2020 Impact Report
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1960 National Gold Medal Exhibition of the Building Arts
EtSm „ NA 2340 A7 Digitized by the Internet Archive in 2012 with funding from LYRASIS Members and Sloan Foundation http://archive.org/details/nationalgoldOOarch The Architectural League of Yew York 1960 National Gold Medal Exhibition of the Building Arts ichievement in the Building Arts : sponsored by: The Architectural League of New York in collaboration with: The American Craftsmen's Council held at: The Museum of Contemporary Crafts 29 West 53rd Street, New York 19, N.Y. February 25 through May 15, i960 circulated by The American Federation of Arts September i960 through September 1962 © iy6o by The Architectural League of New York. Printed by Clarke & Way, Inc., in New York. The Architectural League of New York, a national organization, was founded in 1881 "to quicken and encourage the development of the art of architecture, the arts and crafts, and to unite in fellowship the practitioners of these arts and crafts, to the end that ever-improving leadership may be developed for the nation's service." Since then it has held sixtv notable National Gold Medal Exhibitions that have symbolized achievement in the building arts. The creative work of designers throughout the country has been shown and the high qual- ity of their work, together with the unique character of The League's membership, composed of architects, engineers, muralists, sculptors, landscape architects, interior designers, craftsmen and other practi- tioners of the building arts, have made these exhibitions events of outstanding importance. The League is privileged to collaborate on The i960 National Gold Medal Exhibition of The Building Arts with The American Crafts- men's Council, the only non-profit national organization working for the benefit of the handcrafts through exhibitions, conferences, pro- duction and marketing, education and research, publications and information services. -
National Endowment for the Arts Annual Report 1990
National Endowment For The Arts Annual Report National Endowment For The Arts 1990 Annual Report National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts for the Fiscal Year ended September 30, 1990. Respectfully, Jc Frohnmayer Chairman The President The White House Washington, D.C. April 1991 CONTENTS Chairman’s Statement ............................................................5 The Agency and its Functions .............................................29 . The National Council on the Arts ........................................30 Programs Dance ........................................................................................ 32 Design Arts .............................................................................. 53 Expansion Arts .....................................................................66 ... Folk Arts .................................................................................. 92 Inter-Arts ..................................................................................103. Literature ..............................................................................121 .... Media Arts: Film/Radio/Television ..................................137 .. Museum ................................................................................155 .... Music ....................................................................................186 .... 236 ~O~eera-Musicalater ................................................................................ -
2020 Impact Report
20 20 IMPACT REPORT Demond Melancon, Big Chief of the Young Seminole Hunters – 2020 COVID-19 Relief Grant Recipient, New Orleans, Louisiana, Photo courtesy of Christopher Porché West OUR MISSION A Letter from CERF+ Plan + Pivot + Partner CERF+’s mission is to serve artists who work in craft disciplines by providing a safety In the first two decades of the 21st century,CERF+ ’s safety net of services gradually net to support strong and sustainable careers. CERF+’s core services are education expanded to better meet artists’ needs in response to a series of unprecedented natural programs, resources on readiness, response and recovery, advocacy, network building, disasters. The tragic events of this past year — the pandemic, another spate of catastrophic and emergency relief assistance. natural disasters, as well as the societal emergency of racial injustice — have thrust us into a new era in which we have had to rethink our work. Paramount in this moment has been BOARD OF DIRECTORS expanding our definition of “emergency” and how we respond to artists in crises. Tanya Aguiñiga Don Friedlich Reed McMillan, Past Chair While we were able to sustain our longstanding relief services, we also faced new realities, which required different actions. Drawing from the lessons we learned from administering Jono Anzalone, Vice Chair John Haworth* Perry Price, Treasurer aid programs during and after major emergencies in the previous two decades, we knew Malene Barnett Cinda Holt, Chair Paul Sacaridiz that our efforts would entail both a sprint and a marathon, requiring us to plan, pivot, Barry Bergey Ande Maricich* Jaime Suárez and partner. -
Gareth Mason: the Attraction of Opposites Focus the Culture of Clay
