DOCSLIB.ORG

Participants

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Participants La Biennale di Venezia 17th International Architecture Exhibition How will we live together? Participants Among Diverse Beings (Arsenale) 1. Allan Wexler Studio (New York, USA) Allan Wexler 2. Ani Liu (New York, USA) 3. Azra Aksamija (Cambridge, USA) 4. FABER FUTURES (London, UK) Natsai Audrey Chieza 5. Lucy McRae (Los Angeles, USA) 6. MAEID [Büro für Architektur und transmediale Kunst] (Vienna, Austria) Daniela Mitterberger; Tiziano Derme 7. Modem (Oakland, USA) Nicholas de Monchaux; Kathryn Moll 8. Parsons & Charlesworth (Chicago, USA) Tim Parsons; Jessica Charlesworth 9. Peju Alatise (Lagos, Nigeria) 10. Philip Beesley Architect and Living Architecture Systems Group (Toronto, Canada) Philip Beesley 11. Refik Anadol Studio (Los Angeles, USA) Refik Anadol 12. Studio Libertiny (Rotterdam, The Netherlands) Tomas Libertiny 13. Studio Ossidiana (Rotterdam, The Netherlands; Milan, Italy) Giovanni Bellotti; Alessandra Covini 14. The Living (New York, USA) David Benjamin As New Households (Arsenale) 15. Achim Menges / ICD University of Stuttgart and Jan Knippers / ITKE University of Stuttgart (Stuttgart, Germany) Achim Menges; Jan Knippers 16. Aires Mateus (Lisbon, Portugal) Francisco Aires Mateus; Manuel Aires Mateus 17. AL_A (London, UK) Amanda Levete; Ho-Yin Ng; Alice Dietsch; Maximiliano Arrocet 18. Alison Brooks Architects (London, UK) Alison Brooks 19. Atelier RITA (Paris, France) Valentine Guichardaz-Versini 20. BAAG Buenos Aires Arquitectura Grupal (Buenos Aires, Argentina) Griselda Balian; Gastón Noriega; Gabriel Monteleone 21. ecoLogicStudio (London, UK) Claudia Pasquero; Marco Poletto 22. Farshid Moussavi Architecture (London, UK) Farshid Moussavi 23. Fernanda Canales (Mexico City, Mexico) 24. gad · line+ studio (Hangzhou, China) Fanhao Meng 25. Gramazio Kohler Architects / NCCR DFAB (Zürich, Switzerland) Fabio Gramazio; Matthias Kohler 26. K63.STUDIO (Nairobi, Kenya; Vancouver, Canada) Osborne Macharia 27. leonmarcial arquitectos (Lima, Peru) Alexia Leon; Lucho Marcial 28. Leopold Banchini Architects (Geneva, Switzerland) Leopold Banchini 29. LIN Architects Urbanists (Berlin, Germany; Paris, France) Finn Geipel 30. Lina Ghotmeh — Architecture (Paris, France) Lina Ghotmeh 31. Miralles Tagliabue EMBT (Barcelona, Spain) Benedetta Tagliabue; Elena Nedelcu; Joan Callís 32. nicolas laisné architectes (Montreuil, France) Nicolas Laisné 33. OPAFORM architects (Bergen, Norway) Marina Bauer; Espen Folgerø 34. Open Systems Lab (London, UK) Alastair Parvin 35. ROJO / FERNÁNDEZ-SHAW, arquitectos (Madrid, Spain) Begoña Fernadez-Shaw; Luis Rojo 36. Sahel Alhiyari Architects (Amman, Jordan) Sahel Alhiyari 37. SsD (Seoul, Korea; New York, USA) Jinhee Park 38. THE OPEN WORKSHOP (San Francisco, USA; Toronto, Canada) Neeraj Bhatia; Antje Steinmuller As Emerging Communities (Arsenale) 39. antonas office (Athens, Greece; Berlin, Germany) Aristide Antonas 40. Arquitectura Expandida (Bogotá, Colombia) Ana López Ortego; Harold Guyaux; Felipe