DOCSLIB.ORG

1960 National Gold Medal Exhibition of the Building Arts

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
1960 National Gold Medal Exhibition of the Building Arts EtSm „ NA 2340 A7 Digitized by the Internet Archive in 2012 with funding from LYRASIS Members and Sloan Foundation http://archive.org/details/nationalgoldOOarch The Architectural League of Yew York 1960 National Gold Medal Exhibition of the Building Arts ichievement in the Building Arts : sponsored by: The Architectural League of New York in collaboration with: The American Craftsmen's Council held at: The Museum of Contemporary Crafts 29 West 53rd Street, New York 19, N.Y. February 25 through May 15, i960 circulated by The American Federation of Arts September i960 through September 1962 © iy6o by The Architectural League of New York. Printed by Clarke & Way, Inc., in New York. The Architectural League of New York, a national organization, was founded in 1881 "to quicken and encourage the development of the art of architecture, the arts and crafts, and to unite in fellowship the practitioners of these arts and crafts, to the end that ever-improving leadership may be developed for the nation's service." Since then it has held sixtv notable National Gold Medal Exhibitions that have symbolized achievement in the building arts. The creative work of designers throughout the country has been shown and the high qual- ity of their work, together with the unique character of The League's membership, composed of architects, engineers, muralists, sculptors, landscape architects, interior designers, craftsmen and other practi- tioners of the building arts, have made these exhibitions events of outstanding importance. The League is privileged to collaborate on The i960 National Gold Medal Exhibition of The Building Arts with The American Crafts- men's Council, the only non-profit national organization working for the benefit of the handcrafts through exhibitions, conferences, pro- duction and marketing, education and research, publications and information services. The Council was founded in 1945 "to provide education in the handcrafts and to further and stimulate public in- terest in and appreciation of the work of handcraftsmen." It maintains The Museum of Contemporary Crafts, publishes Craft Horizons mag- azine, and is affiliated with over a hundred local, state and regional craft associations. The American Federation of Arts, which will circulate the i960 Na- tional Gold Medal Exhibition of The Building Arts to schools, univer- sities, museums and other institutions throughout the United States and Canada, is a national, non-profit, educational organization with headquarters at 1085 Fifth Avenue, New York City. Founded fifty years ago in Washington, D.C. and incorporated 1916 in the State of New York, it is composed of chapter, individual and corporate members. The purpose of the Federation is to cultivate the apprecia- tion and foster the production of art in America. This is carried out through a program of activities including traveling exhibitions, pub- lications, national and regional conferences and consultation services. The Architectural League of New York Morris Ketchum. Jr.. President : Francis Scott Bradford. Frank F.liscu. Richard C. Guthridge, Dan Cooper. Ira Hooper, Jose A. Fernandez. J ice- Presidents; Cope B. Walbridge. Secretary; Alfred Geiffert, III. Treasurer; Nathan Walker, Legal Counsel. Executive Committee: Ferdinand Eiseman, Charles H. Shaner, Jr.. Olindo Grossi. Richard Belcher, Mrs. Vanderbilt Webb, Harold Bartos. J. Gordon Carr, David L. Eggers, Michael Radoslovich. imerican Craftsmen's Council Mrs. Vanderbilt Webb. Chairman of the Board: Kenneth Chorley, / ice-Chairman; Da\ id R. Campbell, President: William J. Barrett. Treasurer; Mary \ ail Andress. Secretary; Mark Ellingson, Chairman of Finance Committee. Trustees: Alfred Auerbach, Reginald Brewer, Rene d'Harnoncourt, Mrs. Dorothy Draper. Walter H. Kilhani. Jr.. V. Lada-Mocarski. Jack Lenor Larsen, Mrs. Dorothy Liebes. Mevric Rogers, Frank Stanton. John B. Stevens. Edward Wormley. Regional