HARD-TO-REMEMBER NAMES THAN a RUSSIAN NOVEL” — Special Names, Their Significance, Types, and Relative Hierarchy in J
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Hergé and Tintin
Hergé and Tintin PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Fri, 20 Jan 2012 15:32:26 UTC Contents Articles Hergé 1 Hergé 1 The Adventures of Tintin 11 The Adventures of Tintin 11 Tintin in the Land of the Soviets 30 Tintin in the Congo 37 Tintin in America 44 Cigars of the Pharaoh 47 The Blue Lotus 53 The Broken Ear 58 The Black Island 63 King Ottokar's Sceptre 68 The Crab with the Golden Claws 73 The Shooting Star 76 The Secret of the Unicorn 80 Red Rackham's Treasure 85 The Seven Crystal Balls 90 Prisoners of the Sun 94 Land of Black Gold 97 Destination Moon 102 Explorers on the Moon 105 The Calculus Affair 110 The Red Sea Sharks 114 Tintin in Tibet 118 The Castafiore Emerald 124 Flight 714 126 Tintin and the Picaros 129 Tintin and Alph-Art 132 Publications of Tintin 137 Le Petit Vingtième 137 Le Soir 140 Tintin magazine 141 Casterman 146 Methuen Publishing 147 Tintin characters 150 List of characters 150 Captain Haddock 170 Professor Calculus 173 Thomson and Thompson 177 Rastapopoulos 180 Bianca Castafiore 182 Chang Chong-Chen 184 Nestor 187 Locations in Tintin 188 Settings in The Adventures of Tintin 188 Borduria 192 Bordurian 194 Marlinspike Hall 196 San Theodoros 198 Syldavia 202 Syldavian 207 Tintin in other media 212 Tintin books, films, and media 212 Tintin on postage stamps 216 Tintin coins 217 Books featuring Tintin 218 Tintin's Travel Diaries 218 Tintin television series 219 Hergé's Adventures of Tintin 219 The Adventures of Tintin 222 Tintin films -
SINDARIN 2003 (MMDCCLVI AVC) R [email protected] Gandalf
2002 (MMDCCLV AVC) SINDARIN 2003 (MMDCCLVI AVC) r [email protected] GandAlf Sindarin Teleri Sindar Aman Thingol Noldor˜ Noldor˜ Quenya Noldorinwa˜ Doriath Mithrim Falathrim Falathrim Conlang Constructed Language Legendarivm Gnomish Noldorin The Book of Lost Tales The History of Middle-earth ******* At Mereth Aderthad many counsels were taken in good will, and oaths were sworn of league and friendship; and it is told that at this feast the tongue of the Grey-elves was most spoken even by the Noldor, for they learned swiftly the speech of Beleriand, whereas the Sindar were slow to master the tongue of Valinor. (The Silmarillion, ch. 13) Quenya Noldorinwa˜ Noldor˜ Beleriand Noldor˜ ******* Helge Kar˚ e Fauskanger Quenya http://www.ardalambion.com/qcourse.html Suomi Finnish Aman Quendi Kvener Noldor˜ http://www.sci.fi/˜alboin/finn_que.htm http://demo.ort.org.il/ortforums/scripts/ forum.asp?pc=471389549 ******* Ardalambion http://www.ardalambion.com/sindarin.html Gwaith-i-Phethdain http://www.elvish.org/gwaith/sindarin_intro.htm Ardalambion ******* Didier Willis Ryszard Derdzinski Willis mirror http://forums.ort.org.il/scripts/showsm.asp?which_ forum=18&mess=1042485 ELF Vinyar Tengwar http://www.elvish.org/VT Derdzinski http://www.uib.no/People/hnohf/gobeth.htm Willis http://www.geocities.com/almacq.geo/sindar http://my.ort.org.il/tolkien/gandalf2/sindarin.zip ******* Grimm’s Law :-) ******* Gnomish Arda Noldorin http://www.elvish.org E.L.F. :-( ******* Mircosoft Word LYX TEX/LATEX Word www.lyx.org www.latex-project.org www.tug.org LATEX -
THE CIRTH the Certhas Daeron Was Originallypb Devisedmt Tod Representnk Theg Soundsnr of Sindarinls Only
THE CIRTH The Certhas Daeron was originallypb devisedmt tod representnk theg soundsNr of SindarinlS only. The oldest cirth were , , , ; , , ; , , ; , ; , ziueo 1 2 5 6 8 9 12¤ 18 ¥19 22 29 31 35 ; , , , ; and a certh varying between and . The assignment 36 39 42 46 50 iue o 13 15 of values was unsystematic. , , and were vowels and remained so ¤ 39 42 ¥ 46 50 S in all later developments. 13 and 15 were used for h or s, according as 35 was used for s or h. This tendency to hesitate in the assignment of values for s and h continued in laterpl arangements. In those characters that consisted of a ‘stem’ and a ‘branch’, 1 – 31 , the attachment of the branch was, if on one side only, usually made on the right side. The reverse was not infrequent, but had no phonetic significance. The extension and elaboration of this certhas was called in its older form the Angerthas Daeron, since the additions to the old cirth and their re-organization was attributed to¤ Daeron.§ The principal additions, however, the introductions of two new series, 13 – 17 , and 23 – 28 , were actually most probably inventions of the Noldor of Eregion, since they were used for the representation of sounds not found in Sindarin. In the rearrangement of the Angerthas the following principles are observable (evidently inspired by the F¨eanorian system): (1) adding a stroke to a brance added a ‘voice’; (2) reversing the certh indicated opening to a ‘spirant’; (3) placing the branch on both sides of the stem added voice and nasality. -