González González; Viviana Parada Camargo 41. atelier masōmī (Niamey, Niger) Mariam Kamara 42. Bouroullec Brothers (Paris, France) Erwan Bouroullec; Ronan Bouroullec 43. Cohabitation Strategies (Rotterdam, The Netherlands) Lucia Babina; Emiliano Gandolfi; Gabriela Rendon; Miguel Robles Duran 44. doxiadis+ (Athens, Greece) Thomas Doxiadis 45. EFFEKT (Copenhagen, Denmark) Sinus Lynge; Tue Foged 46. ELEMENTAL (Santiago de Chile, Chile) Alejandro Aravena; Victor Oddó; Gonzalo Arteaga; Diego Torres; Juan Cerda 47. Enlace Arquitectura (Caracas, Venezuela) Elisa Silva 48. Fieldoffice Architects (Yilan, Taiwan) Huang Sheng-Yuan 49. Han Tumertekin (Istanbul, Turkey) 50. Igneous Tectonics (Cambridge, USA) Cristina Parreño; Sergio Araya 51. Lacol (Barcelona, Spain) Ariadna Artigas; Mirko Gegundez; Lali Daví; Pol Massoni; Anna Clemente; Cristina Gamboa; Núria Vila; Jordi Miró; Ernest Garriga; Eliseu Arrufat; Laura Lluch; Lluc Hernandez; Arnau Andrés; Carles Baiges 52. Leong Leong (New York, USA) Dominic Leong; Christopher Leong 53. Manuel Herz Architects and Iwan Baan (Basel, Switzerland; Amsterdam, The Netherlands) Manuel Herz; Iwan Baan 54. NADAAA (Boston, USA) Nader Tehrani; Arthur Chang 55. OMA (Rotterdam, The Netherlands) Reinier de Graaf 56. PRÁCTICA (Madrid, Spain) Jaime Daroca Guerrero; José Mayoral Moratilla; José Ramón Sierra Gómez de León 57. raumlaborberlin (Berlin, Germany) Andrea Hofmann; Axel Timm; Benjamin Foerster-Baldenius; Christof Mayer; Florian Stirnemann; Francesco Apuzzo; Frauke Gerstenberg; Jan Liesegang; Markus Bader 58. S.E.L (Cambridge, USA; Paris, France) Verena Paravel; Lucien Castaing-Taylor 59. Sean Lally (Lausanne, Switzerland; Chicago, USA) 60. Skidmore, Owings & Merrill (New York, USA) Colin Koop 61. Storia Na Lugar (Praia, Cabo Verde) Patti Anahory; Cesar Schofield Cardoso 62. studio L A (Amsterdam, The Netherlands) Lorien Beijaert; Arna Mačkić 63. Superflux (London, UK) Anab Jain; Jon Ardern 64. TUMO Center for Creative Technologies (Yerevan, Armenia) Marie Lou Papazian; Pegor Papazian 65. UNStudio (Amsterdam, The Netherlands) Ben van Berkel; Caroline Bos 66. WOJR (Cambridge, USA) William O'Brien Jr. Across Borders (Giardini, Central Pavilion) 67. AAU ANASTAS (Bethlehem, Palestine) Elias Anastas; Yousef Anastas 68. ACASA GRINGO CARDIA DESIGN (Rio de Janeiro, Brazil) Gringo Cardia with AIKAX, Takumã Kuikuro (Amazonas, MG, Brazil) and People’s Palace Projects, Paul Heritage (London, UK) 69. ASSET Production Studio (Berlin, Germany) Anna-Sophie Springer with Ibu Kota Kolektif (Indonesia); Yayasan Peta Bencana (Indonesia); Nashin Mahtani (Indonesia) and Armin Linke (Italy; Germany) 70. Atelier Marko Brajovic (São Paulo, Brazil) Marko Brajovic; Bruno Bezerra 71. BASE studio (Santiago, Chile) Barbara Barreda; Felipe Sepulveda 72. Dan Majka & Gary Setzer (Madison and Tucson, USA) Dan Majka; Gary Setzer 73. Decolonizing Architecture Art Residency (Beit Sahour, Palestine) Alessandro Petti; Sandi Hilal 74. Dogma (Brussels, Belgium) Martino Tattara; Pier Vittorio Aureli 75. Forensic Oceanography (London, UK) Charles Heller; Lorenzo Pezzani 76. Foundation for Achieving Seamless Territory (FAST) (Amsterdam, The Netherlands; New York, USA) Malkit Shoshan 77. GFA (Sydney, Australia) Guillermo Fernández-Abascal; Urtzi Grau 78. Giuditta Vendrame (Rotterdam, The Netherlands) 79. Heatherwick Studio (London, UK) Thomas Heatherwick 80. La Minga (Quito, Ecuador) Pablo Escudero 81. Lateral Office and Arctic Design Group (Toronto, Canada; Charlottesville, USA) Mason White; Lola Sheppard; Leena Cho; Matthew Jull 82. Matilde Cassani, Ignacio G. Galan, Ivan L. Munuera, Joel Sanders (Milan, Italy; New York, USA; Princeton, USA; New Haven, USA) 83. Michael Maltzan Architecture (Los Angeles, USA) Michael Maltzan 84. MDP Michel Desvigne Paysagiste (Paris, France) Michel Desvigne 85. Monsoon Assemblages and Office of Experiments (London, UK) Lindsay Bremner; Neal White 86. Olalekan Jeyifous (Brooklyn, USA) and Mpho Matsipa (Johannesburg, South Africa and New York, USA) 87. Paula Nascimento (Luanda, Angola) 88. Pinar Yoldas (San Diego, USA) 89. Rural Urban Framework (Hong Kong, China) Joshua Bolchover; John Lin 90. Smout Allen ( London, UK) Laura Allen; Mark Smout; Geoff Manaugh 91. Somatic Collaborative (New York, USA) Anthony Acciavatti; Felipe Correa; Devin Dobrowolski 92. Studio Paola Viganò (Milan, Italy) Paola Viganò 93. Studio Tomás Saraceno (Berlin, Germany) Tomás Saraceno 94. UNLESS (Hamburg, Germany) Giulia Foscari Widmann Rezzonico 95. Vogt Landscape Architects (Zürich, Switzerland) Günther Vogt As One Planet (Giardini, Central Pavilion) 96. Bethany Rigby (London, UK) 97. Cave_bureau (Nairobi, Kenya) Karanja Kabage; Stella Mutegi 98. Christina Agapakis, Alexandra Daisy Ginsberg & Sissel Tolaas (Boston, USA; London, UK; Berlin, Germany) 99. DESIGN EARTH (Cambridge and Ann Arbor, USA) Rania Ghosn; El Hadi Jazairy 100. Kei Kaihoh Architects (Tokyo, Japan) Kei Kaihoh 101. Mabe Bethônico (Belo Horizonte, Brazil; Geneva, Switzerland) 102. OOZE and Marjetica Potrč (Rotterdam, The Netherlands; Lubjiana, Slovenia) Eva Pfannes; Sylvain Hartenberg; Marjetica Potrč 103. Plan B Architecture & Urbanism (New Haven, USA) Joyce Hsiang; Bimal Mendis 104. Self-Assembly Lab (Cambridge, USA) Skylar Tibbits; Jared Laucks; Schendy Kernizan 105. spbr arquitetos (Sao Paolo, Brazil) Angelo Bucci 106. TVK (Paris, France) Pierre Alain Trévelo; Antoine Viger-Kohler 107. Urban Theory Lab (UTL) Harvard GSD / Department of Architecture, ETH Zürich (Cambridge, USA; Zürich, Switzerland) Neil Brenner; Christian Schmid 108. Weitzman School of Design (Philadelphia, USA) Richard Weller How will we play together? (Forte Marghera) 109. AWILDC-AWP london (London, UK; New York, USA) Alessandra Cianchetta 110. HAJEK & SKULL + MOLOARCHITEKTI (Prague, Czech Republic) Matej Hajek; Tereza Kucerova 111. HHF Architects (Basel, Switzerland) Tilo Herlach; Simon Hartmann; Simon Frommenwiler 112. Ifat Finkelman & Deborah Pinto Fdeda (Tel Aviv, Israel) 113. Sean Ahlquist - University of Michigan (Ann Arbor, USA) Sean Ahlquist 114. Wissam Chaaya (Beirut, Lebanon) .
