HHF—Unfinished W002 Sonvida Parking W010 Baby Dragon W017 Artfarm W024 Lichtstrasse 9 W038 Labels 2 W049 Ruta del Peregrino W091 Ozeanium W097 Min/Max W106 Landskronhof W116 Parking & More

1 — HHF — Unfinished Unfinished The projects assembled here were questions we develop projects that designed without any conscious differ quite a lot in formal terms. endeavor to establish a common Their design and control are thread between our various projects. limited to that which we hold to be From the start we at HHF tried pivotal to their respective extended to fight explicitly and systematically functions. the temptation to actively pursue a formal common thread and the We accordingly see our projects trivial understanding of authorship always as unfinished ventures and as a visual recognition feature. as a potentially interesting and A thread is spun in any case as a incisive springboard for someone matter of course from habits so else’s next project. This approach habitual now, as to form the very is applicable equally to the classical fabric of our practice. In order architectural object and urban not to let these habits get a formal planning. We think of our designs common thread we collaborate with as an additional link in the other architects and artists sharing chain—a chain forged by all who equally the access to the core went before us and to which of design. future comers will hopefully add their own agenda and kinks. Our starting point is always This is why we make our designs the question: What contribution can as impertinent, strong and daring we make to the specific project as we can: so that the next person in hand? We try to identify as clearly down the line finds as interesting a as possible the thematic thrust point of departure as we ourselves of any issue presented for our like to find. consideration. We ask ourselves, what are the spoken and unspoken expectations—of what the project may achieve, of what we ourselves may achieve? And we discuss whether we actually have anything to offer that will go beyond the simple and the obvious. What do we want? And—what do we not? What specifically do we therefore need to control and design— and what not? From these simple

2—HHF—Unfinished 3—HHF—Unfinished Contact HHF Architects Allschwilerstrasse 71 A CH-4055 Basel, Switzerland T +41 61 756 70 10 F +41 61 756 70 11 www.hhf.ch

4—HHF—Unfinished W002 Sonvida Parking HHF—Unfinished The project is located in an an elaborate house with expensive exclusive district on the outskirts materials. Our realization that W002 Sonvida Parking of Basel. Sixteen villa-style the structural shell of a building residences comprising thirty-two is virtually the only thing on W010 residential units share a basement a construction site that can be garage large enough for fifty- completely controlled was to have W017 seven vehicles. This commission a decisive impact on subsequent provided the final impetus projects. W024 to establish HHF architects. W038 The basement garage ties the project together like a strong spine. W049 It was designed as a street roughly 150 m long, so as to ensure each W091 resident direct access from their car to their home. As a place used W097 daily, it also demanded a striking visual impact. Considerable attention W106 was therefore given to access and maneuverability, and a solution W116 was sought for natural lighting. The roof of the garage functions as a landscape design element, forming hill-like ridges, into whose ends three large skylights are set, and simultaneously serving to link the underground and above-ground areas. The ‘hills’ furthermore transform the open spaces between the residences into a designed landscape, establish a defined area for each house, and ensure a measure of privacy. This groundbreaking project was to point the way for the office: we discovered that designing infrastructural elements can be just as much fun as designing

6—W002 Sonvida Parking 7—W002 Sonvida Parking 10m

Underground Parking 10 m

8—W002 Sonvida Parking 9—W002 Sonvida Parking

Underground Parking Baby Dragon HHF—Unfinished The ‘Jinhua Architecture Park’ the result of a system of eleven is an important part of the urban different forms which can be added W002 redevelopment of the city’s new together in an endless pattern. Jinhua district. The park landscape Various combinations of complex W010 Baby Dragon is designed by the artist Ai Weiwei, openings are possible and the result and its 17 public structures is a very differentiated three- W017 are designed by 17 international dimensional structure. architectural teams and artists. W024 Considering the difficulties of controlling the construction over W038 such a long distance, we designed a structure with very few details. W049 Through its location in the W091 park, the Baby Dragon creates a boundary between an open lawn W097 and a space under future evergreen trees. The three shelters of the W106 pavilion create different conditions of intimacy, control and usage, W116 allowing for different ways of interaction for different visitors, from children, to grown-ups, to the elderly. The structure is built completely of colored concrete poured on site. Only the floor of the pavilion is partly covered by the same grey brick as used for the paths, which connects it to the materiality and the circulation pattern of the entire park. The massive wall is perforated from both sides so children can climb through from one side to the other. Some of the openings are just large holes, while others are tangentially connected. The openings are 10—W010 Baby Dragon 11—W010 Baby Dragon Floor Plan Formwork 10 m 10m