Literatura Latinoamericana Mundial Latin American Literatures in the World Literaturas Latinoamericanas En El Mundo
Literatura latinoamericana mundial Latin American Literatures in the World Literaturas Latinoamericanas en el Mundo Edited by / Editado por Gesine Müller Volume 5 / Volumen 5 Literatura latinoamericana mundial Dispositivos y disidencias Editado por / Edited by Gustavo Guerrero, Jorge J. Locane, Benjamin Loy y Gesine Müller This project has received funding from the European Research Council (ERC) under the European Union’s Horizon 2020 Research and Innovation programme ˗ Grant Agreement Number 646714 ISBN 978-3-11-067365-4 e-ISBN (PDF) 978-3-11-067367-8 e-ISBN (EPUB) 978-3-11-067379-1 ISSN 2513-0757 e-ISSN 2513-0765 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. For details go to: https://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number: 2019949720 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2020 Gustavo Guerrero, Jorge J. Locane, Benjamin Loy and Gesine Müller, published by Walter de Gruyter GmbH, Berlin/Boston The book is published with open access at www.degruyter.com. Typesetting: Integra Software Services Pvt. Ltd. Printing and binding: CPI books GmbH, Leck www.degruyter.com Contenidos Gustavo Guerrero, Jorge J. Locane, Benjamin Loy, Gesine Müller A modo de introducción. Literatura latinoamericana: inflexiones de un término 1 1 Gatekeepers -
Treasures of Middle Earth
T M TREASURES OF MIDDLE-EARTH CONTENTS FOREWORD 5.0 CREATORS..............................................................................105 5.1 Eru and the Ainur.............................................................. 105 PART ONE 5.11 The Valar.....................................................................105 1.0 INTRODUCTION........................................................................ 2 5.12 The Maiar....................................................................106 2.0 USING TREASURES OF MIDDLE EARTH............................ 2 5.13 The Istari .....................................................................106 5.2 The Free Peoples ...............................................................107 3.0 GUIDELINES................................................................................ 3 5.21 Dwarves ...................................................................... 107 3.1 Abbreviations........................................................................ 3 5.22 Elves ............................................................................ 109 3.2 Definitions.............................................................................. 3 5.23 Ents .............................................................................. 111 3.3 Converting Statistics ............................................................ 4 5.24 Hobbits........................................................................ 111 3.31 Converting Hits and Bonuses...................................... 4 5.25 -
Glossopoeia a Contrastive Phonological Study Of
DEPARTAMENT DE FILOLOGIA ANGLESA I DE GERMANÍSTICA Glossopoeia A Contrastive Phonological Study of Sindarin and Klingon Treball de Fi de Grau Author: Mónica Malvárez Ocaña Supervisor: Hortènsia Curell Gotor Grau d’Estudis Anglesos June 2020 jyE qhE5 `B 7r$`B6E tiT16E lE5 Law pain i reviar mistar aen. Not all those who wander are lost. ACKNOWLEDGEMENTS I would like to express my appreciation to Dr. Hortènsia Curell, not only for her help and support during these difficult months that I have been abroad, but also for giving me the opportunity and the freedom to explore other fascinating linguistic areas, such as glossopoeia. I would also like to thank my friends and family for always pushing me to go one step further and to think outside the box. I discovered the universe of Middle-Earth during my childhood, and for that reason, it will always have a special place in my heart. Before going to bed, my father used to read The Hobbit to me. I remember being mesmerized by the story and the characters, and even now, as an adult, I am still mesmerized by what J.R.R. Tolkien created. TABLE OF CONTENTS 1. Introduction ................................................................................................................. 2 2. Constructed Languages ............................................................................................... 3 2.1. Classification of Conlangs ................................................................................ 3 2.1.1. Historical Classification .................................................................... -
Download (.Pdf)
