Subject Index

Aalto, Alvar, 22 Art Shed Southbank Architectural Com- bearing, solar angle diagrams, 334 Ackerman Student Union, University of petition, 2006, 383 Berkeley Art Museum and Pacific Film California at Los Angeles, Cali- Asia Society, Hong Kong Center, China, Archive, Berkeley, California, fornia, 250 410, 411 197 Adelaide University, South Australia, assembly drawing, linear perspective Bernal Heights residence, San Fran- School of Architecture, Land- drawing, 311 cisco, California, 262 scape Architecture and Urban Atocha Station, Madrid, Spain, 75 B FIVE STUDIO, 550 Design, 499 audience, portfolio, 463–64 Bilbao Effect, 120 Adelman/Liano residence, Santa Moni- August Wilson Center for African Ameri- BIM (building information modeling), ca, California, 207 can Culture, Pittsburgh, Penn- capabilities of, 93–94 Adobe Photoshop, 63 sylvania, 284 bird’s eye perspective African American Museum of Slavery, Aulenti, Gaetana, 22 linear perspective drawing, 246–47, Rockville, Maryland, 429 automobile 298–301 Aga Han Museum, Toronto, Canada, conceptual sketching, 73 one-point perspective from above, 242 representational drawing, 26–29 linear perspective drawing, Alaska, University of, Fairbanks, 198 auxiliary views, multiview-drawings, 177 248–49 alternatives, conceptual diagramming axes addition, orthographic and paraline underside perspective with, linear and sketches, 40, 44–45 drawing, 195 perspective drawing, 303 altitude, solar angle diagrams, 334 axial lines, orthographic and paraline Birkerts, Gunnar, 42, 69, 150 American Museum of Natural History, drawing, 194 Blades residence, Goleta, California, 398 Rose Center for Earth and axiometric drawing, orthographic and blocking out, representational drawing, Space, New York, New York, paraline drawing, 175 10–11 244 axon, unfolded section and, drawing block visualization sketches, ortho- Americans with Disabilities Act (ADA), exercises (level one), 491 graphic and paraline drawing, 157 axonometric drawing 169–71 Ames, Anthony, 99 applications, 192 Bogner Fashion House, Munich, Ger- analytical diagrams, 40, 56–59 circles, 193 many, 275 three-dimensional, 59–65 expanded plan oblique and, 216–17 Boston Society of Architects building, two-dimensional, 58 obliques drawings compared, 178 Andrews University, Berrien Springs, up views, exploded perspective, 220 Boston, Massachusetts, 97 Michigan, 349 axonometric projection, 174 Brandeis University, Fine Arts Building Anti-Gravity Atelier and House Meguro, azimuth, solar angle diagrams, 334 additions, Waltham, Massachu- Tokyo, Japan, 214 Azzano, San Paolo Complex, Bergamo, setts, 346 Aqua Tower, , Illinois, 58 Italy, 324 Brandenburg’s Ravenwood Studio, Ely, arcade shadows, 352, 353 Minnesota, 486 arches, linear perspective drawing,COPYRIGHTED 229 ballpoint pens, representational MATERIAL draw- Branford & Saybrook Colleges Library, architect’s scale ing, 7 Yale University, New Haven, drawing exercises (level one), 484 Baltimore, Maryland, 104–5 Connecticut, 405 tools, 541, 542 Barcelona Pavilion, Barcelona Internation- Bred, Bitter, 285 architectural journey, drawing exercises al Exposition, 1929, Spain, 349 Breuer, Marcel, 22 (level one), 482–83 Barnagat Light, New Jersey, summer The Broad, Los Angeles, California, 444 architectural wall presentations, presen- compound, 208 Brown University, Providence, Rhode tation formats, 379 Barnes House, Nanaimo, British Colum- Island, 426–27 Architecture Music Society, Baltimore, bia, Canada, 153 Brunelleschi, Filippo, 285 Maryland, 521 Barragan, Luis, 355 bubble diagrams, conceptual diagram- Arena Stage at the Mead Center for Basalt Cabin, Brazos, New Mexico, 148 ming and sketches, 48 American Theater, Washington, Bass Island Retreat, South Bass Island, Buena Vista residence, San Francisco, D. C., 153 Ohio, 390 California, 373 Armacost duplex, Los Angles, California, Bates College Social/Study Center, Lew- buildings, representational drawing, 211 iston, Maine, 221 30–31

571

118_9781118012871-bindex.indd8_9781118012871-bindex.indd 557171 66/13/12/13/12 110:380:38 AAMM 572 SUBJECT INDEX

building section. See also section Chicago Inspiration, presentation for- alternatives, 40, 44–45 orthogonal terminology, 139 mats, 390 analytical, 40, 56–59 section arrows, 141 Chicago Music Pavilion, Chicago, Ilinois, three-dimensional, 59–65 Burnett House addition, Lake Oswego, 347 two-dimensional, 58 Oregon, 241 Chicago Visitor’s Center Pavilion, Chi- drawing exercises (level one) cago, Illinois, 377 freehand plan oblique, 507 Cabrillo Village, Saticoy, California, 214, Church of the Light, Ibaraki, Japan, 234 spatial design and, 504–5 222 Cincinnati Contemporary Arts Center environmental control diagrams, Calatrava, Santiago, 84–85, 345 Bookstore and Artware, Ohio, 50–51 California, University of, Los Angeles, 197 formal/spatial diagrams, 49 398 circle(s) mental imagery, 66–67 California Academy of Sciences, San horizontal, linear perspective draw- modeling, 86–89, 106–7 Francisco, California, 82 ing, 317 overview, 35–36 California Center for the Arts, Escon- isometric, orthographic and paraline plan diagram, 52–53 dido, California, 277 drawing, 190 plan oblique, 54–55 Canadian Museum of Human Rights, linear perspective drawing, 254–55 relationship diagrams, 48 Winnipeg, Manitoba, Canada, paraline, orthographic and paraline shadows, 345, 372–73 296 drawing, 191 site diagrams, 46–47 Candela, Felix, 97Cannizzaro residence, vertical, linear perspective drawing, sketching, 70–85 Montara, California, 395 314–16 skill development, 37 CANOPY (Competition for the new circulation analysis, symbols, conceptual symbols, 38–43 auditorium and movie theater diagramming and sketches, thumbnail sketches, 68–69 (VTHR)), Saint Cyprien, France, 39–40 types of, 38 83, 88–89, 217, 348 cityscapes, bird’s eye perspectives, cone of vision, linear perspective draw- canopy shadows, light, shade, and 300–301 ing, 232, 233 shadow, 352 cleaning aids, tools, 532 construction lines, representational cars. See automobile Click Agency, West Hollywood, Califor- drawing, 10–11 Casa Alfredo, Shinkenchiku Residential nia, 45 construction section, orthogonal termi- Design Competition 2009, 404 Click & Flick Agency, West Hollywood, nology, 140 Casa Canovelles, Granollers (Barcelona) California, 220 contour drawing, drawing exercises Spain, 203 Clybourne Lofts, Chicago, Illinois, 187 (level one), 486–87 Casa de las Estrellas, San Miguel de colonnade shadows, light, shade, and convergence Allende, Mexico, 217 shadow, 352, 353 downward, linear perspective draw- Casa Joya, San Miguel de Allende, Commerzbank, , Germany, 71 ing, 305 Mexico, 216 common method. See office (common) extreme, distortion, linear perspec- Casa Paloma, San Miguel de Allende, method tive drawing, 240–41 Mexico, 416 community buildings, digital-manual linear perspective drawing, 229 Casa Poli Collumo, Chile, 139 design-drawing interface, three-point perspective, 307–9 Casa Renacimiento, Atotonilco, Mexico, 104–5 upward, linear perspective drawing, 394 Compact House, Bayview, Lake Pend 304 Cathi House, Santorini, Greece, 57 Oreille, Idaho, 191 Coxe Studio, Block Island, Rhode ceiling plan (reflected) composite drawings, 382–401. See also Island, 137 elevation views, orthogonal terminol- presentation formats Creative Design Consultants, 288 ogy, 141 detailed, 394 creativity, BIM (building information mod- orthogonal terminology, 143 generally, 382–89, 400–401 eling), 92–93 Central Glade University of California, nonvertical x-axis drawings, 393 cross section, orthogonal terminology, Berkeley, 54, 55 plan, elevation, and sections, 140 Central Los Angeles High School #9 for 396–97 crystal lattice system, 116–17 the Visual and Performing Arts, plan and elevation oblique, 395 C3 cabin, Camano Island, Washington, California, 73 student portfolios, 390–91 210 Centre for Music, Art, and Design, Uni- superimposed drawings, 398 C2 architecture studio (construcTWO, versity of Manitoba, Canada, superimposed sketches, 399 PLLC), 210 218 transoblique drawings, 392 cube-judgment system, three-point per- Centre Pomidou-Metz, Metz, France, composite sections, orthogonal termi- spective, 306 120, 121–22 nology, 154–55 cue, defined, 230 Chaco Canyon project, drawing exer- composition, portfolio building, 456–59 cultural buildings, digital-manual design- cises (level one), 518–19 computer modeling. See also digital- drawing interface, 112–13, chaos, order and, drawing exercises manual design-drawing inter- 120–31 (level two), 527–28 face Curtis House, San Francisco, California, Charing Cross Station, London, Eng- conceptual sketches, 87–89 204 land, 168 residential architecture, 100 curved line Chasen residence, San Francisco, Cali- computer software, BIM (building infor- conceptual sketching, 82 fornia, 209 mation modeling), 93–94 linear perspective drawing, 318–19 Chenghua Civic Park, China, 301 conceptual diagramming and sketches, curvilinear forms Chen Residence, Ventua, California, 151 35–89 light, shade, and shadow, 339

