The Pennsylvania State University Schreyer Honors College

Total Page:16

File Type:pdf, Size:1020Kb

The Pennsylvania State University Schreyer Honors College THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE DIVISION OF HUMANITIES, ARTS, AND SOCIAL SCIENCES THE WANDERERS AND THE ANALYTICS: A LEXICOSTATISTICAL STUDY OF SINDARIN AND QUENYA CHRISTIAN BRENDEL SPRING 2014 A thesis submitted in partial fulfillment of the requirements for a baccalaureate degree in Communication Arts and Sciences with honors in Communication Arts and Sciences Reviewed and approved* by the following: Sandy Feinstein Associate Professor of English Thesis Supervisor Honors Advisor Holly Ryan Assistant Professor of English Faculty Reader Jeanne Marie Rose Associate Professor of English Faculty Reader * Signatures are on file in the Schreyer Honors College i Abstract Literary analysis of Tolkien’s The Lord of the Rings and The Silmarillion has long incorporated an interest in the usage of language in the texts, including the examination of Tolkien’s constructed, fictional Elvish languages. For example, the break-up of language has been seen as a metaphor for the fragmentation of original truth or purity, and the divergence of the various races of Elves is connected to the separation of their languages (Flieger, 2002). In the narrative, the two Elvish languages most used in The Lord of the Rings and The Silmarillion, Quenya and Sindarin, diverge from a shared ancestor, but evolve in isolation from each other: Quenya develops in the heavenly Undying Lands whereas Sindarin remains in Middle-Earth, a land of relative strife and hardship. Although Quenya is a language heavily influenced by the divine beings who shaped the world, it is Sindarin, curiously, which wields power in Middle-Earth, and is often used to invoke magic. The historical development of these languages has been previously analyzed using the comparative method of historical linguistics, first by Tolkien himself and later by linguists such as Allan (1978a, 1978b, & 1978c) and Salo (2004), who reconstruct the shared ancestor language and examine the relationship between related words or cognates. However, lexicostatistical methods of linguistics—which provide measurements of the rate of lexical change (Swadesh, 1952; Lees, 1953) and the degree to which the vocabularies of two related languages differ (Petroni & Serva, 2011)—have not featured in these analyses of the Elvish languages. Using these methods, this study calculates the rate of decay of the Elvish languages and examines the lexical distance between Quenya, Sindarin, and the root forms from which the words of both languages descend. The results suggest that Elvish decays more slowly than real-life languages, losing only about 6% of core vocabulary per millennium compared to about 20% for natural languages (Lees, 1953). The relatively conservative nature of Elvish can explain Quenya’s usage as a language of history. Additionally, the analysis of lexical distance suggests that Sindarin is closer, or purer, in form than Quenya to the hypothetical roots of the ancestor language. Sindarin, therefore, may be more connected to the source of power in Middle-Earth. These results can be used to inform an understanding of the link between the decay of the Elvish languages and the deterioration of the Elvish race, to examine the relationship between language and magic in The Lord of the Rings, and to offer new insights into literary analysis of Tolkien’s works. ii Table of Contents Abstract .......................................................................................................................................................... i Table of Contents .......................................................................................................................................... ii Acknowledgments ........................................................................................................................................ iii Preface .......................................................................................................................................................... 1 Chapter 1: Introduction ................................................................................................................................. 3 Chapter 2: Background ................................................................................................................................. 6 Grounding Middle-Earth ........................................................................................................................... 6 The Silmarillion .................................................................................................................................... 6 The Lord of the Rings .......................................................................................................................... 12 Linguistic methodology .......................................................................................................................... 16 The comparative method ..................................................................................................................... 16 Lexicostatistical methods: glottochronology and lexical distance ...................................................... 19 The structure of the Eldarin languages and the reconstruction of Proto-Eldarin .................................... 23 Quenya ................................................................................................................................................ 