Tornado Times
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
“I'm Rare As Affordable Health Care...Or Going to Wealth
Media RepresentationsAugust of Poverty 2020 “I’M RARE AS AFFORDABLE HEALTH CARE...OR GOING TO WEALTH FROM WELFARE” * Poverty & Wealth Narratives in Popular Culture INTERIM SUMMARY OF RESEARCH PREPARED FOR: Bill & Melinda Gates Foundation PREPARED BY: USC Annenberg Norman Lear Center Erica L. Rosenthal, Veronica Jauriqui, Shawn Van Valkenburgh, Dana Weinstein, and Emily Peterson *The title of this report comes from lyrics in the song, “Big Bank,” www.learcenter.org by YG, featuring 2 Chainz, Big Sean and Nicki Minaj. Interim Summary of Research TABLE OF CONTENTS 3 INTRODUCTION 6 MERITOCRACY: THE DOMINANT NARRATIVE 10 DEPICTING THE LIMITATIONS OF MERITOCRACY 13 HIGHLIGHTING SYSTEMIC BARRIERS AS THE REASON MERITOCRACY FAILS 16 DISCUSSING THE ROLE OF RACISM 19 SHOWING ALTRUISTIC SOLUTIONS AND RESILIENCE 22 MODELING SYSTEMIC SOLUTIONS 24 TWO CRISES 25 RECOMMENDATIONS FOR STORYTELLERS AND ADVOCATES 28 REFERENCES 32 APPENDIX: METHODOLOGY Interim Summary Report page 2 Interim Summary of Research INTRODUCTION The USC Annenberg Norman Lear Center — with funding from the Bill & Melinda Gates Foundation (the foundation) — is conducting a cultural audit of poverty narratives. A cultural audit is a method of gaining a deeper understanding of priority audiences by understanding the pop culture narratives they consume. The project has two overarching goals. The first is to provide evidence-based insights to the foundation’s Voices for Economic Opportunity grantee cohort, a group of organizations who are designing new narratives of poverty to correct misconceptions and address systemic barriers to mobility. The second is to establish a baseline of existing narratives for longitudinal tracking by Harmony Labs, another foundation grantee. The formative research summarized in this report examines how poverty and wealth are constructed in the pop culture narratives in which media consumers are immersed — specifically scripted TV and film, popular music, and top-selling video games.1 In later stages, the Lear Center will expand this analysis to TV news and unscripted content. -
2020 Latin American and Latinx Studies Symposium Panels Panel
1 2020 Latin American and Latinx Studies Symposium Panels Panel: Environment and Culture in Latin America ° Religión y Naturaleza: la Creación del ambiente en la película La Luz Silenciosa, Mariana Gutierrez Suarez, Southwestern University** La creación audiovisual del ambiente y el desarrollo de la historia se manifiestan en la utilización de dos componentes importantes: la naturaleza y la religión. La religión forma la parte social de los personajes mientras que la naturaleza expresa sus emociones individuales. A través del paisaje natural que cambia con las estaciones del año al igual que cambian los protagonistas, los preceptos de la religión, en cambio, se manifiestan rígidos y difíciles de concordar con las acciones humanas. Este contraste nos muestra la importancia de reconocer la organicidad de la naturaleza con el hombre, y de seguir las leyes de conducta y convivencia en nuestros conflictos con nosotros mismos y con los demás, y las maneras de solucionarlos. ° A Threat to Brazilian Biodiversity and Climate Change: The Soy Industry, Beatriz Olivieri, Rollins College My presentation discusses the current environmental dilemma Brazil is facing. The desire to pursue significant economic development leads the Brazilian government to make poor decisions regarding the environment. The ongoing deforestation in Brazil related to the growth of soybeans is responsible for affecting important and unique native biomes along with causing the displacement of indigenous people -who are important actors in the protection of the environment-. In the last two decades, the soy expansion in Brazil was equivalent to an area five times the size of Switzerland. With the ArcGIS mapping tool, I was able to show the conflict between land being used for soy production that initially belonged to indigenous groups. -
Los Bridgerton, La Serie Más Vista De Toda La Historia De Netflix