118_9781118012871-bindex.indd8_9781118012871-bindex.indd 557272 66/13/12/13/12 110:380:38 AAMM SUBJECT INDEX 573

surfaces, 360 dimetric axes, orthographic and paraline drawing exercises (level two), 520–28 cuts study, design section, orthogonal drawing, 175 Architecture Music Society, Balti- terminology, 150 dimetric single-view drawings, 176 more, Maryland, 521 cutters, tools, 540 diminution, linear perspective drawing, chaos and order, 527–28 cylindrical forms, light, shade, and shad- 228 concrete masonry units, 524–26 ow, 358–59 direct measurement, linear perspective Museum of the American Latino, drawing, 285 Washington, D. C., 520 Daly Genik Architects, 143 distortion, linear perspective drawing, renga poems, 522–23 Dance and Music Center, The Hague, 232, 240–41 drawing tables and boards, 530 Netherlands, 247, 299, 318 dividing techniques dual-axes angles, orthographic and Dattelbaum house, Kezar Lake, Center diagonal, linear perspective draw- paraline drawing, 199 Lovell, Maine, 196 ing, 293 Dune Tower, Dubai, United Arab Emir- Day, Marshall, 127 linear perspective drawing, 284 ates, 553 deformation, digital-manual design- Dongtan New City, Dongtan, China, 300 Duomo Cathedral and Campanile Tower, drawing interface, 95–96 doors, orthogonal terminology, 159 , Italy, 304 de la Chapelle, Arno, 279 dots, value scales, 14–15 de la Lama, Rafael, 216, 394, 416 Douglass Street Residence, San Fran- Eames, Charles, 22 Delray Beach House, Delray Beach, cisco, California, 64–65 Les Echelles House, Mallorca, Spain, Florida, 158 down and up views 357 Denver Art Museum, Colorado, 285 descriptive, orthographic and para- edge view, orthographic and paraline descriptive geometry, orthographic and line drawing, 222 drawing, 165 paraline drawing, 164 simultaneous, orthographic and eggs, drawing exercises (level one), 481 design section, 140, 150 paraline drawing, 221 eight-point perspective circle, 315 Developer’s Center, Oslo, Norway, 254, downhill views, linear perspective draw- Einstein Tower, Potsdam, Germany, 79 319 ing, 252–53 Elastic Urbanism, Bodo, Norway, 331 Devitt residence, Austin, Texas, 262 downward convergence, linear perspec- elevation De Young Museum, San Francisco, tive drawing, 305 drawing exercises (level one), graph- California, 252, 270, 323 drafting pencils, tools, 531 ic conventions, 493 Dia:Beacon musem, Beacon, New York, drama, light, shade, and shadow, 332 one-point plan/elevation, linear per- 120 drawing. See representational drawing spective drawing, office diagonal drawing exercises (level one), 477–520 method, 256–57 dividing with, linear perspective architect’s scale, 484 orthogonal terminology, 138 drawing, 293 architectural journey, 482–83 orthographic and paraline drawing, multiplying by measuring plus, linear axon + unfolded section, 491 164, 165 perspective drawing, 291 Chaco Canyon project, 518–19 plan types and, orthogonal terminol- multiplying with, linear perspective contour drawing, 486–87 ogy, 141 drawing, 292 eggs, 481 shadows, 340 diagonal vanishing point, one-point grid, elevation oblique, freehand, 508–9 259–60 engineer’s scale and metric scale, building examples, 364–65 diagramming. See conceptual diagram- 485 two-point plan/elevation, linear per- ming and sketches freehand drawing, 479–80 spective drawing, office digital-manual design-drawing interface, geometric solids, 478 method, 272–74 91–131. See also computer hands, 481 elevation oblique modeling isometric, shadow and reflection compared, orthographic and para- community buildings, 104–5 exercise, 510 line drawing, 180–81 creativity, 93–94 isometric/plan oblique, 490–91 composite drawings, 395 cultural buildings, 112–13, 120–31 lettering, in-class sketch, 488 exploded interior, orthographic and deformation, 95–96 light and shade, 477 paraline drawing, 215 historical perspective, 98–99 Living Cube Assembly Sheet, freehand, drawing exercises (level large-scale projects, 101–3 512–17 one), 508–9 office buildings, 118–19 missing views, 489, 490 frontal, orthographic and paraline overview, 91–93 orthographic projection, manual, 511 drawing, 182–83 religious buildings, 108–9 orthographic views, 490 orthographic and paraline drawing, residential architecture, 100, 114–15 paraline drawing, 496–97 175, 189, 206–7 retail/mixed use buildings, 116–17 perspective journey, 502–3 Elliott residence, Hermosa Beach, Cali- sketch and model process, 106–7 perspective reflections, 500–501 fornia, 154 3-D printing, 97 plan and elevation graphic conven- engineer’s scale urban mixed-use, 110 tions, 493 drawing exercises (level one), 485 digital online presentation format, plan oblique, 494–95, 496 tools, 541, 543 442–48 plan oblique and diagramming, free- Enid A. Haupt Conservatory Garden, digital three-dimensional diagrams, hand, 507 New York Botanical Garden, 59–65 positive and negative, 478 New York, New York, 315 Dillon Beach Residence, Marin County, sequence mapping, 492 environmental control diagrams, con- California, 292 site analysis diagrams, 506–7 ceptual diagramming and dimension, light, shade, and shadow, spatial design, diagrams and, 504–5 sketches, 50–51 332 two-point perspective, 498–99 erasers, tools, 532

118_9781118012871-bindex.indd8_9781118012871-bindex.indd 557373 66/13/12/13/12 110:380:38 AAMM 574 SUBJECT INDEX

Erectheum house, San Francisco, Cali- orthographic and paraline drawing, glazing, solar angle diagrams, 335 fornia, 338, 339 164 Gleneagles Hospital and Medical Office Eugenio Maria de Hostos Community formal/spatial diagrams, conceptual dia- Building, Kuala Lampur, Malay- College, New York, New York, gramming and sketches, 49 sia, 39, 40, 41 182 45º diagonals, station-point placement, Gogod Cradle Theater, Washington, D. expanded axonometric drawing and linear perspective drawing, 266 C., 112–13 diagram, orthographic and Foster, Norman, 99, 219 Goldring Center for High Performance paraline drawing, 219 fountain pens, representational draw- Sport, Toronto, Canada, 290 expanded plan oblique ing, 6 Gorman residence, New Canaan, Con- axonometric drawings, orthographic four-center ellipse, orthographic and necticut, 210 and paraline drawing, paraline drawing, 190 Grand Egyptian Museum, Giza, Egypt, 216–17 four-panel presentation format, 412–13 431–36 dimetric, orthographic and paraline four-point perspective circle, 314 Le Grand Louvre, , France, 238, drawing, 214 Four Towers in One, , China, 239 orthographic and paraline drawing, 149 Grand Nef Gallery (Centre Pomidou- 213 Franklin/La Brea Family Housing, Los Metz, Metz, France), 120, expanded view Angeles, California, 42 121–22 orthographic and paraline drawing, freehand pencil stroke, 5 Grangegorman Development Plan, Dub- 211 freehand sketches lin, Ireland, 422–25 variations, orthographic and paraline conceptual sketching, 70–85 graphic communication guidelines, pre- drawing, 218 drawing exercises (level one), sentation formats, 378 exploded view 479–80 graphic diagrams, dimensionality, 38 assembly drawing, linear perspective Freeman residence, Grand Rapids, graphics, portfolio, 460 drawing, 311 Michigan, 150 graphic scales, orthogonal terminology, interior elevation oblique, ortho- Freeport Hospital Health Care Village, 148 graphic and paraline draw- Kitchener, Ontario, Canada, Graz, Austria, University of the Arts ing, 215 249 Music Theater, 25 isometric, orthographic and paraline French curves, tools, 533–34 Greater London Authority Headquarters, drawing, 212 Freshwater House, Sydney, Australia, London, England, 472 linear perspective drawing, 310 247 Great Wall of China, 331 orthographic and paraline drawing, frontal elevation oblique, orthographic grid charts, perspective, linear perspec- 210 and paraline drawing, 182–83 tive drawing, 288–89 portfolio building, 472 frontal elevation plane, planes of projec- grid formats, presentation formats, 380 upward perspective/axonometric, tion, 136 ground line, defined, 231 orthographic and paraline Fuksas, Massimiliano, 77 ground plane, defined, 231 drawing, 220 Fulton Recital Hall, Brown University, Guangzhou Opera House, Guangzhou, exterior one-point plan grid, linear per- Providence, Rhode Island, China, 123–31, 252 spective drawing, 264–65 426–27 extreme convergence, distortion, linear furniture, representational drawing, Guggenheim Guadalajara, Guadalajara, perspective drawing, 240–41 22–23 Mexico, 442 eye-level line. See horizon line Guggenheim Museum, Bilbao, Spain, Galor residence, Los Angeles, California, 78, 120 felt-tipped markers, representational 205 Guggenheim Virtual Museum, New York, drawing, 7 Gandhi Labour Institute, Ahmedabad, New York, 449 Fine Arts Library, Harvard College, Cam- Gujarat, India, 202 Gulshan Club, Dhaka, Bangladesh, 409 bridge, Massachusetts, 143 Gandhi Residence, Illinois, 100 Guna House, Llacolen Lagoon, San flexible panel presentation, presentation Gateway Center & Plaza, University of Pedro, Chile, 563 formats, 410, 417–21 Minnesota, Minneapolis, Min- Gwathmey Siegel & Associates, 227 floor plan nesota, 331 alignment of, floorscape indications, Gehry, Frank O., 22, 79, 98, 120, 173, Haas-Haus, Stephansplatz, Vienna, orthogonal terminology, 147 444 Austria, 74 elevation views, orthogonal terminol- geometric solids hand lettering, 546–47 ogy, 141 drawing exercises (level one), 478 hands, drawing exercises (level one), orthogonal terminology, 138 shadow principles, 336–37 481 simultaneous exploded oblique geometry Harvard College Fine Arts Library, Cam- views, orthographic and descriptive, orthographic and para- bridge, Massachusetts, 143 paraline drawing, 223 line drawing, 164 hatching, value scales, 14–15 step-by-step drawing process, 145 drafting tools, 535 Healdsburg residence, Healdsburg, Cali- wall indications, orthogonal terminol- representational drawing, 1 fornia, 551 ogy, 146 Gersch residence, Hillsborough, Califor- height variable, pictorial effect, linear floorscape indications, floor plan align- nia, 396 perspective drawing, 236 ment, orthogonal terminology, Getty Center Museum, Los Angeles, Hengqin Island, China, 301 147 California, 51, 317 Herning Museum of Contemporary Art, folding plane, orthographic views, 137 GIADA.inc., New York, New York, 206 Herning, Denmark, 345 foreshortened lines Glass-Kline residence, New Paltz, New Herring Run Nature Center, Baltimore, linear perspective drawing, 229 York, 281 Maryland, 62