24 Sindarin ............................................................................................................................................... 29 Common Eldarin ................................................................................................................................. 30 Chapter 3: Methodology ............................................................................................................................. 37 Chapter 4: Results ....................................................................................................................................... 41 Results of glottochronological analysis .................................................................................................. 41 Results of analysis of lexical distance ..................................................................................................... 43 Chapter 5: Implications ............................................................................................................................... 46 Appendix ..................................................................................................................................................... 52 Bibliography ............................................................................................................................................... 62 iii Acknowledgments Several faculty, staff, peers, and family members have had a lasting effect on my life. A section that begins to adequately express my gratitude could fill another 70 pages. I would like to take the time to thank those whose assistance most directly enabled me to write this thesis: My parents and grandparents, for putting books in my hands, no matter how rapidly I went through them. My mentors at the Smithsonian, Gabriela Pérez Báez and Ives Goddard, as well as the co- directors of the Natural History Research Experiences program, Elizabeth Cottrell and Gene Hunt, and the coordinator, Virginia Power, for giving me the summer of a lifetime. Leendert Plug, for helping me understand phonological theory, integrating me into the discourse of linguistics, and enabling me to get the most out of my academics abroad. Neal Woodman, for his shrewd advice in helping me conceive the statistical framework of this thesis and for all of his support before, during, and after my time at the Smithsonian. Cheryl Nicholas, for being an unerring ally, immeasurable mentor, and ceaseless supporter of both my personal and academic life, and for opening my eyes to the panoptic world. Holly Ryan, for her unending enthusiasm, encouragement, and dedication, even when I would be a little slow or be a little late, and for helping me to think about it. Jeanne Marie Rose, for her uninterrupted interest and involvement in my career and life, for showing me the power of rhetoric, and for helping me face the monsters at home and abroad. Sandy Feinstein, for guiding me on life’s journey to Paradise and inspiring me to drag on, for completing the quest when defeat looked certain, and for helping me back from Mordor. 1 Preface My interest in Tolkien’s world grew, as for many other students I know, alongside my interest in linguistics. When I first read The Fellowship of the Ring in 2002, I was a kid who was interested in languages: I enjoyed my German course, I devoured the Teach Yourself Latin book my grandmother bought for me, and I began noticing curious similarities on my own—why does German Bruder look a bit like Latin frater?—but it was through my subsequent reading of Tolkien’s other works, like The Silmarillion, that I discovered that these interests were encapsulated by the labels of philology and linguistics. I was captivated from an early age by the various appendices and essays that Tolkien had written concerning his fictional languages. Every word he constructed was made with intention, and these words fit into the world he was building: the vocabulary of his languages, from the enigmatic Elvish to the malicious Black Speech, was not randomly chosen, but seemed to have evolved organically and according to set
Recommended publications
  • Downloadable
    Chronology of the Silmarillion 1 ____ Chronology of the Silmarillion By clotho123 ___ This was put together as a potentially useful guide rather than a rigid framework and I would not regard anything here as set in stone. Tolkien did quite a bit of work on the legends after drawing up his final chronologies and might very well have changed many of the dates if he’d ever reached the point of publishing The Silmarillion. It was compiled from three of Tolkien’s chronological writings: The Annals of Aman, published in The History of Middle-earth: Morgoth’s Ring, Part Two The Grey Annals, published in The History of Middle-earth: The War of the Jewels, Part One with final section and revisions in Part Three, section I The Tale of Years, published in The History of Middle-earth: The War of the Jewels, Part Three, section V The Beginning of Time These dates are from the Annals of Aman. How precisely you think they should be interpreted is up to the individual. They are all in Valian years, which according to Tolkien’s opening description, were each roughly equivalent to ten Sun years (strictly 9.582 Sun years, if you want to be exact). At other times he had other views on the relationship between elven years and mortal years, but I will not go into those here as he did not have them in mind when compiling the Annals. 1 Valar first enter Arda 1500 Tulkas enters Arda 1900 Valar set up the great Lamps 3400 Melkor begins to make Utumno 3450 Melkor destroys the Lamps 3500 The Two Trees are created (1) The Ages of the Trees These annals also are all in years of the Valar.
