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copertina con alette 2017.pdf 1 24/04/17 10:50 La forza competitiva del Made in Italy, in cui la componente design ha un ruolo centrale, parte dalla natura identitaria della sua produzione. Proprio per questa Alfredo Aceto forma di imprinting culturale che i luoghi trasferiscono sul prodotto, il vantaggio Alessandro Bava / åyr competitivo si genera in stretta relazione con le peculiarità della struttura sociale Sergio Breviario dei sistemi imprenditoriali locali. Da questa idea si è ipotizzato un legame Canemorto stringente per la promozione dell’arte contemporanea attraverso canali interna- Gianni Caravaggio zionali, qualitativamente rilevanti, già rodati dalla filiera produttiva per far sì che Ludovica Carbotta queste assonanze e affinità progettuali, nonché ideative, andassero a valorizzare Loris Cecchini l’operato delle nuove generazioni. Concepito infatti per documentare, valorizzare Giulio Delvé e sostenere gli artisti che vivono e lavorano principalmente in Italia, il Moroso Gabriele De Santis CONCEPT nasce con questo DNA, quale necessaria e pragmatica evoluzione del Elena El Asmar Premio Moroso, di cui diventa estensione e, si auspica, valido braccio operativo. Roberto Fassone Ettore Favini Il volume viene pubblicato quale complemento ed integrazione al progetto, illustrando i 36 artisti Graziano Folata selezionati per il Moroso CONCEPT 2017. La pubblicazione, curata da Andrea Bruciati, è inoltre un Francesco Fonassi focus sui 12 finalisti e si struttura secondo una pertinente indagine critica, condotta da: Anna Franceschini Alfredo Aceto, Canemorto, Roberto Fassone, Francesco Fonassi, Anna Franceschini, Invernomuto, Margherita Moscardini, Valerio Nicolai, Luigi Presicce, Stefano Serretta, Ilaria Vinci, Driant Zeneli. Anna Galtarossa Il catalogo è supportato da una ricca sezione iconografica che documenta approfonditamente Martino Genchi la poetica di ogni artista, e da un’esaustiva appendice di apparati, comprensiva del curriculum Oscar Giaconia dettagliato di ciascun autore e dalle schede tecniche relative ai progetti espressamente concepiti. Michele Guido C Helena Hladilová M Invernomuto Y The competitive strength of the term Made in Italy, in which the design compo- Lucia Leuci nent has a central role, is founded on the identifiable nature of its production. In Erica Kimberly Lizzori CM the same way that this form of cultural imprinting is transferred from a location Federico Maddalozzo MY onto a product, competitive advantage is generated in close relationship with the Davide Mancini Zanchi Nicola Martini CY peculiarities of the social structure of local entrepreneurial systems. This idea suggested a strong connection for the promotion of contemporary art through Andrea Mastrovito CMY relevant international channels that have already been organized into a Rebecca Moccia Margherita Moscardini K production network, to ensure that these design and conceptual affinities can be used to promote the work of a new generation of artists. Conceived to document, Marco Pio Mucci promote, and support artists who live and work mainly in Italy, the Moroso Andrea Nacciarriti Valerio Nicolai CONCEPT began from this DNA, a pragmatic and necessary evolution of the Giovanni Oberti Moroso Award as an extension, and it is hoped, valid organizational tool. Ornaghi & Prestinari This volume is published as an indispensable addition to complement the project, showing the Pennacchio Argentato 36 artists involved for Moroso CONCEPT 2015. The pubblication, curated by Andrea Bruciati, is also Luigi Presicce a focus concerning the 12 finalists and is structured as a pertinent critical analysis conducted by: Dragana Sapanˇ još Alfredo Aceto, Canemorto, Roberto Fassone, Francesco Fonassi, Anna Franceschini, Invernomuto, Stefano Serretta Margherita