118_9781118012871-bindex.indd8_9781118012871-bindex.indd 557474 66/13/12/13/12 110:380:38 AAMM SUBJECT INDEX 575

hinge line, folding plane, orthographic drawing exercises (level cylindrical forms and niches, 358–59 views, 137 one), 510 design section, orthogonal terminol- Hitchcock, Alfred, 492 single-view, 176 ogy, 150 Holl, Steven, 84 isometric/plan oblique, drawing exer- drawing exercises (level one), 477 Hoover Outdoor Education Center, Yor- cises (level one), 490–91 elevation view shadows, 340 kville, Illinois, 37, 135 isometric projection, orthographic and building examples, 364–65 horizon line paraline drawing, 174 historical perspective, 332 defined, 231 Ivy Villa, Pretoria, South Africa, 199 inclined surface shadows, 362–63 linear perspective drawing, 246 isometric drawing, shadow and horizontal circle, linear perspective Jalisco State Public Library, Guadala- reflection exercise, 510 drawing, 317 jara, Mexico, 273, 297 isometric paraline shadows, 346–47 horizontal measuring line, defined, 231 Jil SanderParis, Paris, France, 157 nonoverlapping shadows, 354 horizontal plan plane, planes of projec- Johnson Residence, Folsom, California, overhang shadows tion, 136 142 perforated, 351 horizontal reflections, linear perspective J. Paul Getty Trust, 51 solid, 350 drawing, 322–23 overlapping shadows, 355 Hotel Il Palazzo, Fukuoka, Japan, 340 Ka Hale Kakuna residence, Maui, overview, 329–31 House Bergh, Cape Town, South Africa, Hawaii, 392 paraline shadows, 370–71 402–3 Kahn residence, Hillsborough, California, picture plane, 234–35 HOUSE LE, Colonia Condesa, Mexico 368 plan and elevation shadows, 361 City, Mexico, 310 Kaleva Church, Tampere, Finland, 66–67 plan oblique paraline shadows, House Notnhagel-Deiner, Tzaneen, Karlstad residence, Orange Park Acres, 348–49 South Africa, 402 California, 203 within plan shadows, 368 House Tenchi, , Japan, 331 Kennedy Senior High School, Adminis- plan view shadows, 341, 368 Huang Tai Yun, 125 tration Building, Granada Hills, projections using corresponding Huaqiao Intercity Railroad Station, California, 223 points, 360 Huaqiao, China, 300 Kindergarten Griesheim, Frankfurt- recessions and protrusions, 359 human figures, representational drawing, Griesheim, Germany, 282, 283 rectilinear forms, 338 24–25 Kress residence, Albuquerque, New roof and site plans, 366–67 hybrid drawing, linear perspective draw- Mexico, 370 within section shadows, 369 ing, 312–13 Kunibiki Messe, , Shimane, shadow principles, 336–37 Japan, 358 shadow visualization/zigzag shad- IBM Tower (Menara Mesiniaga), Selan- ows, 344 gor, Malaysia, 335 labeling, sectional elevation, orthogonal singular forms combined, 342–43 illustration board, tools, 539 terminology, 152–53 sketches and renderings, 372–73 imagery, mental imagery, conceptual Labels 2 Fashion Center, , Ger- solar angle diagrams, 334–35 diagramming and sketches, many, 233 stairway shadows, 356–57 66–67 Lake House, Marietta, Georgia, 383 line I. M. Pei & Partners, 99, 237 La Llauna School, Badalona, Spain, 281 conceptual diagramming and inclined surface shadows, light, shade, Langmaid residence, Oakland, Califor- sketches, 38 and shadow, 362–63 nia, 397 shadow principles, 336–37 incremental growth, plan obliques, large-scale projects, digital-manual linear perspective cue, linear perspective orthographic and paraline design-drawing interface, drawing, 230 drawing, 200–201 101–3 linear perspective drawing, 225–327. index, portfolio, 454 latitude, solar angle diagrams, 334 See also perspective drawing indication patterns, orthogonal terminol- Lawson Perspective Charts, 289 assembly drawing, 311 ogy, 147 layout, portfolio, 461–62 bird’s eye perspectives, 246–47, Inn at Langley, Whidbey Island, Wash- Legorreta, Ricardo, 355 298–301 ington, 151 Les Echelles House, Mallorca, Spain, cityscapes, 300–301 interior elevation oblique, exploded, 357 underside perspective with, 303 orthographic and paraline lettering circle(s), 254–55 drawing, 215 hand lettering, 546–47 horizontal, 317 International Civil Rights Center and in-class sketch, drawing exercises vertical, 314–16 Museum, Greensboro, North (level one), 488 cone of vision, 232, 233 Carolina, 267 Libeskind Villa, 147, 158 convergence and foreshortening, IronCAD, 60–61 Library of Forbidden Books, Baltimore, 229 isometric drawing Maryland, 104–5 curves, 318–19 applications of, 185 light, shade, and shadow, 329–73 diminution and overlapping, 228 axes, 175 canopy shadows, 352 direct measurement, 285 circles, 190 colonnade and arcade shadows, distortion, 232, 240–41 construction of, 184 352, 353 dividing with diagonal, 293 obliques drawings compared, 179 concepts, 333 downhill and uphill views, 252–53 paraline shadows, light, shade, and conceptual sketches, 345 downward convergence, 305 shadow, 346–47 conceptual sketching, 76, 80 exploded perspective, 310 shadow and reflection exercise, curvilinear forms, 339 eye level views, 246

118_9781118012871-bindex.indd8_9781118012871-bindex.indd 557575 66/13/12/13/12 110:380:38 AAMM 576 SUBJECT INDEX

linear perspective drawing (cont’d) Living Cube Assembly Sheet, drawing Milwaukee Art Museum, Milwaukee, glossary terms, 231 exercises (level one), 512–17 Wisconsin, 84–85 hybrid drawing, 312–13 La Llauna School, Badalona, Spain, 281 Mimesis Museum, Paju Book City, multiple vanishing points, office Lloyds of London, London, England, 7, South Korea, 293 method, 276–77 70, 190 missing views, drawing exercises (level multiplying, dividing, transferring location plan, orthogonal terminology, one), 489, 490 techniques, 284 149 Mission Bay Branch Library, San Fran- multiplying by measuring, 287 Lohmann House, Akumal, Yucatan, cisco, California, 46 multiplying by measuring plus diago- Mexico, 367 mixed-use center, Turin, Italy, 42 nal, 291 London City Hall, London, England, 99 Mocape Shenzhen, Shenzhen, China, multiplying with diagonal, 292 Lone Mountain Ranch House, Golden, 88–89, 277 object/picture-plane relationship, New Mexico, 140 modeling office method, 278–79 longitude, solar angle diagrams, 334 conceptual sketches oblique vanishing points, 280–83 longitudinal section, orthogonal termi- computer models, 87–89 left side, 282 nology, 138 3-D modeling, real space, 86, right side, 283 Lotte Super Tower, Seoul, South Korea, 106–7 one-point grid setup, 258 332 tools, model-making aids, 540 one-point grid using diagonal vanish- Lubbering residence, Herzebrock, Ger- Monahan residence, La Jolla, California, ing point, 259–60 many, 81, 417–21 248 one-point perspective, 242 Montana Urban Homestead, Clyde simplified, 268–71 Macao Science Center, Macao, China, Park, Montana, 185 station-point movement, 267 229, 254, 255 Monterrey City Center, Mexico, 298 one-point perspective from above, Macintosh house, St. Louis, Missouri, Moore Ruble Yudell Architects, 277, 326 248–49 380 multioblique combinations, orthographic one-point perspective from below, MACK, 275 and paraline drawing, 208–9 250–51 Madrid Housing, Madrid, Spain, 336 multiple vanishing points, linear per- one-point plan/elevation, office Maeda, Keisuke, 261 spective drawing, office meth- method, 256–57, 272–74 Maki, Furmihiko, 349 od, 276–77 Malecaze house, Vieille-Toulouse, multiplying techniques one-point plan grid, exterior, 264–65 France, 552 linear perspective drawing, 284 one-point plan perspective views, Marbled House, Ahmedabad, India, 152 multiplying by measuring, linear per- 262–63 markers, representational drawing, 6–7 spective drawing, 287 overview, 225–27 mark-making (architectural journey), multiplying by measuring plus diago- parallel transfer, 286 drawing exercises (level one), nal, linear perspective draw- perspective cues, 230 482–83 ing, 291 perspective field, 232 Marrasi-Villa 4, 288 multiplying with diagonal, linear per- perspective grid charts, 288–89 Marsh Studio, Hermosa Beach, Los spective drawing, 292 pictorial effect, 236–39 Angeles, California, 295 multiview-drawings, orthographic and height variable, 236 Martinelli residence, Roxbury, Connecti- paraline drawing, 176–77 orientation variable, 237 cut, 183 Museum of Contemporary Art, Barce- picture plane variable, 238 Mashouf Performing Arts Center, San lona, Spain, 354 station point variable, 239 Francisco, California, 291 Museum of Memory, Granada, Spain, picture plane, 234–35 Materials Chemistry Development Cen- 157 reflections, 320–25 ter, Mourenx, France, 218, 322 Museum of the American Latino, Wash- section perspective views, 261 Mead Center for American Theater, ington, D. C., 520 station-point placement, 45º diago- Washington, D. C., 112–13, museums. See cultural buildings nals, 266 153 mystery, light, shade, and shadow, 332 three-point perspective, 243, 306–9 media transferring with diagonal, 290 conceptual sketching, 75 Nasher Sculpture Center, Dallas, Texas, two-point and one-point perspec- representational drawing, 17 80 tive, 244–45 Menara Mesiniaga (IBM Tower), Selan- National Assembly of Wales, Cardiff, two-point interior gor, Malaysia, 50, 335 Wales, 193 examples, 296–97 Mendelsohn, Erich, 79 National Gallery, Sainsbury Wing, Lon- office method, 294 Menil Collection Museum, Houston, don, England, 57, 68, 252 pictorial effect, 295 Texas, 352 National Library, Astana, Kazakhstan, two-point perspective, 243 mental imagery, conceptual diagram- 366 two-point perspective application, ming and sketches, 66–67 National Library, Riga, Latvia, 69 275 metric scale National Museum of Contemporary Art, two-point plan/elevation, office described, 544 , Japan, 59 method, 272–74 drawing exercises (level one), 485 negative and positive, drawing exercises underside view, 302 metro system canopies, Washington, D. (level one), 478 upward convergence, 304 C., 69 Nelson-Atkins Museum of Art, Kansas view development, 326–27 Mica Moriane, Mäntyniemi, Helsinki, City, Missouri, 323 worm’s eye views, 246–47 Finland, xvi NEST, Onomichi, Hiroshima, Japan, 261 line of sight, defined, 231 midpoint, defined, 231 New Hope Church, Duarte, California, line types and weight, 548–50 Mies van der Rohe, Ludwig, 79, 369 249

118_9781118012871-bindex.indd8_9781118012871-bindex.indd 557676 66/13/12/13/12 110:380:38 AAMM SUBJECT INDEX 577