Craftsmen- Trustees : west Marguerite Wildenhain, Jackson Wooley; midwest Michael Higgins, Dorothy Meredith: east) Robert W. Gray. Marian G. Heard. The American Federation of Arts Roy R. Neuberger, President: George H. Fitch. First Vice-President; Lloyd Goodrich. Second Vice-President; David M. Solinger. Third Vice-President; Alice M. Kaplan, Secretary; Lee A. Ault, Treasurer; Robert Woods Bliss, Honorary- President: Richard F. Bach, Honorary Vice-President; Harris K. Prior. Director. Trustees: Philip R. Adams, H. Harvard Arnason, Lee A. Ault, Richard F. Bach, Pietro Belluschi, Henry Billings, Francis E. Breiman, Leslie Cheek, Jr.. William G. Constable. Charles C. Cunningham, John De Menil. Rene d'Harnoncourt, Dudley T. Easby, Jr.. Allan D. Emil, George H. Fitch, Bernice C. Garbisch. Lloyd Goodrich. Paul S. Harris, Bartlett H. Hayes. Jr.. Henry R. Hope, Alan Jarvis, Alice M. Kaplan. Daniel Longwell, Farle Ludgin, Stanley Marcus. Arnold H. Maremont. William M. Milliken. Grace L. McCann Morley. William C. .Murray. Charles Nagel, Jr.. Elizabeth S. Navas, Roy R. Xeuberger. Fred L. Palmer, Helen C. Russell. Edgar C. Schenck, James S. Schramm, Lawrence M. C. Smith. David M. Solinger. F.loise Spaeth, Hudson I). Walker, John Walker. Suzette M. Zurcher. The National Gold Medal Com in it tee mi mbers: Jose A. Fernandez. Chairman. Vice-President for Architecture; Francis Scott Bradford. ( ice-President for Mural Painting; Ira Hooper, Vice-President for Engineering; Frank F.liscu. Vice-President for Sculpture: Richard C. Guthridge, Vice-President for Landscape Architecture; Dan Cooper, Vice-President for Design and Craftsmanship: Joseph C. Hazen. George Cooper Rudolph, Edgar I. Williams. Morris Ketchum, Jr.. President. The Architectural League. advisory: Giorgio Cavaglieri. Chairman, Current Work Committee; Olivier de Messieres, Chairman, exhibition Committee. , KoreWOrd The theme ofthe 6ist National Gold Medal Exhibition of The Archi- tectural League of New York is achievement in the building arts as exemplified by the progress that has been made, during the last five years, in the interrelated arts of architecture and interior design, en- gineering, mural decoration, sculpture, landscape design, industrial design and craftsmanship, with special emphasis on both the hand- craftsmanship and the technological craftsmanship of building. Submission of material for the exhibition was open to any practi- tioner of those allied arts who was a citizen of this country or its territorial possessions whether or not fie was a member of The Archi- tectural League of New York or The American Craftsmen 's Council. The only qualifications were that the work submitted must be of the highest quality executed between January I, 195 j and December ]i 1959 and that all submissions in the allied cuts must be related to architecture. The material for thefinal comprehensive exhibition at the Museum of Contemporary Crafts of the American Craftsmen's Council was selected by Juries ofAward of The Architectural League ofNew York from the invited entries shown in six preliminary exhibitions held at The League from September 10, 19j9 through February ij, i960 and from open submissions received at The League on January 4, i960. The Architectural League of New York gratefully acknowledges the close cooperation caul support of The American Craftsmen's Council, including Mrs. Vanderbilt Webb, Chairman of The Board, Mr. David R. Campbell, President, and Mr. Thomas S. Tibbs, Director of The Museum of Contemporary Crafts, in the development of this exhibition and its presentation at The Museum. The League is also very grateful to The American Federation of Arts, including Air. Harris K. Prior, Director, and Miss Virginia Field, Secretary Exhibitions to circulate the exhibition throughout for , for arranging the United States and Canada during the years 1960-1962. Morris Ketchum, Jr., F.A.I. A. President. The Architectural League of New York Committees of Selection —Juries of Award Morris Retchum, Jr., Ex-Officio Member, III Juries Architecture Giorgio Cavaglieri Louis I. Kahn L. Bancel LaFarge