DOCSLIB.ORG

Download PDF Guide

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

The Uzbekistan Pavilion Biennale Architettura 2021 Arsenale, Venezia Carlos Casas, Bas Princen Curated by Emanuel Christ & Christoph Gantenbein www.mahallavenice.uz Relaxed The place to be for art lovers! Street art by The London Police in Basel basel.com My Art Guides Lightbox Publishing The 17th edition of the Venice exhibition promoted by TBA21 Architecture Biennale, under Academy “Territorial Agency: Editor-in-Chief Publishers the title of “How will we live Oceans in Transformation” and Mara Sartore Matteo Bartoli together?” opens to the commissions Taloi Havini’s Mara Sartore public on May 22nd and will work “The Soul Expanding Deputy Editor remain open until November Ocean #1”. A must-see are the Carla Ingrasciotta Global PR and Sales 21st. Curator Hashim Sarkis exhibitions at Fondazione Prada Ilaria Malagutti reflects upon the vital role of “Stop Painting”, conceived by Web Editor the architect as both cordial artist Peter Fischli, and “Georg Alessandra Bellomo Press Office convener and custodian of Baselitz: Archinto” at Palazzo Alessandra Bellomo the spatial contract. Today, Grimani, as well as shows by Translations and Proof Readings this theme is more pertinent galleries including Victoria Lara Morrell Techinical Director than ever, in the face of the Miro “Conrad Shawcross”, that Francesca Antona current times we are living in, of Michela Rizzo “Maurizio Graphic Designer and responds to the need of Pellegrin: The Red, The Black Maxim Dosca Web Developer managing the social distancing and the Other” and at the Andrea Serrani imposed on us by the pandemic. Venetian headquarters of the Parisian gallery Alberta Pane the For updated info check our For advertising please write 61 countries are participating exhibition “Gayle Chong Kwan: website myartguides.com to [email protected] this year, 3 of which for the Waste Archipelago”. by scanning the QR code or first time at the Architecture download our App from iTunes Lightbox Group HQ Biennale: Grenada, Iraq, and Be wary that opening times and Google Play Uzbekistan. 17 Collateral events and rules on admission to art Cannaregio 3527 are taking over the entire city. spaces and restaurants may 30121 Venice, Italy change or require advanced T +39 041 2411265 Among the many exhibitions booking, so make sure to double and initiatives I would like to check details online. To browse www.lightboxgroup.net especially highlight: in the through the constantly updated Sale d’Armi, at the Arsenale, programme make use of the My For other enquiries the exhibition by La Biennale Art Guides tools via our website and V&A Museum, London or app for iOS and Android. [email protected] “Three British Mosques” and the special event by the Vuslat Enjoy the Biennale! Foundation presenting a new installation by Giuseppe Penone, curated by Chus Martínez at Mara Sartore the Gaggiandre in the Arsenale. Editor-in-Chief At Punta della Dogana, the exhibition “Bruce Nauman: © Lightbox. All rights reserved. Repro- Contrapposto Studies” curated duction in whole or in part without written by Carlos Basualdo and Caroline permission is strictly prohibited. All cred- Bourgeois; at Abbazia di San its, information, times, prices are accurate at time of going to press. Lightbox cannot Printed in Italy Giorgio don’t miss the collateral be held responsible for any change after by Smartmix event “Not Vital: SCARCH”; 5 May 2021 Ocean Space presents the 6 How to Use the Guide Useful Numbers 7 HOW TO USE Index and City Maps USEFUL NUMBERS Parking THE GUIDE 1 ID Number of the article, Autorimessa Comunale ASM the one that you’ll also find Taxi Address Piazzale Roma, S. Croce “My Art Guide Venice 2021” on the map Water Taxi 365/b is divided into 5 parts offering a 2 Title of the article Consorzio Motoscafi Phone +39 041 272 7301 complete overview of the Vene- 3 Map number Phone +39 041 5222303 tian art scene and the events tak- 4 Page number Web motoscafivenezia.it S. Andrea ing place during the 17th Interna- Address Piazzale Roma, S. Croce tional Architecture Exhibition. Key to ID Symbols Coop. Serenissima 461 All the National Participation Web serenissimataxi.it Phone +39 041 272 2384 1 Your Compass in Venice Pavilions are marked on the Phone +39 041 5221265 The city’s districts with the maps with their country code. Garage S. Marco most important events, land- C Official Collateral Events Coop. Artigiana Radiotaxi Address Piazzale Roma 467/F marks, galleries, and museums E Exhibitions & Events Mestre and Tessera Phone +39 041 523 2213 in each area of interest. F Foundations Web radiotaxivenezia.com M Museums Phone +39 041 5964 2 The 17th International A Art Spaces Architecture Exhibition G