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MIRRORED Am-back Bm-back Cm-back Dm-back Em-back Fm-back Gm-back Hm-back Im-back Km-back Lm-back 1.5 5

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Formwork 12—W010 Baby Dragon 13—W010 Baby Dragon Floor Plan W017 Artfarm HHF—Unfinished The Artfarm is situated in upstate With 370 square meters (about New York (a 90 minute drive 4,000 sq ft; the usable floor space W002 from the city) on the estate of an art is the same as that of the Tsai collector and gallery owner. Residence), the six- meter high body W010 The building is divided into several of the building gives the impression exhibition spaces of varying sizes of a spacious structure, and that W017 Artfarm and into areas designed especially even though only three small, for storing artworks. high-up windows to the north enable W024 a view outside. The lower part of The outer form is a direct the building serves as a showroom, W038 consequence of the prefabricated the upper part as a storeroom, galvanized iron sheets often used while the middle part houses separate W049 in the area for agricultural utility rooms for an office and a more buildings. Because of its abstract intimate presentation area. Concrete W091 outer form and the metallically ramps along the central axis shining appearance, the building connect the areas. W097 becomes an equal participant among the sculptures and objects A showroom and storage space W106 scattered throughout the could scarcely be realized surrounding landscape. with simpler means. Nevertheless, W116 the simple utility construction, The villa by architect John costing no more than around McFayden, situated on the top of a 250,000 €, fits perfectly in the hill, was to be supplemented by surroundings with the scattered an art facility that was to be both art objects. From the outside its a gallery and storage space. function remains enigmatic; on the The volume had to be as large as inside you could think you were in possible, but nevertheless another world. This impression is inexpensive. The architects therefore reinforced above all by the cladding employed prefabricated galvanized of the interior spaces, which iron elements as used widely in seems like upholstery with large the U.S. for agricultural buildings. buttons. The shell was insulated The Artfarm erected on a concrete with insulating material and clad foundation consists of three in white PVC foil which not only corrugated galvanized iron huts reduces heating and cooling costs connected to each other via short to a minimum, but also insulates passageways. The huts’ walls make the building acoustically. This is the transition to the saddleback roof essential for a place calling for high via a curved connecting element. levels of concentration.

14—W017 Artfarm 15—W017 Artfarm Ground Floor Section 10 m

10m 10m

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Tech. Tech. 21sf 21sf

Ground Floor Section

16—W017 Artfarm 17—W017 Artfarm W024 Lichtstrasse 9 HHF—Unfinished One of the qualities of the residential and industrial area of W002 St. Johann in Basel is the close coexistence of old and new buildings. W010 This coexistence is kept and emphasized in this project, only W017 one of the four existing houses of the corner parcel, Lichtstrasse 9, W024 Lichtstrasse 9 has been built anew; while others, Lichtstrasse 11 and Kraftstrasse 1, W038 have been renovated and benefit from the newly built infrastructure. W049 A new staircase and an elevator W091 have been introduced in the courtyard to create a direct access W097 to the old houses and the old staircases were demolished in order W106 to gain floor area. The new measures raise the desirability of the W116 old houses and the ability to keep and lease the existing houses in the future. In the interior the new building is connected to one of the existing ones to allow spacious apartments orientated to all four sides. On the ground floor is a restaurant designed in collaboration with the tenant.

