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Archi-Ne Ws 2/20 17
www.archi-europe.com archi-news 2/2017 BUILDING AFRICA EDITO If the Far East seems to be the focal point of the contemporary architectural development, the future is probably in Africa. Is this continent already in the line 17 of vision? Many European architects are currently building significant complexes: 2/20 the ARPT by Mario Cucinella, the new hospital in Tangiers by Architecture Studio or the future urban development in Oran by Massimiliano Fuksas, among other projects. But the African architectural approach also reveals real dynamics. This is the idea which seem to express the international exhibitions on African architecture during these last years, on the cultural side and architectural and archi-news archi-news city-panning approach, as well as in relation to the experimental means proposed by numerous sub-Saharan countries after their independence in the sixties, as a way to show their national identity. Not the least of contradictions, this architecture was often imported from foreign countries, sometimes from former colonial powers. The demographic explosion and the galloping city planning have contributed to this situation. The recent exhibition « African Capitals » in La Villette (Paris) proposes a new view on the constantly changing African city, whilst rethinking the evolution of the African city and more largely the modern city. As the contemporary African art is rich and varied – the Paris Louis Vuitton Foundation is presently organizing three remarkable exhibitions – the African architecture can’t be reduced to a single generalized label, because of the originality of the different nations and their socio-historical background. The challenges imply to take account and to control many parameters in relation with the urbanistic pressure and the population. -
Architecture
ARCHITECTURE LE MUSEE SOULAGES, UN ECRIN POUR DES ŒUVRES SINGULIERES Service Educatif Musée Soulages – Service Educatif - Professeurs chargés de mission ARCHITECTURE- Le musée Soulages un écrin pour des œuvres singulières Sommaire 1 Musée Soulages : le projet ............................................................................................................................................... 1 Présentation générale ..................................................................................................................................................... 1 Le temps du projet .......................................................................................................................................................... 2 Le concours ..................................................................................................................................................................... 3 L’architecture du musée Soulages .................................................................................................................................. 4 L’agence RCR arquitectes ................................................................................................................................................ 5 2 La démarche RCR, le point de vue des architectes ........................................................................................................... 6 Les sources d’inspiration ................................................................................................................................................ -
From the Ground up the First Fifty Years of Mccain Foods
CHAPTER TITLE i From the Ground up the FirSt FiFty yearS oF mcCain FoodS daniel StoFFman In collaboratI on wI th t ony van l eersum ii FROM THE GROUND UP CHAPTER TITLE iii ContentS Produced on the occasion of its 50th anniversary Copyright © McCain Foods Limited 2007 Foreword by Wallace McCain / x by All rights reserved. No part of this book, including images, illustrations, photographs, mcCain FoodS limited logos, text, etc. may be reproduced, modified, copied or transmitted in any form or used BCE Place for commercial purposes without the prior written permission of McCain Foods Limited, Preface by Janice Wismer / xii 181 Bay Street, Suite 3600 or, in the case of reprographic copying, a license from