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National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended September 30, 1989. Respectfully,

John E. Frohnmayer Chairman The President The Washington, D.C. July 1990 Contents

CHAIRMAN’S STATEMENT ...... iv THE AGENCY AND ITS FUNCTIONS ...... xxvii THE NATIONAL COUNCIL ON THE ARTS ...... xxviii PROGRAMS ...... 1 Dance ...... 2 Design Arts ...... 20 . Expansion Arts ...... 30 . Folk Arts ...... 48 Inter-Arts ...... 58 Literature ...... 74 Media Arts: Film/Radio/Television ...... 86 .... Museum...... 100 ...... 124 -Musical Theater ...... 160 Theater ...... 172 Visual Arts ...... 186 OFFICE FOR PUBLIC PARTNERSHIP ...... 203 . Arts in Education ...... 204 Local Programs ...... 212 States Program ...... 216 OFFICE FOR PRIVATE PARTNERSHIP ...... 221 Challenge ...... 222 Advancement ...... 226 OFFICE OF POLICY, PLANNING, AND RESEARCH ...... 227 Fellowship Program for Arts Managers ...... 228 ... International Activities ...... 230 Research Division ...... 232 Office for Special Constituencies ...... 233 FINANCIAL SUMMARY ...... 235 Fiscal Year 1989 ...... 236 History of Authorizations and Appropriations ...... 237

iii Chairman’s Statement

’ust as the world dealt in the marketplace of natural resourcesThe Declaration ofPurpose begins: and goods in the 20th century, creativity-ideas, imagina- tion, and expression-will be the currency of the 21st The Congress hereby fmds and declares~ J century. Whether it is in choreography or software, musical(I) that the encouragement and support ofnationalprogress composition or industrial design, creativity can help this countryaná scholarship in the humanities and the arts, while remain a world leader. We will expend creativity to establish primarüy a matterforprivate and local inifibfive, is also an the wealth of nations justas we expended natural resources in appropriaíe matter ofconcern to the Federalgovernment; this century. The record of the National Endowment for the Arts in promotingFrom the very beginning, the National Endowment for the Arts creativity in this country over the past 24 years is exemplary, has been a catalyst for private and local initiatives in support The platform has been laid which will allow the arts to explodeof the arts. A major example of the Endowment’s success in in the 1990s, giving every American an opportunity to seek promoting creativity has been its partnership with state and local fulfillment through the arts; to reach for the broadest understand-arts agencies. In the early 60s, five states had arts councils with ing of humanity which, if we are persistent, can also teach mena total funding of about $2.7 million. Today every state and to appreciate those common bonds which unite us all. the six territories have arts councils, the appropriation for which Since the beginning of our nation, our leaders have stressed theis $268.3 million (as compared with $171 million in Federal importance of the arts and humanities in our lives. George funds for the Arts Endowment in 1989). Regional Arts Organi- Washington said that the arts are "essential to the prosperity of zations and local arts agencies have also íncreased dramatically the State," and John Adams wrote that he hoped his grandchildrenover the last 25 years. From a smatteñng of small, primarily would have "the right to study painting, poetry, music and volunteer local arts councils prior to 1965, there are now about architecture." As early as the beginning of the 19th century, ideas3,000, and over 600 councils are professionally staffed. for Federal support of the arts and humanities were debated, and tentative steps were taken, such as the establishment of the In addition to this network of public partners, the Endowment , the and the Freerserves as a catalyst for private dollars. The majority of our grants Gallery. require a 1:1 to 3:1 match for every Federal dollar awarded to a project, and historically, arts organizations receive about $5 In reaction to the , the Works Progress Admin­ for each Endowment grant dollar. Over the past decade, our istration developed programs such as the Federal Theater Challenge Program used $200 million in Federal dollars to help Project, the Federal Art Project & the Federal Writers’ Project. Over the eight year history of the WPA, almost 10,000 works of generate more than $2.4 billion from the prívate sector for the art were created: among them murals by Thomas Hart Benton, arts. books and pamphlets published by such noted writers as John This astounding public response to a modest investment by the Cheever and Studs Terkel, plays and performances by such government speaks volumes about the audience for the arts in renowned performers as John Houseman and Orson Welles. this country. The Endowment grants are both a catalyst for other President Eisenhower, in his 1955 State of the Union Address, dollars and a measure of approval of the artistic quality of proposed a Federal Advisory Commission on the Arts. He said: organization. Our grantees state unequivocally that fund-raising is substantially easier because of an Endowment grant. It is an In the advancement of various activities which would make endorsement-a mark of quality and achievement. our civilization endure and flourish, the Federal government should do more to give official recognition to the importanceThe 1965 Declaration ofPurpose continues through seven other of the arts and other cultural activities, major points. The second addresses the need to understand the During the late ’50s and early ’60s, the Congress looked for a arts to create a better world: means to have the government more involved in support of the arts. The creation of the National Endowment for the Arts in (2) ... a high civilization must not limit its efforts to 1965 was predicated on the Declaration of Purpose included in science and technology alone but must give full value and the enabling legislation passed by the 89th Congress and signedsupport to other great branches ofscholarly and cultural into law by President Lyndon Johnson in September, 1965. activáy in order to achieve a better understanding of the The National Endowment for the Arts continues to fulfill the past, a better analysis of the present, and a better view of mission outlined in the Declaration, and it is useful to examinethefuture. it beside the accomplishments of the past year. iv CHAIRMAN’S STATEMENT

In 1989, it became clearer than ever how the arts help us achieveThis 1965 Declaration has been met by several 1989 Endowment a better understanding of our past and present, and how they initiatives in arts education, multicultural programming and help us look to the future. Just as the sciences help provide rural arts delivery. For example, our Arts in Education Program leadership in understanding the elemental nature of our world, last year funded 9,700 artists in residence at nearly 11,600 sites helping fight disease and overcoming technological problems, in every state reaching over 4,250,000 students and 135,000 the arts provide leadership in helping us understand ourselves, teachers and administrators. The arts provide leadership in realizing how we can be most Our Expansion Arts Program helps fund about 300 culturally fully human: diverse organizations in the inner & rural communities each ¯ As moral leader, the arts require us to confront the issues of year--including such renowned minority arts organizations as our society. It is more than serendipity that the new leader the National Center for Afro-American Art (Massachusetts), of Czechoslovakia is a playwright; in Romania, a poet; in Dance Company (), El Teatro Campesino Poland, composers and wñters; and the new leader of Lithuaniaand the Japanese-American Cultural & Community Center is a professor of music. (). ¯ As spiritual leader, the arts allow us to seek the fulfillment ofIn addition to Endowment-wide efforts to include rural areas, the highest integrity and expression of the human spidt. The arts let our spirit and imagination take wing. Novelist Henryour Rural Arts Initiative assists states in helping organizations James wrote that the development of the mind through the that have demonstrated the potential to develop artistically and arts "is the very education of our imaginative life." It is in theadministratively. Grants of $40,000 were made to Alabama, realm of thought and the spifit that we separate ourselves Iowa, , New , and South Carolina; and $25,000 from the beasts on the one hand, and the machines we create to Alaska for regranting to rural arts organizations within these on the other, states. This initiative will continue support to each of these states for up to three years, while adding new states each year. ¯ Asa healer, the arts have the ability to bind the wounds that separate people. The classic example of this in our day is theBy making the arts accessible to students and to culturally diverse Veterans Memorial in Washington. In 1980, the organizations in the inner cities and rural communities, the Endowment sponsored a design competition for this memorial, Endowment empowers our people to be masters of the changing and Maya Lin, a student at Yale, submitted the design that world and not servants to technology. was chosen. She thought of her designas a "scar in the earth," The Declaration ofPurpose further states: and this scar has helped us heal from a difficult time in our nation’s history. The Vietnam Veterans Memorial is one of the (4) ... it is necessary and appropriatefor the Federal most visited sites in Washington, DC. Government to complement, assist and add to programs for ¯ Andas a business and civic leader, the arts identify economic the advanceraent of the humanities atut the arts by local, opportunities. The arts bring jobs, increase tourism, expand State, regional, andprivate agencies and their the tax-base, and add to the image of towns and cities as good places to do business; the arts help establish a sense of organizations. community. An example of this is the newly opened Lied Center for the at the University of Nebraska, We have met that part of the mandate by helping to establish the Lincoln which was, in its early stages, supported through a network of local, State and regional arts organizations which I Challenge Grant. Not only will this center benefit the univer-described earlier. An example of the effect of the partnership sity, but it is already on its way to becoming a cultural meccain 1989 can be seen in the alliances formed among states to in the Great Plains. further the arts. In the Pacific Northwest, for example, a grant to the Washington State Arts Commission helped support a (3)... democracy demands wisdom and vision in its collaborative reading exchange between Washington and Oregon. citizens and . .. it mustfoster and support afortn of This project served both the literary arts and rural areas, asa educafion and access to the arts and the humanifies de­ pair of writers-one from Washington and one from Oregon-gave signed to make allpeople of all backgrounds and wherever a series of readings in small communities in both states. Many located masters oftheir technology and not its unthinking people in these smaller towns attended a literary reading for the first time, and the project helped the state arts agencies develop a servant, blueprint for literary readings elsewhere.

v Another example of empowerment is on the local level. The performance art. As a by-product of the conference, many cities of , Durham, and Denver are excellent examples ofcompanies received bookings and playwrights found producers. the Locals Program of the Arts Endowment in action. Amaz- Participants came from all parts of the country and consistently ingly, the multi-cultured of Boston had no local arts fundplayed to full houses. before the Endowment initiated a program with a Locals ProgramThe Endowment continues to support the best in major public grant. All three cities have launched and sustained programs television broadcasting. In FY 89, we funded nine ongoing supporting local arts from local tax dollars with an initial assisttelevision series: Great Performances, (including Dance in from Federal funds. America), , Wonderworks, Alive from Off The fifth section of the 1965 Declaration of Purpose may be theCenter, Live from , , Point heart of the enabling legislation: of View, The Independents, and Presents. (5)... the practice of art and the study of the humanities These series reach audiences in the hundreds of millions all ¯ across the country. We are developing a distribution system for requires constant dedication and devotion," while no cassettes of these programs, and the Media Arts Program is government can calla great artist of scholar into existence, encouraging a new series dramatizing contemporary classics of ir is necessary and appropriate for the Federal Government American literature. to help create and sustain not only a climate encouraging During 1989, the National Council for the Traditional Arts freedom of thought, imagination, and inquiry, but also the extended the range of Folk Arts touring by taking its highly material conditions facilitating the release of this creative successful "Masters of the Folk Violin" on tour to Califomia, taJent. Oregon and Washington. Nearly every concert on the three-week tour sold out. Other folk arts performances supported to date The Arts Endowment has never "called a great artist into being,"include Raices Musicales and Heroes of the Steel String . but we certainly have been instrumental in helping outstandingA major national folk arts touring program is in the planning artists, often at crucial points in their careers. The wisdom of stages. our support for individual artists was confirmed in an extraordi- nary way in early 1990. All of the 1990 Pulitzer Prize winners inThe list goes on and on, and you can see in the pages that follow the arts fields were assisted by the Endowment earlier in their the amazing diversity in this year’s 4,453 grants. careers: the 1990 Pulitzer Prize Award for Fiction went to OscarSection 6 of the Declaration states: Hijuelos, a 1985 Literature Program Creative Writing Fellowship grantee; the Pulitzer for Poetry went to Charles Simic, a 1979 (ó)... museums are vitalto thepreservation ofour cultural- Literature Program Fellowship grantee; and the Pulitzer for Musicheritage and should be supported in their role as curator Composition went to Mel Powell, who in 1988 received a ofour national consciousness. Composer’s Fellowship. August Wilson, who won the Pulitzer for Drama, has been working closely for several years with the Yale Repertory Theater, a long-time Endowment grantee. TheseThe National Endowment for the Arts, the National Endowment are but four artists we have helped along their way to critical for the Humanities, and the Institute of Museum Services all success, help carry forward this Congressional mandate. The creative talent in our country is unparalteled among nations,The Arts Endowment’s role in support for museums comes and the Endowment has always sought to sustain the climate through our Museum Program which funds about 320 museums for free thought, imagination and inquiry. In that climate of to assist them in collecting, preserving, documenting, exhibit- freedom, it is the vigorous clash of ideas that help give us the ing, and interpreting works of art. Our Museum Indemnity answers that help reveal the truth. Such a climate also encouragesProgram has provided insurance which allows great art from an amazing diversity of projects and success stories. Some of around the wodd to tour the . those most recent success stories include: The Endowment’s Museum Program reaches communities large The first National Black Theatre Festival (NBTF) held in August,and small. For example, last year, the Telfair Academy of Arts 1989 in Winston-Salem, North Carolina. The NBTF brought & Sciences, in , received a $20,000 grant through the together a panoply of African-American playwrights, directors,Arts Endowment’s Museum Program to support conservation actors, and scholars from all over the country, including such treatment of the museum’s collection of 19th and early 20th renowned artists as Cicely Tyson, August Wilson and Roscoe century European and American paintings. The paintings are Lee Brown. The purpose of the Festival was to increase aware-representative of the variety of styles current at the turn of the ness and appreciation of the remarkable artistry going on in century and were painted by leading exponents of these schools. American theaters which feature black actors, writers, directors As the oldest public art museum in the Southeast, the history and other artists. Seventeen companies performed a broad rangeof Telfair’s collections is important to the continuing vitality of of works including children’s theater, musical theater, and art in the south. vi CHAIRMAN’S STATEMENT

The Arts Endowment supported the Buffalo Bill Historical Centerstand their culture, heritage and the aesthetic dimension of life. in Cody with a grant of $13,700. The Center includes the PlainsThe arts teach creativity. They challenge the student to think Indian Museum housing the enormous collection of American broadly, to attempt the new, and to risk failure. The arts teach Indían artifacts and artworks given by tribal members to Buffaloyoung people to see and hear as well as read and write, to make Bill Cody during his lifetime. It is an astounding collection; itsorder out of chaos, to view the world, in hoth its challenges and beauty testifies to the enormous creativity of Native American problems, through many perspectives. The arts help children to artists in the early settlement period. George Horsecapture, understand civilization so that they can benefit from our history, Plains Indian Museum curator, requested the grant to mount a and dare new expression, try vañous approaches to problem- series of presentations and mini-conferences by active Plains solving, use intuition as well as reason, and develop the discipline woodcarvers, featherworkers, beadworkers and quillworkers to required for success in life. In a culturally diverse society such demonstrate that the artistic heritage of the Plains Indian tribes asis ours, the arts can promote an understanding of both the core still vital, and the multiplicity of America’s culture. The seventh section of the Declaration ofPurpose points out theWilliam James, the writer and pioneer in the field of psychology, need for the United States to be a world leader in the arts. had this to say: "The union of the mathematician with the poet, (7). the¯ world leadership which has come to the United fervor with measure, passion with correctness, this surely is " the ideal." A well-rounded person will have an education strong States cannot rest solely upon superiorpower, wealth, and in the sciences, humanities and the arts. In 1989, and after, as te~hnology, but must be solidlyfounded upon worldwide our national agenda tums to education, the Endowment has an respect and admirationfor the Nation’s high qualifies asa important and timely opportunity to influence the course of arts leader in the realm of ideas and the spirit, education. We believe that it is essential to pursue modest initiatives in this area, not just for the cultural literacy of coming At the presentation of the 1989 , Presidentgenerations, but to assure the existence of future audiences, George Bush said: artists and thinkers. Art embraces our values in history, gives meaning to our Orchestras, opera, theater and dance companies and museums existence and illuminates the basic truths which give us often have eliminated or reduced educational programs to use purpose. In a way, art defines our civilization ... Instead oftheir scarce resources for their primary mission of presenting seeing a single world, we can see as many worlds as there arts. In addition to our regular programs of project and seasonal are artists and writers, dancers and musicians, support, we hope to encourage arts institutions to expand their Those artists and writers, dancers and musicians are part of the efforts in providing educational opportunities which will foster thousand points of light shining from this country, for the lightleaming in the arts and improve the daily lives of the people that shines from art reveals inquiry, imagination and truth. It isin their communities. These educational efforts, particularly our freedom of artistic expression that other artists around the when they are in partnership with local schools, will broaden the world take as an example for their nations. Our wealth and appeal of our arts institutions and will "demystify" the arts, position in the world depend as much upon our reverence for making them increasingly accessible to all Americans. ideals and free expression as they do upon technology and We are currently investigating ways to integrate our arts education material wealth. Art helps define the American spidt, and it is efforts with those of local education authorities, teachers, artists that spirit we must nurture and defend, and business. , for example, is seeking a corporate Czech President Vaclav Havel said to Congress: "The salvationpartner for each school. The corporate partner would provide of this human world lies nowhere else than in the human heart,money, space, volunteers and support. The Govemor challenged in the human power to reflect, in human meekness and in businessmen to promote such a program. Such innovative ideas human responsibility." should help give our children the quality arts education they Congress also found a need for increased education in the arts, deserve. The Endowment can and should be a leader, a catalyst as stated in the eighth section of the Declaration: anda participant. In 1989, our efforts included support for expanded arts education programs in the states through our Arts (8)... Americans should receive in school, background in Schools Basic Education and State Arts in Education grants. andpreparation in the arts and humanities to enable them As we look to the future, we are examining how we might make to recognize amt appreciate the aesthetic dimensions ofour arts education a reality in every community through our leader- ship initiatives involving state arts agencies, state education lives, the diversity of excellence that comprises our cultural departments, artists, arts organizations, teachers, administrators, heritage, and artistic and scholarly expression, arts education advocates, parents and communities. The mandate from 1965 remains true today: we should provide a The National Foundation on the Arts and Humanities Act of 1965 serious arts education for our children to enable them to under- was implemented to help make these findings a reality. We are vii on the way to energizing communities to realize the importancebe made available to our symphonies, museums, performing of the arts. Some priorities for 1990 and the years beyond include:arts centers and the like to allow them to continue their work in preserving and enhancing our culture. 1. Arts Education. Our children are not adequately being taught to see and hear. Art teaches children discipline, to make sense In the following pages, let us look at a few projects which the out of chaos. Art teaches them tolerance from seeing that Endowment has supported. It’s justa glimpse. Although they expression can take different forms, and it allows them the representa small segment of our activities, we’re proud to be flexibility and the self-esteem to think broadly, to dare to be a part of such achievements. wrong, and to know when they are right. We as a nation cannot The past fiscal year has been a time of controversy at the National prosper without fully realized citizens. Endowment for the Arts. The debate over a few grants has raised 2. Our multicultural communities, be they Black, Hispanic, larger issues on the proper role of the Federal government in Asian, Native American or European, bring their unique tradi- supporting the arts. That debate has been vigorous and healthy. tions to the cultural heritage of our nation. If these cultures areIt extends to the broader national dialogue on the role and function allowed to flourish, and if we encourage them to interact, the of government in a democratic society and accountability for cultural fabric of the United States can be the richest in the historytaxpayer dollars spent. That is as it should be. Vigorous dialogue of mankind, and debate are part of a healthy democracy. That said, our challenge and opportunity in the months ahead is 3. Rural arts participation is necessary if all people in this to foster a dialogue among Americans interested in public country are to have a part in our cultural renaissance. Indigenouspolicy regarding the arts from which might spring the beginnings folk artists, local arts councils, touring exhibits, performances,of consensus on these difficult issues. I think this can be done. and artists in residence have begun the process. And so we look to the 1990s with great hope. The wisdom and 4. International. The events of 1989 and 1990 have provided foresight of the statesmen who created the National Endowment opportunities for international cultural exchange which simplyfor the Arts have been borne out in the many benefits the arts did not exist before. The Endowment traditionally has done littlehave made in communities from Portland, Oregon to Portland, in the international realm, but as the world becomes smaller Maine. In prospect, the effect of this agency was unknown in and more interdependent, cultural exchange is essential not only1965, but the framers of the Act pushed forward with hope and to improve the lives of all people, but to improve the understand-conviction that the Federal government should support the culture ing of different cultures, and, indeed, of our own. of its people. In retrospect, we have come to see its wisdom. 5. Core institutions are the repository of much of our culture Federal support for the arts helps to encourage and foster a spirit and the hope for much of our future. If the Endowment is to of creativity across this country. remain the catalyst for artistic growth, additional resources mustJohn E. Frohnmayer

"A quiet protected place unto itself," the Vietnam Memorial symbolizes a national experience. More than 58,000 names inscribed on black granite walls become the focus of our memorial to the men and women who served in Vietnam. Two Arts Endowment grants funded the development of the Vietnam Veterans Memorial, now located near the Lincoin Memorial in Washing­ ton, D.C. The first grant in 1980 assisted in analyzing 14 possible locations for the memorial; the second established the 1981 design competition, which was won by architecturai student Maya Ying Lin.

viii Art has the power to heal.

ix The dramatic arts make us laugh, cry, think.

A Chorus Line, seen by more people than any other musical show in the history of , began in Aprü 1976 as an experimental off-Broadway production, funded in part by an Arts Endowment seasonal support grant to the New York Shakespeare Festival. The creation of the play The Great White Hope by Howard Sackler, which earned honors on Broadway and later became an award- winning film, was supported by a grant from the Theater Program. James Earle Jones, center, appears with Jane Alexander and cast in the original production by the in Washington, D.C. in 1967.

An Arts Endowment 1986-87 seasonal grant to the Theater in supported the creation of playwright AIfred Uhry’s Driving Miss Daisy. The original cast starred , center, and Dana Ivey in this story about the clash of two strong.willed personañties who overcome their prejndices and discover a simple truth about friendship.

xi Grass roots projects in the arts reflect our commitment to community initiative.

As a fledgling writer in 1969, Prairie Home Companion performers as "The Powdermilk Biscuit Band" Garrison Keillor, participated in rehearse for their Saturday night national radio show. An Arts Endowment the Endowment-funded "Poets grant in 1974 assisted Mhmesota Pubfic Radio in the creation of Praitie in the Schools" program in Min- Home Companion. Weeldy five broadcasts featoring folk music, original neapolis. This program sponsors comedy, and host Garrison Keillor’s stories about Lake Wobegon received writers to teach in local schools continuing Arts Endowment support as it gained national and interna­ and has grown from three state tional recognifion. programs in 1969 to al150 states by 1989. ~

xii Dance stirs our souls and builds bridges between nations.

The American Theatre received the flrst grant ever awarded by the Arts Endowment in 1966, initiating a national tour for the company. Major dance tours by this and other companies followed, bringing this lively art to cities, towns and communities across the country. Continued Arts Endowment support has nurtured American dance in its growth to worldwide acclaim. American Ballet Theatre’s 1967 presen~afion of Stra­ vinsky’s Les Noces choreographed by features dancers Wilñam Glassman, Bruce Marks and Erin Marfin.

Xlll Museums are treasuries of our cultural heritage.

Museums offer direct access to !-I_ aYl ~ 1TI great art and promote unique, once.in-a-lifetime experiences through special exhibitions, such as the historical 1980 Picasso retrospective at the in New York City, the Winslow Homer Civil War paint­ ings at The Fine Arts Museums of , and the ’s "Harlem Renaissance--Art of Black America." The Museum Indemnity Program, administered by the Museum Program, has provided insurance for international exhibitions since 1975. The Arts Endowment supports the mounting of exhibits, catalogue publishing, improvement of museum facilities, and outreach programs to special groups, students, and the physically disadvantaged.

Pamtmgs o~ the

xiv Nationwide telecasts bring the arts to millions of viewers.

Over the past 20 years, Arts Endowment support has promoted the development and presentation of many highly acclaimed televi­ sion programs. Great Perform. ances, Wonderworks, Live from the Met, , American Masters, American Play­ house, and other shows bring the best of the arts to audiences in the millions.

Above, Melvin Van Peebles, asa street musician, serenades Joanne Vannicola and her babysitting charge, Benjamin Barret in Wonderworks’ "Taking Care of Traffic," the story of a young girl’s efforts to brighten the lives of homeless people. Frank Converse stars in Wonder­ works’ "Home at Last," an original family drama about an orphan starting a new life in the midwest.

xv We celebrate supreme cultural achievements through great performances.

Soprano in Live from Lincoln Center’s "Juilliard at 80" salutes a rich heritage of music, dance and drama.

Live from Lincoln Center’s telecast of "Pavarotti Plus" features the world renowned tenor and friends singing operatic arias by Verdi, Composer Mozart, ~ and Puccini. receives acclaim of conduc- ~ tor Zubin and New ~ York Philharmonic members ~ on Live from Lincoln Cen-o=~ ter’s "Aaron Copland’s ~ 85th Birthday."

xvi Substantial grants to the Me~o­ politan Opera from both the Arts Endowment’s Opera-Musical Theater Program and U.S. Treas­ ury Funds support artistic and technical production costs.

The 1985 Metropolitan Opera premiere production of ’s classic American opera "" was seen by millions of TV viewers through PBS’ Live from the Met telecast.

Below, the final scene from "Die Walkure," a PBS Livefrom the Met telecast of ’s tetrology "Der Ring des Nibelungen."

xvii Festivals throughout the country bring communities many benefits.

The Arts Endowment assisted in the creation of the Spoleto Festival U.S.A. in Charleston, South Carolina in 1977. This American segment of ’s"Festival ofTwo Worlds" brings world-wide recognition to American arts. The broad scope of many Endowment- supported regional festivals can been seen in Spoleto U.S.A., which offers classicai works in theater, opera and dance. Workshops, professional training opportunities, new commissions and community events blend into one of America’s most acclaimed cultural experiences.

The Gorgon, the Unicorn and the Manticore by Gian Carlo Menotti

The Westminster Actresses Karen Allen and Jane Alexander in Artist Monday After the Miracle

The Spoleto Express Break Dancers Spoleto~ Series with flutist Gian Carlo Menotti and dancer

xviii The Oregon Shakespeare Festival attracts over 300,000 visitors to Ashland, Oregon each year with an array of educational programs and performances--from classical Shakespeare to contemporary drama. Actor Michael Edwards conducts a workshop for students during Mervyn’s Day at the Oregon Shakespeare Fesüval.

Over 30,000 fifth-graders from schools across southern California attend The Music Center of County’s annual Chil­ dren’s Holiday Festival. In 1989, the Joffrey Ballet performed Billy the Kid. An instrucfional video­ tape was shown in the school classroom prior to the perform­ ance to help students prepare for the ballet. For many children, the festival provides a first-time experience of a live professional arts performance.

xix America’ s folk arts demonstrate our rich cultural legacy.