18—W024 Lichtstrasse 9 19—W024 Lichtstrasse 9 Ground Floor Upper Floor 10 m 10m 10m

Upper Floor Ground Floor

20—W024 Lichtstrasse 9 21—W024 Lichtstrasse 9 W038 Labels 2 HHF—Unfinished The fashion center Labels Berlin 2 2007. The building opened in is a concentration of showrooms January 2010. W002 for international fashion brands in one building, including public spaces W010 such as an event hall, a restaurant and a lounge at the top floor. W017 The design strategy is based on the adjacent warehouse building W024 Labels 1. The interior spaces of this historical building are strongly W038 Labels 2 characterized by the repetition of arched windows used in the façade. W049 This motif became one of the starting points for the design of the W091 project. W097 The use of two differently cut sine curves generates a specific aesthetic W106 for both the supporting structure and, in a modified form, for the W116 façade. The result is that the structure and rhythm establish a formative motif for the perception of the new building and link it to the existing neighborhood. Connected by a heat exchanging device, the whole concrete structure of the building is permeated with water tubes and used as a radiator for heating as well as cooling. The energy consumption for heating and cooling of Labels 2 Berlin is reduced by 40% due to this combined technique of activating the building mass and using water from the Spree River. HHF architects won the international competition among selected architects in September

22—W038 Labels 2 23—W038 Labels 2 10m 10m

Upper Floor Section 10 m

24—W038 Labels 2 25—W038 Labels 2

Upper Floor Section W049 Ruta del Peregrino HHF—Unfinished Ruta del Peregrino is a pilgrimage out points. They provide spaces route extending 117 kilometers of serenity, inspiration and W002 across Jalisco, Mexico. It is traveled introspection, assisting the pilgrims every year by over two million emotional journey. The new W010 pilgrims from all over Mexico as infrastructure is also beneficial to an act of devotion, faith and the local economy. The Ruta W017 purification. The pilgrims begin in del Peregino was constructed with the town of Ameca from where financial support from the W024 they walk through the mountain Government of Jalisco and the range of Jalisco to the town of National Tourism Agency. It now W038 Talpea de Allende to see the Rosario provides shelter and a series Virgin. The annual pilgrimage of architectural monuments and W049 Ruta del Peregrino is usually walked during the Holy sanctuaries in the landscape, Week in mid-April. The pilgrims symbolising the devotion and W091 are of all ages and generally have a perseverance of the pilgrims that low to modest income. Pilgrimages use it. W097 are an integral part of religion in Mexico. This religious act of faith The HHF Lookout Point is designed W106 and devotion has been carried to be an additional loop in the on for centuries across the country, pilgrim’s path. Its round shape was W116 and until recently has rarely been developed as a formal anticipation recognized or supported by the of the pilgrims movement government. In an effort to improve through the platform—ascending travel conditions and enhance to enjoy the great view across the experience of Ruta del Peregrino, the surrounding countryside, the project curators invited an before redescending. The asymmetric international team of architects to arched openings provide access create a series of stations at key to an open hall which is covered by points along the route. the platform above. The inner walls are a shifted repetition of the The stations are conceived as primary façade resulting in four a series of symbolic architectural tangential circles, between which the pieces that combine to become two staircases define a route an integral narrative along the heart up to the platform and back down. of the pilgrimage route. The stations The only exception to the curved enhance the symbolic importance shape is a brick wall with a cross- of the route and add a sense shaped opening in the most protected of permanence by providing basic part of the building, serving as an services, such as shelter and look intimate room for rest and prayer.

26—W049 Ruta del Peregrino 27—W049 Ruta del Peregrino Formwork 10 m

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28—W049 Ruta del Peregrino 29—W049 Ruta del Peregrino