Access Copyright, the Canadian Toronto, Ontario, Canada Copyright Licensing Agency, One Yonge Street, Suite 1900, Toronto, Ontario, M6B 3A9. M5J 2T3 Chapter One the beGinninG / 1 www.mccain.com 416-955-1700 LIBRARY AND ARCHIVES CANADA CATALOGUING IN PUBLICATION Stoffman, Daniel Chapter Two CroSSinG the atlantiC / 39 From the ground up : the first fifty years of McCain Foods / Daniel Stoffman For copies of this book, please contact: in collaboration with Tony van Leersum. McCain Foods Limited, Chapter Three aCroSS the Channel / 69 Director, Communications, Includes index. at [email protected] ISBN: 978-0-9783720-0-2 Chapter Four down under / 103 or at the address above 1. McCain Foods Limited – History. 2. McCain, Wallace, 1930– . 3. McCain, H. Harrison, 1927–2004. I. Van Leersum, Tony, 1935– . II. McCain Foods Limited Chapter Five the home Front / 125 This book was printed on paper containing III. -
The Factory of Visual
ì I PICTURE THE MOST COMPREHENSIVE LINE OF PRODUCTS AND SERVICES "bey FOR THE JEWELRY CRAFTS Carrying IN THE UNITED STATES A Torch For You AND YOU HAVE A GOOD PICTURE OF It's the "Little Torch", featuring the new controllable, méf » SINCE 1923 needle point flame. The Little Torch is a preci- sion engineered, highly versatile instrument capa- devest inc. * ble of doing seemingly impossible tasks with ease. This accurate performer welds an unlimited range of materials (from less than .001" copper to 16 gauge steel, to plastics and ceramics and glass) with incomparable precision. It solders (hard or soft) with amazing versatility, maneuvering easily in the tightest places. The Little Torch brazes even the tiniest components with unsurpassed accuracy, making it ideal for pre- cision bonding of high temp, alloys. It heats any mate- rial to extraordinary temperatures (up to 6300° F.*) and offers an unlimited array of flame settings and sizes. And the Little Torch is safe to use. It's the big answer to any small job. As specialists in the soldering field, Abbey Materials also carries a full line of the most popular hard and soft solders and fluxes. Available to the consumer at manufacturers' low prices. Like we said, Abbey's carrying a torch for you. Little Torch in HANDY KIT - —STARTER SET—$59.95 7 « '.JBv STARTER SET WITH Swest, Inc. (Formerly Southwest Smelting & Refining REGULATORS—$149.95 " | jfc, Co., Inc.) is a major supplier to the jewelry and jewelry PRECISION REGULATORS: crafts fields of tools, supplies and equipment for casting, OXYGEN — $49.50 ^J¡¡r »Br GAS — $49.50 electroplating, soldering, grinding, polishing, cleaning, Complete melting and engraving. -
LAUREADOS PRITZKER PRIZE PRITZKER 2018 Balkrishna Doshi Pune,Índia,1927
LAUREADOS PRITZKER PRIZE PRITZKER 2018 Balkrishna Doshi Pune,Índia,1927 • Estudante e colaborador de Le Corbusier e Louis Kahn • Em atividade profissional há mais de 70 anos, • Princípios • Arquitetura poética • Influências das culturas orientais • Amplo espectro de programas arquitetônicos desde a década de 1950 • Doshi é o primeiro arquiteto indiano a receber a maior honra da arquitetura. Iniciou seus estudos de arquitetura no ano da independência de seu país, 1947 • Depois de um período em Londres, mudou-se para a França para trabalhar com Le Corbusier, voltando para a Índia para supervisionar o trabalho de Le Corbusier em Chandigarh e Ahmedabad (Edifício da Associação de Proprietários de Moinhos (1954) e a Casa Shodhan (1956). • Também trabalhou com Louis Kahn no Instituto Indiano de Gestão em Ahmedabad, que teve início em 1962 Hussein Doshi Gufa em Ahmedabad Galeria de arte que lembra uma caverna exibe o trabalho do artista Maqbool Fida Husain. Muito parecidas com o estúdio Sangath, as estruturas em forma de cúpulas são revestidas de mosaicos. As obras de arte são afixadas diretamente nas paredes internas e as esculturas de metal repousam contra as colunas de forma irregular Juri • Júri do Prêmio Pritzker de 2018 –Glenn Murcutt (presidente), Stephen Breyer, André Aranha Corrêa do Lago, Yung Ho Chang, Kristin Feireiss, Lord Peter Palumbo, Richard Rogers, Benedetta Tagliabue, Ratan N. Tata, Kazuyo Sejima, Wang Shu e Martha Thorne – justificou deste modo a sua atribuição a Balkrishna Doshi: “O arquitetco indiano Balkrishna Doshi tem continuamente apresentado na sua obra os objectivos do Prêmio Pritzker de Arquitetura no mais alto grau. Tem praticado a arte da arquitectura, mostrando contribuições substanciais para a humanidade, há mais de 60 anos. -