Pueblo potter of Santa Clara, New Mexico

Bluma Purmell of , Pennsylvania

Abraham Hunter and grandson Stevie of Percy Creek, Alex Stewart and grandson Rick of Hancock County, Tennessee Celebrating the cuiture and creativity of older Americans, the Smithsonian lnsfitution’s Office of Folklife Prog~:ams brought the 1987 exhibition The Grand Genera¿ion: Memory Mastery, Legacy to communities across our nafion. The Arts Endowment joined six Federal Government groups and other privale organizations to support this landmark salute to folklore, culture and aging.

xx Folk traditions in America’s southeastern coastal communities are being studied in a multi.faceted project directed by the McKissick Museum, Univer. sity of South Carolina. An intensive 18-month invesú’gation of the basketsewing tradition, which has survived for over 300 years, is part of a larger effort to document and promote Southern folk arts.

Practicing a craft handed down from generation to Studying the basket-making art and generation, Edna Rouse creates coiled seagrass baskets for its cultural context, Dale Rosengarten domestic use and for sale at the local market in Mt. measures baskets made by Sue Pleasant, South Carolina. Middleton.

From Hardanger to Harleys, ah exhibit at the John Michael Kohler Arts Center in Sheboygan, Wisconsin celebrated the beauty, complexity and vitality of the area’s many traditional arts. A year-long academic field survey of Wisconsin folk art, which documented the work of over 200 artists from 35 ethnic groups, is now available for study by artists, scholars, researchers and community organizations.

Julian Orlandini among his works in the workshop of Orlandini Studios, the family’s ornamental #aster business.

Sister Mary Crucifix Polimeni creates bobbin lace borders C.C. Richelieu with a hardanger fiddle for her convent’s altar cloths, made in his shop in Oregon, Wisconsin.

xxi The arts help revitalize our communities.

The revitalization of Grand Rapids, ’s downtown area was supported by two grants. One of the fu’st ever awarded by the En­ dowment in 1965 led to commis­ sioning "La Grande Vitesse" by sculptor Alexander Calder. A 1974 Arts Endowment grant for the initial design to establish a commu­ nity art center in a vacant Federal building focused upon multiple-use options to indude ah art museum, college classrooms, an environmen­ tal design center and studio apart­ ments for artists.

With its turn-of-the-century charm still intact, Main Street in the town of Jira Thorpe, Pennsylvania bustles at rush hour. A cooperative effort with the National Trust for Historic Preservation has pioneered teclmiques to revitalize older communities. Endowment grants support both economic and design initiatives. Buildings have been rehabilitated, business tech­ niques improved and civic spirits raised.

xxii Literature in many forms brings creativity, adventure and understanding.

In 1985, Louisiana State University Press of Baton Rouge published ten titles. Six were volumes of poetry, including Henry Taylor’s Flying Change, which later won a Pulitzer pñze. Four ñction titles included Keri Hulme’s The Bone People, which later won the prestigious Pegasus IMze for Literature.

Helping students to see writing as ah active way of understanding their world, writers discuss their methods and motivations in a Harlem class­ room. Writer Stephen O’Connor and poet Lorenzo Thomas, right, interact with students and teachers in a program sponsored by the Teachers & Writers Collaborative.

xxiii Artists spark the joy of learning and creativity.

State programs place professionai artists, poets, and writers in educational settings in communities across the nation. Shown here are residents of the Jewish Home and Hospital for the Aged participating in ’s Artist in Residence program.

Multi-faceted programs bring economic and cultural beneñts. Appalshop in Whitesburg, Kentucky, serves people living in the Appalachian mountains. The arts and education center produces films, videotapes, theater presentations and television shows. An art gallery, special classes and other programs celebrate the area’s rich cultural traditions. Craftsman Chester Cornett cuts wood for a two- in-one rocking chair in the Appalshop film Hand Carved.

Student Danny Clayton completes his art project at a Bmward County, Florida Very Special Arts event. xxiv Tribal heritage is celebrated and preserved for future generations.

An Endowment Art in Public Places grant to St. Anthony Mis. sion at Zuni Pueblo, New Mexico supports completion of murals on the interior walls of the 17th­ century mission. Zuni artist Alex Seowtewa works on mural that was begun in 1970.

xxv The arts preserve our precious legacies, traditions and cultural identity.

In , during the annual Feast of St. Paulinus, children perform a traditional giño ritual, replicating their traditional social structure and adult authority. Endowment funds support urban community projects, including production of a film documenting Brooklyn’s ethnic traditions.

xxvi The Agency and its Functions

THE NATIONAL FOUNDATION ON of individual artists or arts organizations. Rather, it acts asa THE ARTS AND THE HUMANITIES partner with the arts-support community, using federal resources In 1965 Congress created the National Foundation on the Arts to develop and promote a broadly conceived national policy of and the Humanities as ah independent agency of the executive support for the arts. branch of federal government. The foundation consists of the National Endowment for the Arts, the National Endowment for CHAIRMAN OF THE ENDOWMENT the Humanities, the Federal Council on the Arts and the Human-The Chairman of the Arts Endowment is appointed by the ities, and the Institute of Museum Services. The Foundation is President of the United States, with the advice and consent of a legislative umbrella concept; it has no administrative or the Senate, for a term of four years. The Chairman provides programming identity separate from its components, overall direction to the work of the Endowment. By law, the Chairman makes final decisions on policies, programs, proce- NATIONAL COUNCIL ON THE ARTS dures, and the awarding of all grants and contracts. Formed in 1964, the National Council on the Arts preceded ENDOWMENT PANELS by one year the establishment of the National Foundation on the Arts and the Humanities. The panels serve the individual Programs of the Endowment muchas the National Council on the Arts serves the Endowment The Council is composed of the Chairman of the National as a whole. Together the Council and panels provide a system Endowment for the Arts, who serves as Chairman of the Council,of professional peer review to evaluate applications, identify and 26 presidentially appointed citizens who are recognized forproblems, and develop the policies and programs through which their knowledge of the arts, or for their expertise or profound the Endowment responds to changing conditions. interest in the arts. The Council is mandated by law to advise the Chairman on policies, programs, and procedures. It also More than 600 pñvate citizens serve on these panels, whose must review and make recommendations on applications for membership rotates regularly. Panelists are appointed by the grants. Chairman with the advice of the staff and Council members, as well as organizations and leaders in the field. Council members serve six-year terms, staggered so that roughly one-third of all the Council rotates every two years. METHODS OF FUNDING Grant money authorized by Congress comes to the Endowment NATIONAL ENDOWMENT FOR THE ARTS in program funds, the Treasury Fund, and Challenge Grant The National Endowment for the Arts, an independent agency offunds. Most direct grants to organizations and individuals come the federal government, was created in 1965 to encourage and from program funds. Program grants to arts institutions must support Amedcan art and artists. Its major goals are to foster be matched at least dollar-for-dollar. artistic excellence by helping to develop the nation’s finest The Treasury Fund arrangement allows private donors to pledge creative talent, to preserve our cultural heritage in all its diversity,gifis to specific Endowment grantees. Each pledge frees an equal to make the arts available to wider, more informed audiences, amount for the grantee from the Treasury Fund, which is and to promote the overall financial stability of American arts maintained at the Treasury Department. Grantees must then organizations, match the combined total of the donor’s pledge plus the Treasury The Endowment serves asa catalyst to increase opportunities forFund disbursement. artists and to spur involvement in the arts by private citizens, Challenge Grants are awarded for projects that contribute to the public and private organizations, and the states and communities,long-term ñnancial stability of grantee organizations and must The agency does not director interfere with the creative activitiesbe matched on at least a three-to-one basis.

xxvii The National Council on the Arts

Members with terms expiring in 1994: Frank Hodsoll, Chairman November 1981--February 1989 Theater Director/Producer New Haven, CT Phyllis Curtin Hugh Southern, Acting Chairman Soprano/Educator February 1989---October 1989 James Wood Boston, MA Museum Director Members with terms expiring in 1990: , IL Roy M. Goodman Members with terms expiring in 1992: Phyllis Berney NewArts Patron/Trusteeyork, NY Arts Patron/Trustee David Baker Eau Claire, WI Composer/Teacher Mel Harris Bloomington, IN Television Executive Joseph Epstein Hollywood, CA Writer/Teacher/Editor Sally Brayley Bliss Evanston, IL Dancer/Artistic Director/Teacher Wendy Luers Oyster Bay, NY Arts Patron/Trustee New York, NY Painter Nina Brock New York, NY Arts Patron!Trustee Roger Mandle * Lookout Mountain, TN Art Museum Administrator Washington, DC Choral Director Robert Garfias Chicago, IL Scholar/Ethnomusicologist Irvine, CA Jocelyn Levi Straus Arts Patron]Trustee M. Ray Kingston Bob Johnson , TX Architect State Arts Council Chairman Salt Lake City, UT Sarasota, FL ** Composer/Performer Talbot MacCarthy Ardis Krainik New York, NY Arts Patron!Trustee Opera Director St. Louis, MO Chicago, IL Kevin Roche ** Architect Carlos Moseley Lichtenstein Symphony Orchestra President/Trustee Arts Presenter Hamden, CT Spartanburg, SC Brooklyn, NY ¯Mr. Mandle served until the end of the Jacob Neusner first session of the 101 st Congress under a Writer/Scholar/Professor Dance Director/Choreographer recess appointment by President Reagan. Providence, RI/Princeton, NJ New York, NY **Resigned

XXVlll

363 Grants Program Funds: $9,013,800 Dance Treasury Funds: $500,000

The Dance Program assists a broad range of dance nationwide country, from Portland State University in Oregon to the Portland through support to dance professional companies, choreogra­ Performing Arts Center in Maine. Exciting festivals provided phers, and individuals or organizations thatpresent or serve showcases for cultural and aesthetic diversity in dance, such as City Celebration’s Ethnic Dance Festival and dance. the World Music Institute’s presentation of a variety of traditional dance forros. a?cef dance Program forrns grants and locales. in 1989 Dance supported Company a wide grants range The potential of film and video to enhance and preserve the art D aided the sustained excellence of world-renowned of dance was supported by Dance/FilrrdVideo grants. Critical companies producing original works, such as the Paulservices for the professional dance field were supported through Taylor Dance Company; enabled ballet companies such as General Services to the Field grants, including space rental Ballet West in Salt Lake City and Ballet to acquire newsubsidy, management assistance, conferences, workshops, and works; supported the seasons of companies performing dances residencies for the development of professional choreographers. rooted in a variety of cultural traditions, such as Bailes Flamen­ cos in San Francisco and Kankouran West African Dance In Special Projects, Dance Program grants continued support Company in Washington, D.C.; and assísted major national toursof two major projects with national and intemational impact: the of such intemationally renowned companies as Dance Theatre National Performance Network and "Alive From Off-Center" of Harlem and . on public television. Both are serving as models for the develop­ ment and presentation of contemporary dance artistry to an Choreographer’s Fellowships gave crucial assistance to individ-increasing nationwide audience. Special Project support also ual artists to support their creative development outside formal assisted the commissioning of new work and recreations by company structures; among them, three-year fellowships at theAmerican artists, including , Bill T. Jones/Amie highest levels were awarded to Brenda Bufalino, Ann Carlson, Zane and Company and the Jose Limon Dance Company, for Susan Marshall, and Elizabeth Streb. presentation at the Fourth Biennale lnternationale de la Danse in , . Grants supported a special tour of three mid- Grants to Dance Presenters assisted the presentation of a broad westem cities by American Ballet Theatre inaugurating the range of outstanding dance artists and companies across the company’s 50th Anniversary season.

Advisory Panels Heinz Poll , Artistic Director Artistic Director Ballet Garth Fagan’s Bucket Dance Theatre Challenge II Akron, OH Rochester, NY Bonnie Brooks Director of Professional Development Gus Solomons, Jr. Elvi Moore Association of Dance Presenters Artistic Director Executive Director Solomons Company/Dance Washington, DC New York, NY The Washington Ballet Washington, DC Laura Dean Dean Dance & Music Foundation Challenge III New York, NY Darlene Neel Company Manager Myrna Saturn Gatty Cora Cahan Lewitzky Dance Company Deputy Director Vice President, Joyce Theatre Los Angeles, CA Southem Arts Federation Executive Director, The Feld Ballet , GA New York, NY Liz Thompson Darlene Neel Company Manager Jackie Calderone Executive Director Lewitzky Dance Company Arts Consultant Jacobs Pillow Dance Festival Los Angeles, CA Columbus, OH Lee, MA 2 DANCE

Choreographers’ Fellowships Heigi Tomasson Choreographer, Dancer Artistic Director Jeffrey Bentley Orr’s Island, ME Executive Director San Francisco, CA DanceAspen Barbara Weisberger Artistic Director Jelon Vieira Aspen, CO The Carlisle Project Artistic Director Carlisle, PA DanceBrazil Douglas Dunn New York, NY Artistic Director Dance Company Grants Douglas Dunn and Dancers Brenda Way New York, NY Bonnie Brooks Artistic Director Director of Professional Development ODC/San Francisco Cynthia Hedstrom Association of Performing Arts PresentersSan Francisco, CA Dance Curator The Kitchen Washington, DC Nina Wiener New York, NY Nancy Duncan Artistic Director Artistic Director Nina Wiener and Dancers Spider Kedelsky CoDanceCo New York, NY Artist, Arts Consultant New York, NY Greensboro, NC Jawole Willa Jo Zollar Artistic Director Randy Duncan Robert Lindgren Urban Bush Women Artistic Director New York, NY Executive Vice President Joseph Holmes Dance Theatre School of American Ballet Chicago, IL Dance/Film/Video New York, NY Gary Dunning Sally Banes David Lyman Executive Director Author Dance Writer, Cñtic Houston Ballet Cornell University Cincinnati, OH Houston, TX Ithaca, NY Susan Marshall Bruce Marks Elliot Caplan Artistic Director Artistic Director Film/Video Director Susan Marshall and Company Cunningham Dance Foundation New York, NY Boston, MA New York, NY Wendy Rogers lh’ancis Mason Lucinda Childs Editor Artistic Director Artistic Director Ballet Review Wendy Rogers Dance Company Lucinda Childs Dance Company Berkeley, CA New York, NY New York, NY Joseph Melillo Susan Dowling Gus Solomons, Jr. Director, Next Wave Festival Director, New Television Workshop Artistic Director Brooklyn Academy of Music WGBH Solomons Company/Dance Brooklyn, NY New York, NY Boston, MA Myrna Saturn Gatty Marda Kirn Sally Sommer Deputy Director Director Dance Writer, Critic Southem Arts Federation Colorado Dance Festival New York, NY Atlanta, GA Boulder, CO Linda C. Smith Grants to Dance Presenters Cora Cahan Artistic Director Executivc Director, The Fcld Ballet Repertory Dance Theatre Jane Andrew Vice-President, Joyce Theater Salt Lake City, UT President New York, NY Ballet America Jawole Willa Jo Zollar , WA Senta Driver Artistic Director Artistic Director Urban Bush Women Ella Baff HARRY New York, NY Program Director New York, NY Cal Performances General Services to the Field University of California, Berkeley Berkeley, CA Garth Fagan Artistic Director Jackie Calderone Bill T. Jones Garth Fagan’s Bucket Dance Theatre Dance Coordinator Artistic Director Rochester, NY Ohio Arts Council Bill T. Jones/Arnie Zane & Co. Columbus, OH New York, NY John Killacky Director of Performing Arts Patricia Graney Marda Kirn Walker Arts Center Choreographer Director , MN Seattle, WA Colorado Dance Festival Boulder, CO Ian I-Iorvath Bruce Marks Artistic Associate, The Carlisle Project Liz Lerman Artistic Director Carlisle, PA Artistic Director Boston Ballet Producing Director, Jose Limon Dance Dance Exchange Boston, MA Foundation Washington, DC New York, NY Cora Mirikitani Managing Director of Programs Artistic Director Samuel Miller American Theatre The House Foundation Managing Director Los Angeles, CA New York, NY Jacob’s Pillow Dance Festival Lee, MA Charles Reinhart Amaniyea Payne Executive Director Artistic Director Darlene Neel American Dance Festival Muntu Dance Theatre Company Manager Durham, NC Lewitzky Dance Company Chicago, IL Los Angeles, CA Holly Sidford Executive Director Wendy Rogers Janice Ross New England Foundation for the Arts Artistic Director Dance Critic Cambridge, MA Wendy Rogers Dance Company Oakland Tribune Berkeley, CA Oakland, CA Artistic Director Holly Sidford Gus Solomons, Jr. Miami City Ballet Executive Director Artistic Director Miami Beach, FL New England Foundation for the Arts Solomons Company/Dance Cambridge, MA New York, NY Overview

Rebecca Terrell Bonnie Brooks Ivan Sygoda Executive Director Director of Professional Development Director Floñda Dance Association Association of Performing Arts PresentersPentacle Miami Beach, FL Washington, DC New York, NY DANCE

Choreographers’ Gross, Steve M. Miller, Tiro Fellowships New York, NY Santa Monica, CA To providefinancial assistancefor an Halprin, Arma S. Monson, Jennifer individual’s artistic growth. Kentfield, CA New York, NY 85 Gratas ttarkarvy, Benjamin Montoya, Rosa Program Funds: $814,000 Merrick, NY San Francisco, CA

The following choreographers received I-Iauser di Palma, Susana María Nelson, Karen M. $7,000 each: Minneapolis, MN Eugene, OR

Alum, Manuel A. Houlton, Loyce Nirenska, Pola New York, NY Minneapolis, MN Bethesda, MD Brown, Tony A. and Kari G. Margolis O’Connor, Tcrc R. Hulton, Betsy D. Brooldyn, NY Brooldyn, NY New York, NY Brumgart, Sarah L. Okada, Kimi D. Austin, TX NewHutchins, York, NY Jean Elisabeth San Francisco, CA Chong, Ping Oslund Van Liew, Mary J. New York, NY Koplowitz, Stephan M. Portland, OR Brooldyn, NY Cummings, Blondell Parsons, David H. New York, NY Kotoske, Tamar K., Maria A. Lakis, New York, NY and Mary C. Richter Dannenberg, Helen Brooldyn, NY Pinnock, Thomas D. San Francisco, CA Brooldyn, NY Kramer, J. de Ribere, Lisa T. Newton Highlands, MA Rajagopalan, Hema New York, NY Oak Brook, IL Krieckhaus, Steven G. Dendy, Mark B. Philadelphia, PA Renzi, Marta New York, NY Upper Nyack, NY Kumar, Mythili R. Dorfman, David Cupertino, CA Rethorst, Susan New York, NY New York, NY Lemon, Ralph S. Eisenberg, Mary Jane New York, NY Rogers, Raiford C. Los Angeles, CA Santa Monica, CA Marks, Victoria E. Fargnoli, Margaret New York, NY Roy, Ratna Minneapolis, MN , WA Feidman, Anita S. Martin, Nina Scheibman, Bonnie S. Port Washington, NY New York, NY New York, NY Gamonet de Los Heros, Jimmy McCullough, Rick Silvers, Sally R. Miami, FL Winston-Salem, NC New York, NY Goode, Joseph McMahon, Jeffrey D. Skaggs, Sarah J. San Francisco, CA New York, NY New York, NY Graney, Patricia M. Meier-Stiller, Yvonne D. Slater, Deborah Seattle, WA New York, NY San Francisco, CA 5 Sohl-Donnell, Linda J. Morca, Teodoro J. Dance Company Grants Los Angeles, CA Bellingham, WA To assist professional dance companies Sterling, Awilda Moschen, Michael J. realize projects that best serve their San Juan, PR New York, NY artistic and managerial needs both at home and on tour. Strickler, Fred Pomare, Eleo Riverside, CA 121 Grants New York, NY Program Funds: $5,535,000 Swanson, Wil N. Treasury Funds: $500,000 Jersey City, NJ Primus, Pearl E. New Rochelle, NY Aims of Modzawe, Inc. Terry, Keith L. Jamaica, NY $11,000 El Sobrante, CA Shay, Anthony ¥. To support artists’ salaries and production Los Angeles, CA costs of the Dinizulu Dancers, Drummers, Trujillo, Raoul and Singers during the 1989-90 season. Fairview, NM Slyde, Jimmy Hanson, MA Aman Folk Ensemble Varone, Douglas J. Los Angeles, CA $68,000 New York, NY The following choreographers have To support rehearsal periods and domestic received $15,000 each: touring for the Aman Folk Ensemble. Vazquez, Viveca Santurce, PR Coles, Charles American Baliroom Theater Company, West, Daniel E East Elmhurst, NY Inc. Washington, DC Clifton, NJ $18,000 Condos, Steve To support the creation and production of Wilson, Llory Cay Hollywood, FL new work for the American Ballroom Seattle, WA Theater Company. Cook, Charles C. Womack, Shawn M. New York, NY American Deaf Dance Company Cincinnati, OH Austin, TX $13,000 Green, Charles To support administrative salaries and Woodhead, Ann B. New York, NY choreographic acquisition costs for the Sebastopol, CA Sharir Dance Company. Wyrrick, Sharon A. Lamhut, Phyllis New York, NY Arts Catalyst Alliance, Inc. Washington, DC New York, NY $19,000 To support domestic touring and the The following choreographers have Yoshikami, TheodoraE. creation and development of new work by received funds for a three-year fellowship Brooklyn, NY Artistic Director Nina Wiener for Nina (total of $45,000 for a three-year period Wiener and Dancers. Zollar, Jawole Willa Jo beginning in 1989): Bronx, NY Atlanta Ballet, Incorporated Bufalino, Brenda D. Atlanta, GA $16,000 The following choreographers received New York, NY $10,000 each: To support production costs associated with the acquisition of new to the Carlson, Ann Blossom, Beverly S. company’s repertory. New York, NY Urbana, IL Bailes Fiamencos Bridgman, Art Marshall, Susan A. San Francisco, CA $10,000 Valley Cottage, NY New York, NY To support production costs of home season concerts during the 1989-90 season Houston-Jones, Ishmael Streb, Elizabeth A. and the development of new work by New York, NY New York, NY Artistic Director Rosa Montoya.

6 DANCE

Ballet Foundation of , Inc. Chicago Repertory Dance Ensemble Dan Wagoner Dance Foundation, Inc. Milwaukee, WI $22,600 Chicago, IL $10,000 New York, NY $40,000 To support rchcarsal periods and related To support administrativc and artistic To support rehcarsal periods and the costs during the 1989-90 season, salaries for Chicago Repertory Dance devclopmcnt of ncw work by Artistic Ensemble during the 1989-90 season. Director Dan Wagoner for Dan Wagoner Ballet Metropolitan, Inc. and Dancers. $15,000 Columbus, OH Cincinnati Ballet Company, Inc. To support acquisition of a new ballet. Dance Coilective/Mass Movement, Inc. Cincinnati, OH $38,000 Cambridge, MA $10,000 Ballet Oldahoma, Inc. To support rehearsal periods and perform- To support rehearsal periods, domestic City, OK $10,000 ances during the 1989-90 season for the touring, and administrative salaries for To support rehearsal periods for Ballet Cincinnati] City Ballet. Dance Collective. Oklahoma during the 1989-90 season. San Jose Ballet Dance Projects, Inc. Ballet Theatre Foundation, Inc. Cleveland, OH $50,000 Boston, MA $10,000 New York, NY $295,000 To support rehearsal periods for the To support administrative and production TF: $100,000 Cleveland/San Jose Ballet during the costs for Beth Soll & Company. To support costs associated with the 1989-90 season. American Ballet Theatre’s 1989-90 Dance Solos, Inc. season. New York, NY $10,000 Codanceco, Inc. To support administrative salaries and Ballet West New York, NY $10,000 finishing costs for the film, The Art of Salt Lake City, UT $108,000 To support administrative and artistic Solo Dance. To support rehearsal periods, domestic salaries and related costs for the 1989-90 touring, home season performance costs, season. Dance Theatre Foundation, Inc. and the acquisition of new choreography New York, NY $290,000 during the 1989-90 season. Concert Dance Company, Inc. To support domestic touring, a New York Cambridge, MA $12,000 City season, rehearsal periods, and the Dance Foundation creation and revival of new works for the Los Angeles, CA $72,000 To support acquisition, production, and promotion of new work by choreographer/ Alvin Ailey American Dance Theater. To support artists’ salaries during the body musician/vaudevillian Keith Terry. 1989-90 season of productions, , Inc. New York, NY $275,000 Boston Ballet, Inc. Cross Performance, Inc. $125,000 To support rehearsal periods, domestic Newton, MA New York, NY $10,000 touring, a New York City season, and the To support costs associated with the To support administrative salaries and the acquisition of works new to the company’s Boston Ballet’s 1989-90 season, creation of new work by Artistic Director Ralph Lemon for Ralph Lemon and repertoire. Brecht Forum, Inc. Company. $10,000 Dances and Drums of , Inc. New York, NY Brooklyn, NY $15,000 To support the development of an evening- length dance piece inspired by the wfitings Crowsnest, Inc. To support rehearsal and performance of contemporary women authors from the New Haven, CT $45,000 periods for the Charles Moore Dance Americas for the Crowsfeet Dance To support the creation of new work by Theatre. Artistic Director . Collective. Danceworks, Incorporated $12,000 Capoeira Foundation, Inc. Cunningham Dance Foundation, Inc. Pacific Palisade, CA New York, NY $10,000 $300,000 To support creation of new work by New York, NY Artistic Director Susan Rose in collabora- To support development and production To support rehearsal periods, film and costs of new work by Artistic Director tion with sculptor/composer Taylor video projects, domestic touring, anda MacLean. Jelon Vieira. New York City season for the Dance Company. Chhandam Chitresh Das Dance Danny Buraczeski Dance Company, Company Inc. San Anselmo, CA $10,000 Black Dance Theatre, Inc. New York, NY $11,000 To support rehearsal periods and the Dallas, TX $10,000 To support a New York City season and creation of new work by Artistic Director To support administrative expenses during the creation of new work by Artistic Chitresh Das. the 1989-90 season. Director Danny Buraczeski. Dayton Contemporary Dance , Foundation for Independent Artists, Guateque Folkloric Taller of Puerto Inc. Inc. Rico, Inc. Dayton, OH $22,000 New York, NY $15,000 Corozal, PR $10,000 To support artistic salaries and the acqui- To support domestic touring and the To support touring activities by Guateque sition of new works for the repertory creation of new work by Artistic Director Folkloric Ballet of Puerto Rico during during the 1989-90 season. Bebe Miller for Bebe Miller and the 1989-90 season. Company. Dean Dance & Music Foundation, Inc. Harry’s Foundation, Inc. New York, NY $100,000 Foundation for Independent Artists, New York, NY $19,000 To support domestic touring and the Inc. To support domestic touring, a New York development of new work by Artistic New York, NY $10,000 City season, and the development of new Director Laura Dean for Laura Dean To support a New York City season and work by Artistic Director Senta Driver Dancers and Musicians. the creation of new work by Artistic for the dance company HARRY. Director Ohad Naharin for Ohad Naharin Dance Company. Hartford Ballet, Inc. Eccentric Motions, Inc. Hartford, CT $16,000 Somerville, MA $11,000 Fonndation for Independent Artists, To support the development of a new ballet To support the development of new work by Artistic Director Michael Uthoff for by Artistic Director Pooh Kaye for Eccen- Inc. New York, NY $10,000 the Hartford Ballet. tric Motions. To support a New York City season of the Jane Comfort Dance Company. I-Iarvest Dance Foundation, Ltd. Formation Dance Foundation New York, NY $12,000 Los Angeles, CA $10,000 To support the development of new work To support the development of new work Fonndation for Independent Artists, Inc. by Artistic Director Rosalind Newman by Artistic Director Mary Jane Eisenberg New York, NY $28,000 and rehearsal periods for Rosalind New­ for the Mary Jane Eisenberg Dance To support administrative salaries, do- man and Dancers. Company. mestic touring, and a New York City season for Eiko & Koma. Heritage and Tradition, Inc. Foundation for Dance Promotion, Inc. Los Angeles, CA $10,000 New York, NY $30,000 Foundation for , Inc. To support domestic touring of the AVAZ To support domestic touring, rehearsal International Dance Theatre during the New York, NY $41,000 1989-90 season. periods, anda New York City season for To support domestic touring anda New Bill T. Jones/Amie Zane & Company. York City season for the High Tide Dance, Inc. Dance Company. Foundation for Independent Artists, New York, NY $10,500 To support rehearsal periods anda New Inc. Foundation for the Joffrey Ballet, Inc. New York, NY $10,000 York City season for Risa Jaroslow and New York, NY $245,000 Dancers. To support costs associated with a New To support rehearsal periods and perform- York City season for Art Bridgman/Myrnaances in New York City and Los Angeles Packer during the 1989-90 season, Houston Ballet Foundation by the Joffrey Ballet. Houston, TX $60,000 To support acquisition and production Foundation for Independent Artists, Friends of Olympia Station, Inc. costs of ballets by guest choreographers. Inc. Santa Cruz, CA $16,000 New York, NY $26,000 To support administrative and artistic Hubbard Street Dance Company To support domestic touring and the salaries, production costs, and the devel- Chicago, IL $11,000 development of company archives for the opment of new work by Artistic Director To support production costs and artistic Mark Morris Dance Group. Tandy Beal for Tandy Beal & Company. lees for the acquisition of new dance works. Foundation for Independent Artists, Garth Fagan’s Bucket Dance Theatre, Inc. Inc. Institute for Spanish Arts New York, NY $10,000 Rochester, NY $75,000 New York, NY $42,000 To support administrative salaries, do­ To support domestic touring and perform- To support domestic touring, the acquisi­ mestic touring, and the creation and per­ ances in Rochester, New York, and New tion of work by a guest choreographer, formance of new work for Urban Bush York City for Garth Fagan’s Bucket Dance and other related costs for the Mafia Ben- Women. Theatre. itez Spanish Dance Company. DANCE

