Linguistic Soundtrack Textbook 2 — LINGUISTIC SOUNDTRACK TEXTBOOK
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Chronology of the Silmarillion 1 ____ Chronology of the Silmarillion By clotho123 ___ This was put together as a potentially useful guide rather than a rigid framework and I would not regard anything here as set in stone. Tolkien did quite a bit of work on the legends after drawing up his final chronologies and might very well have changed many of the dates if he’d ever reached the point of publishing The Silmarillion. It was compiled from three of Tolkien’s chronological writings: The Annals of Aman, published in The History of Middle-earth: Morgoth’s Ring, Part Two The Grey Annals, published in The History of Middle-earth: The War of the Jewels, Part One with final section and revisions in Part Three, section I The Tale of Years, published in The History of Middle-earth: The War of the Jewels, Part Three, section V The Beginning of Time These dates are from the Annals of Aman. How precisely you think they should be interpreted is up to the individual. They are all in Valian years, which according to Tolkien’s opening description, were each roughly equivalent to ten Sun years (strictly 9.582 Sun years, if you want to be exact). At other times he had other views on the relationship between elven years and mortal years, but I will not go into those here as he did not have them in mind when compiling the Annals. 1 Valar first enter Arda 1500 Tulkas enters Arda 1900 Valar set up the great Lamps 3400 Melkor begins to make Utumno 3450 Melkor destroys the Lamps 3500 The Two Trees are created (1) The Ages of the Trees These annals also are all in years of the Valar. -
A Secret Vice: the Desire to Understand J.R.R
Mythmoot III: Ever On Proceedings of the 3rd Mythgard Institute Mythmoot BWI Marriott, Linthicum, Maryland January 10-11, 2015 A Secret Vice: The Desire to Understand J.R.R. Tolkien’s Quenya Or, Out of the Frying-Pan Into the Fire: Creating a Realistic Language as a Basis for Fiction Cheryl Cardoza In a letter to his son Christopher in February of 1958, Tolkien said “No one believes me when I say that my long book is an attempt to create a world in which a form of language agreeable to my personal aesthetic might seem real” (Letters 264). He added that The Lord of the Rings “was an effort to create a situation in which a common greeting would be elen síla lúmenn’ omentielmo,1 and that the phrase long antedated the book” (Letters 264-5). Tolkien often felt guilty about this, his most secret vice. Even as early as 1916, he confessed as much in a letter to Edith Bratt: “I have done some touches to my nonsense fairy language—to its improvement. I often long to work at it and don’t let myself ‘cause though I love it so, it does seem a mad hobby” (Letters 8). It wasn’t until his fans encouraged him, that Tolkien started to 1 Later, Tolkien decided that Frodo’s utterance of this phrase was in error as he had used the exclusive form of we in the word “omentielmo,” but should have used the inclusive form to include Gildor and his companions, “omentielvo.” The second edition of Fellowship reflected this correction despite some musings on leaving it to signify Frodo being treated kindly after making a grammatical error in Quenya (PE 17: 130-131). -
Quettaparma Quenyallo
Quettaparma Quenyallo † = poetic or archaic word (e.g. †él "star", elen being the ordinary word) or a poetic or archaic meaning of an ordinary word (e.g. russë "corruscation, †swordblade"), * = unattested form, ** = wrong form, # = word that is only attested in a compound or as an inflected form (e.g. #ahya-), LotR = The Lord of the Rings, Silm = The Silmarillion , MC = The Monsters and the Critics and other Essays, MR = Morgoth's Ring, LR = The Lost Road, Etym = The Etymologies (in LR:347-400), FS = Fíriel's Song (in LR:72), RGEO = The Road Goes Ever On (Second Edition), WJ = The War of the Jewels, PM = The Peoples of Middle-earth, Letters = The