Scott Gilman T+L A-List Sample Itinerary 2021
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Frank Lloyd Wright,Fuji, and Fun!
, Frank Lloyd Wright Fuji, and Fun! - THE BEST OF JAPAN 12 Days from $5,699 air & land (4) Tokyo • (1) Fuji Area • (5) Kyoto CHINA JAPAN 4 Tokyo 1 5 Kyoto Fuji Area Tokyo Day 1 Depart USA Today you begin an amazing cultural adventure TOUR FEATURES as you depart the USA on your international flight to Japan. •ROUND TRIP AIR TRANSPORTATION - Air transportation Day 2 Arrive Tokyo, Japan Upon arrival at Narita Airport, you will from Minneapolis, MN be met by your Aventura World tour director and depart to your hotel •FIRST-CLASS ACCOMMODATIONS - First class centrally-located in Tokyo for check-in. Tokyo welcomes you from its ultramodern hotel accommodations for 10 nights skyscrapers and neon-clad edifices to its time-honored temples that •SUPERB CUISINE - 16 included meals consisting of 10 buffet share the old world history and mystique of this fascinating land. A breakfasts, 3 lunches and 3 dinners feast for the senses from exquisite dining, to spiritual temples and •SIGHTSEEING TOUR PROGRAM - Sightseeing, including local shrines, to fascinating museums and architectural gems, your time guide and all entrance fees as per day-to-day itinerary in Japan will be unforgettable every step of the way. This evening we •CULTURAL DISCOVERY SERIES - Our program encompasses will share in a splendid welcome dinner at our hotel restaurant. (D) cultural connections, in-depth learning of the local economy, Day 3 Tokyo Rise and shine with an included breakfast before social systems and interaction with locals such as the heading out for a day of adventuring in Tokyo. Visit Tsukiji Outer Japanese tea ceremony, Chanko Nabe Dinner, Onsen (Spa) Market, situated adjacent to the world’s largest wholesale fish and visit, Miho Museum visit, JR Shinkansen bullet train ride seafood market, where you will experience more than 400 outlets and more in this shopping area that dates back to the Taisho period (1912– •FRANK LLYOD WRIGHT PROGRAM - Visits to Jiyu Gakuen 26). -
Meet "Maiko" in Gion and Kyoto One Day Bus Tour Includes Round Trip Bus Fares, Lunch, Keihan Train Tickets, and Hankyuu Train Tickets
No.12 : November 2020 ~ December 2021 1009 Meet "Maiko" in Gion and Kyoto One Day Bus Tour Includes round trip bus fares, lunch, Keihan Train tickets, and Hankyuu Train tickets. N ※Any additional cost would be at your own expense. O ※Meeting time is 8:20 at Umeda, 8:25 at Nippombashi, 8:50 at Namba, and 9:05 at Kyoto station. T ※Bus will leave according to the schedule, and will not wait for late arrivals. I C ※Smoking is not allowed in the bus. Thank you for your cooperation. E ※Itinerary is subject to change depending on the weather, traffic conditions, etc. ※We recommend you to wear a comfortable shoes since this tour has a long walk in Gion area. Detailed Itinerary Umeda Nippombashi Namba Kyoto Hearton Hotel Nishi-Umeda 1F Lobby → In front of Tsurutontan restaurant → Namba OCAT 1F JR Kyoto station 8:20 Meet 8:30 Dep. 8:25 Meet 8:35 Dep. 8:50 Meet 9:00 Dep. 9:05 Meet 9:15 Dep. Keihan Train Meet Maiko , Lunch ( Chanko Nabe ) Fushimi Inari Taisha → Fushimi-Inari to Gion-Shijo → Gion ( Hanamikoji & Yasaka Shrine ) 10:00 ~ 11:00 11:17 Dep. 11:24 Arr. 11:35 ~ 14:50 Hankyuu Train Arashiyama Namba Nippombashi Umeda Kyoto Station Kawaramachi to Arashiyama → → → → 14:50 Dep. 15:07Arr. 15:10 ~ 16:50 18:30 ETA 18:45 ETA 19:15 ETA 17:40 ETA Meet Maiko Activity detail Maiko Performance Maiko Questionaire Corner Picture with Maiko Ozashiki Asobi Experience → → → 13:10 ~ 13:20 (10Mins) 13:20 ~ 13:35 (15Mins) 13:35 ~ 13:50 (15Mins) 13:50 ~ 14:10 (20Mins) ※Customers depart from Kyoto station will travel to Inari station by JR train with our Tour Guide. -
Les Hanamachi