Institute of Puerto Rican Culture Khadra International Folk Ballet Mixed Bag Productions San Juan, PR $11,500 San Francisco, CA $11,000 San Francisco, CA $10,000 To support rehearsal periods and home To support artistic salaries and the devel- To support rehearsal periods, artistic fees season production costs for Ballets de San opment of a new suite of Russian dances, and salaries, and production costs associ­ Juan during the 1989-90 season, ated with the development of new collab- orative work by the members of Kulintang Arts, Inc. Contraband. Tap Ensemble San Francisco, CA $10,000 Los Angeles, CA $50,000 To support rehearsal and performance Mordine & Company To support domestic touring, artistic and periods for Kulintang Arts. Chicago, IL $10,000 administrative salañes, and production To support the development of a touring costs for the Jazz Tap Ensemble. Loretta Livingston & Dancers repertory using the music of jazz composer Los Angeles, CA $10,000 William Russo. Joe Goode Performance Group To support artistic and administrative San Francisco, CA $10,000 salaries for Loretta Livingston & Dancers. New Arts Foundation To support a San Francisco season of the Emeryville, CA $10,000 Joe Goode Performance Group. To support rehearsal and performance Lubovitch Dance Foundation, Inc. periods, and the development of new work New York, NY $68,000 by Artistic Director Nancy Karp for Jose Limon Dance Foundation To support domestic touring and a New Nancy Karp & Dancers. New York, NY $50,000 York City season by the Lar Lubovitch To support administrative salaries, cho- Dance Company. New Dance Theatre, Inc. reographic acquisitions, domestic touring Denver, CO $12,000 and residency activities, and the Limon To support artists’ salaries for the 1989-90 Repertory Development Project. Lucinda Childs Dance Foundation, season of the Cleo Parker Robinson Inc. Dance Ensemble. Joseph Holmes Dance Theatre New York, NY $58,000 To support marketing activities, rehearsal , Inc. Chicago, IL $11,000 periods, and the development of new work TF: $400,000 To support-rehearsal and performance New York, NY by Artistic Director Lucinda Childs for To support rehearsal and performance periods during the fall 1989 season, the Lucinda Childs Dance Company. periods of the New York City Ballet during the 1989-90 season. KanKouran Washington, DC $10,000 Margaret Jenkins Dance Studio, Inc. New York City Hispanic-American To support an African Dance Festival in San Francisco, CA $35,000 Dance Company, Inc. conjunction with the presentation of the To support domestic touring during the New York, NY $21,000 concert "A Visit to Africa." 1989-90 season by the Margaret Jenkins To support performance periods for Ballet Dance Company. Hispanico. Kansas City Ballet Association New York Foundation for the Arts, Inc. Kansas City, MO $38,000 Martha Graham Center of New York, NY $11,000 To support rehearsal and performance Contemporary Dance, Inc. New York, NY $245,000 To support production costs and the periods for the State Ballet of Missouri acquisition of new work for Ellen Kogan To support rehearsal periods, domestic during the 1989-90 season. Solo Dance. touring, anda New York City season for Kei Takei’s Moving Earth, Inc. the Martha Graham Dance Company. Nikolais/Louis Foundation for Dance, New York, NY $25,000 Inc. To support administrative salaries and the Miami City Ballet, Inc. New York, NY $80,000 development of new work by Artistic Miami Beach, FL $25,000 To support rehearsal periods, domestic Director Kei Takei for Kei Takei’s Moving To support the 1989-90 performance touring, and a New York City season for Earth. season, the Nikolais Dance Theatre. Nikolais/Louis Foundation for Dance, Kentucky Dance Council, Inc. Mid-Man Dance Foundation,. Inc. Inc. Louisville, KY $10,000 New York, NY $20,000 New York, NY $37,300 To support the first subscription produc- To support domestic touring and residency To support domestic touring, rehearsal tion of the Louisville Ballet during the activities for the Joyce Trisler periods, anda New York City season for 1989 season. Danscompany. the Murray Louis Dance Company.

9 North Carolina Dance Theatre Pick Up Performance Company, Inc. Roxanne Dance Foundation, Inc. Winston-Salem, NC $46,000 New York, NY $72,000 New York, NY $15,000 To support rehearsal periods and home To support domestic touring and the To support a New York City season and season performance development for the development of new work by Artistic the development of new work by Artistic 1989-90 season as well as related costs. Director David Gordon for the Pick-Up Director Wendy Perron for The Wendy Company. Perron Dance Company. Oakland Ballet Company & Guild San Francisco Ballet Association Oakland, CA $26,000 Pilobolus, Inc. San Francisco, CA $210,000 To support costs of choreographic acqui­ Washington Depot, CT $31,000 To support rehearsal periods, domestic sition during the 1989-90 season. To support development of new work by touring, and the 1989-90 repertory season Artistic Directors Robby Barnett and of the San Francisco Ballet. Oberlin Dance Collective Alison Chase. San Francisco, CA $36,000 San Francisco Moving Co. Modern To support production costs, home season Ballet Theatre, Inc. Dance, Incorporated performance activity, and domestic touringPittsburgh, PA $76,000 San Francisco, CA $10,000 for ODC/San Francisco. To support domestic touring, rehearsal To support the development of new chore- and performance periods, and the acquisi- ography in the laboratory workshop Ohio Chamber Ballet tion of new choreography, program of the San Francisco Moving Akron, OH $68,000 Company. To support the development of new work Pittsburgh Dance Alloy by Artistic Director Heinz Poll for the Pittsburgh, PA $11,000 Sarto~ius Dance, Inc. Ohio Ballet. To support rehearsal and performance Brooklyn, NY $10,000 periods, production costs, and adminis­ To support booking activities and the trative salaries for the Dance Alloy. development of new work by Artistic Original Ballets Foundation, Inc. Director Mark Taylor for Mark Taylor & New York, NY $90,000 Friends. To support domestic touring activities for Portland Dance Center the Feld Ballet. Portland, ME $11,000 School of Knocks, Inc. To support home season performances and New York, NY $11,000 Paciñc Northwest Ballet Association the acquisition of new works for Ram To support administrative salaries and Seattle, WA $205,000 Island Dance Company’s repertory, costs associated with the completion of To support rehearsal periods, home season "The Man Who Never Wasn’t" by Artistic performances, and the acquisition of Princeton Ballet Society Director Yoshiko Chuma. ballets to expand the company’s repertory. New Brunswick, NJ $11,000 To support rehearsal periods, marketing Solomons Company/Dance, Inc. Paul Taylor Dance Foundation, Inc. activities, and the acquisition of a ballet. New York, NY $19,000 New York, NY $300,000 To support domestic touring, general To support domestic touring, a self- Red Wing Performing Group, lnc. management representatives, and the produced New York City season, and the New York, NY $11,000 creation of collaborative work by Artistic revival and creation of new works by To support administrative salaxies and Director Gus Solomons. Artistic Director Paul Taylor. related costs for Stephanie Skura & Company. Stephen Petronio Dance Company, Inc. New York, NY $18,000 Pennsylvania Ballet Association To support artistic and administrative Philadelphia, PA $73,600 Repertory Dance Theatre salaries, rehearsal periods, and domestic To support dancers’ salaries during re­ Salt Lake City, UT $46,000 touring. hearsal and performance weeks for the To support domestic touring, administra­ Pennsylvania Ballet’s 1989-90 season, tive salaries, and home season production The Dance Brigade, A New Group costs. From Wallflower Order, Inc. Philadelphia Dance Company Oakland, CA $10,000 Philadelphia, PA $24,000 Rio Grande Union, Inc. To support rehearsal periods and produc­ To support administrative salaries, re- New York, NY $12,000 tion costs associated with the development hearsal periods, and costs associated with To support the development of new work of a new work by Artistic Directors twentieth anniversary performances for by Artistic Director Douglas Dunn for Krissy Keefer and Nina Fichter for The Philadanco. Douglas Dunn and Dancers. Dance Brigade.

10 DANCE

The House Foundation for the Arts, Dance/Film/Video Astor, Lenox Inc. and Tilden Foundations New York, NY $105,000 To help individuals and organizations New York, NY $40,000 To support domestic touring, development which usef!lm of vídeo creatively to To support public viewing facilities and acfivities, documentation of the compa­ preserve, enhance, and expand the art of reference service; development of the ny’s repertory, and the creation of new dance, dance collection through acquisitions of work by Artistic Director Meredith Monk historical, commercial, and broadcast 15 Grants films; and preservation and restoration of for Meredith Monk/The House. Program Funds: $195,000 damaged and deteriorating films.

The New Dance Ensemble Arts Resources in Collaboration, Inc. Pick Up Performance Company, Inc. Minneapolis, MN $14,000 New York, NY $10,000 New York, NY $15,000 To support administrative salaries anda To support the restoration and preservation To support the production of 30 minutes of broadcast-quality video work conceived development workshop for emerging of endangered early "Eye on Dance" and directed by choreographer David choreographers, programs produced between 1981-83. Gordon with material drawn from his full- length work-in-progress, "United States." The Washington Ballet Atlas, Charles M. $10,000 Washington, DC New York, NY Sundance Institute for Film and $34,000 To support the creation of a 27 minute Television To support marketing activities and the media dance, "Rule," which will be a Sundance, UT $20,000 acquisition of works for the company’s composite portrait of American disco To support the 1989 Dance/Film/Video repertory, style dancing. Laboratory which will bring choreogra­ phers, resource personnel, and video Thought Movement Motor, Inc. Dance Theater Workshop, Inc. artists together for a three-week period. New York, NY $15,000 New York, NY $4,000 To support the Video/Choreographer The Latin-American Workshop, Inc. To support a New York City season and New York, NY $8,000 performances in various locations of Collaborations project to foster artistic cooperation and experimentation between To support production of a ten minute "Tapnology" for the Charles Moulton dance video of "Malambo del Sol," a Dance Company. choreographers and professional video artists with grants to four choreographers, traditional Argentinian dance, performed by members of Ballet Los Pampas. Transmedia Kinetrics Coalition, Inc. Dancing in the Streets, Inc. Thought Movement Motor, Inc. New York, NY $10,000 New York, NY $10,000 New York, NY $10,000 To support administrative consultation To support the production of a video To support the creation of a short dance anda New York City season for Kenneth documentary of"Grand Central Dances." video to be directed and choreographed by King and Dancers/Company. Charles Moulton. Feldman, Ahita S. Trisha Brown Dance Company, Inc. Port Washington, NY $8,500 Tiger Heart Productions, Inc. To support the collaboration of experi- New York, NY $10,000 New York, NY $155,000 mental tap dance choreographer Anita To support production of "White Wings," To support rehearsal periods, domestic Feldman, composer Lois V. Vierk, and a documentary portrait of American jazz touring, and the company’s 20th anniver- video artist Jan Roberts-Breslin. dancer, cñtic, and histoñan, Roger Pryor sary season in New York City. Dodge. Jacob’s Piliow Dance Festival, Inc. Zenon Dance Company and School, Lee, MA $6,500 Dance Foundation, Inc. New York, NY $8,000 Inc. To support the preservation and recon- To support the continuation of a project to Minneapolis, MN $10,000 struction of music for Ted Shawn’s 1938 rescue and preserve historical video To support home season performances of dance, "Dance of the Ages." tapes of Twyla Tharp’s work dating from the Zenon Dance Company. 1965. June Watanabe Dance Company San Rafael, CA $10,000 WGBH Educational Foundation Zivili Kolo Ensemble To support a one hour video of the epic Boston, MA $25,000 Granville, OH $10,500 dance/video work Trilogy, which consists For acquisition and production of at least To support rehearsal periods for the Zivili of"Heian," "White Ashes," and "EO- four dance/filrn/video programs for the Kolo Ensemble. 9066," by choreographer June Watanabe. third season of "New Television." 11 Grants to Board of Trustees of the Leland Colorado Contemporary Dance, Inc. Dance Presenters Stanford Junior University Denver, CO $8,000 Stanford, CA $7,000 To support the presentation of Alvin Ail¢y To encourage and assist experienced To support the presentation of at least five American Dance Theatre, one of thre¢ sponsors committed to the presentation of American dance companies during the companies to be presented during the dance. 1989-90 season. 1989-90 season. 76 Grants Borough of Community Colorado Dance Festival, Inc. Program Funds: $1,049,100 College Fund Boulder, CO $22,500 New York, NY $7,000 To support artists’ fees and related costs Grants To support the presentation of at least five for the presentation of at least five dance American dance artists during the 1989­ companies, artists, or events during the American Ballet Competition 90 season at The Triplex. 1989 Colorado Dance Festival. Philadelphia, PA $13,900 Columbia College To support the presentation of a wide Boston Dance Umbrella Cambridge, MA $18,500 Chicago, IL $11,600 range of American dance companies, To support the presentation of at least five including the residency of the Feld Ballet,To support the presentation of numerous American companies or artists during the dance companies on the "Present Vision, the NextMove Festival, and a colloquium. Past Voice" series during the 1989-90 1989-90 season. season celebrating the historic and con- American Dance Festival, Inc. Brooklyn Academy of Music, Inc. temporary contributions of black Ameri- Durham, NC $55,000 can choreographers. To support the presentation of a variety of Brooklyn, NY $30,000 companies and artists and the commis- To support American dance presentations Contemporary Dance Theater, Inc. sioning of new works as part of the 1989 duñng the 1989-90 season. Cincinnati, OH $8,300 American Dance Festival. City Celebration, Inc. danceTo supportartists orthe companiespresentation ofduring at least the six Anchorage Concert Association, Inc. San Francisco, CA $8,300 1989-90 season. Anchorage, AK $23,600 To support artists’ fees and related costs To support artists’ fees and transportation for the presentation of at least 20 profes- Creative Time, Inc. costs for the presentation of at least three sional dance companies or soloists during New York, NY $7,500 American dance companies during the the 1989 San Francisco Ethnic Dance To support artists’ fees and related costs 1989-90 season. Festival. for the presentation of numerous dance artists at Art in the Anchorage, the second Artswatch, Inc. City of Madison, Wisconsin annual Wintergarden series, Creative Louisville, KY $4,600 Madison, WI $7,000 Time Citywide, and other programs in To support artists’ fees and related costs To support the presentation of at least five public spaces throughout New York. for the presentation of at least four artists American dance companies during the or companies during the 1989-90 season. 1989-90 season. Cultural Council of Scottsdale Scottsdale, AZ $4,600 Associated YM-YWHAs of Greater City of San Antonio, To support the presentation of at least five New York, Inc. San Antonio, TX $11,600 American dance companies during the New York, NY $5,600 To support the presentation of at least six 1989-90 season. To support the presentation of at least ten American dance companies during the American dance artists or companies, 1989-90 season at the Carver Center. DC W~eel Productions, Inc. including several commissions, during the Washington, DC $18,500 1989-90 season at the Emanu-E1 Midtown Cleveland Modern Dance Association To support the presentation of at least 12 YM-YWHA. Cleveland, OH $9,700 dance companies or artists at the Dance To support the presentation of American Place during the 1989-90 season. Ballet/Aspen, Inc. dance companies as part of the 1989­ Aspen, CO $23,200 90 season. Dance Connection To support the presentation of at least Seattle, WA $4,600 eight dance companies or artists during Coilege Community Services, Inc. To support the presentation of at least 11 the 1989 Aspen Summer Dance Festival, Brooklyn, NY $4,600 local, regional, and national choreogra­ the 1989 Hard Acts to Follow series, and To support the presentation of at least four phers in at least 11 concerts during the the 1989 Carlisle Project at Aspen American dance companies during the seventh Allegro! dance festival in 1989­ program. 1989-90 season. 90. 12 DANCE

Dance Saint Louis Haleakala, Inc. Mary Lufl and Company, Inc. St. Louis, MO $13,900 New York, NY $20,900 Miami, FL $4,000 To support the prcscntation of Amcrican To support the prcsentation of at least six To support the presentation of at lcast dance companies during the 1989-90 American dance artists during the 1989- three dance artists or companies during season. 90 season, the Festival of Percussive Arts in 1989.

Dance Theater Workshop, Inc. Helena Film Society, Inc. McCarter Theatre Company New York, NY $56,000 Helena, MT $11,600 Princeton, NJ $5,600 To support the presentations of the 1989- To support the presentation of several To support the presentation of at least five 90 "DTW Dance Production Project," American dance companies in residencies American dance companies during the including the Fall/Winter/Spring Events, and performances during the 1989-90 1989-90 season. the Out-of-Towners, the 11 O’Clock season. New(s), Split Stream, and Fresh Tracks. MoMing Dance & Arts Center, Inc. International Theatrical Arts Society Chicago, IL $15,800 Dancer’s Collective of Atlanta, Inc. Dallas, TX $4,600 To support the presentation of a wide Atlanta, GA $7,000 To support the presentation of at least four variety of dance artists during the 1989­ To support the presentation of dance American dance companies during the 90 season including Dance Expo ’89, companies during the 1989-90 season. 1989-90 season. Best of Dance for $1.98, Satellite Show­ case, and Making Dances. Dancers’ Group Jacob’s Pillow Dance Festival, Inc. San Francisco, CA $4,600 Lee, MA $60,000 More Productions, Inc. To support the presentation of up to ten To support the presentation of American Tucker, GA $6,000 dance artists in the Edge Festival and the companies and artists at the 1989 Jacob’s To support artists’ fees and related ’costs Spring Dance series during the 1989-90 Pillow Dance Festival. for residencies and performances by at season, John E Kennedy Center for the least four choreographers or companies during the 1989-90 season. Dancing in the Streets, Inc. Performing Arts New York, NY $12,000 Washington, DC $27,800 To support artists’ fees and related costs To support the presentation of a wide Mountain Arts for the 1989 Citywide Dance Festival. range of American dance companies on Kingfield, ME $4,600 the ballet series, the contemporary dance To support a residency of at least two weeks, including performances, rehears- Danspace Project, Inc. series, special presentations, and the New York, NY $9,300 "Washington, Front and Center" series als, and extensive community activities, for the Feld Ballet during the summer of To support the presentation of up to sixteen during the 1989-90 season. dance artists during the 1989-90 season. 1989. Joyce Theater Foundation, Inc. District Curators, Inc. New York, NY $25,000 Movement Theatre International, Inc. Washington, DC $4,600 To support the presentation of at least 14 Philadelphia, PA $7,000 To support the presemation of Tim Miller, dance companies, representing a broad To support the presentation of at least ten in two weeks of performances, Garth range of contemporary dance, during at American movement artists during the Fagan’s Bucket Dance Theatre, and the least ten weeks of the 1989-90 season. 1989 Movement Theatre International DC Contemporary Dance Theater during Festival. the 1989-90 season. Los Angeles Contemporary Exhibitions, Inc. On the Boards Flynn Theatre for the Performing Arts, Los Angeles, CA $4,600 Seattle, WA $18,000 Ltd. To support the presentation of at least ten To support the presentation of American Burlington, VT $7,000 American dance artists during the 1989- dance artists, including commissioning of To support the presemation of at least four 90 season, new work, on the New Performance American dance companies during the Series and the Northwest New Works 1989-90 season. Maine Festival of the Arts, Inc. Festival. Portland, ME $5,600 Gioriana Opera Company, Inc. To support commissions, performance PACT, Inc. Mendocino, CA $4,600 fees, and related expenses for the presen- Clearwater, FL $9,300 To support the presentation of at least four tation of at least three choreographers To support the presentation of at least American dance companies during the and their companies at the 1989 Maine seven American dance companies during 1989-90 Mendocino Dance Series. Festival. the 1989-90 season at Ruth Eckerd Hall.

13 Painted Bride Art Center, Inc. Spoleto Festival U.S.A. University of California-Los Angeles Philadelphia, PA $6,500 Charleston, SC $25,500 Los Angeles, CA $18,500 To support the presentation of at least To support the presentation of at least four To support the presentation of at least seven dance companies or artists during American dance companies during the three American dance companies during the 1989-90 season. 1989 Spoleto Festival. the 1989-90 season. Performance Space 122, Inc. Sushi, Inc. $12,500 University of at Manoa New York, NY $20,400 , CA To support artists’ fees and related costs Honolulu, HI $7,000 To support the presentation of at least 35 for the presentation of at least seven dance To support artists’ fees and related costs artists or companies on the presenting for the presentation of two Chinese- series during the 1989-90 season, artists from San Diego and other parts of the nation during the 1989-90 season. American dance artists as part of a cele­ bration of Chinese dance during the 1989­ Pittsburgh Dance Council, Inc. The Board of Trustees of the University $16,700 90 season. Pittsburgh, PA of To support the presentation of at least Champaign, IL $8,500 seven American dance companies or art­ University of Iowa To support the presentation of at least five Iowa City, lA $14,800 ists during the 1989-90 season. American dance companies during the 1989-90 season. To support the presentation of at least five Portland Dance Center American dance companies during the Portland, ME $7,000 The Celebrity Series of Boston, Inc. 1989-90 season. To support the presentation of at least nine Boston, MA $5,000 American dance artists or companies in To support the presentation of the Martha University of Minnesota-Twin Cities two series during the 1989-90 season. Graham Dance Company in performances St. Paul, MN $18,500 and residency activities at the Wang To support the presentation of at least Portland State University Center during the 1989-90 season. eight American dance companies during $7,500 Portland, OR the 1989-90 season. To support the presentation of at least four The Thelma Hill Performing Arts American dance companies during the Center, Inc. 1989-90 season. Brooklyn, NY $11,600 University of Nebraska-Lincoln To support the presentation of at least four Lincoln, NE $18,000 President and Trustees of Bates College dance companies on the 13th annual Big, To support the presentation of at least tire Lewiston, ME $5,600 Bold, Black & in Brooklyn Dance Festi­ American dance companies during the To support the presentation of Bebe Miller, val, and at least eight choreographers 1989-90 season. Eiko and Koma, Art Bridgman and Myma on the Black Choreographers’ Showcase, during the 1989-90 season. Packer, and Remy Charlip, in perform­ ances and residency activities dufing the Theater Artaud Seattle, WA $13,900 1989 Bates Dance Festival. San Francisco, CA $7,000 To support the presentation of at least five American dance companies at Meany San Antonio Performing Arts To support the presentation of June Wa­ tanabe anda Black Choreographers’ Hall during the 1989-90 season. Association Festival during the 1989-90 season, San Antonio, TX $9,300 To support the presentation of at least Trustees of the University of Virginia Commonwealth University three American dance companies during Pennsylvania Richmond, VA $4,600 the 1989-90 season. Philadelphia, PA $10,200 To support the presentation of a residency To support the presentation of at least five by Ko Thi Dance Company anda resi­ San Francisco Performances, Inc. American dance companies on the Main dency by Garth Fagan’s Bucket Dance San Francisco, CA $7,400 Series and at least three American compa­ Theatre as part of a three-company series To support the presentation of at least nies on the New Dance series at the exploring the Afro-American dance heri­ three American dance companies during Annenberg Center during the 1989-90 tage during the 1989-90 season. the 1989-90 season, season. Society for the Performing Arts University of California-Berkeley Volcano Art Center Houston, TX $29,500 Berkeley, CA $32,400 Hawaii Nat. Park, HI $5,600 To support the presentation of at least tire To support the presentation of at least six To support artists’ fees, a commission, American companies or dance events dance companies or artists during the and related costs for a creative residency during the 1989-90 season. 1989-90 season, of Tandy Beal and Company.