Galleries Public Transport Description of all National R Restaurants & Wine Bars Venezia Unica Participations and Official H Hotels Web veneziaunica.it Collateral Events. All the most Phone +39 041 2424 important exhibitions and Map References events during the Biennale. Map M01: Giardini/Castello Alilaguna (From/To Airport Map M02: Sant’Elena To/From Venice) 3 Art in Venice Map G: Giardini Web alilaguna.it A selection of Museums, Map A: Arsenale Phone +39 041 240 1701 Foundations, Galleries and Art Map M03: Castello Spaces in Venice, active all Map M04: Castello Venice Airport (Tessera) year-round. Map M05 – M06: San Marco, Castello Web veniceairport.it Map M07: Santa Croce Phone +39 041 260 6111 4 Leisure Map M08: Dorsoduro/San Marco A selection of the best restau- Map M09: Dorsoduro/Giudecca Emergencies rants, bars and hotels in Venice Map M10: Giudecca/San Giorgio Carabinieri with contact information. Map M11: Giudecca/Dorsoduro Phone 112 Map M12: Giudecca/Dorsoduro 5 Agenda Map M13: Cannaregio Emergency First Aid A day-by-day, hour-by- Map M14: Cannaregio/San Polo Phone 118 hour calendar of all events. Map M15: Cannaregio/San Polo Information on openings, Map M16: Cannaregio/Murano Police performances, special events, Map X: Outside map area Phone 113 press previews. Map V: Various locations 8 Index Index 9 1 IRQ Iraq Page 63 Map M09 YOUR COMPASS IN VENICE IE Ireland Page 64 Map A IL Israel Page 64 Map G Giardini/Castello Page 38 Map V IT Italy Page 65 Map A Arsenale/Castello Page 39 Map V JP Japan Page 65 Map G Castello/San Marco Page 39 Map V KR Korea (Republic of) Page 65 Map G San Marco/Dorsoduro Page 40 Map M08 RKS Kosovo (Republic of) Page 67 Map A Dorsoduro/Guidecca/San Giorgio Page 40 Map V KWT Kuwait Page 68 Map M03 Santa Croce/San Polo/Rialto Page 42 Map V LV Latvia Page 68 Map A Cannaregio/Murano Page 42 Map V RL Lebanon Page 68 Map M09 LT Lithuania Page 69 Map M03 2 LU Luxembourg (Grand Duchy of) Page 69 Map A 17TH ARCHITECTURE EXHIBITION MX Mexico Page 69 Map A NL Netherlands Page 70 Map G 2.1 How will we live together? Page 44 AA Nordic Countries (Finland, Norway, Sweden) Page 70 Map G 2.2 National Participations NMK North Macedonia (Republic of) Page 71 Map M06 PK Pakistan Page 71 Map M15 AL Albania Page 52 Map A PE Peru Page 72 Map A AR Argentina Page 52 Map A PH Philippines Page 72 Map A AM Armenia Page 53 Map M07 PL Poland Page 73 Map G AU Australia Page 53 Map G PT Portugal Page 73 Map M08 AT Austria Page 54 Map G RO Romania – Giardini Page 74 Map G BH Bahrain (Kingdom of) Page 54 Map M03 RO Romania – Istituto Romeno di Cultura BE Belgium Page 55 Map G e Ricerca Umanistica Page 74 Map M15 BR Brazil Page 55 Map G RU Russia Page 75 Map G CA Canada Page 56 Map G SM San Marino (Republic of) Page 75 Map M05 CL Chile Page 56 Map A SA Saudi Arabia Page 75 Map A CN China (People’s Republic of) Page 57 Map A RS Serbia Page 76 Map G HR Croatia Page 58 Map M03 SG Singapore Page 76 Map A CY Cyprus Page 58 Map M03 SI Slovenia Page 77 Map A DK Denmark Page 58 Map G ES Spain Page 77 Map G DOM Dominican Republic Page 58 Map M12 CH Switzerland Page 79 Map G EG Egypt Page 59 Map G TH Thailand Page 79 Map M03 EE Estonia Page 59 Map A TR Turkey Page 79 Map A FI Finland (Aalto Pavilion) Page 60 Map G UAE United Arab Emirates Page 80 Map A FR France Page 60 Map G USA United States of America Page 80 Map G DE Germany Page 61 Map G UY Uruguay Page 82 Map G GB Great Britain Page 62 Map G UZB Uzbekistan (Republic of) Page 82 Map A GR Greece Page 62 Map G WG Grenada Page 63 Map M03 2.3 Official Collateral Events HU Hungary Page 63 Map G 10 Index Index 11 C01 Catalonia in Venice: E04 BORGOALIVE! #SmartNeighbourhood, Air/Aria/Aire, Cantieri Navali Page 83 Map M04 InParadiso Art Gallery Page 92 Map M01 C02 Charlotte Perriand and I. Converging E05 Bruce Nauman: Contrapposto Studies, designs by Frank Gehry and Charlotte Punta della Dogana Page 92 Map M09 Perriand, Espace Louis Vuitton Venice Page 84 Map M05 E06 Chef-d’œuvres. L’arte in tavola, Michela Rizzo Page 93 Map M11 C03 Connectivities: Living beyond the E07 Conrad Shawcross, Victoria Miro Venice Page 93 Map M05 boundaries – Macao and the Greater E08 Creators of our Time, Bevilacqua La Masa – Bay Area, Campo della Tana Page 84 Map M03 Piazza San Marco Page 93 Map M05 C04 Hakka Earthen Houses on E09 Do you know what I mean?, variation-Co-operative Living, Beatrice Burati Anderson Page 94 Map M08 Art and Migration Architecture in China, E10 Elena Cologni: Practices of care, on finding Forte Marghera, Padiglione 30 Page 84 Map X the cur(v)e, Bevilacqua La Masa – C05 LIANGHEKOU: a Tujia Village of Palazzetto Tito Page 94 Map M07 Re-Living-Together, Palazzo Zen Page 85 Map M15 E11 EST.
Recommended publications
  • Alfredo Aceto Brains & Bronze