New Museum of Contemporary Art, one-point plan/elevation, linear per- plan wall indications, 146 New York, New York, 278 spective drawing, 256–57 reflected ceiling plan, 143 New Orleans Contemporary Arts Center, two-point interior, linear perspective roof plan, 142 Louisiana, 197 drawing, 276–77 section, 138 New School of Music of Paris, Paris, Old Town Granary Motel, Irvine, Califor- sectional elevation, 151 France, 216, 297 nia, 344 labeling, 152–53 New York Times (newspaper), 258 Oles, Paul Stevenson, 226 section types, 140 niches, light, shade, and shadow, one-and-a-half-panel presentation for- site plan, 149 358–59 mat, 428–30 stairways, 156–57 Niteroi Contemporary Art Museum, One Broadway Plaza, Santa Ana, Cali- windows, 158 Niteroi, Brazil, 255 fornia, 306 orthographic and paraline drawing, Nomikos residence, Berkeley, California, One Jackson Square, New York, New 161–223 146 York, 325 axes addition, 195 non-axial lines, orthographic and para- one-panel presentation format, 402–5, axial and non-axial lines, 194 line drawing, 194 409, 416 axonometric circle applications, 193 non-grid formats, presentation formats, one-point grid axonometrics and obliques com- 381 diagonal vanishing point, 259–60 pared, 178 nonoverlapping shadows, light, shade, setup, linear perspective drawing, block visualization sketches, and shadow, 354 258one-point perspective 169–71 nonvertical x-axis drawings, composite from above, linear perspective draw- drawing types compared, 175 drawings, 393 ing, 248–49 dual-axes and tri-axes angles, 199 nonvertical z-axis from below, linear perspective draw- elevation obliques, 206–7 oblique, orthographic and paraline ing, 250–51 elevation obliques compared, drawing, 189 linear perspective drawing, 242 180–81 orthographic and paraline drawing, simplified, linear perspective draw- expanded axonometric drawing and 204 ing, 268–71 diagram, 219 plan obliques, orthographic and station-point movement, linear per- expanded plan oblique, 213 paraline drawing, 202–3 spective drawing, 267 expanded plan oblique and axono- stepped plan, orthographic and two-point perspective and, linear metric drawings, 216–17 paraline drawing, 205 perspective drawing, expanded plan oblique/dimetric, north arrows, orthogonal terminology, 244–45 214 148 one-point plan/elevation, linear perspec- expanded view, 211 Northeast Asia Trade Tower, Songdo tive drawing, office method, expanding view variations, 218 IBD, Incheon, Korea, 236 256–57 exploded interior elevation oblique, Nuragic and Contemporary Art Museum, one-point plan grid, exterior, 264–65 215 Cagliari, Italy, 365, 367 one-point plan perspective views, exploded isometric, 212 262–63 exploded perspective/axonometric Oakland Museum, California, 320 online portfolio, portfolio building, object/picture-plane relationship, linear 465–71 up views, 220 perspective drawing, office Optic House, Bennington, Nebraska, exploded view, 210 method, 278–79 350, 364 frontal elevation oblique, 182–83 oblique drawings Orcines Cultural Center, Orcines, France, isometric circles, 190 single-view, 176 88–89 isometric drawing up view, orthographic and paraline order, chaos and, drawing exercises applications of, 185 drawing, 189 (level two), 527–28 construction of, 184 oblique projection, orthographic and Organic Expansion, Chicago, Illinois, isometrics and obliques compared, paraline drawing, 174 391 179 obliques drawings organization and layout, portfolio, multioblique combinations, 208–9 axonometrics drawings compared, 461–62 multi-view and single-view drawings, orthographic and paraline orientation variable, pictorial effect, linear 176–77 drawing, 178 perspective drawing, 237 nonvertical z-axis, 204 isometric drawings compared, ortho- orthogonal terminology, 133–59 nonvertical z-axis stepped plan, graphic and paraline draw- building section, 139 205 ing, 179 composite sections, 154–55 oblique up view, elevation oblique, oblique vanishing points (linear perspec- design section, cuts and light stud- and nonvertical z-axis tive drawing), 280–83 ies, 150 oblique, 189 left side, 282 doors, 159 overview, 161–63 right side, 283 elevation, 138 paraline circles, 191 oculus, conceptual sketching, 76 elevation views and plan types, 141 plan oblique Oculus, Michelangelo, Petersdom, Vati- floorscape indications/floor plan construction of, 188 can City, 250 alignment, 147 interiors revealed, 187 office buildings, digital-manual design- north arrows/graphic scales, 148 measurements, 186 drawing interface, 118–19 orthographic views, 137 plan oblique applications, 192 office (common) method overview, 133–35 plan obliques, 196–98, 200–203 multiple vanishing points, linear per- plan, 138 incremental growth, 200–201 spective drawing, 276–77 planes of projection, 136 nonvertical z-axis, 202–3

118_9781118012871-bindex.indd8_9781118012871-bindex.indd 557777 66/13/12/13/12 110:380:38 AAMM 578 SUBJECT INDEX

orthographic and paraline drawing Paula Rego Museum, Cascais, Portugal, plan (cont’d) 333 elevation views, orthogonal terminol- plan with simultaneous exploded Peabody Essex Museum, Salem, Mas- ogy, 141 oblique views, 223 sachusetts, 150 orthogonal terminology, 138 point view, edge view, and true Pearl River Tower, Guangzhou, China, shadows, light, shade, and shadow, shape, 165 309 341, 368 projection systems compared, 174 Peek & Cloppenburg Department Store, simultaneous exploded oblique six view visualization sketches, 172 Leipzig, Germany, 326 views, orthographic and true-length and foreshortened lines, Peggy Notebaert Nature Museum, Chi- paraline drawing, 223 164 cago, Illinois, 276 step-by-step drawing process, up and down views Pei, I. M., 99, 226 144–45 descriptive, 222 pencil(s) plan diagram, conceptual diagramming simultaneous, 221 representational drawing, 4–5 and sketches, 52–53 view numbers required, 173 tools, 531 plane, shadow principles, 336–37 visualization sketches, 166–68 pencil strokes, representational drawing, plan and elevation orthographic perspective cue, linear per- 12–13 cars, representational drawing, spective drawing, 230 pens, representational drawing, 6–7 28–29 orthographic projection perceptual sketches, conceptual sketch- drawing exercises (level one), graphic defined, 136 ing, 74 conventions, 493 drawing exercises (level one), 511 perforated overhang shadows, light, shadows, light, shade, and shadow, orthographic and paraline drawing, shade, and shadow, 351 361 174 perspective cues, linear perspective planes of projection, orthogonal termi- orthographic views drawing, 230 nology, 136 drawing exercises (level one), 490 perspective drawing. See also linear plan oblique orthogonal terminology, 137 perspective drawing applications, orthographic and para- Our Lady of the Assumption Parish cars, representational drawing, 29 line drawing, 192 Church, Port Coquitlam, British defined, 227 composite drawings, 395 Columbia, Canada, 344 orthographic and paraline drawing, conceptual diagramming and overhang shadows 175 sketches, 54–55 perforated, light, shade, and shad- perspective field, linear perspective construction of, orthographic and ow, 351 drawing, 232 paraline drawing, 188 solid, light, shade, and shadow, 350 perspective grid charts, linear perspec- diagramming and, freehand, drawing overlapping, linear perspective drawing, tive drawing, 288–89 exercises (level one), 507 228 perspective journey, drawing exercises drawing exercises (level one), 494– overlapping shadows, light, shade, and (level one), 502–3 95, 496 shadow, 355 perspective projection, orthographic and expanded paraline drawing, 174 and axonometric drawings, Palms Boulevard studio, Los Angeles, perspective reflections, drawing exer- orthographic and para- California, 195 cises (level one), 500–501 line drawing, 216–17 paper, representational drawing, 4 Phaeno Science Center, Wolfsburg, Ger- dimetric, orthographic and para- paraline drawing many, 302, 303 line drawing, 214 axonometric, orthographic and para- Phare Tower, Paris, France, 304 orthographic and paraline draw- line drawing, 175 pictorial effect, 236–39 ing, 213 circles, 191 height variable, 236 interiors, orthographic and paraline drawing exercises (level one), orientation variable, 237 drawing, 187 496–97 picture plane variable, 238 isometric and, drawing exercises oblique, orthographic and paraline station point variable, 239 (level one), 490–91 drawing, 175 two-point interior, 295 light, shade, and shadow, paraline presentation formats, 385–86 pictorials, composite sections, orthogo- drawing, 348–49 shadows nal terminology, 155 measurements, orthographic and isometric, light, shade, and shad- pictorial symbols paraline drawing, 186 ow, 346–47 conceptual diagramming and orthographic and paraline drawing, light, shade, and shadow, sketches, 38 196–98, 200–203 370–71 site diagrams, conceptual diagram- incremental growth, 200–201 plan oblique, light, shade, and ming and sketches, 46 nonvertical z-axis, 202–3 shadow, 348–49 picture plane plan wall indications, orthogonal termi- paraline perspective cue, linear perspec- defined, 231 nology, 146 tive drawing, 230 linear perspective drawing, 234–35 plastic film, tools, 539 parallel rule, tools, 537 object/picture-plane relationship, point parallel transfer, linear perspective draw- office method, 278–79 conceptual diagramming and ing, 286 pictorial effect, 238 sketches, 38 partí diagram, conceptual diagramming planes of projection, 136 shadow principles, 336–37 and sketches, 53 Pine Street Cottages, Seattle, Washing- pointillism, 15 Pass Christian Community Center, Pass ton, 149 point view, orthographic and paraline Christian, Mississippi, 408 Plainsfield Town Center, Illinois, 103 drawing, 165

118_9781118012871-bindex.indd8_9781118012871-bindex.indd 557878 66/13/12/13/12 110:380:38 AAMM SUBJECT INDEX 579

Pollack, Sydney, 79 Ray and Maria Stata Center, Massachu- Montana, 177 Pond Place, London, England, 182 setts Institute of Technology Rock N Roll Hall of Fame, Cleveland, portfolio building, 451–72 (MIT), Cambridge, Massachu- Ohil, 237 audience for, 463–64 setts, 79 Rogers, Richard, 7, 70, 190 composite drawings, 390–91 razor saw, 540 roof, light, shade, and shadow, 366–67 composition, 456–59 recessions, light, shade, and shadow, roof plan exploded view, 472 359 elevation views, orthogonal terminol- graphics, 460 rectilinear forms, light, shade, and ogy, 141 index, 454 shadow, 338 orthogonal terminology, 142 online portfolio, 465–71 reflected ceiling plan Rose Center for Earth and Space, organization and layout, 461–62 elevation views, orthogonal terminol- American Museum of Natural overview, 451–53 ogy, 141 History, New York, New York, section drawings, 554–59 orthogonal terminology, 143 244 table of contents, 454, 455 reflections Rose Hills Memorial Park, Chapel, Whit- title page, 453, 455 linear perspective drawing, 320–25 tier, California, 242 positive and negative, drawing exercises perspective reflections, draw- Rosenthal Center for Contemporary Art, (level one), 478 ing exercises (level one), Cincinnati, Ohio, 37 presentation formats, 375–449 500–501 Rotterdam Cental Station, Cambridge, composite drawings, 382–401 Reforma 164 Building, , Massachusetts, 17, 30, 267 detailed, 394 Mexico, 286 Row House, Montreal, Canada, 156 generally, 382–89, 400–401 relationship diagrams, conceptual dia- nonvertical x-axis drawings, 393 gramming and sketches, 48 Saarinen, Eero, 22, 98 plan, elevation, and sections, religious buildings, digital-manual Sacramento State Office Building, Sac- 396–97 design-drawing interface, ramento, California, 8, 9 plan and elevation oblique, 395 108–9 Sagrada Familia, Church of (Barcelona, student portfolios, 390–91 Renault Factory, Gómez Palacio, Duran- Spain), xiv superimposed drawings, 398 go, Mexico, 355 St. Lawrence Market North Design superimposed sketches, 399 renderings. See conceptual diagram- Competition, Toronto, Ontario, transoblique drawings, 392 ming and sketches Canada, 437 digital online presentation, 442–48 renga poems, drawing exercises (level St. Mark’s Cathedral, Venice, Italy, 314 flexible panel presentation, 410, two), 522–23 St. Mark’s Coptic Canadian Village, 417–21 representational drawing, 1–33 Ontario, Canada, 299, 366 four-panel presentation, 412–13 blocking out and construction lines, Sam Fox School of Design and Visual graphic communication guidelines, 10–11 Arts, Washington University, St. 378 buildings, 30–31 Louis, Missouri, 187 grid formats, 380 cars, 26–29 SANAA, 349 non-grid formats, 381 furniture, 22–23 San Francisco Conservatory of Music, one-and-a-half-panel presentation, human figures, 24–25 Main Concert Hall, San Fran- 428–30 overview, 1–2 cisco, California, 258 one-panel presentation, 402–5, 409, pencils, 4–5 San Francisco State University, San 416 pencil strokes, 12–13 Francisco, California, 318 overview, 375–77 pens and markers, 6–7 San Paolo Complex, Bergamo, Italy, 324 six-panel presentation, 414–15, process of, 3 scale 422–25, 431–36 sighting, 8–9 graphic scales, orthogonal terminol- ten-panel presentation, 437–41 sketching, 16 ogy, 148 two-panel presentation, 406–8, 411, sketching medium, 17 orthogonal drawings, 135 426–27 travel sketching, 32–33 orthographic and paraline drawing, typography, 545 trees, 18–21 175 virtual building, 449 value scales, 14–15 scales (tools), 541–44 wall presentations, 379 residences, orthogonal drawings, 135 architect’s scale, drawing exercises Princeton University, 97 residential architecture, digital-manual (level one), 484 profile elevation plane, planes of projec- design-drawing interface, 100, engineer’s scale and metric scale, tion, 136 114–15 drawing exercises (level projection systems, compared, ortho- retail/mixed use buildings, digital-man- one), 485 graphic and paraline drawing, ual design-drawing interface, Scott Brown, Denise, 57, 68 174 116–17 scribbling, value scales, 14–15 proportion, representational drawing, 3 Rettig House, Rheda, Germany, 222 seasonal differences, solar angle dia- protractor, tools, 533 Revenge of the Stuccoids house, Berke- grams, 334 protrusions, light, shade, and shadow, ley, California, 400 section 359 Richard Hill Library, Toronto, Canada, function of, 551–53, 560–65 public transit system, Washington, D. 220 orthogonal terminology, 138 C., 69 Rietveld, Gerrit, 70 portfolio building, 554–59 Pyramid at Le Grand Louvre, Paris, Riverside Glasgow Museum of Trans- sectional elevation, orthogonal terminol- France, 238, 239 port, Glasgow, Scotland, 149, ogy, 151 Rancho Sespe II, Piru, California, 393 564–65 labeling, 152–53 rapid rule scale, tools, 541 Robertson residence, Flathead Lake, section arrows, building section, 141