    [Show full text]
  • Guide to Tolkienian Nationality Words by Malinornë After an Idea by ~Nóleme~
    Guide to Tolkienian nationality words By Malinornë after an idea by ~nóleme~ The purpose of this chart is to help writers of fan fiction to avoid common mistakes involving non-English names for groups and individuals of various peoples, languages etc. The letters in parenthesis in the first column show which language the main term is in: Q for Quenya, S for Sindarin, E for English, D for Dwarvish and R for Rohirric. For many of the Sindarin terms, two plural forms are listed. The term marked "coll." is a collective noun or class plural that is used for a people or group as a whole. If you need a term for a number of individuals, then use the second one listed. Example: "the two Enyd", not "the two Onodrim". Or, make it simple and use English: "the two Ents" :) If the general adjective is not known, it usually works to circumscribe, e.g. write "of the Dúnedain". It can also work to simply use a noun, e.g. "She had hobbit blood." Avoid the plural form – don't write "He had Eorlingas ancestors." People or group Individual General adjective Language(s) spoken (plural or collective noun) (singular noun) by people or group Ainur (Q) Ainu (fem. Aini) Ainurin Valarin, Quenya Atani (Q) Atan - - Apanónar (Q) - - Ebennin (S) Abonnen (S) Avari (Q) Avar (Q + S) Avarin (Q) Avarin Evair (S) Balroeg (S) Balrog (S) - - Valaraukar (Q) Valarauko (Q) Calaquendi (Q) Calaquendë (Q) Calaquenderin (Q) Quenya, Sindarin, other Celbin (S) Calben (S) Drúedain (Q), Drûgs (E) Drúadan, Drûg - - Dúnedain (S) Dúnadan - Westron, Sindarin Dúnedhil (S) Dúnedhel Dúnedhellen Quenya, Sindarin, other Edain (S) Adan - - Eglath, Egladhrim (S, coll.) Eglan - - Eglain (S) Eldar (Q) Elda (Q) Eldarin (Q) Eldarin, Quenya, Sindarin Edhil (S) Edhel (S) Edhellen (S) Eorlingas (R), Eorlings (E) Eorling - Rohirric Eruhíni (Q) Eruhína (Q) - - Eruchín (S) Eruchen (S) Falathrim (S, coll.) Falathel ?Falathren Sindarin Felethil (S) (lit.
    [Show full text]
  • A Brief Description of Consonants in Modern Standard Arabic
    Linguistics and Literature Studies 2(7): 185-189, 2014 http://www.hrpub.org DOI: 10.13189/lls.2014.020702 A Brief Description of Consonants in Modern Standard Arabic Iram Sabir*, Nora Alsaeed Al-Jouf University, Sakaka, KSA *Corresponding Author: [email protected] Copyright © 2014 Horizon Research Publishing All rights reserved. Abstract The present study deals with “A brief Modern Standard Arabic. This study starts from an description of consonants in Modern Standard Arabic”. This elucidation of the phonetic bases of sounds classification. At study tries to give some information about the production of this point shows the first limit of the study that is basically Arabic sounds, the classification and description of phonetic rather than phonological description of sounds. consonants in Standard Arabic, then the definition of the This attempt of classification is followed by lists of the word consonant. In the present study we also investigate the consonant sounds in Standard Arabic with a key word for place of articulation in Arabic consonants we describe each consonant. The criteria of description are place and sounds according to: bilabial, labio-dental, alveolar, palatal, manner of articulation and voicing. The attempt of velar, uvular, and glottal. Then the manner of articulation, description has been made to lead to the drawing of some the characteristics such as phonation, nasal, curved, and trill. fundamental conclusion at the end of the paper. The aim of this study is to investigate consonant in MSA taking into consideration that all 28 consonants of Arabic alphabets. As a language Arabic is one of the most 2.