    Alfredo Aceto Brains & Bronze

    Alfredo Aceto January 22 – March 5 2021 Curated by Laurence Favez Jeandin Brains & HIT Rue des Amis 1201 Geneva Bronze espace-hit.ch 1. Esercizi Muscolatura Orofacciale per Artisti I, III, IV, V, VI, VII, VIII, VIII, IX, X, XI 2020 Sérigraphie sur carton. 60 x 71 cm Unique 2. Bocca con Matita 3. 2. 2020 Bronze, peinture à l’huile. 17 x 5 x 3,5 cm Unique 3. Fabian Marti, 2020 Impression jet d’encre, cadre. 57 x 68 cm 4. d’Angleterre 2021 Chemise, corne, 43 x 31,5 x 8 cm 1. 4. Avec le soutien de ProHelvetia, de la Loterie Romande, du FMAC et du FPLCE Alfredo Aceto se pose la question du corps et de ses métamorphoses. Récemment contraint de rééduquer le muscle de sa langue, il expérimente le retour à l’appren- tissage oral, pourtant acquis lors de l’enfance. Cette oralité obtenue si lointainement semble être innée, puisque son application devenue naturelle absorbe le souvenir de l’initiation. Son réapprentissage apporte alors une conscientisation gestuelle et poé- tique, catalyseur de cette présente exposition. La série Esercizi Muscolature Orofacciale per Artisti est une suite d’exercices rédi- gés initialement par le médecin Daniel Garliner. Bien que destinées à ces mêmes problématiques myofonctionnelles et utilisées à des fins cliniques, ces courtes ritour- nelles empruntent des images et des codes propres à l’univers de l’enfance et de la fable. Onomatopées, images ou métaphores, elles mobilisent davantage de sens qu’elles n’en prétendent stimuler, et rejouent l’aller-retour emprunté récemment par l’artiste dans l’apprentissage infantile.
  • HERITAGE UNDER SIEGE in BRAZIL the Bolsonaro Government Announced the Auction Sale of the Palácio Capanema in Rio, a Modern