14 DANCE

Walker Art Center, Inc. ’s Festival of the Arts, Inc. Cunningham Dance Foundation, Inc. Minneapolis, MN $30,000 Baltimore, MD $5,000 New York, NY $2,000 To support the presentation of at least ñve To support the commissioning of works To support the subsidized space rental dance companies during the 1989-90 by Bill T. Jones and Stephen Petronio for program at the Cunningham Dance Stu- season, two Baltimore-area dance companies, dio. to be premiered during the 1989 festival. Washington Performing Arts Society Dance Notation Bureau, Inc. Washington, DC $25,000 Boston Dance Umbrella New York, NY $20,000 To support the presentation of at least five Cambridge, MA $18,000 To support the documentation of a variety American dance companies during the To support a subsidized performance of dance works through Labanotation 1989-90 season, package, the publication of a newsletter and associated means as a part of a con- and the Dance Umbrella Handbook, the tinuing program of dance preservation. World Music Institute, Inc. salary for a services coordinator, and New York, NY $6,000 the continued expansion of membership Dance Theater Workshop, Inc. To support artists’ fees and related costs services. New York, NY $36,000 for at least seven presentations of tradi- To support the membership services tional dance forrns from a diversity of Brooklyn Arts Council program, providing a system of low-cost culmres during the 1989-90 season. Brooklyn, NY $2,000 administrative and production services To support transportation for choreogra- to artists, documentation of dance per­ General Services phers, stipends for panelists, production formances on video, and publication of assistance, and promotion for the Per- a revised Poor Dancer’s Almanac. to the Field formers Showcase Forum for Choreogra­ To assist organizations or individuals who phers ’89 at BACA Downtown. Dance Umbrella provide services to dance companies, Austin, TX $3,000 dancers, and choreographers. Central Pennsyivania Youth Ballet To support the enhancement of member- Grants Foundation ship services, the Professional Develop- 48 Grants Carlisle, PA $10,000 ment Series, and the tenth annual To support several long-term residency presentation of WorkOuts in 1989. Program Funds: $630,741 fellowships, choreographic workshops, Dance Theater Foundation, and the development of performance Dance/USA Inc. showcases for choreographers participat- Washington, DC $38,000 New York, NY $15,000 ing in the Carlisle Project. To support the Roundtables and Work- To support rental subsidy and rehearsal shops Program, the publication of Update City Celebration, Inc. and the Performance Calendar, and the space provided to American dance com- San Francisco, CA $7,000 development of services recommended by panies renting City Center Theater. To support a comprehensive service the "Life After Performing: Career Transi­ program for Bay Arca ethnic dance com- tions for Dancers" project. Mtiliate Artists, Incorporated panies and soloists. New York, NY $19,000 DanceWorks, Inc. To support 24 residency weeks for dance Colorado Dance Festival, Inc. New York, NY $35,000 artists in communities throughout the Boulder, CO $2,000 To support Pentacle’s continuing and country. To support salades and administrative expanded program of administrative and costs for the Intemational Tap Associationsupport services for performing artists, American Dance Festival, Inc. serving the needs of rhythm tap artists and involvement in special projects of Durham, NC $6,000 across the United States. benefit to the dance community. To support the 20th Dance Critics’ Con­ ference, an intensive training course for Contemporary Dance Theater, Inc. Dancers’ Group working critics in the context of the Cincinnati, OH $3,000 San Francisco, CA $3,000 Festival; and the archival video documen- To support a wide range of services to To support Footwork’s co-sponsorship tation of the 1989 festival’s commissioneddance artists in the Cincinnati region, program, Local Choreographers Concert works, señes, and publicity and administrative Cultural Council Foundation services to Bay Arca dance artists. Arts Resources in Collaboration, Inc. New York, NY $3,000 New York, NY $6,000 To support booking, publicity, and tour Danspace Project, Inc. To support the post-production and pro- managemem services to at least nine danceNew York, NY $2,000 motion of the television series "Eye On companies through the Booking To support the development of the Video Dance." project. Archive for 1989.

15 Ellen Webb Dance Foundation Joyce Theater Foundation, Inc. On the Boards Oakland, CA $2,000 New York, NY $23,000 Seattle, WA $11,000 To support the continued devel0pment of To support technical assistance, marketing To support the Artist Access Program and the Talking Dance Project, a forum for assistance, box office services, and front 12 Minutes Max, two projects designed ideas and dialogue within the Bay Area of house services to dance companies to provide production and presentation dance community, renting the Joyce Theater in 1989. support for Northwest dance artists and to Laban Bartenieff Institute of provide audiences with the opportunity to see new work. Ethnic Folk Arts Center, Inc. Movement Studies, Inc. New York, NY $5,000 New York, NY $2,000 To support the rental service for the To support the dance rehearsal studio Original Ballets Fonndation, Inc. performance space at the Ethnic Folk Arts rental subsidy program. New York, NY $7,500 Center. To support The New Ballet School, a Minnesota Dance Alliance model project which identifies public $14,000 Foundation for the Extension and Minneapolis, MN school children with the potential to Development of the American To support the dance production clearing- become dancers, and provides them with Professional Theatre, Inc. house, the newsletter, anda wide range free transportation, dancewear, training, New York, NY $10,000 of administrative, technical, and informa­ and exposure to professional dance. To support a variety of projects to tion services to the regional dance strengthen professional dance manage­ community. ment, including organizational assistance Osumare, Halifu to consortia and companies, and the MoMing Dance & Arts Center, Inc. Berkeley, CA $5,000 publication of The Work Papers. Chicago, IL $5,000 To support "Dance for $1.98," an annual To support the performances, master choreographic showcase providing emerg- classes, and lecture-symposia of the Black Foundation for the Open Eye, Inc. ing dance artists with the rehearsal and Choreographers Moving Towards the 21st New York, NY $2,000 performance space and professional serv­ Century festival to be held in San Fran- To support the creation of a broadcast- ices needed to prepare, promote, and cisco and Los Angeles during 1989. quality video serving as an archive of the present their work. dance repertory and aesthetic philosophy Performance Space 122, Inc. of . Movement Research, Inc. New York, NY $3,000 New York, NY $17,000 Inter-Media Art Center, Inc. To support workshops, the Studies Project, To support the Services Program, includ­ Huntington, NY $3,000 and the Open Performance forum, ing video documentation of dance artists To support the Video Facilities Grants for presented by P.S. 122 and subsidized, Choreographers Program, which will New York Dance Center, Inc., The low-cost rehearsal space. allow artists up to 14 days of free access New York, NY $5,000 to equipment and creation of high-quality To support the Rent Subsidy Project, Performance Zone, Inc., The offering rehearsal studio space to the dance videotapes, as well as related costs, $2,000 community. New York, NY To support The Field’ s wide-ranging Jack Faucett Associates services to emerging dance artists in New Chevy Chase, MD $159,241 New York Public Library Astor, Lenox York. To support a cooperative agreement for and Tilden Foundations $31,000 administrative consultant services related New York, NY To support the documentation of at least Philadelphia Dance Company to artistic and administratíve evaluations six important dance works on film and of professional dance companies, cho­ videotape, anda staff position to provide Philadelphia, PA $3,000 reographers, service organizations, pre­ continued access to materials in the Dance To support the second International Con­ senters, and individuals throughout the Collection. ference on Black Dance Companies. United States duñng fiscal 1990. Oakland Festival of the Arts Pittsburgh Dance Council, Inc. Jacob’s Pillow Dance Festival, Inc. $2,000 Oakland, CA Pittsburgh, PA $3,000 Lee, MA $14,000 To support the 5th Annual Bay Arca To support the third annual Presenters/ Dance Series at Laney College, offering To support the Choreographers’ Contin­ Producers Conference and the fourth an­ full production and promotion services to uum, seminars, workshops, and publica­ nual Managers Conference during the a broad cross section of professional dance tions asa part of the council’s expanding 1989 Jacob’s Pillow Dance Festival. companies from the region, services to the regional dance community.

16 DANCE

San Francisco Bay Area Dance Special Projects Kedelsky, Spider Coalition, Inc. Greensboro, NC $25,000 San Francisco, CA $11,000 To support outstanding, exemplary ideas To support a cooperative agreement with To support a wide range of technical, that will advance the dance artform, a cooperator who will act as a liaison administrative, and information services of are ofnational significance, and/or among all organizations involved in Dance to the Bay Atea dance community, and can be used as models by the whole dance on Tour. the reinstitution of an adjudicated cho- field. Included ate grants under Dance reographers’ concert series, on Tour. A partial list of these grants is included in this section. The remaining Miami Dance Futures, Inc. grants are listed under the same category Miami, FL $2,000 San Francisco Performing Arts Libraryin the Inter-Arts and States Programs. To support a world conference conceming and Museum the work of ballet choreographer George Balanchine. San Francisco, CA $3,000 15 Grants To support the establishment of a dance Program Funds: $784,959 video library and the continued develop­ The Armitage Foundation, Ltd. ment of the archives’ dance-related Cunningham Dance Foundation, Inc. New York, NY $10,000 collections. New York, NY $50,000 To support a commission of new work to To support the preservation of Merce be premiered at the 1989 Autumn Cunningham’s art through assembly and Festival in celebration of creativity. The State Dance Association of cataloguing of a "living archive," which Florida, Inc. will augment present documentation Terry, William Miami Beach, FL $12,000 efforts and assist in planning future conti-New York, NY $37,459 To support the 1989 Florida Dance Festi- nuity of his work. To support additional work for the moni­ val, as well as publications and informa- toring and evaluation of the Dance/ tion services for members of the statewideAmerican Friends of the París Opera Expansion Arts Organizational Develop- dance community, and Ballet, Inc. ment Project, including a meeting of the New York, NY $38,000 participating dance companies. To support the commissioning of new Theater Artaud work and re-creations by American artists Theater Artaud San Francisco, CA $5,000 to be presented at the fourth Biennale San Francisco, CA $10,000 To support expanded services for dance Intemationale de la Danse de Lyon in To support a dance presenting series of companies performing at Theater Artaud France in 1990. regional and national artists at Theater as well as others in the Bay Area. Artaud during the winter and spring of Ballet Theatre Foundation, Inc. 1989. New York, NY $75,000 , Inc. To support a special tour of three cities New York, NY $30,000 (St. Louis, Houston, and Minneapolis) by Twin Cities Public Television, Inc. To support the Dance Subsidy Program, St. Paul, MN $150,000 American Ballet Theatre inaugurating To support the production, acquisition, Dance Vouchers, the publication of the the company’s 50th Anniversary season, directory New York On Stage, and NYC/ and distribution of at least two hours of made-for-television American dance On Stage, a 24-hour toll-free nationwide Dance Theater Workshop, Inc. telephone information service covering works to be included in the 1990 season New York, NY $100,000 (Season VI) of "Alive From Off Center." dance events in New York. To support the dance component of the National Performance Network which Dance on Tour Yeilow Springs Institute for links independent performing artists and Contemporary Studies and the Arts smallthroughout companies the with country. presenting spaces Arts Midwest Chester Springs, PA $6,000 Minneapolis, MN $140,000 To support at least four two-week residen- Field Papers, Inc. cies for choreographers and their ensem- For artists’ fee support to presenters New York, NY $17,500 throughout Iowa, Minnesota, North Da­ bles to develop and present new work; and To support the creation of an environmen- kota, South Dakota, Wisconsin, Ohio, the second annual meeting of the Chester tal dance production featuring dance Illinois, Indiana, and Michigan for the Group, a forum for choreographers work- artists Dana Reitz, , Polly presentation of dance companies during ing outside of New York. Motley, and Laurie Booth. the 1989-90 season.

17 ! New York State Council on the Arts South Carolina Arts Commission Texas Commission on the Arts ¯ New York, NY $76,000 Columbia, SC $34,000 Austin, TX $20,000 For artists’ fee support to presenters of For artists’ fee support to presenters as To support presenters’ costs associated out-of-state dance companies and dance part of the Commission’s continuing ef- with residency and performance activities artists during the 1989-90 season, forts to develop a network of altemative during the 1990-91 presentation season. dance presenters, focused on out-of-state, non-mainstream companies touring during the I989-90 season. 137 Grants Design Arts Program Funds: $4,013,921

The Design Arts Program promotes excellence in the design of North Carolina, South Carolina and Vermont to increase their cities, towns, buildings, landscapes, graphics, interiors and local design initiatives based on Endowment grants. products. Grants support projects that create design awareness, produce new designs, develop design talent, and improve One of the highest priorities of the year supported projects which American design, will help improve the design of U.S. products. The "Designing for Product Success" exhibir and symposium brought about the introductíon of design-based curricula in the Harvard Busi­ rojects to " the design of both the public realm ness School. Design Arts grants funded other exhibitions on products were the highlights of the past industrial design that reached several million visitors to science year. Because of the nation’s increased interest in its and technology museums in California, Illinois, New York, designed environment, grant applications in FY89 North Carolina, Pennsylvania, and Texas. Another grant helped climbed 4.5% and the grant-making process was more competi- establish a Design Laboratory within Stanford’s School of tive. The ratio of applications funded fell from 21.3% to 19.7%. Business, and the Corporate Design Foundation obtained a commitment from IBM to develop design-based programs for 21 In FY89, 24 mayors attended the Mayor’s Institute for City top U.S. business schools. A grant helped inaugurate the Design, where public officials learn principles of urban design Journal ofDesign Management, the nation’s first publication on from a faculty of leading architects and planners. In the past four the subject, targeted to corporate executives and business years, 61 mayors--whose ciUes account for 25 million Ameri­ school faculty. cans--have benefited from this pragmatic approach to design A design competition was established for a memoñal in the education. In addition, a grant to the University of Minnesota nation’s capital to the Women in Military Service for America. introduced the first in a series of regional Mayor’s Institutes. Two grants supported the continuing effort to preserve the nation’s religious heritage: a video to demonstrate how preserva- The Design Program’s "Pride in Place" initiative concentrating tion can enhance the mission of religious institutions, and on small conununities encouraged Arizona, Kansas, Maine, continued efforts to preserve the adobe churches in New Mexico.

Advisory Panels Sherriil Myers Aian Balfour Architect, Theater Consultant Director, Graduate Programs in Principal, Beckley/Myers/Flad Architecture Challenge III Milwaukee, WI Georgía Institute of Technology Atlanta, GA Patricia O’Donnell Robert Giebner Landscape Architect, Planner, Laurie Beckelman Professor of Architecture, Architect, Preservationist Executive Director Preservationist Principal, LANDSCAPES New York Landmarks Conservancy College of Architecture Westport, CT New York, NY University of Arizona Tucson, AZ Barton Pheips Dana Cuff Architect, Principal Assistant Professor of Architecture and Nancye Green Barton Phelps Architects Urban Planning Environmental, Interior, and Graphic Los Angeles, CA University of Southem Califomia Designer Los Angeles, CA Principal, Donovan and Green Design Advancement/Individuals New York, NY Cynthia Davidson-Powers Editor Omer Akin Inland Architect magazine James Haden Architectural Designer, Educator Chicago, IL Design Advisor, Landscape Architect Department Head Principal, Edward D. Stone, Jr. and School of Architecture Gaii Einicky Associates Carnegie Mellon University Landscape Architect Wilmington, NC Pittsburgh, PA Seattle, WA

2O DESIGN ARTS

Marilyn Fedelchak William Stumpf Judith Getzels Urban Design, Preservation, and Conser- Industrial Designer Urban Planner vation Specialist Principal, William Stumpf & Associates Director of Research Washington, DC Minneapolis, MN American Planning Association Chicago, IL William Fleissig Arnold Wasserman Urban Design Consultant Industrial Designer Mildred Friedman Philadelphia, PA Denver, CO Editor, Designer Design Coordinator Design Advancement Organizations Raymond Huff Minneapolis, MN Architect Deborah Edge Abele Raymond Huff Architects Historic Preservation Officer Charleston, SC Harold Glover City of Phoenix Urban Planner Phoenix, AZ Vice President for Planning Michael Kaminski Environmental Designer, Partner Robert K. Swarthout, Inc. Adele Bacow , MI Kaminski Kaneko Design, Inc. Arts Administrator Los Angeles, CA Massachusetts Council on the Arts and Natalie Hala Humanities Executive Director Boston, MA William Morgan Iowa Arts Council Architect, President Des Moines, IA William Morgan Architects Ellen Beasley Jacksonville, FL Preservation Planning Consultant Galveston, TX Marc I-Iarrison Industrial Designer Phillip Morris J. Max Bond, Jr. Providence, RI Executive Editor Architect, Principal Southern Living magazine Bond Ryder James, Architects Catherine Howett , AL New York, NY Professor, School of Environmental Design Samina Quraeshi Paul Brefka University of Georgia Graphic Designer, President Industrial Designer , GA Shepard/Quraeshi Associates Latham Brefka Associates Chestnut Hill, MA Boston, MA Dennis Jones Architect, Computer Expert Nancy Skolos David Dillon Associate Professor of Architecture Graphic Design Teacher Architectural Critic VPI & State University Dallas Morning News Rhode Island School of Design Blacksburg, VA President, Skolos, Wedell and Dallas, TX Raynor, Inc. Robert Frasca Lawrence Kirkegaard Charlestown, MA Architect Acoustic Consultant Zimmer Gunsul Frasca Partnership R. Lawrence Kirkgaard Associates Anne Whiston Spirn Portland, OR Downer’s Grove, IL Landscape Architect, Faculty Department of Landscape Architecture Marilyn Fedelchak Jennifer Lawson Graduate School of Fine Arts Urban Design, Preservation and Media Consultant University of Pennsylvania Conservation Specialist Corporation for Public Broadcasting Philadelphia, PA Washington, DC Washington, DC

21 Barbara Lewis Donald Stastny Deane Richardson Industrial Designer Architect, Urban Designer Industrial Designer Stmnyvale, CA Senior Pñncipal, Stastny Architects Principal, Fitch Richardson Smith Portland, OR Worthington, OH Donlyn Lyndon Architect, Writer, Educator Les Tonkin Paul Specht Principal, Lyndon/Buchanan Associates Architect Industrial Designer Berkeley, CA Tonkin & Koch Architects President, Goldsmith, Yamasaki, Specht, Seattle, WA Inc. Randoph McAusland Chicago, IL Publisher, President Lorraine Wild Design Publications, Inc. Graphic Designer New York, NY Director, Program in Visual Donaid Stastny Communications Architect, Urban Designer Robin McCaffrey California Institute on the Arts Senior Principal, Stastny Architects Architect, Urban Planner Valencia, CA Portland, OR Needham & McCaffrey Dallas, TX Overview Ervin Zube Professor and Director Mary McLeod Catherine Brown School of Renewable Natural Resources Architect, Professor Landscape Architect University of Arizona Associate, Morrish & Fleissig Tucson, AZ New York, NY San Francisco, CA Design Arts/Visual Arts Collaborative Grover Mouton Lee Hall Artist Educator, Fashion/Interior Designer Paul Broches Assistant Professor of Architecture Vice President Architect Academy for Educational Development Mitchell/Giurgola Architects New Orleans, LA New York, NY New York, NY Louis Nelson Dolores Hayden Industrial Designer, Principal Educator, Planner, Author Louis Nelson Associates, Inc. Associate Professor, Graduate School of Visual Artist (painting) New York, NY Architecture & Urban Planning New York, NY UCLA Wendy Nicholas Los Angeles, CA Sande Percival Preservationist & Executive Director Arts Administrator Providence Preservation Society Raymond ttuff Program Manager, Art in Public Haces Providence, RI Architect Washington State Arts Commission Raymond Huff Architects Olympia, WA Jorge Rigau Charleston, SC Architect Garth Rockcasfle Arce & Rigau Architects Donlyn Lyndon San Juan, PR Architect Architect, Writer, Educator Meyer Scherer & Rockcastle, Ltd. Principal, Lyndon/Buchanan Associates Faculty, School of Architecture Mark Ryser Berkeley, CA Executive Director University of Minnesota Foundation for San Francisco’s Jean McLaughlin Minneapolis, MN Architectural Heritage Visual Arts Director San Francisco, CA North Carolina Arts Council Michael Singer Raleigh, NC Visual Artist () Andrew Seidei Wilmington, VT Educator Samina Quraeshi Professor, Architecture & Urban Planning Graphic Designer, President Alexis Smith Texas A&M University Shepard/Quraeshi Associates Visual Artist College Station, TX Chestnut Hill, MA Los Angeles, CA 22 DESIGN ARTS

Anne Whiston Spirn Blell, Dianne M. Hiebert, Kenneth J. Landscape Architect, Faculty New York, NY $15,000 Elkins Park, PA $15,000 Department of Landscape Architecture To support a collaboration among a To support preparation of a book and a Graduate School of Fine Arts photographer, a designer, a visual artist, Macintosh disk package on graphic design University of Pennsylvania anda digital illustrator in order to expandasa process. Philadelphia, PA the vocabulary of design. Hooker, Van D. Design Advancement Bourdier, Jean-Paul Alameda, NM $11,500 Berkeley, CA $10,000 To support the preparation of a book To support INDIVIDUAL PROJECTS and To support publication of selected papers documenting restoration work at St. Fran­ ORGANIZATIONAL PROJECTS that from the 1988 Intemational Symposium cis of Assisi Church in Ranchos de Taos, advance the state of the art through design for the Study of Traditional Environments.New Mexico. practice, theory, research, media, and education about design in all disciplines. DeWoody, George B. Kommers, Peter C. This includes architecture, landscape San Francisco, CA $13,500 Bozeman, MT $13,000 architecture, urban design, historic To support development of a Paciñc Rim To support the design of a heritage center preservation and planning, interior Design Symposium that will bring designto house sacred objects and artifacts of design, industrial design, graphic design, issues before business and government the northem Cheyenne Indians. and fashion design, officials. Kostof, Spiro Individual Projects Diller, Elizabeth E. Berkeley, CA $10,000 New York, NY $7,500 To support preparation of a book about 32 Grants To support an architectural exhibition urban form and urban process. Program Funds: $372,700 addressing the relationship between archi­ tecture and the human body. Kwartler, Michael Abel, Cora Beth New York, NY $10,000 Cambridge, MA $5,000 Downey, Claire A. To support a study demonstrating that To support research and writing of a Atlanta, GA $12,000 infill low-rise housing can be successfully photographic report, "Assessing Artistic To support a collaboration to produce a sited within many of New York City’s book, Four Down Here, investigating the Public Housing Authority projects. Quality of Work in the Public Realm," new American city. based on ideas generated at the Sympos­ ium on Public Art and Design at Harvard Fishman, Jonathan M. Lane, Robert N. University in March 1989. Washington, DC $15,000 New York, NY $14,100 To support an exhibition and catalogue of To support research on urban neighbor- Abercrombie, Stanley six significant sites in ’s Mogul hoods where bot!~ active manufacturing New York, NY $14,250 Gardens. and residential areas co-exist. To support the writing of a book on George Nelson (1908-1986), an eminent Ameñcan Fromm, Dorit R. Leger, Jacque~.~ne A. designer and writer. Berkeley, CA $13,500 Switzerland, FO $5,000 To support publication of a book outliningTo support a documentary film on Alberto Allen, Jealme T. a prototypical plan for housing to accom- Sartoris, one of the last pioneers of Santa Monica, CA $12,500 modate households such as single parents, modero architecture. To support preparation of a book, a working couples, or the elderly. traveling exhibit, anda video on houses McFadden, Dennis that women have designed and buílt. Hedman, Richard D. Oak Park, IL $12,000 Occidental, CA $9,500"~ To support a study of preservation efforts Baker, Eric C. To support a study of the design problems in state capitol buildings around the New York, NY $15,000 typical of suburban development, c°untry" To support research for a book on patent illustrations for industrial designs. ~’Chairman’s Action Grant Mosberg, Stewart Jersey City, NJ $15,000 Becherer, Richard J. Herbert, Daniel M. To support the establishment of a coalition Edgewood, PA $10,000 Eugene, OR $15,000 of designers, manufacturers, solid waste To support the research and writing of a To support continuation of an investigationprofessionals, and consumers to promote book on the architect Robert Mallet- into the role of study drawings asa means sound packaging design that will nct be Stevens. of inquiry in architectural design, detrimental to the environment.

23 Munly, Anne Organizational Projects Center for Critical Architecture Syracuse, NY $9,800 San Francisco, CA $7,500 To support an analysis of American city To support two e×hibitions at The Art and design from the neighborhood 64 Grants Architecture Exhibition Space. perspective. Program Funds: $2,161,207 City of Kokomo, Indiana Pacileo, Dolores M. American Institute of Architects Kokomo, IN $19,200 New York, NY $10,000 New York Chapter To support the design phase of developing To support development of special toys New York, NY $18,500 Wildcat Creek Reservoir Park into an and innovative equipment for infants and To support the 1988-89 exhibition program area offeríng the community diversified young children in hospital settings, of distinguished architectural drawings, educational and recreational opportunities.