Formwork W091 Ozeanium Basel HHF—Unfinished Zoo Basel is embedded in the city In the Ozeanium’s dome-like and used as a park by both entrance area, which is open on all W002 residents and visitors. The redesign sides, the enormous weight of the of the surrounding landscape water mass above becomes W010 and the construction of the new apparent. All of the building’s most ʻOzeaniumʼ (ocean aquarium) important functions can be seen W017 on an adjacent site are bringing directly from this vantage point. the zoo and the park area even A ramp leads down to the foyer and W024 closer to the city center, to form an elevators; passages and staircases attractive living and recreational lead to the bar, the temporary W038 environment. The proposed exhibition and the museum shop. Ozeanium reflects the scale of Everything for which the building W049 many surrounding buildings, is used can be accessed directly such as the Rialto swimming from the entrance area on foot, W091 Ozeanium pool, the market hall, and the tall by wheelchair, or with a baby buggy. buildings on the city ring. This public area, while protected W097 The bold building massing makes from the elements, is outdoors clear what an attraction this and is closed off at night by means W106 Ozeanium will be, enriching the of grating. city in a central location. The W116 footprint is as minimal as possible To begin their tour, visitors to to leave room for future zoo the Ozeanium are carried up to the expansion. top floor by elevator, where they can dine in a restaurant with The roof and façade are homo­ spectacular views of the city. genous in terms of the materials From there they walk down a gently and the language of forms: sloped, continuous ramp that takes exposed concrete, horizontally them on a fictive journey around graduated by rough boarding and the oceans of the world. On this with sediment-like exogenous journey, four ʻaquarium clustersʼ— inclusions. The seemingly archaic large, interconnected exhibition façade is riddled with openings rooms—constitute scenographic and recesses of various sizes, highlights. exposing the Ozeanium’s most important themes to the city beyond. Some of the spherical indentations in the building volume are planted and serve as habitats for birds and small animals.

30—W091 Ozeanium 31—W091 Ozeanium Cross Section Longitudinal Section 10 m

10m

10m

Cross Section

Longitudinal Section

32—W091 Ozeanium 33—W091 Ozeanium Aquarium Clusters Visitor Flow

Aquarium Clusters Visitor Flow

34—W091 Ozeanium 35—W091 Ozeanium W097 Min/Max HHF—Unfinished Sustainability is also an important by allowing for several small social, urban and architectural issue, units to be merged, creating homes W002 which asks for architectural or even the provision of new uses solutions. How long a building will such as major studios, workspaces W010 and can be used depends very or even offices. Flexibility is much on a long lasting freedom of achieved simply by modifying non- W017 use and the building’s flexibility. structural elements, such as walls The more a building allows for future and infill panels, in response W024 changes and adaptions of use, to changing future requirements. the more it’s allowing for different In principle, all types of W038 future utilizations. The structure housing can be provided on all and the initial concept allows floors, giving maximum W049 for program changes—which in flexibility in the planning process. the initial clients brief may be The mix of housing can be W091 unknown—ensuring that the adapted without interfering with building will last and be utilized. the building structure. W097 Min/Max The ʻMin/Maxʼ project sees itself W106 as identity-building and long-lasting in this sense. It is an attempt W116 to provide a maximum flexible base structure, which achieves a strong and specific expression. Its housing scheme addresses issues of flexibility through a system of adaptable modules organized within a defined structural grid. Basic elements can be arranged and transformed depending on programmatic needs. Within a given structure high mini-lofts as basic modules can provide different types of studio housing. Individual units can also be combined into larger clusters creating different housing typologies. The adaptability aids future programmatic requirements

