Hergé and Tintin
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A Por La Olimpiada 92
BIBLIOTECA DE BARAÑAIN BARAÑAINGO LIBURUTEGIA CÓMICS INFANTILES HAUR-KOMIKIAK NOVIEMBRE 2008 2008ko AZAROA ¿Te gusta el cómic? ¿Te has muerto de risa alguna vez con Asterix y Obelix, con Mortadelo, con los Simpson y otros mil personajes locos, locos, locos? En esta guía puedes ver algunos cómics infantiles que tenemos en la biblioteca de Barañain. Queremos sumarnos así a la campaña “Galaxia-Cómic” puesta en marcha por el Departamento de Educación para animar a leer en familia. El cómic, con esa mezcla de imágenes, texto y a menudo (aunque no siempre) humor, es un género que ha atraído desde siempre a los niños y a los jóvenes. Si le preguntas a cualquier persona mayor a la que le guste leer cómo se inició su afición por la lectura es muy probable que te diga que empezó de niño leyendo cómics. Por eso nos parece acertada esta iniciativa y te invitamos a venir a la biblioteca para que puedas elegir los cómics que más te gusten, leerlos aquí o, si prefieres, llevártelos a casa y leerlos tranquilamente este otoño. Te esperamos. Atsegin duzu komikia? Barrez lehertu al zara noizbait Asterixekin eta Obelixekin, Mortadelorekin, Simpson senitartekoekin, edota beste hainbat eta hainbat pertsonaia ero, ero, erorekin? Gida honetan Barañaingo liburutegian dauzkagun haurrentzako zenbait komiki aurki ditzakezu. Horixe da Nafarroako Gobernuaren Hezkuntza Sailak abian jarritako “Galaxia-komiki” kanpainarekin bat egiteko gure modua, hain zuzen ere senitartean irakurtzeko zaletasuna piztu asmoz. Komikia, irudiez, testuez eta sarritan –baina ez beti- umorez jantzirik, haurrak eta gazteak betidanik erakarri dituen generoa da. Irakurtzeko zaletasuna duen edozein pertsona helduri huraxe nola piztu zitzaion galdetzen badiozu, litekeena da erantzutea umetatik komikiak irakurtzen hasi zela. -
Why We Play: an Anthropological Study (Enlarged Edition)
ROBERTE HAMAYON WHY WE PLAY An Anthropological Study translated by damien simon foreword by michael puett ON KINGS DAVID GRAEBER & MARSHALL SAHLINS WHY WE PLAY Hau BOOKS Executive Editor Giovanni da Col Managing Editor Sean M. Dowdy Editorial Board Anne-Christine Taylor Carlos Fausto Danilyn Rutherford Ilana Gershon Jason Troop Joel Robbins Jonathan Parry Michael Lempert Stephan Palmié www.haubooks.com WHY WE PLAY AN ANTHROPOLOGICAL STUDY Roberte Hamayon Enlarged Edition Translated by Damien Simon Foreword by Michael Puett Hau Books Chicago English Translation © 2016 Hau Books and Roberte Hamayon Original French Edition, Jouer: Une Étude Anthropologique, © 2012 Éditions La Découverte Cover Image: Detail of M. C. Escher’s (1898–1972), “Te Encounter,” © May 1944, 13 7/16 x 18 5/16 in. (34.1 x 46.5 cm) sheet: 16 x 21 7/8 in. (40.6 x 55.6 cm), Lithograph. Cover and layout design: Sheehan Moore Typesetting: Prepress Plus (www.prepressplus.in) ISBN: 978-0-9861325-6-8 LCCN: 2016902726 Hau Books Chicago Distribution Center 11030 S. Langley Chicago, IL 60628 www.haubooks.com Hau Books is marketed and distributed by Te University of Chicago Press. www.press.uchicago.edu Printed in the United States of America on acid-free paper. Table of Contents Acknowledgments xiii Foreword: “In praise of play” by Michael Puett xv Introduction: “Playing”: A bundle of paradoxes 1 Chronicle of evidence 2 Outline of my approach 6 PART I: FROM GAMES TO PLAY 1. Can play be an object of research? 13 Contemporary anthropology’s curious lack of interest 15 Upstream and downstream 18 Transversal notions 18 First axis: Sport as a regulated activity 18 Second axis: Ritual as an interactional structure 20 Toward cognitive studies 23 From child psychology as a cognitive structure 24 . -