    [Show full text]
  • Quettaparma Quenyallo
    Quettaparma Quenyallo † = poetic or archaic word (e.g. †él "star", elen being the ordinary word) or a poetic or archaic meaning of an ordinary word (e.g. russë "corruscation, †swordblade"), * = unattested form, ** = wrong form, # = word that is only attested in a compound or as an inflected form (e.g. #ahya-), LotR = The Lord of the Rings, Silm = The Silmarillion , MC = The Monsters and the Critics and other Essays, MR = Morgoth's Ring, LR = The Lost Road, Etym = The Etymologies (in LR:347-400), FS = Fíriel's Song (in LR:72), RGEO = The Road Goes Ever On (Second Edition), WJ = The War of the Jewels, PM = The Peoples of Middle-earth, Letters = The Letters of J. R. R. Tolkien, LT1 = The Book of Lost Tales 1, LT2 = The Book of Lost Tales 2, Nam = Namárië (in LotR:398), CO = Cirion's Oath and its commentary in UT:305, 317, Arct = "Arctic" sentence (in The Father Christmas Letters), Markirya = the Markirya Poem and its commentary in MC:221-223; GL = Gnomish Lexicon (in Parma Eldalamberon #11), QL = Qenya Lexicon (in Parma Eldalamberon #12), vb = verb, adj = adjective, interj = interjection, pa.t. = past tense, fut = future tense, perf = perfect tense, freq = frequentative form, inf = infinitive, gen = genitive, pl = plural form, sg = singular form. The spelling used in this wordlist is regularized (c for k except in a few names, x for ks, long vowels marked with accents rather than macrons or circumflexes; the diaeresis is used as in most of LotR). The spelling used in the source is usually indicated; for instance, ("k") following a word indicates that the word is spelt with a k instead of a c in Tolkien's text.
    [Show full text]
  • LINGUISTICS 221 LECTURE #3 the BASIC SOUNDS of ENGLISH 1. STOPS a Stop Consonant Is Produced with a Complete Closure of Airflow
    LINGUISTICS 221 LECTURE #3 Introduction to Phonetics and Phonology THE BASIC SOUNDS OF ENGLISH 1. STOPS A stop consonant is produced with a complete closure of airflow in the vocal tract; the air pressure has built up behind the closure; the air rushes out with an explosive sound when released. The term plosive is also used for oral stops. ORAL STOPS: e.g., [b] [t] (= plosives) NASAL STOPS: e.g., [m] [n] (= nasals) There are three phases of stop articulation: i. CLOSING PHASE (approach or shutting phase) The articulators are moving from an open state to a closed state; ii. CLOSURE PHASE (= occlusion) Blockage of the airflow in the oral tract; iii. RELEASE PHASE Sudden reopening; it may be accompanied by a burst of air. ORAL STOPS IN ENGLISH a. BILABIAL STOPS: The blockage is made with the two lips. spot [p] voiceless baby [b] voiced 1 b. ALVEOLAR STOPS: The blade (or the tip) of the tongue makes a closure with the alveolar ridge; the sides of the tongue are along the upper teeth. lamino-alveolar stops or Check your apico-alveolar stops pronunciation! stake [t] voiceless deep [d] voiced c. VELAR STOPS: The closure is between the back of the tongue (= dorsum) and the velum. dorso-velar stops scar [k] voiceless goose [g] voiced 2. NASALS (= nasal stops) The air is stopped in the oral tract, but the velum is lowered so that the airflow can go through the nasal tract. All nasals are voiced. NASALS IN ENGLISH a. BILABIAL NASAL: made [m] b. ALVEOLAR NASAL: need [n] c.
