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Mothership.SG
Search Search Go S’porean Harvard scholar & equity fund associate takes to Tokyo streets as Japan’s 1st foreign oiran The most elegant performer there, if we do say so ourselves. By Yeo Kaiqi | 22 hours 184 Here’s something cool that you might not have heard about that happened late last month. While all of us were busy getting mad about the presidential (s)election, Singaporean Rachel Leng was getting out there and making a name for us in a pretty interesting way. According to The Japan News, one of Japan’s five national newspapers, the 27-year-old was selected to perform as one of five oiran of the annual Shinagawa Shukuba Matsuri festival, an annual cultural event held in Tokyo, Japan. Here she is, second from the left: Photo via Rachel Leng’s Facebook post Advertisement You can see her walking elegantly down the street in super high wooden platform clogs here. In this video in particular, she demonstrates a distinctive style called “soto hachimonji”, in which the walker’s feet trace a sideways arc on the ground: But first, what’s an oiran, and what’s this festival? An oiran is a Japanese prostitute who was very popular and highly regarded mostly for her beauty — not to be confused with the better-known term geisha, who is very skilled in song, dance, playing an instrument, and otherwise entertaining guests. Leng appears in the “Oiran Dochu”, one of the main attractions of the Shinagawa Shukuba Matsuri, which celebrates the history of Shinagawa during the Edo period and its role in making Tokyo the city it is today, by re- creating the din and bustle of the Shinagawa ward back then. -
The Sexual Life of Japan : Being an Exhaustive Study of the Nightless City Or the "History of the Yoshiwara Yūkwaku"
Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924012541797 Cornell University Library HQ 247.T6D27 1905 *erng an exhau The sexual life of Japan 3 1924 012 541 797 THE SEXUAL LIFE OF JAPAN THE SEXUAL LIFE OF JAPAN BEING AN EXHAUSTIVE STUDY OF THE NIGHTLESS CITY 1^ ^ m Or the "HISTORY of THE YOSHIWARA YUKWAKU " By J, E. DE BECKER "virtuous men hiive siitd, both in poetry and ulasslo works, that houses of debauch, for women of pleasure and for atreet- walkers, are the worm- eaten spots of cities and towns. But these are necessary evils, and If they be forcibly abolished, men of un- righteous principles will become like ravelled thread." 73rd section of the " Legacy of Ityasu," (the first 'I'okugawa ShOgun) DSitl) Niimrraiia SUuatratiuna Privately Printed . Contents PAGE History of the Yosliiwara Yukwaku 1 Nilion-dzutsumi ( 7%e Dyke of Japan) 15 Mi-kaeri Yanagi [Oazing back WUlow-tree) 16 Yosliiwara Jiuja ( Yoahiwara Shrine) 17 The "Aisome-zakura " {Chen-y-tree of First Meeting) 18 The " Koma-tsunagi-matsu " {Colt tethering Pine-tree) 18 The " Ryojin no Ido " {Traveller's Well) 18 Governmeut Edict-board and Regulations at the Omen (Great Gate) . 18 The Present Omon 19 »Of the Reasons why going to the Yosliiwara was called " Oho ve Yukn " ". 21 Classes of Brothels 21 Hikite-jaya (" Introducing Tea-houses"') 28 The Ju-hachi-ken-jaya (^Eighteen Tea-houses) 41 The " Amigasa-jaya -
Poetic Constraints of Lyric by Nicholas Andrew Theisen a Dissertation
Re[a]ding and Ignorance: Poetic Constraints of Lyric by Nicholas Andrew Theisen A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Comparative Literature) in The University of Michigan 2009 Doctoral Committee: Professor E. Ramirez-Christensen, Chair Professor Marjorie Levinson Associate Professor Johanna H. Prins Associate Professor Joseph D. Reed © Nicholas Andrew Theisen 2009 For no one ii Acknowledgements The work concluded, tentatively, with this dissertation would not have been possible without the continued intellectual engagement with my colleagues within and without the Department of Comparative Literature at the University of Michigan, especially (in no particular order) Michael Kicey, Meng Liansu, Sylwia Ejmont, Carrie Wood, and Sharon Marquart. I have benefited much from Jay Reed’s friendly antagonism, Marjorie Levinson’s keen insight, Esperanza Ramirez-Christensen’s grounding levity, and Yopie Prins’s magnanimity. But beyond the academic sphere, more or less, I’m am deeply indebted to Kobayashi Yasuko for reminding me that, to some, poetry matters as more than a mere figure of academic discourse and to my wife Colleen for her wholly unexpected insights and seemingly infinite patience. I have likely forgotten to mention numerous people; consider this my I.O.U. on a free drink. iii Table of Contents Dedication ii Acknowledgements iii List of Abbreviations vi List of Figures vii Chapters 1. Introduction 1 2. The Edges of Anne Carson’s Sappho 24 The Fragments of [Anne] Carson 27 Mutilation 45 3. Chocolate Bittersweet: Tawara Machi Translating Yosano Akiko 69 Bitter 71 Sweet 97 4. Separate but Equal: [un]Equating Catullus with Sappho 110 Impar 115 Par 128 Silence 140 5. -
Frank Lloyd Wright,Fuji, and Fun!