118_9781118012871-bindex.indd8_9781118012871-bindex.indd 557979 66/13/12/13/12 110:380:38 AAMM 580 SUBJECT INDEX

section perspective views, linear per- Sklar House, Westchester County, New plan, step-by-step drawing process, spective drawing, 261 York, 323 144–45 section shadows, light, shade, and Sliding Doors (film), 504–5 site diagrams, conceptual diagram- shadow, 369 Smith, Molly, 112–13 ming and sketches, 46 section types, orthogonal terminology, solar angle diagrams, light, shade, and 140 shadow, 334–35 table of contents, portfolio, 454, 455 sequence mapping, drawing exercises solid overhang shadows, light, shade, TATA Consultancy Services, Bunyan (level one), 492 and shadow, 350 Park, Mumbia, India, 76 Seurat, Georges, 15 solids. See geometric solids Tate Modern, London, England, 120 700th anniversary tent, Switzerland, 72 Solo House, Cretas, Teruel Province, Team Disney Building, Lake Buena Vista, SFB Tower building, Shenzen, China, Spain, 563 Florida, sundial courtyard, 363 118–19 Solomon R. Guggenheim Museum, New Technology and Management Center, SFX HOUSE, São Francisco Xavier, SP, York, New York, 227 Edwardsville, Illinois, 143 Brazil, 245 solstice, solar angle diagrams, 334 Template House, Beijing, China, 184 shadow. See also light, shade, and Son of Chang, Augusta, Georgia, 147 templates, tools, 536 shadow SPA Center, Vikna Community, Norway, ten-panel presentation format, 437–41 concepts, 333 265 Texas Rangers Ballpark, Arlington, drawing exercises (level one), 477 Spaceport America, Upham, New Texas, 353 inclined surface, 362–63 Mexico, 219 Theater Spijkenisse, Spijkenisse, Nether- isometric drawing, shadow and Spanish Steps, Rome, Italy, 252 lands, 448 reflection exercise, 510 spatial design, diagrams and, drawing three-dimensional conceptual sketches, nonoverlapping, light, shade, and exercises (level one), 504–5 analytical diagrams, 59–65 shadow, 354 Springwood Drive residence, Cowan three-dimensional diagram symbols, overlapping, light, shade, and shad- Heights, California, 208 conceptual diagramming and ow, 355 Stainless Steel Apartment, Chicago, sketches, 38, 43 paraline, light, shade, and shadow, Illinois, 369 3-D modeling 370–71 stairways, orthogonal terminology, creativity, 93–94 within plan, light, shade, and shad- 156–57 real space, conceptual diagramming ow, 368 stairway shadows, light, shade, and and sketches, 86, 106–7 plan and elevation, 361 shadow, 356–57 3-D printing, function of, 97 principles of, 336–37 Stanford University, Palo Alto, California, three-point perspective, linear perspec- visualization, light, shade, and shad- 229 tive drawing, 243, 306–9 ow, 344 Stanley Saitowitz/Natoma Architects, thumbnail sketches Shakujii Park, Tokyo, Japan, 337 194 conceptual diagramming and Shamash residence, Hillsborough, Cali- Star Place, Kaohsiung, Taiwan, 250 sketches, 68–69 fornia, 370 Stata Center, Massachusetts Institute of conceptual sketching, 77 Shanghai World Financial Center, Park Technology (MIT), Cambridge, Hyatt, Shanghai, China, 236 Massachusetts, 79 Tigerman, Stanley, 56 Shanghai Zendai Himalayas Art Center, State Archives Centre, Pierrefitte-sur- title page, portfolio, 453, 455 Pudong, Shanghai, China, 364 Seine, France, 77 tools Shimizu Corporation, Nagoya, Aichi, station point cleaning and erasing aids, 532 Japan, 41 defined, 231 drafting pencils, 531 sighting, representational drawing, 8–9 45º diagonals, 266 drawing tables and boards, 530 single-view drawings, orthographic and one-point perspective, 267 model-making aids, 540 paraline drawing, 176–77 pictorial effect, 239 parallel rule, 537 singular forms, combinations, light, stippling, value scales, 14–15 scales, 541–44 shade, and shadow, 342–43 student portfolios. See portfolio build- templates, 536 site diagrams ing tracing paper and boards, 539 conceptual diagramming and Studio Max, 63 triangles, T-squares, and French sketches, 46–47 study sketching, analytical diagrams, curves, 533–34 drawing exercises (level one), 506–7 56–57 use of, 535 site plan Sundial Bridge, Redding, California, 164 workstation setup, 538 light, shade, and shadow, 366–67 sundial courtyard, Team Disney Building, Toronto Library, Canada, 214 orthogonal terminology, 149 Lake Buena Vista, Florida, 363 Torre de Telecomunicacions de Montjuïc, site section, orthogonal terminology, 140 sun path diagram, 334 Barcelona, Spain, 287 six-panel presentation format, 414–15, superimposition Towers of Biel and Open Architecture, 422–25, 431–36 drawings, composite drawings, 398 Forum Arteplage Biel, Switzer- six view visualization sketches, ortho- sketches, composite drawings, 399 land, 228 graphic and paraline drawing, Suzuki house, Tokyo, Japan, 215 tracing paper 172 Switzerland, 700th anniversary tent, 72 representational drawing, 4 sketching. See conceptual diagramming symbols tools, 539 and sketches; representational conceptual diagramming and transfer techniques drawing sketches, 38–43 linear perspective drawing, 284 sketching pencils, representational folding plane, orthographic views, parallel transfer, linear perspective drawing, 4–5 137 drawing, 286

118_9781118012871-bindex.indd8_9781118012871-bindex.indd 558080 66/13/12/13/12 110:380:38 AAMM SUBJECT INDEX 581

transferring with diagonal, linear per- descriptive, orthographic and para- Vitra Children Workshop, Weil am Rhein, spective drawing, 290 line drawing, 222 Germany, 185, 261 transoblique drawings, composite draw- simultaneous, orthographic and ings, 392 paraline drawing, 221 Waldhauer residence, Woodside, Cali- travel sketching uphill views, linear perspective drawing, fornia, 198 analytical diagrams, conceptual dia- 252–53 wall presentations, presentation formats, gramming and sketches, upward convergence, linear perspective 379 56–57 drawing, 304 Walt Disney Concert Hall, Los Angeles, representational drawing, 32–33 urban garden, drawing exercises (level California, 192, 444 trees one), 496–97 Washington, D. C. transit system, 69 conceptual sketching, 83 Urban Library of the Future and Center watercolors, conceptual sketching, 84 representational drawing, 18–21 for New Media, Ghent, Bel- Waterfront Development Plan, Asbury T residence, Hayama, Kanagawa, gium, 445 Park, New Jersey, 38 Japan, 274 urban mixed-use design, digital-manual Weiwuying Performing Arts Center, triangle(s), tools, 533 design-drawing interface, 110 Kaohsiung, Taiwan, 318 Triangle Oval Townhouses, West Sacra- utility knife, 540 Westport Bus Terminal, Westport, Mary- mento, California, 194 land, 63 tri-axes angles, orthographic and para- vagueness, light, shade, and shadow, Whanki Museum, Seoul, South Korea, line drawing, 199 332 196 trimetric axes, orthographic and paraline value scales, representational drawing, windows, orthogonal terminology, 158 drawing, 175 14–15 Wonderland Camp for Physically and TR + 2 STUDIOHOUSE, Pacific Pali- Van Gogh Museum, Amsterdam, The Mentally Challenged Individuals, sades, California, 366 Netherlands, 70 Lake of the Ozarks, Missouri, true-length lines, orthographic and para- vanishing point 414–15 line drawing, 164 defined, 231 Woo residence, Oakland, California, 48 true shape, orthographic and paraline diagonal, one-point grid, linear per- workstation setup, tools, 538 drawing, 165 spective drawing, 259–60 World Savings Center, Oakland, Califor- Truss-Wall House, Machida, Tokyo, multiple, linear perspective drawing, nia, 313 Japan, xix office method, 276–77 worm’s eye view T-squares, tools, 533 oblique, linear perspective drawing, bird’s eye perspective with, linear TWA terminal, New York, New York, 98 280–83 perspective drawing, 303 twelve-point perspective circle, 316–17 left side, 282 linear perspective drawing, 246–47, 21st Century Museum of Contemporary right side, 283 302 Art, Kanazawa, Japan, 254 Van Kirk House, San Francisco, Califor- one-point perspective from below, two-dimensional conceptual sketches, nia, 15 linear perspective drawing, 58 Variable Geometry Acoustical Dome, 250–51 two-dimensional diagram symbols, 38, Rome, Italy, 307 Worrel residence, Hillsborough, Florida, 41–42 Vasari Museum, Florence, Italy, 234 366 two-panel presentation formats, 406–8, vellums, tools, 539 Wright, Frank Lloyd, 22, 227, 525 411, 426–27 Venturi, James, 68 Writer’s Cabin, presentation formats, two-point interior (linear perspective Venturi, Robert, 68 390 drawing) Verdugo Hacienda Housing for the examples, 296–97 Elderly, Sunland-Tujunga, Cali- X-Acto knife, 540 office method, 294 fornia, 371 Xixi Wetland Art Museum, Hangzhou, pictorial effect, 295 vertical circle, linear perspective draw- China, 320 two-point perspective ing, 314–16 application, linear perspective draw- vertical measuring line, defined, 231 Yale University, New Haven, Connecti- ing, 275 vertical reflections, linear perspective cut, 405 drawing exercises (level one), drawing, 324–25 Yerba Buena Gardens Children Center, 498–99 view development, linear perspective San Francisco, California, 43 linear perspective drawing, 243 drawing, 326–27 Yorkshire Terrace, Los Angeles, Califor- one-point perspective and, lin- vignette, representational drawing, 31 nia, 213 ear perspective drawing, Viikki Church, Helsinki, Finland, 279 244–45 Villa dall’ Ava, Paris, France, 206 z-axis two-point plan/elevation, linear perspec- Villa Gables, Meersbusch, Dusseldorf, nonvertical tive drawing, office method, Germany, 362, 363 orthographic and paraline draw- 272–74 Villa Linda Flora, Bel Air, California, 44 ing, 204 typeface, title sheet, portfolio, 453 virtual building presentation format, 449 plan obliques, orthographic and typography, presentation formats, 545 vision, light, 329 paraline drawing, 202–3 visualization sketches nonvertical stepped plan, ortho- underside view. See worm’s eye view block, orthographic and paraline graphic and paraline draw- unfolded section, axon and, drawing drawing, 169–71 ing, 205 exercises (level one), 491 orthographic and paraline drawing, zigzag shadows, light, shade, and United States National Slavery Museum, 166–68 shadow, 344 Fredericksburg, Virginia, 332 six view, 172 zones, conceptual diagramming and up and down views view numbers required, 173 sketches, 38