Load more

Recommended publications
  • Subject Index
    Subject Index Aalto, Alvar, 22 Art Shed Southbank Architectural Com- bearing, solar angle diagrams, 334 Ackerman Student Union, University of petition, 2006, 383 Berkeley Art Museum and Pacific Film California at Los Angeles, Cali- Asia Society, Hong Kong Center, China, Archive, Berkeley, California, fornia, 250 410, 411 197 Adelaide University, South Australia, assembly drawing, linear perspective Bernal Heights residence, San Fran- School of Architecture, Land- drawing, 311 cisco, California, 262 scape Architecture and Urban Atocha Station, Madrid, Spain, 75 B FIVE STUDIO, 550 Design, 499 audience, portfolio, 463–64 Bilbao Effect, 120 Adelman/Liano residence, Santa Moni- August Wilson Center for African Ameri- BIM (building information modeling), ca, California, 207 can Culture, Pittsburgh, Penn- capabilities of, 93–94 Adobe Photoshop, 63 sylvania, 284 bird’s eye perspective African American Museum of Slavery, Aulenti, Gaetana, 22 linear perspective drawing, 246–47, Rockville, Maryland, 429 automobile 298–301 Aga Han Museum, Toronto, Canada, conceptual sketching, 73 one-point perspective from above, 242 representational drawing, 26–29 linear perspective drawing, Alaska, University of, Fairbanks, 198 auxiliary views, multiview-drawings, 177 248–49 alternatives, conceptual diagramming axes addition, orthographic and paraline underside perspective with, linear and sketches, 40, 44–45 drawing, 195 perspective drawing, 303 altitude, solar angle diagrams, 334 axial lines, orthographic and paraline Birkerts, Gunnar, 42, 69, 150 American Museum
    [Show full text]
  • Modelling Diagrams
    Ateliers Jean Nouvel Paris Capella Garcia Architects Barcelona Miralles Tagliabue Barcelona Shmidt Hammer Lassen Copenhagen David Adjaye Architects London The Next Enterprise Vienna Bolles + Wilson Munster Schultes Frank Architects Berlin VMA Vienna Coop Himmelb(l)au Vienna Christian Kerez Architects Zurich J Mayer H Berlin Lynch Architect London TEEMA Architects Antwerp Claesson Koivisto Rune Stockholm Nigel Coates London JDS Architects Copenhagen Foster and Partners London Kruunenberg Architects Amsterdam Xaveer De Geyter Architects Brussels S.M.A.O Madrid Christian Sumi Zurich Agps architects Zurich Ateliers Jean Nouvel Paris Capella Garcia Architects Barcelona Miralles Tagliabue Barcelona Shmidt Hammer Lassen Copenhagen David Adjaye Architects London The Next Enterprise Vienna Bolles + Wilson Munster Schultes Frank Architects Berlin VMA Vienna Coop Himmelb(l)au Vienna Christian Kerez Architects Zurich J Mayer H Berlin Lynch Architect London TEEMA Architects Antwerp Claesson Koivisto Rune Stockholm Nigel Coates London JDS Architects Copenhagen Foster and Partners London Kruunenberg Architects Amsterdam Xaveer De Geyter Architects Brussels S.M.A.O Madrid Christian Sumi Zurich Agps architects Zurich Ateliers Jean Nouvel Paris Capella Garcia Architects Barcelona Miralles Tagliabue Barcelona Shmidt Hammer Lassen Copenhagen David Adjaye Architects London The Next Enterprise Vienna Bolles + Wilson Munster Schultes Frank Architects Berlin VMA Vienna Coop Himmelb(l)au Vienna Christian Kerez Architects Zurich J Mayer H Berlin Lynch Architect
    [Show full text]
  • ARCHITECTURE for LANDSCAPE the Natural Enviroment As the Stage for Design Special Provisions for the Covid-19 Emergency
    2021 edition ARCHITECTURE FOR LANDSCAPE The natural enviroment as the stage for design Special provisions for the Covid-19 emergency Due to the pandemic situation, in site of the courses taking place between September 2020 and February 2021, YAC has taken extra- ordinary measures for the best performance of its activities and to facilitate access to its courses, in accordance to safety criteria. As far as the 2021 programs are concerned, it is specified that: 1. based on merit, 5 scholarships are provided for each course (for a total of 30 scholarships in 2021) to fully cover the enrol- lment cost; 2. the course will also be open to students of architecture or simi- lar disciplines who have not graduated yet; 3. although the courses will be held in person, 10 students per course will have the opportunity to participate in the courses virtually, without any limitations in participating in the work- shop and in the placement service at the end of the course. In the cover: Tree House Module, project by Susanna Nobili, Davide Arca, Marina Ambrogio Summary 04 YACademy 05 Where 06 Main partners 07 Reasons why 08 Lectures 09 Placement 10 Visits 11 Workshops 13 Become the protagonist 15 The course 16 Overview 17 Structure 18 Calendar 19 Program 20 Lessons 25 Lectures 29 Workshop 31 Visits 32 Placement 38 Rules 3 Tree House Module, project by Andrea Maltinti, Giacomo Cozzi YACADEMY The greatest innovation in postgraduate education YAC is an association which promotes architectural competitions aimed at fostering culture and design research. Over the years, YAC has broadened its experience of work and collaboration with the main architectural firms of contemporary architecture, dealing with diverse and numerous topics of architectural design.