36—W097 Min/Max 37—W097 Min/Max Basic Unit Type B Unit Type A Unit Type C Unit

Basic Unit Type B Unit

38—W097 Min/Max 39—W097 Min/Max Type C Unit Type A Unit 10m 10m

Ground Floor Upper Floor 10 m

40—W097 Min/Max 41—W097 Min/Max

Upper Floor Ground Floor 10m 10m

Cross Section Elevation 10 m

42—W097 Min/Max 43—W097 Min/Max

Cross Section Elevation W106 Landskronhof HHF—Unfinished Landskronhof proposes to turn A simple structure of slabs a courtyard situation consisting of and columns provide a flexible base W002 different parcels into one large new to allow individual floor plan parcel for collective urban housing. typologies that can be adapted even W010 Situated in a typical 19th century throughout the planning process. perimeter block in Basel, the project All apartments have cross views W017 proposes the densification of through the apartment. The inside existing perimeter blocks by making corner of the buildings are W024 the backside plots available and always occupied by one apartment accessible for housing. Today the allowing a high amount of W038 interior of the mostly open courtyard privacy towards direct neighbors. is characterized by garages and W049 small workshop buildings. Besides a topographic step of about 3 meters W091 the parcel is surrounded by back walls and fire walls of neighboring W097 buildings. W106 Landskronhof By proposing a single building in the center of the plot with one W116 central core, circulation surfaces can be minimized and all different types of apartments can be organized radially around the core. Expansions and step backs in the building volume react to the specific needs towards sunlight, privacy, outside spaces and the building code on each side of the building. This allows individual apartments with sunlight from multiple directions and diverse visual and spatial connections to the outside space. A series of private and semi-public courtyards provide different moments of density and connect the two topographic levels of the site.

44—W106 Landskronhof 45—W106 Landskronhof Ground Floor 10 m

46—W106 Landskronhof 47—W106 Landskronhof

10m 1st + 2nd Floor 3rd + 4th Floor

10m10 m 10m

48—W106 Landskronhof 49—W106 Landskronhof

1st + 2nd Floor 3rd + 4th Floor Apartment Types I Apartment Types II

50—W106 Landskronhof 51—W106 Landskronhof

Apartment Types I Apartment Types II W116 Parking & More HHF—Unfinished The project called ʻParking They allow for a direct access with & Moreʼ is a public facility and cars and bikes to all floors including W002 mixed use structure for parking the roof. An additional sideway and a variety of public and for pedestrians, located on the inside W010 private programs. The new concrete of a ramp leads to the public structure will be placed over the viewing platform, offering a great W017 existing standard steel parking view over the fast developing area lot. The current building will be of the Dreispitz quarter. W024 renovated and fully integrated into a new and much larger parking. W038 The goal is to create intense and multilayered infrastructure, W049 which works as an urban hinge, connecting and regulating different W091 type of mobility flows, both from north to south and east to west. W097 The fully open structure has ceiling heights which are slightly above W106 standard heights for parking to accommodate other permanent and W116 Parking & More temporary built-in programs. A series of small scale shops, bars and restaurants are located on the ground floor, creating a vibrant and lively street and a partially covered urban plaza with different sport facilities and temporary pop-up stores. Beside parking there is a motel and a sports club integrated on the upper floors. The roof top is used for urban farming and provides a public garden with a restaurant, bars and an event hall overlooking the city.

All internal circulation is organized with two centrally located spiral ramps leading up to the roof.

52—W116 Parking & More 53—W116 Parking & More Ground Floor 10 m

10m

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Upper Floor 56—W116 Parking & More 57—W116 Parking & More Roof Plan 10 m

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Roof Plan 58—W116 Parking & More 59—W116 Parking & More Longitudinal Section 10 m

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Longitudinal Section 60—W116 Parking & More 61—W116 Parking & More Motorized Traffic Visitor Flow

62—W116 Parking & More 63—W116 Parking & More

Motorized Traffic Visitor Flow HHF—Unfinished W002 Sonvida Parking W010 Baby Dragon W017 Artfarm W024 Lichtstrasse 9 W038 Labels 2 W049 Ruta del Peregrino W091 Ozeanium W097 Min/Max W106 Landskronhof W116 Parking & More

64—HHF—Unfinished 65—HHF—Unfinished W002 Sonvida Parking

66—W002 Sonvida Parking 67—W002 Sonvida Parking 68—W002 Sonvida Parking 69—W002 Sonvida Parking 70—W002 Sonvida Parking 71—W002 Sonvida Parking 72—W002 Sonvida Parking 73—W002 Sonvida Parking 74—W002 Sonvida Parking 75—HHF—Unfinished W010 Baby Dragon

