Irene Campolmi CV

Independent Curator Head of Exhibitions, Andersen’s Contemporary Curator, Code Art Fair Artistic Program

01. 04. 1987; Emails: [email protected]/[email protected] Website: www.irenecampolmi.com Mobile: +45 28697337 Proficiency: English (C2), Danish (C1); German (B1), French (B1); Spanish (B1) Italian (Native) IT Skills: Mac proficiency, Outlook, Excel, Power point, Word, prize.com, Mailchimp, InDesign, Filemaker, Tw i t t e r, Tumbl r, Facebook, Instagram and other social media

QUALIFICATIONS AND COMPETENCES I am a qualified independent curator and researcher who worked for modern and contemporary art institutions for more than ten years. I have curatorial and managerial experience both in art museums and commercial art galleries. I have organized large-scale international conferences, talks, events and seminars in art institutions, universities and other parties. I have excellent administrative and organizational skills, and I am excellent in managing projects in time and creating networks with other curators, galleries and artists.

EDUCATION 2013 -2017: PhD Fellowship in collaboration between Aarhus University and the Louisiana Museum of st Modern Art (Humlebæk, DK). PhD Thesis: The Art Museum of the 21 Century. Contemporary Curatorial Ethics and Research. 2015: J-1 Visiting Researcher and Curator at the Graduate Center, CUNY. Sponsor: Prof. Dr Claire Bishop. 2014: Visiting Researcher, School of Museum Studies, University of Leicester (UK). Mentor: Dr. Janet Marstine. 2011 - 2013: Research Fellow in the Max Planck Research Group “Objects in the Contact Zones: The Cross Cultural Life of Things”, Kunsthistorisches Institute of Florence. Group Leader: Dr Eva-Maria Troelenberg. 2009-2011: MA in Art History, History of Art Collecting and Museology, University of Florence Mark: 110/110 with honors and mention for publication. 2006-2009: BA in Art History and Museology, University of Florence Mark: 110/110 with honors and mention for publication.

PROFESSIONAL EXPERIENCES 2017: Head of Exhibitions, Andersen’s Contemporary Curator of Talks, Films and Performances Program, CODE 2 Art Fair, (August 31st- September 3rd). Editor and translator, Danish Pavilion of the 57th Biennial. 2016-2017: Independent Curator for the Italian Embassy in Denmark & Art Advisor for ARTVISOR. 2013-2016: PhD Researcher , Curatorial department, Louisiana Museum of Modern Art, Humlebæk (DK). 2015: Curatorial Assistant in the SPRING/ BREAK exhibition TRANSITION, ARMORY SHOW 2015, NYC, USA. 2014: Associate Researcher, Kunsthal Aarhus, Aarhus (DK). 2009: Curatorial Assistant, Galleria CONTINUA, San Gimignano (IT). 2008-2009: Curatorial Assistant, National Gallery for Modern Art, (IT).