Les hanamachi Des quartiers « réservés » La ville de Kyôto comporte cinq hanamachi ( 花 街 , villes fleurs) où vivent les geisha et que l'on appelle ensemble Gokagai ( 五 花 街 ). Le plus célèbre d'entre eux est Gion- kobu ( 祇 園 甲 部 ), suivi de Ponto-chô ( 先 斗 町 ) et Kamishichiken (上七軒). Viennent ensuite Gion-higashi (祇 園 東 ) et Miyagawa-chô ( 宮 川 町 ). On y ajoute parfois l'ancien quartier réservé de Shimabara (嶋原), actuellement inactif. Ces quartiers comptent encore de nos jours un peu moins de 200 ochaya qui emploient environ 250 geiko et maiko. Les hanamachi ont chacun un blason appelé mon ( 紋 ), ou kamon (家紋), de même que les okiya. On peut les voir sur les lanternes ou les noren ( 暖 簾 , rideaux d'enseigne) des bâtiments des hanamachi. Les geisha aussi arborent ces blasons par L'ochaya Ichiriki お茶屋一力 exemple sur le col de leur kimono, celles qui sont indépendantes en ayant un qui leur est propre. On y parle le kyo-kotoba ( 京 言 葉 ), dialecte de Kyôto, que les nouvelles arrivées se doivent d'apprendre si elles ne le connaissent pas. Mon des hanamachi Gion Les quartiers de Gion se situent près du sanctuaire Yasaka-jinja (八坂神社). Les mon de Gion sont symbolisés par une couronne de dango ( 団 子 , boulettes de riz). Celui de Gion-kobu se différencie par son initiale ko (甲), au centre. Les premières ochaya de Gion apparurent en 1665. Le quartier connu son âge d'or pendant la première moitié du XIXe siècle. Plus de trois mille geisha travaillaient dans les quelques sept cents ochaya. -
Japón - Resumen 1
JAPÓN - RESUMEN 1 Consejos - Los españoles no necesitamos visado, solo un pasaporte en vigor y podremos permanecer en el país con el visado de turista durante 90 días. - Hay que descalzarse para entrar en muchos sitios. - Exageradamente puntuales. - No se puede fumar en la calle, pero sí en muchos restaurantes. - La mayoría de las tapas de alcantarillas de Japón ("manhoru") están decoradas con trabajos artísticos que reflejan el atractivo de la ciudad donde están, algún monumento, festival o sus costumbres. Cada vez hay más personas que coleccionan fotos de éste fenómeno. - Los coches no pueden aparcar en las aceras. Deben hacerlo en parkings o dentro de los edificios. - En los hoteles y apartamentos suelen dejar los paraguas gratis. - No hay papeleras por la calle, pero está todo muy limpio. - Baños: o Hay baños por todas partes y están todos (o casi) impecables. o NO tocar el botón rojo: es para llamadas de emergencia. A veces pone “SOS” pero otras solo pone kanji en japonés. o En los bares no suele haber servilletas y en los baños a veces no hay papel. - Las escuelas llevan a los niños a sitios turísticos donde poder practicar el inglés con los turistas. Te hacen preguntas muy básicas y no te entretienen mucho, después te piden si pueden escribirte por correo, te regalan una grulla de Origami y se hacen una foto contigo. - En las escaleras mecánicas y por la acera, ir siempre por la izquierda, para dejar la derecha libre a aquellos que quieran desplazarse más rápido. En los peldaños comunes, subir por donde indiquen las flechas, normalmente por la izquierda también. -
Text Translations 1 5 6 7
TEXT TRANSLATIONS 1 5 6 7 4 3 1 2 PLAN OF THE GALLERY LIFE IN EDO X RUSSEL WONG IN KYOTO 1 Russel Wong in Kyoto Japan, particularly Kyoto, has always drawn and inspired local and international photographers. Russel Wong’s interest in photographing Kyoto and its geisha community began during a visit to Tokyo in 2005 to shoot publicity photographs for Watanabe Ken when he was starring in Memoirs of a Geisha (2005). Kyoto came up during their conversation and this rekindled Wong’s passion to dig deeper. The film received mixed reviews; mostly disapproval and disdain from the geisha community in Kyoto. Despite its controversies, the film has contributed in recent years to public perceptions of and curiosity about Japanese geisha (Kyoto dialect, geiko). Wong feels that perhaps his photographs can give the geiko community – which hardly speaks and is seldom seen – a voice for an international audience. Geiko community The geiko community in Kyoto is a closed group and the traditional system of ichigen- san okotowari, “turning away first-timers” still rules in most teahouses today. It took Wong five years to gain access to the geiko communities in all five kagai (geisha districts, also known as hanamachi) in Kyoto. Inspired by woodblock prints In making this body of work, Wong was inspired by Edo-period woodblock prints by Kitagawa Utamaro, Katsushika Hokusai, and Utagawa Hiroshige. He was particularly drawn to the compositions, how the elements of the image work together, and by the silhouettes and portraits of the women depicted in them. Wong’s photographs are infused with his own sense of nostalgia. -