Subject Index
Subject Index Aalto, Alvar, 22 Art Shed Southbank Architectural Com- bearing, solar angle diagrams, 334 Ackerman Student Union, University of petition, 2006, 383 Berkeley Art Museum and Pacific Film California at Los Angeles, Cali- Asia Society, Hong Kong Center, China, Archive, Berkeley, California, fornia, 250 410, 411 197 Adelaide University, South Australia, assembly drawing, linear perspective Bernal Heights residence, San Fran- School of Architecture, Land- drawing, 311 cisco, California, 262 scape Architecture and Urban Atocha Station, Madrid, Spain, 75 B FIVE STUDIO, 550 Design, 499 audience, portfolio, 463–64 Bilbao Effect, 120 Adelman/Liano residence, Santa Moni- August Wilson Center for African Ameri- BIM (building information modeling), ca, California, 207 can Culture, Pittsburgh, Penn- capabilities of, 93–94 Adobe Photoshop, 63 sylvania, 284 bird’s eye perspective African American Museum of Slavery, Aulenti, Gaetana, 22 linear perspective drawing, 246–47, Rockville, Maryland, 429 automobile 298–301 Aga Han Museum, Toronto, Canada, conceptual sketching, 73 one-point perspective from above, 242 representational drawing, 26–29 linear perspective drawing, Alaska, University of, Fairbanks, 198 auxiliary views, multiview-drawings, 177 248–49 alternatives, conceptual diagramming axes addition, orthographic and paraline underside perspective with, linear and sketches, 40, 44–45 drawing, 195 perspective drawing, 303 altitude, solar angle diagrams, 334 axial lines, orthographic and paraline Birkerts, Gunnar, 42, 69, 150 American Museum -
September 2007 Caa News
NEWSLETTER OF THE COLLEGE ART ASSOCIATION VOLUME 32 NUMBER 5 SEPTEMBER 2007 CAA NEWS Cultural Heritage in Iraq SEPTEMBER 2007 CAA NEWS 2 CONTENTS FEATURES 3 Donny George Is Dallas–Fort Worth Convocation Speaker FEATURES 4 Cultural Heritage in Iraq: A Conversation with Donny George 7 Exhibitions in Dallas and Fort Worth: Kimbell Art Museum 8 Assessment in Art History 13 Art-History Survey and Art- Appreciation Courses 13 Lucy Oakley Appointed caa.reviews Editor-in-Chief 17 The Bookshelf NEW IN THE NEWS 18 Closing of CAA Department Christopher Howard 19 National Career-Development Workshops for Artists FROM THE CAA NEWS EDITOR 19 MFA and PhD Fellowships Christopher Howard is editor of CAA News. 21 Mentors Needed for Career Fair 22 Participating in Mentoring Sessions With this issue, CAA begins the not-so-long road to the next 22 Projectionists and Room Monitors Needed Annual Conference, held February 20–23, 2008, in Dallas and 24 Exhibit Your Work at the Dallas–Fort Fort Worth, Texas. The annual Conference Registration and Worth Conference Information booklet, to be mailed to you later this month, 24 Annual Conference Update contains full registration details, information on special tours, workshops, and events at area museums, Career Fair instruc- CURRENTS tions, and much more. This publication, as well as additional 26 Publications updates, will be posted to http://conference.collegeart.org/ 27 Advocacy Update 2008 in early October. Be sure to bookmark that webpage! 27 Capwiz E-Advocacy This and forthcoming issues of CAA News will also con- tain crucial conference information. On the next page, we 28 CAA News announce Donny George as our Convocation speaker. -
Dragon Magazine #248
DRAGONS Features The Missing Dragons Richard Lloyd A classic article returns with three new dragons for the AD&D® game. Departments 26 56 Wyrms of the North Ed Greenwood The evil woman Morna Auguth is now The Moor Building a Better Dragon Dragon. Paul Fraser Teaching an old dragon new tricks 74Arcane Lore is as easy as perusing this menu. Robert S. Mullin For priestly 34 dragons ... Dragon Dweomers III. Dragon’s Bestiary 80 Gregory W. Detwiler These Crystal Confusion creatures are the distant Dragon-Kin. Holly Ingraham Everythingand we mean everything 88 Dungeon Mastery youll ever need to know about gems. Rob Daviau If youre stumped for an adventure idea, find one In the News. 40 92Contest Winners Thomas S. Roberts The winners are revealed in Ecology of a Spell The Dragon of Vstaive Peak Design Contest. Ed Stark Columns Theres no exagerration when Vore Lekiniskiy THE WYRMS TURN .............. 