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LITTERATURLISTE „Aoyama Technical College“ in Architectural 1996, pp. 110-27. „From a Talk with Hiroshi Hara“ in Mitsumasa, Hara, H.: „Architecture and Individuality“ in Review 1136 okt. 1991, pp. 45-49. Choudhury, S. & Clavijo, C.: „Machiya. A Survey F. (Ed.): Architecture Riffle 006: Umeda Japan Architect 6/1966, pp. 87-107. „Aoyama Technical College“ in Japan Architect of Traditional Japanese Urban Houses“ in Sky Building Sky Building, Toto, Tokyo Hara, H.: „500Mx500Mx500M Cube“ in GA Ar- 2/1991, pp. 160-63. Japan Architect 1/1972, pp. 91-104. 1993. chitect 13: Hiroshi Hara, A.D.A. Edita, „Amusement Complex <H>“ in Japan Archi- Cooper, M. (overs. & Ed.): This Island of Ja- GA Architect 9: Shin Takamatsu, A.D.A. Edita, Tokyo 1990, pp. 240-43. tect 1/1994, pp. 170-73. pan. João Rodrigues’ Account of 16th- Tokyo 1990. Hara, H.: „On the ‘Drifting Space’ and the Ar- Bellini, M.: „Architecture and Cities“ in Japan century Japon, Kodansha International, GA Architect 13: Hiroshi Hara, A.D.A. Edita, chitectural Forms“ in Japan Architect Architect 3/1992, pp. 172-79 Tokyo & New York 1973. Tokyo 1990. 3/1993, pp. 26-31. Bellini, M.: „Tokyo Design Center“ in Japan Davies, C.: „Office Interiors“ in Davies, C. & Gion. Suina asobi no sekai, (Gion. Den ele- Hara, H.: „Extraterrestrial Architecture Project“ Architect 3/1992, pp. 180-91 Lambot I.: Century Tower, Ernst & Sohn, gante legeverden, ISBN4-473-01399-5) in GA Architect 13: Hiroshi Hara, A.D.A. Bognar, B.: „From Ritualistic Objects to Science Berlin 1992, pp. 141-59. Hakoosho, Kyoto 1995. Edita, Tokyo 1990, pp. 244-45. Fiction Constructs: The Enigma of Shin Davies, C. & Lambot I.: Century Tower, Ernst Gold, H.: „Outsiders“ in Kyoto Journal 27: The Hara, H.: „Fieldwork on Two Belts“ in GA Ar- Takamatsu’s architecture“ in Polledri, P. & Sohn, Berlin 1992. Death & Resurrection of Kyoto 1994, pp. chitect 13: Hiroshi Hara, A.D.A. Edita, (Ed.): Shin Takamatsu, San Francisco Mu- Deleuze, G. & Guattari, F.: Anti-Oedipus. Capi- 42-43. Tokyo 1990, pp. 226-28. seum of Modern Art, San Francisco 1993, talism and Schizophrenia, (1972) Uni- Gold, S. & Suzuki, I.: „Visionary Tokyo: The Hara, H.: „From Function to Modality“ in GA pp. 33-56. versity of Minnesota Press, Mineapolis, 2. Myths and Realities of Futuristic Urban Architect 13: Hiroshi Hara, A.D.A. Edita, Bognar, B.: „Monuments in Search of Meaning. ed. 1985. Housing,“ arbejdspapir fra The 7th Inter- Tokyo 1990, pp. 128-31. The Work of Shin Takamatsu“ in JA Li- Duffy, F.: „Tall Storeys. The Fashion of Height“ national Conference of EAJS, The Euro- Hara, H.: „La Cité International de Montréal“ brary 1: Shin Takamatsu, Shinkenchiku- in Architect’s Journal 30 jan. 1991, pp. 49- pean Association of Japanese Studies, in GA Architect 13: Hiroshi Hara, A.D.A. sha, Tokyo 1993, pp. 126-149. 50. København 1994. Edita, Tokyo 1990, pp. 224-25. Brown, A.S.: The Genius of Japanese Carpen- Durston, D.: Kyoto. Seven Paths to the Heart Goulet, P: „L’homme en dehors / The Outsider“ Hara, H.: „Interconnected Skyscraper, Shin- try. An Account of a Temple’s Construc- of the City, Mitsumura Suiko Shoin, Kyoto in Guillot, X.: Shin Takamatsu. Architec- Umeda City Development“ in GA Archi- tion, Kodansha International, Tokyo & 1987. tural Works 1981-89, Electra France, Mi- tect 13: Hiroshi Hara, A.D.A. Edita, Tokyo New York 1989. Dyestuff Given from The Natural World (in- lan & Paris 1989. 