CURATORIAL TRAINING 2015: Curatorial Practicum Course, The Graduate Centre, CUNY (New York, US) As J-1 Visiting Scholar at the Graduate Center CUNY, I was a fellow in the “Curatorial Practicum Course” held by Dr. Katherine Carl and Dr. Claire Bishop and sponsored by the Andrew W. Mellon Foundation. 2014: International Summer Academy of Art Salzburg (Austria) I was awarded a scholarship to participate as fellow curator in the Curatorial Training Course in Global Times: Curating the Boundary Condition: Encounter with the Outside, held by Indian curator Nancy Adajania. 1 2 EXHIBITIONS 2019 SUPERFLEX, tbd, Palazzo Strozzi, curated by Irene Campolmi and Arturo Galansino. 2018 -Social Experiments, collective show, curated by Irene Campolmi, March 25th- May 23rd, Kunsthal Charlottenborg, Copenhagen. -Re-Routing Nature, collective show with Jakob Kudsk Steensen (USA/DK), Kimmo Modig (FIN), Viktor Timofeev (EST) and Alfredo Aceto (IT), Adrien Missika (FR), Rune Bosse (DK), February 2nd. March 4th, curated by Irene Campolmi, Sixty-Eight Art Institute, Copenhagen. 2017 - Marinella Senatore, Copenhagen Symphony, collective performance for Code on Sunday, curated by Irene Campolmi as part of “Art ReActs”- Code Art Fair Talks, Film & Performance Program, September 3rd. - Jacob Kirkegaard, Signals a sound performance curated by Irene Campolmi, “Art ReActs”- Code Art Fair Talks, Film & Performance Program, Copenhagen, September 2nd. - Rune Bosse & Thinking HandProduction, All Around and In Between, performative installation curated by Irene Campolmi, “Art ReActs”- Code Art Fair Talks, Film & Performance Program. -Hassan Khan, Live Ammunition! Music for Clapping, String Quartet and Live Electronics, concert/ performance curated by Irene Campolmi, “Art ReActs”- Code Art Fair. - Peter Voss-Knude, Peter & The Danish Defence, opening concert, curated by Irene Campolmi, “Art ReActs”- Code Art Fair Talks, Film & Performance Program, August 31st. -Art ReActs Code Art Fair Talks Program, Copenhagen, Denmark (August 31st- September 3rd). More info on the talks: http://www.codeartfair.dk/artreacts/ -40 Days and 40 Nights in Montecristo, by Davide Tranchina curated by Irene Campolmi and Luca Panaro, Italian Embassy in Copenhagen, Copenhagen Photo Festival 2017, Independent Exhibition, Denmark (June 1st -11th). -Apparizioni di Superfici/ Appearing Surfaces, curated by Irene Campolmi featuring Trine Søndergaard and Nicolai Howalt, CENTRALE FOTOGRAFIA FESTIVAL 2017, Fano, (June 8th – 30th), in collaboration with Copenhagen Photo Festival 2017. 2016 -ICE- AT THE EDGE, by Nicolaj Pennestri, curated by Irene Campolmi, Italian Embassy, Copenhagen, Denmark (December 10th 2016- February 26th). -TERRITORIES, with Silvio Zangarini (IT/NL), Niko Giovanni Coniglio (IT), Carlotta Marangone (UK), curated by Irene Campolmi, Italian Embassy in Copenhagen, part of the Copenhagen Photo Festival 2016 (June 4th- July 2nd).

CO-CURATED EXHIBITIONS 2009 -Palma Bucarelli and the Museum as Avant-garde, GNAM -National Gallery of Modern and Contemporary Art in Rome, curated by Maria Stella Margozzi and Irene Campolmi, assistant curator (June 5th- November 30th). -Undercurrent red, with Mona Hatoum, curated by Alice Fontanelli and Irene Campolmi, assistant curator, Galleria CONTINUA, San Gimignano (Italy), September – December.

COLLABORATION IN INTERNATIONAL RESEARCH NETWORKS & COMMITTEES 2017: Jury Advisor for the Artist-in-Residence Program organized by the Italian Embassy in Copenhagen. 2016 – 2019: Member Research Network Performance Art in the Art Museum, Hamburger Bahnhof – Museum für Gegenwart – and the Freie Universität Berlin, (DE). 2016: Member in TAKE PART Research Network, University of Aarhus (DK). 2015-2016: Member of the Research Network for Studies on the Curatorial, University of Copenhagen (DK) 2014: Advisory committee for the Conference Museums Alive! Exploring How Museums Behave like Human Beings, School of Museum Studies, University of Leicester. Jury for the Open call exhibition “Nervous Systems”, Kunsthal Arhus (DK).

UNIVERSITY TEACHING 2014- 2015: Lecturer in the MA Course Art Curating and Museology, Aarhus University (Denmark). 2011-2013: Docent and Art Historian at Villa La Pietra, New York University Florence. 2011-2012: Docent in Art History and Art Theory and Criticism, Florence University of the Arts, Florence.