76—W010 Baby Dragon 77—W010 Baby Dragon 78—W010 Baby Dragon 79—W010 Baby Dragon 80—W010 Baby Dragon 81—W010 Baby Dragon 82—W010 Baby Dragon 83—W010 Baby Dragon 84—W010 Baby Dragon 85—W010 Baby Dragon 86—W010 Baby Dragon 87—W010 Baby Dragon 88—W010 Baby Dragon 89—W010 Baby Dragon 90—W010 Baby Dragon 91—W010 Baby Dragon W017 Artfarm

92—W017 Artfarm 93—W017 Artfarm 94—W017 Artfarm 95—W017 Artfarm 96—W017 Artfarm 97—W017 Artfarm 98—W017 Artfarm 99—W017 Artfarm 100—W017 Artfarm 101—W017 Artfarm W024 Lichtstrasse 9

102—W024 Lichtstrasse 9 103—W024 Lichtstrasse 9 104—W024 Lichtstrasse 9 105—W024 Lichtstrasse 9 106—W024 Lichtstrasse 9 107—W024 Lichtstrasse 9 108—W024 Lichtstrasse 9 109—W024 Lichtstrasse 9 110—W024 Lichtstrasse 9 111—W024 Lichtstrasse 9 112—W024 Lichtstrasse 9 113—W024 Lichtstrasse 9 W038 Labels 2

114—W038 Labels 2 115—W038 Labels 2 116—W038 Labels 2 117—W038 Labels 2 118—W038 Labels 2 119—W038 Labels 2 120—W038 Labels 2 121—W038 Labels 2 122—W038 Labels 2 123—W038 Labels 2 124—W038 Labels 2 125—HHF—Unfinished W049 Ruta del Peregrino

126—W049 Ruta del Peregrino 127—W049 Ruta del Peregrino 128—W049 Ruta del Peregrino 129—W049 Ruta del Peregrino 130—W049 Ruta del Peregrino 131—W049 Ruta del Peregrino 132—W049 Ruta del Peregrino 133—W049 Ruta del Peregrino 134—W049 Ruta del Peregrino 135—W049 Ruta del Peregrino 136—W049 Ruta del Peregrino 137—HHF—Unfinished W091 Ozeanium

138—W091 Ozeanium 139—W091 Ozeanium 140—W091 Ozeanium 141—W091 Ozeanium 142—W091 Ozeanium 143—W091 Ozeanium 144—W091 Ozeanium 145—W091 Ozeanium

Mangrove Forest Deep Blue

146—W091 Ozeanium 147—W091 Ozeanium W097 Min/Max

148—W097 Min/Max 149—W097 Min/Max 150—W097 Min/Max 151—W097 Min/Max 152—W097 Min/Max 153—W097 Min/Max W106 Landskronhof

154—W106 Landskronhof 155—W106 Landskronhof W116 Parking & More

156—W116 Parking & More 157—W116 Parking & More 158—W116 Parking & More 159—W116 Parking & More 160—W116 Parking & More 161—W116 Parking & More 162—W116 Parking & More 163—W116 Parking & More 164—W116 Parking & More 165—HHF—Unfinished W002 Sonvida Parking W010 Baby Dragon W017 Artfarm W024 Lichtstrasse 9 Project: Project: Project: Project: HHF + ARchos + Robert Günther HHF HHF and Ai Weiwei HHF — — — — Program: Program: Program: Program: Parking Garage Pavillon for Children in the Jinhua Gallery and Art Storage Restaurant, 14 Apartments — Architecture Park — — Location: — Location: Location: Bottmingen, Basel, Switzerland Location: Salt Point, New York, USA Basel, Switzerland — Jinhua, Zhejiang Province, China — — Design Phase and Construction: — Design Phase and Construction: Design Phase and Construction: 2005–2009 Design Phase and Construction: 2006–2008 2008–2012 — 2004–2006 — — Team: — Team: Team: Herlach Hartmann Frommenwiler Team: Herlach Hartmann Frommenwiler Herlach Hartmann Frommenwiler and Kurt Frommenwiler, Herlach Hartmann Frommenwiler and Ai Weiwei with Cella Hubel, Nicole Baron, Robert Günther with Tom Strub, Nelson Tam, with Tom Strub, Fumiko Takahama Philippe Guillod, Walter Gloor, with André Burkhardt, Silke Chris Thür — Yujin Hirase, Lisa Lo, Gilbert, Uta Kamps — Useable Floor Area Daichi Takano, Jens Van Zele, — Dimensions: 383 m 2 / 4’122 sq ft Christian Weyell Gross Floor Area: 30 m × 4.5 m — — 3’033 m 2 — Material: Gross Floor Area: — Material: Steel 3’059 m 2 Client: Colored Concrete — Building Volume: Gribi Theurillat AG — Client: 7’832 m 3 — Client: Christophe W. Mao / Chambers Fine — Photos: Jingdong New District Constructing Art Client: Tom Bisig Headquarters of Jinhua City — Private — Awards: — Photos: Contractworld Award 2010, Artist: Iwan Baan, Hercli Bundi, HHF ʻbest architects 10 goldʼ Erik Steinbrecher — — Photos: Photos: Iwan Baan Maris Mezulis, HHF — Awards: New Building 2013, Heimatschutz Basel Auszeichnung guter Bauten 2013