Letters of J. R. R. Tolkien, LT1 = The Book of Lost Tales 1, LT2 = The Book of Lost Tales 2, Nam = Namárië (in LotR:398), CO = Cirion's Oath and its commentary in UT:305, 317, Arct = "Arctic" sentence (in The Father Christmas Letters), Markirya = the Markirya Poem and its commentary in MC:221-223; GL = Gnomish Lexicon (in Parma Eldalamberon #11), QL = Qenya Lexicon (in Parma Eldalamberon #12), vb = verb, adj = adjective, interj = interjection, pa.t. = past tense, fut = future tense, perf = perfect tense, freq = frequentative form, inf = infinitive, gen = genitive, pl = plural form, sg = singular form. The spelling used in this wordlist is regularized (c for k except in a few names, x for ks, long vowels marked with accents rather than macrons or circumflexes; the diaeresis is used as in most of LotR). The spelling used in the source is usually indicated; for instance, ("k") following a word indicates that the word is spelt with a k instead of a c in Tolkien's text. -
May It Be the Lord of the Rings: the Fellowship of the Ring
May it be The Lord of the Rings: The Fellowship of the Ring Enya Arr: Jorge Benayas-Ester López 90 Flauta 1.May it be an eve -ning be the shad -ow's Flauta Piano Fl. star shines down up -on you. May it be when dark -ness falls, your heart will be call will fly a - way. May it be you jour -ney on to light the Fl. Pno. 2 Fl. true. You walk a lone -ly road. Oh! How far you are from home. Mor - ni - day. When the night is o - ver - come, you may rise to find the sun. Fl. Pno. Fl. ë u - tú - li - ë. Be - lieve and you will find your Fl. Pno. Fl. way. Mor - ni - ë a - lan - ti - ë. A prom - ise Fl. Pno. 3 1. 2. Fl. lives with - in you now. 2.May it in you now Fl. Pno. rit. Fl. A prom - ise lives with - in you. rit. Fl. rit. Pno. May it be The Lord of the Rings: The Fellowship of the Ring Enya Arr: Jorge Benayas-Ester López 90 Flauta 1.May it be an eve -ning be the shad -ow's star shines down up -on you. May it be when dark -ness falls, your call will fly a - way. May it be you jour -ney on to heart will be true. You walk a lone -ly road. Oh! How far you are from light the day. When the night is o - ver - come, you may rise to find the home. Mor - ni - ë u - tú - li - ë. -
Enya the Discography
“…vaulting cathedrals of sound, framed by luminous piano, shimmering synthesizer orchestrations, and, above all, the seemingly infinite layers of vocal harmonies...” Enya The Discography With her blend of folk melodies, synthesized backdrops, and classical motifs, Enya created a distinctive style that more closely resembled new age than the folk and Celtic music that provided her initial influences. Enya, birth name Eithne Ní Bhraonáin, was born in Gweedore, County Donegal, in Ireland in 1961 to a musical family, the fourth youngest of nine children. Several of her siblings formed the band An Clann As Dobhair in 1968, renamed as Clannad in the 1970s: Eithne joined the group in 1980, playing keyboards and providing backing vocals on a couple of their albums. In 1982, shortly before Clannad became famous for "Theme From Harry’s Game", producer and manager Nicky Ryan left the group and Eithne joined him to start her own solo career. As a musical group, Enya is collaboration between three people: Enya herself, who composes and performs the music; Nicky Ryan, who produces the albums, and Roma Ryan, who writes the lyrics in various languages. Enya is an approximate transcription of how Eithne is pronounced in her native Irish. Eithne Ní Bhraonaín, all vocals and instruments Music composed and performed by Enya Music arranged, produced and mixed by Nicky Ryan and Enya Lyrics and lyric adaptment by Roma Ryan. Disc 1 - The Celts 1. The Celts [2:57] - 2. Aldebaran [3:05] - 3. I want tomorrow [4:02] 4. March of the Celts [3:17] - 5. Deireadh an tuath [1:44] - 6. -
Clashing Perspectives of World Order in JRR Tolkien's Middle-Earth