    HERITAGE UNDER SIEGE in BRAZIL the Bolsonaro Government Announced the Auction Sale of the Palácio Capanema in Rio, a Modern

    HERITAGE UNDER SIEGE IN BRAZIL the Bolsonaro Government announced the auction sale of the Palácio Capanema in Rio, a modern architecture icon that was formerly the Ministry of Education building FIRST NAME AND FAMILY NAME / COUNTRY TITLE, ORGANIZATION / CITY HUBERT-JAN HENKET, NL Honorary President of DOCOMOMO international ANA TOSTÕES, PORTUGAL Chair, DOCOMOMO International RENATO DA GAMA-ROSA COSTA, BRASIL Chair, DOCOMOMO Brasil LOUISE NOELLE GRAS, MEXICO Chair, DOCOMOMO Mexico HORACIO TORRENT, CHILE Chair, DOCOMOMO Chile THEODORE PRUDON, USA Chair, DOCOMOMO US LIZ WAYTKUS, USA Executive Director, DOCOMOMO US, New York IVONNE MARIA MARCIAL VEGA, PUERTO RICO Chair, DOCOMOMO Puerto Rico JÖRG HASPEL, GERMANY Chair, DOCOMOMO Germany PETR VORLIK / CZECH REPUBLIC Chair, DOCOMOMO Czech Republic PHILIP BOYLE / UK Chair, DOCOMOMO UK OLA ODUKU/ GHANA Chair, DOCOMOMO Ghana SUSANA LANDROVE, SPAIN Director, Fundación DOCOMOMO Ibérico, Barcelona IVONNE MARIA MARCIAL VEGA, PUERTO RICO Chair, DOCOMOMO Puerto Rico CAROLINA QUIROGA, ARGENTINA Chair, DOCOMOMO Argentina RUI LEAO / MACAU Chair, DOCOMOMO Macau UTA POTTGIESSER / GERMANY Vice-Chair, DOCOMOMO Germany / Berlin - Chair elect, DOCOMOMO International / Delft ANTOINE PICON, FRANCE Chairman, Fondation Le Corbusier PHYLLIS LAMBERT. CANADA Founding Director Imerita. Canadian Centre for Architecture. Montreal MARIA ELISA COSTA, BRASIL Presidente, CASA DE LUCIO COSTA/ Ex Presidente, IPHAN/ Rio de Janeiro JULIETA SOBRAL Diretora Executiva, CASA DE LUCIO COSTA, Rio de Janeiro ANA LUCIA NIEMEYER/ BRAZIL
  • Jerusalem As Trauerarbeit on Two Paintings by Anselm Kiefer and Gerhard Richter

    Jerusalem As Trauerarbeit on Two Paintings by Anselm Kiefer and Gerhard Richter

    Jerusalem as Trauerarbeit 59 Chapter 3 Jerusalem as Trauerarbeit On Two Paintings by Anselm Kiefer and Gerhard Richter Wouter Weijers In 1986, Anselm Kiefer produced a painting he entitled Jerusalem (Fig. 3.1). It is a large and heavy work measuring approximately thirteen by eighteen feet. When viewed up close, the surface is reminiscent of abstract Matter Painting. Liquid lead was applied, left to solidify and then scraped off again in places, ripping the work’s skin. When the work is viewed from a distance, a high hori- zon with a golden glow shining over its centre appears, which, partly due to the title, could be interpreted as a reference to a heavenly Jerusalem. Two metal skis are attached to the surface, which, as Fremdkörper, do not enter into any kind of structural or visual relationship with the painting Eleven years later, Gerhard Richter painted a much smaller work that, although it was also given the title Jerusalem, was of a very different order (Fig. 3.2). The painting shows us a view of a sun-lit city. But again Jerusalem is hardly recognizable because Richter has let the city dissolve in a hazy atmo- sphere, which is, in effect, the result of a painting technique using a fine, dry brush in paint that has not yet completely dried. It is the title that identifies the city. Insiders might be able to recognize the western wall of the old city in the lit-up strip just below the horizon, but otherwise all of the buildings have dis- appeared in the haze.
  • Author and Activist Lawrence Lessig