166—HHF—Unfinished 167—HHF—Unfinished W038 Labels 2 W049 Ruta del Peregrino Project: Exhibition: Project: Masterplan and Project HHF DAM Deutsches HHF Coordination: — Architekturmuseum, — Rozana Montiel and Derek Program: Frankfurt a. M., Deutschland Program: Dellekamp Fashion Center — Lookout Point — — Award: — Environmental Strategy: Location: Architekturpreis Berlin 2013 Location: T.O.A. | Taller de Operaciones Osthafen, Berlin, Germany Espinazo del Diablo, Jalisco, Ambientales — Mexico — Competition: — Invited Architects and Designers: 2007, 1st Prize Construction: Ai Weiwei / Fake Design (China), — 2008–2010 Luis Aldrete (Mexico), Construction: — Tatiana Bilbao (Mexico), 2007–2009 Team: Christ & Gantenbein (Switzerland), — Herlach Hartmann Frommenwiler Dellekamp Arquitectos (Mexico), Team: with Alexa den Hartog, Janna Elemental (Chile), Herlach Hartmann Frommenwiler Jessen Godoylab (Mexico), with Cella Hubel and Walter Gloor, — HHF (Switzerland), Yujin Hirase, Janna Jessen, Photos: Periférica (Mexico), Tonja Kersting, Okhyun Kim Iwan Baan Taller TOA (Mexico) — — — Building Footprint Area: Movie: Client: 1’537 m 2 Cristian Manzutto Secretaría de Turismo de Jalisco Surrounding Site Improvements Area: — 590 m 2 Award: Gross Floor Area: Wallpaper* Design Award 2012 8’191 m 2 — Useable Floor Area: Title of whole Project: 6’630 m 2 Ruta del Peregrino Building Volume: (Route of Pilgrim) 32’930 m3 — — Location: Client: From Ameca to Talpa de Allende, LABELS Projektmanagement GmbH Jalisco, Mexico & Co. KG — — Curatorial Team: Photos: Tatiana Bilbao and Derek Iwan Baan, Christian Gahl, HHF Dellekamp