, Frank Lloyd Wright Fuji, and Fun! - THE BEST OF JAPAN 12 Days from $5,699 air & land (4) Tokyo • (1) Fuji Area • (5) Kyoto CHINA JAPAN 4 Tokyo 1 5 Kyoto Fuji Area Tokyo Day 1 Depart USA Today you begin an amazing cultural adventure TOUR FEATURES as you depart the USA on your international flight to Japan. •ROUND TRIP AIR TRANSPORTATION - Air transportation Day 2 Arrive Tokyo, Japan Upon arrival at Narita Airport, you will from Minneapolis, MN be met by your Aventura World tour director and depart to your hotel •FIRST-CLASS ACCOMMODATIONS - First class centrally-located in Tokyo for check-in. Tokyo welcomes you from its ultramodern hotel accommodations for 10 nights skyscrapers and neon-clad edifices to its time-honored temples that •SUPERB CUISINE - 16 included meals consisting of 10 buffet share the old world history and mystique of this fascinating land. A breakfasts, 3 lunches and 3 dinners feast for the senses from exquisite dining, to spiritual temples and •SIGHTSEEING TOUR PROGRAM - Sightseeing, including local shrines, to fascinating museums and architectural gems, your time guide and all entrance fees as per day-to-day itinerary in Japan will be unforgettable every step of the way. This evening we •CULTURAL DISCOVERY SERIES - Our program encompasses will share in a splendid welcome dinner at our hotel restaurant. (D) cultural connections, in-depth learning of the local economy, Day 3 Tokyo Rise and shine with an included breakfast before social systems and interaction with locals such as the heading out for a day of adventuring in Tokyo. Visit Tsukiji Outer Japanese tea ceremony, Chanko Nabe Dinner, Onsen (Spa) Market, situated adjacent to the world’s largest wholesale fish and visit, Miho Museum visit, JR Shinkansen bullet train ride seafood market, where you will experience more than 400 outlets and more in this shopping area that dates back to the Taisho period (1912– •FRANK LLYOD WRIGHT PROGRAM - Visits to Jiyu Gakuen 26). -
Meet "Maiko" in Gion and Kyoto One Day Bus Tour Includes Round Trip Bus Fares, Lunch, Keihan Train Tickets, and Hankyuu Train Tickets
No.12 : November 2020 ~ December 2021 1009 Meet "Maiko" in Gion and Kyoto One Day Bus Tour Includes round trip bus fares, lunch, Keihan Train tickets, and Hankyuu Train tickets. N ※Any additional cost would be at your own expense. O ※Meeting time is 8:20 at Umeda, 8:25 at Nippombashi, 8:50 at Namba, and 9:05 at Kyoto station. T ※Bus will leave according to the schedule, and will not wait for late arrivals. I C ※Smoking is not allowed in the bus. Thank you for your cooperation. E ※Itinerary is subject to change depending on the weather, traffic conditions, etc. ※We recommend you to wear a comfortable shoes since this tour has a long walk in Gion area. Detailed Itinerary Umeda Nippombashi Namba Kyoto Hearton Hotel Nishi-Umeda 1F Lobby → In front of Tsurutontan restaurant → Namba OCAT 1F JR Kyoto station 8:20 Meet 8:30 Dep. 8:25 Meet 8:35 Dep. 8:50 Meet 9:00 Dep. 9:05 Meet 9:15 Dep. Keihan Train Meet Maiko , Lunch ( Chanko Nabe ) Fushimi Inari Taisha → Fushimi-Inari to Gion-Shijo → Gion ( Hanamikoji & Yasaka Shrine ) 10:00 ~ 11:00 11:17 Dep. 11:24 Arr. 11:35 ~ 14:50 Hankyuu Train Arashiyama Namba Nippombashi Umeda Kyoto Station Kawaramachi to Arashiyama → → → → 14:50 Dep. 15:07Arr. 15:10 ~ 16:50 18:30 ETA 18:45 ETA 19:15 ETA 17:40 ETA Meet Maiko Activity detail Maiko Performance Maiko Questionaire Corner Picture with Maiko Ozashiki Asobi Experience → → → 13:10 ~ 13:20 (10Mins) 13:20 ~ 13:35 (15Mins) 13:35 ~ 13:50 (15Mins) 13:50 ~ 14:10 (20Mins) ※Customers depart from Kyoto station will travel to Inari station by JR train with our Tour Guide. -
PICTURES of the FLOATING WORLD an Exploration of the World of the Yoshiwara, 吉原