    [Show full text]
  • Ai Weiwei's Functional, FAKE and Fantasy Design Studio
    University of Bristol Department of History of Art Best undergraduate dissertations of 2015 Amelia Camamile Ai Weiwei's Functional, FAKE and Fantasy Design Studio The Department of History of Art at the University of Bristol is commit- ted to the advancement of historical knowledge and understanding, and to research of the highest order. We believe that our undergraduates are part of that endeavour. For several years, the Department has published the best of the annual dis- sertations produced by the final year undergraduates in recognition of the excellent research work being undertaken by our students. This was one of the best of this year’s final year undergraduate disserta- tions. Please note: this dissertation is published in the state it was submitted for examination. Thus the author has not been able to correct errors and/or departures from departmental guidelines for the presentation of dissertations (e.g. in the formatting of its footnotes and bibliography). © The author, 2015 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted by any means without the prior permission in writing of the author, or as expressly permitted by law. All citations of this work must be properly acknowledged. Candidate Number: 43887! ! Ai Weiwei’s Functional, FAKE and Fantasy Design Studio.! ! ! ! Dissertation submitted for the Degree of B. A. Honours in History of Art ! 2014/15 ! ! ! Table of Contents! ! Abstract 1. ! Introduction 3. ! Chapter 1. Function: Role of Architecture a. Material and Structural Analysis 9. b. Effect of Architecture 14. Chapter 2. FAKE: Role of Literature ! a.
    [Show full text]
  • Eisenman Architects Jean Paul Uzabakiriho | MASS Design Group
    Eduardo Souto de Moura Sean Godsell | Sean Godsell Architects Walter Mariotti | Domus JURY Peter Eisenman | Eisenman Architects Sol Madridejos | Sancho + Madridejos Simon Frommenwiler | HHF Architects Jean Paul Uzabakiriho | MASS Design Group Tatiana Bilbao Andrea Boeri | Università di Bologna > INTRODUCTION Architecture is the branch of knowledge that shapes a patchwork of all those issues, where designer man- and structures places for human activities. It gives an ages to blend and structure them together with sensi- answer to several and various issues, where solutions bility and control. YAC aims to promote contemporary embody designer’s creativity and intellect. Architectural projects that embody a temporal and personal approach quest doesn’t simply resolve itself nor in a stylish, nor a to architectural space. Idea is the keyword, Architecture functional, nor an economic, nor a technological answer. is the answer and project is the medium through which A genuine architectural answer comes through making intuition transforms into concrete reality. 2 overcome moments of deep and great sorrow. The scars competition Rwanda Chapel the design of such space of such history still remind people of the indifference will offer an additional opportunity. Through contem- > BRIEF and apathy affecting the “First World”. porary architecture, architects will have the chance to support one of the poorest areas of the planet. Human beings cherish questions that are greater than Despite having little, here people smile often. These their mind. They keep wishes that are fonder than their people live faraway from the hectic lifestyle of large ar- Rwanda Chapel is the outcome of international collabo- heart. Some of the greatest masterpieces of ancient ar- eas of the world.