Fiat Lingua Title: Language Creation in Early Learning Author: Danny Garrett MS Date: 09-11-2016 FL Date: 10-01-2016 FL Number: FL-00003D-00 Citation: Garrett, Danny. 2016. "Language Creation in Early Learning." FL-00003D-00, Fiat Lingua, <http://fiatlingua.org>. Web. 01 October 2016. Copyright: © 2016 Danny Garrett. This work is licensed under a Creative Commons Attribution- NonCommercial-NoDerivs 3.0 Unported License. http://creativecommons.org/licenses/by-nc-nd/3.0/ Fiat Lingua is produced and maintained by the Language Creation Society (LCS). For more information about the LCS, visit http://www.conlang.org/ Language Creation in Early Learning1 Danny Garrett September 12, 2016 Abstract This paper explores how conlanging impacts learning outcomes for middle school students in a structured English classroom. Starting in May and ending in the same month, 6th and 7th graders from Iberville Charter Academy in Plaquemine, LA created conlangs for their end-of-the-year English projects. 44 students participated. I, their teacher, oversaw the project, taught the necessary material for it, and studied the project’s pre- and posttest data. The data and highlighted student works are presented in this paper, framed in their proper historical, pedagogical, linguistic, and literary contexts. To protect student identities and statuses as minors, all student names are fictional and thus obscured in accordance with California law. 1 According to the U.S. Department of Education, “Early Learning” means state-licensed education for infant- and kindergarten-aged children (ed.gov). In the title, I use the term poetically to emphasize that conlanging is usually practiced at the college level, not the middle school level. -
Fictional Language Generator
Distributed Computing Prof. R. Wattenhofer Fictional Language Generator Sindarin, Klingon, Dothraki. These are some of the few fully developed fictional languages that you could actually learn to speak. There are some more \half-developed" languages (see \Artistic/Fictional languages" here), but it is a relatively short list. Imagine you want to make a movie or cre- ate a computer game, and you want some of your characters to speak a foreign/alien lan- guage to make it more believable for the au- dience (what kind of alien speaks English af- ter all?!?). The problem is that creating a new language is a non-trivial task that re- quires deep knowledge of linguistics and a high amount of work. So in the end, it is either something for the gifted and passion- ate (e.g. Tolkien) or for the deep-pocketed (HBO with Game of Thrones, Hollywood with Avatar). This is where you come in! We want you to automatically create believable fictional languages. We already have some ideas on how to achieve this. We could for example use Deep Learning language models. We could also employ evolutionary algorithms to com- bine languages and then further process them with other techniques (real languages evolve as well, after all). We do not necessarily aim at creating perfect new languages, but something more believable than this is certainly doable. These are just some early ideas, but the area is completely open for exploration. If you are interested, do not hesitate to contact us so that we can have a chat! You will: Familiarize yourself with the necessary basics of linguistics and Natural Language Generation (NLG). -
A Companion to J.R.R. Tolkien, Ed. Stuart D. Lee, Reviewed by Andrew Higgins Andrew Higgins [email protected]
Journal of Tolkien Research Volume 2 | Issue 1 Article 2 2015 A Companion to J.R.R. Tolkien, ed. Stuart D. Lee, reviewed by Andrew Higgins Andrew Higgins [email protected] Follow this and additional works at: http://scholar.valpo.edu/journaloftolkienresearch Part of the Literature in English, British Isles Commons Recommended Citation Higgins, Andrew (2015) "A Companion to J.R.R. Tolkien, ed. Stuart D. Lee, reviewed by Andrew Higgins," Journal of Tolkien Research: Vol. 2: Iss. 1, Article 2. Available at: http://scholar.valpo.edu/journaloftolkienresearch/vol2/iss1/2 This Book Review is brought to you for free and open access by the Library Services at ValpoScholar. It has been accepted for inclusion in Journal of Tolkien Research by an authorized administrator of ValpoScholar. For more information, please contact a ValpoScholar staff member at [email protected]. Higgins: A Companion to J.R.R. Tolkien, ed. Stuart D. Lee, reviewed by Andrew Higgins A Companion to J.R.R. Tolkien, edited by Stuart D. Lee. Chichester, West Sussex, and Malden, Massachusetts: Wiley-Blackwell, 2014. xxxiv, 568 pp. $199.95 ISBN 9780470659823. As this is a review for the Journal of Tolkien Research, a volume with the title A Companion to J.R.R. Tolkien will undoubtedly be of interest to Tolkien students and scholars. Reviewing such a lengthy scholarly work is indeed both a daunting and equally challenging task. The reason for this is twofold: 1) the academic profile of the volume and 2) the eminent line-up of Tolkien scholars who have contributed their specific knowledge to each of the thirty-six papers in this volume. -
Information Entropy of Constructed Languages Megan Crossing