Ladislav L. Rado Jose A. Fernandez, Chairman Engineering Thomas Kavanagh Guv Panero Paid Weidlinger Lev Zetlin Ira Hooper, Chairman Mural Decoration Dean Cornwell Adolf Gottlieh Max Spivak Francis Scott Bradford, Chairman Sculpture Marshall Frederichs Costantino Nivola Vincent Glinskv Frank Eliscu, Chairman Landscape Architecture Francis Cormier Michael Rapuano Hideo Sasaki Richard C. Guthridge, Chairman Design and Craftsmanship Harrv Bertoia David R. Campbell Dorothy Liebes Gwen Lux Francis Scott Bradford Dan Cooper, Chairman Collaborative Medal of Honor Francis Scott Bradford Dan Cooper Frank Eliscu Jose A. Fernandez Richard C. Guthridge Ira Hooper Morris Retchum, Jr., Chairman Awards To honor the designers of work of exceptionally high merit, the Juries of Award of The . irchitec- tural League of New York awarded The League s traditional Gold and Silver Medals and Honor- able Mentions in architecture, engineering, mural decoration, sculpture, landscape architecture, and design and craftsmanship. The Collaborative Medal of Honor of The League was awarded, for the first time, to that project which, in the opinion of the .Jury-, best exemplified the result of outstanding collaboration between at least four practitioners of the building arts, in- cluding architecture and three other categories. Architecture GOLD MEDAL OF HONOR Ludwig Mies van der Rohe and Philip Johnson, architects for the Seagram Building. New York City. SILVER MEDAL OF HONOR Edward Larrabee Barnes, architect for the residence of John JJ . Strauss, Pound
Load more

Recommended publications
  • Weaverswaver00stocrich.Pdf
    University of California Berkeley Regional Oral History Office University of California The Bancroft Library Berkeley, California Fiber Arts Oral History Series Kay Sekimachi THE WEAVER'S WEAVER: EXPLORATIONS IN MULTIPLE LAYERS AND THREE-DIMENSIONAL FIBER ART With an Introduction by Signe Mayfield Interviews Conducted by Harriet Nathan in 1993 Copyright 1996 by The Regents of the University of California Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West, and the Nation. Oral history is a modern research technique involving an interviewee and an informed interviewer in spontaneous conversation. The taped record is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The resulting manuscript is typed in final form, indexed, bound with photographs and illustrative materials, and placed in The Bancroft Library at the University of California, Berkeley, and other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. ************************************ All uses of this manuscript are covered by a legal agreement between The Regents of the University of California and Kay Sekimachi dated April 16, 1995. The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California, Berkeley. No part of the manuscript may be quoted for publication without the written permission of the Director of The Bancroft Library of the University of California, Berkeley.
    [Show full text]
  • A Finding Aid to the Perls Galleries Records, 1937-1997, in the Archives of American Art
    A Finding Aid to the Perls Galleries Records, 1937-1997, in the Archives of American Art Julie Schweitzer January 15, 2009 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Historical Note.................................................................................................................. 2 Scope and Content Note................................................................................................. 3 Arrangement..................................................................................................................... 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Correspondence, 1937-1995.................................................................... 5 Series 2: Negatives, circa 1937-1995.................................................................. 100 Series 3: Photographs, circa 1937-1995.............................................................. 142 Series 4: Exhibition, Loan, and Sales Records, 1937-1995................................