118_9781118012871-bindex.indd8_9781118012871-bindex.indd 558181 66/13/12/13/12 110:380:38 AAMM Contributor Index

Abbey of San Galgano, Montesiepi, Barlow, Hilary, 491 Cathcart, James, 395, 396 Italy, 5 Barmina, Masha, 64–65, 86 Cederna, Ann, 358 Abbott, Laurie, 7 Barton Myers Associates, Architects, 24 Center for the Visual Arts, University of, Academy of Art University, San Fran- BaSuhail, Sami M., 104–5, 553 Toledo, Ohio, xvii cisco, California, 110 Baurmann, Gislea, 458, 459 Cesar Pelli & Associates Architects, 59 Adams, William, 348 Baushke, Michael, 209 Chan, William W. P., 49, 60–61, 62, 95, Adèle Naudé Santos and Associates, Baxter, Bruce R., 505 96, 97, 101–3, 111 Architects, 42, 43 Beck Architecture, 80 Charnish, Barry, 437 Agrest, Diana, 357 Bencivengo, Greg, 492 Chary, Andrew, 97 Akkach, Samer, 499 Benedict, William R., 230, 284, 286, Chaw, Marcus, 227, 249, 250, 252, Alcombright, Cari, 523 290, 316 286, 304, 314 , Architect, 41, 340 Betts, Hobart D., 193 Chen, Wenjie, 26, 27, 29 Alianza Arquitectos/An Architect’s Alli- Beyer Blinder Belle, 315 Chenchow Little P/L, 247 ance, 370 Bhuiyan, Didarul Islam, 409 Christ, Alan, 280 Allan, Sarah, 398 BIG-Bjarke Ingels Group, 569 Cidade de Musica, Rio de Janeiro, Bra- Allen, Paul, 110 Binder, Rebecca L., 211, 223, 249, 250 zil, xix Almendariz, Joseph, 497 Birkerts, Gunnar, 42, 69, 150 Cigolle & Coleman Architects, 366 Amateur Architecture Studio/ Bjarke Ingels Group (BIG), 366 Cizek, Dalibor, 438 & Lu Wenyu, 508 Bocook, Bill, 32 CJ Lim/Studio 8 Architects, 404 Ames, Anthony, 147, 158, 183, 341, Bohigas, Oriol, 203 Clarke, Paul Walker, 96, 111, 428, 429, 361 BOLLES+WILSON, 215 520, 521 Ando, Tadao, 206, 234, 313, 369 Bonner, Tom, 45 Cleater, John, 449 Aravena, Alejandro, 185, 261 Botta, Mario, 23, 72, 152, 201 Clyce, Amy, 407 Archer, John, 438 Bottom, Christine, 493, 494 Columbia School of Architecture Plan- Architectural Network, 39, 40, 41 Bowling Green State University, Bowling ning and Preservation (CSAPP), Arcspace, xi, xix, 37, 149, 173, 228, Green, Ohio, 381, 391, 455, New York, New York, 246, 280, 252, 278, 279, 293, 315, 320, 457, 526, 528, 557 307 323, 354, 366, 564 Boy de la Tour, Didier, 121–22 Compton, Christopher, 312 Arquitectonica International Corporation, Bridges, Leon, 108–9 Concordia Architects, 197 366 Brisseaux, Kervin, 480 “Concrete Thinking for a Sustainable Artfactory, xi Brooker, Grant, 219 World” (competition), 63 Arthur Cotton Moore/Associates, 69 Brown, Randy, 350, 364 Condon, Kelly, 217 Arup, Ove, 121–22 Brown, Terry, 197 Coolidge, Robert T., 211 Assassi Productions, 350 Bruckner & Partner, Associated Archi- Coop Himmelb(l)au, 73, 228 Association of the Collegiate Schools of tects, 275 CORE, 560 Architecture, 63 Bulaj, Marek, 362, 363 Corral, Jesus, 503 Asymptote: Hani Rashid + Lise Anne Burg, Barbara, 287 Couture, Lise Anne, 22, 273, 297, 298, Couture, 273, 297, 298, 324, Buyer, Matthew, 381 324, 442, 449 442, 449 Cowdrey, Drew, 391, 455, 457, 555, Atelier , xix Cairo Expo City, Cairo, Egypt, 22, 23, 25 557 Ateliers , xi Calatrava, Santiago, 84–85, 164, 287 Cronin, Keith, 500 Atelier Tekuto, 214 California, University of, Berkeley, 54, Cuevas, Herbert, 20 Atkinson, Maureen, 438 55, 312 Cultural Emporium, 106–7 Audrain, Paul, 307 California, University of, Los Angeles, 6, Auer, Thomas, 437 19, 250 Darley, Mark, 397 Avila, Manuel, 21 California Polytechnic State University, Davenport House, Evergreen, Colorado, San Luis Obispo, California, 20 Baan, Iwan, 345, 446 230, 284, 286, 290, 316 David Baker Associates, 400 Bacino, Richard, 258 Campo Baeza, Alberto, 157 Davidge, Barney, 20 Baglietto, E., 80 Camp Sagawau, Illinois, 21 David Rockwood Architects & Associ- Baker, David, 400 Candela, Felix, 85 ates, 241 Balmond, Cecil, 121–22 Castro, Noé, 48, 355 Davies, Richard, 431

582

118_9781118012871-bindex.indd8_9781118012871-bindex.indd 558282 66/13/12/13/12 110:380:38 AAMM CONTRIBUTOR INDEX 583

Davis, Sam, 312 Fuksas, Massimiliano, 77 Henry, Kordae, 108–9 Davis & Joyce Architects, 312 + Associates, 202 Herboth, Mark, 267 Davison, Dick, 10, 11 Herzog & DeMueron, 252, 270, 323 de Freitas, Kim, 513, 519 Gabellini Sheppard Associates, 157 HHF Architects, 233 Design Fundamentals Studio, 478, 481 Garcia-Menocal, Cathryn, 523 Hidey, Robert, 19 DHT2 Architects & Planners, 191 Garden Court, Palace Hotel, San Fran- Hirai, Hiroyuki, 337 Diamond, A. J., 214, 220 cisco, California, 6 Hodgetts + Fung Design and Architec- Dickinson, Mitchell, 480 Garofalo, Giancarlo, 200 ture, 44, 45, 220 Dierks, Vaughn, 380 Gaudi, Antonio, xiv Holl, Steven, 206, 323, 345 Diller Scofidio + Renfro, 444 Gehry, Frank O., xvii, 173 Hollein, Hans, 74, 118–19 Dinkeloo, John, 320 Gehry Partners, 78, 79, 192 Holt Hinshaw Pfau Jones, Architecture, Do, Thanh, 253 Gella, Kathrine, 106–7 359 Doshi, B. V., 202 Geller, Alan, 209 Holub, Robert, 117 Dougherty & Dougherty Architects, 203 GGLO Architecture and Interior Design, Hossain, A. K. M. Muajjam, 409 Dow, James, 153 151 Hostetler, Joanna, 194, 490 Drewes + Strenge Architekten, 81, 222, Glass-Kline residence, New Paltz, New House, Cathi, 216, 217, 368, 394, 416 417–21 York, 281 House, Steven, 7, 57, 216, 217, 368, Drexel University, Philadelphia, Pennsyl- Glick, Ryan Thomas, 453, 456, 458, 370, 394, 416 vania, 243 459, 460, 461, 463, 555 House + House, Architects, 198, 209, Duncan, Don, 101–3 Gollings, John, 247 216, 217, 368, 392, 394, 395, Dunnette, Lee, 238 Gomez-Farias, Lorena, 511 396, 397, 416 Dziewulski, Mark, 500 Gomez-Pimienta, Bernardo, 310 Humphrey, Jonah, 438 Gottschalk + Ash, 438 Hursley, Timothy, 331 Edgeley, Peter, 31, 305 Gouws, Thomas, 402 Egli, Erna, 194, 490 Graves, Michael, 321, 362, 363 Interloop A/D, 80 Elder, Jerome, 399, 554 Grealy, Jane, 477 Ip, Kerun, 254, 255 Eley, Wally, 437 Gridneva, Anastasija, 491 Irion, Christopher, 370 Elian, George P., 208 Griffin, Tim, 258 Ishimoto, Yasuhiro, 363 Ellrichshausen, Pezo von, 139, 563 Guidera, Stan, 391 Islam, Zahidul, 415 English, Mark, 64–65, 86, 146, 198, Gunnar Birkerts and Associates, Inc., Isozaki, Arata, 363, 364 262, 263, 368, 373, 551 Architects, 42, 69, 150 Israel, Franklin D., 398 Enquist, Philip, 54, 55 Gureckas, Vyt, 560 Ito, Toyo, 197 ERA Architects Inc., 438 Gwathmey Siegel & Associates, 197 Ernst, Chris, 167 Jackson, Meg, 17, 480 Esch, H. G., 236 H. G. Esch, 236 Jacobson, Hugh Newell, 15 Etzler, Danielle, 455, 456 Hadid, Zaha, 22, 23, 25, 37, 123, 149, Jang, Yu Jung, 505 Evanusa, Stephen S., 15 247, 252, 299, 302, 303, 318, Le Jardin Nelson, Montreal, Canada, 5 Evonuk, Walter, 86 365, 367, 564–65 Jennings, Jim, 313 Hadley, Marcia Gamble, 149 Jennings, Maurice, 20, 242 Farahenmi, Sanmi, 429 Hagge, Michael, 406, 407, 412 Jennings, Star, 262, 373 Farooq, Ameen, 106–7 Hague Villa Project, Netherlands, 28, Jennings + Stout, 313 Farrell, Terry, 168 146, 212 JKMM Architects, 279 Fasano, Ben, 243 Hamilton, Robert L., 13 Johnson, Casey, 497 Fay Jones + Maurice Jennings, Archi- Hampton, Christopher, 510 John Wiley & Sons, Inc., 289 tects, 20 Hamzah, T. R., 50, 335 Jones, Fay, 20, 242 Felicella, Elizabeth, 115 Hamzah, Tengku, 50 Jones, Partners: Architecture, 311 Fernandez, Olallo L., 239 Hansman, Bob, 522 Jonsson, Gudmundur, 241, 243, 254, Fernau & Hartman Architects, 185 Hardy, Hugh, 16 265, 319 Fieldman, Michael, 156 Hardy Holzman Pfeiffer Associates, 16 Joubert, ‘Ora, 199, 402 Filothei Villa, Greece, 15 Hariri & Hariri, Architects, 28, 146, 210, Joy, Rick, 140 Findlay, Katheryn, xix 212, 299, 322, 366 Jun Mitsui Associates, 59 Fineman, Howard, 266 Harris, David A., 191 Finnen, D., 244 Hata, Hiro, 453, 460, 461, 462, 463 Kan, Joseph, 437 Fisher-Friedman Associates, 8, 9 Hauf, Michele, 521 Kandora, Stephen, 117 Fletcher, Sue, 499 Haun, David, 392, 397 Kandor Modelmakers, London, England, Floussov, Ilya, 438 HCBeck, 80 431 Forster, Al, 27, 277, 326, 327 He, Weiling, 504–5 Karchmer, Alan, 85 Foster, Grant, 480 Heald, David, 227 Kargon, Jeremy, 104–5 Foster + Partners, 71, 219, 246, 472 Healy, Brian, 208, 292, 346, 426–27 Keir, Lindsay, 437 Bentwood Collection, 173 Hearn, Jason, 408 Kenzo Handa, Architect, 48 Franklin D. Israel Design Associates, 398 Hedges, Susan, 483 , John Dinkeloo, and Asso- Freelon Group Architects, 267 Heino Stamm Planungsbüro, 275 ciates, Architects, 320 French, Michael, 392 Hellmuth, Obata, and Kassabum, 198 King, Jerome, 20 Fry, Amanda L., 505 heneghan.peng.architects, 431 King, Seth, 480 fs-architekten, 282, 283 Henks, Brian, 503 Kinkead, Jennifer, 280