Hmn7r (Ebook Free) Léonard - Tome 23 - Poil Au Génie ! Online
hmn7r (Ebook free) Léonard - tome 23 - Poil au génie ! Online [hmn7r.ebook] Léonard - tome 23 - Poil au génie ! Pdf Free Par Turk, De Groot *Download PDF | ePub | DOC | audiobook | ebooks Download Now Free Download Here Download eBook Détails sur le produit Rang parmi les ventes : #131993 dans LivresPublié le: 2003-09-10Sorti le: 2003-09- 10Langue d'origine:Français .35 x 8.86l x 11.73L, Reliure: Relié48 pages | File size: 25.Mb Par Turk, De Groot : Léonard - tome 23 - Poil au génie ! before purchasing it in order to gage whether or not it would be worth my time, and all praised Léonard - tome 23 - Poil au génie !: Commentaires clientsCommentaires clients les plus utiles0 internautes sur 0 ont trouvé ce commentaire utile. Très bienPar MME PEGGY NEVESTrès intéressante, très bonne Bande dessinée, parfait pour compléter la collection de mon filleul à chaque occasion, anniversaire, noël, pâques. Présentation de l'éditeurUn matin, en essayant une nouvelle solution pour enlever les poils, notre pauvre disciple perd le peu de cheveux qu'il lui reste sur le crâne. Mais les problèmes capillaires chez le génie ne durent jamais très longtemps ! Aussitôt, il trouve une lotion pour les faire repousser. Tout va bien qui finit bien donc ! A moins que...Biographie de l'auteurComme tout génie qui se respecte, Bob de Groot n'a guère obtenu de résultats à l'école. Cela ne l'a nullement empêché de faire de la BD son métier en réalisant d'abord quelques travaux pour Maurice Tillieux, puis en dessinant pour les magazines «Pilote» et «Spirou». C'est alors qu'il a fait une rencontre déterminante pour la suite de sa carrière, celle de Turk, dessinateur comme lui, qui s'avèrera aussitôt le rouage qui manquait encore à sa « gagmachine ». -
Tintin and the Adventure of Transformative and Critical Fandom
. Volume 17, Issue 2 November 2020 Tintin and the adventure of transformative and critical fandom Tem Frank Andersen & Thessa Jensen, Aalborg University, Denmark Abstract: Using Roland Barthes’ and John Fiske’s notion of the readerly, writerly, and producerly text, this article provides an analysis and a tentative categorization of chosen transformative, fanmade texts for the comic book series The Adventures of Tintin. The focus is on the critical transformation of, and engagement with, the original text by academics, professional fans, and fans of popular culture. The analysis identifies different ways of transformational engagement with the original text: ranging from the academic writerly approach of researchers, over professional fans rewriting and critically engaging with the original text, to fanfiction fans reproducing heteroromantic tropes in homoerotic stories, fans of popular culture using Tintin figurines to document their own travels, and finally, fans who use Tintin covers as a way to express critical political sentiments. With Barthes and Fiske these groups are defined by their way of approaching the original text, thus working either in a readerly producerly or writerly producerly way, depending on how critical and political the producerly attitude is in regard to the original text. Keywords: The Adventures of Tintin, fan albums, fanfiction, fan communities; readerly, writerly, producerly reception Introduction In recent years, it has been quiet around the forever young reporter Tintin and his faithful friends Snowy and Captain Haddock. A motion capture movie about three of Tintin’s adventures failed to garner a larger following, despite having Steven Spielberg as the director (The Adventures of Tintin, Columbia Pictures, 2011). -