    [Show full text]
  • The Factory of Visual
    ì I PICTURE THE MOST COMPREHENSIVE LINE OF PRODUCTS AND SERVICES "bey FOR THE JEWELRY CRAFTS Carrying IN THE UNITED STATES A Torch For You AND YOU HAVE A GOOD PICTURE OF It's the "Little Torch", featuring the new controllable, méf » SINCE 1923 needle point flame. The Little Torch is a preci- sion engineered, highly versatile instrument capa- devest inc. * ble of doing seemingly impossible tasks with ease. This accurate performer welds an unlimited range of materials (from less than .001" copper to 16 gauge steel, to plastics and ceramics and glass) with incomparable precision. It solders (hard or soft) with amazing versatility, maneuvering easily in the tightest places. The Little Torch brazes even the tiniest components with unsurpassed accuracy, making it ideal for pre- cision bonding of high temp, alloys. It heats any mate- rial to extraordinary temperatures (up to 6300° F.*) and offers an unlimited array of flame settings and sizes. And the Little Torch is safe to use. It's the big answer to any small job. As specialists in the soldering field, Abbey Materials also carries a full line of the most popular hard and soft solders and fluxes. Available to the consumer at manufacturers' low prices. Like we said, Abbey's carrying a torch for you. Little Torch in HANDY KIT - —STARTER SET—$59.95 7 « '.JBv STARTER SET WITH Swest, Inc. (Formerly Southwest Smelting & Refining REGULATORS—$149.95 " | jfc, Co., Inc.) is a major supplier to the jewelry and jewelry PRECISION REGULATORS: crafts fields of tools, supplies and equipment for casting, OXYGEN — $49.50 ^J¡¡r »Br GAS — $49.50 electroplating, soldering, grinding, polishing, cleaning, Complete melting and engraving.
    [Show full text]
  • National Endowment for the Arts Annual Report 1990
    National Endowment For The Arts Annual Report National Endowment For The Arts 1990 Annual Report National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts for the Fiscal Year ended September 30, 1990. Respectfully, Jc Frohnmayer Chairman The President The White House Washington, D.C. April 1991 CONTENTS Chairman’s Statement ............................................................5 The Agency and its Functions .............................................29 . The National Council on the Arts ........................................30 Programs Dance ........................................................................................ 32 Design Arts .............................................................................. 53 Expansion Arts .....................................................................66 ... Folk Arts .................................................................................. 92 Inter-Arts ..................................................................................103. Literature ..............................................................................121 .... Media Arts: Film/Radio/Television ..................................137 .. Museum ................................................................................155 .... Music ....................................................................................186 .... 236 ~O~eera-Musicalater ................................................................................
    [Show full text]
  • 2020 Impact Report
    20 20 IMPACT REPORT Demond Melancon, Big Chief of the Young Seminole Hunters – 2020 COVID-19 Relief Grant Recipient, New Orleans, Louisiana, Photo courtesy of Christopher Porché West OUR MISSION A Letter from CERF+ Plan + Pivot + Partner CERF+’s mission is to serve artists who work in craft disciplines by providing a safety In the first two decades of the 21st century,CERF+ ’s safety net of services gradually net to support strong and sustainable careers. CERF+’s core services are education expanded to better meet artists’ needs in response to a series of unprecedented natural programs, resources on readiness, response and recovery, advocacy, network building, disasters. The tragic events of this past year — the pandemic, another spate of catastrophic and emergency relief assistance. natural disasters, as well as the societal emergency of racial injustice — have thrust us into a new era in which we have had to rethink our work. Paramount in this moment has been BOARD OF DIRECTORS expanding our definition of “emergency” and how we respond to artists in crises. Tanya Aguiñiga Don Friedlich Reed McMillan, Past Chair While we were able to sustain our longstanding relief services, we also faced new realities, which required different actions. Drawing from the lessons we learned from administering Jono Anzalone, Vice Chair John Haworth* Perry Price, Treasurer aid programs during and after major emergencies in the previous two decades, we knew Malene Barnett Cinda Holt, Chair Paul Sacaridiz that our efforts would entail both a sprint and a marathon, requiring us to plan, pivot, Barry Bergey Ande Maricich* Jaime Suárez and partner.