focus MONTHLY the culture of clay of culture the Gareth Mason: The Attraction of Opposites focus the culture of clay NOVEMBER 2008 $7.50 (Can$9) www.ceramicsmonthly.org Ceramics Monthly November 2008 1 MONTHLY Publisher Charles Spahr Editorial The [email protected] telephone: (614) 794-5895 fax: (614) 891-8960 editor Sherman Hall assistant editor Brandy Wolfe Ceramic assistant editor Jessica Knapp technical editor Dave Finkelnburg online editor Jennifer Poellot Harnetty editorial assistant Holly Goring Advertising/Classifieds Arts [email protected] telephone: (614) 794-5834 fax: (614) 891-8960 classifi[email protected] telephone: (614) 794-5843 advertising manager Mona Thiel Handbook Only advertising services Jan Moloney Marketing telephone: (614) 794-5809 marketing manager Steve Hecker Series $29.95 each Subscriptions/Circulation customer service: (800) 342-3594 [email protected] Design/Production Electric Firing: Glazes & Glazing: production editor Cynthia Griffith design Paula John Creative Techniques Finishing Techniques Editorial and advertising offices 600 Cleveland Ave., Suite 210 Westerville, Ohio 43082 Editorial Advisory Board Linda Arbuckle; Professor, Ceramics, Univ. of Florida Scott Bennett; Sculptor, Birmingham, Alabama Tom Coleman; Studio Potter, Nevada Val Cushing; Studio Potter, New York Dick Lehman; Studio Potter, Indiana Meira Mathison; Director, Metchosin Art School, Canada Bernard Pucker; Director, Pucker Gallery, Boston Phil Rogers; Potter and Author, Wales Jan Schachter; Potter, California Mark Shapiro; Worthington, Massachusetts Susan York; Santa Fe, New Mexico Ceramics Monthly (ISSN 0009-0328) is published monthly, except July and August, by Ceramic Publications Company; a Surface Decoration: Extruder, Mold & Tile: subsidiary of The American Ceramic Society, 600 Cleveland Ave., Suite 210, Westerville, Ohio 43082; www.ceramics.org. -
National Endowment for the Arts Annual Report 1989
National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended September 30, 1989. Respectfully, John E. Frohnmayer Chairman The President The White House Washington, D.C. July 1990 Contents CHAIRMAN’S STATEMENT ............................iv THE AGENCY AND ITS FUNCTIONS ..............xxvii THE NATIONAL COUNCIL ON THE ARTS .......xxviii PROGRAMS ............................................... 1 Dance ........................................................2 Design Arts ................................................20 . Expansion Arts .............................................30 . Folk Arts ....................................................48 Inter-Arts ...................................................58 Literature ...................................................74 Media Arts: Film/Radio/Television ......................86 .... Museum.................................................... 100 Music ......................................................124 Opera-Musical Theater .....................................160 Theater ..................................................... 172 Visual Arts .................................................186 OFFICE FOR PUBLIC PARTNERSHIP ...............203 . Arts in Education ..........................................204 Local Programs ............................................212 States Program .............................................216 -
Ceramics Monthly Nov90 Cei11
November 1990 1 William C. Hunt.......................................Editor Ruth C. Butler...........................Associate Editor Robert L. Creager............................Art Director Kim Schomburg................... Editorial Assistant Shawn R. Hiller...........................Staff Assistant Mary Rushley...................Circulation Manager MaryE. Beaver................. Circulation Assistant Connie Belcher................ Advertising Manager Spencer L. Davis.................................Publisher Editorial, Advertising and Circulation Offices 1609 Northwest Boulevard Box 12448, Columbus, Ohio 43212 (614) 488-8236 FAX (614) 488-4561 Ceramics Monthly (ISSN 0009-0328) is pub lished monthly except July and August by Professional Publications, Inc., 1609 North west Blvd., Columbus, Ohio 43212. Second Class postage paid at Columbus, Ohio. Subscription Rates:One year $20, two years $36, three years $50. Add $8 per year for subscriptions outside the U.S.A. Change of Address: Please give us four weeks advance notice. Send both the maga zine address label and your new address to: Ceramics Monthly, Circulation Offices, Box 12448, Columbus, Ohio 43212. Contributors: Manuscripts, photographs, color separations, color transparencies (in cluding 35mm slides), graphic illustrations, announcements and news releases about ceramics are welcome and will be consid ered for publication. Information may also be submitted on 3.5-inch microdiskettes readable with an Apple Macintosh™ com puter system. Mail submissions toCeramics Monthly, Box 12448, Columbus, Ohio 43212 or fax to (614) 488-4561. Writing and Photographic Guidelines:A booklet describing standards and proce dures for submitting materials is available upon request. Indexing: An index of each year’s articles appears in the December issue. Addition ally, articles in each issue ofCeramics Monthly are indexed in the Art Index; on-line (com puter) indexing is available through Wilson- line, 950 University Avenue, Bronx, New York 10452. -