Image not found or type unknown www.juventudrebelde.cu Image not found or type unknown Los Bridgerton tendrá segunda temporada. Autor: Fotograma de la película Publicado: 28/01/2021 | 11:16 am Los Bridgerton, la serie más vista de toda la historia de Netflix La plataforma digital asegura que, según sus estadísticas, 82 millones de cuentas las visto a 28 días de su estreno, superando a otros fenómenos de popularidad del servicio «streaming» como The Witcher, Lupin, Gambito de Dama o incluso Stranger Things Publicado: Jueves 28 enero 2021 | 11:23:36 am. Publicado por: Juventud Rebelde Netflix aseguró este miércoles en un comunicado de prensa que Los Bridgerton, el último éxito televisivo de Shonda Rhimes, ha sido visto por 82 millones de cuenta en sus primeros 28 días tras su fantástico estreno en las Navidades, lo que la posiciona como la serie más vista en la historia del gigante digital. En el caso de los datos de audiencia de Netflix es recomendable andar con pies de plomo, ya que el método que usa la plataforma para definir un visionado resulta muy controvertido: basta con que un usuario vea un contenido concreto durante dos minutos para que se contabilice, advierte la agencia Efe, aunque reconoce que, por muy dudoso que sea la manera de Netflix a la hora de presentar sus éxitos, Los Bridgerton se ha situado por encima de otros fenómenos como del servicio de «streaming» como The Witcher, Lupin, Gambito de Dama o incluso Stranger Things. La semana pasada, Netflix confirmó que habrá una segunda temporada de Los Bridgerton por medio de la misteriosa narradora de la serie, Lady Whistledown. -
Press Releases
Press Releases O’Melveny Guides ViacomCBS Through MIRAMAX Investment April 3, 2020 RELATED PROFESSIONALS FOR IMMEDIATE RELEASE Bruce Tobey CENTURY CITY—April 3, 2020—O’Melveny represented leading media and entertainment company Century City ViacomCBS (Nasdaq: VIACA; VIAC) in its acquisition of a 49percent stake in film and television studio D: +13102466764 MIRAMAX from beIN Media Group. The transaction, previously announced in December 2019, closed today. Amy Siegel ViacomCBS acquired 49 percent of MIRAMAX from beIN for a total committed investment of US$375 million. Century City Approximately US$150 million was paid at closing, while ViacomCBS has committed to invest US$225 million D: +13102466805 —comprised of US$45 million annually over the next five years—to be used for new film and television Silvia Vannini productions and working capital. Century City D: +13102466895 In addition, ViacomCBS’s historic film and television studio, Paramount Pictures, entered an exclusive, long term distribution agreement for MIRAMAX’s film library and an exclusive, longterm, firstlook agreement Eric Zabinski allowing Paramount Pictures to develop, produce, finance, and distribute new film and television projects Century City based on MIRAMAX’s IP. D: +13102468449 Rob Catmull ViacomCBS creates premium content and experiences for audiences worldwide, driven by a portfolio of Century City iconic consumer brands including CBS, Showtime Networks, Paramount Pictures, Nickelodeon, MTV, D: +13102468563 Comedy Central, BET, CBS All Access, Pluto TV, and Simon & Schuster. Eric H. Geffner beIN MEDIA GROUP is a leading independent global media group and one of the foremost sports and Century City entertainment networks in the world. -
Teen-Targeted Broadcast TV Can Be Vulgar… but Stranger Things Are
Teen-Targeted Broadcast TV Can Be Vulgar… But Stranger Things Are Happening On Netflix EXECUTIVE SUMMARY The entertainment industry has, for decades, The Parents Television Council renews its call for cautioned parents who want to protect their children wholesale reform to the entertainment industry- from explicit content to rely on the various age- controlled ratings systems and their oversight. based content ratings systems. The movie industry, There should be one uniform age-based content the television industry, the videogame industry rating system for all entertainment media; the and the music industry have, individually, crafted system must be accurate, consistent, transparent medium-specific rating systems as a resource to and accountable to those for whom it is intended to help parents. serve: parents; and oversight of that system should be vested primarily in experts outside of those who In recent years, the Parents Television Council has produce and/or distribute the programming – and produced research documenting a marked increase who