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Weaverswaver00stocrich.Pdf
University of California Berkeley Regional Oral History Office University of California The Bancroft Library Berkeley, California Fiber Arts Oral History Series Kay Sekimachi THE WEAVER'S WEAVER: EXPLORATIONS IN MULTIPLE LAYERS AND THREE-DIMENSIONAL FIBER ART With an Introduction by Signe Mayfield Interviews Conducted by Harriet Nathan in 1993 Copyright 1996 by The Regents of the University of California Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West, and the Nation. Oral history is a modern research technique involving an interviewee and an informed interviewer in spontaneous conversation. The taped record is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The resulting manuscript is typed in final form, indexed, bound with photographs and illustrative materials, and placed in The Bancroft Library at the University of California, Berkeley, and other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. ************************************ All uses of this manuscript are covered by a legal agreement between The Regents of the University of California and Kay Sekimachi dated April 16, 1995. The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California, Berkeley. No part of the manuscript may be quoted for publication without the written permission of the Director of The Bancroft Library of the University of California, Berkeley. -
20Th Century Art & Design Auction September 9 • Sale Results
20th Century Art & Design Auction September 9 • Sale Results * The prices listed do not include the buyers premium. Results are subject to change. unsold $ Lot # Title high bid 088 Rookwood vase, incised and painted stylized floral 950 Darling 275 00 Gustav Stickley Morris chair, #336 0000 09 Hampshire bowl, organic green matt glaze 200 70 Frank J. Marshall box 200 002 Gustave Baumann woodblock, 5000 092 Pewabic vase, shouldered hand-thrown shape 850 7 Indiana Engraving Company print 600 004 Arts & Crafts tinder box, slanted lift top 650 093 Van Briggle vase, ca. 907-92, squat form 550 72 Hiroshige (Japanese 796-858), colorful woodblock print 005 Rookwood vase, geometric design 325 094 Hull House bowl, low form 200 600 006 Arts & Crafts graphic, 350 095 Rookwood vase, three-handled form 300 73 Arts & Crafts wall hanging, wood panel 400 007 Limbert bookcase, #358, two door form 2200 096 Gustav Stickley Chalet desk, #505 2200 74 Hiroshige (Japanese 796-858), colorful woodblockw/ 008 Gustav Stickley china cabinet 800 097 Gustav Stickley bookcase, #75 2600 Kunihisa Utagawa 450 009 Weller Coppertone vase, flaring form 250 098 Gustav Stickley china cabinet, #85 5500 75 Gustav Stickley desk, #720, two drawers 800 00 Armen Haireian vase, 275 00 Shreve blotter ends, attribution, hammered copper 400 76 Rookwood vase, bulbous shape covered in a green matt 011 Grueby vase, rare light blue suspended matt glaze 400 0 Arts & Crafts table runner, embroidered poppy designs 350 glaze 1100 02 Van Briggle tile, incised and painted landscape 200 02 Arts & Crafts blanket chest 950 77 Gustav Stickley sideboard, #89, three drawers 5000 03 Fulper vase, large tapering form 425 04 Heintz desk set, 325 78 Arts & Crafts tabouret, hexagonal top 400 04 Van Briggle tile, incised and painted landscape 2300 05 Navajo rug, stylized diamond design 450 79 Gustav Stickley Thornden side chair, #299 75 05 Newcomb College handled vessel, bulbous shape 300 06 L & JG Stickley dining chairs, #800, set of six 2000 80 Arts & Crafts tabouret, octagonal top 375 06 Van Briggle vase, ca. -
1960 National Gold Medal Exhibition of the Building Arts
EtSm „ NA 2340 A7 Digitized by the Internet Archive in 2012 with funding from LYRASIS Members and Sloan Foundation http://archive.org/details/nationalgoldOOarch The Architectural League of Yew York 1960 National Gold Medal Exhibition of the Building Arts ichievement in the Building Arts : sponsored by: The Architectural League of New York in collaboration with: The American Craftsmen's Council held at: The Museum of Contemporary Crafts 29 West 53rd Street, New York 19, N.Y. February 25 through May 15, i960 circulated by The American Federation of Arts September i960 through September 1962 © iy6o by The Architectural League of New York. Printed by Clarke & Way, Inc., in New York. The Architectural League of New York, a national organization, was founded in 1881 "to quicken and encourage the development of the art of architecture, the arts and crafts, and to unite in fellowship the practitioners of these arts and crafts, to the end that ever-improving leadership may be developed for the nation's service." Since then it has held sixtv notable National Gold Medal Exhibitions that have symbolized achievement in the building arts. The creative work of designers throughout the country has been shown and the high qual- ity of their work, together with the unique character of The League's membership, composed of architects, engineers, muralists, sculptors, landscape architects, interior designers, craftsmen and other practi- tioners of the building arts, have made these exhibitions events of outstanding importance. The League is privileged to collaborate on The i960 National Gold Medal Exhibition of The Building Arts with The American Crafts- men's Council, the only non-profit national organization working for the benefit of the handcrafts through exhibitions, conferences, pro- duction and marketing, education and research, publications and information services. -