4 is called a mountain of a dragon. D-MAIL ....................... 6 50 FORUM ........................ 10 SAGE ADVICE ................... 18 OUT OF CHARACTER ............. 24 Fiction BOOKWYRMs ................... 70 The Quest for Steel CONVENTION CALENDAR .......... 98 Ben Bova DRAGONMIRTH ............... 100 Orion must help a young king find both ROLEPLAYING REVIEWS .......... 104 a weapon and his own courage. KNIGHTS OF THE DINNER TABLE ... 114 TSR PREVIEWS ................. 116 62 PROFILES ..................... 120 Staff Publisher Wendy Noritake Executive Editor Pierce Watters Production Manager John Dunn Editor Dave Gross Art Director Larry Smith Associate Editor Chris Perkins Editorial Assistant Jesse Decker Advertising Sales Manager Bob Henning Advertising Traffic Manager Judy Smitha On the Cover Fred Fields blends fantasy with science fiction in this month's anniversary cover. -
DREAM and NATURE ©Photo: Hisao Suzuki Hisao ©Photo
PRESS KIT RCRCATALONIA IN VENICE DREAM AND NATURE ©Photo: Hisao Suzuki Hisao ©Photo: RCR. Dream and Nature Catalonia in Venice Collateral Event of the 16. Mostra Internazionale di Architettura. La Biennale di Venezia. The Institut Ramon Llull presents as Collateral Event RCR. Dream and Nature_Catalonia in Venice, a project about the architecture firm, RCR Arquitectes - recipients of the Pritzker Architecture Prize in 2017 - for the 16th International Architecture Exhibition - La Biennale di Venezia, that will run from May 26th to November 25th, 2018. The project, which will represent Catalonia in the Biennale Architettura 2018 as Collateral Event and which is curated by journalist Pati Nunez and architect Estel Ortega along with RCR Arquitectes, reveals an unknown side of Rafael Aranda, Carme Pigem and Ramon Vilalta: their most intimate universe. These three architects have created a space to research and rethink man’s relationship to the world, located in the La Vila estate in the Bianya Valley (Girona), and it’s in this landscape that their project for 16th International Architecture Exhibition is based. In the words of RCR Arquitectes: “In Venice we will present our dream, unknown and unpublished up until now. It’s a key moment in the development of this project, and it’s through architecture that the birth of a utopia under construction that unveils our interior world is being represented.” The intention is that “those who visit the space at the Biennale will feel an immense draw to get to know La Vila and to perceive the force of nature, a force that can change you. -
National Register of Historic Places Inventory Nomination
NPS Form 10-900 (3-82) OMB No. 1024-0018 Expires 10-31-87 United States Department off the Interior National Park Service For NPS use only National Register of Historic Places received Inventory Nomination Form date entered See instructions in How to Complete National Register Forms Type all entries complete applicable sections____________ 1. Name historic Rockefeller Center and or common 2. Location Bounded by Fifth Avenue, West 48th Street, Avenue of the street & number Americas, and West 51st Street____________________ __ not for publication city, town New York ___ vicinity of state New York code county New York code 3. Classification Category Ownership Status Present Use district public x occupied agriculture museum x building(s) x private unoccupied x commercial park structure both work in progress educational private residence site Public Acquisition Accessible _ x entertainment religious object in process x yes: restricted government scientific being considered yes: unrestricted industrial transportation no military other: 4. Owner of Property name RCP Associates, Rockefeller Group Incorporated street & number 1230 Avenue of the Americas city, town New York __ vicinity of state New York 10020 5. Location of Legal Description courthouse, registry of deeds, etc. Surrogates' Court, New York Hall of Records street & number 31 Chambers Street city, town New York state New York 6. Representation in Existing Surveys Music Hall only: National Register title of Historic Places has this property been determined eligible? yes no date 1978 federal state county local depository for survey records National Park Service, 1100 L Street, NW ^^ city, town Washington_________________ __________ _ _ state____DC 7. Description Condition Check one Check one x excellent deteriorated unaltered x original s ite good ruins x altered moved date fair unexposed Describe the present and original (iff known) physical appearance The Rockefeller Center complex was the final result of an ill-fated plan to build a new Metropolitan Opera House in mid-town Manhattan. -
