juan Carlos Vargas. México: Universidad de Guadalajara / Patronato Internacional del Festival Internacional de Cine en Guadalajara, 2011, pp. 189-205 2. “Documental y crímenes de Estado en México: 1968, 1971”. En Canal 6 de julio: la guerrilla fílmica. Coordinador Carlos Mendoza. México: Heródoto, 2008, pp. 109-119. (Reprinted. Originally published in Cine-Lit Publications) 1. “Documental y crímenes de Estado en México: 1968, 1971”.
    [Show full text]
  • 2020 Latin American and Latinx Studies Symposium Panels Panel
    1 2020 Latin American and Latinx Studies Symposium Panels Panel: Environment and Culture in Latin America ° Religión y Naturaleza: la Creación del ambiente en la película La Luz Silenciosa, Mariana Gutierrez Suarez, Southwestern University** La creación audiovisual del ambiente y el desarrollo de la historia se manifiestan en la utilización de dos componentes importantes: la naturaleza y la religión. La religión forma la parte social de los personajes mientras que la naturaleza expresa sus emociones individuales. A través del paisaje natural que cambia con las estaciones del año al igual que cambian los protagonistas, los preceptos de la religión, en cambio, se manifiestan rígidos y difíciles de concordar con las acciones humanas. Este contraste nos muestra la importancia de reconocer la organicidad de la naturaleza con el hombre, y de seguir las leyes de conducta y convivencia en nuestros conflictos con nosotros mismos y con los demás, y las maneras de solucionarlos. ° A Threat to Brazilian Biodiversity and Climate Change: The Soy Industry, Beatriz Olivieri, Rollins College My presentation discusses the current environmental dilemma Brazil is facing. The desire to pursue significant economic development leads the Brazilian government to make poor decisions regarding the environment. The ongoing deforestation in Brazil related to the growth of soybeans is responsible for affecting important and unique native biomes along with causing the displacement of indigenous people -who are important actors in the protection of the environment-. In the last two decades, the soy expansion in Brazil was equivalent to an area five times the size of Switzerland. With the ArcGIS mapping tool, I was able to show the conflict between land being used for soy production that initially belonged to indigenous groups.
    [Show full text]
  • Pulsa Aquí Para Descargar La Revista Digital Minatura 134 En .Pdf
    Eros: Es por hombres como Michael Herz (El vengador usted que todos deben de ser Toxico, 1984) destruidos. Ed Wood (Plan 9 from Outer Narrador: Bandera en la Luna. Space, 1959) ¿Cómo llegaste ahí? Colleman Francis (La bestia de Dr. Harold Medford: Estamos Yucca Flats, 1961) siendo testigos de que una profecía bíblica se haga Bill Lane: ¡Eres tan mala como realidad: “Y habrá destrucción y ella! ¡Oh, mujer! oscuridad sobre la creación, y la Mary Dennison: ¡Hombre! Cada bestia reinará sobre la tierra” vez que buscas una respuesta, Gordon Douglas (La humanidad siempre encuentras una mujer. No te saldrás de esta en peligro, 1954) tan fácilmente. Se en lo que piensas, que Zinthrop tenía algo. Teniente Dave: Finalmente le hemos detenido. Bill Lane: Bien, llámale intuición masculino si Steve Andrews: Sí, al menos hasta que el Ártico se quieres… hay algo en todo este asunto que no huele mantenga frio. muy bien… ¡Un laboratorio privado! ¡Experimentos Irvin S. Yeaworth Jr. (La masa devoradora, 1958) secretos! ¡El mismo Zinthrop! ¡Lo único que ha desaparecido es el genio de la lámpara! Roger Corman (La mujer avispa, 1959) The Toxic Avenger: Hey, Tú babosa gorda. Veremos si tienes agallas. [Toxie le pega al Mayor en el estómago] Narrador: Una vez más la radio de un piloto frenéticos en un informe sobre un OVNI. Un pájaro. The Toxic Avenger: Oficial O'Clancy, tenga cuidado ¡Un ave tan grande como un acorazado! con los desperdicios tóxicos. Fred F. Sears (La garra gigante, 1957) La Revista de los Breve y lo Fantástico Serie B mayo- junio, 2014 #134
    [Show full text]
  • Sources and Resources/ Fuentes Y Recursos