    [Show full text]
  • An Eye on New York Architecture
    OCULUS an eye on new york architecture The New York Chapter of the American Institute of Architects Volume 51, Number 7, March 1989 ew Co lumbus Center proposal by David Childs FAIA of Skidmore Owings Merrill. 2 YC/AIA OC LUS OCULUS COMING CHAPTER EVENTS Volume 51, Number 7, March 1989 Oculus Tuesday, March 7. The Associates Tuesday, March 21 is Architects Lobby Acting Editor: Marian Page Committee is sponsoring a discussion on Day in Albany. The Chapter is providing Art Director: Abigail Sturges Typesetting: Steintype, Inc. Gordan Matta-Clark Trained as an bus service, which will leave the Urban Printer: The Nugent Organization architect, son of the surrealist Matta, Center at 7 am. To reserve a seat: Photographer: Stan Ri es Matta-Clark was at the center of the 838-9670. avant-garde at the end of the '60s and The New York Chapter of the American Institute of Architects into the '70s. Art Historian Robert Tuesday, March 28. The Chapter is 457 Madison Avenue Pincus-Witten will be moderator of the co-sponsoring with the Italian Marble New York , New York 10022 evening. 6 pm. The Urban Center. Center a seminar on "Stone for Building 212-838-9670 838-9670. Exteriors: Designing, Specifying and Executive Committee 1988-89 Installing." 5:30-7:30 pm. The Urban Martin D. Raab FAIA, President Tuesday, March 14. The Art and Center. 838-9670. Denis G. Kuhn AIA, First Vice President Architecture and the Architects in David Castro-Blanco FAIA, Vice President Education Committees are co­ Tuesday, March 28. The Professional Douglas Korves AIA, Vice President Stephen P.
    [Show full text]
  • ARCHIVES Marianne Strengell
    ARCHIVES Marianne Strengell (1909 - 1998) Papers, 1620-1998 (Bulk 1928-1995) 9.21 linear ft. Acquisition Number: 1991-07 Acquisition: The collection was donated to the Archives in three lots – one in 1991, one in 1995, and the third in 1996. These were merged into a single collection in 1996 by Ethel McNaughton. A fourth set of records was donated in June 2003 from the estate of Olav Hammarstrom. Access: Access to the collection is unrestricted. Copyright: Copyright to this collection is held by the Cranbrook Educational Community. Preferred Citation: Marianne Strengell Papers, Cranbrook Archives, Bloomfield Hills, Michigan. Photographs: In Series IV: Photographs and in Photograph Special File. Audio/Visual: 16mm films in Series IV: Photographs. Index: See end of finding aid. Processing: Initial processing was done in 1996 by Ethel McNaughton, final processing done in 2011 by Cheri Y. Gay. History Marianne Strengell was born in Helsingfors, Finland on 24 May 1909, daughter of Finnish architect Gustaf Strengell and interior designer Anna Wegelius. She graduated from the Central School of Industrial Design in Helsingfors in 1929, then went to Stockholm where she assisted in the preparations for the 1930 Stockholm Exposition. Prior to coming to the United States in 1936, Strengell held several positions in Scandinavia, designing rugs, textiles and interiors. One of her earliest positions was as a designer at Hemflit-Kotiahkeruus where her mother, Anna, was director and responsible for starting a cottage industry in weaving for the farmers’ wives. As early as 1931, Strengell was invited by family friend Eliel Saarinen to work at the Cranbrook Academy of Art, however it wasn’t until 1937 that she began there as an instructor.
    [Show full text]
  • California and the Fiber Art Revolution
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UNL | Libraries University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 2004 California and the Fiber Art Revolution Suzanne Baizerman Oakland Museum of California, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons Baizerman, Suzanne, "California and the Fiber Art Revolution" (2004). Textile Society of America Symposium Proceedings. 449. https://digitalcommons.unl.edu/tsaconf/449 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. California and the Fiber Art Revolution Suzanne Baizerman Imogene Gieling Curator of Crafts and Decorative Arts Oakland Museum of California Oakland, CA 510-238-3005 [email protected] In the 1960s and ‘70s, California artists participated in and influenced an international revolution in fiber art. The California Design (CD) exhibitions, a series held at the Pasadena Art Museum from 1955 to 1971 (and at another venue in 1976) captured the form and spirit of the transition from handwoven, designer textiles to two dimensional fiber art and sculpture.1 Initially, the California Design exhibits brought together manufactured and one-of-a kind hand-crafted objects, akin to the Good Design exhibitions at the Museum of Modern Art in New York City.