ABSTRACT Fate, Providence, and Free Will: Clashing Perspectives of World Order in J. R. R. Tolkien’s Middle-earth Helen Theresa Lasseter Mentor: Ralph C. Wood, Ph.D. Through the medium of a fictional world, Tolkien returns his modern audience to the ancient yet extremely relevant conflict between fate, providence, and the person’s freedom before them. Tolkien’s expression of a providential world order to Middle-earth incorporates the Northern Germanic cultures’ literary depiction of a fated world, while also reflecting the Anglo-Saxon poets’ insight that a single concept, wyrd, could signify both fate and providence. This dissertation asserts that Tolkien, while acknowledging as correct the Northern Germanic conception of humanity’s final powerlessness before the greater strength of wyrd as fate, uses the person’s ultimate weakness before wyrd as the means for the vindication of providence. Tolkien’s unique presentation of world order pays tribute to the pagan view of fate while transforming it into a Catholic understanding of providence. The first section of the dissertation shows how the conflict between fate and providence in The Silmarillion results from the elvish narrator’s perspective on temporal events. Chapter One examines the friction between fate and free will within The Silmarillion and within Tolkien’s Northern sources, specifically the Norse Eddas, the Anglo-Saxon Beowulf, and the Finnish The Kalevala. Chapter Two shows that Tolkien, following Boethius’s Consolation of Philosophy, presents Middle-earth’s providential order as including fated elements but still allowing for human freedom. The second section shows how The Lord of the Rings reflects but resolves the conflict in The Silmarillion between fate, providence, and free will. -
SINDARIN 2003 (MMDCCLVI AVC) R [email protected] Gandalf
2002 (MMDCCLV AVC) SINDARIN 2003 (MMDCCLVI AVC) r [email protected] GandAlf Sindarin Teleri Sindar Aman Thingol Noldor˜ Noldor˜ Quenya Noldorinwa˜ Doriath Mithrim Falathrim Falathrim Conlang Constructed Language Legendarivm Gnomish Noldorin The Book of Lost Tales The History of Middle-earth ******* At Mereth Aderthad many counsels were taken in good will, and oaths were sworn of league and friendship; and it is told that at this feast the tongue of the Grey-elves was most spoken even by the Noldor, for they learned swiftly the speech of Beleriand, whereas the Sindar were slow to master the tongue of Valinor. (The Silmarillion, ch. 13) Quenya Noldorinwa˜ Noldor˜ Beleriand Noldor˜ ******* Helge Kar˚ e Fauskanger Quenya http://www.ardalambion.com/qcourse.html Suomi Finnish Aman Quendi Kvener Noldor˜ http://www.sci.fi/˜alboin/finn_que.htm http://demo.ort.org.il/ortforums/scripts/ forum.asp?pc=471389549 ******* Ardalambion http://www.ardalambion.com/sindarin.html Gwaith-i-Phethdain http://www.elvish.org/gwaith/sindarin_intro.htm Ardalambion ******* Didier Willis Ryszard Derdzinski Willis mirror http://forums.ort.org.il/scripts/showsm.asp?which_ forum=18&mess=1042485 ELF Vinyar Tengwar http://www.elvish.org/VT Derdzinski http://www.uib.no/People/hnohf/gobeth.htm Willis http://www.geocities.com/almacq.geo/sindar http://my.ort.org.il/tolkien/gandalf2/sindarin.zip ******* Grimm’s Law :-) ******* Gnomish Arda Noldorin http://www.elvish.org E.L.F. :-( ******* Mircosoft Word LYX TEX/LATEX Word www.lyx.org www.latex-project.org www.tug.org LATEX -
Kappale Artisti
14.7.2020 Suomen suosituin karaokepalvelu ammattikäyttöön Kappale Artisti #1 Nelly #1 Crush Garbage #NAME Ednita Nazario #Selˆe The Chainsmokers #thatPOWER Will.i.am Feat Justin Bieber #thatPOWER Will.i.am Feat. Justin Bieber (Baby I've Got You) On My Mind Powderˆnger (Barry) Islands In The Stream Comic Relief (Call Me) Number One The Tremeloes (Can't Start) Giving You Up Kylie Minogue (Doo Wop) That Thing Lauren Hill (Every Time I Turn Around) Back In Love Again LTD (Everything I Do) I Do It For You Brandy (Everything I Do) I Do It For You Bryan Adams (Hey Won't You Play) Another Somebody Done Somebody Wrong Song B. J. Thomas (How Does It Feel To Be) On Top Of The W England United (I Am Not A) Robot Marina & The Diamonds (I Can't Get No) Satisfaction The Rolling Stones (I Could Only) Whisper Your Name Harry Connick, Jr (I Just) Died In Your Arms Cutting Crew (If Paradise Is) Half As Nice Amen Corner (If You're Not In It For Love) I'm Outta Here Shania Twain (I'll Never Be) Maria Magdalena Sandra (It Looks Like) I'll Never Fall In Love Again Tom Jones (I've Had) The Time Of My Life Bill Medley & Jennifer Warnes (I've Had) The Time Of My Life Bill Medley-Jennifer Warnes (I've Had) The Time Of My Life (Duet) Bill Medley & Jennifer Warnes (Just Like) Romeo And Juliet The Re˜ections (Just Like) Starting Over John Lennon (Marie's The Name) Of His Latest Flame Elvis Presley (Now & Then) There's A Fool Such As I Elvis Presley (Reach Up For The) Sunrise Duran Duran (Shake, Shake, Shake) Shake Your Booty KC And The Sunshine Band (Sittin' On) The Dock Of The Bay Otis Redding (Theme From) New York, New York Frank Sinatra (They Long To Be) Close To You Carpenters (We're Gonna) Rock Around The Clock Bill Haley & His Comets (Where Do I Begin) Love Story Andy Williams (You Drive Me) Crazy Britney Spears (You Gotta) Fight For Your Right (To Party!) The Beastie Boys 1+1 (One Plus One) Beyonce 1000 Coeurs Debout Star Academie 2009 1000 Miles H.E.A.T. -
Zerohack Zer0pwn Youranonnews Yevgeniy Anikin Yes Men
Zerohack Zer0Pwn YourAnonNews Yevgeniy Anikin Yes Men YamaTough Xtreme x-Leader xenu xen0nymous www.oem.com.mx www.nytimes.com/pages/world/asia/index.html www.informador.com.mx www.futuregov.asia www.cronica.com.mx www.asiapacificsecuritymagazine.com Worm Wolfy Withdrawal* WillyFoReal Wikileaks IRC 88.80.16.13/9999 IRC Channel WikiLeaks WiiSpellWhy whitekidney Wells Fargo weed WallRoad w0rmware Vulnerability Vladislav Khorokhorin Visa Inc. Virus Virgin Islands "Viewpointe Archive Services, LLC" Versability Verizon Venezuela Vegas Vatican City USB US Trust US Bankcorp Uruguay Uran0n unusedcrayon United Kingdom UnicormCr3w unfittoprint unelected.org UndisclosedAnon Ukraine UGNazi ua_musti_1905 U.S. Bankcorp TYLER Turkey trosec113 Trojan Horse Trojan Trivette TriCk Tribalzer0 Transnistria transaction Traitor traffic court Tradecraft Trade Secrets "Total System Services, Inc." Topiary Top Secret Tom Stracener TibitXimer Thumb Drive Thomson Reuters TheWikiBoat thepeoplescause the_infecti0n The Unknowns The UnderTaker The Syrian electronic army The Jokerhack Thailand ThaCosmo th3j35t3r testeux1 TEST Telecomix TehWongZ Teddy Bigglesworth TeaMp0isoN TeamHav0k Team Ghost Shell Team Digi7al tdl4 taxes TARP tango down Tampa Tammy Shapiro Taiwan Tabu T0x1c t0wN T.A.R.P. Syrian Electronic Army syndiv Symantec Corporation Switzerland Swingers Club SWIFT Sweden Swan SwaggSec Swagg Security "SunGard Data Systems, Inc." Stuxnet Stringer Streamroller Stole* Sterlok SteelAnne st0rm SQLi Spyware Spying Spydevilz Spy Camera Sposed Spook Spoofing Splendide -
Encoding of Tengwar Telcontar Version 0.08
Tengwar Telcontar This document discusses the encoding of Tengwar Telcontar version 0.08. The latest version of the font and this document can be downloaded from the Free Tengwar Font Project: http://freetengwar.sourceforge.net/. Changes from earlier proposals By creating a fully functional Unicode font for Tengwar, my intention is to promote the proposal to encode Tengwar in Unicode, and to spur the discussion on the best way to design such an encoding. What then constitutes the best way to encode Tengwar? This I can hardly decide on my own; indeed, it is of the highest importance that an encoding proposal is approved by a majority of the Tengwar user community. You are therefore cordially invited to discuss and to propose changes to Tengwar Telcontar. If you want to familiarize yourself with the Unicode standard in general, you can find much information at http://www.unicode.org/. In particular, I recommend that you read chapter 2 of The Unicode Standard, which defines many important concepts (e. g. terms like character, glyph, etc.): http://www.unicode.org/versions/Unicode5.2.0/ch02.pdf. The current encoding of the characters in Tengwar Telcontar (shown in a table at the end of this document) is based on the encoding in Michael Everson’s latest discussion paper at the Conscript Unicode Registry: http://www.evertype.com/standards/iso10646/pdf/tengwar.pdf. However, I have on more than one occasion diverged from Everson’s table, adding some characters that I felt were missing and removed others that, to my opinion, either do not merit inclusion at all, or which possibly might be better represented in other ways. -