Glass Pavilion Floorplan
MyGuide A Monroe Street Lobbey Dale Chihuly, Chandelier: Campiello del Remer #2, 1996/2006 Dale Chihuly’s “chandelier” greets visitors at the Monroe Street entrance. Chihuly’s team installed the 1300-pound hanging sculpture so that its 243 components complement the arcs of the curved walls and the Crystal Corridor that bisects the Glass Pavilion floorplan. B Gallery 5 Roman, Jar with Basket Handle, late 4th–5th century Glass The most elaborate jar of its type known from the late Eastern Roman world, this is one of thousands “As physical borders blur and of glass objects given by glass industrialist and TMA founder/benefactor Edward Drummond Libbey blend, so do notions such as Pavilion (1854–1925) of the Libbey Glass Company. He wanted the Museum to display a comprehensive program and context. This fits Since opening in August 2006, the history of glass art for the education and enjoyment the dynamic environment at the Toledo Museum of Art Glass Pavilion of the community. The Museum continues to build on has attracted a lot of attention from his vision today. Toledo Museum of Art, where around the world. This guide sheds a a wide range of collections little light on this architectural marvel are allowed to interact in new and the stellar collection it houses. C The Glass Study Gallery The Glass Study Gallery provides open storage of constellations, where workshop works not on display in the exhibition galleries. interacts with collection…and Divided into cases featuring ancient, European, American, and contemporary glass, the Study Gallery where the Museum campus allows visitors to compare many examples of similar objects, to contrast different techniques, and to enjoy interacts with neighborhood and the full range of the Museum’s varied collection. -
California and the Fiber Art Revolution
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UNL | Libraries University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 2004 California and the Fiber Art Revolution Suzanne Baizerman Oakland Museum of California, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons Baizerman, Suzanne, "California and the Fiber Art Revolution" (2004). Textile Society of America Symposium Proceedings. 449. https://digitalcommons.unl.edu/tsaconf/449 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. California and the Fiber Art Revolution Suzanne Baizerman Imogene Gieling Curator of Crafts and Decorative Arts Oakland Museum of California Oakland, CA 510-238-3005 [email protected] In the 1960s and ‘70s, California artists participated in and influenced an international revolution in fiber art. The California Design (CD) exhibitions, a series held at the Pasadena Art Museum from 1955 to 1971 (and at another venue in 1976) captured the form and spirit of the transition from handwoven, designer textiles to two dimensional fiber art and sculpture.1 Initially, the California Design exhibits brought together manufactured and one-of-a kind hand-crafted objects, akin to the Good Design exhibitions at the Museum of Modern Art in New York City. -
The MSU Ceramics Program Story
Montana State University Ceramics Program Story By Josh DeWeese, 2012 The ceramics program at Montana State University started with Frances Senska around 1945. Senska had studied with the German potter Marguerite Wildenhain and brought a Bauhaus aesthetic and sense of design to the small college in Montana after WWII. In the early days the department of MSC (Montana State College) was principally made up of Frances Senska, Jessie Wilbur, and Cyrus Conrad. Frances Senska working in her studio They hired Robert DeWeese in 1949. Peter Voulkos and Rudy and Lela Autio were in school from 1947‐51, and both Pete and Rudy developed an interest in ceramics. Senska nurtured that interest, and in the summer of 1951 she introduced them to Archie Bray who hired them to work and develop the Pottery in the brickyard. Senska taught up until the early 70s, firmly establishing the department, and designing the ceramics studio in Haynes Hall, which is still in use today. After her retirement, Jim Barnaby was hired to teach and taught for several years. In the early 1970’s Michael Peed and Rick Pope were hired and both taught until 2008, when they both retired. Their students include Frank Whitney, Ken Kohoutek, Louis Katz, Gail Busch, Tip Toland, Silvie Granatelli, and many others over a 30+ year career. Josh DeWeese, (Robert’s son) was hired in 2008, to work with Dean Adams to develop the program. Adams moved to the Foundations position in 2010, and Jeremy Hatch was hired to teach ceramic sculpture in 2011. Peter Voulkos in 1940’s Today, the program is focused on delivering a well‐ rounded education in the ceramic arts, introducing a broad range of technical skills balanced with critical evaluation and a strong awareness of contemporary issues relevant to the medium. -