Information Entropy of Constructed Languages Megan Crossing Supervised by Professor Matthew Roughan The University of Adelaide Vacation Research Scholarships are funded jointly by the Department of Education and Training and the Australian Mathematical Sciences Institute. Contents 1 Introduction 1 1.1 Statement of Authorship . .1 2 Quenya: Its Brief History 2 3 Information Entropy 2 3.1 Shannon Entropy . .2 3.2 Zipf-Mandelbrot Distribution . .3 4 The Process 3 4.1 Text selection . .3 4.2 Pre-Processing . .4 4.3 Generating Results . .5 5 Results 6 5.1 Zipf-Mandelbrot Approximations . .6 5.2 Shannon Entropy . .9 6 Discussion 12 6.1 A Dichotomy in Languages . 12 6.2 Potential Extentions . 13 7 Conclusion 14 Appendices 16 A Zipf-Mandelbrot Comparisons 16 B Total and Unique Word Counts for Four New Testament Translations 17 i Abstract This project investigates entropic differences between natural and constructed languages, with a focus on the Neo-Quenya translation of the New Testament. Using the Natural Language Processing Toolkit in Python, we found the Shannon entropies and Zipf-Mandelbrot distributions of four translations of the New Testament. The translations used were the King James Version, the New International Version, the Biblia Sacra juxta Vulgatam Clementinam (Latin), and the Neo-Quenya. The study found that the entropies of the Latin and Neo-Quenya translations were generally lower than the two English translations, that the Zipf-Mandelbrot distributions of the English translations were near identical, and that the Zipf-Mandelbrot distributions of the Latin and Neo-Quenya were, whilst similar, less similar than the two English translations. -
Studies in the Sources of J.R.R. Tolkien's the Lord of the Rings
.-- . .,l,.. .I~ i . ,. s._ .i. -_. _..-..e.. _ . (3 f Preface i In the Spring of 1968 while I was studying the Old English poem Beowulf with Dr. Rudolph Bambas, my colleague and classmate Judith Moore suggested that I might enjoy reading a new work by J:R.R. Tolkien, known to us as the editor of Sir Gawain and the Green Knight and the author of that seminal article -- “Beowulf: The Monsters and the Critics.” The Hobbit and The Lord of the Rings delighted me that summer. In the fall, at the urging of another colleague, I enrolled in the Old Norse seminar. That conjunction of events proved to be the beginning of a lifelong study of Northern literature and its contributions to the cauldron of story which produced The Lord of the Rings, The Hobbit, The Silmarillion, and The Unfinished Tales. The first version of this study became my doctoral dissertation -- “Studies in the Sources of J.R.R. Tolkien’s The Lord of the Rings.“1 Throughout the years that followed while I was either teaching college English or working as a librarian, I have continued my research. The original study was based on about twenty-five sagas; that number has been tripled. Christopher Tolkien’s careful publication of The Silmarillion, The Unfinished Tales, and six volumes of The Historv of Middle-earth has greatlyreatly expanded the canon available for scholarly study. Humphrey Carpenter’s authorized biography has also been helpful. However, the Letters of J.R.R. Tolkien have produced both the . greatest joy and the greatest terror. -
A Structural Analysis of J.R.R. Tolkien's Textural Composition
A Structural Analysis of J.R.R. Tolkien’s Textural Composition Centering on The Silmarillion 文学研究科英文学専攻博士後期課程在学 松 本 裕 子 Yuko Matsumoto 1: Introduction/2: Methods/3: Textural Analysis/ 4: Compound Text/5: Conclusion Chapter 1: Introduction The purpose of this present thesis is to analyze the textural composition of John Ronald Reuel Tolkien’s The Silmarillion: The Silmarillion as a single published work separate from The Lord of the Rings (LOTR). Certainly, the former is very closely connected with the latter, especially, its last part, OF THE RINGS OF POWER AND THE THIRD AGE; the latter can be said to be a natural extension of the former in this sense. On the other hand, however, Quenta Silmarillion is formally supposed to be a single piece of work,1 though it is the essential part of The Silmarillion as a book. In brief there are two kinds of The Silmarillion, or more correctly, two levels of The Silmarillion: The Silmarillion in a broad sense and The (Quenta) Silmarillion in a narrow sense. This thesis treats The Silmarillion in the broad sense. Here we must not miss the following points. The work involved is based upon a vast corpus of materials put together under the title of The History of Middle-Earth: from which another book, Unfinished Tales, was published by Christopher Tolkien, his son, after Tolkien’s death. So it cannot be regarded as Tolkien’s edited work. Christopher Tolkien made a comment on that issue in the introduction of Unfinished Tales;2 1 The Silmarillion is made up of five parts of the tales: AINULINDALЁ, VALAQUENTA, Quenta Silmarillion, AKALLABÊTH, and OF THE RINGS OF POWER AND THE THIRD AGE.