Quartet March2020
Pop/Contemporary (June 2020) A Dream Is A Wish Your Heart Makes - Cinderella A Million Dream Greatest Showman (2 versions) A River Flows in You-Yiruma A Sky Full of Stars - Coldplay A Thousand Miles - Vanessa Carlton A Thousand Years- Peri (2 versions) A Whole New World Accidentally In Love - Counting Crows Ain't No Sunshine - Bill Withers All About That Bass- Trainor (2 versions) All I Ask of You All I Need - RadioHead All I Want Is You - U2 All My Life - KC & Jojo All of Me- John Legend All of My love All of the Lights - Kayne West All The Small Things - Blink 182 Always - Bon Jovi America - Simon & Garfunkel Annie's Song - John Denver Another Day of Sun - La La Land Applause - Lady Gaga As Time Goes By At Last Autumn Leaves Away Into the Night - Joyce Hope Siskind Baba O'Reily - The Who Baby Love - The Supremes Baby One More Time - Britney Spears Back In Black - AC/DC Bad Romance - Lady Gaga Bad Touch - Bloodhound Gang Bailando - Enrique Bang Bang - Jessie J / Grande / Minaj Be MyBaby- Phil Spector Beat It - Michael Jackson Beautiful Day - U2 Beautiful in White - Westlife Be Our Guest- Beauty and Beast (2 versions) Beauty and the Beast Best Day of My Life Better Place - Rachel Platten Beyond the Sea Billie Jean - Michael Jackson Bittersweet Symphony Blank Space - Swift Bloom - The Paper Kites Blue Moon - Rodgers and Hart Bleeding Love - Leona Lewis Blurred Lines - Robin Thicke Bohemian Rapsody-Queen Book of Days - Enya Book of Love - Peter Gabriel Boom Clap - Charli XCX Brown Eyed Girl - Van Morrison Budapest - Geo Ezra Buddy Holly- -
March 2001 to February 2011
Beyond Bree Back Issues: The Third Decade March 2001 - February 2011 Nancy Martsch, PO Box 55372, Sherman Oaks, CA 91413; [email protected] March 2001: 20th Anniversary. Cover, 1st "Tolkien SIG News". "History of "'Beyond Bree'''. "Tolkien Conference and Bree Moot 5 at the University of St Thomas", "2001: A Tolkien Odyssey, Unquendor's 4th Lustrum". "Tolkien on CS Lewis' Space Trilogy" by Robert Acker, "Tolkien Scrapbook", "Tolkien Music on the Web" by Chris Seeman & Morgueldar Dragonseye, musical "Sagan om Ringen". Review of Mallorn 38. Poem "Shadows on the Shire" by Matthew Anish. "Mithril Miniatures". "Postal Rate Increase". Publications, Letters, News. 12 pp. April 2001: "T olkien . and Swithin . Beneath the North Atlantic Ocean" by Antony Swithin [Dr William Sarjeantl (maps). Reviews: Visualizing Middle·earth (Chris Seeman), "Two January 2001 Lord of the Rings Stage Premieres in Finland" (Mikael Ahlstrom), The Starlit Jewel: Songs from JRR Tolkien's The Lord of the Rings and The Hobbit (David Bratman). "Tolkien Conference and Bree Moot 5", "The 'Beyond Bree' Award", "Decipher Takes Another Key license for Lord of the Rings Property", "Postal Rate Increase", "The Lord of the Rings and Harry Potter". Publications, News. 12 pp. May 2001: "Tolkien Conf. and Bree Moot 5" (photos), ''The 'Beyond Bree' Award". "Postal Rate Increase", "Rockall", ''lOTR Film News", "Tolkienalia Old & New". Publications, Letters, News. "CS Lewis Home to Host 1st Summer Seminar: Branches to Heaven". "Tolkien Scrapbook","Tolkien Events Past".12pp. June 2001: II10s "Tuna", "Turin Turambar" by Ryszard Derdzinski. "A Talk by Tom Shippey" by Todd Jensen. Poems ''The White Tower" by j culver mead, "At the Borders of Faerie" by Matthew Anish, "'Davo Sin' {'let It Be')", Sindarin trans by David Salo.