Phelps, Barton C. Architectural League of New York City Lore, Inc. Los Angeles, CA $7,500 New York, NY $45,000 New York, NY $30,000 To support an exhibition that will evaluateTo support a design study to produce To support preparation of a history, an a stretch of the Santa Monica Freeway proposals for new and redesigned schools exhibition, and a publication on Tompkins for its potential to accommodate a variety in New York City. Square, a ten-acre public square in Man- of building types, hattan’s Lower East S ide. Architecture Laboratory, Inc. Reed, David Colorado Dance Festival, Inc. Tucson, AZ $5,000 Boulder, CO $20,000 Milwaukee, WI $12,300 To support the establishment of the TucsonTo support a feasibility study of potential To support research on the work of Chris- Community Design Forum. arts uses in the redevelopment and resto­ topher Tunnard. ration of the Mount Saint Gertrude Acad- Art Awareness, Incorporated emy and surrounding land. Spilman, Raymond Lexington, NY $11,362 Darien, CT $14,250 To support preparation of a master plan Corporate Design Foundation, Inc. To support a study of the formative years Boston, MA $50,000 of industrial design in the United States. for transforming the 1883 Lexington House Resort Complex into a model con- To support an exhibition and workshops temporary art center and artists’ retreat. that will help make businesses more aware Vanderwarker, Peter D. of the importance of industrial design. West Newton, MA $12,500 To support photographic documentation ofBay Atea Discovery Musenm Creative Time, Inc. Boston’s $4.5 billion Central Artery Sausalito, CA $50,000 New York, NY $50,000 Project. To support "Building the City," a hands- To support the redesign of the landmark on architecture and design exhibition that Battery Maritime Building to create the Westmacott, Richard N. will be part of the new museum for South Ferry Center for the Arts. Athens, GA $14,500 children being built by the Bay Area To support a study on patterns and prac­ Discovery Museum. Cultural Council Foundation tices in traditional gardens of African- New York, NY $5,000 American families in the rural South. Boston Center for the Arts, Inc. To support "Renegade City," an exhibition Boston, MA $43,000 at Storefront for Art & Architecture To support preparation of a master plan focusing on the design of cities and ex- York, Cassie J. ploring new urban forms. New York, NY $11,000 for the renovation and expansion of the To support a study of innovative Japanese center’s six architecturally diverse historic design solutions for adequate housing in buildings in Boston’s South End. Cultural Council Foundation New York, NY $5,000 densely populated cities. To support an exhibition at Storefront for California Institute of the Arts Art & Architecture on the work oí Imre Zube, Ervin H. Valencia, CA $50,000 Makovecz and Hungarian architecture. Tucson, AZ $7,500 To support a one-month workshop during To support preparation of a book of which designers, artists, and critics will Cultural Foundation selected writings about the aesthetic qual- produce individual works using such new Woodland Hills, CA $60,000 ities of designed and natural landscapes technologies as desktop publishing and To support an international design compe­ with a presentation of related statutory computer/video formats at the CalArts tition for ah arts park to serve the 1.7 and case law. facilities, million people of the San Fernando Valley. 24 DESIGN ARTS

Dallas Institute of Humanities & KQED, Inc. Municipal Art Society Culture San Francisco, CA $50,000 New York, NY $50,000 Dallas, TX $50,000 To support preparation of "Art Wear," a To support "Not in My Backyard," an To support Phase II of "Re-visioning one-hour public television documentary exhibit on solid waste management and Dallas," long-range urban planning for that will explore the 20-year history and the need for design solutions. the city. current vitality of the art-to-wear movement. Museum of Fine Arts, Boston E. Monte Motion, Inc. Boston, MA $50,000 New York, NY $29,765 King County, Cultural Resources To support the exhibition "Tradition and To support a commission for an original Division Innovation: The Second Generation of set design by the architectural firm of TodSeattle, WA $30,000 American Studio Fumituremakers" and Williams/Billie Tsien & Associates for a To support a design charette to redefine its accompanying catalogue and educa- ballet choreographed by Elisa Monte. City Hall Park. tional programs. Environmental Images, Inc. Landscape Architecture Foundation Nebraskans for Public Television, Ine. Washington, DC $30,000 Washington, DC $35,000 Lincoln, NE $48,200 To support production of a video tape on To support preparation of a book on post To support a television documentary on the design of housing for homeless people.World War II landscape design in the the preservation and restoration of historic United States. farm buildings and the importance of the Fund for Philadelphia, Inc. farmstead in the cultural heritage of rural Philadelphia, PA $50,000 Louisiana Tech University life. To support a pilot project to promote urban Ruston, LA $9,500 design in a neighborhood targeted for To support a project to develop quality National Trust for Historic revitalization, designs that meet the needs and aspira­ tions of the urban and rural poor popula- Preservation in the United States tions in the American South. Washington, DC $26,000 Hawaii Theatre Center To support a public education program to Honolulu, HI $50,000 interpret the public-private partnership To support the schematic design for an Lumen, Inc. realized through the federal tax credits for arts pavilion and an expanded stagehouse New York, NY $8,000 To support production expenses and rehabilitating historic buildings. contiguous to the Hawaii Theatre in architects’ and writers’ lees for the con- downtown Honolulu. tinuing publication of Sites magazine, andNew Mexico Community Foundation for a yearly monograph. Santa Fe, NM $48,900 Henry E. Huntington Library & Art To support the current phase of a project Gallery Massachusetts Institute of Technology aimed at preserving the adobe churches of San Marino, CA $14,100 Cambridge, MA $39,900 New Mexico. To support an exhibition on the work of To support documentation of the effort Wallace Neff (1892-1965), an American now underway to restructure Boston’s New York Foundation for the Arts, Inc. architect who helped develop the regional aging Route 128, America’s first circum- New York, NY $50,000 Califomia style, ferential highway. To support "Watch The Closing Doors," a 28-minute documentary film on the devel- Historic Windsor, Inc. Middlesex-Somerset-Mercer Regional opment and building of the IRT, New Windsor, VT $12,500 Study Council York City’s first successful subway line. To support development of a model for Princeton, NJ $50,000 on-site training in preservation building To support a project that will establish New York Foundation for the Arts, Inc. skills, design standards and guidelines for redev-New York, NY $40,000 eloping the suburban sprawl along Route To support a film on the work of film Illinois Institute of Te¢hnology 1 in ceílt~ Néw Jersey into clustered, production designer Alexandre Trauner. Chicago, IL $50,000 mixed use centers. To support a symposium and text, pro- New York Foundation for the Arts, Inc. duced with Northwestem U., exploring Municipal Art Society New York, NY $25,000 how social and economic forces affect New York, NY $25,000 To support completion of "The Rebuilding and are affected by graphic and product To support an exhibition and publication of Mascot Flats," a one-hour documentary design; and to bring the TRIAD exhibit ofof a catalog exploring the public works film that explores cfitical issues of urban intemational design to the Midwest. projects of Robert Moses from 1920-1941. housing and design. 25 New York Landmarks Conservancy, Society of Environmental Graphic University of Oregon Inc. Designers Education Foundation, Inc. Eugene, OR $30,000 New York, NY $25,000 Carnbridge, MA $33,500 To support an exhibition and publication To support preparation of a videotape that To support development, testing, and on the work of Ellis E Lawrence, architect will reach out to a broad cross section of documentation of a model program in and educator. religious institutions on behalf of strongerenvironmental graphic design for inclusion in the curricula of design schools. University of Wisconsin-Milwaukee preservation efforts, Milwaukee, WI $45,263 To support development of a guidebook North Carolina Arts Couneil Sonthwest Museum of Seienee and for the planning and design of environ- Raleigh, NC $50,000 Tedmology ments for people with Alzheimer’s To support the Community Design Pro- Dallas, TX $50,000 Disease. grato which provides practical informationTo support the exhibition "The New on how design excellence can improve Frontier: Humanizing Technology," whichUniversity of Wisconsin-Milwaukee livability, will showcase winning pieces from In- Milwaukee, WI $29,417 dustrial Design magazine’s annual designTo support research and writing of a book, review. Polish Wooden Synagogues : An Architec­ Paeific Northwest Arts and Crafts tural and Historical Study of Wooden Asso¢iation Spoleto Festival U.S.A. Synagogues and Their Cultural Context, Bellevue, WA $10,400 Charleston, SC $40,000 1600-1900. To support Designing for the Future, an To support plans to augment the visual education program for students in grades University of Minnesota-Twin Cities design for the world premiere of Laurie St. Paul, MN $50,000 5 through 12 in connection with the FrankAnderson’s "The Electronic Theater." To support establishment of a regional Lloyd Wright touring exhibition, version of the Mayor’s Institute on City Stanford Alumni Association Design. Project Playing and Learning in Stanford, CA $42,000 Adaptable Environments, Inc. To support the preparation of a white WGBH Educational Foundation Berkeley, CA $40,000 paper on the ideas and proposals that Boston, MA $16,500 To support "The Playful City," a project emerged from the Stanford Design Fomm To support the development of a produc- Symposium. tion plan, edited script, and distribution that will develop guidelines on how urban method for a study tape by Paul Rand, communities can better support the needs graphic designer, author, and teacher. of children and their families. Theatre Communications Group, Inc. New York, NY $8,700 Walker Art Center, Inc. Regents of the Uulversity of Michigan To support the production, marketing, and Minneapolis, MN $49,000 distribution of a book on the eight-year To support the design of a three-and-one­ Ann Arbor, MI $35,000 half-acre addition to the Minneapolis To support ah educational program to design process preceding construction of the new three-stage facility of the Mil- Sculpture Garden. train a national network of elementary waukee Repertory Theater. school teachers how to help children see Waterford Foundation, Inc. the importance and make-up of the cities Watefford, VA $15,000 in which they live. University Cultural Center Association To support the preparation of design Detroit, MI $50,000 guidelines for the 1,420 acre Historic To support phase two of a master plan for Landmark District of Waterford, Virginia. Restore Detroit’s 43-acre cultural district. New York, NY $40,000 Whitney Museum of American Art To support a series of in-depth workshops University of the Arts New York, NY $40,000 on state-of-the-art architectural restoration Philadelphia, PA $25,000 To support an historical retrospective of technology for architects, engineers, To support publication of a guide for the visionary artist, architect, designer, contractors, and craftsmen, improving education in industrial design,and theoretician, Frederick Kiesler. Women in Military Service American Rochester Institute of Technology University of the Arts Memorial Foundation, Inc. Rochester, NY $20,000 Philadelphia, PA $25,000 Washington, DC $50,000 To support continued work on an archive To support an exhibition, publication, andTo support a national competition to of the history of graphíc design on conference on the industrial design of design the Women in Military Service for videodisc, the firm "frogdesign." America memorial.

26 DESIGN ARTS

Design Arts/Visual Arts Design Fellowships Posner, Ellen S. Collaborative New York, NY $20,000 Includes three categories: DISTIN- To support extensive travel within the GUISHED DESIGNER FELLOWSHIPS United States in order to increase first- 6 Grants which provide timefor accomplished hand knowledge of the American built Program Funds: $100,000 professional designers to explore areas of environment. interest or new approaches to design; Albright College USA FELLOWSHIPS which support Simo, Melanie L. Reading, PA $25,000 design-related activitiesfor independent San Francisco, CA $19,700 To support implementation of a collabora- travel and study within the United States; To support work on a book, New Land- tive project involving artist Mary Miss and ORGANIZATIONS AWARDING scapes, which will examine the work and and architect Adele Santos. (Jointly fundedFELLOWSHIPS to assist organizations thought of major American landscape with the Visual Arts Program fora total which provide designfellowships, architects in the 20th century. of $50,000.) Distinguished Designer Fellowships SIoan, Julie L. Berkeley, City of Brewster, NY $14,100 Berkeley, CA $15,000 2 Grants Program Funds: $40,000 To support travel, research, and photogra- To support the planning phase of a collab- phy for a book about the leaded glass orative project involving artist Agnes Bass, Saul windows in thirteen buildings by Frank Denes and the landscape architect Richard Lloyd Wñght. Haag. (Jointly funded with the Visual Arts Los Angeles, CA $20,000 Program for a total of $30,000.) Fitch, James Marston Southworth, Michael New York, NY $20,000 Berkeley, CA $20,000 Día Art Foundation To support a project that educates the New York, NY $15,000 USA Fellowships public about the ecology, culture, and To support a commission for artist Dan history of landscapes. Graham to create a rooftop urban park 8 Grants and performance space in Manhattan. Program Funds: $153,800 Organizations Awarding Fellowships (Jointly funded with the Visual Arts Program for a total of $35,000.) Antupit, Samuel N. Pound Ridge, NY $20,000 5 Grants Fitchburg Art Museum To support design and pfinting of four Program Funds: $140,000 Fitchburg, MA $5,000 books of selected native Amefican stoñes To support the planning phase of a collab- and fables illustrated by native American American Academy in orative project involving a visual artist artists. New York, NY $50,000 and landscape architect. (Jointly funded To support fellowships to outstanding with the Visual Arts Program for a total Hofer, Evelyn design professionals. of $10,000.) New York, NY $20,000 To support photographic documentation ofArtist Trust: A Resource for New Performing Arts Center the disappearing American rural Washington St. Louis, MO $20,000 landscape. Seattle, WA $15,500 To support the planning phase of a collab- Krogius, Henrik A.E. To support design fellowships. orative project which will create an urban Brooldyn, NY $20,000 lighting concept for St. Louis’ new arts To support travel and study fora book on Northwest Institute for Architecture district. (Jointly funded with the Visual urban highway designas ir has evolved and Urban Studies in Italy Arts Program fora total of $42,000.) andas it could be. Seattle, WA $21,000 To support the Rome Fellowship Program Tucson/Pima Arts Council Langdon, Philip A. of the Northwest Institute for Architecture Tucson, AZ $20,000 New Haven, CT $20,000 and Urban Studies. To support the planning phase of a collab- To travel and gather material fora book orative project for the design of ah outdoor analyzing the failings of conventional President & Fellows of Harvard College performance space and a new entrance and marshaling arguments as to Cambridge, MA $30,000 for the Carnegie Cultural Center. (Jointly why and how Ameñcans should build To support stipends for up to five individ­ funded with the Visual Arts Program forasuburbs that ate active, efficient, and uals for academic year 1989-90 Loeb total of $48,000.) accessible. Fellowships, and related costs.

27 Skidmore Owings and Merrill Design Initiatives National Theme: Design of Cities Foundation Chicago, IL $23,500 To conduct leadership activities in ateos Connecticut Public Broadcasting, Inc. To support a fellowship sponsored by the ofspecial concern: Federal/State/Local Hartford, CT $22,000 Chicago Institute for Architecture and Design, National Theme: Design of To provide underwriting support for the Urbanista that focuses on problems of Cities, and Professional Development. broadcast of "Survival of a Small City" architectural design broadly conceived through the Public Broadcasting Service. within the arts and humanities. 15 Grants Program Funds: $923,724 Design Management Institute Design Grants to State Arts Boston, MA $42,000 Federal/State/Local Design To undertake the fourth phase of the Agencies and Regional Design Arts Program’s Industrial Design Organizations ~ . Initiative. The Amerlcan Arch~tectural. To encourage state and regional arts Foundation, Inc. Dilnot, Clive S. agencies to develop design artsprograms. Washington, DC $25,000 Cambridge, MA $15,000 To support preparation of booklets offering To support research and writing of publi­ 5 Grants local govemments up-to-date information cations that will provide a theoretical basis Program Funds: $122,490 on urban design roles and design for understanding and evaluating design, charrettes. Arizona Commission on the Arts Dime Savings Charitable Foundation New York, NY $50,000 Phoenix, AZ $12,590 Conservation Foundation Washington, DC $31,000 To support Places, a professional joumal To support publication of 2,500 copies of concerned with the ways in which build­ Phoenix’s master plan for public art. To amend grant #88-4251-0143 to support "Successful Communities," a sub-grantingings, landscapes, traditions, regulations, and patterns of use affect our daily lives. Kansas Arts Commission technical assistance program designed to Topeka, KS $30,000 help communities protect the natural andETV Endowment of South Carolina To support a design program which historic qualities that lend them distinc- Columbia, SC $15,000 provides for a design arts administrator, a tiveness and character. To develop a television series based on design arts consultant service, a statewide Ralph Caplan’s book By Design: or Why Design Arts Symposium, anda grants Thomas B. Grooms/Federal Design There Are No Locks on the Bathroom program to assist arts organizations and Improvement Program Doors of the Hotel Louis XIV and Other community agencies. Washington, DC $148,996 Object Lessons. To ccordinate a variety of projects aimed at improved design by and for the Federal Southwest Museum of Science and Maine Arts Commission Govemment. Technology Augusta, ME $39,900 Dallas, TX $23,000 To support a joint project with the Uníver- Interagency Agreement with U.S. To support the planning, organization, sity of Southem Maine to provide assist- and touring of "The New Frontier: Hu­ ance to state agencies and land-use policy Department of State for Federal Construction Council manizing Technology, the First National makers who help small Maine towns Design Exhibition." resolve design issues. Washington, DC $20,000 To support an important part of the Federal Tulane University South Carolina Arts Commission Designdemonstrate Improvement the role Program design which plays will in New Orleans, LA $50,000 To support activities designed to improve Columbia, SC $12,000 federal objectives by planning an exhibi- To support a planning process for a design tion on federal design. the understanding of design among its arts program in South Carolina. patrons: the mayors, managers, and non- design professions whose decisions influ- National Building Museum ence the quality of the public realm. Vermont Council on the Arts Washington, DC $50,000 Montpelier, VT $28,000 To improve the Federal Realm by reacti- University of Minnesota To support the first phase of a statewide vating the Federal Design Improvement St. Paul, MN $50,000 design arts program aimed at building Program which will build upon the Presi-To support demonstration projects that design awareness and supporting quality dential Design Awards and recent analysiswill explore new design principles behind design initiatives, of the state of Federal design. American landscape meaning and forms.

28 DESIGN ARTS

Professional Development Partners for Livable Places Washington, DC $289,978 Environmental Images, Inc. For acooperative agreement to continue Washington, DC $91,750 the operation and enhancement of the To amend cooperative agreement DCA Livability Cleañnghouse, a computerized 87-37 with Envíronmental Images, Inc. tolibrary documenting thousands of design provide for up to ten professional advisors projects conducted throughout America, located in different regions of the countryincluding all those supported by the to carry out various on-site visits at the Design Arts Program, which provides request of the Design Arts Program. abstracts and reports to the public.

29 351 Grants Program Funds: $6,389,370 Expansion Arts Treasury Funds: $12,000

The Expansion Arts Program supports professionally directed with such forms as conjunto music, flamenco and folkloric dance, arts organizations ofhigh artistic quality that are deeply rooted dance and music based on a variety of African and Asian in and reflective of culturally diverse, inner-city, rural, or tribal traditional forms and zarzuella . The Services category communities, supports organizations that offer technical and promotional assistance, equipment loans and management services for small o an extent, the Expansion Arts Organizations categoryarts groups and individual artists. In FY89, continued support offers a reasonable sample of demographic changes in for technical assistance went to the Maine Arts Sponsors TAmerica. There is also a palpable change in American Association, which focuses upon a constituency in isolated, rural culture itself as forros of creative expression, traditionalareas. It acts asa vital network for 150 artists and arts organiza­ and new, which heretofore were esoteric are now becomíng tions scattered throughout the state. commonplace. There are trends in Asian-Amerícan and Native American art linking ancient classical traditions with new Expansion Arts pilot projects and initiatives are funded in the expressions that significantly enlarge the American arts vocabu-Special Projects category. They include the Community Founda­ tion Initiative, which develops endowments in community lary. Art produced in Latin-American, Asian-American, African-foundations for emerging arts organizations and artists who American, Native American, inner-city and rural communitiesotherwise would have scant access to local donors. The Rural enñches not only the community in which it is created, but alsoArts Initiative awarded six State Arts Agencies funds for our national aesthetic, regranting to rural arts organizations within their areas. This initiative is particularly important, for rural America is a vital Exemplary of multidisciplinary Expansion Arts funding is but often neglected part of our national culture, home to diverse Houston’s Asian-American Festival Association which, in cultural expressions that ate uniquely American. Among the addition to offering a full range of arts activities, administrativelybeneficiaries of this initiative are a rural arts gallery in Louisiana, houses several dance companies including the Korean Folk Native American museums in the upper midwest, the Amana Dance Company and Nusantara Indonesian Dance Group. Therecolonies in Iowa anda Gullah cultural center on St. Helena Island has also been ah increase in activity in the Southwest dealing off South Carolina.

Advisory Panels Ron Himes Community Foundation Initiative Producer St. Louis Black-Repertory Theater Chailenge III St. Louis, MO Judith Baca Director Linda Kerr-Nodlett Social & Public Arts Resources Center Thomas Cullen Chair, Drama Department , CA Playwright North Carolina Central University Executive Director Durham, NC Douglas Jansson Fulton County Arts Council John Moore Executive Director Atlanta, GA Associate Director Rhode Island Foundation Washington Project for the Arts Providence, RI Max Ferra Washington, DC Producer, Director, Artistic Director, Robert Lynch Founder Mario Sanchez Executive Director INTAR Producing Artistic Director National Assembly of Local Arts Agencies New York, NY Teatro Avante Washington, DC Miami, FL Eric Hayashi Ruben Sierra Rebecca Riley Executive Director Artistic Director Director, Special Grants Program Asian-American Theater Company The Group Theater Company MacArthur Foundation San Francisco, CA Seattle, WA Chicago, IL 30 EXPANSION ARTS

Jack Shakely Joseph Brumskill Rodrigo Clark Executive Director Executive Director Playwright California Community Foundation Christina Cultural Arts Center El Teatro de la Esperanza Los Angeles, CA Wilmington, DE San Francisco, CA Dance/Music Jean Carlo Dudley Cocke Executive Director Managing Director H. Chen Institute of Alaska Native Arts Roadside Theater Artistic Director Fairbanks, AK Whitesburg, KY Chen & Dancers New York, NY Veronica Enrique Murry DePillars Arts Adrninístrator, Consultant Dean, School of the Arts Yuan-Yuan Lee San Diego, CA Virginia Commonwealth University Executive Director Richmond, VA Chinese Music Society El Zarco Guerrero Woodbridge, IL Musician, Sculptor, Muralist Shahida Mausi Founder of Zum Zum Zum Executive Director Mariano Parra Mesa, AZ Detroit Council on the Arts Dance consultant Detroit, MI Miami, FL Harry Harrison Director, Visual Arts Marjorie Moon William Reeder South Carolina Arts Commission Director Executive Director Columbia, SC Theater Newark School of the Arts Brooklyn, NY Newark, NJ Robert Lee Founding Director Lolita San Miguel Terezita Romo Asian American Art Institute Artistic Director Program Manager New York, NY Ballet Concierto de Puerto Rico Califomia Arts Council Santurce, PR Sacramento, CA Jo Long Juan Tejeda Coordinator William Terry Xicano Music Program Director Carver Community Cultural Center Arts Consultant, Musician Guadalupe Arts Center San Antonio, TX New York, NY San Antonio, TX Sandi Stovall Patrice Walker-Powell William Terry Director, Management Services Management/Media Consultant Arts Consultant, Musician Arts Council of Richmond, VA Austin, TX Richmond, VA New York, NY Performing Arts--Theater Deborah Vaughan Overview Artistic Director Thomas Cullen Dimensions Dance Theater William Aguado Playwright, Executive Director Oakland, CA Executive Director Fulton County Arts Council Bronx Council on the Arts Atlanta, GA Multidisciplinary Bronx, NY Max Ferra Abena Brown Jean Carlo Producer/Director/Artistic Director, Producer Executive Director Founder ETA Creative Arts Foundation Institute of Alaska Native Arts INTAR Chicago, IL Fairbanks, AK New York, NY 31 Eric Hayashi Services to the Field Aaronetta Pierce Executive Director Art Collector, Patron Asian American Theater Company Wiiliam Aguado San Antonio, TX San Francisco, CA Executive Director Brortx Council on the Arts Ed Spriggs Ron Himes Bronx, NY Visual Arts Director Producer Fulton County Arts Commission St. Louis Black Repertory Theater Anne Edmunds Atlanta, GA St. Louis, MO President A. L. Edmunds Associates, Management Shawn Wong and Consulting Services Thomas Johnson Fiction Author, President of the Before Philadelphia, PA Columbus Foundation Producing Director Faculty Member, University of Old Creamery Theatre Company Maryo Ewell Washington Garñson, IA Director, Community Programs Seattle, WA Colorado Council on the Arts & Linda Kerr-Norllett Humanities Chair, Drama Department Denver, CO Expansion Arts Organizations North Carolina Central University To assist professionally directed arts Durham, NC Ruby Lerner organizations of high artistic quality that Arts Consultant are deeply rooted in and reflective of Mario San¢hez Atlanta, GA the culture of.a minority, inner city, rural, Producing Artistic Director or tribal community. These organizations C~eryl Yuen provide programs in the performing Teatro Avante Consultant!Manager Miami, FL arts, visual arts, media, design, literary Chicago, IL arts and interdisciplinary arts activities. Ruben Sierra Visuai/MediaJDesign/Literary (VMDL) 301 Grants Artistic Director Program Funds: $4,759,400 The Group Theater Company Kenneth Banks Treasury Funds: $12,000 Seattle, WA Painter, Curator, Consultant San Francisco, CA Rural Arts Initiative Multídisciplinary Arts Organizations Tony Bechara Painter Afrikan Poetry Theatre, Inc. John Batiste New York, NY Jamaica, NY $7,800 Executive Director To support a poetry reading program Texas Commission on the Arts Bing Davis paying homage to great black writers and Austin, TX Artist (ceramics) a summer music concert. Faculty, Central State Uníversity Dayton, OH Maryo Ewell Afro-American Cultural Center, Inc. Director, Community Programs Jennifer Lawson Charlotte, NC $10,000 Colorado Council on the Arts & Associate Director To support administrative costs and the Humanities Drama and Arts Programs, CPB visual arts program, which includes Denver, CO Washington, DC exhibitions, lectures, and workshops by nationally prominent, regional, and emerging artists. Ruby Lerner Trini Lopez Arts Consultant Deputy Director Atlanta, GA New Mexico Arts Division Afro-American Cultural Society of the Albuquerque, NM Golden Triangle, Inc. Starkville, MS $5,000 Susan Talbot Linda Lucero To support the documentation and presen- Chair Executive Director tation of art forms indigenous to northem Montana Arts Council La Raza Graphics Center Mississippi including, but not limited Missoula, MT San Francisco, CA to, the visual arts and music. 32 EXPANSION ARTS

