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Typisk Nishijin-facade. I machinami-kvarterernes snævre gader har den smalle zone mellem hus og gade ofte et næsten dagligstueagtigt præg
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Takamatsu, S.: „Flowers of Light“ in GA Ar- Takasaki, M.: „A Crystalline Structure“ in Japan Yamasaki, M.: „Kyoto: its Cityscape Traditions chitect 9: Shin Takamatsu, A.D.A. Edita, Architect 2/1988, pp. 33-43. and Heritage“ in Yamasaki, M. (Ed.): Pro- Tokyo 1990, pp. 108-11. Takasaki, M.: Earth Architecture 1994 (upub- cess Architecture 116: Kyoto. Its Cityscape Takamatsu, S.: „From City Space to Marginal liceret engelsksproget beskrivelse), Mono- and Heritage, Process Architecture, Tokyo Space“ in JA Library 1: Shin Takamatsu bito Takasaki, Tokyo u. år. 1994, pp. 12-14. Shinkenchiku-sha, Tokyo 1993, pp. 6-13. Takasaki Masaharu. Buildings and Projects Yamazaki, S.: „Colors and Dyes in Noh Co- Takamatsu, S.: „Kirin Headquarters. Nonexist- 1982-1996, Monobito Institute, Tokyo stumes“ in The Reproduction of Noh ent Strength“ in JA Library 1: Shin Taka- 1996. Costumes, Traditional Cultures Exchange matsu, Shinkenchiku-sha, Tokyo 1993, pp. Takeyama, M.: „Duality of Style“ in Japan Forum, Yamaguchi Orimono Inc. 1984, pp. 124-25. Architect 7/1984, pp. 8-9. 52-54. Takamatsu, S.: „Kirin Plaza Osaka“ in Japan Takeyama, M.: „An Oxymorfic Approach to Yatsuka, H.: „Chora and Weak Form“ (interview Architect 5/1988, pp. 39-46. Architecture“ in Japan Architect 1/1987, med Peter Eisenman) in Japan Architect Takamatsu, S.: „Kunibiki Messe. Line Segment pp. 33-34. 11-12/1990, pp. 47-51. Spaces“ in JA Library 1: Shin Takamatsu, Taki, K.: Fragments and Noise. On the Archi- Yuanzhao, Z. & Yangzheng, C. (Eds.): History Shinkenchiku-sha, Tokyo 1993, pp. 80-87. tectural Ideas of Kazuo Shinohara and and Development of Ancient Chinese Takamatsu, S.: „The Mechanics of Form - An Toyo Ito“ in Architectural Design 5-6/ Architecture, Science Press, Beijing 1986. Engineer’s Eye“ in GA Architect 9: Shin 1988, pp. 32-35. Samtale, 28.10. 1994 i Hinaya, Kyoto. Deltagere: Takamatsu, A.D.A. Edita, Tokyo 1990, pp. „Tamana City Observatory Museum“ in Japan Præsident for Hinaya, Akihiko Izukura og 38-43. Architect 2/1993 pp. 74-81. hustru Akio Izukura, Yoshiko Honda, Ma- Takamatsu, S.: „Melting Architecture“ in GA Terrien, P.: „Asahi Beer Azumabashi Hall (Su- sae Nakamura samt forfatteren. Se note Architect 9: Shin Takamatsu, A.D.A. Edita, per Dry Hall)“ in Japan Architect 4/1990, 204. Tokyo 1990, pp. 166-67. pp. 8-21. Samtale i Hinaya 24.11. 1994 med Hinayas Takamatsu, S.: „Origin III“ in Japan Architect Wada, Y., Rice, M.K. & Barton, J.: Shibori. The direktør, Akihiko Izukura, Hinayas Cor- 6/1987, pp. 41-47. Inventive Art of Japanese Shaped Resist porate Adviser, Tadashi Mitsumatsu samt Takamatsu, S.: „The Sea“ in GA Architect 9: Dyeing, Kodansha International, Tokyo, forfatteren. Se note 201. Shin Takamatsu, A.D.A. Edita, Tokyo 1990, New York & San Francisco 1983. Præsentation af farve-ceremoni samt af Hinayas 142-45. „Works. Tanikawa Residence“ (Kazuo Shino- silke- og keramikprodukter 01.11. 1994 Takamatsu, S.: „Symbolizing Device“ in GA hara) in Space Design 1/1979, pp. 66-72. ved Akihiko og Akio Izukura. Architect 9: Shin Takamatsu, A.D.A. Edita, Yamaguchi, A.: „Historical Survey of Nishijin En lang række besøg og rundvisninger i Hinaya Tokyo 1990, pp. 34-37. Weaving“ in The Reproduction of Noh og dets forskellige afdelinger, i perioderne Takamatsu, S.: „Tower of Light“ in GA Architect Costumes, Traditional Cultures Exchange 28.10.-30.11. 1994 og 25.04.-10.07. 1995. 9: Shin Takamatsu, A.D.A. Edita, Tokyo Forum, Yamaguchi Orimono Inc. 1984, pp. Fortsatte samtaler med Richard Steiner, ansat 1990, pp. 90-102. 37-38. ved Hinaya siden 1989, 05.11., 10.11. og Takamatsu, S.: „With a Hypothetical Deductive Yamaguchi, A.: „Sorabiki-bata: Ancient Silk- 16.11. 1994 samt 19.04., 28.06., 29.06. og Logic on Unknown Seas“ in GA Architect weaving Draw Loom“ in The Reproduc- 03.07. 1995 samt løbende mere uformelle 9: Shin Takamatsu, A.D.A. Edita, Tokyo tion of Noh Costumes, Traditional Cul- møder og rundvisninger. Se note 266. 1990, pp. 66-75. tures Exchange Forum, Yamaguchi Ori- Samtale med Toyo Ito, juni 1989. Takasaki, M.: „Architecture as a Social Art“ in mono Inc. 1984, pp. 39-40. Samtale med Hisashi Hara, juni 1989. Rikuyosha Creative Now 001: Masaharu Yamasaki, M. (Ed.): Process Architecture 116: Flere besøg ved væverfamilier i Nishijin og dag- Takasaki 001. Architect, Rikuyosha Pub- Kyoto. Its Cityscape and Heritage, Process lig færden i Nishijin i perioderne 28.10.- lishing Inc. Japan 1989, p. 77. Architecture, Tokyo 1994. 30.11. 1994 og 25.04.-10.07. 1995. Shin Takamatsu: Origin I, indgangsfacade
235 Portræt af Ikkyu Sojun (1394-1481), den zen-mester, som zen-templet Shinju-an er grundlagt for. Portrættet er et udsnit af et dobbeltportræt, malet i 1478 af en af Soga-skolens malere. Det fulde billede er gengivet p. 274