    [Show full text]
  • Inventors and Devotees of Artificial Languages
    From SIAM News, Volume 43, Number 5, June 2010 Inventors and Devotees of Artificial Languages In the Land of Invented Languages: Esperanto Rock Stars, Klingon Poets, Loglan Lovers, and The Mad Dreamers Who Tried to Build a Perfect Language. By Arika Okrent, Spiegel and Grau, New York, 2009, 352 pages, $26.00. In the Land of Invented Languages is a remarkably entertaining historical survey of artificial languages and their inventors, from the Lingua Ignota of Hildegard von Bingen in the 12th century through Esperanto and, more recently, Klingon. The depth of the research is impressive. The author, Arika Okrent, attended conferences in Esperanto, Loglan, and Klingon, among others; hunted up obscure self-published tomes available only in a few rare book rooms; worked through scores of these languages in enough depth to translate BOOK REVIEW passages into them; and interviewed hundreds of people, both language inventors and enthusiasts, getting to know many By Ernest Davis of them well. One of the book’s two appendices lists 500 artificial languages; the other offers translations of the Lord’s Prayer into 17 languages and of the Story of Babel into another 11. The text contains samples from many more languages, carefully explained and analyzed. Nonetheless, the book wears its learning very lightly; it is delightfully personal, and as readable as a novel. It is in fact as much about the histories of the inventors and devotees of the languages as about the languages themselves; these histories are mostly strange and often sad. Invented languages can be categorized by the purposes of their inventors.
    [Show full text]
  • Latin Pronunciation Alphabet
    Latin Pronunciation Alphabet The Roman alphabet was like the English alphabet except that it lacked the letters j and w, and the letter v originally represented both the vowel u and the sound of the English consonant w. The Roman names for the letters are generally similar to ours: A B C D E F G H I K L M N O P Q R S T V X Y Z ī ā bē kē dē ē ef gē hā ī kā el em en ō pē qū er es tē ū ex zēta Graeca NOTĀ BENE: The letter V originally stood for both the sounds of the vowel U and the consonant V. The rounded u-form appeared in the second century CE (or AD) to distinguish vowel from consonant. For convenience, both V and U are employed in the Latin texts of most modern editions and in this course as well. The letters y, z, and k are infrequent and usually found in words of Greek origin. The Roman alphabet lacks the letters j and w. The Roman letter i was both a vowel and a consonant. The letter j was added during the Middle Ages for consonantal i. Thus Iūlius came to be written Jūlius. This course adheres to the Roman usage of i. There are two important keys to pronouncing Latin: There are no silent letters. Even final e’s are pronounced. Latin is essentially WYSIWYG (What you see is what you get!). Unlike English, Latin is quite consistent in the sound a letter represents.
    [Show full text]
  • SINDARIN 2003 (MMDCCLVI AVC) R [email protected] Gandalf
    2002 (MMDCCLV AVC) SINDARIN 2003 (MMDCCLVI AVC) r [email protected] GandAlf Sindarin Teleri Sindar Aman Thingol Noldor˜ Noldor˜ Quenya Noldorinwa˜ Doriath Mithrim Falathrim Falathrim Conlang Constructed Language Legendarivm Gnomish Noldorin The Book of Lost Tales The History of Middle-earth ******* At Mereth Aderthad many counsels were taken in good will, and oaths were sworn of league and friendship; and it is told that at this feast the tongue of the Grey-elves was most spoken even by the Noldor, for they learned swiftly the speech of Beleriand, whereas the Sindar were slow to master the tongue of Valinor. (The Silmarillion, ch. 13) Quenya Noldorinwa˜ Noldor˜ Beleriand Noldor˜ ******* Helge Kar˚ e Fauskanger Quenya http://www.ardalambion.com/qcourse.html