Moscardini, Valerio Nicolai, Luigi Presicce, Stefano Serretta, Ilaria Vinci, Driant Zeneli. Namsal Siedlecki The catalog is supported by a rich assortment of images documenting deeply each artist's poetic, and a comprehensive appendix of reference, that includes the detailed curriculum and technical Giovanna Silva specifications for projects specifically designed. Sebastiano Sofia Marco Strappato Gian Maria Tosatti Luca Trevisani Nico Vascellari ISBN 978-88-908574-4-7 Ilaria Vinci Driant Zeneli Italo Zuffi ISBN 978-88-908574-4-7 9 788890 857447 Euro 20,00 9 788890 857447 5th edition 2017 MOROSO CONCEPT per Contemporary Art 2017 Museo Etnografico del Friuli, Udine 28 aprile - 04 giugno / April 28 - June 4 Udine Musei Organizzazione e coordinamento/ Giovanni Oberti Progetto curatoriale COMUNE DI UDINE Organization and coordination Ornaghi e Prestinari e pubblicazione a cura di / UDINE TOWN COUNCIL Christian Tomadini Pennacchio Argentato Exhibition Project Luigi Presicce and Publication curated by Stefano Serretta Sindaco / Mayor Ufficio stampa MOROSO / Andrea Bruciati Giovanna Silva Furio Honsell Press Office MOROSO Alice Caudera Sebastiano Sofia Segreteria organizzativa / Alessandra Monteleone Marco Strappato Exhibition Coordination Assessore alla Cultura / supporto di / supported by Gian Maria Tosatti Andrea Bruciati Cabinet Member for Culture Maddalena Bonicelli Ilaria Vinci Eva Comuzzi Federico Pirone Driant Zeneli Ideazione del progetto / Italo Zuffi Apparati / Appendices Project planning by CIVICI MUSEI Eva Comuzzi Andrea Bruciati Giuria di selezione / Selecting Jury Patrizia Moroso Paola Pivi Coordinamento redazionale conservatore Andrea Bruciati e revisione editoriale / Museo Etnografico del Friuli / Patrizia Moroso Curator, Folk Museum of Friuli Artisti Selezionatori / Editorial Coordination and Editing Tiziana Ribezzi Selecting Artists Eva Comuzzi Sergio Breviario Artisti finalisti / Shortlisted Artists Alfredo Aceto Gianni Caravaggio Traduzioni / Translations Coordinamento bookshop Loris Cecchini Canemorto e biglietteria / Bookshop Roberto Fassone Jeff Abshear Giulio Delvé Francesca Favati and ticket office coordinator Ettore Favini Francesco Fonassi Rita De Luca Anna Galtarossa Anna Franceschini (traduzione dal francese per testo Andrea Mastrovito Invernomuto Luigi Presicce / Translation from the French of the text on Luigi Presicce) Allestimento / Exhibition design Andrea Nacciarriti Margherita Moscardini Mariangela Buligatto Dragana Sapanˇjoš Valerio Nicolai Testi di / Texts by Namsal Siedlecki Luigi Presicce Luca Trevisani Stefano Serretta Andris Brinkmanis Ufficio Promozione / Mattia Cappelletti Marketing Office Nico Vascellari Ilaria Vinci Driant Zeneli Fanta Studio Susanna Cardinali Cédric Fauq Artisti invitati / Invited Artists Giuria internazionale Elisa Fusi Ufficio Stampa e Comunicazione Alfredo Aceto di premiazione / Davide Giannella del Comune di Udine Alessandro Bava / åyr International Prize Jury Matteo Mottin Canemorto Udine Town Council Fabio Cavallucci Pier Paolo Pancotto Ludovica Carbotta Marta Papini Press Office & Communication direttore Centro per l’arte Emporio ADV Gabriele De Santis Bianca Stoppani Elena El Asmar contemporanea Luigi Pecci Martino Gamper Daniela Zangrando Roberto Fassone designer Graziano Folata Piero Gandini Progetto grafico / Graphic design Francesco Fonassi art director FLOS Jessica Etro Anna Franceschini Jovain Jelovac Martino Genchi art director Oscar Giaconia Allestimento / Installation Beograd Design Week Studio Marco Viola, Michele Guido Amanda Levete Udine Helena Hladilavá architetto Invernomuto Lucia Leuci Responsabili tecnici / Erica Kimberly Lizzori Technical Coordination Federico Maddalozzo Lucio Floreani, Moroso Davide Mancini Zanchi Andrea Bertossio, Moroso Nicola Martini Rebecca Moccia Materiale tipografico Margherita