Afro-American Historical and CulturalArtists Collective, Inc. Blackbelt Arts & Cultural Center Museum, Inc. Hartford, CT $33,400 Selma, AL $5,000 Philadelphia, PA $18,000 To support a comprehensive trainíng and To support the partial salaries of the To support the monthly "Blues Live" instruction program in music, dance, director, secretary/bookkeeper, and musi­ series, the Larry Neal Cultural Series, ah drama, and visual arts with gucst mastcr cal/drama director, including related annual dramatic reading and discussion artists, costs for this rural arts producing and event focusing on black writers and the presenting organization. prcsentation of national contcmporary Artists of Indian America Afro-American visual artists. Albuquerque, NM $15,000 Boys Harbor, Inc. To support a professionally directed New York, NY $8,500 Alternative Center for Internationai multidisciplinary arts program for vaxiousTo support artistic and operating costs for Ar{s, Inc. Indian communities throughout the the Harbor Pefforming Arts Center, which New York, NY $30,000 Southwest with workshops in their tradi- provides professional instruction to stu- To support year-round visual and musical tional dance, music, song, storytdling, dents of East Harlem and the city at large programs that present talented emerging and related activities, in voice, instrumental music, drama, and mid-career Afro-American, Asian, and dance. Hispanic and native Amcrican artists. Arts Council, Inc. Winston-Salem, NC $12,500 Carter G. Woodson Foundation, Inc. Amigos del Museo del To support training in the visual and Newark, NJ $20,000 New York, NY $26,500 performing arts for artistically talented _ To support the salary of the producing To support administrative and artistic students, and to present new and emergingdirector, marketing and administrative costs; an exhibition program; a concert arts organizations and artists, expenses, and artists’ fees. señes; a film and video festival; workshops on traditíonal folldores; performances Asian American Arts Centre, lnc. Centro Cultural de la Raza, featuring emerging, mid-career, and mas- New York, NY $31,500 Incorporated ter Latino and Caribb~an artists. To support implementation of a public San Diego, CA $28,000 exlucation program, exhibitions, pefform-To support a sedes of films, lcctures, Ah Claidheamh Soluis Inc. ances, and relatcd activities, pefforming arts prcsentations, a multidis- New York, NY $18,000 ciplinary event, and related administrative To support the season of four full produc- Association of Conununity-Based costs. tions of Irish and Irish-American plays, Artists of Westchester, Inc. four issues of Ah Gael magazine, a Mt. Vemon, NY $5,000 Chinese Culture Institute performance and workshop program in To support ah exhibition program, a jazz Boston, MA $8,500 dance and music, a traditional Idsh musicconcert sedes, a film program, and related To support a visual arts exhibition program festival, and an exhibition program, costs, and other programs for the Chincse community in Boston. Appalshop, Inc. Bay Front Nato, Inc. Whitcsburg, KY $50,000 Erie, PA $17,500 Chinese for Affirmative Action To support the devclopment, promotion, To support gallery exhibits; professional San Francisco, CA $13,500 and presentation of indigenous and tradi-training in the visual arts; graded levcls ofTo support a series of concerts, perform­ tional Appalachian culture through the instruction in dance, including classical ances, lectures, and exhibitions featudng Appalshop Ccnter Program. and contemporary ballet, modero, and Asian-Ameñcan artists at the Keamey jazz; and for touring by the professional Street Workshop. Arab Conununity Center for Economicballet company. & Social Services Chinese-Ameri¢an Arts Council, Inc. Dearbom, MI $6,500 Bedford Stuyvesant Restoration New York, NY $12,500 To support Casa de Inidad’s publication Corporation To support the production and/or presen­ of Mexican Folkart of Southwest Detroit, Brooklyn, NY $36,000 tation of vadous Chinese cultural events which documents the arts of traditional To support artistic and administrative including dance, traditional and modero Mcxican feasts, partial salaries of a costs for visual arts cxhibits, visual arts theater, music, multi-visual exhibitions, program director and community rclationsand writers workshops, and related and serviccs provided to emcrging artists specialist, and rclated costs, activities, of the community. 33 Christina Community Center of Old East Bay Center for the Performing Guadalupe Cultural Arts Center Swedes, Inc. Arts San Antonio, TX $21,500 Wilmington, DE $20,000 Richmond, CA $13,500 To support administrative costs induding To support the training of aspiring studentTo support the partial salaries of the staff salaries, and marketing for develop- musicians, an ongoing black history production assistant anda public relationsment and promotion of Mexican Amedcan program involving exhibitions, perform- coordinator, including related costs, cultural arts. antes, and workshops featuring national and intemational artísts. El Centro de Arte, Ine. Washington, DC $7,500 Harlem Sc~ool of the Arts, Inc. City of San Antonio, Texas To support the "Pena," or Cafe Concert/ New York, NY $50,000 San Antonio, TX $22,300 Exhibit Program, which showcases tradi- To support advanced and master classes in To support the hiring of a marketing tional Latin American music, arts, and , vocal training, drama, director and on administrative assistant " crafts from Guatemala, Puerto Rico, Col- dance, and the visual arts directed toward for the Carver Community Cultural Cen- ombia, Ecuador, El Salvador, and Bolivia. professional career development for stu­ ter, a multidisciplinary arts presenter, dents throughout the city. Ellington Fund Coloured Performing Arts Institute, Washington, DC $27,000 Hatch-Billops Collection, Inc. Inc. To support a multidisciplinary series of New York, NY $10,500 Meddian, MS $5,000 master classes, workshops, artist residen- To support the Artists and Influence To support the salary of the administrativecies, performances, and exhibitions for Series, which promotes and documents director, the Washington, D.C. community, the artistic careers of prominent contem­ porary visual, performing, and literary Committee for African-American Ethnic Folk Arts Center, Inc. artists in the expansion arts field. History Month Observances New York, NY $30,000 To support the 15th annual Ethnic Georgetown, SC $8,000 To support the salary of the executive Music and Dance Festival anda series of ethnic music concerts. New York, NY $39,000 director to oversee planning and develop- To support the performing arts training ment of programs, the salary of a part- time secretary, and rdated costs. Festival Chicano, Inc. and instruction program in music, dance, Houston, TX $5,000 traditional Chinese-Ameñcan art forros, Commonwealth Councii for Arts & To support a diverse performance and and theater arts, including related costs. Culture training program in the visual and per- Saipan, CM $7,000 forming arts. Hostos Community College Advisory To support the promotion and presentation Friends of Mission Cultural Center Council, Inc. oftraditional and contemporary expressionSan Francisco, CA $20,000 Bronx, NY $6,500 of the art forros indigenous to the NorthemTo support staff salaries in the implemen- To support the Culture and Arts Prograrn, Mariana Islands. tation of on economic development plan. which provídes ongoing programming such as music and dance concerts; visual Cultural Council Foundation Friends of Puerto Rico, Inc. arts exhibitions, a film series; anda series New York, NY $10,000 New York, NY $35,500 of literary, drama, dance, and traditional To support arts programming including To support the special events program of crafts workshops. workshops and presentations for commu- the Museum of Contemporary Hispanic nities in the Lower East Side of Art. Houston Asian American Festival Manhattan. Association Friends of the Arts Houston, TX $7,500 Dixwell Children’s Creative Art San Francisco, CA $15,000 Center, Inc. To support the multidiscipline programs To support fees for the project, gallery, of Asian Arts-Houston. New Haven, CT $22,000 and theater coordinators; and expenses of To support the music satellite program, the Sargent Johnson Gallery and the Buriel includíng related administrative costs. Clay Theater. Inner City Cultural Center Los Angeles, CA $50,000 Dunham Fund for Research and Grant Avenue Community Center To support arts programming including Development of Cultural Arts Plainfield, NJ $5,000 training in the performing and visual arts East St. Louis, IL $73,000 To support the development of a new for inner-city youth, master classes for To support the activities and operation of theater production for Kean-Brown Centre artists, and development and production the cultural center. Stage. of theatñcal works. 34 EXPANSION ARTS

Inquilinos Boricuas en Accion Jubilee Community Arts, Inc. Latin.American Workshop, Inc. Boston, MA $5,000 Knoxville, "IN $23,000 New York, NY $15,000 To support cultural programming at the To support administrative costs and the To support multicultural programming in Jorge Hernandez Cultural Center and presentation and documentation of indige-the visual and performing arts that in- strengthening the development of emerg- nous southem Appalachian art forms dudes concerts, plays, poetry readings, ing Hispanic performance ensembles, through concerts, readings, anda dance performances, exhibitions, and newsletter, a video program documenting the organi- Institute for Nonprofit Management zation’s activities. Washington, DC $140,000 Junior Black Academy of Arts & For a cooperative agreement to enable Letters, Inc. Fine Arts qualified experts to perform artistic and Dallas, TX $20,000 New York, NY $5,000 administrative evaluations of approxi- To support the administrative costs for To support the salades of the administra­ mately 300 applicants for fiscal 1991, full-time staff positions and related tire director and the administrative assist- including Advancement applications, activities, ant of the Bala Music and Dance Limited technical assistance may also be Kalihi Palma Culture & Arts Society, Association, a traditional East Indian provided. Inc. program that offers instruction, perform- Honolulu, HI $10,000 ances, and demonstrations of North and Institute for Nonprofit Management To support a professional visual and South Indian music and dance. Washington, DC $25,000 performing arts training program in the To amend a previous cooperative agree- traditional arts representative of the Manchester Craftsmen’s Guild ment for applicant evaluations for Fiscal vadous cultures indigenous to Hawaii, Pittsburgh, PA $50,000 1990. and productions and presentations of localTo support a program of ceramic, photog­ artists, raphy, and jazz music training for inner- Interstate Firehouse Cultural Center city youth and axtists through instruction, Portland, OR $5,000 Koncepts Cultural Gallery in-house apprenticeships, and exhibitions. To support the marketing and promotion Oakland, CA $5,000 of programs offered by the center includ- To support the partial salary of a program . Mary McLeod Bethune Museum ing the Cross-Cultural Theatre, Student coordinator and an administrative assist- Archives Production Company, Northwest Theatre ant, and related administrative expenses. Washington, DC $7,500 of the Deaf Residency, the IFCC Gallery, To support the Concert and Lecture and related expenses. La Casa De La Raza Series,which provides an altemative per- Santa Barbara, CA $5,000 formance space for women and minority Jamaica Center for the Performing and To support administrative and artistic artists, and promotes the presentation Visual Arts, Inc. costs associated with the promotion and of issues relevant to Afro-American his- Jamaica, NY $32,500 presentation of local Latino and minority tory and culture. To support a cooperative for professional artists. black artists; a commtmity gallery; work- Metropolitan School for the Arts, Inc. shops for visual and pefforming artists; La Pena Cultural Center, lnc. Syracuse, NY $20,000 and public performances in music, theater,Berkeley, CA $16,000 To support the financial aid program and and dance, To support the salary of the artistic director and the season of professional administrative costs. Japanese American Cultural and performances. Milwaukee Inner City Arts Council, Community Center La Raza Bookstore Inc. Los Angeles, CA $33,500 Sacramento, CA $18,500 Milwaukee, WI $10,000 To support the presentation of traditional To support the "Canto" series featufing To support instructors’ salaries, master and contemporary Japanese pefforming Mexican, Latin, Chicano, and native artists’ residencies, and related costs for a and visual artists. American artists, and cultural events program that includes individual and commemorating "Dia De Los Muertos" group instruction for gifted youths and Art & Media Workshop (Day of the Dead). adults in the performing and visual arts. San Francisco, CA $32,000 To support artistic and administrative Langston Hughes Center for the Arts Mind-Builders Creative Arts Company, s, including professionally led trainingProvid~nce, RI $7,500 Inc. shops in the visual, literary, and To support a year-long series of profes- Bronx, NY $5,000 ~khic arts; and exhibitions and presen- sional performances focusing on the To support artistic and administrativo tations featuring new and emerging Asiandiverse cultural and artistic contributions salaries and related costs for the touring artists, of Afro-Americans. company, Positive Youth.

35 New School for the Arts Society of Folk Arts and Culture, Inc. Urban Gateways Montclair, NJ $30,000 Eutaw, AL $5,000 Chicago, IL $46,000 To support a professional training center To support the salaries of an outreach To support a formal training program for for the performing arts that provides coordinator anda clerical assistant, and professional minority artists, perform- scholarships, offers career development other administrative expenses associated ances, workshops, and related costs. with the implementation of programs that workshops, and related activitíes, preserve and document the cultural tradi­ tions of West Alabama. Visual Arts Research and Resource Newark Community School of the Arts Center Relating to the , Inc. Newark, NJ $33,000 Southeast Community Cultural Center,New York, NY $50,000 To support the Gifted Student Prograrn Inc. To support a visual artísts exhibition and the Professional Division. Atlanta, GA $7,500 program, a variety of performing events, To support a multifaceted arts training ah international film festival, a quarterly and presentation program accessible to Oilantay Center for the Arts, Inc. magazine, and documentation of the irmer-city residents through special ticketactivities of the center. Jackson Heights, NY $10,000 subsidies and by offering free and low- To support major Hispanic and Latin cost workshops in dance, theater, visual American theater productions by the arts, and creative writing. Waianae Coast Culture & Arts Society, professional theater company; the presen- Inc. tation of folk, popular, and classical St. l~-ancis Music Center Waianae, HI $25,000 Latin American music; and training in theLittle Falls, MN $8,500 To support on-going professional work- visual, literary and theater arts. To support artists’ fees and related costs shops in traditional dance, music, and to educate young professionals at the crafts that perpetuate the many ethnic center, Opus, Inc. cultures in the Hawaiian Islands, and to support presentation of diverse art Hartford, CT $9,000 St. Louis Conservatory & Schools for forms. To support the salary of the director, and the Arts performances and residencies by profes- St. Louis, MO TF: $12,000 sional elderly Connecticut artists in non- To support public performances in a Xicanindio Artists Coalitíon, Inc. traditional settings, professional setting and advanced-level Mesa, AZ $20,500 training in music, dance, visual arts, andTo support the theater development and theater at the Midtown School for the Arts presenting program for Hispanic theater Plaza de la Raza, Inc. for gifted minority and inner-city students, Los Angeles, CA organizations, marketing expenses for the $50,000 promotion of the resident music company, To support the professional arts training Taller Puertorñqueno, Inc. program in theater, dance, visual arts, and salary costs for artistic and adminis­ Philadelphia, PA $9,000 trative staff. and music for developing and professionalTo support the Visiting Artists Program, artists in the Hispanic community, includ-which presents emerging and established ing administrative costs, professional artists in the visual, perform-Your Iteritage House, Inc. ing, and literary arts. Detroit, MI $17,000 To support arts activities that include Rose Center and Council for the Arts, Theatre Guild of San Francisco, Inc. Inc. classes and workshops and an exhibition San Francisco, CA $5,000 program documenting the history of black Morristown, TN $5,000 To support an arts-in-education program Americans. To support the quarterly arts calendar/ at the Victoria Theatre, which includes newsletter and an artist-in-school performances by professional multicul­ program, tural theatre and music and dance ensem- Performing Arts Organizations-­ bles for primarily Black, Hispanic, Asian,Dance Senior Arts Projects and native American children. Albuquerque, NM $5,000 Toyo Kami, Inc. To support ah ongoing performance and Oakland, CA $5,000 Academia de Danza y Folklore workshop series using professional re- To support activities of the Ohana CulturalMexicano, lnc. gional senior artists in providing tradi- Center, a center dedicated to the promotion Austin, TX $5,000 tional and contemporary arts workshops of Asian-American and Pacific Island art To support a program of performances of and programs in a variety of artistic and arfists through performances, classes, authentic Indian and traditional Mexican fields, forums, and exhibitions, dances.

36 EXPANSION ARTS

African-American Dance Ensemble, Bronx Dance Theatre, Inc. Dance Theatre Foundation, Inc. Inc. Bronx, NY $5,000 New York, NY $22,500 Durham, NC $16,000 To support performances, workshops, I’o support the Artist-in-Residence Pro- To support costs of commissioning a new production costs, artists’ fees, and related gram, a vital component of the Alvin work by Donald McKayle that will be administrative costs. Ailey Ameñcan Dance Center, including premiered at the 1990 American Dance related costs. Festival and toured throughout the nation Capital Ballet Gulld, Inc. and region. Washington, DC $7,500 To support a performance season intended Dance Theatre of Harlem, Inc. Aims of Modzawe, Inc. to reestablish the Capitol Ballet Company. New York, NY $48,000 Jamaica, NY $13,000 To support scholarships for participants in To support arts activities that include Caribbean Dance Company, Inc. an apprentice/training program, instruc- classes in African traditional dance and St. Croix, VI $10,000 tors’ sala_des and fees, and administrative music, master classes and workshops by To support an instmctional program in costs of the Dance III program, including guest instructors, preserving and presenting the dances of related costs. the West Indies through a professionally American Authentic Jazz Dance trained company of dancers, singers, and Dances and Drums of Africa, Inc. Theatre, Inc. Brooklyn, NY New York, NY $10,500 musicians, including performance costs. $9,000 To support professional dance workshops, To support instructional fees and related with emphasis on performance skills for City of Atlanta, Bnreau of Cultural costs for professional classes and scholar- the preservation of the vanishing dance Affairs ship training in ballet, modero, jazz and hedtage of old jazz forms. Atlanta, GA $5,000 Afdcan ethnic dance and music, to To support a señes of master dance classes culminate in performances. Andrew Cacho African Drummers andin ballet, modero, jazz, and African Dancers Economic Development, Inc. dance/instrumentation for student Dayton Contemporary Dance Guild, Washington, DC $10,500 participation. Inc. To support classes, workshops, perform- Dayton, OH $25,000 ances, and lectures offering training in Compartía Folklorica Puertorriquena, To support the 21st anniversary season Afi’ican/Cañbbean traditional dance. Inc. with administrative costs and artists’ fees Andrew Cacho African Drummers and To Sansupport Juan, a training PR program $8,000 in folklodc for the commission of a new dance work Dancers Economic Development, Inc. dance and performances for communities with choreography, music, and design Washington, DC $22,000 throughout Puerto Rico, including admin-by major Amedcan artists. To support a toudng performance and istrative costs. workshop/lecture program which com- Dimensions Dance Theater, Inc. bines dance, music, drama, and other Dallas Black Dance Theatre, Inc. Oakland, CA $17,500 fimdamentals of African culture for Ola- Dallas, TX $11,500 To support the salary of the executive tunji Center of African Culture. To support sala_des of the company mem- director. bers, performances, and the production Asian American Dance Collective San Francisco, CA $6,000 of new dance works by guest Era Anderson Dancers, Ltd. To support the artistic director’s salary, choreographers. Columbia, MD $5,000 administrative costs, and costs related to To support workshops for apprentice the development of new Asian-AmericanDance Exchange, Inc. dancers, touring, and related costs. dance works. Washington, DC $6,000 To support administrative costs to expand Florene Litthcut Inner City Children’s Bailes Flamencos the programs of the "Dancers of the Touring Dance Company, Inc. San Francisco, CA $5,000 Third Age," a professional-quality com- pany of senior citizens. Miami, FL $5,000 To supl~rt the development of re~rtory To support the training of the children’s programs. Dance Steps, lnc. company in tap dance and the lindy hop Ballet Folklorico De San Antonio Brooldyn, NY $5,000 conducted by master artists. San Antonio, TX $7,500 To support the publication of Attitude: To support training, performance, and The Dancers’ Magazine, a journal for and Floricanto Dance Theatre production costs for the preservation of about multicultural artists, as well as Whittier, CA $5,000 the dances of the Mexican and Spanish inventory sessions on the state of Afro- To support marketing and public relations, cultures as reflected in the community. Centñc art forms/arasts, including related costs.

37 Great Leap, lnc. LaRocque Bey School of Dance Philadelphia Dance Company Los Angeles, CA $22,500 Theatre, Inc. Philadelphía, PA $46,000 To support the creation, production, and New York, NY $9,000 To support administrative and artistic presentation of original multimedia worksTo support performances incorporating salaries for the instruction and training to audiences in the Asian-American classical choreography, drum styles, and program. community, including partial salaries for costumes of Africa, including related administrative staff, costs. Rod Rodgers Dance Company, Inc. New York, NY $15,000 H. T. Dance ompany, Inc. Lula Washington ontemporary Dance To support administrative costs, commu- New York, NY $17,500 Foundation nity outreach performances, and the To support arts activities including per- instruction and training program. formances by Chen & Dancers, a proles­ Inglewood, CA $7,500 sional dance training program, includingTo support the concert season, including Roy Lozano’s Ballet Foiklorico De related administrative costs. related costs. Texas Austin, TX $5,000 Harambee Dance Ensemble Mandeleo Institute To support production costs for new work Oakland, CA $5,000 Oakland, CA $7,500 reflective of Mexican folklore and dance To support administrative and artistic To support on-going programming and thetraditions. costs during the 1989-90 season, presentation of performance events featur­ ing African and African-dedved music Samahan Phiñppine Dance ¢ompany, Idris Ackamoor and Cultural Odyssey and dance. Inc. San Francisco, CA $6,000 El Cajon, CA $5,000 To support the creation of a new perform- Montana Ballet Company, Inc. To support performances based on the ance work for the ensemble, to be pro- Bozeman, MT $5,000 folklore, traditions, and movements indig­ duced with a guest dancer/choreographer. To support a touring performance of enous to the southem islands of the "Montana Myths," which utilized local Philíppines, including administrative Institute of Puerto Rican Culture native Amedcan dancers, San Juan, PR $17,000 costs. To support the Ballet Concierto of Puerto Rico’s production of the ballet, La Cal- Muntu Dance Tñeatre Simba Talent Development Center, Inc. inda, in addition to the company’s schol- Chicago, IL $10,000 Las Vegas, NV $5,000 arship program for apprentice male To support the creation, administration, To support an instruction program provid­ dancers, and production of premiere works by the ing career development for young per- artistic director during the 1989-90 concert forming artists. Joan Miller and the Chamber Arts/ season. Dance Players, Inc. Theatre Flamenco of San Francisco, New York, NY $5,000 Nanette Bearden Contemporary Dance Inc. To support multi-ethnic dance productionsFoundation, Inc. San Francisco, CA $5,000 and administrative costs. New York, NY $14,000 To support the partial salary of the artistic To support a dance training program for director. KanKouran the career development of minority Washington, DC $5,000 students. Tokunaga DanceKo., Inc. To support administrative costs along with New York, NY $7,500 the professional training program for New Dance Tñeatre, Inc. To support an instruction program that talented yoang dancers through workshopsDenver, CO $41,000 provides professional dance training re- and performance opportunities. To support production and touring costs lated Westem to the dance. phílosophies of Japanese and Ko-Thi, Inc. for the ensemble in the preparation of Milwaukee, WI $8,000 performances and new choreography for Performing ArtsmMusic To support "Get To Know Ko-Thi and the 1989-90 season, and instruction and Guest Señes" and related costs. Iraining for the dance company and the youth group. Alabama State Council on the Arts Kulintang Arts, Inc. Momgomery, AL $10,000 San Francisco, CA $10,000 New York City Hispanic.American To support administrative costs along with To support the salary of the artistic direc- Dance Company, Inc. a performance workshop program of tor, artists’ fees, and related costs during New York, NY $50,000 traditional sacred harp singing, including the 1989-90 season, highlighting the art, To support performances by Ballet His- regular performances and training sessions music, and dance traditions of the paníco of New York, a dance training by the Wiregrass Sacred Harp Singers Philippines. program, and related administrative costs,for the region.

38 EXPANSION ARTS

Asociacion de Musicos Latino Community Music Center of Houston Merit Music Program, Inc. Americanos, Inc. Houston, TX $9,000 Chicago, IL $7,500 Philadelphia, PA $8,500 To support the youth programming, To support the tuition-free conservatory To support the Latin Music Disseminationrelated administrative expenses and activ- program providing professional training Project. ities of the five performing ensembles, for gifted minority and irmer-city students pursuing careers in music. , Inc. Concerned Musicians of Houston New York, NY $42,500 Houston, TX $17,000 Music From To support the professional music trainíngTo support the ongoing jazz performance program and related administrative costs, program including workshops and resi- New York, NY $5,500 dencies and administrative costs. To support administrative and artistic Carter Family Memorial Music Center, costs for a regional concert series by this Inc. Creative Arts CoHective, Inc. 12-member ensemble and guest artists. Hiltons, VA $11,000 Detroit, MI $5,000 To support a performance program to To support a concert series of Afro- National Association of Negro preserve and perpetuate bluegrass, tradi- American Avant Crarde Jazz at the Detroit Musicians tional old-time string bands, and other Institute of Arts. Chicago, IL $5,000 musical styles from the Appalachian To support costs for the project "Looking region. Friends of the District of Columbia Towards the 21st Century," which includes Youth Orchestra Program auditions, rehearsals, and performances Memoñal Foundation Washington, DC $23,500 by black composers. Kansas City, MO $18,000 To support classical music trairüng and a concert series for minority and inner-city To support the Jazz Studies and Perfonn- youth, including related costs. Oaldand Youth Chorus ance Program, supplemented by recitals, Oakland, CA $5,000 concerts, and music festivals, leading to Graystone International Jazz Museum To support salaries, fees for guest per- performance experience for aspiring youngDetroit, MI $5,000 formers, and related costs during the 1989­ student musicians. To support new arrangements and/or 90 season. Charlin Jazz Society, Inc. transcriptions of commissioned work for the repertory of the New Graystone Of- People’s Music Schooi, Washington, DC $7,000 Inc. chestra, as part of the museum’s educa- Chicago, IL $5,000 To support administrative and performancetional program. costs for a jazz-in-the-school s program. To support the advanced music training program and related costs. James Weldon Jolmson Community Ciücago Children’s Choir Center, Inc. Chicago, IL $22,000 New York, NY $26,000 Renaissance Chinese Opera Society To support the advanced musical training To support the instruction program of New York, NY $5,000 and performance program. Latin music, theory, and instrumentation, To support per~brming artists’ fees, as well as for professional salsa orchestra workshops, rental lees, and administrative Chinese Music Ensemble of New York, performances for the community by the costs. lnc. East Harlem , for East New York, NY $9,500 Harlem Music. San Jose Taiko Group To support administrative and production San Jose, CA $8,500 costs of training and performing of Jazzmobile, Inc. To support the promotion of taiko, the Chinese classical, traditional, and con- New York, NY $48,000 ancient art of Japanese drumming, through temporary musíc. To support the advanced music workshop performances of Asian-American music program in which talented young musi­ Chinese Music Society cians ate instructed by professional jazz and movement; a newsletter, and adminis- Woodridge, IL $16,000 musicians. trative costs. To support the 1989-90 concert season of Chinese music. Lira Singers Society of the Third Street Music Chicago, IL $5,000 Sc~ool Settlement, Inc. City Celebration, Inc. To support artistic and administrative New York, NY $7,500 San Francisco, CA $11,003 costs for the 1989-90 season of this To support the Performance Arts Compre- To support the Califomia tour of San professional ensemble dedicated to the hensive Training Program, that provides Francisco Taiko Dojo, and related admin- performance of traditional and contempo- professional instruction in music for pre­ istrative costs, rary Polish folk music, professional students.