might directly or indirectly profit from exposing in profanity airing on primetime broadcast television. children to explicit, adult-themed content. All of the television programming analyzed by the PTC for those research reports was rated as appropriate for children aged 14, or even younger. Today, with much of the nation ostensibly on lockdown as a result of the COVID-19 pandemic, children are at home instead of at school; and as a result, they have far greater access to entertainment media. While all forms of media consumption are up, the volume of entertainment programming being consumed through over-the-top streaming platforms has spiked dramatically. -
Venezia 78, Assegnato a Jamie Lee Curtis Il
GIOVEDì 1 LUGLIO 2021 È stato attribuito all'attrice statunitense Jamie Lee Curtis (foto: Andrew Eccles) il Leone d'Oro alla carriera della 78. Mostra Internazionale d'Arte Cinematografica della Biennale di Venezia (1 > 11 settembre 2021). Venezia 78, assegnato a Jamie Lee Curtis il Leone d'Oro alla Carriera La decisione è stata presa dal Cda della Biennale di Venezia, che ha fatto propria la proposta del Direttore della Mostra Alberto Barbera. La consegna del Leone d'oro alla carriera a Jamie Lee Curtis avrà luogo mercoledì 8 settembre nella Sala Grande del Palazzo del Cinema (Lido di Venezia), prima della proiezione fuori concorso di Halloween Kills, ANTONIO GALLUZZO diretto da David Gordon Green e interpretato da Jamie Lee Curtis, presentato da Universal Pictures, Miramax, Blumhouse Productions e Trancas International Films. Halloween Kills sarà nelle sale il 15 ottobre. "Sono incredibilmente onorata di ricevere questo premio dalla Mostra del Cinema della Biennale di Venezia", ha dichiarato Jamie Lee Curtis. "Mi sembra impossibile di essere stata così a lungo nel mondo del [email protected] cinema da ricevere un riconoscimento alla carriera, e che ciò accada SPETTACOLINEWS.IT oggi, con Halloween Kills, è particolarmente significativo per me. Halloween - e il mio sodalizio con Laurie Strode - ha lanciato e sostenuto la mia carriera, e rappresenta davvero un regalo il fatto che questi film abbiano dato vita a un nuovo franchise, amato dal pubblico di tutto il mondo. Il cinema italiano ha sempre onorato ed esaltato il genere che ha segnato la mia carriera, così non potrei essere più orgogliosa e felice di accettare questo premio dalla Mostra di Venezia, da parte di Laurie e di tutte le coraggiose eroine nel mondo che affrontano a testa alta ostacoli insormontabili e che rifiutano di arrendersi". -
Screendollars About Films, the Film Industry No
For Exhibitors April 20, 2020 Screendollars About Films, the Film Industry No. 113 Newsletter and Cinema Advertising 50 years ago this week, Apollo 13 astronauts Jim Lovell, Jack Swigert and Fred Haise returned safely to Earth, a successful conclusion to their harrowing lunar mission cut short by a mid-flight explosion. Hollywood dramatized their recovery from near disaster in a 1995 film starring Tom Hanks, Kevin Bacon, Bill Paxton, Gary Sinise, and Ed Harris. Director Ron Howard went to great lengths to create a technically accurate movie, pushing mid-90’s special effects and technology to its limits. This included filming scenes on a set built inside NASA’s KC-135 training plane which produced actual weightlessness for the actors by plummeting towards earth in high speed nose dives. Apollo 13 was a smashing success at the box office, earning $355M worldwide which made it a close second in its year behind Batman Returns. It was nominated for 9 Academy Awards, including Best Picture, and won for Best Film Editing and Best Sound. (Click to Play) Notable Industry News (4/13-4/19) Path Forward: Navigating the Return to Work (US Chamber of Commerce) Industry and trade groups are pulling out all the stops to support business as they struggle to survive the economic disruption of the COVID-19 crisis. Last week, the US Chamber of Commerce inaugurated a regular series of information sessions “designed to help business and community leaders find the answers they need to develop a responsible reopening strategy.” A topic is covered twice a week, Monday and Thursday at 3pm ET. -
Walpole Public Library DVD List A