Ceramics Monthly Nov83 Cei11
William C. Hunt ........................................ Editor Barbara Tipton ...................... Associate Editor Robert L. Creager ........................ Art Director Ruth C. Butler.............................. Copy Editor Valentina Rojo....................... Editorial Assistant Mary Rushley.............. Circulation Manager Connie Belcher ... Advertising Manager Spencer L. Davis.................................. Publisher Editorial, Advertising and Circulation Offices 1609 Northwest Boulevard, Box 12448, Columbus, Ohio 43212 (614) 488-8236 Ceramics Monthly (ISSN 0009-0329) is published monthly except July and August by Professional Publications, Inc.—S. L. Davis, Pres.; P. S. Emery, Sec.: 1609 North west Blvd., Columbus, Ohio 43212. Second class postage paid at Columbus, Ohio. Subscription Rates:One year SI 6, two years $30, three years $40. Add $5 per year for subscriptions outside the U.S.A. Change of Address:Please give us four weeks advance notice. Send both the magazine wrapper label and your new address to Ceramics Monthly, Circulation Office, Box 12448, Columbus, Ohio 43212. Contributors: Manuscripts, photographs, color separations, color transparencies (in cluding 35mm slides), graphic illustrations, texts and news releases dealing with ceramic art are welcome and will be considered for publication. A booklet describing procedures for the preparation and submission of a man uscript is available upon request. Send man uscripts and correspondence about them to The Editor, Ceramics Monthly, Box 12448, Columbus, Ohio 43212. Indexing:Articles in each issue of Ceramics Monthly are indexed in the Art Index. A 20-year subject index (1953-1972) covering Ceramics Monthly feature articles, Sugges tions and Questions columns is available for $1.50, postpaid from the Ceramics Monthly Book Department, Box 12448, Columbus, Ohio 43212. Additionally, each year’s arti cles are indexed in the December issue. -
Gather Newsletter.Indd
Spring/Summer 2006 “Glass of the Maharajahs” the opens May 19 Heineman Family Donates Contemporary Glass Collection Rare Colored Cut Glass in Gather “Splitting the Rainbow” C o r n i n g M u s e u m o f G l a s s DIRECTOR’S LETTER Museum News One of the pleasures of working at The Corning Museum of Glass is the fact that the Museum never stands still. We are ambitious, and Corning Incorporated and our other supporters allow us— within reason—to turn many of our dreams into reality. Online Database Details Glass Exhibitions Worldwide New Museum Publication and Video Available Contemporary glass is a vital part of our collection and exhibitions. A new online database, compiled and maintained by the Rakow We were thrilled, therefore, at the beginning of the year, to receive Research Library, offers web users the ability to search for past, A new publication from The the largest gift of contemporary glass in the Museum’s history. present and upcoming temporary glass exhibitions around the Corning Museum of Glass Photo by Frank J. Borkowski. world. The Worldwide Glass Exhibition Database can be found at explores the past 25 years of www.cmog.org/exhibitionsdatabase. contemporary glass, and a new Ben Heineman Sr. and his wife Natalie have spent more than 20 years building video produced by The Studio one of the most distinguished private collections of contemporary glass, and have “The Rakow’s mission is to collect, maintain and provide public introduces glass students to the collected with a consummate sense of what is best among the countless works access to all glass-related resources," says Diane Dolbashian, art of flameworking. -
Persistence-In-Clay.Pdf
ond th0 classroom THE CERAMICS PROGRAM ATTHE UNIVERSITY OF MONTANA by H. RAFAEL CHACON ontana is known globally as a place for the Autio came to Missoula at the instigation of the Mstudy of modern ceramics, in no small part visionary President McFarland. In 1952, while because of the strengths of its academic institutions. shopping in Helena for bricks for his new campus Ceramics at the University of Montana is a model buildings, McFarland found Autio working at the academic program with an international reputation Archie Bray Foundation. Initially hired to design and a rich history. an architectural mural for the exterior of the new The arts have been a part of the University of Liberal Arts building, Autio eventually accepted Montana's curriculum since the establishment of McFarland's invitation to