Acknowledgments from the Authors
Makers: A History of American Studio Craft, by Janet Koplos and Bruce Metcalf, published by University of North Carolina Press. Please note that this document provides a complete list of acknowledgments by the authors. The textbook itself contains a somewhat shortened list to accommodate design and space constraints. Acknowledgments from the Authors The Craft-Camarata Frederick Hürten Rhead established a pottery in Santa Barbara in 1914 that was formally named Rhead Pottery but was known as the Pottery of the Camarata (“friends” in Italian). It was probably connected with the Gift Shop of the Craft-Camarata located in Santa Barbara at that time. Like his pottery, this book is not an individual achievement. It required the contributions of friends of the field, some personally known to the authors, but many not, who contributed time, information and funds to the cause. Our funders: Windgate Charitable Foundation / The National Endowment for the Arts / Rotasa Foundation / Edward C. Johnson Fund, Fidelity Foundation / Furthermore: a program of the J. M. Kaplan Fund / The Greenberg Foundation / The Karma Foundation / Grainer Family Foundation / American Craft Council / Collectors of Wood Art / Friends of Fiber Art International / Society of North American Goldsmiths / The Wood Turning Center / John and Robyn Horn / Dorothy and George Saxe / Terri F. Moritz / David and Ruth Waterbury / Sue Bass, Andora Gallery / Ken and JoAnn Edwards / Dewey Garrett / and Jacques Vesery. The people at the Center for Craft, Creativity and Design in Hendersonville, N.C., administrators of the book project: Dian Magie, Executive Director / Stoney Lamar / Katie Lee / Terri Gibson / Constance Humphries. Also Kristen Watts, who managed the images, and Chuck Grench of the University of North Carolina Press. -
Newsletter/Fall 2015 the DAS
newsletter/fall 2015 Volume 23, Number 2 Decorative Arts Society The DAS The Decorative Arts Society, Inc. founded in 1990 for the encouragement of interest in, the appreciation of and the exchange of information about the decorative arts. (DAS) To pursue is a not-for-profit its purposes, New the DASYork sponsors corporation meetings, programs, seminars, tours and a newsletter on the decorative arts. Its supporters include museum curators, academics, collectors and dealers. Please send change-of-address information by e-mail to [email protected]. DAS Board of Directors President Robert C. Smith Award Committee Newsletter David L. Barquist Jeannine Falino, Chair H. Richard Dietrich, Jr., Curator Independent Curator, Museum Consultant The DAS Newsletter is a publication of American Decorative Arts Adjunct curator, Museum of Arts and of the Decorative Arts Society, Inc. The Philadelphia Museum of Art Design purpose of the DAS Newsletter is to serve as Philadelphia, PA New York, NY a forum for communication about research, exhibitions, publications, conferences and Vice President Suzanne Findlen Hood other activities pertinent to the serious Nicholas Vincent Associate Curator, Ceramics and Glass study of international and American deco- Manager of Collections Planning Colonial Williamsburg Foundation rative arts. Listings are selected from press Metropolitan Museum of Art Williamsburg, VA releases and notices posted or received New York, NY from institutions, and from notices submit- Dennis Carr ted by individuals. We reserve the right Treasurer Carolyn and Peter Lynch Curator of to reject material and to edit material for Stewart G. Rosenblum, Esq. American Decorative Arts and length or clarity. Sculpture We do not cover commercial galleries. -
James Gros See Page 2
era Publi calton of the American Crafts Council James Gros See page 2 Second Class Postage Paid at New York, NY and at Additional Mailing Office . ... - ".-.- . _. _._.- ._-_._--_._._----_._-------- CRAFT WORLD of Craft Horizons ACC NEWS Vol. XXXVIII No.4 Rose Slivka, Safari Off Editor-in-Chief Patricia Dandignac , OPEN to Africa Managing Editor Michael Lauretano, DOOR Fertility dolls and ceremonial Art Director Samuel Scherr masks, metalsmithing and pot Edith Dugmore, tery-these are some highlights Assistant Editor As of the April issue, you may of "The Art and Tradition of Michael McTwigan, have noticed that I revised the Editorial Assistant West Africa," a three-week tour heading of this column from of Senegal, Ghana, Togo, and Ni Isa bella Brandt, " Open Windows" to " Open Editorial Assistant geria (August 2-27, 1978, and Door," since I felt strongly that Anita Chmiel, January 7-31,1979). Sponsored Advertising Department the ncw and proper direction of by ACC and Art Safari, Inc., the the American Crafts Council tour is led by Art Safari codirec Editorial Board should invite an easy access to Junius Bird tor James Gross and fiber artist Jean Delius Arline Fi sc h the flow of information and ideas, Eleanor Dickinson. For the Au Persis Grayson not only within the U.S. but also gust tour contact, posthaste: 1924-1978 Robert Beverly Hale abroad. An open door is an invi Steven Adler, 800-223-0694, toll Lee Hall tation to exchange and growth. frce; or write ACC/ Art Safari. Pol ly Lada-Mocarski Another equally significant Jean Delius, jcweler and associate Harvey Littleton change is this month's CRAFT professor at New York State Col Ben Ra eburn HORIZONS with its section of lege at Oswego, died suddenly Ed Rossbach CRAFT WORLD. -