    Author and Activist Lawrence Lessig

    Big Money Bulletin Author and reform activist Lawrence Lessig Inside to headline WDC annual meeting on May 2 Harvard University professor and campaign finance reform crusader Page 2 Lawrence Lessig will be the keynote speaker for the Democracy Supreme Court drops another bomb Campaign’s annual membership meeting to be held on Friday, May 2. Wisconsin communities move to amend Lessig is the author of Republic, Lost: How Money Corrupts Congress Page 3 — And a Plan to Stop It and founder of the national group Rootstrikers. Change in leadership coming at WDC He is the driving force behind the New Hampshire Rebellion that started Less for voters, more for lobbyists with a 185-mile walk across the state and now is working to make sure that every federal candidate in the 2016 primaries is asked one question: Page 4 “How are YOU going to end the system of corruption in Washington, Kissing the ring in Vegas D.C.?” Lessig also is well known for his dynamic TED talks. TED stands for Technology, Entertainment and Design and is a nonprofit devoted to spreading ideas, usually in the form of short, powerful talks of 18 minutes or less. Started in 1984, the group’s mission is promoted through conferences and videos in more than 100 languages that cover topics from science to April 2014 business to global issues. Edition No. 89 This year’s WDC membership meeting is being held at Madison’s Barrymore Theatre, located at 2090 Atwood Avenue on the city’s near east side. On the Web: Registration will begin at 5:30 p.m., with the evening’s program starting www.wisdc.org at 6.
  • Press Release: Jose Dávila, Das Muss

    Press Release: Jose Dávila, Das Muss

    Press Release: Jose Dávila, Das muss der Ort sein. Opening: September 6, 2013 at 6.00 pm, the artist will be present. Exhibition: September 7 through November 2, 2013. We inaugurate on September 6 during DC-Open Das muss der Ort sein (This Must Be the Place), our second exhibition with the Mexican artist Jose Dávila (born 1974 in Guadalajara, Mexico). It is his first exhibition in the Rhineland. We are glad to show five sculptures and three of his Cut-outs. Cut-outs are works for which Dávila cuts away the central objects from enlarged re- productions of iconic architectures or artworks in order to induce our imagination or cultural memory to complete the images. By framing these images (or what remains of them) between two sheets of glass, a new spatial image is created in particular by the voids. Because there is a shadow cast on the back of the frame. One could say: the depicted object leaves, a new object comes. In our current exhibition the removed objects are artworks from the last 60 years, that is, sculptures and installations by Giovanni Anselmo, Joseph Beuys, Marcel Broodthaers, Alexander Calder, Anthony Caro, Liam Gillick, Michael Heizer, Norbert Kricke, Richard Long, Walter de Maria, Cildo Meireless, Bruce Nauman, Michelangelo Pistoletto, Richard Serra or Tony Smith. Many of these works belong to the canon of art history. Even if we do not immediately know who was the author of the removed object, we feel – as a knowledgeable viewer – that we know the works and that we have them in our mind's eye.
  • An Analysis from the Perspective of Artistic Intent Versus Audience Experience and Interpretation

    An Analysis from the Perspective of Artistic Intent Versus Audience Experience and Interpretation

    . Volume 18, Issue 1 May 2021 The representation of audiences after 1960: An analysis from the perspective of artistic intent versus audience experience and interpretation Patrick Van Rossem, Utrecht University, The Netherlands Abstract: In The representation of the audiences after 1960, the question is asked whether we can consider the representation of the audience after 1960 in relation to artists’ ideas on the presence of an audience and its meaning giving activity. The focus is both on the representation of individual audience members or participants as well as on visitor groups. Since the 1960s the audience for art has grown and museums have seen their attendance rise. It has led amongst others to a more sophisticated mediation between artwork and audience. Since the 1960s one can also observe an increased awareness amongst artists of the fact that the experience of art and the attribution of meaning to art is differential in nature. But have artists accepted this reality? And can they ever come to terms with a critical art mediation that invites audiences to relate to art more subjectively? Analyses of both the representation of audiences and artists’ ideas on the presence of the audience shows that artists have been and are sometimes still struggling with these issues. In recent times however we can detect a growing acceptance of a more free and personal interpretation of art by the audience. Artists such as Michelangelo Pistoletto, Dan Graham, Bruce Nauman, Thomas Struth, Rineke Dijkstra, and Sophie Calle have represented audiences in ways that reveal their – positive, negative, worrying… - attitudes towards the presence of an interpreting, art consuming, desiring audience.
  • JBSC 2020 Proceedings 1.Pdf