    [Show full text]
  • W002 Sonvida Parking W010 Baby Dragon W017
    HHF—Unfinished W002 Sonvida Parking W010 Baby Dragon W017 Artfarm W024 Lichtstrasse 9 W038 Labels 2 W049 Ruta del Peregrino W091 Ozeanium W097 Min/Max W106 Landskronhof W116 Parking & More 1 — HHF — Unfinished Unfinished The projects assembled here were questions we develop projects that designed without any conscious differ quite a lot in formal terms. endeavor to establish a common Their design and control are thread between our various projects. limited to that which we hold to be From the start we at HHF tried pivotal to their respective extended to fight explicitly and systematically functions. the temptation to actively pursue a formal common thread and the We accordingly see our projects trivial understanding of authorship always as unfinished ventures and as a visual recognition feature. as a potentially interesting and A thread is spun in any case as a incisive springboard for someone matter of course from habits so else’s next project. This approach habitual now, as to form the very is applicable equally to the classical fabric of our practice. In order architectural object and urban not to let these habits get a formal planning. We think of our designs common thread we collaborate with as an additional link in the other architects and artists sharing chain—a chain forged by all who equally the access to the core went before us and to which of design. future comers will hopefully add their own agenda and kinks. Our starting point is always This is why we make our designs the question: What contribution can as impertinent, strong and daring we make to the specific project as we can: so that the next person in hand? We try to identify as clearly down the line finds as interesting a as possible the thematic thrust point of departure as we ourselves of any issue presented for our like to find.
    [Show full text]
  • Download PDF Guide
    The Uzbekistan Pavilion Biennale Architettura 2021 Arsenale, Venezia Carlos Casas, Bas Princen Curated by Emanuel Christ & Christoph Gantenbein www.mahallavenice.uz Relaxed The place to be for art lovers! Street art by The London Police in Basel basel.com My Art Guides Lightbox Publishing The 17th edition of the Venice exhibition promoted by TBA21 Architecture Biennale, under Academy “Territorial Agency: Editor-in-Chief Publishers the title of “How will we live Oceans in Transformation” and Mara Sartore Matteo Bartoli together?” opens to the commissions Taloi Havini’s Mara Sartore public on May 22nd and will work “The Soul Expanding Deputy Editor remain open until November Ocean #1”. A must-see are the Carla Ingrasciotta Global PR and Sales 21st. Curator Hashim Sarkis exhibitions at Fondazione Prada Ilaria Malagutti reflects upon the vital role of “Stop Painting”, conceived by Web Editor the architect as both cordial artist Peter Fischli, and “Georg Alessandra Bellomo Press Office convener and custodian of Baselitz: Archinto” at Palazzo Alessandra Bellomo the spatial contract. Today, Grimani, as well as shows by Translations and Proof Readings this theme is more pertinent galleries including Victoria Lara Morrell Techinical Director than ever, in the face of the Miro “Conrad Shawcross”, that Francesca Antona current times we are living in, of Michela Rizzo “Maurizio Graphic Designer and responds to the need of Pellegrin: The Red, The Black Maxim Dosca Web Developer managing the social distancing and the Other” and at the Andrea Serrani imposed on us by the pandemic. Venetian headquarters of the Parisian gallery Alberta Pane the For updated info check our For advertising please write 61 countries are participating exhibition “Gayle Chong Kwan: website myartguides.com to [email protected] this year, 3 of which for the Waste Archipelago”.
    [Show full text]
  • List of Participants
    La Biennale di Venezia 17th International Architecture Exhibition How will we live together? Participants Among Diverse Beings (Arsenale) 1. Allan Wexler Studio (New York, USA) Allan Wexler 2. Ani Liu (New York, USA) 3. Azra Aksamija (Cambridge, USA) 4. Lucy McRae (Los Angeles, USA) 5. MAEID [Büro für Architektur und transmediale Kunst] (Vienna, Austria) Daniela Mitterberger; Tiziano Derme 6. modem (Oakland, USA) Nicholas de Monchaux; Kathryn Moll 7. Parsons & Charlesworth (Chicago, USA) Tim Parsons; Jessica Charlesworth 8. Peju Alatise (Lagos, Nigeria) 9. Philip Beesley & Living Architecture Systems Group / University of Waterloo School of Architecture (Toronto and Waterloo, Canada) 10. Refik Anadol Studio (Los Angeles, USA) and Gökhan S. Hotamışlıgil (Boston, USA) Refik Anadol and Gökhan S. Hotamışlıgil 11. Studio Libertiny (Rotterdam, The Netherlands) Tomáš Libertíny 12. Studio Ossidiana (Rotterdam, The Netherlands; Milan, Italy) Giovanni Bellotti; Alessandra Covini 13. The Living (New York, USA) David Benjamin Among Diverse Beings - Exterior Interventions (Arsenale) 14. Studio Ossidiana (Rotterdam, The Netherlands; Milan, Italy) Giovanni Bellotti; Alessandra Covini As New Households (Arsenale) 15. Achim Menges / ICD University of Stuttgart and Jan Knippers / ITKE University of Stuttgart (Stuttgart, Germany) Achim Menges; Jan Knippers 16. Aires Mateus (Lisbon, Portugal) Francisco Aires Mateus; Manuel Aires Mateus 17. Alison Brooks Architects (London, UK) Alison Brooks 18. Atelier RITA (Paris, France) Valentine Guichardaz-Versini 19. AW-ARCH (Cambridge, USA) Alex Anmahian; Nick Winton 20. BAAG Buenos Aires Arquitectura Grupal (Buenos Aires, Argentina) Griselda Balian; Gastón Noriega; Gabriel Monteleone 21. ecoLogicStudio (London, UK) Claudia Pasquero; Marco Poletto 22. Farshid Moussavi Architecture (London, UK) Farshid Moussavi 23. Fernanda Canales (Mexico City, Mexico) 24.