Walpole Public Library DVD List [Items purchased to present*] Last updated: 9/17/2021 INDEX Note: List does not reflect items lost or removed from collection A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Nonfiction A A A place in the sun AAL Aaltra AAR Aardvark The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.1 vol.1 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.2 vol.2 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.3 vol.3 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.4 vol.4 ABE Aberdeen ABO About a boy ABO About Elly ABO About Schmidt ABO About time ABO Above the rim ABR Abraham Lincoln vampire hunter ABS Absolutely anything ABS Absolutely fabulous : the movie ACC Acceptable risk ACC Accepted ACC Accountant, The ACC SER. Accused : series 1 & 2 1 & 2 ACE Ace in the hole ACE Ace Ventura pet detective ACR Across the universe ACT Act of valor ACT Acts of vengeance ADA Adam's apples ADA Adams chronicles, The ADA Adam ADA Adam’s Rib ADA Adaptation ADA Ad Astra ADJ Adjustment Bureau, The *does not reflect missing materials or those being mended Walpole Public Library DVD List [Items purchased to present*] ADM Admission ADO Adopt a highway ADR Adrift ADU Adult world ADV Adventure of Sherlock Holmes’ smarter brother, The ADV The adventures of Baron Munchausen ADV Adverse AEO Aeon Flux AFF SEAS.1 Affair, The : season 1 AFF SEAS.2 Affair, The : season 2 AFF SEAS.3 Affair, The : season 3 AFF SEAS.4 Affair, The : season 4 AFF SEAS.5 Affair, -
Stranger Things Season One Episode One Study Booklet
STRANGER THINGS SEASON ONE EPISODE ONE STUDY BOOKLET __________________________________________________________________ Stranger Things Study Booklet © Jon Meier 1 STRANGER THINGS S1 E1 SUMMARY & KEY ALLUSIONS THE VANISHING OF WILL BYERS For more details, see http://strangerthings.wikia.com/wiki/The_Vanishing_of_Will_Byers http://strangerthings.wikia.com/wiki/Influences_%26_references See page 11 for a quiz on Episode 1 Opening echoes 1 A caption informs us that it's November 6th 1983, Hawkins Indiana. Hawkins National Spielberg's ET; Laboratory, a government Energy Laboratory. An alarm is ringing, lights flickering, A white-coated there are many lab worker is running down a corridor in panic. He gets in a lift, but animal noises and sound other references effects continue even more intensely. He is pulled upwards by a mysterious force. in this episode The boys gave been 2 Cut to Mike's house, via a shot of the sprinkler system at night. The four young protagonists, playing for 10 Will, Dustin, Mike and Lucas, are playing Dungeons and Dragons. They encounter the terrifying hours! Demogorgon when Mike's mum insists it's time for the others to go home. D&D features in ET 3 It's night time. Will and Dustin race each other home on their bikes. If the Will wins, Dustin promises him his X-men comic. Will's lights flicker and cut out, he is scared by a mysterious figure in the road, veers off the road and falls. 4 Accompanied by the same eerie animal noises, Will runs home, which is empty apart from a shed is another barking dog. -
Netflix Atmos Titles June 2020
4k Dolby Vision Atmos Series Altered Carbon (2 Seasons) 4k Dolby Vision Atmos Series Another Life (Season 1) 4k Dolby Vision Atmos Series Chef’s Table France 4k Dolby Vision Atmos Series Dark (3 Seasons) 4k Atmos Series New Daybreak (1 Season) 4k Dolby Vision Atmos Series Dracula (1 Season) 4k Dolby Vision Atmos Series Formula 1: Drive to Survive (2 Seasons) 4k Dolby Vision Atmos Series New Girl / HaJi (1 Season) 4k Dolby Vision Atmos Series Hollywood (1 Season) 4k Dolby Vision Atmos Series New Home Game (1 Season) 4k Dolby Vision Atmos Series New I Am Not Ok With This (1 Season) 4k Dolby Vision Atmos Series Lenox Hill (1 Season) 4k Dolby Vision Atmos Series New Locke & Key (1 Season) 4k Dolby Vision Atmos Series Lost In Space (2 Seasons) 4k Dolby Vision Atmos Series Love, Death & Robots (Vol. 1) 4k Dolby Vision Atmos Series Marvel’s Jessica Jones (Seasons 1-3) 4k Dolby Vision Atmos Series Marvel’s Punisher (Seasons 1-2) 4k Dolby Vision Atmos Series Messiah (1 Season) 4k Dolby Vision Atmos Series Night on Earth 4k Dolby Vision Atmos Series October Faction (1 Season) 4k Dolby Vision Atmos Series Our Planet (Limited Series) 4k Dolby Vision Atmos Series Self Made (Limited Series) 4k Atmos Series Soundtrack 4k Dolby Vision Atmos Series Space Force 4k Dolby Vision Atmos Series New Stranger Things (Seasons 1-3) 4k Dolby Vision Atmos Series Sweet Magnolias (1 Season) 4k Dolby Vision Atmos Series New The I-Land (Limited Series) 4k Dolby Vision Atmos Series The Witcher (Season 1) 4k Dolby Vision Atmos Series Unsolved Mysteries (1 Volume) 4k Dolby -