Litteraturliste
LITTERATURLISTE „Aoyama Technical College“ in Architectural 1996, pp. 110-27. „From a Talk with Hiroshi Hara“ in Mitsumasa, Hara, H.: „Architecture and Individuality“ in Review 1136 okt. 1991, pp. 45-49. Choudhury, S. & Clavijo, C.: „Machiya. A Survey F. (Ed.): Architecture Riffle 006: Umeda Japan Architect 6/1966, pp. 87-107. „Aoyama Technical College“ in Japan Architect of Traditional Japanese Urban Houses“ in Sky Building Sky Building, Toto, Tokyo Hara, H.: „500Mx500Mx500M Cube“ in GA Ar- 2/1991, pp. 160-63. Japan Architect 1/1972, pp. 91-104. 1993. chitect 13: Hiroshi Hara, A.D.A. Edita, „Amusement Complex <H>“ in Japan Archi- Cooper, M. (overs. & Ed.): This Island of Ja- GA Architect 9: Shin Takamatsu, A.D.A. Edita, Tokyo 1990, pp. 240-43. tect 1/1994, pp. 170-73. pan. João Rodrigues’ Account of 16th- Tokyo 1990. Hara, H.: „On the ‘Drifting Space’ and the Ar- Bellini, M.: „Architecture and Cities“ in Japan century Japon, Kodansha International, GA Architect 13: Hiroshi Hara, A.D.A. Edita, chitectural Forms“ in Japan Architect Architect 3/1992, pp. 172-79 Tokyo & New York 1973. Tokyo 1990. 3/1993, pp. 26-31. Bellini, M.: „Tokyo Design Center“ in Japan Davies, C.: „Office Interiors“ in Davies, C. & Gion. Suina asobi no sekai, (Gion. Den ele- Hara, H.: „Extraterrestrial Architecture Project“ Architect 3/1992, pp. 180-91 Lambot I.: Century Tower, Ernst & Sohn, gante legeverden, ISBN4-473-01399-5) in GA Architect 13: Hiroshi Hara, A.D.A. Bognar, B.: „From Ritualistic Objects to Science Berlin 1992, pp. 141-59. Hakoosho, Kyoto 1995. Edita, Tokyo 1990, pp. -
The Films of Kenji Mizoguchi: Authorship and Vernacular Style
The Films of Kenji Mizoguchi: Authorship and Vernacular Style Paul Spicer This thesis is submitted in partial fulfilment of the requirements of the award of the degree of Doctor of Philosophy of the University of Portsmouth October 2011 Contents Declaration i List of Figures ii Notes on Translation v Acknowledgements vii Dedication ix Introduction 1 Chapter One – Ideas of Language 34 Chapter Two – Ideas of Authorship 76 Chapter Three – Mizoguchi and Mise en Scène 119 Chapter Four – Ideas of Spectatorship 162 Chapter Five – Mizoguchi and Melodrama 195 Chapter Six – Mizoguchi and Theatre 247 Conclusion 288 Bibliography 308 Select Filmography 319 Mizoguchi Filmography 321 Appendix One: Interview with Oshima Kinue 328 Appendix Two: Interview with Sawato Midori 336 Appendix Three: Interview with Saso Tsutomu 349 Appendix Four: Omoukotonado: Edo Jocho no Eigaka Sonohoka: (My Thoughts: Creating Edo Culture in Film) by Director Kenji Mizoguchi. Nikkatsu Magazine June 1926 374 Appendix Five: Kanji Readings of Key Figures 378 Declaration Whilst registered as a candidate for the above degree, I have not been registered for any other research award. The results and conclusions embodied in this thesis are the work of the named candidate and have not been submitted for any other academic award. i List of Figures Chapter One Figure 1, p.56. Naniwa Ereji (1936). Mizoguchi's Fallen Women: Eclipse Series 13 (2008) [DVD]. New York: Criterion. Figure 2, p.57. Naniwa Ereji (1936). Mizoguchi's Fallen Women: Eclipse Series 13 (2008) [DVD]. New York: Criterion Figure 3, p.58. Naniwa Ereji (1936). Mizoguchi's Fallen Women: Eclipse Series 13 (2008) [DVD]. -
Object Labels