3 PUBLICATIONS (MORE AVAILABLE UNDER REQUEST) 1. Campolmi, I. (2017). “Institutional Engagement and the Role of Ethics in Contemporary Curating”, ICOM The Museum Journal, Special Issue on Museum International: The Role of Museums in a Changing Society, Vol. 68 No 269-270, pp. 1-20. 2. Campolmi, Irene. “What is sustainable museology? Sustainability discurse in the practice of art museums”, ICOM News, Vol.68, Nr. 1, 05.2015,p. 6. Online source:http://icom.museum/media/icom-news-magazine/icom-news-2015- no1/ 3. Campolmi, Irene. “The Tur n to Ethics of 21st Century Art Institutions” in Speculations on the Perfect Institution, Kunsthal Aarhus, Aarhus. Online source: http://kunsthalaarhus.dk/en/the-turn-to-ethics-of-c21st-art- institutions-irene- campolmi 4. Campolmi, Irene. “Sustainability in Modern Art Museums: Management Challenges and Cultural Policies”, Il Capitale Culturale, Nr. 8, 11.2013, pp.235- 250.

EDITED PUBLICATIONS 1.Campolmi, Irene, Folkerts, Henrik, Laurberg, Marie, Schavemaker, Margriet, (eds.), “Between the DISCURSIVE and the IMMERSIVE. A Symposium on Research in the 21st Century Art Museums”(Video Publication to be published onVimeo sponsored by Novo Nordisk Foundation, DK). Available online at: http://research.louisiana.dk/ 2.Campolmi, Irene, Krysa, Joasia (Eds). “Speculations on the Perfect Institution”, sponsored by Statens Kunstfond and Aarhus 2017 Foundation. Online publication, May 2015. Available on: http://kunsthalaarhus.dk/en/research#overlay=en/research/speculations-on-the-perfect- institution

More on: www.irenecampolmi.com

Cover Letter Irene Campolmi 4 Curator in Residence – Galería Tajámar, Santiago de Chile

Copenhagen, November 6th, 2017

To the attention of Nicolás Azòcar.

Herewith, I apply for the curatorial residency at Galería Tajámar in Santiago de Chile.

My name is Irene Campolmi, and I work as an independent curator and head of exhibitions at Andersen’s Contemporary gallery in Copenhagen. As an independent curator, my research focuses on performance and the entanglement between art and socio-political ecology. In 2017 I curated the artistic program comprising Talks, Films and Performances at CODE Art Fair in Copenhagen. The curatorial framework I chose for the 2017 edition was titled "Art ReActs" and explored how artistic and curatorial practice reacts to social, cultural, political, ecological changes. I emphasised that art does not offer a commentary on the contingent socio-political structures but provide a ‘stage’ (in the theatrical/performative sense of the term) to develop new creative platforms and reinvent the existing ones. Among the collectors, curators and artists who attended the program there are: Jérôme Sans, Patrizia Sandretto Re Rebaudengo, Arturo Galansino, Krist Gruijthuijsen, Ahmet Öğüt, Pedro Gadanho, Alberto Rios De la Rosa, Marinella Senatore, Hassan Khan, Jacob Kirkegaard, Hiwa K, Basim Magdy, and Keren Cytter, among others. The curatorial concept for the next Code Art Fair is called “Performing Identities” and explores the construction of gender and socio-political identity through performative acts. Since 2013, I am working on a PhD thesis, which investigates and analyses the entanglement between ethics and aesthetics in today curatorial practice.