39 Southern Folk Cultural Revival Project Black Spectrum Theatre Company, Dashiki Project Theatre Nashville, TN $5,000 Inc. New Orleans, LA $5,000 To support concerts and tours for the Jamaica, NY $25,000 To support the mounting of original works "Southem Grassroots Music Tour" and To support administrative costs for the reflective of the cultures indigenous to "Tennessee Grassroots Days," composed 1989-90 schedule of activities. Louisiana. of major practitioners of the various traditional Southem musical forros. Black Theatre ~roupe, Inc. Don Quijote Experimental Children’s Phoenix, AZ $13,000 Theatre, Inc. T~elma Hill Performing Arts Center, To support administrative salañes. New York, NY $7,500 Inc. To support the production and touring of Brooldyn, NY $15,000 Biack Theatre Troupe, Inc. The Legend of the Golden Coffee Bean To support the 1989-90 music series, the Phoenix, AZ $13,000 and Lincoln of the Children. community cultural and arts calendar, andTo support the salaries of a full-time related costs, managing director, a part-time secretary, ETA Creatíve Arts Foundation anda part-time marketing intem. Chicago, IL $22,500 Performing Arts Organizations~ To support professional theater training Borderlands Theater/Teatro and performance programs íncluding Theater Fronterizo, Inc. workshops, apprenticeships, and ah artist Tucson, AZ $2,500 in residence. To support a script development workshop AMAS Repertory Theatre, Inc. for minority playwrights. East West Players, Inc. New York, NY $37,500 To support education programs in acting, Los Angeles, CA $30,000 Chicago Black Ensemble To support a professional theater training voice, and dance through the Eubie Blake Chicago, 1L $5,000 program. Children’s Theatre, and related costs. To support the 1988-89 season of maln­ stage productions. African-American Cultural Center Lewisburg,Eco Theater, Inc. WV $8,000 Buffalo, NY $5,000 Chicago Black Ensemble To support the documentation and cata- To support ongoing instruction, work- Chicago, IL $6,000 loguing of indigenous theatrical works, shops, and related administrative costs. To support the salary of the executive and to provide salary support for the director, administrator. American Folk Theater, Inc. Coloured Performing Arts Institute, New York, NY $5,000 El Teatro Campesino To support theater classes, the Inc. Meridian, MS $5,500 San Juan Bautist, CA $25,000 Playwright’s Workshop Unir, a short-term To support ongoing development and residency, and related costs. To support the mountíng, production, and touring of Mississippi Museum: Living presentation of two traditional Hispanic Portraits. folldoric plays, La Pastorela and Passion Arena Players, Inc. Play: The Way of the Cross, and audience Baltimore, MD $5,000 Cresson Lake Playhouse development. To support the Youtheatre Apprenticeship Ebensburg, PA $12,000 Program. To support administrative and artistic El Teatro de la Esperanza costs for the 1988-89 season. San Francisco, CA $25,000 Asian Multi Media Center To support the season of theater Seattle, WA $6,000 Cresson Lake Playhouse productions. To support the 1988-89 season of main- Ebensburg, PA $12,000 stage productions. To support administrative and artistic Eulipions, Inc. costs for the 1989-90 production season. Denver, CO $5,000 Biiíngual Foundatíon of the Arts To support the Studio E Theatre Ensem- Fundacion Bilingue de las Artes, Inc. Crossroads, Inc. ble’s 1988-89 season of works by black Los Angeles, CA $28,000 New Brunswick, NJ $26,000 playwrights. To support mainstage productions, local To support marketing, audience develop- tours anda regional tour of Teatro Para ment, and related administrative costs Fairmount Theatre of the Deaf Los Ninos (Children’s Theatre), Teatro for the season of original and classic worksCleveland, OH $15,000 Leído (Reader’s Theatre), and the ongoingby Afro-American, African, and West To support the 1989-90 touring season of translation program. Indian playwrights, theater productions, and related costs. EXPANSION ARTS

Frank Silvera Wñters’ Workshop Kuumba Theatre, Inc. National Black Theatre Workshop, Fotmdation, Inc. Chicago, IL $18,000 lnc. New York, NY $10,000 To support a four-play season of mainstage Ncw York, NY $20,000 To support the Reading/Cfitique Sedes, and toured productions. To support the 1988-89 scason of main- the Larry Neal Memorial Playwriting o stage productions, playwrighting work- Seminar Sedes, and the Artistic TechnicalLa Compania de Teatro de shops, the Adult Workshop Program, Assistance Collective. Albuquerque, Inc. and the Entrepreneurial Artist Program. Albuquerque, NM $17,000 G.A.L.A., Inc. To support the sala_des of the administra- National Black Touring Circuit, Inc. Washington, DC $17,000 tive assistant, and the producing and New York, NY $18,900 To support production costs for a season executive directors; to provide fees for a To support the 1988-89 season, which ofbilingual plays, a guest artist perform-guest director and guest artist, and to includes two new works, and the mounting ance, and a sedes of staged readings of support partial production costs for the of Celebration, a musical homage to Amedcan plays in Spanish. mounting of Romeo and Juliet. black contñbutions made in literamre and Latin Ameñcan Theatre Ensemble, music. Guthrie Arts & Humanities Council Inc. Guthrie, OK $5,000 New York, NY $5,000 New Federal Theatre, Inc. To support adminis~ative costs including To support administrative costs and artisticNew York, NY $42,000 the salary of a full-time music director, fees fora portion of the production season. To support professional training work­ anda brochure, shops, performances, and related costs. Latino Chicago Theater Company, Inc. Honolulu Theatre for Youth Chicago, IL $5,000 New Freedom Theatre, Inc. Honolulu, HI $8,000 To support the salaries of the artistic and Philadelphia, PA $22,500 To support research and touring of a managing directors and the administrativeTo support a program that provides gifted theater production about Samoa, and secretary, and related costs, inner-city students with training and related costs, practical work expedence in the theater Lime Kiln Arts, Inc. arts through intensive arts training, per­ Institute of Puerto Pican Culture Lexington, VA $5,000 formance, and evaluation. San Juan, PR To support a part-Ume toufing cnsemblc. $7,500 New Heritage Repertory Theatre, Inc. To support the mounting, production, and Mad Piver Theater Works touring of "Puerto Rico Bello." New York, NY $20,000 West Liberty, OH $5,000 To support the 1989-90 season of two To support artistic and administrative mainstage productions and four staged International Arts Relations, Inc. costs for this professional rural touring readings reflective of black culture. New York, NY $48,500 company. To support the HPRL Playwñghts Lab, New York Street Theatre Caravan, Inc. and related administrative costs. Mad Piver Theater Works West Liberty, OH $5,000 To supportJamaica, an NY audience development$7,500 plan Jomandi Productions, Inc. To support production and performance of original theater pieces, and related costs. and the production and toufing of Blues in Atlanta, GA $27,500 Rags ’B’ Sharp, an original work focusing To support touring, audience development, on homelessness. community outreach programs, and Millan Theatre Company related costs. Detroit, MI $20,000 To support the 1989-90 production season North Carolina Black Repertory Company, Inc. Just Us Theater Company that includes major productions based on issues relevant to the inner-city Winston-Salem, NC $15,000 Atlanta, GA $23,000 community. To support the partial salaries of the To support a five show señes entitled executive/artistic director, general man­ "Words & Music." Mixed Blood Theatre Company ager, and secretary, including related Minneapolis, MN $17,500 costs. Karamu House To support a sedes of mainstage produc- Cleveland, OH $28,000 tions, a sedes of cultural showcases, a Oakland Ensemble Theatre To support artists’ fees and production tour of educational productions, anda Oakland, CA $18,500 expenses, as well as professional instruc- summer training program for Southeast To support production costs for the 1989­ tors for the theater arts training program. Asian youth. 90 season.

41 Old Creamery Theatre Company, Inc. Puerto Rican Traveling Theatre Stage Hands, Inc. Garrison, IA $13,000 Company, Inc. Atlanta, GA $7,000 To support the mounting of an original New York, NY $43,000 To support the interpretation of perform- story theater production, Theatre in Your To support the theater’s training unit whichances for the deaf in sign language, Lap, to tour to schools in Iowa and the provides classes in acting, dance and workshops that focus on improved com­ Midwest. movement, music, speech, and audition munication of live theater for deaf indi­ techniques to economically and sociallyviduals, and related activities. Opera Factory disadvantaged minoñty youth. Chicago, IL $5,000 Street Players Theatre To support the presentation of Luisa Norman, OK $5,000 Fernanda, a by E Moreno Rhode Island Black Heritage Society To support administrative salaries for the Torroba. Providence, RI $22,000 Fall Festival of Plays, Children’s Theatre To support a touring show, a workshop Toudng Program, New Plays Series, and Oregon Senior Theatre production, anda fully staged production the Playwñghts’ Work Group. Portland, OR $5,000 of Christ Child. Teatro Avante, lnc. To support the southem Oregon tour of Key Biscayne, FL $9,000 performances by the professional Richard Allen Center for Culture and To support the 1988-89 season of bilingual company. Art plays, the fourth annual Hispanic Theatre Oregon Senior Theatre New York, NY $20,000 Festival, and other related costs. To support the 1989-90 mainstage season Portland, OR $5,000 Thalia Spanish Theatre, Inc. To support artists’ fees, production costs, of productions and the Readers’ Theatre program. Sunnyside, NY $10,000 and travel expenses for the 1989-90 To support theatrical productions in season. Spanish and related administrative costs. Road Company Pan Asian Repertory Theatre, Inc. Johnson City, TN $17,000 The Rep, Inc. New York, NY $35,000 To support the 1989-90 home season, Washington, DC $10,000 To support touring of full-length produc- including Cancell’d Destiny, The Voice of To support the 1988-89 season of main­ tions, Asian-American Career and Play the Prairie, and related costs, stage plays, presentation of guest black Development Workshops, mainstage theater companies, master theater work- productions, and administrative costs. shops for local performing artists, and Sealaska Heritage Foundation related costs. Paul Robeson Performing Arts Juneau, AK $7,500 Company, Inc. To support the development and mounting Theater Workshop of Louisville, Inc. Syracuse, NY $5,000 of a Tlingit myth theatrical adaptation, Louisville, KY $5,000 To support the 1988-89 home season of performed by the Naa Kahidi Theater. To support two productions by the resident plays, company, including Native Son by Richard Seven Stages, Inc. CopeWñght, by and Mikki Don’ tGrant; Bother Me and I Can’ sponsorship t of Perseverance Theatre, Inc. Douglas, AK $18,500 Atlanta, GA $7,500 the second annual Black Theater Festival. To support an intensive professional To support the production of Macbeth. training program in the theater arts and T~eatre North the mounting of two productions. Spanish Theatre Repertory Co., Ltd. Tulsa, OK $5,000 New York, NY $38,000 To support the salary of a writer-in­ Pregones-Touring Puerto To support a marketing campaign, the residence and related administrative costs. Rican Theater Collection, Inc. salary of an assistant producer, and other Theatre North Bronx, NY $6,000 related costs for theater productions. "Ihlsa, OK $7,500 To support an outreach and marketing To support the 1989-90 season of theater project for this professional touring com­ productions. pany, which pefforms bilingual plays Spanish-English Ensemble Theatre, reflective of Puerto Rican culture. Inc. Theatre of Yugen, Inc. New York, NY $5,000 San Francisco, CA $7,000 Pregones-Touring Puerto To support mainstage productions, To support an East Coast tour and related Rican T~eater Collection, Inc. monthly readings of new plays by His­ costs, including performances by , NY $6,000 panic-American playwrights, and professional company, and lecture/demon­ To support a detailed andience develop­ advanced-level training for professional strations and master workshops by the ment project, actors and playwrights, artistic director.

42 EXPANSION ARTS

Vigilante Players, Inc. Friends of Support Services for the Institute of Alaska Native Arts, Inc. Bozeman, MT $10,000 Arts, Inc. Fairbanks, AK $25,000 To support administrative and audience San Francisco, CA $35,000 To support staff salaries and statewide development costs. To support administrative costs and the activities of the instítute, including serv­ salaries of artistic, technical, and admin- ices and information for native artists and Services to the Field istrative staff, including the directors of arts organizations. technical services, graphic services, the Support is provided to organizations of Maine Arts Sponsors Association regional or national scope whose primary Costume Bank and Mural Resource function is to offer quality technical Center. Augusta, ME $6,200 assistance and/or services to expansion To support a technical assistance program arts organizations. that provides workshops in leadership, Harlem Cultural Council, Inc. time management, proposal writing, and 21 Grants New York, NY $16,880 marketing for artists and arts organizations Program Funds: $399,970 To support the regional dissemination of in isolated rural regions of the state. information to artists and arts organiza- African American Museums tions including a newsletter, graphic and Middle Passage Educational and Washington, DC $25,880 technical assistance, anda resource guide Cultural Resources, Inc. To support information programs for and for the announcement of regional arts Boston, MA $10,000 about black museums, four newsletters events and arts resources. To support in 1989 the publication and providing information about funding re­ distñbution of Primary Colors: The New sources, anda community outreach England Directory of First World Artists. booldet. Hispanic Cuiture Foundation Albuquerque, NM $19,685 Middle Passage Educational and MI, mate Roots, Inc. To support the technical assistance activi- Atlanta, GA $15,400 Cultural Resources, Inc. ties for Hispanic arts organizations, Boston, MA $10,000 To support the annual meeting, national including artists of New Mexico. newsletters and member bulletins, and To support in 1990 the publication and other administrative expenses. Manage- distribution of Primary Colors: The Mas- ment Support Incubator. Hispanic Organization of Latin Actors,sachusetts Directory ofFirst WorM Inc. Artists. Association of American Cultures, Inc. New York, NY $12,250 Washington, DC $43,275 To provide administrative support, a Montana Institute of the Arts To support expenses associated with monthly newsletter with national distribu-Foundation províding technical and administrative tion, referral and information services, Bozeman, MT $17,500 services to culturally and ethnically performances, and workshops in career For administrative costs and support of diverse artists and organizations through development, technical and administrative services for regional forums and to support a national emerging arts organizations, and for the newsletter. Ink People, Inc. publication of Montana Artpaper. Association of Hispanic Arts, Inc. Eureka, CA $5,000 Montana Institute of the Arts New York, NY $60,000 To support costs for a series of economic Foundation To support artistic and administrative development workshops for rural perform- Bozeman, MT $17,500 costs, a technical assistance program, and ing artists. To support technical and administrative an information service, services for emerging arts organizations. Black Theatre Ailiance of Chicago, Inc. Ink People, Inc. Chicago, IL $5,400 Eureka, CA $5,000 National Conference of Artists, Inc. To support performances, workshops, To support technical assistance to rural Washington, DC $10,000 technical services, and relat~.xl activities. California communities to develop ira- To support the salary of a workshop proved sales and exhibition opportunities coordinator and provide technical assist­ Chicano Humanities and Arts Council,for local visual artists and craftspeople, ance to artists and arts organizations at Inc. the national level. Denver, CO $18,000 To support technical assistance and dis- Institute of Alaska Native Arts, Inc. United Tribes of North Carolina semination of information to Hispanic artsFairbanks, AK $27,000 Charlotte, NC $15,000 organizations, costs related to the per- To support staff sala.des and related costs For the promotion and support of Indian formance/gallery space, and costs for for providing services to native artists art through workshops anda resource integrating presenting activities, and arts organizations of Alaska. directory.

43 Visual, Media, Design, Literary, Bronx Council on the Arts, Inc. Community Renewal Team of Greater and Combination Organizations Bronx, NY $10,500 Harfford, Inc. ,, To support exhibitions, seminars, and the Hartford, CT $17,500 artists’ studio fellowship program. To support the Craftery Gallery program, Aljira, Inc. which presents professionally organized Newark, NJ $5,000 exhibitions of prominent minority artists To support artists’ fees and related costs Bronx Museum of the ,Mis for a painting and sculpture exhibition Bronx, NY $23,000 andartists.emerging Connecticut mínoñty program for emerging artists. To support the Satellite Gallery program emphasizing exhibition opportunities forCuster County Art and I-Ieritage American lndian Contemporary Arts minoñty artists. Center San Francisco, CA $10,000 Miles Cíty, MT $5,000 To support the administrative activitics Bronx River Art Center, Inc. To support an exhibition and instruction and cxhibitions of the work of cmcrging Bronx, NY $7,000 program spccifically for a rural audicncc. nativc Amcrican artists representativc To support partial costs for an exhibition of all regions of the nation, coordinator as well as a sculptor-in­ DuSable Museum of African American residcnce. History, Inc. American Indian Services, Inc. Chicago, IL $23,000 Sioux Falls, SD $5,000 Central Pennsylvania Village Crafts, To support administrative costs, along To support administrative salaries for an with a film series, art exhibitions, work­ annual Northem Plains Tribal Arts Show Inc. shops, and other special events. and Market to promote and preserve the Bellefonte, PA $12,500 arts of the northem plains tñbes. To support a resident artists program for East Tennessee Community Design traditional crafts anda master program forCenter, Inc. Asian Cine-Vision, Inc. advanced training in the arts of quilt- Knoxville, TN $5,000 New York, NY $22,000 making and tatting, as well as workshops To support the design assistance program, To support major exhibition events, along and related services, with other services to Asian-American which makes design services available to media artists, and to continue the proles- community groups in rural Tennessee. sional video training program. Centro Cultural Aztlan, Inc. San Antonio, TX $8,000 En Foco, Inc. Before Columbus Foundation To support administrative costs along withBronx, NY $6,500 Seattle, WA $8,000 an exhibition program of emerging Chi- To support the public arts exhibition To support the llth annual American Bookcano artists, program at different locations throughout Awards, as well as the workshop series the Bronx and other areas of New York City. for aspiring writers to work with publishedChíldren’s Art Carnival minority authors. New York, NY $45,000 Evans Tibbs Collection To support the Communication Arts Washington, DC $7,500 Black Dimensions in Art, Inc. Production program, a career training Schenectady, NY $3,000 To support an exhibition program that To support a retrospective of works by apprenticeship program, the Harlem examines and documents the work of New York artist Vincent Smith, along withTextile Works program, and other profes- contemporary and histofic African-Amer­ an exhibition program featuring contem­ sional training workshops, ican artists. porary professional black artists. Chinese Culture Foundation of San Film News Now Foundation, Inc. Black Filmmakers Hall of Fame Francisco New York, NY $7,000 Oakland, CA $7,000 San Francisco, CA $25,000 To support "The Medía Action Project" of To support administrative costs for activi- To support an exhibition program of services to minoñty and women media ties showcasing independent black artists Chinese-Ameñcan artists whose work artists, "The Word of Mouth Multicultural and their films and videos, Literature Project" for poetry and prose relates to some aspects of Chinese history, readings, and administrative costs. Brandywine Graphic Workshop, Inc. art, and culture, Philadelphia, PA $27,500 Film News Now Foundation, Inc. To support the exhibition program show- Cine Accion, Inc. New York, NY $15,000 casing emerging contemporary African- San Francisco, CA $6,000 To support Camera News, Inc., with the American printmakers anda program To support administrative costs, video advanced production workshop program of visiting artists workshops that will services for Latino film and video artists, for the development of professional film- focus on Mexican-Ameñcan artists, showcase programming, and related costs, makers and an artist residency. EXPANSION ARTS

Fondo Del Sol Liga Estudiantes de Arte de San Juan,, Native Ameñcan Centre for the Living Washington, DC $9,000 Inc. Arts, Inc. To support administrative costs and a San Juan, PR $32,500 Niagara Falls, NY $26,000 program that includes a mobile exhibit forTo support a series of visual arts exhibi- To support the Turtle Quarterly maga- Hispanic Heritage Week, a graphics and tions showcasing artists of Puerto Rico zine’s documentation of native Amedcan sculpture show of"Roots of Black Heri- and scholarships for professional training,cultural programs, reinforcing traditional tage," and an exhibition of santos of art, hedtage, and folklife, along with Margaret Itarwell Art Museum native American history. New Mexico and Puerto Rico. Poplar Bluff, MO $5,000 To support partial administrative costs for Creative Arts an exhibition prograrn serving an isolatedNewark MediaWorks Center, Inc. Newark, NJ $5,000 New York, NY $37,000 rural population in southeast Missouri. To support the continuation of the video To support the literary training program, Mexic-Arte apprenticeship program, which provides the annual Black Roots Festival, staged Austin, TX $13,000 participants with the opportunity to work reading series, and showcase productions To support the Austin Annual 1990 proj- with established video artists. for scñpt development, ect, which exhibits work from promising Mexican-American artists, exhibition Oneida Tribe of Indians of Wisconsin Friends of Vanghn Cultural Center, programs, including administrative costs.Oneida, WI $5,000 Inc. To support the exhibition program of the St. Louis, MO $5,000 Mexican Museum Oneida Nation Museum, including other To support the Midwestem Black Arts San Francisco, CA $22,000 related costs. Festival, including performances and To support two exhibitions: "Dia de los exhibitions, and related costs. Muertos" and "The Art of Francisco Opera de Camara, Inc. Zuniga." San Juan, PR $13,000 Galeria Chaparral, Inc. Minneapolis Ameñcan Indian Center To support administrative and other costs Corpus Christi, TX $6,500 Minneapolis, MN $11,000 related to a series of exhibitions, and to To support arts activities including work- To support a series of visual arts exhibi­ support an advanced workshop program shops, exhibitions, and lectures related tions featuring the work of emerging in ceramics for Casa Candina. to the Coastal Bend area. Indian artists from the upper Midwest and to provide education programs on Indian Printmaking Workshop, Inc. Galeria Studio 24 arts and culture to the Twin Cities atea. New York, NY $35,000 San Francisco, CA $35,500 To support the minority fellowship pro- To support a season of exhibitions at the Movimiento Artistico del Rio Salado grato for emerging Black, Hispanic, gallery serving the Chicano/Latino Mis-Phoenix, AZ $11,000 Asian, and native American artists/print­ sion District, including administrative To support the Local Artist Series, an makers and an artist residency program. costs, exhibition series, and related costs. Prints in Progress Kenkeleba House, Inc. Multiculturai Arts, Inc. Philadelphía, PA $10,000 New York, NY $23,000 Los Angeles, CA $23,000 To support the advanced fine arts classes, To support administrative costs, anda To support publication of an issue featur- and the apprentíceship and scholarship series of group exhibitions featuring the ing the, work of African and African- program. work of established and emerging visual American for the Interna­ artists and to present professional literary tional Review ofAfrican American Art. Puerto Rican Workshop, Inc. and perforrning artists. Municipality of Arecibo New York, NY $5,000 Arecibo, PR $5,000 To support administrative costs for a La Raza Graphics Center, lnc. To support a training and exhibition program of exhibitions, workspace serv- San Francisco, CA $28,500 program serving rural artists of the Are- ices, and classes for emerging community To support administrative costs, exhibi- cibo region, artists. tions at La Galeda Esquina de la Libertad, and other arts programming and services National Center of Afro-American Self-Heip Graphics and Art, lnc. to local multicultural artists. Artists, Inc. Los Angeles, CA $21,500 Boston, MA $30,000 To support an exhibition program at the Latino Arts Coalition To support an exhibition program featuringOtra Vez Gallery, professionally led Chicago, IL $5,000 art and artifacts by African, Afro-Ameri- classes for emerging artists; and a contin- To support the Latino Arts Gallery’s can, Caribbean, and South American uation of traveling exhibits from the exhibition program and related costs, artists; and to support other special events, atelier, etching, and monoprint workshops. 45 Social and Public Art Resource Center Xochil, Inc. Inner City Cultural Center~" Venice, CA $26,000 Mission, TX $5,000 Los Angeles, CA $30,000 To support administrative and training To support an exhibition program at To support costs related to planning for costs for the resource center’s work with Xochil’s Helen Stahl Gallery focusing onthe occupancy, renovation, and program­ professional muralists, hispanic culture, including partial admin-ming of the Ivar Theatre. istrative costs for Arte Publico Press. Sojourner Productions, Inc. ~’Chairman’s Action Grant Washington, DC $13,500 To support the film exhibition program Special Projects National Black Al-ts Festival, Inc. focusing on emerging black film artists Atlanta, GA $25,000 anda lecture series. For special initiatives that will advance To support administrative and planning expansion artforms, ate ofnational costs for the 1990 festival to be held in Southern California Asian American significance and/or can be used as models Atlanta. Studies Central by the whole field. Included is the Los Angeles, CA $27,000 COtIMUNITY FOUNDATION INIT1A­ New York Foundation for the Arts To support a fellowship program for TIVE, a pilot collaborative effort with the New York, NY $30,000 emerging Asian and Pacific Island film/ local communityfoundations designed To support the production of an hour-long video artists aimed at enhancing their film celebrating the extraordinary accom­ to secure private money on a permanent plishments of a number of"ordinary" skills in film while they produce films onbasisfor small and medium-sized art small town comrnunities. (This grant is Asian and Pacific Island themes, groups, with an emphasis on expansion co-funded with the Media Arts Program arts organizations. Thefour-year grants for a total of $70,000.) Southern Alleghenies Museum of Art from the Expansion Arts Program are Loretto, PA $15,000 used to subgrant to local arts groups and North Carolina Black Repertory To support the exhibition activities of the the communityfoundation’s match is Company, Inc. museum’s two major extension facilities deposited in permanent endowment. The Winston-Salem, NC $25,000 in Johnstown and Hollidaysburg servingRURAL ARTS INITIATIVE awards, To support the 1989 National Black Theatre the artistic needs of these rural communi- matching grants ofup to $40,O00per Festival. ties and their artists. year, are available for up to three years to Studio Museum in Harlem, Inc. Southside Cultural Society, Inc. state arts agenciesfor regranting to rural arts organizations within their state. New York, NY $50,000 Los Angeles, CA $5,000 To support a series of publications of To support ah exhibition of bronze sculp­ histofical analyses of contemporary art ture and portraits by Richmond Barthe. 24 Grants produced by Affican-Amefican, Hispanic, Program Funds: $1,242,000 Native American, and Asian-Arnerican Spanish Literature in USA, Inc. artists. (SLUSA) New Brunswick, NJ $5,000 Dunham Fund for Research and Studio Museum in Harlem, Inc. To support the publishing and disseminat- Development of Cultural Arts New York, NY $10,500 (non-matching) ing of literary works by American His­ East St. Louis, IL $35,000 To support the planning of a señes of four panic writers, and to produce a new To support administrative sala_des and publications on contemporary African- anthology, relatzd costs for a business manager anda American, Latin-American, Asian-Amer­ secretary-bookkeeper, ican, and Native American visual artists. Studio Museum in Harlem, Inc. New York, NY $50,000 Foundation for the Extension and Visual Arts Research and Resource To support the Artist-in-Residence pro- Development of American Professional Center Relating to the Caribbean, Inc. gram, offering fellowships for studio space New York, NY $6,000 and art supplies to outstanding emerging Tñeater To support a two-day meeting in New arfists, the Intem program in museology,New York, NY $2,500 York City on the presenting and touñng of and administrative costs. To support the publication of a resource culturally diverse arts organizations. book on the development, role, and University of Houston function of boards of trustees in the per­ Communíty Foundation Initiative Houston, TX $5,000 forming arts. The book emphasizes orga­ To support a series of readings of their nizations of a culturally specific nature. Community Foundation of Sonoma work by Hispanic writers and for other (This grant is co-funded with the Theater County related administrative costs for Arte and Inter-Arts Programs for a total of Santa Rosa, CA $50,000 Publico Press. $15,000.) To provide first-year support for subgrants.

46 EXPANSION ARTS

Community Foundation of Greater Kalamazoo Foundation Rural Arts Initiative Flint Kalamazoo, MI $50,000 Flint, MI $25,000 To provide fourth-year support for Alabama State Couacil on the Arts To provide ñrst-year support for subgrants, subgrants. Montgomery, AL $40,000 To provide first-year support for subgrants Community Foundation of Santa Clara to exemplary rural arts organizations County Vermont Conununity Foundation with institutional potential. Middlebury, VT San Jose, CA $50,000 $50,000 Alaska State Council on the Arts To provide first-year support for subgrants. To provide second- and third-year support Anchorage, AK $25,000 for subgrants To provide first-year support for subgrants Central Minnesota Community to exemplary rural arts organizations Foundation Maine ComInunity Foundation, Inc. with institutional potential. St. Cloud, MN $100,000 Ellsworth, ME To provide second- and third-year support $100,000 Division of the Arts Louisiana for subgrants, To provide second-and third-year support Department of Cuiture, Recreation, & for subgrants. Touñsm Greater New Orleans Regional Baton Rouge, LA $40,000 Foundation Peninsula Community Foundation To provide ñrst-year support for subgrants New Orleans, LA $25,000 to exemplary rural arts organizations Budingame, CA $100,000 with institutional potential. To provide secónd-year support for To provide second- and third-year support subgrants, for subgrants. Iowa Arts Council Des Moines, IA $40,000 Greater Richmond Community To provide first-year support for subgrants Foundation Puerto Rico Community Foundation, to exemplary rural arts organizations Richmond, VA $25,000 Inc. with institutional potential. To provide fourth-year support for Hato Rey, PR $112,000 subgrants. To provide second- and third-year support New Mexico Arts Division for subgrants, including $12,000 for Santa Fe, NM $40,000 Greater Tucson Area Foundation, Inc. administrative support. ($50,000), and To provide first-year support for subgrants to exemplary rural arts organizations Tucson, AZ $36,000 $6,000 for administrative support, I"o provide third-year support for with institutional potential. subgrants. Trident Community Foundation, Inc. South Carolina Arts Commission Columbia, SC $40,000 Jacksonville Community Foundation Charleston, SC $30,000 To provide first-year support for subgrants Jacksonville, FL $50,000 To provide second-year support for to exemplary rural arts organizations To provide first-year support for subgrants, subgrants, with institutional potential.