PASTAUD Maison De Ventes Aux Enchères
PASTAUD Maison de ventes aux enchères Dimanche 17 février 2018 à 14h15 Hôtel des ventes 5 rue Cruche d’Or 87000 LIMOGES FIGURINES ET ALBUMS DE BANDE DESSINÉE Collection de M. et Mme D*** EXPOSITIONS : Vendredi 15 février de 14h à 18h | Samedi 16 février de 10h à 12h | Dimanche 17 février de 10h à 12h © Hergé-Moulinsart 2019 Vente en ligne en direct sur www.interencheres-live.com Toutes les photos sont consultables sur : www.interencheres.com /87001 www.gazette-drouot.com www.poulainlivres.com PASTAUD Cabinet POULAIN Maison de ventes aux enchères Experts 5, rue Cruche d’Or 87000 LIMOGES Elvire Poulain-Marquis : 06 72 38 90 90 Tél. : 05 55 34 33 31 / 06 50 614 608 Pierre Poulain : 06 07 79 98 61 Fax : 05 55 32 59 65 1, cité Bergère 75009 PARIS E-mail : [email protected] Tél : 01 44 83 90 47 Me Paul Pastaud - Commissaire-priseur habilité Mail : [email protected] Agrément 2002-322 du 11/07/2002 www.poulainlivres.com 1 OÙ ENVOYER VOS ORDRES D’ACHAT ? 1. Par mail : 2. Par fax : 3. Par courrier : [email protected] à la maison de ventes : Hôtel des ventes et/ou [email protected] 05 55 32 59 65 5 rue cruche d’Or 87000 Limoges Les ordres d’achat par fax ou internet devront être envoyés avant le matin de la vente à 9 h 30 ; les ordres d’achats ou demandes d’enchères par téléphone envoyés ensuite risquant de ne pas pouvoir être pris en compte. Il est conseillé de nous contacter afin de confirmer la bonne réception de vos ordres d’achat. -
Rene Goscinny WHERES ASTERIX
Goscinny was reared and educated in Buenos Aires and later worked on children’s books in New York City. In 1954 he returned to Paris to direct a press agency and soon became a writer for the “Lucky Luke” comic strip. In (14 August 1926 – 5 November 1977) 1957 he met Uderzo, a cartoonist, and collaborated with him on the short-lived “Benjamin et Benjamine” and, a year later, on the somewhat more successful “Oumpah-Pah le Peau-Rouge” (“Oumpah-Pah the Redskin”). In 1959 Goscinny founded the French humour magazine Pilote, and at the same time, in collaboration with Uderzo, began publishing “Astérix le Gaulois,” a comic strip that concerned itself with the adventures of a diminutive Gallic tribesman at the time of Caesar’s conquest of Gaul. The title character, Astérix, and his friend Obélix belonged to the only unconquered tribe, the “Invincible Gauls.” The Romans they opposed were generally made to look stupid and clumsy. Coinciding as it did with Charles de Gaulle’s rise to power in France, the strip reflected certain political sentiments that were widespread at the time. “Astérix le Gaulois” became widely popular and brought substantial success to both Goscinny and Uderzo. Goscinny was the scriptwriter of several other French comic strips, including “Les Dingodossiers” (1965–67), with Marcel Gotlib, and also was a principal in a French publishing firm. He was made a Chevalier of Arts and Letters in 1967. The “Astérix” strip was translated into 15 languages, and after its appearance in book form (1959) it sold more than 18,000,000 copies world- wide. -
COMICS and ILLUSTRATIONS PARIS – 14 MARCH 2015 Highlights Exhibited on Preview in NEW YORK from February 27Th to March 4Th