I am interested in visiting Santiago de Chile and the nearby areas to conduct studio visits with local artists and become familiar with the local art scene, exploring the possibility of future collaborations between artists and Danish galleries and art institutions. Among the artists I would like to meet and who are on my wishing list there are: Rodrigo Arteaga, Francisca Montes, Enrique Ramirez, Gianfranco Foschino, Ariel Bustamante, Claudia Aravena, Elisa Balmaceda, Martin La Roche, Claudia del Fierro, Matilde Benmayor and Ignacio Gatica. The reasons I would like to meet as many artists as possible are twofold. On the one hand, I would like to see whether there is room to invite one or two artists to a solo exhibition at Andersen’s Contemporary in 2019. On the other hand, I want to investigate future possibilities to encourage artists and curators to participate in the artistic program of either Code Art Fair or CHART Art Fair next year. During the residency time in Santiago de Chile, I expect to conduct some studio visits with local artists and to meet both emerging and established curators as well as museum directors. I wish to explore synergies to develop future collaborative projects. I would like to participate in the residency program, ideally, from mid-June until the end of July 2018. Over the past decade, I have built a robust international network of artists, curators, scholars, gallerists, collectors and museum directors in every country I have visited: from North America, to Denmark, Germany, Qatar, Spain, Portugal, Brazil and Switzerland. The network includes figures such as Maria Finders, Carlos Basualdo, Jay Levenson, Fernanda Brenner, Thomas J. Lax, Claire Bishop, Abdellah Karroum, Francesco Manacorda, Joao Ribas, Jérôme Sans, Patrizia Sandretto Re Rebaudengo, and Pedro Gadanho, among others. During the curatorial residency, I wish to activate similar connections within both Chilean independent and museum curators. Being in contact with creative people such as artists, performers, designers and curators is what I live for. As I am eager to get closer to the Chilean contemporary art scene, I am confident that I could play a critical role in spending a research period as a curator in residence at Galéria Tajámar and convinced that this opportunity represents a turning point in my research and curatorial career. For more detailed information, kindly refer to the enclosed CV and my website: www.irenecampolmi.com. Do not hesitate to get in touch with me should you have any questions.

Yours sincerely,

Irene Campolmi 5 Upcoming Curatorial Projects:

Exhibition title: “Re-routing Nature” Artist: Jakob Steensen, Adrien Missika, Viktor Timofeed, Alfredo Aceto, Biitsi. Curator: Irene Campolmi Location: SixtyEight Art Space Period: February 3rd- March 5th, 2018

Exhibition concept For SixtyEight Art Space, we propose an exhibition which imagines alternative ways to approach nature with its categories and systems in which the digital is merged and intertwined with the ecological. The artists invited to the exhibition investigates on the entanglement between these two systems and shape an hybrid idea of nature which holds no more any ‘humanoid’ characteristic. “Re-Rooting Nature” is a show reflecting upon digital interventions that rethink the structure and function of natural system on two levels. On the one hand, it looks at how digital interventions could and are possibly restructuring natural systems, thus deflecting the natural course of birth, evolution and death as we know shaping hybrid forms yet unknown. On the other hand, the title is inspired by one of the works on display by Jakob Knudk Steensen called Pando Endo. Pando is one of the oldest and largest living organisms on the planet Earth, found in Middle America. It is a clonal colony of thousands of Aspen trees, each with identical DNA and all from a single networked organisms of 80.000 years age. The artist has photographed the plant and combined these photographs of the plant textures with photographs of moss, roots and thorns found in the area. The combined textures, organisms and infrastructure are simulated in real time with virtual physics, water and atmosphere making the new Pando Endo (Endo refers to infrastructure) alive inside its own virtual space. On the one wall, the exhibition comprises a corpus of drawings by Estonian artist, Viktor Timofeev, from the series Porcelain (2017) where the artist draws imaginary alien ecologies in which nature has a cyborg dimension. On the other wall, the exhibition comprises Adrien Missika’s frottages, a series of scanned digital copies of Mexican cactuses. In the entrance room of the show, Alfredo Aceto’s installation Techno, a board-like object with feathers, denotes the absence of the human presence into a technological scenario in which nature has been almost incorporated in everyday life objects. The opening of the exhibition will be accompanied by a concert of the artists duo Biitsi, an Helsinki-based music duo named after the Finnish word for ‘beach’. Biitsi is composed of Kimmo Modig and Heidi M Wee and they will contribute to the exhibition with a sound performance made of vases filled with water that, once they are touched, create a sort of thick, apotropaic sound.