    ST. FRANCIS AND THE AMERICAS/ SAN FRANCISCO Y LAS AMÉRICAS: Sources and Resources/ Fuentes y Recursos Compiled by Gary Francisco Keller 1 Table of Contents Sources and Resources/Fuentes y Recursos .................................................. 6 CONTROLLABLE PRIMARY DIGITAL RESOURCES 6 Multimedia Compilation of Digital and Traditional Resources ........................ 11 PRIMARY RESOURCES 11 Multimedia Digital Resources ..................................................................... 13 AGGREGATORS OF CONTROLLABLE DIGITAL RESOURCES 13 ARCHIVES WORLDWIDE 13 Controllable Primary Digital Resources 15 European 15 Mexicano (Nahuatl) Related 16 Codices 16 Devotional Materials 20 Legal Documents 20 Maps 21 Various 22 Maya Related 22 Codices 22 Miscellanies 23 Mixtec Related 23 Otomi Related 24 Zapotec Related 24 Other Mesoamerican 24 Latin American, Colonial (EUROPEAN LANGUAGES) 25 PRIMARY RESOURCES IN PRINTED FORM 25 European 25 Colonial Latin American (GENERAL) 26 Codices 26 2 Historical Documents 26 Various 37 Mexicano (Nahautl) Related 38 Codices 38 Lienzo de Tlaxcala 44 Other Lienzos, Mapas, Tiras and Related 45 Linguistic Works 46 Literary Documents 46 Maps 47 Maya Related 48 Mixtec Related 56 Otomí Related 58 (SPREAD OUT NORTH OF MEXICO CITY, ALSO HIDALGO CLOSELY ASSOCIATED WITH THE OTOMÍ) Tarasco Related 59 (CLOSELY ASSOCIATED WITH MICHOACÁN. CAPITAL: TZINTZUNRZAN, LANGUAGE: PURÉPECHA) Zapotec Related 61 Other Mesoamerican 61 Latin American, Colonial (EUROPEAN LANGUAGES) 61 FRANCISCAN AND GENERAL CHRISTIAN DISCOURSE IN NATIVE
    [Show full text]
  • Tornado Times
    MAR 2021 TORNADOmagazine Map to the End of Semester • Follow this map as the end of the year comes increasingly close. EXCLUSIVE Ryan Ebrahamian a Hoover High Story March 2021 Two Sides of the Same Coin 3 by Sebastian Guzman • Read about students' differing opinions on online school. Map to end of semester 5 by Nooneh Gyurjyan • Follow this map as the end of the year comes increasingly close. Editor's List of Most Anticipated Movies of 2021 6 by Sebastian Guzman • Link Crew, a new program at Hoover High School, was created to help freshmen navigate through their first year during a pandemic. 9 a Hoover High Story by Sebastian Guzman • Ryan Ebrahamian, a former Hoover student from the class of 2016 talks about his memories of high school, the importance of heritage, “My Big Fat Armenian Family,” and much more. 14 Grade Nite Canceled by Monet Nadimyan and Melia Movsesian • Magic Mountain announces the cancellation of their 2021 event, months after Disneyland did the same. Michael Jordan's History At Hoover 15 by Cher Pamintuan • Did you know that Michael Jordan and the 1984 USA Olympic basketball team secretly practiced at the Hoover gym? In the world...where are Latinos? 17 by Sebastian Guzman • In the world of politics, music, and film, Latinos are on the rise, proving that Latino voices are essential to our modern-day society. Editor's Note After the warm receival of our first issue, we are excited to release our second issue of the Tornado Magazine. During these past few months, we have been working remotely alongside Hoover’s journalism staff on curating a student-friendly publication.
    [Show full text]
  • UNIVERSITY of CALIFORNIA, SAN DIEGO Independent Mexican Cinema and the Dream of a National Cinema in 1970S Mexico a Thesis Submi
    UNIVERSITY OF CALIFORNIA, SAN DIEGO Independent Mexican Cinema and the Dream of a National Cinema in 1970s Mexico A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Latin American Studies by Erika Michelle Ramírez Vargas Committee in charge: Professor Everard Meade, Chair Professor John McMurria Professor Max Parra 2011 Copyright Erika Michelle Ramírez Vargas, 2011 All rights reserved. The Thesis of Erika Michelle Ramírez Vargas is approved and it is acceptable in quality and form for publication on microfilm and electronically: ______________________________________________________________________ ______________________________________________________________________ ______________________________________________________________________ Chair University of California, San Diego 2011 iii Para mi familia en México y en los Estados Unidos. iv TABLE OF CONTENTS Signature Page . iii Dedication Page . iv Table of Contents . v List of Abbreviations . vi Acknowledgements . vii Abstract of the Thesis. .viii Chapter 1. Introduction . 1 Chapter 2. Organizations and the Development of Modern Film Industries . 19 Chapter 3. Los Independientes and the Industry . 30 Chapter 4. Los Superocheros and Sub-Independent Groups . 53 Chapter 5. A New Mexican Cinema . 74 Bibliography . 80 v LIST OF ABBREVIATIONS ANDA Asociación Nacional de Actores CUEC Centro Universitario de Estudios Cinematográficos CCC Centro de Capacitación Cinematográfica CONACINE Corporación Nacional Cinematográfica CPC Centro de Películas