& Press Release ǀ PARIS ǀ 11 February 2015 FOR IMMEDIATE RELEASE COMICS and ILLUSTRATIONS PARIS – 14 MARCH 2015 Highlights exhibited on preview in NEW YORK from February 27th to March 4th Spirou et FantasioSpirou et Cauvin par Fournier Franquin GREG Janry Morvan * Munuera Nic Roba Tome Vehlmann Yann Yoann © Dupuis 2015 Philippe Francq Uderzo André Franquin Detail of an original illustration for Dior, 2001 Colour cover of Pilote n°489, 20 March 1969 Detail of an original board, Spirou et Fantasio, Estimate: €12,000-15,000 Estimate: €100,000-120,000 Spirou et les Hommes-Bulles, 1960 * © Francq © 2015 Goscinny - Uderzo Estimate: €70,000-80,000 Paris - Following the success of the Comics and Illustration inaugural auction in Paris in April 2014, which realised over €4M, Christie’s will hold a second auction dedicated to sequential art on the upcoming 14 March. This sale, once again carried out in partnership with the Daniel Maghen Gallery, will represent a wide selection of comic artists and heroes, of which the highlights will be exhibited during a preview held at Christie’s New York from February 27th until March 4th 2015. Daniel Maghen, auction expert: «The greatest names in comic history will be celebrated, such as the legendary characters of Hergé, Tintin and Captain Haddock, in an exceptional original cover of the Journal de Tintin, estimated between €350,000 and €400,000, as well as Edgar P. Jacobs’ Blake and Mortimer, and Albert Uderzo’s Astérix and Obélix. The «new classics» will also be represented along with Moebius, whose colour cover of the Incal and a page of Arzach will be offered. -
Flanders Today OCTOBER 19, 2011 Free Newsweekly
FLANDERS TODAY OCTOBER 19, 2011 FREE NEWSWEEKLY WWW.FLANDERSTODAY.EU Erkenningsnummer P708816 2/NEWS 6/FOCUS 7/B U SINESS 9/LIVING 10/ARTS 13/A G ENDA 16/foo D Europe in Bruges Faced with the CAP Tinseltown Tintin The college of EU hopefuls EU agriculture proposal The movies that came before 6 bad for Flanders 10 7 #202 Bobbejaanland turns 50 Flanders’ singing cowboy lives on in one of the region’s most popular attractions MONIQUE PHILIPS obbejaan Schoepen died in The stark black-and-white the spring of 2010, leaving promotional photos show a tired behind many Flemish cowboy bearing a Johnny Cash Bmourners and not a few perplexed quality. Flanders fell in love with internationals unfamiliar with the its hero all over again. This time Bobbejaan phenomenon. A 1960s people saw past the “entertainer”, Flemish singing cowboy who the “singer-comic” from the yellow opened his own amusement park? newspaper cuttings. They saw the Seriously? musician. A big help to the uninitiated is Tom Schoepen’s beautiful coffee- The yodelling whistler table style biography, published on Bobbejaan started out life in 1925 as the first anniversary of his father’s Modest Schoepen, a wise-cracking death. As the youngest child of the kid who entertained folk in the cafés family of five, he harboured many of Boom with his sister Liske. His questions about the early days. father was a blacksmith; hence his By the time Tom was born, lifelong love of horses. Bobbejaan’s performances weren’t Whistling was an official discipline the novelty they once were, and at the local music school, and the 1970s anti-American attitude Modest was gifted in it. -
De Ştiinţă Şi Cultură