6 Installation The piece is installed in the second room of SixtyEight Art Institute as a video projection on the whole accompanied by a sound system installation. The digital recreation of the plant digitally spurs reflections on imagining alternative futures through virtual simulations of organisms and combination of human thoughts and logic into natural models. Viktor Timofeev’s drawings will hang on the wall of the entrance space, along with Alfredo Aceto’s installation. Biitsi’s concert will take place in the first room.

Viktor Timofeev, PORCELAIN, 2017, drawing and pencil.

Adrien Missika, A Walk in the Park, 2013, installation view.

PANDO ENDO, Full room-scale Virtual Animation, 2017. Direction, production, art and sound by Jakob Kudsk Steensen.

7 TECHNO, Alfredo Aceto, 2017, Desk with grease and tar and patridge feathers. 75 x 160 x 176 cm Public Program An opening sound performance by Biitsi will be presented as part of the exhibition. A talk by Daniel Daou, PhD Doctor of Design at Harvard University School of Design and Harvard Center for Environment will be organised in collaboration with Inga Lace, Curator of the Latvian Contemporary Art Centre. Xin Wang (Curator, a PhD researcher at Columbia

8 University and writer for Artforum) and Angela Chan (Writer and Curator) will be editing a publication on speculative fiction and future ecologies.

Bios: Jakob Kudsk Steensen (1987, Copenhagen) is a Danish installation artist who explores relationships between ecology, technology and tourism. He combines virtual reality with performance and video, and he mixes documentary like approaches to explore landscapes transformed by tourist industries with entire virtual worlds which he develops. His work takes the forms of complete installations, where the viewer is invited on tours through futuristic landscapes, which references colonialism, tourist infrastructures and science fiction. He has developed work in collaboration with scientific, technological and political organisations. Most recently, he has shown at The Moving Image Fair, BRIC (Brooklyn Arts and Media Center), MAXXI (Museum of Modern Art, Rome), Museum of Modern Art Valencia and Podium in Norway. He is currently artist in residence at Bemis Center for Contemporary Art, and he previously been an artist in residence at BRIC, Massachusetts Museum of Modern Art and AADK, Centra Negra in Blanca, Spain.

Alfredo Aceto (1991, ) is a visual artist based in Switzerland. Using among others sculpture, film and sound, Alfredo Aceto creates spaces suspended between fiction and reality. His environments are places to live, in which one can find a sort of melancholy, artificial time alteration and image saturation. His work has been shown at institutions and galleries such as Museo del Novecento (, IT), Andersen's Contemporary (Copenaghen, DK), Kunsthaus , Centre d'Art Contemporain (, CH) or Villa Medici (Rome,IT). In 2016 he won the Kiefer Hablitzel Prize at Swiss Art Awards (, CH). From 2016 he is teaching at ECAL (École Cantonale d'Art de ).

Biitsi is the musical and artistic outlet of artist, sound designer Kimmo Modig (b. 1981) and producer, musician Heidi M. Wee (b. 1980). Recently, they've collaborated with Tuomas A. Laitinen and Nora Khan on an audiovisual event at Sinne gallery, Helsinki, and played at Kokimo collective's performance happening in Contemporary Art Museum Kiasma. Biitsi performs regularly in Helsinki, where they are based. They are currently working on their debut album. Aside from musical works, Biitsi makes sound design, co- production, and videos for other artists. Adrien Missika (1981) lives and works in Berlin. Through a wide array of mediums, which range from photography and video, to sculpture and installations, Adrien Missika records various places around the world. Like an anachronic traveling painter, Missika blurs the line between documentation and fiction. He defies and plays with the populist imagery rooted in our collective memory and, with a humoristic turn, opens up new readings. His experimental approach to photography and video, maybe his most recurring mediums,

9 results in the nomadic documentation of non-places, unstable landscapes, ruins or biotopes that evoke a strange futuristic nostalgia.