168—HHF—Unfinished 169—HHF—Unfinished W091 Ozeanium W097 Min/Max W106 Landskronhof Project: Team Topotek 1: Project: Project: HHF + Burckhardt+Partner Martin Rein-Cano, Francesca HHF HHF + Bluedisplays + Topotek 1 + Venier, Celine Baumann — — Schnetzer Puskas Ingenieure + — Program: Program: Stokar+Partner + Tatin Design Team Schnetzer Puskas Ingenieure: Mixed-Use Housing, Commercial, Housing Studio + Philipp Schaerer Tivadar Puskas, Ayumi Isozaki, Educational — — Giotto Messi — Location: Program: — Location: Basel, Switzerland Aquarium Team Tatin Design Studio: Opfikon, Switzerland — — Oliver Mayer, Gian Besset — Team: Location: — Comission: Herlach Hartmann Frommenwiler Basel, Switzerland Building Footprint Area: Invited Competition 2013 with David Gregori y Ribes, — 315 m 2 — Mariana Santana and Jure Sadar, Design: Surrounding Site Improvements Team HHF: Felix Brinkhege, Christian Poules 2012 Area: Herlach Hartmann Frommenwiler — — 3’105 m 2 with David Gregori y Ribes, Client: Comission: Gross Floor Area: Juan Palencia, Aleris Rodgers, Privat Open 2-stage competition 2012, 13’054 m 2 Zdeněk Liška and Nicole Baron, 2nd Prize Useable Floor Area: Pierre Escobar — 8’950 m 2 — Team HHF: Building Volume: Building Footprint Area: Herlach Hartmann Frommenwiler 52’634 m 3 1’247 m 2 with Jelena Vucic, Aleris Rodgers, — Surrounding Site Improvements Sarah Gill, Walter Rudig, Client: Area: Tommaso Arnaboldi, Philippe Ayer, Zoo Basel 2’397 m 2 Ivana Barišić, Benjamin Krüger, — Gross Floor Area: André Manso, Terese Viltoft, Renders: 6’623 m 2 Sabrina Wolf, Hanru Wu Philipp Schaerer Useable Floor Area: — 6’050 m 2 Team Burckhardt+Partner: Building Volume: Wolfgang Hardt, Sacha Marchal, 23’661 m3 Jeannine Roschi, Tobias Eglauer — — Client: Team Bluedisplays: AMAG Automobil- und Motoren Xavier Aliart, Silvia Vicente AG Molina, Miguel Villalobos

170—HHF—Unfinished 171—HHF—Unfinished W116 Parking & More Project: Building Footprint Area: HHF 8’000 m2 — Gross Floor Area: Program: 41’000 m2 Mixed-Use, Parking Useable Floor Area: — 39’50 0 m 2 Location: Building Volume: Basel, Switzerland 406’000 m3 — — Commission: Client: Invited Competition 2014, 1st Price Christoph Merian Foundation — Team: Herlach Hartmann Frommenwiler with Mariana Santana, Benjamin Krüger, Anastasija Binevic and Felix Brinkhege, Zdeněk Liška, Dasha Mikic, Jure Sadar — Structural Engineer: WMM Ingenieure — Programming: Intosens Urban Solutions — Sustainability: Intep — Lanscape: Topotek 1 — H VAC: AFC—Air Flow Consulting — Mobility: Glaser, Saxer Keller

172—HHF—Unfinished Unfinished Concept: Printed in Italy by Grafiche Leone Herlach Hartmann Frommenwiler First edition, 2014 — — Managing Editor: HHF Architects Wolfgang Hockenjos Allschwilerstrasse 71 A — 4055 Basel, Switzerland Editing: T +41 61 756 70 10 Ivana Barišić F +41 61 756 70 11 — General inquiries: [email protected] Graphic Concept and Design: Press inquiries: [email protected] Jiri Oplatek, Claudiabasel www.hhf.ch — — Picture Credits: © 2014 The Authors W002 Sonvida Parking: Tom Bisig W010 Baby Dragon: Iwan Baan W017 Artfarm: Iwan Baan W024 Lichtstrasse 9: Maris Mezulis, HHF W038 Labels 2: Thank you for your support! Iwan Baan, Christian Gahl, HHF ADUNIC AG W049 Ruta del Peregrino: Creafactory AG Iwan Baan GNEISE Planungs- und W091 Ozeanium: Beratungsgesellschaft mbH HHF, Philipp Schaerer PB71 GmbH, Metallarchitektur W097 MIN/MAX: PlotJet AG HHF Radex Montage- & Gipsergeschäft W106 Landskronhof: Römelin AG HHF WMM Ingenieure AG W116 Parking & More: HHF — Typeface: Times New Roman Papers: Grayboard 300g/m2, Freelife 100 Satin 80g/m2 174—HHF—Unfinished 175—HHF—Unfinished HHF—Unfinished ISBN 978-3-033-04706-8

176—HHF—Unfinished