1990, pp. 192-207. Caron, R.B.: „Heritage Management for Kyoto. formationsblad fra Hinaya, u. år). Grof, S.: Introduktion til Den indre rejse, Hara, H.: „Josei Primary School, Naha, Oki- History, Place, and Festivity“ in Kyoto „Earth Architecture“ in GA Japan 08 5-6/1994, Borgen, København 1977. nawa“ in GA Architect 13: Hiroshi Hara, Journal 27: The Death & Resurrection of pp. 153-67. Grof, S.: Den indre rejse 1. Kortlægning af det A.D.A. Edita, Tokyo 1990, pp. 94-103. Kyoto 1994, pp. 44-60. Einarsen, J. (Ed.): Kyoto Journal 27: The Death ubevidste gennem LSD-psykoterapi, Hara, H.: „JR Kyoto Station“ in Japan Architect „Centennial Anniversary Hall, Tokyo Institute & Resurrection of Kyoto 1994. (1975) Borgen, København 1977. 3/1992, pp. 200-207. of Technology“ in Japan Architect 9/1986, Engel, H.: The Japanese House. A Tradition for Guillot, X.: „Entretien avec Shin Takamatsu / Hara, H.: „JR Kyoto Station Reconstruction pp. 8-13. Contemporary Architecture, (1964) Char- Talking With Shin Takamatsu“ in Guillot, Competition“ in GA Architect 13: Hiroshi „Century Tower“ in Japan Architect 3/1991, les E. Tuttle Company, Rutland-Vermont & X.: Shin Takamatsu. Architectural Works Hara, A.D.A. Edita, Tokyo 1990, pp. 229-33. pp. 149-61. Tokyo, 11. oplag 1983. 1981-89, Electra France, Milan & Paris Hara, H.: „Learning from Villages: 100 Lessons“ „Commerzbank Frankfurt“ in ADA 1997 nr. 9, Fawcett, C.: „Beware of Architechture“ in Ja- 1989, pp. 24-31. (kort form) in GA Architect 13: Hiroshi pp. 4-12. pan Architect 10/1984, p. 19. Hanks, P. (Ed.): The Colins English Dictionary, Hara, A.D.A. Edita, Tokyo 1990, pp. 88-91. Confurius, G.: „New York, Chicago, Kuala „Fish Dance“ in Japan Architect 9/1987, pp. (1979) Colins, London & Glasgow, 2. ed. I GA-Architecture findes de 100 lessons kun Lumpur, Euralille“ in Daidalos 61 sept. 10-14. 1989. i kort form. De blev oprindelig offentlig- 231 Litteraturliste, Hinaya gjort i fuld udstrækning i Space Design & San Francisco 1982. „Kansai International Airport Passenger Termi- Extra issue 4, 6, 8, 10, og 12 (3/1973, 12/ Interview med Shin Takamatsu ved Kamilla P.V. nal Building“ in Japan Architect 3/1993, 1974, 6/1976, 6/1978 og 11/1979). Andersen og Mark W. Lewis, 06.11. 1996, pp. 54-69. Hara, H.: „Modality - Central Concept of Con- sendt i Harddisken, DR-P1 09.01. 1997. „Kihoku Astronomical Museum“ in Japan temporary Architecture“ in Japan Archi- Ishii, K.: „The Intellectual and Today’s Urban Architect 4/1995, pp. 90-93. tect 11-12/1986, pp. 24-27. Hopelessness“ in Japan Architect 5/1980, Kirihata, K.: „The Characteristics of Noh Costu- Hara, H.: „Yamato International“ in GA Ar- p. 5. mes“ in The Reproduction of Noh Costu- chitect 13: Hiroshi Hara, A.D.A. Edita, Ito, T.: „Guesthouse for Sapporo Breweries“ in mes, Traditional Cultures Exchange Forum, Tokyo 1990, pp. 132-41. JA Library 2: Toyo Ito, Shinkenchiku-sha, Yamaguchi Orimono Inc. 1984, pp. 7-8. Hara, H.: „Yamato International“ in Japan Tokyo 1993, pp. 76-83. „Koizumi Lighting Theater/ISM“ in Japan Ar- Architect 11-12/1986, pp. 22-23. Ito, T.: „The Tower of Winds“ in Japan Architect chitect 11-12/1990, pp. 39-46. Hareven, T.: „Nishijin in Crisis“ in Kyoto Jour- 5/1987, pp. 12-14. „Koizumi Lighting Theater/ISM“ in Japan Ar- nal 27: The Death & Resurrection of Kyo- Itoh, T.: Traditional Domestic Architecture, chitect 2/1991, pp. 100-105. to 1/1988, pp. 44-50. (1972) Weatherhill/Heibonsha, New York Koolhaas, R.: „‘Lite’ Architect, Toyo Ito“ in JA Hareven, T.K.: „Between Craft and Industry: The & Tokyo, 4. ed. 1982 (jap. ed. 1965). Library 2: Toyo Ito, Shinkenchiku-sha, Subjective Reconstruction of the Life Izukura, A.: The Path to the Origins of the Tokyo 1993, p. 24. Course of Kyoto’s Traditional Weavers’“ in Thread (informationsark), Hinaya, Kyoto Kural, R.: Informationssamfundets arkitektur. Formanek, S. & Linhart, S. (Eds.): Japanese (u. år). Verdensbyen udtrykt gennem Tokyos Biographies: Life Histories, Life Cycles, Izukura, A.: A Record of Senshoku-do, Sun- kaos, Kunstakademiets Forlag, København Life Stages, Verlag Der Österreichschen Moon Nichigetsu-an Office, Kyoto (u. år). 1995. Akademie der Wissenschaften, Wien 1992, Izukura, A.: Senshoku-do. The Seven Ways, Sun- Kuwahara, K.: „Amusement Complex <H>“ in pp. 179-207. Moon Nichigetsu-an Office, Kyoto (u. år). JA Library 2: Toyo Ito, Shinkenchiku-sha, „Hinaya Head Office by Shin Takamatsu, Archi- Izukura, A. & Mitsumatsu, T.: svarbrev til forfat- Tokyo 1993, pp. 148-61. tect“ in Kenchiku Bunka vol. 36 no. 417 teren, 08.12. 1996. Lampugnani, V.M.: „Wohnhaus in Osaka“ in July 1981, p. 51-68. JA Library 1: Shin Takamatsu, Shinkenchiku- Baumeister 2/1993, pp. 24-27. „Hinaya Home Office“ in Japan Architect 10/ sha, Tokyo 1993. „A Landmark for Tokyo“ in Blueprint 78 juni 1981, pp. 54-60. JA Library 2: Toyo Ito, Shinkenchiku-sha, To- 1991, pp. 18-21. Historical Atlas Kyoto, Chuokoronsha, Japan kyo 1993. Mattenklott, G.: „Zur ideologie des großen / 1994. Japan Architect 1994/3 (temanummer om On the Ideology of Bigness“ in Daidalos Hohn, U.: „Urban Preservation - Its role in Kansai International Airport). 61 sept. 1996, pp. 78-91. Japanese Urban Planning,“ arbejdspapir JR Kyoto Station Reconstruction Project, „Meteor Plaza“ in Japan Architect 4/1996, pp. fra The 7th International Conference of internetadresse: http//sun-ss20.env.eng. 138-39. EAJS, The European Association of Ja- osaka-u.ac.jp/Gallely/JRkyoto_e.html Miyauchi, Y. (Ed.): Japanese Architecture. Guide panese Studies, København 1994. JR Kyoto Station Photomontage, internet- to East Japan, Asahi Shimbun, Tokyo 1965. Hori, V.S.: „Teaching and Learning in the Rinzai adresse: http//sun-ss20.env.eng.osaka- Miyake, R.: „From Form to Void. An Interview Zen Monastery“ in Journal of Japanese u.ac.jp/Gallely/JRphoto_e.html with Shin Takamatsu“ in Polledri, P. (Ed.): Studies vol. XX no. 1 1994, pp. 5-35. Kahn, L.I.: „Two Statements by Louis Kahn“ in Shin Takamatsu, San Francisco Museum Hvass, J.: „Betonmesteren Ando“ in Arkitekten Scully, V. Jr.: Louis I. Kahn, Prentice-Hall of Modern Art, San Francisco 1993, pp. 57- 12/1992, pp. 343-51. International, London & Braziller inc., 72. Ikeda, D.: Life, an Enigma, a Lasting Source, New York 1962, pp. 113-14 (stammer op- Miyake, R.: „Material and Ideational Excess“ in Kodansha International, Tokyo, New York rindelig fra Perspecta 3, 1955).