STUDII DE ŞTIINŢĂ ŞI CULTURĂ VOLUME XII, ISSUE 2, JUNE 2016 VOLUME XII, N° 2, JUIN 2016 VOLUMUL XII, NR. 2, IUNIE 2016 Revistă editată de / revue éditée par / journal published by: UNIVERSITATEA DE VEST „VASILE GOLDIŞ” DIN ARAD, ROMÂNIA în parteneriat cu / en partenariat avec / in partnership with: LE DÉPARTEMENT DE ROUMAIN D'AIX-MARSEILLE UNIVERSITÉ, FRANCE LE CAER - EA 854 D'AIX-MARSEILLE UNIVERSITÉ, FRANCE LE CIRRMI DE L'UNIVERSITÉ PARIS 3 - SORBONNE NOUVELLE, FRANCE FACULTATEA DE FILOSOFIE, DEPARTAMENTUL DE LIMBA ŞI LITERATURA ROMÂNĂ, UNIVERSITATEA NOVI SAD, SERBIA UNIVERSITY OF JENA, INSTITUTE FOR SLAVIC LANGUAGES, JENA, GERMANY „Vasile Goldiş” University Press Arad – România Colegiul editorial / Editorial Board Editor şef / Editor–in–Chief: Prof. univ. dr. Gilles BARDY – Université d’Aix- Marseille AMU, France Director executiv / Executive Director, Redactor şef fondator/ Editor–in–Chief founder: Prof. Vasile MAN – Universitatea de Vest „Vasile Goldiş” din Arad, România Coeditori / Co-Editors-in-Chief: Prof. univ. dr. Sophie SAFFI – Université d’Aix-Marseille AMU, France; Prof. univ. dr. Louis BEGIONI – Université d’Aix-Marseille AMU, France; Prof. univ. dr. habil. Emilia PARPALĂ –, Universitatea Craiova; Conf. univ. dr. Laura SPĂRIOSU – Universitatea Novi Sad, Serbia; Acad. Prof. univ. dr. Thede KAHL – University of Jena, Germany; Prof. univ. dr. Rodica BIRIŞ – Universitatea de Vest „Vasile Goldiş” din Arad, România Consiliul ştiinţific – Referenţi / Scientific Board Acad. Mihai CIMPOI – Academia de Ştiinţe a Republicii Moldova Prof. univ. dr. Alvaro ROCCHETTI - Université Paris 3 – Sorbonne Nouvelle, France Conf. univ. dr. Romana TIMOC-BARDY, Université d’Aix-Marseille AMU, France ISSN 1841-1401 (print) Prof. univ. dr. Ştefan OLTEAN – Universitatea „Babeş Bolyai” Cluj-Napoca, România ISSN - L 1841-1401 Prof. -
04 (28. Februar 2011)
2011/04 ISSN 1661-8211 | 111. Jahrgang | 28. Februar 2011 Redaktion und Herausgeberin: Schweizerische Nationalbibliothek NB, Hallwylstrasse 15, CH-3003 Bern Erscheinungsweise: halbmonatlich, am 15. und 30. jeden Monats ISSN 1661-8211 © Schweizerische Nationalbibliothek NB, CH-3003 Bern. Alle Rechte vorbehalten 000 Das Schweizer Buch 2011/04 000 Allgemeine Werke, Informatik, Informa- Huang. – [S.l.] : [s.n.], 2010. – XII, 156 S. : Ill. ; 30 cm Diss. Nr. 19344 Wiss. ETH Zürich. – Literaturverz. – Engl. Text mit engl. und tionswissenschaft deutscher Zusfassung Informatique, information, ouvrages de 6 NB 001630909 référence Iu, Christopher Ming-Yee. – Database queries in Java / par Chri- Informatica, scienza dell'informazione, stopher Ming-Yee Iu. – [S.l.] : [s.n.], 2010. – VI, 111 S. : Ill. ; 30 generalità cm Informatica, infurmaziun e referenzas Thèse no 4913 sc. EPF Lausanne. – Literaturverz. – Engl. Text mit engl. und franz. Zusfassung generalas Computers, information and general re- 7 NB 001630925 Maupu, Damien. – Virtual human control for reaching tasks / par ference Damien Maupu. – [S.l.] : [s.n.], 2010. – IX, 116 S. : Ill. ; 21 cm Thèse no 4920 sc. EPF Lausanne. – Literaturverz. – Engl. Text mit engl. und franz. Zusfassung 8 NB 001629718 Swiss democracy on the Web 2010 : society and politics in a 000 Allgemeine Werke, Wissen, Systeme connected age / Ana Maria Moreira ... [et al.]. – Chavannes- Généralités, savoir, systèmes Lausanne : IDHEAP, Institut de hautes études en administration Generalità, sapere, sistemi publique, 2010. – 82 S. : Ill. ; 21 cm. – (Cahier de l'IDHEAP = Generalitads, savair, sistems [IDHEAP-Heft] ; 259) General works, knowledge and systems Auf dem Titelbl.: Chaire administration suisse et politiques institutionnelles. – Literaturverz. – Engl. Text mit engl. und franz. -
OTTOMAN CULTURAL HERITAGE in SERBIA the CULTURAL TREASURES of SERBIA