    [Show full text]
  • 302.645.9095 • Rehobothfilm.Com
    $5.00 VAL REHOBOTH BEACH FILM SOCIETY PUBLICATION 302.645.9095 • REHOBOTHFILM.COM 5 TABLE OF CONTENTS A Word from the Governor 5 TABLE OF CONTENTS TABLE Welcome from the Film Society President 8 IN BRIEF from the Executive Director & Director of Programming 9 Sponsor Recognition 12-13 About the Film Society 14 Guide to the Festival 15-17 Membership 18 Festival Pass 19 Film Index 21 Film Schedule 22-25 About the Cover 26 Feature Film Descriptions 30-42 Documentary Film Descriptions 44-50 Short Film Descriptions 52-55 Fierberg Award 56 Beyond The Festival 58-59 Film Society Contributors 60-61 302-645-9095 Our Thanks 62 Office Operations Guide to Advertisers 63 107 Truitt Ave. Rehoboth Beach, DE 19971 Film Festival Feedback Form 64 Cinema Art Theater 17701 Dartmouth Dr., Unit #2 Lewes, DE (behind Wawa) Film Selection It is the practice of the Rehoboth Beach Film Society, as the producer of the Rehoboth Beach Independent Film Festival, to rehobothfilm.com program a selection of films that represents a moderate balance of diversity, genre, focal issues, and demographics. ® This organization is supported, in part, by a grant from the Delaware Division RBFS is Standards for Excellence of the Arts, a state agency, in partnership with the National Endowment for the accredited, having met all the requirements Arts. The Division promotes Delaware arts events on www.DelawareScene.com for best practices in nonprofit management Rehoboth Beach Independent Film Festival • OCT 31–NOV 10, 2019 7 State of Delaware THE GOVERNOR FROM A WORD OFFICE OF THE GOVERNOR Tatnall Building, Second Floor John Carney Martin Luther King, Jr.
    [Show full text]
  • Una Política De Los Autores Para Latinoamérica…
    Una política de autores para Latinoamérica. (Nuevos cines y nueva crítica: Argentina, Brasil, México en los sesenta) A politique des auteurs for Latin America. (New cinemas and new criticism: Argentina, Brasil and México in the sixties) DAVID OUBIÑA CONICET / UBA (ARGENTINA) [email protected] Investigador del CONICET y del Instituto de Literatura Hispanoamericana de la Universidad de Buenos Aires e integra el consejo de dirección de la revista Las Ranas (artes, ensayo y traducción) y el comité editorial de Cahiers du cinéma España. Entre sus obras se encuentran Filmología. Ensayos con el cine (2000) que fue galardonada con el Primer premio de ensayo del Fondo Nacional de las Artes; El cine de Hugo Santiago (2002); Jean-Luc Godard: el pensamiento del cine (2003); Estudio crítico sobre La ciénaga, de Lucrecia Martel (2007), Una juguetería filosófica. Cine, cronofotografía y arte digital (2009) y El silencio y sus bordes. Modos de lo extremo en la literatura y el cine (2011). RECIBIDO: 3 DE OCTUBRE DE 2016 ACEPTADO: 22 DE NOVIEMBRE DE 2016 RESUMEN: Las décadas de 1950 y 1960 son las de ABSTRACT: The 1950s and 1960s are the decades la transición modernizadora en Latinoamérica: es of modernization in Latin America: it is the el momento en que las estructuras industriales (ya moment when industrial structures seem to fall out sea que hubieran llegado a desarrollarse o no) of phase in reference to the goals of the new parecen desfasarse en relación a los intereses de filmmakers. During those years of aesthetic, los nuevos cineastas. En esos años de grandes cultural and political transformations, young cambios estéticos, culturales y políticos, los directors define their poetics in confrontation with directores jóvenes definen sus poéticas por the old Studio system.