Viktor Timofeev (1984 Riga) studied at Hunter College in New York (2002-2008), where he lives. Recent solo exhibitions include: Lament Of Ur, KARST Projects, Plymouth; Equalizer.Space', part of Wrong - The New Digital Art Biennale; Nimm's Mal Easy, Austellungsraum Klingental, Basel; Proxyah v2, Jupiter Woods, ; straypageantry.com, La Scatola Gallery POST residency (2015); A Guide To Making A Genie, 427 Gallery, Riga; Proxyah v1, Kim? Centre For Contemporary Art, Riga; Thank You, Jupiter Woods, London; What Thinks Me, Taiga Art Space, St Petersburg; thelimitedcollection.tumblr.com; Palace Of Peace and Reconciliation, Arcadia Missa, London; Selekthor, minerpie.net; A Sense Of Things, Zabludowicz Collection, London; Embarassment Party, embarassmentparty.biz (2014); Palace Of Peace Tour, Fitness- Bushwick, Kanepes Kulturas Centrs, Riga, LEAP, Berlin. Timofeev’s work straddles themes of fictional worlds and carries tropes of utopias and dystopias.

Irene Campolmi (1987, Italy/Denmark) is a curator, currently completing her PhD thesis on contemporary curatorial practice at the University of Aarhus. Her PhD thesis Contemporary Aesth-Ethics. Exploring notions of Ethics, Sustainability and Research in Contemporary Curatorial Practice was made in collaboration with the Louisiana Museum of Modern Art (Denmark), where she coordinated and co-organized the international symposium “Between the DISCURSIVE and the IMMERSIVE” (Dec. 3rd-4th 2015). In the past, her work investigates curating through the lens of globalisation, transmodernity, transculturality, feminism and ethics. Currently, her research and exhibitions focus on performance and entangled notions of art and ecology. She has worked for the Kunsthistorisches Institute in Florence- Max Planck Institute (Italy/Germany), Louisiana Museum of Modern Art and Kusthal Aarhus (Denmark), the Italian Embassy in Copenhagen, the National Gallery of Modern Art in Rome and Galleria CONTINUA in San Gimignano (Italy). She has extensive collaborations with Hamburger Bahnhof Berlin and Frie Universitet (Germany), Stedelijk Museum (Netherlands).

Past Curatorial Projects:

(More on: http://www.irenecampolmi.com/wwwcodeartfairdkartreacts.html) ArtReActs Film, Talks & Performance Program 2017 Curated by Irene Campolmi Free Entrance

Thursday, August 31

Code Talks 10 14.30-15.30 @ The Stage, Bella Center Collectors Focus Online Platforms for Collectors, Galleries and Art Advisors Francesca Polo, director, Vastari Piero Tomassoni, director and founder, Artvisor Eugenio Re Rebaudengo, director and founder, Artuner Mattis Curth, CEO, Artland Serge Tiroche, co-founder of Art Vantage PCC Limited and ArtRunners Sylvain Levy, collector with an online collecting platform for Chinese art Moderated by: Silvia Adler, art collector and Code Art Fair VIP Ambassador

Code Talks 16.00-17.00 @ The Stage, Bella Center Collectors Focus Making Art Institutions Patrizia Sandretto Re Rebaudengo, founder, Fondazione Sandretto Re Rebaudengo Arturo Galansino, director, Palazzo Strozzi Foundation, Florence Michael Thouber, director, Kunsthal Charlottenborg Moderated by: Irene Campolmi, curator and researcher

Code Talks 17.30-18.30 @ The Stage, Bella Center Practice Focus Acting for a Change: Artistic & Curatorial Practice/Reactions Krist Gruijthuijsen, director, KW Institute of Contemporary Art, Berlin Ahmet Öğüt, artist Pedro Gadanho, director, Maat, Lisbon Alberto Rios Dela Rosa, curator, Casa Wabi, Mexico City Moderated by: Irene Campolmi, curator & researcher

Code Performances 19.00-20.00 @ Bella Center Peter Voss-Knude/Peter & The Danish Defence. Opening concert/performance.