Moscardini e promozionale / Typesetting Marco Pio Mucci and Promotional Materials Valerio Nicolai Grafiche Filacorda, Udine Si ringraziano tutti gli artisti che hanno reso possibile la realizzazione del progetto curatoriale / We would like to thank all the artists for their contribution to this project Un sentito ringraziamento va alle seguenti gallerie per il loro contributo alla pubblicazione / We are especially grateful to the following Galleries for their contribution to the publication Galleria Acappella, Naples Altrove Gallery, Catanzaro Andersen’s Contemporary, Copenhagen The Gallery Apart, Rome Galleria Armada, Milan Galleria Continua, San Gimignano / Beijing / Les Moulins / Havana Galleria Giovanni Bonelli, Milan Galerie Bugada & Cargnel, Paris Galerie Mehdi Chouakri, Berlin Contemporary Locus, Bergamo Vera Cortes, Lisbon Galleria Massimo De Luca, Mestre (VE) Fanta Spazio, Milan Fixer, Lecce Nowheregallery, Milan Pinksummer, Genoa / Rome Galleria kaufmann repetto, Milano / New York Galleria Lia Rumma, Milan / Naples Prometeogallery di Ida Pisani, Milan / Lucca TILE Project Space, Milan Supportico Lopez, Berlin Galleria Vistamare - Benedetta Spalletti, Pescara a tutti coloro che hanno dato la loro massima disponibilità a questo p rogetto / we also thank all those who have greatly contribued to this project Aurélien Calpas, Alice Dalla Lana, Riccardo Mazza, Claudia Santeroni, Valentina Suma, Sid Yahao Sun in particolar modo / especially to Patrizia Moroso e / and MOROSO S.p.A., Cavalicco (UD) Ci scusiamo se, per cause Crediti fotografici / Photo Credits indipendenti dalla nostra volontà, Mario Albergati per / for Margherita Moscardini abbiamo omesso alcune referenze Giulio Boem, Lorenzo Senni e / and Matt Très Bon per / for Invernomuto fotografiche / Angelo Jaroszuk Bogasz e / and Jacopo Farina per / for Canemorto We apologize if, due to reasons Nicolas Brasseur per / for Nicola Martini wholly beyond our control, Enrico Carpinello, Benedict
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  • Max Planck Institute for Social Anthropology Working Paper 196

    Max Planck Institute for Social Anthropology Working Paper 196

    Quotations from Primary Sources Supplement 2 to Max Planck Institute for Social Anthropology Working Paper 196 The Concept of Identity in the Ethnology and Social Anthropology of the Nineteenth and Early Twentieth Centuries – a preliminary report John R. Eidson Recommended Citation: Eidson, John R. 2019. Quotations from Primary Sources. Supplement 2 to The Concept of Identity in the Ethnology and Social Anthropology of the Nineteenth and Early Twentieth Centuries – a preliminary report. Max Planck Institute for Social Anthropology Working Paper 196. Halle (Saale): Max Planck Institute for Social Anthropology. Permalink: http://www.eth.mpg.de/wp0196_sup02 1 John R. Eidson last update 12 November 2019 Supplement to “The Concept of Identity in the Ethnology and Social Anthropology of the Nineteenth and Early Twentieth Centuries – a preliminary report” Quotations from Primary Sources 1690 «IDENTITÉ. s. f. Ce qui fait que deux ou plusieurs choses ne sont qu‘une mesme. N‘est en usage que dans le Dogmatique. Identité de raisons, identité de nature, identité de pensées e divers termes » (Dictionnaire de l‘Académie Françoise 1694:582). 1700 On identity between ―any thing as existing at any determin‘d time and place‖ and ―itself existing at another time‖ (Locke [1700] 1975:328). On diversity between ―any thing … in any place in any instant of time‖ and ―another, which at the same time exists in another place‖ (Locke [1700] 1975:328). ―For since consciousness always accompanies thinking, and ‗tis that, that makes every one to be, what he calls self; and thereby distinguishes himself from all other thinking things, in this alone consists personal Identity, i.e.