Students Locked Into Leases 27 North Apartment Residents Lobby Management for Contract Terminations During Pandemic
Thursday, Volume 154 May 7, 2020 No. 43 SERVING SAN JOSE STATE UNIVERSITY SINCE 1934 WWW.SJSUNEWS.COM/SPARTAN_DAILY A&E Science & Editor’s note: Tech Blood-curdling Spartan set for grad horror genre gets The Spartan Daily will resume school after winning reimagined publication on August 19. NSF fellowship Page 2 Page 4 COVID-19 Students locked into leases 27 North apartment residents lobby management for contract terminations during pandemic By Vicente Vera werere payment plans,” Kaur said lobby the apartment complex management personnel told them to SPECIAL PROJECTS EDITOR fromm her home in Manteca. to let students cancel their stop commenting. “We’reWe’re going back and lease contracts. “We were commenting, like, ‘Hey, forthth . and then The petition has more don’t forget about your currentcurren residents.’ Some San Jose State students felt the theyey said, ‘We’re not than 740 signatures as of Like, ‘Hey can you communcommunicate with weight of paying rent in the fall lifted workingrking on anything publication date. us?’ and they deleted all of those,”th Kaur off their shoulders when the university else,’e,’ and that’s kind “We never saw that said. “It just shows, they dondon’t want the transitioned to classes online for the of wwherehere itit waswas the pandemic [was concerns of their current resiresidents to go rest of 2020 to accommodate for social like,e, ‘Wow.’ ” coming],” she said. “You out in public.” distancing guidelines. The only other know, like, the over 22 Through more outreach on social Since mid-March, many students optiontion was for the million unemployment? media platforms like WildfireWildfi and the living in off-campus housing around sistersters to find a new All of that was SAMMY app, Kaur and otheroth tenants the university have moved back tenantant to take over their unforeseen when we first organized a group chat of about home to continue classes remotely. -
Sundance Institute Announces 2020 Momentum Fellows and Launch Grant Fund Recipients
FOR IMMEDIATE RELEASE Media Contact: October 28, 2019 Emily Andrews 310.360.1981 [email protected] Sundance Institute Announces 2020 Momentum Fellows and Launch Grant Fund Recipients Year-Long Fellowship For Underrepresented Filmmakers Enters Second Year, Supporting Eight Visionary Artists New Launch Grant Fund Empowers Underrepresented Artists to Break Systemic Barriers in Launching First Feature Film Los Angeles — Sundance Institute announced today two support tracks for artists from underrepresented communities, continuing the Institute’s commitment to fostering inclusive artistic visions. Announced today are the eight members of the second class of the Momentum Fellowship, a full-year program of deep, customized creative and professional support for writers, directors, and producers from underrepresented communities who are poised to take the next step in their careers, working across documentary and feature filmmaking, and episodic content. Sundance Institute also announced the four awardees of the inaugural Launch Grant Fund, a new opportunity for emerging filmmakers from underrepresented communities launching their first feature film. “Each of the exceptionally talented artists in these two programs brings a bold creative vision to their work, and we are thrilled to support them at such critical junctures – launching their first feature films and building sustainable careers,” said Karim Ahmad, Director, Outreach & Inclusion. The Momentum Fellowship, which launched last year, evolved from the Women at Sundance Fellowship, a highly successful model that merited expansion for impact across a broader cohort of underrepresented communities. Those eligible for this larger, more intersectional program include artists identifying as women, non-binary and/or transgender, artists of color, and artists with disabilities. The 2020 Momentum Fellows are: Andrew Ahn, Linda Yvette Chávez, Christina Choe, Deborah Esquenazi, Rodney Evans, Penny Lane, Avril Z.