OBJECT LABELS CONTEMPLATIVE SPACE SECTION 4 SECTION 3 SECTION SECTION 2 SECTION 1 PLAN OF THE GALLERY SECTION 1 Geiko Sayaka Kyoto, 2014 Large format, combining 4 x 4 prints in ōban size Archival pigment print on photo rag This silhouette of Geiko Sayaka was taken in Tsurui, one of the ochayas (teahouses) in Gion Kobu kagai. Inspired by the Japanese prints in this exhibition, all of Wong’s photographs were printed in ōban size (approximately 39 x 26 cm), the most popular woodblock print format during the Edo period. Cat. 173 Shinnyodo Temple Pagoda with sakura flowers (cherry blossoms) Kyoto, Sakyo ward,2011 Archival pigment print on photo rag Cat. 159 Sannenzaka Kyoto, Higashiyama ward, 2020 Archival pigment print on photo rag Cat. 160 Yasaka-no-Tō of Hōkan-ji (Yasaka Pagoda of Hokan Temple) Kyoto, Higashiyama ward, 2019 Archival pigment print on photo rag Cat. 162 Kiyomizu-dera (Kiyomizu Temple) Kyoto, Higashiyama ward, 2011 Archival pigment print on photo rag Cat. 161 Kinkaku-ji (Golden Pavilion) Kyoto, Kita ward, 2020 Large format, combining 4 x 4 prints in ōban size Archival pigment print on photo rag Cat. 168 A maiko going to her appointment in the kagai Kyoto, 2015 Archival pigment print on photo rag Cat. 174 Geiko and maiko on their way to the teahouse in winter Kyoto, 2014 Archival pigment print on photo rag Cat. 175 Gion Matsuri performance Kyoto, Higashiyama ward, 2010 Archival pigment print on photo rag Cat. 176 Hōjō Garden in Tōfuku-ji (Moss garden in Tofuku Temple) Kyoto, Higashiyama ward, 2015 Archival pigment print on photo rag Cat. -
Japan Discovery
- Japan Discovery - Japan Discovery 13 Days Fully Escorted Departs 25 March 2021 ITINERARY HIGHLIGHTS: Osaka Castle Peace Park Kyoto Owakudani Hot Spring Volcanic Valley Hiroshima Peace Park Tokyo Miyajima Island Yokohama and Harbour Gion District Imperial Palace Hakone National Park Bullet Train INCLUDES: Economy class airfares including taxes* Private single rooms in quality accommodation Meals as per itinerary -11 Breakfasts, 5 Lunches, 7 Dinners Sightseeing tours and transfers by private vehicle Tour Escort – travels with group from/to Brisbane Local English speaking Tour Director and local guides Tipping for Guides & Drivers EXCLUDES: Any meals other than mentioned above Items of a personal nature i.e. laundry, drinks, phone calls, etc Travel Insurance From $9,442* per person Terms and Conditions apply. Price is per person Sole Use and subject to availability. Based on Economy class airfare. Tour requires minimum number of passengers to depart. Prices may fluctuate if surcharges, fees, taxes or currencies change. Solo Connections is constantly striving to improve our itineraries and inclusions. If such improvements can be made, or unforeseen circumstances beyond our control make changes necessary, we reserve the right at any time to vary itineraries and to substitute inclusions of equal value. Beverages, additional meals, hotel mini bars, laundry, phone calls, any items of personal nature not included. Further booking conditions apply, please check all prices, availability and other information with your travel agent at time of or before booking. Package cancellation fees apply. Denise Marie Falsay trading as Solo Connections. ATAS Accredited A11424. ABN 92 582 582 996 - Japan Discovery - Day 1 Thursday 25 March 2021 Depart Brisbane Today you will meet your Tour Escort and fellow travellers at Brisbane International Airport for your flights to Osaka. -
Kalley Waldrop There Are Two Terms for Geishas: ● Maiko ○ Less Training ○ Ages 15 - 20 Years Old ○ Must Follow a Geiko, Or Oneesan, Before Becoming a Geiko
Japanese Geisha Kalley waldrop There are two terms for Geishas: ● Maiko ○ Less training ○ Ages 15 - 20 years old ○ Must follow a geiko, or oneesan, before becoming a geiko. ● Geiko ○ More training ○ Ages 20 plus What are geisha ● Geisha are known as the queens of the ‘floating world’. ○ ‘Gei’ means art, and ‘sha’ means person. ○ GEISHAS MUST GO THROUGH A ONE YEAR TRAINING, shikomi, where they learn to play traditional japanese instruments, dance, and sing. ● Long ago, there were male geisha, known as taikomochi or hakan ○ they trained in conversations, tea ceremonies, and storytelling ○ however, they have significantly reduced to four in tokyo and one in kyoto. Geisha styling Geiko have simpler outfits, Maiko have more complex and wear wigs, kastura, that outfits. Their hairstyle, hana A geiko’s obi is folded into a cover the nape of their necks. kanzashi, has descending square, while a maiko’s obi The nape is usually floral ornaments. It takes hangs down