    JBSC 2020 Proceedings 1.Pdf

    Delft University of Technology Repositioning Architecture in the Digital Proceedings of the 7th annual conference of the Jaap Bakema Study Centre van den Heuvel, D.; Monteiro de Jesus, Soscha; Hwang, S.A. Publication date 2020 Document Version Final published version Citation (APA) van den Heuvel, D., Monteiro de Jesus, S., & Hwang, S. A. (Eds.) (2020). Repositioning Architecture in the Digital: Proceedings of the 7th annual conference of the Jaap Bakema Study Centre. TU Delft and Het Nieuwe Instituut. Important note To cite this publication, please use the final published version (if applicable). Please check the document version above. Copyright Other than for strictly personal use, it is not permitted to download, forward or distribute the text or part of it, without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license such as Creative Commons. Takedown policy Please contact us and provide details if you believe this document breaches copyrights. We will remove access to the work immediately and investigate your claim. This work is downloaded from Delft University of Technology. For technical reasons the number of authors shown on this cover page is limited to a maximum of 10. Jaap Bakema Study Centre Seventh Annual Conference November 2020 Repositioning Architecture in the Digital Introduction 5 Dirk van den Heuvel (TU Delft, Jaap Bakema Study Centre) Data Landscapes 9 Georg Vrachliotis (TU Delft) In conversation with Armin Linke (Photographer and Filmmaker) Data Matter 27 Marina Otero Verzier, Ludo Groen and Marten Kuijpers (Het Nieuwe Instituut) Habitat, Ecology and System Theory 31 Dirk van den Heuvel (TU Delft, Jaap Bakema Study Centre) and Soscha Monteiro de Jesus (Het Nieuwe Instituut) Archive Selection 33 Appendix 63 Conference Schedule 64 Keynote Lecture: Montreal and the Artificial Intelligence’s Mandate 67 Alessandra Ponte (Université de Montréal) Keynote Lecture: Data Landscapes 69 Armin Linke (Photographer and Filmmaker) Biographies 71 R.
  • Anselm Kiefer Bibliography

    Anselm Kiefer Bibliography

    G A G O S I A N Anselm Kiefer Bibliography Selected Books and Catalogues: 2020 Dermutz, Klaus. Anselm Kiefer: Superstrings, Runes, The Norns, Gordian Knot. London: White Cube. 2019 Adriani, Götz. Baselitz, Richter, Polke, Kiefer: The Early Years of the Old Masters. Dresden: Michel Sandstein. Cohn, Daniele. Anselm Kiefer: Studios. Paris: Flammarion. Trepesch, Christof. Anselm Kiefer aus der Sammlung Walter (Augsburg, Germany: Kunstmuseum Walter. Dermutz, Klaus. Anselm Kiefer in Conversation with Klaus Dermutz. London: Seagull Books. Granero, Natalia, Götz Adriani, Jean-Max Colard, Anselm Kiefer, Gunnar B. Kvaran and Rainer Michael Mason. Anselm Kiefer - Livres et xylographies. Montricher: Fondation Jan Michalski pour l’écriture et la littérature, Oslo: Astrup Fearnley Museet. Chauveau, Marc and Anselm Kiefer. Anselm Kiefer à La Tourette. Paris: Bernard Chauveau Édition; New York: Gagosian, English edition, 2020. Baume, Nicholas, Richard Calvocoressi and Anselm Kiefer. Uraeus. New York: Gagosian. 2018 Amadasi, Giovanna, Matthew Biro, Massimo Cacciari, Gabriele Guercio. Anselm Kiefer: The Seven Heavenly Palaces. Milano: Pirelli HangarBiccoca and Mousse Publishing. Bastian, Heiner. Anselm Kiefer: Bilder / Paintings. Munich: Schirmer/Mosel. Kiefer, Anselm. Anselm Kiefer: Für Andrea Emo. Pantin/Paris: Galerie Thaddaeus Ropac. 2017 Chevillot, Chaterine, Sophie Blass-Fabiani, Véronique Mattiussi, Sylvie Patry, and Hélène Marraud. Kiefer-Rodin. Paris: Editions Gallimard. Knausgaard, Karl Ove, James Lawrence and Louisa Buck. Anselm Kiefer: Transition from Cool to Warm. New York: Rizzoli & Gagosian. Czeczot, Ivan, Klaus Dermutz, Dimitri Ozerkov, Mikhail Piotrovsky, Peter Sloterdijk. Anselm Kiefer: For Velimir Khlebnikov, Fates of Nations. St. Petersburg: The State Hermitage Museum. Stonard, Jean-Paul. Anselm Kiefer: Walhalla. London: White Cube. Clearwater, Bonnie, Norman Rosenthal and Joseph Thompson.
  • Campolmi Irene CV (1).Pages