Cherry Blossom in the Yoshiwara by Yoshikazu PICTURES OF THE FLOATING WORLD An exploration of the world of the Yoshiwara, 吉原 PICTURES OF THE FLOATING WORLD In the nightless city Floating free from life’s cares Picture memories Haiku Keith Oram INTRODUCTION Japanese woodblock prints that recorded the Ukiyo, the ‘Floating World’ of the Yoshiwara of Edo city were so numerous that during the nineteenth century they were used to wrap ceramics exported to Europe. This practice provided some European artists with their first proper encounter with these beautifully created images. The impact on western art of their bold colours and sensuous line was quite significant influencing many artists of the avant gard. The story of those prints, however, began much earlier in the seventeenth century. First a little background history. The battle of Sekigahara in 1600 and the fall of Osaka in 1615 allowed Tokugawa Ieyasu to gain complete control of Japan. He had been made Shogun, supreme military leader, in 1603, but the fall of Osaka was the final action that gave him complete control. Almost his first act was to move the capital from Kyoto, the realm of the Emperor, to Edo, now Tokyo. This backwater town, now the new capital, grew very quickly into a large town. Tokugawa Iemitsu, Shogun 1623-51, required the daimyo of Japan, local rulers and warlords, to remain in Edo every other year, but when they returned to their fiefs he made them leave their families in the capital. This ‘hostage’ style management, sankin tokai, helped to maintain the peace. The other affect was that the daimyo needed to build large homes in Edo for their families. -
Les Hanamachi
Les hanamachi Des quartiers « réservés » La ville de Kyôto comporte cinq hanamachi ( 花 街 , villes fleurs) où vivent les geisha et que l'on appelle ensemble Gokagai ( 五 花 街 ). Le plus célèbre d'entre eux est Gion- kobu ( 祇 園 甲 部 ), suivi de Ponto-chô ( 先 斗 町 ) et Kamishichiken (上七軒). Viennent ensuite Gion-higashi (祇 園 東 ) et Miyagawa-chô ( 宮 川 町 ). On y ajoute parfois l'ancien quartier réservé de Shimabara (嶋原), actuellement inactif. Ces quartiers comptent encore de nos jours un peu moins de 200 ochaya qui emploient environ 250 geiko et maiko. Les hanamachi ont chacun un blason appelé mon ( 紋 ), ou kamon (家紋), de même que les okiya. On peut les voir sur les lanternes ou les noren ( 暖 簾 , rideaux d'enseigne) des bâtiments des hanamachi. Les geisha aussi arborent ces blasons par L'ochaya Ichiriki お茶屋一力 exemple sur le col de leur kimono, celles qui sont indépendantes en ayant un qui leur est propre. On y parle le kyo-kotoba ( 京 言 葉 ), dialecte de Kyôto, que les nouvelles arrivées se doivent d'apprendre si elles ne le connaissent pas. Mon des hanamachi Gion Les quartiers de Gion se situent près du sanctuaire Yasaka-jinja (八坂神社). Les mon de Gion sont symbolisés par une couronne de dango ( 団 子 , boulettes de riz). Celui de Gion-kobu se différencie par son initiale ko (甲), au centre. Les premières ochaya de Gion apparurent en 1665. Le quartier connu son âge d'or pendant la première moitié du XIXe siècle. Plus de trois mille geisha travaillaient dans les quelques sept cents ochaya. -
Pioneers of the Women's Movement in Japan: Hiratsuka Raichô and Fukuda Hideko Seen Through Their Journals, Seitô Andsekai Fujn
PIONEERS OF THE WOMEN'S MOVEMENT IN JAPAN: HIRATSUKA RAICHÔ AND FUKUDA HIDEKO SEEN THROUGH THEIR JOURNALS, SEITÔ ANDSEKAI FUJN by Fumiko Horimoto A thesis submitted in conformity with the requirements for the degree of Master of Arts Graduate Department of East Asian Studies University of Toronto O Copyright by Fumiko Horimoto 1999 National Library Bibliothèque nationale I*I of Canada du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395, rue Wellington Ottawa ON K1A ON4 Ottawa ON K1A ON4 Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the excIusive permettant a la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sell reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/fïh, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thése. thesis nor substantial extracts fkom it Ni la thèse ni des extraits substantiels may be printed or othemise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. ABSTRACT Master of Arts, 1999 Fumiko Horimoto Department of East Asian Studies Hiratsuka Raichô's (1886-1971) statement, "In the beginning woman was the Sun," in the opening editorial of Seitô is generally regarded as the first Japanese "women's rights declaration." However, in January 1907, more than four years before the publication of Seitô, Fukuda (Kageyama) Hideko (1865-1927), one of the most remarkable activists in Japan's early phase of feminism, also published a magazine, Sekai fujïn (Women of the World), aiming at the emancipation of women. -
Japón - Resumen 1
JAPÓN - RESUMEN 1 Consejos - Los españoles no necesitamos visado, solo un pasaporte en vigor y podremos permanecer en el país con el visado de turista durante 90 días. - Hay que descalzarse para entrar en muchos sitios. - Exageradamente puntuales. - No se puede fumar en la calle, pero sí en muchos restaurantes. - La mayoría de las tapas de alcantarillas de Japón ("manhoru") están decoradas con trabajos artísticos que reflejan el atractivo de la ciudad donde están, algún monumento, festival o sus costumbres. Cada vez hay más personas que coleccionan fotos de éste fenómeno. - Los coches no pueden aparcar en las aceras. Deben hacerlo en parkings o dentro de los edificios. - En los hoteles y apartamentos suelen dejar los paraguas gratis. - No hay papeleras por la calle, pero está todo muy limpio. - Baños: o Hay baños por todas partes y están todos (o casi) impecables. o NO tocar el botón rojo: es para llamadas de emergencia. A veces pone “SOS” pero otras solo pone kanji en japonés. o En los bares no suele haber servilletas y en los baños a veces no hay papel. - Las escuelas llevan a los niños a sitios turísticos donde poder practicar el inglés con los turistas. Te hacen preguntas muy básicas y no te entretienen mucho, después te piden si pueden escribirte por correo, te regalan una grulla de Origami y se hacen una foto contigo. - En las escaleras mecánicas y por la acera, ir siempre por la izquierda, para dejar la derecha libre a aquellos que quieran desplazarse más rápido. En los peldaños comunes, subir por donde indiquen las flechas, normalmente por la izquierda también. -
Extreme Japan
Extreme Japan At its roots, Japan has two deities who represent opposite extremes – Amaterasu, a Nigitama (peaceful spirit), and Susanoo, an Aratama (wrathful spirit). The dichotomy can be seen reflected in various areas of the culture. There is Kinkaku-ji (the Golden Pavilion) to represent the Kitayama culture, and Ginkaku-ji (the Silver Pavilion) to represent the Higashiyama culture. Kabuki has its wagoto (gentle style) and aragoto (bravura style). There are the thatched huts of wabicha (frugal tea ceremony) as opposed to the golden tea ceremony houses. Japan can be punk – flashy and noisy. Or, it can be bluesy – deep and tranquil. Add to flash, the kabuki way. Subtract to refine, the wabi way. Just don’t hold back - go to the extreme.Either way, it’s Japan. Japan Concept 5 Kabuku Japan Concept 6 wabi If we awaken and recapture the basic human passions that are today being lost in each moment, new Japanese traditions will be passed on with a bold, triumphant face. Taro Okamoto, Nihon no Dento (Japanese Tradition) 20 kabuku Extreme Japan ① Photograph: Satoshi Takase ③ ② Eccentrics at the Cutting Edge of Fashion ① Lavish preferences of truck drivers are reflected in vehicles decorated like illuminated floats. ② The crazy KAWAII of Kyary Pamyu Pamyu. ③ The band KISHIDAN. Yankii style, characterized by tsuppari hairstyles and customized high ⑤ school uniforms. ④ Kabuki-style cosmetic face masks made by Imabari Towel. Kabuki’s Kumadori is a powerful makeup for warding off evil spirits. ⑤ Making lavish use of combs and hairpins, oiran were the fashion leaders of Edo. The “face-showing” event is a glimpse into the sleepless world of night. -