Friday, September 1 Code Talks 14.30-15.30 @ The Stage, Bella Center Museum Collection Focus Rethinking Museums Collecting & Displaying Strategies Sarah Lookofsky, assistant drector of the international program, MoMA, New York Sam Bardaouil, curator and founder, Art Re-Oriented, New York/Munich Till Fellrath, curator and founder, Art Re-Oriented, New York/Munich Stine Høholt, chief curator, Arken Museum of Modern Art; Board Member, New Carlsberg Foundation Jérôme Sans, curator, critic, former director of UCCA, Beijing; co-founder of Palais de Tokyo, Moderated by: Irene Campolmi, curator and researcher

Code Talks 16.00-17.00 @ The Stage, Bella Center Art & Ecology Focus The Ecology Paradigm: Artistic and Curatorial Work in Times of Political Climate Change Antonia Alampi, co-founder, Future Climates; curator, Extra City Kunsthal, Antwerp Jason Waite, independent curator Natasha Ginwala, curator, Contour Bienniale and Documenta 14 Matteo Lucchetti, co-director, Visible Project; curator, BAK, Utrecht 11 Jacob Lillemose, curator, X & BEYOND Moderated by: Irene Campolmi, curator & researcher

Code Performances 17.00-17.30 @ Bella Center Rune Bosse & ThinkingHand Productions, “All Around and In Between”. Performative space open to the public.

Code Talks 17.30-18.30 @ The Stage, Bella Center Art & Society Focus Socially Engaged Art Projects Tina Enghoff, artist/photographer of “Migrant Documents” Stine Marie Jacobsen, artist, “German for Newcomers” Hiwa K, artist Moderated by: Nikolaj Stobbe, co-founder, Vermilion Sands, curator, “In Every Step there is a Movement”

Code Performances 20.00-21.00 @ Copenhagen Contemporary Hassan Khan, “Live Ammunition! Music for Clapping, String Quartet and Live Electronics”. Concert/performance In collaboration with Cph Art Week (Art Bar)

Saturday, September 2 Talks are moderated by Irene Campolmi, curator and researcher Code Talks 13.00-13.30 @ The Stage, Bella Center Sound & Vision Focus – in collaboration with Cph Art Week When Performance Becomes Re-Action Marinella Senatore, artist Matteo Lucchetti, co-director, Visible Project; curator, BAK, Utrecht

Code Talks 14.00-14.30 @ The Stage, Bella Center Sound & Vision Focus – in collaboration with Cph Art Week 2002: Hassan Khan and Brian Kuan Wood will discuss their musical collaboration 17 years ago in a Zamalek apartment and how what they did then relates to what they are doing now. Hassan Khan, artist Brian Kuan Wood, editor, E-flux, New York

Code Talks 15.00-15.30 @ The Stage, Bella Center Sound & Vision Focus – in collaboration with Cph Art Week Film & Sound Basim Magdy, artist Laura Barlow, curator, Mathaf: Arab Museum of Modern Art, Doha

Code Talks 16.00-16.30 @ The Stage, Bella Center Sound & Vision Focus – in collaboration with Cph Art Week Forms of Staging: Between Performance & Life Isabella Maidment, curator, performance & media art, Tate Modern, London Keren Cytter, artist

12 Code Performances 19.15-20.00 @ Copenhagen Contemporary Jacob Kirkegaard. Sound performance In collaboration with Cph Art Week (Art Bar)

Sunday, September 3 Code on Sunday, central Copenhagen

Code Performances 12.30-14.00 @ Illum & Højbro Plads Marinella Senatore, “Copenhagen Symphony”. A colourful, joyful celebration of the many- layered community of Copenhagen.