Suomi Finnish Aman Quendi Kvener Noldor˜ http://www.sci.fi/˜alboin/finn_que.htm http://demo.ort.org.il/ortforums/scripts/ forum.asp?pc=471389549 ******* Ardalambion http://www.ardalambion.com/sindarin.html Gwaith-i-Phethdain http://www.elvish.org/gwaith/sindarin_intro.htm Ardalambion ******* Didier Willis Ryszard Derdzinski Willis mirror http://forums.ort.org.il/scripts/showsm.asp?which_ forum=18&mess=1042485 ELF Vinyar Tengwar http://www.elvish.org/VT Derdzinski http://www.uib.no/People/hnohf/gobeth.htm Willis http://www.geocities.com/almacq.geo/sindar http://my.ort.org.il/tolkien/gandalf2/sindarin.zip ******* Grimm’s Law :-) ******* Gnomish Arda Noldorin http://www.elvish.org E.L.F. :-( ******* Mircosoft Word LYX TEX/LATEX Word www.lyx.org www.latex-project.org www.tug.org LATEX
    [Show full text]
  • THE CIRTH the Certhas Daeron Was Originallypb Devisedmt Tod Representnk Theg Soundsnr of Sindarinls Only
    THE CIRTH The Certhas Daeron was originallypb devisedmt tod representnk theg soundsNr of SindarinlS only. The oldest cirth were , , , ; , , ; , , ; , ; , ziueo 1 2 5 6 8 9 12¤ 18 ¥19 22 29 31 35 ; , , , ; and a certh varying between and . The assignment 36 39 42 46 50 iue o 13 15 of values was unsystematic. , , and were vowels and remained so ¤ 39 42 ¥ 46 50 S in all later developments. 13 and 15 were used for h or s, according as 35 was used for s or h. This tendency to hesitate in the assignment of values for s and h continued in laterpl arangements. In those characters that consisted of a ‘stem’ and a ‘branch’, 1 – 31 , the attachment of the branch was, if on one side only, usually made on the right side. The reverse was not infrequent, but had no phonetic significance. The extension and elaboration of this certhas was called in its older form the Angerthas Daeron, since the additions to the old cirth and their re-organization was attributed to¤ Daeron.§ The principal additions, however, the introductions of two new series, 13 – 17 , and 23 – 28 , were actually most probably inventions of the Noldor of Eregion, since they were used for the representation of sounds not found in Sindarin. In the rearrangement of the Angerthas the following principles are observable (evidently inspired by the F¨eanorian system): (1) adding a stroke to a brance added a ‘voice’; (2) reversing the certh indicated opening to a ‘spirant’; (3) placing the branch on both sides of the stem added voice and nasality.
    [Show full text]
  • HARD-TO-REMEMBER NAMES THAN a RUSSIAN NOVEL” — Special Names, Their Significance, Types, and Relative Hierarchy in J
    UNIVERSITY OF JYVÄSKYLÄ “MORE HARD-TO-REMEMBER NAMES THAN A RUSSIAN NOVEL” — Special Names, Their Significance, Types, and Relative Hierarchy in J. R. R. Tolkien’s Quenta Silmarillion A Pro Gradu Thesis in English by Tommi Ojanperä Department of Languages 2007 HUMANISTINEN TIEDEKUNTA KIELTEN LAITOS Tommi Ojanperä “MORE HARD-TO-REMEMBER NAMES THAN A RUSSIAN NOVEL” Special Names, Their Significance, Types, and Relative Hierarchy in J. R. R. Tolkien’s Quenta Silmarillion Pro gradu –tutkielma Englannin kieli Toukokuu 2007 108 sivua + 1 liite Tutkielman lähtökohtana on perusteltu väite, että J. R. R. Tolkienin romaanissa Quenta Silmarillion (1977) erikoisella ja poikkeuksellisen laajalla nimistöllä on erityisen merkittävä asema ja että tätä nimistöä tutkimalla ja analysoimalla monipuolisesti, sekä kvalitatiivisesti että kvantitatiivisesti, voidaan saavuttaa merkittäviä tuloksia koskien romaania kokonaisuutena. Tutkimuksen ensisijainen tarkoitus on tutkia nimistöä etenkin kvantitatiivisesti ja nimien frekvenssejä tutkien rakentaa luokittelu eri nimien merkittävyydestä. Nimistöä käsitellään tästä näkökulmasta ennen kaikkea kokonaisuutena, mutta tarkempaa huomiota kiinnitetään etenkin poikkeuksellisen usein esiintyviin nimiin. Nimistön kvantitatiivisen tutkimuksen perusteella pyritään selvittämään, mitkä romaanin henkilöt, tapahtumapaikat ja ryhmät vaikuttavat olevan merkitykseltään erityisen suuria. Tässä suhteessa romaania tutkitaan toisaalta kokonaisuutena, toisaalta 24 luvusta koostuvana rakenteena. Lisäksi pohditaan mm. laajan nimistön tuottamia