Scott Gilman T+L A-List Sample Itinerary 2021
Day 1: Arrive in Tokyo Upon arrival at one of Tokyo’s two international airports, you will be met and escorted to Tokyo, a metropolis like no other in the world. Stay: Mandarin Oriental or Aman Our Japanese guides will accompany you on your journey throughout Japan. Our guides are among the best anywhere in the world. They are experienced, knowledgeable, engaging and flexible. They understand that this is your trip and will do everything possible to accommodate your specific interests and wishes. We cannot begin to tell you how many times our clients have called us upon their return from Japan to tell us how much they loved being with their guide. In each destination, we will introduce you to local experts that we have cultivated relationships with for years so you can get you close to the real culture of Japan, meeting some fascinating people along the way. To experience Japan, we encourage you to interact with Japanese as often as possible who will share their kindness, knowledge, and unique ways of a country steeped in strong traditions. We offer a myriad of special experiences across the country, a small sampling of which is illustrated within this itinerary. From little known neighborhood restaurants serving exquisite Japanese cuisine, to world-renowned French and Italian restaurants, Japan offers the finest selection of indigenous and international dining experiences in the world. Access to the smaller, quintessential local restaurants — which often serve the finest Japanese food and sake — is often difficult (if not impossible) unless one speaks Japanese. Our wealth of experience in Japan however has provided us with a network of restaurants, where chefs will treat our customers as if they are regular clientele — thereby allowing you to experience Japanese cuisine at its finest. -
Meet a Real Life Geisha with Ganapati
/SPONSORED EDITORIAL/ 74 \ Ganapati Japanese culture Meet a real life geisha with Ganapati Nadia Adelstein, irst appearing in Japan around the there has not been as much exposure to Fturn of the 18th century, geisha Japanese courtesans – but that doesn’t of Ganapati, became a cultural zeitgeist, thanks to mean you have to miss out on meeting discusses their their exceptional sophistication and one. class. A geisha’s role involves entertain- In a very rare occurrence, geisha exciting plans for ing men with conversation, dance and will soon be making their way to west- ICE Totally Gaming song. As such, geisha’s are exceptional- ern shores. Thanks to Ganapati, geisha 2018 ly well-trained, skilled entertainers, will come from the small towns of Gion who also act as hostesses and courte- Higashi and Kamishichiken, Kyoto, in sans. And they remain one of Japan’s early February to convene at the ICE cultural icons in the modern day. Totally Gaming Convention in London, To become a geisha, many years of England. training is required. Starting as maiko Ganapati, a multinational gaming (apprentices), they may undergo years company with bases all around the of intensive training in order to reach world, including Tokyo, are bringing the high standards required to be a three genuine maiko, three authentic fully fledged geisha. geisha, and even an oiran all the way This long training period is spent from Kyoto. learning how to play various musical Ganapati is a specialist when it instruments, sing, dance and generally comes to egaming – combining tradi- learn how to be the best hostess possi- tional European egaming with an au- ble; the illusion of female perfection; thentic Japanese flavour to leave you the ultimate companion.