    Campolmi Irene CV (1).Pages

    Irene Campolmi CV Independent Curator Head of Exhibitions, Andersen’s Contemporary Curator, Code Art Fair Artistic Program 01. 04. 1987; Emails: [email protected]/[email protected] Website: www.irenecampolmi.com Mobile: +45 28697337 Proficiency: English (C2), Danish (C1); German (B1), French (B1); Spanish (B1) Italian (Native) IT Skills: Mac proficiency, Outlook, Excel, Power point, Word, prize.com, Mailchimp, InDesign, Filemaker, Tw i t t e r, Tumbl r, Facebook, Instagram and other social media QUALIFICATIONS AND COMPETENCES I am a qualified independent curator and researcher who worked for modern and contemporary art institutions for more than ten years. I have curatorial and managerial experience both in art museums and commercial art galleries. I have organized large-scale international conferences, talks, events and seminars in art institutions, universities and other parties. I have excellent administrative and organizational skills, and I am excellent in managing projects in time and creating networks with other curators, galleries and artists. EDUCATION 2013 -2017: PhD Fellowship in collaboration between Aarhus University and the Louisiana Museum of st Modern Art (Humlebæk, DK). PhD Thesis: The Art Museum of the 21 Century. Contemporary Curatorial Ethics and Research. 2015: J-1 Visiting Researcher and Curator at the Graduate Center, CUNY. Sponsor: Prof. Dr Claire Bishop. 2014: Visiting Researcher, School of Museum Studies, University of Leicester (UK). Mentor: Dr. Janet Marstine. 2011 - 2013: Research Fellow in the Max Planck Research Group “Objects in the Contact Zones: The Cross Cultural Life of Things”, Kunsthistorisches Institute of Florence. Group Leader: Dr Eva-Maria Troelenberg. 2009-2011: MA in Art History, History of Art Collecting and Museology, University of Florence Mark: 110/110 with honors and mention for publication.
  • Subject Index

    Subject Index

    Subject Index Aalto, Alvar, 22 Art Shed Southbank Architectural Com- bearing, solar angle diagrams, 334 Ackerman Student Union, University of petition, 2006, 383 Berkeley Art Museum and Pacific Film California at Los Angeles, Cali- Asia Society, Hong Kong Center, China, Archive, Berkeley, California, fornia, 250 410, 411 197 Adelaide University, South Australia, assembly drawing, linear perspective Bernal Heights residence, San Fran- School of Architecture, Land- drawing, 311 cisco, California, 262 scape Architecture and Urban Atocha Station, Madrid, Spain, 75 B FIVE STUDIO, 550 Design, 499 audience, portfolio, 463–64 Bilbao Effect, 120 Adelman/Liano residence, Santa Moni- August Wilson Center for African Ameri- BIM (building information modeling), ca, California, 207 can Culture, Pittsburgh, Penn- capabilities of, 93–94 Adobe Photoshop, 63 sylvania, 284 bird’s eye perspective African American Museum of Slavery, Aulenti, Gaetana, 22 linear perspective drawing, 246–47, Rockville, Maryland, 429 automobile 298–301 Aga Han Museum, Toronto, Canada, conceptual sketching, 73 one-point perspective from above, 242 representational drawing, 26–29 linear perspective drawing, Alaska, University of, Fairbanks, 198 auxiliary views, multiview-drawings, 177 248–49 alternatives, conceptual diagramming axes addition, orthographic and paraline underside perspective with, linear and sketches, 40, 44–45 drawing, 195 perspective drawing, 303 altitude, solar angle diagrams, 334 axial lines, orthographic and paraline Birkerts, Gunnar, 42, 69, 150 American Museum
  • Tim's Walker of the Week 2012 Athletics Australia Under