    [Show full text]
  • Smithsonian American Art Museum
    Smithsonian American Art Museum Chronological List of Past Exhibitions and Installations on View at the Smithsonian American Art Museum and its Renwick Gallery 1958-2016 ■ = EXHIBITION CATALOGUE OR CHECKLIST PUBLISHED R = RENWICK GALLERY INSTALLATION/EXHIBITION May 1921 xx1 American Portraits (WWI) ■ 2/23/58 - 3/16/58 x1 Paul Manship 7/24/64 - 8/13/64 1 Fourth All-Army Art Exhibition 7/25/64 - 8/13/64 2 Potomac Appalachian Trail Club 8/22/64 - 9/10/64 3 Sixth Biennial Creative Crafts Exhibition 9/20/64 - 10/8/64 4 Ancient Rock Paintings and Exhibitions 9/20/64 - 10/8/64 5 Capital Area Art Exhibition - Landscape Club 10/17/64 - 11/5/64 6 71st Annual Exhibition Society of Washington Artists 10/17/64 - 11/5/64 7 Wildlife Paintings of Basil Ede 11/14/64 - 12/3/64 8 Watercolors by “Pop” Hart 11/14/64 - 12/13/64 9 One Hundred Books from Finland 12/5/64 - 1/5/65 10 Vases from the Etruscan Cemetery at Cerveteri 12/13/64 - 1/3/65 11 27th Annual, American Art League 1/9/64 - 1/28/65 12 Operation Palette II - The Navy Today 2/9/65 - 2/22/65 13 Swedish Folk Art 2/28/65 - 3/21/65 14 The Dead Sea Scrolls of Japan 3/8/65 - 4/5/65 15 Danish Abstract Art 4/28/65 - 5/16/65 16 Medieval Frescoes from Yugoslavia ■ 5/28/65 - 7/5/65 17 Stuart Davis Memorial Exhibition 6/5/65 - 7/5/65 18 “Draw, Cut, Scratch, Etch -- Print!” 6/5/65 - 6/27/65 19 Mother and Child in Modern Art ■ 7/19/65 - 9/19/65 20 George Catlin’s Indian Gallery 7/24/65 - 8/15/65 21 Treasures from the Plantin-Moretus Museum Page 1 of 28 9/4/65 - 9/25/65 22 American Prints of the Sixties 9/11/65 - 1/17/65 23 The Preservation of Abu Simbel 10/14/65 - 11/14/65 24 Romanian (?) Tapestries ■ 12/2/65 - 1/9/66 25 Roots of Abstract Art in America 1910 - 1930 ■ 1/27/66 - 3/6/66 26 U.S.
    [Show full text]
  • Oral History Interview with Glen Kaufman, 2008 January 22-February 23
    Oral history interview with Glen Kaufman, 2008 January 22-February 23 Funding for this interview was provided by the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a recorded interview with Glen Kaufman on January 22 and February 23, 2008. The interview took place in Athens, Georgia, and was conducted by Josephine Shea for the Archives of American Art, Smithsonian Institution. This interview is part of the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America. Glen Kaufman has reviewed the transcript and has made corrections and emendations. The reader should bear in mind that they are reading a transcript of spoken, rather than written, prose. Interview JOSEPHINE SHEA: This is Josephine Shea. I'm sitting here with Glen Kaufman at his home in Athens, Georgia, on January 22 [2008], the day after Martin Luther King, Jr., Day, in Athens, Georgia, which is about an hour and a half from Atlanta, for the Archives of American Art, Smithsonian Institution, and this is disc one of we don't know how many discs. [END CD 1 TR 1.] Traditionally, we begin these by talking about — asking the question, when and where were you born? GLEN KAUFMAN: I was born in southern Wisconsin in a small town named Fort Atkinson, about 35 miles south of — [END CD 1 TR 2.] —and west of Madison, the capital, named after General Atkinson, who was a famous general in the Blackhawk— [END CD 1 TR 3.] —Indian Wars.