Press Release: Trinity Rep Announces Local Pell Award
Curt Columbus, The Arthur P. Solomon and Sally E. Lapides Artistic Director, Tom Parrish, Executive Director 201 Washington Street ⬣ Providence ⬣ Rhode Island 02903 ⬣ www.trinityrep.com FOR IMMEDIATE RELEASE: March 20, 2019 CONTACT: Caitlin Howle, Digital Marketing Coordinator; (401) 453-9226; [email protected] TRINITY REP ANNOUNCES LOCAL PELL AWARD HONOREES TICKETS ON SALE FOR 23rd ANNUAL PELL AWARDS GALA ON JUNE 3, 2019 PROVIDENCE, RI – Trinity Repertory Company announced today that three area residents will be honored at its 2019 Pell Awards Gala on Monday, June 3, 2019 in Providence. Storyteller Valerie Tutson will receive the Rhode Island Pell Award for Excellence in the Arts. Central Falls High School teacher Deloris Davis Grant will receive the Charles Sullivan Award for Distinguished Service in the Arts. The Pell Award for Outstanding Leadership in the Arts will go to Rosanne Somerson, President of the Rhode Island School of Design (RISD). Additional honorees will be announced at a later date. Trinity Rep’s 2019 Pell Awards Gala will be held the evening of Monday, June 3, 2019 at the WaterFire Arts Center in Providence. The annual fundraising event is co-chaired by Sally Lapides and Art Solomon and Alison and Larry Eichler. The creative black-tie event will begin at 6:00 pm with a VIP cocktail reception. The awards ceremony and seated gourmet dinner will begin at 7:00 pm. Guests will enjoy mixing and mingling with artists, business, political, and social leaders; catering by Russell Morin Fine Catering; and unforgettable moments as the theater honors individuals who are committed to bettering the world through art, education and activism. -
미국 현대 아트퍼니처의 전개양상에 관한 연구 a Study on The
한국가구학회지(Journal of the Korea Furniture Society) Vol. 24, No. 1 January, 2013, 1-14 미국 현대 아트퍼니처의 전개양상에 관한 연구 - 1980년대 이후 제2세대 미국 가구디자이너를 중심으로 - 최 병 훈†,1, 정 명 택2 1 2 홍익대학교 목조형가구학과, 홍익대학교 대학원 디자인공예학과 A Study on the Development of American Contemporary Art Furniture - Focusing on the Second Generation Since the 1980’s - †,1 2 Byung Hoon Choi , Myung Taek Jung 1 Department of Woodworking and Furniture Design, Hongik University, Seoul 121-791, Korea 2 Department of Design and Crafts, Hongik University Graduate School, Seoul 121-791, Korea Abstract: Since the 1980s the development of American art furniture was embodied its concept by second-generation furniture artists affected and educated from the first generation that has implanted art furniture fundamental values. Besides, embracing inevitably needs of the new era going with the social change rather than dwell on the nature of mere handicraft era, it has evolved with economic revival in the United States, the attention and increased consumption of the public, and ongoing government-sponsored. And more recently, the American contemporary Art Furniture faces another change in the non-boundary phenomena between art and design. American art furniture since the 1980s are summarized as three major trends: Art furniture em- bellished with traditional hand-craft, Art furniture featured the individualistic avant-guard char- acteristic, Art furniture eroded the distinction between art and design. By analyzing focusing on the furniture artists and their works in contemporary art furniture deployment aspects since the 1980s, the purpose of this study can be utilized as a method to measure the forward direction, internationally competitive, creativity, and artistic value of the domestic art furniture. -
From the Director
2019 Haystack Campus, Montville, Maine, August 1955. Photo by Walter Holt FROM THE DIRECTOR This summer, the Portland Museum of Art will structure of learning is horizontal, with students and present the exhibition In the Vanguard: Haystack faculty working side by side to exchange ideas and Mountain School of Crafts, 1950-69. Organized by make new discoveries. co-curators Rachael Arauz and Diana Greenwold, this While the world has changed significantly, the core exhibition represents four years of research and is the of our work and the ideals we adhere to have stayed first of its kind to provide an overview of the founding very much the same. Our greatest hope is that the years of the school. experimentation and risk-taking that defined the To have our story told in this way has been an founding of the school continue to underscore incredible privilege and we could not be more excited the work we do today. Looking ahead to our 70th about the project and the research that has led up to anniversary, this exhibition feels like a defining it. The show will present archival materials such as moment that allows us to step back and think about original correspondence, photographs, brochures, the quiet and profound ways in which Haystack posters, magazine articles, and ephemera, alongside has helped shape American art and culture. The objects created during the same time period by exhibition is also a beautiful reminder that people prominent makers who taught and studied at coming to the school today are helping to create the Haystack. Much of this material has never been next chapter in a story continually unfolding in rich published and will be included in a catalogue and unexpected ways.