    Tim's Walker of the Week 2012 Athletics Australia Under

    EEL AND TOE ONLINE The official organ of the Victorian Race Walking Club 2011/2012 Number 30 24 April 2012 VRWC Preferred Supplier of Shoes, clothes and sporting accessories. Address: RUNNERS WORLD, 598 High Street, East Kew, Victoria (Melways 45 G4) Telephone: 03 9817 3503 Hours : Monday to Friday: 9:30am to 5:30pm Saturday: 9:00am to 3:00pm Website: http://www.runnersworld.com.au/ TIM'S WALKER OF THE WEEK Last week's Walker of the Week was Kelly Ruddick who recorded a PB of 22:18.00 for the 5000m walk at Lakeside Stadium in Melbourne at the Australian T&F Championships a week ago. This week a rest from voting as we wait for more sensational times to pop up. Stay tuned! 2012 ATHLETICS AUSTRALIA UNDER 17 DEVELOPMENT SQUAD Congratulations to the following 8 walkers on their selection in the 71 strong Australian Under 17 Development Squad. The first step in Athletics Australia’s National Development Pathway, this squad comprises those athletes considered prospects for future selection to the IAAF World Youth championships, the IAAF World Junior championships and the National Under 19 Talent Squad. Boys: Billy Allamby (Vic), Kyle Bird (Vic), Nathan Brill (Vic), Zac Partington (WA) Girls: Jasmine Dighton (NSW), Stephanie George (Vic), Jasmine Irshad (Vic), Jemma Potezny (SA) See the full announcement at http://www.athletics.com.au/home/news/news/2012/april/u17_squad_73_athletes_added_a Congratulations to this group of very talented young walkers. RUNNERS WORLD WINNERS ANNOUNCED The VRWC Committee votes at the end of each Winter and Summer season on its best walkers, male and female, for our Runners World Awards as per http://www.vrwc.org.au/vrwc-runners-world.html.
  • Vma Championships and Vrwc Races, Dolomore Oval, Mentone, Sunday 10 April 2011

    Vma Championships and Vrwc Races, Dolomore Oval, Mentone, Sunday 10 April 2011

    HEEL AND TOE ONLINE The official organ of the Victorian Race Walking Club 2010/2011 Number 28 11 April 2011 VRWC Preferred Supplier of Shoes, clothes and sporting accessories. Address: RUNNERS WORLD, 598 High Street, East Kew, Victoria (Melways 45 G4) Telephone: 03 9817 3503 Hours : Monday to Friday: 9:30am to 5:30pm Saturday: 9:00am to 3:00pm Website: http://www.runnersworld.com.au/ VMA CHAMPIONSHIPS AND VRWC RACES, DOLOMORE OVAL, MENTONE, SUNDAY 10 APRIL 2011 It was cool, overcast and intermittently windy at Mentone for the annual VMA 5000m track walk championships last Sunday morning but the rain held off and our walkers raced well. Kelly Ruddick 23:23 and Stuart Kollmorgen 22:13 won their respective races and there were a whole swag of walkers over the 80% Age Graded Performance mark. The best were Heather Carr with 92.66% (26:59 for W60) and Bob Gardiner 90.31% (29:36 for M75). It was great to see Tony Johnson back in walking mode and doing it in fine style to win the M70 with 30:41. We also welcomed Croatian walker Sasha Radotic, currently in Australia for next weekend's Coburg 24 Hour Run – he took third in the M40 division with 27:15. VMA 5000M CHAMPIONSHIPS – WOMEN W35 1 Ruddick, Kelly 37 23:23 86.19% W45 1 Shaw, Robyn 49 29:58 73.80% W50 1 Elms, Donna 50 32:02 69.65% W55 1 Thompson, Alison 58 29:25 82.14% W60 1 Carr, Heather 61 26:59 92.66% W60 2 Feldman, Liz 62 31:17 80.88% W60 3 Johnson, Celia 63 33:59 75.37% W65 1 Steed, Gwen 68 33:31 81.67% W70 1 Beaumont, Margaret 73 42:05 68.76% W75 1 Browning, Betty 79 45:06 67.67% W75