create a bona fide ceramics the state's flagship educational institution in 1895, program at the university. In fall 1957, Autio began with the first drawing course offered in 1896. Clay throwing, firing, and glazing pots and making first appeared in 1903 as a subject of instruction, sculptures in a retired World War II barracks building alongside the crafts of rug design, lettering, and later the warming hut of the university's Ice book covers, basket weaving, and metallurgy. In Skating Rink below Mt. Sentinel; these were not the 1926, after the retirement of long-time chairman best facilities, but a step up from the soda fountain Frederick D. Schwalm, the crafts were eliminated on the ground floor of the former Student Union from the curriculum only to be restored in 1948 building. -
2012 Utah National Parks Pow Wow Book
Life can be a lot like a jungle. There are exciting new things to discover as well as dangerous pitfalls that can threaten your life. Jungle animals leave footprints, or imprints in the soil that other animals can follow. Cub Scout leaders also leave imprints—impressions in the hearts and minds of young boys which will help them find their way in an often-dangerous and scary world. What imprint are you making? BOY SCOUTS OF AMERICA—UTAH NATIONAL PARKS COUNCIL UTAH NATIONAL PARKS COUNCIL POW WOW BOOK 2012-2013 Book Contributors Cover Artwork Debbie Wood Pony Express District Design Julia Oldroyd Rock Canyon District Monthly Core Values and Themes September Roger Dunn Bridal Veil Falls District October Angela Merrick Pony Express District Julia Oldroyd Rock Canyon District November Julia Oldroyd Rock Canyon District December Alleen Manning Lehi District January Felice Clements Black Hawk District February Sariah Hillam Rock Canyon District March Annette Adams Utah Lake District April Julia Oldroyd Rock Canyon District May Nancy Brimhall Alpine District June Alyson Mansfield Battle Creek District Laura Clement July Stacy Coley Timpanogos District Wendi O’Keefe Roxanne Lawson August Julia Oldroyd Rock Canyon District Supplemental Materials Character Connections Annaleis Smith Black Hawk District Activities and Worksheets Ann Shumway Mt. Nebo District Webelos Activity Badges Felice Clements Black Hawk District and Double-Takes Mary Halvorsen Hobble Creek District Record-Keeping and Valayne Ostler Alpine District Improving Family Involvement -
Oral History Interview with Harrison Mcintosh
Oral history interview with Harrison McIntosh Funding for this interview provided by the Pacific Art Foundation. Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 General............................................................................................................................. 2 Scope and Contents........................................................................................................ 1 Scope and Contents........................................................................................................ 2 Scope and Contents........................................................................................................ 2 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 2 Container Listing ..................................................................................................... -
Chart - History Singles All Chart-Entries in the Top 100 Peak:1 Peak:1 Peak: 2 Germany / United Kindom / U S a Tom Jones
Chart - History Singles All chart-entries in the Top 100 Peak:1 Peak:1 Peak: 2 Germany / United Kindom / U S A Tom Jones No. of Titles Positions Sir Thomas John Woodward OBE (born 7 June Peak Tot. T10 #1 Tot. T10 #1 1940), known professionally as Tom Jones, is a 1 22 6 2 228 61 20 Welsh singer. His career has spanned six 1 44 20 3 431 92 9 decades, from his emergence as a vocalist in 2 28 5 -- 272 22 -- the mid-1960s with a string of top hits, regular touring, appearances in Las Vegas 1 49 23 5 931 175 29 (1967–2011), and career comebacks. ber_covers_singles Germany U K U S A Singles compiled by Volker Doerken Date Peak WoC T10 Date Peak WoC T10 Date Peak WoC T10 1 It's Not Unusual 02/1965 1 1 22 7204/1965 10 12 2 Once Upon A Time 05/1965 32 4 3 Little Lonely One 05/1965 42 9 4 What's New Pussycat 08/1965 11 10 06/1965 3 12 5 5 With These Hands 07/1965 13 11 08/1965 27 8 6 Thunderball 01/1966 35 4 12/1965 25 9 7 Promise Her Anything 02/1966 74 4 8 Once There Was A Time / Not Responsible 05/1966 18 9 9 Not Responsible 06/1966 58 6 10 This And That 08/1966 44 3 11 Green Green Grass Of Home 01/1967 6 22 1111/1966 1 7 22 13 12/1966 11 12 12 Detroit City 04/1967 35 4 02/1967 8 10 1 03/1967 27 8 13 Funny Familiar Forgotten Feelings 06/1967 38 2 04/1967 7 15 3 05/1967 49 6 14 I'll Never Fall In Love Again 10/1967 31 4 07/1967 2 25 9409/1967 6 23 15 Sixteen Tons 08/1967 68 4 16 I'm Coming Home 02/1968 39 4 11/1967 2 16 7 12/1967 57 5 17 Delilah 04/1968 1 13 31 2002/1968 2 19 8 03/1968 15 15 18 Help Yourself 08/1968 1 7 24 1507/1968 5 26 6 08/1968