    [Show full text]
  • Are214b Building Structures Ib
    ARE214B BUILDING STRUCTURES I B CHENG HO YIU REX 193401515 B.Sc. Yr2 May 27, 2020 LIST OF BUILDING STRUCTURES LECTURE 1 – INTRODUCTION Portuguese National Pavilion Expo 98, Lisbon, Portugal. 1998 | Alvaro Siza | Cecil Balmond (Engineer) A minimalistic pavilion with a wide-spanning curved concrete canopy, fastened between the roofs of two rolls of vertical columns by steel cables embedded inside the thin layers of concrete, HSBC Headquarters, Central, Hong Kong. 1985 | Norman Forster | Ove Arup & Partners (Engineer) High-rise office with exoskeleton structure with steel trusses and floors suspended by tension columns that supported by eight main clustered columns, each composed of 4 connected steel tubes, to create the large column free atrium. Pont du Gard Roman Aqueduct, Nimes, France. 40-60 AD Three tier semi-circular arch structure built with stone using only friction and gravity to transfer water in ancient times. Exchange House Office Building, Dockland, London. 1996 | Skidmore, Owings & Merrill (SOM) The 10-story office building is supported by external steel frame structure that is hold up primarily by four parabolic arches, two internal and two external, to provide a column-free and flexible open office design. Statue of Liberty, New York City, USA. 1886 | Gustave Eiffel | Frédéric Auguste Bartholdi (Sculptor) Structure ≠ Form | The neoclassical copper statue is sectioned into sheets of metal claddings which are attached to steel frames supported by four steel columns, is a gift from France to USA as a memorial to their independence. Greater Columbus Convention Center, Columbus, Ohio, USA. 1993 | Peter Eisenman Structure ≠ Form | The organic and irregular exterior is supported by convoluted structural frame that creates a strong juxtaposition with the convention centre’s large open interior.
    [Show full text]
  • NCN Articles of Interest | June 4, 2021
    ARTICLES OF INTEREST June 4, 2021 QUOTE(S) OF THE WEEK “Creativity is not simply a property of exceptional people but an exceptional property of all people” – Ron Carter “Hire/promote for demonstrated curiosity.” – Tom Peters “Mathematics is not about numbers, equations, computations, or algorithms: it is about understanding.” – William Paul Thurston “If the Internet teaches us anything, it is that great value comes from leaving core resources in a commons, where they're free for people to build upon as they see fit.” – Lawrence Lessig “Love the battle between chaos and imagination.” – Robert Fulghum VIDEO(S) OF THE WEEK Discussion on Harnessing Culture and Heritage for economic transformation UN Office of the Special Adviser on Africa Bug Expert Explains Why Cicadas Are So Loud WIRED 5 Minutes That Will Make You Love Percussion The New York Times The Right Stuff: What It Takes to Boldly Go World Science Festival Cosmology and the Accelerating Universe | A Conversation with Nobel Laureate Brian Schmidt World Science Festival Meera Lee Patel: Making Friends with Your Fear CreativeMorning | Nashville FEATURED EVENTS/OPPORTUNITIES Viewfinder: Women’s Film and Video from the Smithsonian Because of HER Story | Smithsonian Monthly Series | First Thursday of the Month Black creatives never stopped creating Chicago Reader Through July 4 NEW Join Us for a Live Webinar on Famous 'Late Bloomers' and the Secrets of Midlife Creativity Smithsonian Magazine Event June 8 at 7 p.m. ET NEW Author and neurobiologist to discuss Art and the Brain June 8 Cape
    [Show full text]