118_9781118012871-bindex.indd8_9781118012871-bindex.indd 558383 66/13/12/13/12 110:380:38 AAMM 584 CONTRIBUTOR INDEX

Kirkegaard Associates, Chicago, Illinois, MacPherson, Scot, 391 Musi, Pino, 152 426–27 Madden, Paul, 117 Mutlow, John V., 205, 213, 214, 222, Klein, Richard, 143 Magallanes, Fernando, 478, 481 371, 393 KMD/PD Architects, 39, 40, 41 Magee, Lauren Karwoski, 243, 488 Myers, Barton, 24 Knoll, 173 Maher, Dennis, 456 Koch, Evelyn, 437 Maki, Fumihiko, 202 Nalley, Brigette, 20 Koch, Raimund, 325 Maki and Associates, 187, 242, 544 National Gallery of Art, Washington, D. Koetter, Kim & Associates, Inc., 16, 38 Malagamba, Duccio, 293 C., 25, 99 Kohn Pedersen Fox Associates, Maltzan, Michael, 291, 318 National Institute of Creative Arts and 236.325, 332, 544 Man, Amy, 498 Industries, 483 Kona, Silika Rahman, 415 Mansiysk, Khanty, 246 National Museum of Qatar, xi Kotas, Jeremy, 338, 339 Mark English Architects, 64–65, 86, Nervi, Pier Luigi, 85 Kotas/Pantaleoni, Architects, 338, 339 146, 198, 262, 263, 368, 373, New York Port Authority (New York, KPMB Architects, 437 551 New York), 96, 97 Krueck & Sexton, Architects, 369 Martinez, Saritza, 491 Ng, Ellen W., 490 Kucher/Rutherford, Inc., 149 Martinich, Bojana, 557 Ng, K. L., 39 Kumanomido, Kentaro, 523 Martorell, Josep, 203 Niemeyer, Oscar, 255 Kurokawa, Kisho, 70 Matei, Corvin, 234 Niles, Edward R., 151 Kuwabara, Bruce, 437 Materials Chemistry Development Cen- Nino Rico, G., 200 Kyu Sung Woo, 196 ter, Mourenx, France, 18 Nishimoto, Taeg, 281 Matharoo Associates Architects, 152 Nishizawa, Ryue, 254 Labro, Jacques, 304 Mauer, Andrew von, 349 Nitsche Arquitetos, 245 Lacey, Clive, 437 Mayer, Thomas, 252 NORR Partnership Ltd./NORR Health LaFoe, M., 59 Mayne, Thom, 398 Care Design Group, 249 Lai, Curtis, 437 MBM Arquitectes, 203 Norten, Enrique, 310 Lancuba, Daniella, 477 McAteer, Alan, 564 Nota, Dean, 154, 177, 195, 295 Laney College Department of Architec- McClelland, Michael, 438 Nouvel, Jean, xi ture, Oakland, California, 334 McDonough Associates, Inc., 21 Larsen, Erik, 17 McEvoy, Owen B., 117 Obami, Godwin, 110 Lawson-Johnston, Peter, 227 McGee, Mel, 248 O’Connor, James Mary, 422 LeCuyer, Annette, 460, 461, 462, 463 McGinnis, Lois, 242 Office for Metropolitan Architecture Legorreta, Lourdes, 48 McGrath, Norman, 323 (OMA), 206 Legorreta, Ricardo, 48, 355 McKenna, Marianne, 437 Ojeda, Isaac, 511 Legorreta, Victor, 48 McLarand Vasquez Emsiek & Partners, Oles, Paul Stevenson, 25 Legorreta + Legorreta Arquitectos, 48 27 Oliveira, Stephanie, 519 Lehoux, Nic, 336 McNeill, Barry, 242 Oliveira, Vincente, 428 Le Jardin Nelson, Montreal, Canada, 5 Meier, Richard, 22, 51, 317, 354 ‘Ora Joubert Architects, 402 Lemus, Andres, 503 Metz, Don, 191 Ordoñez, Carlos, 310 Lenz, Eberhard, 332 Meudon-LaForet Cultual Center, France, Orona, Daniel, 355 Leong, Lawrence Ko, 33 21 O’Rorke, Messana, 114–15 Leong, Winnie T., 331 Michael Fieldman & Partners, Architects, Orzoni, Jean-Jacques, 304 Leventi, David, 98 156 Ota, Noboru, 449 Levi, Jonathan, 555 Mickle, Peter, 312 Ove Arup & Partners, 80 Lew, Ellen, 172 Mies van der Rohe, Ludwig, 79, 349, Owen, Christopher H. L., 323 Lewis, Diane, 312 369 Libeskind, Daniel, 147, 158, 285 Miralles, Enric, 281 Palace Hotel, San Francisco, California, Lida Archiship Studio, 274 Mitchell, Shawn, 479 6 Liefhebber, Martin, 24 Moir Building, San Jose, California, 20 Palladium Photodesign, 287 Limon, Enrique, 193, 331 Moneo, José Rafael, 75 Palma, Cristobal, 139 Lin, Pershing C., 355 Montgomery, LaRaine Papa, 408, 506 Pappageorge Haymes Ltd., 187 Lincer, Doug, 367 Moore, Arthur Cotton, 69 Parekh, Mahenra, 100 Linehan, Nicholas, 101–3 Moore, Charles, 6, 19 Park, Kenneth, 117 Little, Chenchow, 247 Moore Ruble Yudell Architects, 277, Parnass, Jordan, 246 Loermans, Marsel, 318 326, 422–25 Patel, Neil, 383 Loli, George S., 30, 399 Morgan State University Institute of Patkau Architects, 153, 218, 290, 344, Lowder, James, 555 Architecture and Planning, 49, 351 Luescher, Andreas, 391, 455, 457, 526, 60–61, 62, 63, 95, 96, 104–5, Pearson, Mark A., 453, 559 528, 557 108, 111, 428–30, 520, 521 Pei, Cobb, Freed, and Partners, Archi- Lum, Jerry W., 481 Morphosis Architects, 149, 304, 336, tects, 25, 238 LUXIGON, 290 398 Pei, L. C., 229 Moshe Safdie and Associates, Inc., 150 Pei Partnership Architects, 229, 254, Mabuchi, Kenta, 358 Moss, Eric Owen, 251 255, 332 Macary, Michel, 238 Mujica, Jacquelyn, 167 Pelli, Cesar, 59 Mack, Mark, 207, 275 Mullin, Daniel K., 479 Perkins + Will, Architects, 258, 276, 284 MacKay, David, 203 Munson3d, 97 Perry Dean Rogers Architects, 405

118_9781118012871-bindex.indd8_9781118012871-bindex.indd 558484 66/13/12/13/12 110:380:38 AAMM CONTRIBUTOR INDEX 585