the back. unpainted, so if seen, then a about two hours, once a week. maiko can be identified. Secrecy of geisha ● Living in a floating world, they live apart from others and live a remote life. ● Geisha culture can be described as exclusive. ○ Taikomochi were first, performing outside of famous courtesan locations. ○ Geishas arose in the eighteenth century, performing in different areas, but only seen as elegant and mysterious. ○ They perform at teahouses and parties, and their clients can also consist of tourists. ● Geisha themselves must pass on their knowledge and the culture to maiko, who must also make connections in the hanamachi, or geisha district. -
Ebook Download Geisha Pdf Free Download
GEISHA PDF, EPUB, EBOOK Liza Dalby | 384 pages | 01 Dec 2007 | Vintage Publishing | 9780099286387 | English | London, United Kingdom Geisha PDF Book In those times, pitch-black objects were regarded as beautiful so they had their teeth blackened especially when they are coming of age as a sign of maturity and beauty girls, boys, and even nobles did it too. Shrouded in mystery If you wish to meet, and even drink with a maiko or geiko , it's all about who you know - and they don't come cheap. Fill in this form, tell us a few things about yourself and what your perfect Japan trip looks like and our team are here to help make it happen. Nonetheless, when the war ended, the returning geisha made it a point to reinstate their traditional standards as highly-skilled entertainers, and at the same time, they proposed increased rights for their profession. You may have gotten some sort of idea, but let me explain further. After World War II, however, women increasingly stopped wearing kimono and began dressing in Western-style clothing. We usually arrange for private dinners at superb kaiseki restaurants, where you dine with the geisha in private rooms, and we supply bilingual interpreters so you can communicate freely with the geisha. The price starts at Y70, per group, plus Y15, to Y20, per person for dinner. A former ochaya in Kanazawa 's Higashi Chaya district , the Shima Ochaya, has been opened to the public as a museum, allowing tourists to see a traditional ochaya from the inside, including the tatami rooms and exhibits of utensils, accessories and music instruments. -
KANAZAWA Architecture Tourism
Issued by: Kanazawa City Tourism Promotion Section 1-1-1 Hirosaka, Kanazawa Kanazawa City Tourism Association 1-1 Kinoshinbo-machi, Kanazawa KANAZAWA Architecture Tourism Kanazawa has had few natural disasters and avoided bombing in World War ll, which is why the city retains the appearance of its Chaya districts, Kanazawa Castle and Kenrokuen Garden from the feudal era. On the other hand, the city is also home to the work of many world-famous contemporary architects, and is a blend of tradition and innovation. You can learn more about Kanazawa by exploring the city on different themes. 01 02 03 The Legacy The Castle A Mosaic of Japanese and Religious of Contemporary, Traditional Architecture Award-winning Architecture Buildings The Legacy of Japanese Traditional Architecture Kanazawa City has preserved numerous traditional buildings, in Ame-no-Tawaraya 01 ❽あめの俵屋 particular its wooden townhouses, several of which visitors are able to ● Kobashi Bridge explore. Along and nearby the 小橋 charming Asanogawa River, enjoy a stroll in the retro atmosphere of Edo and Meiji period, and feel the traditional Japanese way of life. HIGASHIYAMA 東山 Takagi Koji Shoten ❹ 高木糀商店 Naka-no Hashi Bridge Higashi Chaya District ❼中の橋 ひがし茶屋街 ❶Sima 志摩 ❺ ❷Kaikaro 懐華樓 Kazue-machi Higashi Chaya ❻ ● Chaya District Asanogawa- Kyukeikan Rest House ohashi Bridge ひがし茶屋休憩館 ❸ 主計町茶屋街 浅野川大橋Asanogawa River Hosenji Temple 宝泉寺 HASHIBA 浅野川 橋場 ●Umenohashi Bridge 梅の橋 ●Tenjinbashi Bridge 天神橋 Issued by: Kanazawa City Tourism Promotion Section 1-1-1 Hirosaka, Kanazawa 100m Kanazawa City Tourism Association 1-1 Kinoshinbo-machi, Kanazawa 01 The Legacy of Japanese Traditional Architecture 01 ❶ National Important Cultural Asset SHIMA Higashi-Chaya District is the largest of Kanazawa’s three historic entertainment districts.