    [Show full text]
  • Nomination Contractworld Award 2010
    www.contractworld.com contractworld.magazin - 2/2010 contractworld Magazine of the International Forum for Architecture and Interior Design from 15 to 18 January 2011 in Hannover Editorial Prominent Speakers! Dear Readers, Business is improving - that’s the general forecast from politicians, business and trade. In view of the crisis, which finally lies behind us, one would think that we could actually continue with business as usual. However, we have deliberately organised contractworld 2011 under a motto addressing the current world eco- nomic situation: The four theme days of the contract- world.congress are among other things about “moral” – about sincerity, honesty, responsibility. You can be curious how this subject can be implemented in the fields of Office, Hotel, Shop and Conversion. Conversion is the current, annually changing fourth category in addition to the classic themes of Office, Hotel and Shop. It already enjoyed immense popularity regarding the submissions for the contractworld.award. The pro- Wiel Arets Angela García de Paredes gramme for January includes another new special sub- ject: sustainability! For the contractworld.award, resource conservation and efficiency played an impor- tant role, but the sustainability topic is also taken into account at the contractworld.congress with various seminars and a special Sustainability Symposium on Monday January 17, 2011. In January 2010, the new format of the public live jury session generated a great deal of interest. Architects and interior designers under 40 years of age – the so-called New Generation – were invited to present their projects, which had been short- listed by the jury, to the interested contractworld audi- ence, so that they could be assessed and awarded on site.
    [Show full text]
  • Bill Price Education: 1994 Master Of
    Name: Bill Price Education: 1994 Master of Architecture Virginia Polytechnic Institute and State University 1991 Bachelor of Architecture Virginia Polytechnic Institute and State University Teaching Experience: 8/2008- present Prairie View A&M University, School of Architecture, USA, Holds Visiting Associate Professorship with School of Architecture and is coordinator of the graduate program. 8/2000- 5/2008 University of Houston, Gerald D. Hines College of Architecture, USA, Held Assistant Professorship with College of Architecture teaching a 5th year comprehensive design studio, Industrial design studios and a seminar on materials open to upper level undergrads and graduate level students. 8/1999- 5/2000 Virginia Polytechnic Institute and State University, USA, Held Visiting Assistant Professorship with College of Architecture teaching 4th and 5th year studios. Focuses on creating a trans/inter/intra disciplinary approach to design through collaborations between Colleges, their departments, industry and professional architectural practices. Work Experience(Abbreviated): 2001- Present Bill Price Inc 1996- 2000 OMA- Office for Metropolitan Architecture, Rem Koolhaas - Head of research and Development and Project Architect/Designer Rotterdam, Netherlands 1995-1995 Studio Hunziker - Project Architect Tesserette, Switzerland 1993-1994 VPI&SU/ Robert Graeff (son of Werner Graeff– Bauhaus) Industrial Designer Blacksburg, Virginia Exhibits /Writing 2013 Galleria Continue – Le Moulin de Boissy-le-Chatel, France Price, Bill. Ai Wei Wei Ai Wei Wei exhibit at Galleria Continue includes Bill Prices Ordos villa P29 Dec 22, 2013 2012 YBCA Gallery, 701 Mission street, San Fransisco, California. Price, Bill. Ai Wei Wei Ai Wei Wei exhibit at YBCA Gallery includes Bill Prices Ordos villa P29 July 22, 2012 2011 Kunsthaus Bregenz, Bregenz, Austria.