Peters, Robert W., 370 Ryan, Andy, 323 Sybase, Hollis Street Campus, San Peter Walker & Partners, 80 Francisco, California, 27, 327 Pezdek, Rebecca, 481 Sacramento State Office Building, Sac- Syzmoniak, Jack, 438 Pezo von Ellrichshausen Architects, 139 ramento, California, 8, 9 Pfeifer, Florian, 449 Saee, Michele, 184 Takamatsu, Shin, 358 Piano, Renzo, 352 Safdie, Moshe, 150 Takasaki Architects, 331 Piano & Fitzgerald, 352 Sagrada Familia, Church of, Barcelona, Talukder, Shehnaz, 415 Pietilä, Raili, xvi, 66–67 Spain, xiv Tamano & Chaw Residential Design, 142 Pietilä, Reima, xvi, 66–67 Saleh, Shehreen, 388–89 Tanaka, Hiroaki, 274 Pinós, Carme, 281 Salmela Architect, 486 Tanner Leddy Maytum Stacy, Architects, Pisano, Roberto, 151 SANAA, 254, 278 353 Polshek Partnership, 244 Sandos, Adèle Naudé, 42, 43 Taylor, Samir, 93, 111 Portland Cement Association, 63 Sandy & Babcock, San Francisco, 33 Temple, Stephen, 493, 494, 497 Potter, Carmen, 93, 96 San Francisco, City College of, San TEN Arquitectos, 310 Predock, Antoine, 148, 296, 331, 466, Francisco, California, 13, 167, Terry Farrell & Partners, 168 467, 469 172, 194, 253, 352, 355, 481, Texas, University of, at Arlington, 234, Prescott, Santos, 46, 382, 507 490, 498, 547 242, 367 Prescott, Will, 503 Santos Prescott and Associates, 46, Texas, University of, at Austin, 167, 195, Pruchnicki, Susan, xiv 382, 507 287, 384 Schliemann, Udo, 438 Texas, University of, at San Antonio, Quigley, Rob Wellington, 248 Schmitt, Donald, 214, 220 346, 511 Quintero, Julio, 520 Schoenbrodt, Birgit, 449 Texas A&M University, 10, 11, 12, 17, Schroder, Paul, 282, 283 306, 332, 504–5 Rafael Viñoly Architects, 17, 30, 267 Schuh, Oliver, 287 Texas Seaport Museum, Galveston, Raili and Reima Pietilä, Architects, xvi, Schwarz, David M., 353 Texas, 12 66–67 Scott, Amanda G., 505 Theaker, Ian, 437 Rantonnen, Johanna, 3 Scott Brown, Denise, 68 Thirteenth Street Architects, Inc., 344 Rashid, Hani, 22, 273, 297, 298, 324, Sebris, Amanda, 437 Thomas Schoos Design, 24 442, 449 Sejima, Kazuyo, 254 Thompson, Ian, 199 Ratto, Gerald, 396 Selkirk, Anthea, 412 Thompson, Jon, 346, 510, 511 Rawn, William, 221 Serero, David, 449 Tigerman, Stanley, 52, 53, 56 Raynor, Alexander, 491 Serero Architects, 18, 21, 83, 88–89, Tigerman McCurry Architects, 37, 53, RCR Arquitectes, 552 216, 217, 218, 277, 297, 307, 56, 135 Reichel, Robert, 60 322, 348 Tirone, Marissa, 480, 491 Building Workshop, 80, 82 Shay, James, 15, 204 Tishman Realty & Construction Com- Rice, Chris, 101–3 Shelby, Michael Patrick, 242 pany, 321 & Partners, 51, 317, 354 Shepley, Rutan and Coolidge, Archi- Tod Williams Billie Tsien Architects, 76, Partnership, 7, 70, 190 tects, 229 410, 411 Richardson, Matthew, 62, 63, 96, 252 Architects, 121–22, 337 & Associates, 197 Richters, Christian, 81 Shin Takamatsu Architect & Associates, T. R. Hamzah & Yeang, 50, 335 Rick Joy Architects, 140 358 Troughton McAslan Architects, 182 Risedorph, Sharon, 46 Shu, Wang, 508 Tsien, Billie, 410, 411 Robert, Mark, 438 Shuvra, Dilruba Ferdous, 409 Tsui, Kwok, 195, 287, 352, 384, 496 Robert Hidey Architects, 19 Siza, Alvaro, 293 Turman, Thomas L., 334 Roberto Pisano Studio, 151 Skidmore Owings and Merrill, 54, 55, Twien, Billie, 76 Roberts, Charles, 49, 538 309 Roberts, Stephen, 367 Snowden, Chris, 558 Uddin, Saleh, 106–7, 383, 388–89, 401, Robinson Mills & Williams, Architects, Solomon, Tommy, 406 409, 415 27, 327 Solomon & Bauer Architects, Inc., 196 Ungar, Emese, 438 Roche, Kevin, 320 Song, Geunho, 349, 377, 390 UNStudio, 25, 250, 445, 446, 447, 448 Rockacy, Jason, 506 Southern Polytechnic State University, Ushida, Eisasku, xix Rockwood, David, 241 Georgia, 106–7, 383, 401 Rodgers, Kate, 346 Souto de Moura, Eduardo, 333 Vandeventer + Carlander Architects, 210 Rogers Stirk Habour + Partners, 193 SP Arch, Inc., 100 VanHoy, David Lee, 208 Roick, Jeffrey, 438 Stantec Architecture, San Francisco, Van Inwegan, Bruce, 53, 135 Ron, Ruth, 449 California, 82 Venturi, Robert, 57, 68 Ronaszegi, Arpad Daniel, 268–71, 308, Steinkamp, James, 276, 284 Venturi, Scott Brown and Associates, 309 Stevens, Jon, 391 Inc., 57, 68, 137, 252, 545, 548 Rose, Brendan, 480 Studio Architetto Mario Botta, 152 Via Tornabuoni, Frienze, Italy, 30 Rosenthal, Steve, 221 Studio Daniel Libeskind, 147, 158, 285 Viñoly, Rafael, 17, 30, 267 Rossi, Aldo, 41, 340 Studio Gang Architects, 58 Virginia, University of, School of Archi- Rotterdam Cental Station, Cambridge, Studio Pei-Zhu Architects, 320 tecture, 3 Massachusetts, 17, 30, 267 SWA Group, 300, 301 Von Mauer, Andrew, 349 Rozkuszka, Damian, 347, 559 Swecker, Sara, 93 Voorsanger, Bartholomew, 182 Rubins, John, 478 Sweeney, Martin, 491 Vrooman, Dik, 306 Ruble, John, 422 VSBA, 57

118_9781118012871-bindex.indd8_9781118012871-bindex.indd 558585 66/13/12/13/12 110:380:38 AAMM 586 CONTRIBUTOR INDEX

Walker, Mario, 390 Wesley Wright Pelli Clarke Pelli, 97 Xie, William, 355 Walker, Peter, 80 Whitcombe, Nancy, 400 Warchol, Paul, 157 Whitehurst, Bill, 321 Yeang, Kenneth, 50 Ware Malcomb, 26, 29 Whitfield Associates, Inc., 24 Yee, Rendow, 320, 333, 488 Wargo, Matt, 57 Whitley, Danielle, 437 Yeomans, Ed, 332 WASA/Studio A, LLP, 562 Wikipedia, 54, 55, 168, 237, 255, 333 Yim, Charles, 253, 359 Washington University School of Archi- Wilford, Duke, 317 Yoon, Elijah, 480 William Adams Architects, 348 Young, Timothy, 223 tecture, St. Louis, Missouri, xiv, William Rawn Associates, Inc., 221 Yudell, Buzz, 422 187, 257, 266, 280, 317, 332, Williams, Tod, 76, 410, 411 380, 478, 522 Winkeljohn, Bradford, 246 Architects, 22, 23, 25, 123– Webber, Doug, 437 Wong, Kam, 547 31, 149, 247, 252, 299, 302, Weingarten, Saul, 6, 19 Woo, George C. T., 367 303, 318, 365, 367, 564–65 Weintraub, Alan, 198, 400 Woo, Kyu Sung, 196 Zanetta, Alo, 201 Wenjie Studio, 19, 24, 26, 27, 29, 264, Woodcock, David G., 5, 12 Zheng, Connie, 523 288, 306, 364 Wright & Company/Fitch-Fitzgerald, Inc., Zugmann, Gerald, 228 Wenyu, Lu, 508 143 Zunugia, Jonathan, 480

118_9781118012871-bindex.indd8_9781118012871-bindex.indd 558686 66/13/12/13/12 110:380:38 AAMM Web Site Contributor Index

Alda, Fernando A7 Leiou, Manipay 10-40 Asymptote Architecture A4 Loli, George S. 10-18, 10-25, 10-26 Aziz, Michael 12-10 Luescher, Andreas 12-2

Baker, Shane 10-51, 10-52 Ma, Michael 10-58 Barlow, Hilary 10-56 Maffei, Jerry 10-39 Bassenian Lagoni Architects 10-10 Marshall, Peter 10-52 Beesley, Philip 10-51, 10-52 Martinez, Regina 10-53 Bekerman, G. 10-62 Matharoo Associates A6 Bencivengo, Greg 10-56 Matin, Andra A6 Benedict, William R. A15 to A22 Maya Lin Studio 10-13 Bitter Bredt A6 McAteer, Alan A7 Bonar, James A23 Meier, Richard 10-62 Miranda, Valerian 10-4, 10-38 to 10-43 Chan, William W. P. 10-53, 10-54 MVE Institutional 10-7 Chang, Lily 10-43 MVE & Partners 10-7 Cheng, Jia Huan A2 MVRDV A5 Corbusier, Le 10-62 Couture, Lise Anne A4 Neiman, Bennett Robert 10-59

Davies, Richard 10-46 OMA and 10-43, 10-44 Davison, Dick 10-37 Dharmadhikari, Kirti 10-38 Pei, I. M. 10-25, 10-26,10-62 Pelli, Cesar 10-62, 10-63 Predock, Antoine 11-2 to 11-14 Edgeley, Peter 10-8, 10-9, 10-11, 10-14, 10-15, Rabinowitz, Joseph 10-53 10-33 to 10-36, 10-60 Rashid, Hani A4 Eichler, Mark 10-55 Ratner, Barbara Worth 10-22, 10-23, 10-26, English, Mark 10-47 to 10-50 10-28 Rex, Brian T. 10-59 Feiss, Eric 12-12 to 12-22 Ronaszegi, Arpad 12-3 to 12-10 Foster, Grant 10-55 Rossi, Aldo 10-24, 10-27

Gagosian Gallery 10-13 Saarinen, Eero 10-62 Gehry, Frank 10-61, A2, A3 Saee, Michele A8 Gouws, Thomas 10-5 Safdie, Moshe 10-13, 10-16 to 10-18 Grealy, Jane 10-21, 10-31, 10-32 Sakairi, Mitsuru 10-43 Gribou, Julius M. 10-38 Seebohm, Thomas 10-51, 10-52 Shanghai Modern Architectural Hadid, Zaha 10-64 to 10-66, Design Co. Ltd. A2 11-15 to 11-20, A2, A7 Sholander, Matthew 10-57 heneghan peng 10-46 Sight Corporation 10-63 Holl, Steven 10-24, 10-61, A2 Silveira, Ron A23 Huang, Chang Shan 10-19, 10-29 Solomon, Daniel 10-46 Hufton + Crow A7 Studio Daniel Libeskind A6

Ireland, Chantal 10-54 Thayer, Tim 10-13 Tirone, Marissa 10-55 to 10-58 J. Mayer H. A7 Jennings, Star 10-47 to 10-50 Venturi, Scott Brown 10-45 Jones Partners A24 Jonsson, Gudmundur 10-12, 10-13, Ware, Stanton 10-39 10-30, 0-61 Wenjie Studio 0-7, 10-10, 10-20 note-10-61 is o.k. White, Kenneth 10-38 Joubert, ‘Ora 10-5, 10-6 Wildman, Heather Figley 12-5 to 12-9 Jules, Chris A2 Wojtyra, Magda 10-51, 10-52 Wright, Frank Lloyd 10-62 Kahn, Louis 10-62 Yee, Rendow A3 Kandor Modelmakers 10-46 Yim, Charles A2

587

118_9781118012871-bindex.indd8_9781118012871-bindex.indd 558787 66/13/12/13/12 110:380:38 AAMM 118_9781118012871-bindex.indd8_9781118012871-bindex.indd 558888 66/13/12/13/12 110:380:38 AAMM