    [Show full text]
  • Quenya: the Influence of the Greek Language
    Quenya: The Influence of the Greek Language Prologue For all those who do not know what Quenya is, it is one of the many languages that J.R.R. Tolkien created for his much loved Elves. Quenya is the most developed language that we presently have in our hands now and also contains the greatest vocabulary. All the linguists and die hard Tolkien fans, who have studied the author’s languages, would surely know that our beloved writer Tolkien based this language mainly on three other languages; Finnish, Latin and Greek. It is well known that Tolkien not only “borrowed” the grammatical structure of Finnish but also Finnish vocabulary. Tolkien imbedded into Quenya grammar the phenomenon of endings added to nouns for the possessive and prepositions for example, rather than independent words preceding the nouns eg. Coanya = house my. Also Tolkien used Finnish words such as the noun tie(=path) and the verb tul-(=to come) for his Quenya language which retain the same meaning. In other cases the words did not retain the same meaning. eg kuuma Finnish for hot, Quenya for the Void. Added to this preposition endings and pronouns such as –sse(=to) are very similar to Finnish –ssa/ssae(=to). In general the influence to Quenya by the Finnish language is large and evident, perhaps the greatest. Latin was also an influence to Quenya in the form of soft sounds (also a characteristic of finnish) and pronunciation. Moreover Quenya words have an accent on the second to last syllable unless a consonant cluster before that exists.
    [Show full text]
  • LING Thesis Draft 5
    TOLKIEN’S TONGUES: * THE PHONETICS AND PHONOLOGY OF TOLKIEN’S QUENYA LANGUAGE Kelsey Ryan ABSTRACT J.R.R. Tolkien, author of The Lord of the Rings and other Middle Earth tales as well as Oxford professor of linguistics, constructed over 14 languages in the development of the background of his stories. This thesis will seek to understand Tolkien’s linguistic experiment of Quenya, first in its historical context, and then assess its linguistic merit and behaviors. In the first few sections, Tolkien’s linguistic and academic background will be investigated, setting the scene for further linguistic analysis. This thesis then explores how the authentic nature of the language is developed and evoked through the phonetics and phonology of Tolkien’s Quenya, using the poem “Namárië” from The Fellowship of the Ring for analysis. Smith (2010:7) argues that Tolkien created a “flowing,” “light and melodious” language, designed much like a Romance language, with no “potentially harsh” phonemes or “brusque English consonant clusters.” But with such claims must come evidence. This thesis provides the background research Smith (2010) lacks behind these claims, defining Quenya as a functional language, with clear patterns and tendencies towards particular phonetic and linguistic behaviors. * Special thanks to: my advisors Professors Nathan Sanders (Linguistics) and Maud McInerney (English), Sofia Berlin and Lisa Bao, the library staff, particularly Jeremiah Mercurio, and Lizzie Carp and Bobby Brooks, for their ‘Excel-lent’ help in creating graphs. Thanks also to my close friends, who have pushed me to explore nerd culture all my life. 2 TABLE OF CONTENTS 1 Introduction………………………………………………………………………3 2 Tolkien Biography……………………………………………………………….4 3 Constructed Languages and Tolkien……..……………………..……………...7 4 Description and Use of Languages.……………………………………………..8 5 Data and Phonetic Analysis: Quenya………………………………….………13 5i.
    [Show full text]