    [Show full text]
  • Students Locked Into Leases 27 North Apartment Residents Lobby Management for Contract Terminations During Pandemic
    Thursday, Volume 154 May 7, 2020 No. 43 SERVING SAN JOSE STATE UNIVERSITY SINCE 1934 WWW.SJSUNEWS.COM/SPARTAN_DAILY A&E Science & Editor’s note: Tech Blood-curdling Spartan set for grad horror genre gets The Spartan Daily will resume school after winning reimagined publication on August 19. NSF fellowship Page 2 Page 4 COVID-19 Students locked into leases 27 North apartment residents lobby management for contract terminations during pandemic By Vicente Vera werere payment plans,” Kaur said lobby the apartment complex management personnel told them to SPECIAL PROJECTS EDITOR fromm her home in Manteca. to let students cancel their stop commenting. “We’reWe’re going back and lease contracts. “We were commenting, like, ‘Hey, forthth . and then The petition has more don’t forget about your currentcurren residents.’ Some San Jose State students felt the theyey said, ‘We’re not than 740 signatures as of Like, ‘Hey can you communcommunicate with weight of paying rent in the fall lifted workingrking on anything publication date. us?’ and they deleted all of those,”th Kaur off their shoulders when the university else,’e,’ and that’s kind “We never saw that said. “It just shows, they dondon’t want the transitioned to classes online for the of wwherehere itit waswas the pandemic [was concerns of their current resiresidents to go rest of 2020 to accommodate for social like,e, ‘Wow.’ ” coming],” she said. “You out in public.” distancing guidelines. The only other know, like, the over 22 Through more outreach on social Since mid-March, many students optiontion was for the million unemployment? media platforms like WildfireWildfi and the living in off-campus housing around sistersters to find a new All of that was SAMMY app, Kaur and otheroth tenants the university have moved back tenantant to take over their unforeseen when we first organized a group chat of about home to continue classes remotely.
    [Show full text]
  • Prensario Internacional Prensario Internacional
    PRENSARIO INTERNACIONAL PRENSARIO INTERNACIONAL PRENSARIO INTERNACIONAL PRENSARIO INTERNACIONAL INFORME ESPECIAL - MERCADO COLOMBIANO DE TELEVISIÓN Y TELECOMUNICACIONES COLOMBIA: LA TELEVISIÓN SE PREPARA PARA OTRO AÑO DINÁMICO La industria de la televisión en Colombia se TV PAGA: EVOLUCIÓN DE SUSCRIPTORES, POR COMPAÑÍA (2009- NOV. 2014) prepara en su conjunto para un nuevo año de gran dinamismo con las inversiones en TV paga, 5000000 Total la concreción del tercer canal de television abierta y la continuidad de la estrategia del gobierno de Juan Manuel Santos hacia la TDT, complemen- 4000000 tada con un DTH social. Colombia es uno de los mercados que más señales positivas ha dado en la 3000000 región en los últimos años con la entrega de las 18 nuevas licencias, el ingreso de Azteca ofreciendo Telmex 2000000 TV paga (IPTV) a partir de haber construido la Red Nacional de Fibra Óptica adjudicada por Une-EPM (3) el Gobierno, y búsquedas de normalización del 1000000 sector. En ese orden, demuestra todavía un enor- DirecTV Global TV (1) Telefónica me potencial, más allá de que todavía esté lejos Otros de los crecimientos superlativos se se han dado 0 principalmente en DTH y en México y Brasil. 2009 2010 2011 2012 2013 Nov-2014 La TV por suscripción en Colombia cerró no- Telmex 1.693.714 1.719.643 1.814.313 1.954.784 2.040.502 2.131.502 viembre de 2014 con 4.89 millones de suscriptores Une-EPM (3) 802.408 912.762 1.034.766 1.049.135 1.059.787 1.032.684 y un crecimiento cercano al 6% respecto al año DirecTV 248.080 370.490 435.495 683.178 868.978 992.118 anterior, de acuerdo al reporte oficial de la ANTV, Telefónica 123.957 203.717 249.466 274.008 336.150 387.282 ubicándose como uno de los cuatro países con Global TV (1) 28.321 154.983 184.074 193.862 168.444 81.939 mayor acceso a este servicio.
    [Show full text]
  • Copyright 2012
    In Our Own Image: An Oral History of Mexican Women Filmmakers (1988-1994) Item Type Book Authors Arredondo, Isabel Citation Arredondo, Isabel. 2012. In Our Own Image: An Oral History of Mexican Female Filmmakers 1988-1994. Trans. Mark Schafer, Jim Heinrich, Elissa Rashkin, and Isabel Arredondo. Web. Download date 30/09/2021 07:20:02 Link to Item http://hdl.handle.net/20.500.12648/1213 Copyright 2012 In Our Own Image: An Oral History of Mexican Women Filmmakers (1988-1994) Isabel Arredondo Translated by Mark Schafer, Jim Heinrich, Elissa Rashkin, and Isabel Arredondo To Gwen Kirkpatrick, who encouraged me to write this book. TABLE OF CONTENT Acknowledgements .....................................................................................................................................1 Introduction ...................................................................................................................................................1 Film Production and The State in Mexico.................................................................................................21 Juan José Bremer: “Cultural policy should not provide answers”..........................................................25 Ignacio Durán: “The challenge was to steal attention from the soaps” ..................................................33 Alfredo Joskowicz: “The Film School Graduates” ..................................................................................41 Busi Cortés: “Free Lunch” ......................................................................................................................51
    [Show full text]