    [Show full text]
  • II Mannschaft
    CARTHA II Mannschaft, september 2015 Samuel Schultze Joanne Pouzenc I Joël Tettamanti I Mathieu Bujnowskyj I Fabrizio Ballabio I Mio Tsuneyama Alan-Miguel and Rubén Valdez I Cristina García Baeza I Vicente Nequinha I Walter Achermann II Mannschaft 3 Cartha Editorial 5 Interview Francisco Moura Veiga Samuel Schultze 9 Joanne Pouzenc Womannschaft 12 Mathieu Bujnowskyj on Joël Tettamanti The Photographic ambiguity and the artification of architectural communications 17 Fabrizio Ballabio Role Module – Zanuso’s Participatory Design or the Architect as Manager 21 Mio Tsuneyama Towards „Build the house“ 24 Alan-Miguel and Rubén Valdez Technocentric neoliberalism and okness: the shaping of the city 26 Cristina García Baeza Architecture Construction Process: A Molecule 31 Vicente Nequinha Fernand Pouillon – The Modern Master Builder 34 Walter Archermann The Team Captain – Notes on a life of building 37 Francisco Ramos Ordóñez on behalf of Cartha Dîner de Confrères Editorial CARTHA There’s no “I” in Team or of the nature of local laws. One can say that “knowledge” has been growing at an With this issue, we want to pay homage to all the unprecedented pace since the first industrial revolu- other entities that take an active part in the act of buil- tion. As any other field of knowledge, architecture is no ding by picturing these teammates from the perspective exception. Where architecture differs is in its assimila- of the architect, our perspective, by discoursing on our ting character; architecture tends to integrate innova- reality and understanding how intertwined it is with tions from other fields, even whole new fields, into its the ones of those who build with us.
    [Show full text]
  • Contractworld.Com Contractworld.Magazin - 2/2010 Contractworld
    www.contractworld.com contractworld.magazin - 2/2010 contractworld zeitschrift des internationalen forums für architekten und innenarchitekten in hannover vom 15. bis 18. januar 2011 Editorial Prominente Redner! Sehr geehrte Leserinnen, sehr geehrte Leser, es geht wieder aufwärts – prognostizieren allerorten Politik, Wirtschaft und Handel. Angesichts der endlich hinter uns liegenden Krise könnte man eigentlich froh- gemut zum Tagesgeschäft übergehen. Doch ganz be- wusst haben wir die contractworld 2011 unter ein Motto gestellt, das das aktuelle Weltwirtschaftsgeschehen anspricht: Um „Moral” soll es unter anderem an den vier Thementagen des contractworld.congress gehen – um Aufrichtigkeit, um Ehrlichkeit, um Verantwortung. Seien Sie gespannt, wie sich dieses Thema in den Bereichen Office, Hotel, Shop und Konversion umset- zen lässt. Die Umnutzung ist die aktuelle, jährlich wech- selnde, vierte Kategorie neben den drei Klassikern Office, Hotel und Shop. Sie erfreute sich bereits bei der Einreichung zum contractworld.award großer interna- Wiel Arets Angela García de Paredes tionaler Beliebtheit. Und ein weiteres neues Schwer- punktthema steht auf dem Programm für Januar 2011: Nachhaltigkeit! Beim contractworld.award spielten Ressourcenschonung und Wirtschaftlichkeit eine be- deutende Rolle, aber auch beim contractworld.con- gress wird dem Thema Nachhaltigkeit mit verschiede- nen Seminaren und einem speziellen Nachhaltigkeits- symposium am Montag, 17. Januar 2011, Rechnung getragen. Auf besonders großes Interesse stieß im Januar 2010 das neue Format der öffentlichen Live- Jurierung. Architekten und Innenarchitekten unter 40 Jahren – die sogenannte New Generation – konnten ihre, von der Jury auf eine Shortlist gesetzten Projekte dem interessierten contractworld-Publikum präsentie- ren, wurden vor Ort beurteilt und ausgezeichnet. Auf zahlreiche junge, innovative Büros aus dem In- und Ausland und deren Projektpräsentationen darf man sich Foto: Jens Passoth Foto: Daniel Sahlberg auch 2011 freuen.
    [Show full text]