IN FLUX: Land, Photography and Temporality
This work has been submitted to NECTAR, the Northampton Electronic Collection of Theses and Research. Thesis Title: IN FLUX: Land, Photography and Temporality Creator: Sunderland, J. S. Example citation: Sunderland, J. S. (2015) IN FLUX: Land, PhotogRraphy and Temporality. Doctoral thesis. The University of NorthampAton. Version: Accepted version http://nectarC.northamptTon.ac.uk/9735/ NE IN FLUX Land, Photography and Temporality Submitted for the Degree of Doctor of Philosophy At the University of Northampton 2015 John Samuel Sunderland © John Sunderland 2015. This thesis is copyright material and no quotation from it may be published without proper acknowledgement. 1 Abstract This thesis accompanies a practice as research doctoral project that investigates the perceptual mechanisms and conceptions of land as a site of constant change. It utilises photographic practice as a form of visual communication. The aim is to examine the roles of movement and memory in the perceptual experiences of the environment through a phenomenological framework that involves the consideration of the concepts of place and space from a temporal perspective. The principal theme is how the moving and changing environment can be interpreted through the stasis of photography and what this implies about the individual’s relationship to it. The research methodology is a Rhizomatic multi‐site and multi‐process approach, utilising various methods and investigating site types appropriately as an interwoven practice. This has resulted in five separate bodies of work that deal with different forms of movement. The work employs close range photogrammetry techniques liberated from the empirical traditions of archaeological photography and time‐lapse to investigate the human‐scaled aerial view and visually interpret embodiment in the environment. -
Journal of San Diego History, Fall 2007 V 53, No 4
Publication of The Journal of San Diego History has been partially funded by generous grants from the Joseph W. Sefton Foundation; Philip Klauber; Quest for Truth Foundation of Seattle, Washington, established by the late James G. Scripps; and an anonymous friend and supporter of the Journal. Publication of this issue of The Journal of San Diego History has also been supported by a grant from “The Journal of San Diego History Fund” of the San Diego Foundation. PRESERVE A SaN DIEGO TREASURE The San Diego Historical Society is able to share the resources of four museums and its extensive collections with the community through the generous support of Your $100 contribution will help to create an endowment for the following: City of San Diego Commission for Art and Culture; County of San Diego; foundation and government grants; individual and corporate memberships; The Journal of San Diego History corporate sponsorship and donation bequests; sales from museum stores and reproduction prints from the Booth Historical Photograph Archives; admissions; Please make your check payable to The San Diego Foundation. Indicate on the and proceeds from fund-raising events. bottom of your check that your donation is for The Journal of San Diego History Fund. The San Diego Foundation accepts contributions of $100 and up. Articles appearing in The Journal of San Diego History are abstracted and Your contribution is tax-deductible. indexed in Historical Abstracts and America: History and Life. The paper in the publication meets the minimum requirements of American The San Diego Foundation National Standard for Information Science-Permanence of Paper for Printed 2508 Historic Decatur Road, Suite 200 Library Materials, ANSI Z39.48-1984.