Film Program

Screened in Auditorium 15, Bella Center

Thursday, August 31: Barbara Hammer (US), KOW, Berlin X (1975) Double Strength (1978) Optic Nerve (1985) No No Nooky TV (1987) Keren Cytter (IL), Nagel Draxler, Berlin/Cologne; Pilar Corrias, London Metamorphosis (2015) Rose Garden (2014) Game (2015) Danielle Kwaaitaal (NL), Francis Boeske Projects, Amsterdam FLO (2004) Luke Willis Thompson (NZ). Nagel Draxler, Berlin/Cologne Cemetery of Uniforms and Liveries (2016) Sven Johne (DE), Nagel Draxler, Berlin/Cologne A Sense of Warmth (2015) Peter Wächtler (DE) Untitled (Heat up the Nickle) (2013) Goran Škofić (HR), Dix9, Paris On the Beach (2016) Sofie Thorsen (DK), Krobath, Vienna Schnitt A-A’ (2013) Larissa Sansour (PS/DK), Montoro12, Rome In the Future, They Ate from the Finest Porcelain (2015)

Friday, September 1: Hiwa K (IQ), KOW, Berlin A view from above (2017) (in collaboration with Lawrence Abu Hamdan) This Lemon Tastes Of Apple (2011) Moon Calendar (2007) Rainer Ganahl (AUT/US), Kai Matsumiya, New York El Mundo (2014) Maryam Jafri (US), Kai Matsumiya, New York Avalon (2011) Moataz Nasr (EG), Continua, San Gimignano/Beijing/Les Moulins/Havana Father and Son (2004) At death’s door (2009) The Water (2002) Raúl Ortega Ayala (MX), Proyectos Monclova, Mexico City Tomatina-Tim (2016) Adrien Missika (FR), Proyectos Monclova, Mexico City 13 Darvaza (2011) Black Sand Beach (2011) As The Coyote Flies (2014) João Enxuto & Erica Love (US) The Manor Farm (2017) Stine Marie Jacobsen (DK) German for Newcomers (2016) Søren Thilo Funder (DK) First Citizen (House of Deaf Man) (2013) Disastrous Dialogue (2011)

Saturday, September 2: “SOUND & VISION”, in collaboration with Cph Art Week Basim Magdy (EG) No Shooting Stars (2016) The Dent (2014) The Everyday Ritual of Solitude Hatching Monkeys (2014) 13 ESSENTIAL RULES FOR UNDERSTANDING THE WORLD (2011) Hassan Khan (EG) The Slappers and the cap of invisibility (2015) Jesper Just (DK), Perrotin, Paris/New York/Hong Kong/Seoul/Tokyo This Nameless Spectacle (2011) Intercourses (2013) Rä di Martino (IT), Copperfield, London August 2008 (2009) The Show MAS go On (2014) Marinella Senatore (IT), KOW, Berlin Jammin’ Drama Project (2014) Erich Weiss (BE); Hans & Fritz Contemporary, Barcelona Kirkner in Davos (2013) Andy Holden (UK) Law Motion in a Cartoon Landscape (2016) Paul Simon Richards (UK), Arcade, London L*a*b (2016) Ben Thorp Brown (US) Drowned World (2016) Julie Born Schwartz (DK) The Invisible Voice (2016) Jacob Remin (DK) Cloud Residue (2017) Jakob Kudsk Steensen (DK) Terratic Animism (2016/2017). 4K/2K video 13min 7sec

Installations Tue Greenfort (DK) (König) Runne Bosse & ThinkingHand Productions (DK) Peter Voss-Knude / Peter & The Danish Defence (DK) Nika Neelova (RU) (Osnova) Giovanni Ozzola (IT) (Continua) (ongoing projection, part of Code Films): Garage, Desert Soundscape (2013); Garage, Sometimes you can see much more (2013)

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