NATIONAL TOURISM ORGANISATION of SERBIA OTTOMAN CULTURAL HERITAGE IN SERBIA THE CULTURAL TREASURES of SERBIA www.serbia.travel MAP OF SERBIA LEGEND INTRODUCTION International Border H Settlement Signs City County Center Rivers and Lakes RO Highway Highway Regional Road HR Airport Ottoman Heritage BIH Ot toman Cultural Heritage in Serbia BG Ottoman cultural heritage in the territory of Serbia can be The Ottoman Empire brought a new order, a new adminis- seen in preserved architectural monuments and the trac- trative apparatus and a new faith to Southeast Europe, but es left in the language, i.e. words of Turkish origin, also it did not dig up the roots of all the existing social relations known as Orientalisms, but also in the mutual influences and institutions, instead it partially accepted them, adapt- which created a specific cultural diet. ing them to its state model. The result of this synthesis was a new civilizational and cultural sphere, whose presence is At the height of its power, in the mid-16th century, the Ot- still felt today in most societies in the Balkans, which is de- toman Empire stretched across three continents and con- fined as “Oriental cultural heritage”. trolled the Black Sea, the Red Sea and the eastern part of the MNE Mediterranean. The civilizational, i.e. the social and cultural effects, were rarely one-sided. When two civilisations meet or clash, The Ottoman conquest of the lands which were part of the there is normally mutual permeation of two, where the powerful Serbian empire of Stefan Dušan, the Mighty, be- weakening society may offer something to the society that is gan after the Battle of Maritsa in 1371 and the Battle of Koso- on the rise, depending on how open said society is to foreign vo in 1389. -
Examining the Representation of Empire's Cookie Lyon from A
She’s a Queen and a Boss: Examining the Representation of Empire’s Cookie Lyon from a Black Feminist Perspective A Thesis submitted to the Graduate School Valdosta State University in partial fulfillment of requirements for the degree of MASTER OF ARTS in Communication Arts in the Department of Communication Arts of the College of the Arts July 2018 Danyelle Gary Valdosta State University © Copyright 2018 Danyelle Gary All Rights Reserved FAIR USE This thesis is protected by the Copyright Laws of the United States (Public Law 94-553, revised in 1976). Consistent with fair use as defined in the Copyright Laws, brief quotations from this material are allowed with proper acknowledgement. Use of the material for financial gain without the author’s expressed written permission is not allowed. DUPLICATION I authorize the Head of Interlibrary Loan or the Head of Archives at the Odum Library at Valdosta State University to arrange for duplication of this thesis for educational or scholarly purposes when so requested by a library user. The duplication shall be at the user’s expense. Signature _______________________________________________ I refuse permission for this thesis to be duplicated in whole or in part. Signature ________________________________________________ Abstract This research uses a black feminist perspective to examine the portrayal of Cookie Lyon on Fox’s popular primetime series, Empire. Through a textual analysis of the first three seasons, this study suggests that the Cookie Lyon character defines new representation of black womanhood that empowers and disempowers black women in contemporary society. Five key representations were discovered: the Queen Mother, the Self-sacrificing Savior, the Second-best Love Interest, the Boss, and the Street Outsider.