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    Inv.Nr. ausgeliehen von: Anmerkung A/B Titel Autorenname 1991-61 500 NACSIS-CAT (12.12.2007) Sch Innovationspotential in der Fertigungstechnik Schöning, Karl - Viktor von Produktionstechnik Berlin; Bd. 19 1990-261 500 NACSIS-CAT (28.09.2005) Nih Shin sangyô ron: Nyû furontia (=new frontier) e no Nihon keizai shinbun sha / Nihon Keizai senryaku Shimbun, Inc. (Hrsg.) 1990-312 500 NACSIS-CAT (19.10.2005) Ish Gijutsu shakai no "katachi" o enshutsu suru: Shisutemu Ishii, Takemochi; Etori, Akio (=system) kôgaku ga egaku gijutsu to ningen 1990-314 500 NACSIS-CAT (19.10.2005) Shi Seimei ni jôhô o yomu: Baiohoronikusu (=bioholonics) Shimuzu, Hiroshi; Etori, Akio ga egaku atarashii jôhô zô 1990-315 500 NACSIS-CAT (19.10.2005) Yos Robotto (=robot) ga machi o aruku hi: Katai kikai kara Yoshikawa, Hiroyuki; Tachibana, yawarakai kikai e Takashi 1990-316 500 NACSIS-CAT (19.10.2005) Hor Tenkan suru baiotekunorojî (=biotechnology): DNA no Horikoshi, Kôki; Taniguchi, Tadatsugu kaidoku kara seimei genshô no kaimei e 1990-317 500 NACSIS-CAT (19.10.2005) Kol Jinkô zôki ni mirai o miru: Kami no tsukurareshi mono Kolff, Willem Johan; Nose, Yukihiko to hito no tsukurishi mono 1990-318 500 NACSIS-CAT (19.10.2005) Tak Kôbunshi to iryô Takemoto, Kiichi (Hrsg.); Sunamoto, Junzô (Hrsg.); Akashi, Mitsuru (Hrsg.); 1990-319 Tsuruta, Teiji; Imanishi, Yukio; Gen, 500 NACSIS-CAT (19.10.2005) Nih Iryô shindan ni okeru haitekunorojî (=high technology) Nihon kôgaku kai (Hrsg.); Atsumi, Kazuhiko; Iinuma, Takeshi; Iinuma, 1990-320 Kazuhiro; Tateno, Yukio; 500 NACSIS-CAT (19.10.2005)
  • Text Translations 1 5 6 7

    Text Translations 1 5 6 7

    TEXT TRANSLATIONS 1 5 6 7 4 3 1 2 PLAN OF THE GALLERY LIFE IN EDO X RUSSEL WONG IN KYOTO 1 Russel Wong in Kyoto Japan, particularly Kyoto, has always drawn and inspired local and international photographers. Russel Wong’s interest in photographing Kyoto and its geisha community began during a visit to Tokyo in 2005 to shoot publicity photographs for Watanabe Ken when he was starring in Memoirs of a Geisha (2005). Kyoto came up during their conversation and this rekindled Wong’s passion to dig deeper. The film received mixed reviews; mostly disapproval and disdain from the geisha community in Kyoto. Despite its controversies, the film has contributed in recent years to public perceptions of and curiosity about Japanese geisha (Kyoto dialect, geiko). Wong feels that perhaps his photographs can give the geiko community – which hardly speaks and is seldom seen – a voice for an international audience. Geiko community The geiko community in Kyoto is a closed group and the traditional system of ichigen- san okotowari, “turning away first-timers” still rules in most teahouses today. It took Wong five years to gain access to the geiko communities in all five kagai (geisha districts, also known as hanamachi) in Kyoto. Inspired by woodblock prints In making this body of work, Wong was inspired by Edo-period woodblock prints by Kitagawa Utamaro, Katsushika Hokusai, and Utagawa Hiroshige. He was particularly drawn to the compositions, how the elements of the image work together, and by the silhouettes and portraits of the women depicted in them. Wong’s photographs are infused with his own sense of nostalgia.
  • AHST6333-FA13 Syllabus

    AHST6333-FA13 Syllabus

    AHST6333 FA13 Urban Morphology AHST6333: Architectural History/Theory Seminar The Urban Morphology of Kyoto and New Orleans Instructors: Kentaro Tsubaki / TBD Introduction: Japanophile, spent 10 years as a journalist in New Or- leans prior to moving to Japan at the age of 40 never to “Like many of the Creole houses, the facade presented a return. He dedicates the rest of his life drawing awareness commonplace and unattractive aspect. The great green to the beauty and tranquility of pleasing customs and last- doors of the arched entrance were closed; and the green ing values of his adopted country at odds with the emerg- shutters of the balconied windows were half shut, like ing western style materialism. sleepy eyes lazily gazing upon the busy street below or the cottony patches of light clouds which floated slowly, Ignoring the obvious nouns identified with the location and slowly across the deep blue of the sky above. But beyond concentrating on the spatial relationships of Hearn’s re- the gates lay a little Paradise. The great court, deep and marks, the historical and geographical boundary becomes broad, was framed in tropical green; vines embraced the a blur, infinitely difficult to distinguish, transcending time white pillars of the piazza, and creeping plants climbed up and place. The goal of this study abroad studio is to re- the tinted walls to peer into the upper windows with their contextualize the familiar by dislocating to the unfamiliar. flower-eyes of flaming scarlet.” Kyoto is a city steeped in tradition and cultural heritage Lafacdio Hearn, “Creole Court, Leaves” From The Diary of an Impression- outside of the typical western society.