47 184 Grants Program Funds: $3,135,200 Folk Arts Other Funds: $1,000

I I The Folk Arts Program supports the traditional arts that have crowds. Even the National Heritage Fellowships, normally grown through time within the many groups that share the same celebrated only once in Washington, D.C., are being reinter- ethnic heritage, language, occupation, religion, or geogra- preted and presented to wider audiences in new contexts. For phic atea. These folk arts include music, dance, poetry, tales, example, a year-old exhibit mounted by the Museum of Intema­ oratory, crafis, and various types of visual artforms, tional Folk Arts in Santa Fe now travels throughout the nation; a Dallas-based series of five-minute radio vignettes of individual he year 1989 became one of consolidation for the Folk Heritage artists is now broadcast nationally; and the Kentucky Arts Program when a number of multi-year efforts carneCenter for the Arts produces a special television program for ca­ T to fruition. FOr one, the remarkable Dakota Centennial ble broadcast. Folk Festival, a joint production between the two states, appeared with appropriate vañations in Sioux Falls, South Such developments reinforce current funding strategíes and Dakota and Bismarck, North Dakota. It presented native Ameri- encourage new adventures. The 1989-90 guidelines suggest ah cans, Russian-Germans, cowboys, ranchers and other folk openness to projects that explore under-served, little-known artists whose tradítions crossed state lines. On a smaller scale, traditions, and special activities that can serve folk artists in new the Children’s Museum of Boston hosted a three-day neighbor-ways. Projects include a survey of the traditional arts of the long-established but little-known Hispanic agricultural commu- hood arts festival featuñng five local Southeast Asian refugee nities along the Snake River bordeñng Oregon and Idaho. It is peoples, who demonstrated their instrument building, needle-designed to locate and identify the traditional artists of the region work, music, dance, song and story to their new neighbors, and to assist them in developing their own cultural plan. Other These events emerged out of several years of smaller projects projects enable experienced crafts workers of native American which developed invaluable experience in the presentation of tribes to study the collections of their art in faraway museums. In traditional art forms before large crowds. Nachitoches, Louisiana, an illustrated catalogue of a major collection of Indian crafts is being published for use by local The Folk Arts’ State Apprenticeship category continues with 34tribes. The Texas Folklife Resources project will videotape states supporting projects which link senior, highly-skilled artists traditional dance groups for promotional uses and for scholars to and artisans with less experienced leamers for intensive explora-study. tions of a particular art form. A trend towards consolidation of events is demonstrated in several states, notably Missouri and Appreciation of American folk arts is increasing. Their contñbu- Iowa, which now host an annual public celebration with masterstions to the fabñc of American culture will continue into the and apprentices displaying their progress before state-wide next century.

Advisory Panels James Griflith R. Carlos Nakai , Director Artist-in-Education, Southwest Folklore Center of the Univer- Visual and Folk Arts Grants sity of Añzona Arizona Commission on the Arts Tucson, AZ Phoenix, AZ Jane Beck Jose Reyna Executive Director Albert Head Vermont Folklife Center Professor, Califomia State University, Middlebury, VT Executive Director Bakersñeld Alabama State Council on the Arts Bakersñeld, CA Montgomery, AL Nora Dauenhauer Howard Sacks Program Director, Language and Cultural Asso¢iate Professor of Sociology Studies William Kornrich Director Kenyon College Sealaska Heritage Foundation Gambier, OH Juneau, AK Rose Center and Council for the Arts Morristown, TN Itiromi Sakata Gerald Davis Associate Professor, Filmmaker, Poet, Professor James Leary Department of Ethnomusicology Rutgers University Folklorist University of Washington New Brunswick, NJ Mt. Horeb, WI Seattle, WA 48 FOLK ARTS

Adelaida Schramm R. Carlos Nakai Cephas, John Associate Professor, Ethnomusicologist Artist-in-Education, Woodford, VA Jersey City State College Visual and Folk Arts Leonia, NJ Añzona Commission on the Arts Four, Fairtield Phoenix, AZ Nashville, TN Thomas Vennum Senior Ethnomusicologist Howard Sacks Gutierrez, Jose Office of Folldife Programs Associate Professor of Sociology Norwalk, CA Smithsonian Institution Kenyon College Washington, DC Gambier, OH Hagopian, Ricñard Visalia, CA Heritage Feilowships Hiromi Sakata Associate Professor, Department of Hengel, Christy Ethnomusicology New Ulm, MN Robert Browning University of Washington Artistic and Executive Director Seattle, WA Kementzides, Ilias World Music Instimte Norwalk, CT New York, NY Ricardo Trimillos Kvalheim, Ethel Professor of Ethnomusicology, Music Stoughton, WI Gerald Davis Department Filmmaker, Poet, Professor University of Hawaii Morgan, Vanessa Rutgers University Manoa, HI Anadarko, OK New Brunswick, NJ Thomas Vennum Murphy, Mabel Alicia Gonzalez Senior Ethnomusicologist Fulton, MO Coordinator of Quincentenary Activities Office of Folklife Programs Smithsonian Institution Smithsonian Institution Robinson, LaVauglm E. Washington, DC Washington, DC Philadelphia, PA Charles G. Zug Scruggs, Earl James Griflith Madison, TN Director Professor Southwest Folklore Center of the University of North Carolina Raleigh, NC Shourds, Harry V. University of Afizona Seaville, NJ Tucson, AZ National Heritage Fellowships Wilson, Chesley William Kornrich To recognize through a one-time-only Tucson, AZ Director grant award, a few of the nation" s Rose Center and Council for the Arts exemptary master traditionalfolk artists Folk Arts Organizations Mordstown, TN and artisans whose significant contribu­ To enable nonprofit organizations to tions to the health and happiness support such folk art activities as local James Leary of the nation have gone largely festivals, concerts, exhibits, and touring Folklorist unrecompensed, Mt. Horeb, WI performances. Grants also are awarded for documentation of traditional arts 13 Grants through radio, film, and recording; and Judith Mitoma Program Funds: $65,000 for general assistance to the field. Associate Professor of Dance UCLA The following recipients received $5,000 147 Grants Los Angeles, CA each: Program Funds: $2,534,200 49 Alabama State Council on the Arts Asian American Arts Centre, Inc. Center of the American hldian Montgomery, AL $20,000 New York, NY $12,000 , OK $3,000 To support a folk arts internship at the To support a video program featuring To amend grant #88-5533-0152 to include Alabama State Council on the Arts geared several New York City Chinese folk costs associated with publication of a toward minority folk arts specialists, artists, catalogue of photographs of Oklahoma Native Amedcan musical instruments for Atlanta Peach Carnival, Inc. the exhibit "Songs of Indian Territory: Aiaska Public Radio Network Atlanta, GA $5,000 Anchorage, AK Native American Musical Traditions of $10,000 To support the fees of tradítional artists Oklahoma." To support the production of a señes of appearing at the AtIanta Peach Camival, a radio features on traditional native Ameri-celebration of Caribbean "camival" art Children’s Museum can arts to be broadcast as a part of forros. Boston, MA $28,600 Alaska Public Radio Network’s "National To support a festival representing the Native News." Bethel German Communal Colony, numerous Southeast Asian refugee groups Inc. who have settled in Massa­ banana Artists’ Guild Bethel, MO $14,100 chusetts. Amana, IA $7,000 To support a camp, convention, and To support the Amana Cultural Heritage conference on traditional ñddling of the CityLore, Inc. Project, including ñeldwork, classes, and Midwest. New York, NY $19,000 public presentations that feature the work To support CityLore ’89, a multicultural of senior community artists and artisans. Buffalo Bill Memorial Association festival held in Central Park featuring the Cody, WY $6,400 music, dance, crafts, and storytelling of To support an event designed to encourage New York Cíty’s diverse traditional ¯ Appalshop, Inc. the performance and preservation of Whitesburg, KY $11,500 cowboy songs and range ballads. cultures. To support the third annual "Seedtime on Buffalo Bill Memorial Association CityLore, Inc. the Cumberland" festival. Cody, WY $13,700 New York, NY $20,000 Appalshop, Inc. To support a workshop on Plains Indian To support "Musita Tradicional ’89," a woodcarving anda series of craft demon- concert series to be held in public spaces Whitesburg, KY $19,400 strations by Indian traditional artists, around New York City, including Wash­ To support a radio series on women in ington Heights and East Harlem. old-time music. Cambodian Studies Center Seattle, WA $17,300 Cit~Lore, Inc. Appalshop, Inc. To support a señes of classes in Cambo­ New York, NY $20,000 Whitesburg~ KY $11,000 dian Khmer traditional "pin peat" orches- To support a series of short radio modules To support a videotape about Morgan tral music anda series of performances entitted "American Talkers," featuring by accomplished Cambodian "pin peat" Stud8 Terkel as narrator with participants Sexton, player, singer, and telling traditional tales and life histories. storyteller, musicians, Carnegie Public Library City.L. ore, Inc. Arab Community Center for Economic Clarksdale, MS $3,700 New York, NY $15,000 & Social Services To support a record by living To support the folk arts coordinator based Dearbom, MI $24,000 Mississippi Delta blues artists residing inat CityLore. To support a series of classes in Arab or near Coahoma County, Mississippi. traditional music, dance, storytelling, and City of Bishopville crafts instructed by local Arab American Cedarburg Corporation Bishopville, SC $5,500 ro_aster artists and artisans. Cedarburg, WI $27,900 To support a cultural survey of Lee To support a traveling exhibition of folk County, SC, which will identífy local musical instruments created by Wisconsintraditional artists for future presentations Asian American Arts Centre, Inc. traditional musicians and mounted by theand document their art forro for local New York, NY $6,000 Cedarburg Cultural Center. archives. To support a series of public presentations by Chinese traditional artists, with dem- Center for Southem Folklore City of Oakland, California onstrations of paper cutting, storytelling, , TN $23,000 Oaldand, CA $31,000 regional folk song styles, jade carving, To support the 1989 Mid-South Music and To support the traditional arts coordinator and other traditíonal arts and crafts. Heritage Festival. position. 5O FOLK ARTS

City of San Juan Cuyahoga Valley Asso¢iation Etlmic Folk Arts Center, Inc. San Juan, PR $15,000 Peninsula, OH $6, ~000 New ~rk, NY $5,000 To support a presentation series of tradi- To support the 1989 Cuyahoga Valley To support fiddwork costs necessary to tional Puerto Rícan music and dance to be Festival. devel~p a program for Bukharan Jewish held in the three newly-renovated histofic musiciims, now residing in the New York plazas of San Juan. area. David Adler Cultural Center Coastal Georgia Historical Society, Libertyville, IL $6,700 Film Arts Foundation Inc. To support a sedes of concerts entitled "In San F~ancisco, CA $30,000 St. Simon’s Island, GA $3,700 the Tradition," featuring senior traditionalTo support the film Sworn to the Drum: To support a workshop sedes on Sea Island artists from the region. The Story of Francisco Aguabella. coiled baskets by master traditional artist Allen Green. Film Arts Foundation District of Columbia Commission on San Francisco, CA $39,700 Coconino Center for the Arts, Inc. the Arts & Hnmanities To support a 16mm film documenting the Flagstaff, AZ $12,400 Washington, DC $20,000 Moe family of traditional Hawaiian To support presentations by traditional To support "The Secret City" project, a musiciáns. Amedcan Indian and cowboy crafts work- sedes of photographic exhibits mounted in ers during the "Festival of Native Ameri- vadous ethnic neighborhoods of Washing-~ News Now Foundation, Inc. can Arts" and the "Trappings of the ton, DC. New York, NY $30,000 American West" festivals, To Support’a videotape entitled "Queen of District of Columbia Commission on the Blues: A Portrait of Koko Taylor." Coconino Center for the Arts, lnc. the Arts & Humanities Fimley County Kansas Historical Flagstaff, AZ $3,900 Washington, DC $30,000 Society, lnc. To support the "Northem Añzona Mexican To support the position of folk arts coor- Garden City, KS $7,200 Folk Traditions" festival, dinator with the DC Commission on the To support the presentation of local Colorado Council on the Arts Arts & Humanities, and related costs, traditional artists at a festival in south- Denver, CO $30,000 westem Kansas. To support a Colorado state folk arts Documentary Arts, Inc. Foresta Institute for Ocean and program. Dallas, TX $15,800 Moanl~~ún Studies To support the fifth annual Dallas Folk Carson City, NV $14,400 Columbus Recreation and Parks Festival. To support a film portraying the life of Department Katie Frazier, a 97-year-old Paiute story- Columbus, OH $8,200 teller and craftswoman living on the To support the Columbus Folk Festival. Documentary Arts, Inc. Dallas, TX $18,400 Pyramid Lake Reservation. Conradh na Gaeilge!Washington To support a series of in-school residencies Galería Studio 24 Alexandda, VA $3,500 in the Dallas school system for local folk San Francisco, CA $10,300 To support artists’ fees and related ex- artists. To support a sedes of demonstrations and penses at the Washington, DC Irish Folk gallery displays featuring traditional Festival. Documentary Research, Inc. crafts associaled with the Mexican "Dia Cultural Council Foundation Buffalo, NY $500 de los Muertos" commemoration. New York, NY $13,800 To amend Grant # 42-5533-0093 to Georgia Department of To support a videotape documenting (East) include minor editing costs fora docu- Natural Resources Indian "Bharatanatyam" dance through mentary film on Appalachian flatfoot Atlanta, GA $30,000 footage of performances by the late dance dancing. To support the state folk arts coordinator master , as well as her position and related program costs. daughter who continues to pefform and teach. Eight Northern Indian Pueblos Council Groton Center for the Arts, Inc. San Juan Pueblo, NM $16,300 Groton, MA $12,000 Capa Cultural Center To support 1) crafts demonstrations for the To support the Folklife in Education Pala, CA $4,000 Eight Northem Indian Pueblos Arts and program at the Groton Center for the Arts, To support the armual "Capa Day Festival"Crafts Fa_ir, 2) educational matedals on the anda sedes of public events, including a ­ featuring craft demonstrations and dance artists and art forms present at the fair, portion of the annual "Septemberfest" performances by California traditional and 3) a long-range plan to involve Pueblohonoring the traditions and tradition bear- native Amedcan artists, youth in Pueblo crafts, ers of the Nashoba Valley. 51 Historical Association of Southern lnternational Folk Art Foundation La Compania de Teatro de Florida, Inc. Santa Fe, NM $31,800 Albuquerque, Inc. Miami, FL $19,100 To support the state folk arts coordinator Albuquerque, NM $4,500 To support the identífication of Afro- program jointly based at the Museum To support a long-play albura by Los American, Afro-Caxibbean, and African of Intemational Folk Art and the New Reyes de Albuquerque of the traditional lraditional ardsts in the Metro-Dade area, Mexico Arts Division. dance music of northem New Mexico and and to present them in a variety of festival southern Colorado. formats, both in the region and statewide. International Folk Art Foundation Santa Fe, NM $20,700 La Compania de Teatro de Humboldt Arts Council To support a series of presentations by Alboquerque, Inc. Eureka, CA $7,800 New Mexico Hispanic traditional story- Albuquerque, NM $4,700 To support a series of workshops in the tellers, musicians, and dancers in celebra-To support a series of presentations of making of traditional Northem Califomiation of the opening of the new Hispanic traditional northem New Mexico Hispanic Indian ceremonial regalia, wing of the Museum of Intemational Folkmusic at senior citizen centers throughout Art. New Mexico. Humboldt State University Foundation Arcata, CA $5,700 International House of Philadelphia La Compania de Teatro de To support classes and workshops featur- Philadelphia, PA $9,800 Albuquerque, Inc. ing northwest Califomia Native AmericanTo support a traveling exhibition on Albuquerque, NM $11,700 basketry of the Hoopa tribe, traditional craftsmanship in the Delaware To support a film on the music and life of Valley of Permsylvania. northem New Mexico "corñdo" composer Idaho Commission on the Arts and singer Juan Roybal. Boise, ID $10,000 Iowa Arts Council To support a survey of the traditional arts Des Moines, IA $18,600 Laotian Handcraft Project, Inc. and artists of the Hispanic population in To support a Cultural Heritage Celebration Berkeley, CA $7,500 the southwestem Idaho and southeastem presenting masters and apprentices of the To record and distfibute cassette record- Oregon border région and to prepare a Iowa Folk Arts Apprenticeship Program ings by skilled Laotian Mien elder story- cultural plan for their support and in performances, demonstrations, work- tellers who now reside in northern development, shops, and ah exhibit. Califomia. Jacob’s Piliow Dance Festival, Inc. Lewis and Clark College Iilinois Arts Council Lee, MA $10,000 Portland, OR $28,000 Chicago, IL $15,600 To support performances and workshops To support the state folk arts coordinator To support a survey of the local traditionalat Jacob’s Pillow by an ensemble of position in Oregon. arts active today in East St. Louis, Illinois.traditional Hawaiian dancers. Lower Adirondack Regional Arts Improvised Music Collective, Inc. John C. Campbell Folk School Councii, Inc. New York, NY $12,500 Brasstown, NC $25,300 Glens Falls, NY $7,500 To support the folk component of a radio To support the folk arts position and To support a series of concerts highlighting señes entitled "The Talking Violin," program at the school, ethnic traditions of the Lower Adirondack documenting the history of improvisation region. on the violin in Amedca. Kariyushi Kai Mountain View, CA $10,000 Mandeleo Institute Institute for Italian-American Studies, To support a residency by master tradi- Oakland, CA $10,000 Inc. tional Okinawan dancer Cheryl Yoshie To support the seventh annual "African Jamaica Estates, NY $9,000 Nakasone with the Okinawan-American Cultural Festival" in Oakland. To support the third "Pan-Irpinian Festi­ dance and music ensemble Kariyushi Kai. val," a local Italian-American celebration Mandeleo Institute on Long Island. Kentucky Center for the Arts Oakland, CA $20,000 Louisville, KY $14,000 To support the identificatíon of traditional Institute of the NorthAmerican West To produce a program for public televisionAfñcan-American storytellers in the Seattle, WA $6,500 focusing on the National Heñtage Fellow- Oakland area and to present them at To support fieldwork costs for the upcom- ship Program featuñng several performingOaldand’s ñrst armual ing "Celebration of Puget Sound." artists who have won the award. Celebration. 52 FOLK ARTS

Maryland State Arts Council National ouncil for the Traditional Oakland Festival of the Arts Baltimore, MD $11,200 Al’tS Oaldand, CA $20,000 To support the touring of the photographic Washington, DC $75,000 To support in-school concerts by profes­ exhibition, ’~l’he Arabbers of Baltimore,"To support the organizing and administra-sional blues musicians as a component of to sites, tion of the 1989 Assembly of National the Oakland school system’s "Blues in the Schools" project. McCornnck Al-ts CouncH at the Heñtage Fellows, including public ap- Keturah pearances and public concerts by the Ohio Al’tS Council McCormick, SC $18,300 fellows. Columbus, OH $20,000 To support the presentation of local To support several local programs featur­ traditional artists at the Savannah HeritageNative American Heritage Commissioning the work of the masters and appren- Festival. Sacramento, CA $18,000 rices of the 1989-90 Ohio Traditional Arts To support a catalog and disseminate Apprenticeship Program. Michigan Festival, Inc. information on recordings, photographs, East Lansing, MI $25,000 and wdtten documents conceming the Old Town School of Folk Music, Inc. To support the Festival of Michigan artistic traditions of Califomia Native Chicago, IL $9,500 Folklife. To support the fourth Latin music festival Americans in public museums and featuring Mexican-American, Puerto Minio Village Council arehives. Rican, and Guatemalan traditional Minto, AK $36,200 musicians. To support a 16mm film dócumenting the North Carolina Folklife Institute craft, musical, ceremonial, and oratoricalDurham, NC $16,100 Ollantay Center for the Arts, Inc. traditions surrounding the "huteefl," ah To support the participation of traditional Jackson Heights, NY $13,300 Athabaskan memorial potlatch, musicians and singers in a conference To support fieldwork leading to the pres- celebrating the creation of a Southem entation of local Latino traditional artists Mississippi Arts Commission in public programs in the New York City Folklife Archive at the University of Northarea. Jackson, MS $27,400 Carolina. To support a state folk arts program including the services of a professional Pennsylvania Heritage Affairs folk arts coordinator in Mississippi. North Carolina Maritime Museum Commission Beaufort, NC $23,300 Harfisburg, PA $36,400 Musemn of Arts and Sciences, Inc. To support the North Carolina coastal To support a regional folklife specialist Macon, GA $9,100 folldife project including a series of ex- position in westem Pennsylvania, and To support an exhibit and video program hibits and performances by local tradi­ related costs. entitled " of the Folk Tradition," tional artists. Pennsylvania Heritage Affairs which will contrast the use of clay by Commission earlier traditions of G-eorgia folk potters North Columbia Schoolhouse Cultural Harrisburg, PA $14,800 with that of contemporary studio crafts- Center To support a series of programs to accom­ men in industrial settings. Nevada City, CA $8,500 pany the travelling exhibition, "Crafts To support a Northem California Miwok and Community: Traditional Arts in Con- Nashville Gospel Ministries temporary Society." Nashville, TN $17,700 Indian Traditional Arts presentation at the To support a concert and exhibir honoring Second Foothill Regional Arts Festival. Philadelphia FolHore the late Mrs. James A. Myers, a director Philadelphia, PA $14,800 of the Fisk Jubilee Singers featuring North Dakota Council on the Arts To support a series of slide/tape programs members of the group in a gala reunion. Fargo, ND $23,400 involving the folk arts of Philadelphia, To support a Dakota Centennial (1889- including mummers’ costumes, traditional National Council for the Traditionai 1989) Folk Festival. puppets, public folk arts constructions, Arts and the aesthetics of traditional city Washington, DC $25,000 gardens. To support the 51st National Folk Festival. Northwestern State University of Loulsiana Portland Performing Arts Center, Inc. National Council for the Traditional Natchitoches, LA $17,200 Portland, ME $5,000 Arts To support ah illustrated exhibit catalogueTo support a series of presentations by Washington, DC $32,000 on the Claude Medford collection of Southeast Asian and French Canadian folk To support the "Masters of the Folk southem and eastem American Indian and traditional artists at the Portland Violin" tour. material culture. Performing Arts Center.

53 Pueblo of Zuni Sealaska Heritage Foundation Taos Spring Arts Celebration Zuni, NM $27,500 Juneau, AK $30,000 Association To support a traveling exhibit of Zuni To support "Celebration ’90," ah event Taos, NM $3,000 carved fetishes, organized by the Pueblo that brings together traditional singers andTo support an exhibit and live presenta­ of Zuni and the Maxwell Museum of dancers of the Tlingit, Haida, and Tsim- tions of traditional Hispanic New Mexican Anthropology. shiam tfibes of Southeast Alaska. fumiture making. Rapid City Arts Council, Inc. South Dakota Arts Council Tennessee Folklore Society Rapid City, SD $6,100 Sioux Falls, SD $25,000 Murfreesboro, TN $15,000 To support a presentation of cowboy To support "A Dakota Centennial Folk To support the second Tennessee Banjo poetry, music, and traditional ranching Festival." Institute. crafts as part of the Black Hills Heritage Festival. South Dakota State Historical Texas A & I University Preservation Center Kingsville, TX $32,400 Recursos de Santa Fe, Inc. Vermillion, SD $7,800 To support fieldwork and preparation costs Santa Fe, NM $18,200 To amend grant #88-5533-0144 to include of an exhibit of south Texas Mexican- To document the many important Hispanicsupport for the state folk arts coordinator American traditional crafts. folk art artifacts found in rural churches in South Dakota for a period of three and "moradas" throughout northem New months. Texas Folldife Resources Mexico. Austin, TX $4,900 Southern Arts Federation To support the video documentation of Rensselaer County ouncil for the Arts Atlanta, GA $31,500 several dance traditions currently active in Troy, NY $8,600 To support the devdopment of a southem Texas. To support performances and workshops regional folk arts program. by traditional artists and artisans in Texas Folldife Resources conjunction with an exhibition of the foIkSpecial Service for Groups Austin, TX $7,500 arts of Rensselaer County. Los Angeles, CA $27,600 To support start-up costs for a system of To support a series of traditional Cambo- distribution that will identify, package, Rhode Island State Council on the Artsdian dance classes, including fees for promote, and book folk arts programs for Providence, RI $30,800 accompanying musicians and visitíng a range of potential sponsoring institutions To support the folk arts program of the instructors, performance expenses, and the statewide. Rhode Island State Council on the Arts. services of a part-time organizer/cultural consultant. Texas Folklife Resources Salt, Inc. Austin, TX $7,000 Portland, ME $9,500 State Arts Council of Oldahoma To support "Austinlore II," a series of To support photographic exhibitions Oklahoma City, OK $18,200 public programs featuring the traditional documenting the traditional craftspeople To support the state folk arts coordinator music, dance, and verbal arts of Austin’s of Maine. position in Oldahoma. black community. Salt Lake Arts Council Foundation State Arts Council of Oklahoma Texas Folklife Resources Salt Lake City, UT $27,1300 Oklahoma City, OK $17,400 Austin, TX $10,000 To support production costs and local To support "Juneteenth ’89: A CelebrationTo support the exhibit "Hecho Tejano: artists’ fees for the festival "Living Tradi-of Oldahoma’s Black Music Traditions." Contemporary Chicano Folk Artists." tions: A Celebration of Salt Lake’s Folk and Etlmic Arts." State Arts Council of Oklahoma Theatre Workshop Boston, Inc. Oklahoma Cíty, OK $35,800 Jamalca Plains, MA $5,000 Schoharie Museum of the Iroquois To suppórt "Traditions ’89: An OklahomaTo support a series of local presentations Indian Folklife Celebration" celebrating Okla- of"Fiesta Campesina," a celebration of Schoharie, NY $9,100 homa’s Centennial. traditional Puerto Rican jibaro mountain To support the annual Iroquois Indian music and dance. Festival at Cobleskill, New York. Staten Island Institute of Arts and Sciences Tung Ching Chinese Center for the School of American Research Staten Island, NY $24,500 Arts, Inc. Santa Fe, NM $23,000 To support a series of public performances Flushing, NY $22,000 To support a program of travel and sub- and hands-on workshops by the Manteo To support "open rehearsal" lecture dem­ sistence subsidies for Southwest Native Family Sicilian Marionette Theater; to onstrations of Chinese opera musical and American traditional artisans and artists continue the ongoing effort to restore the movement techniques and for the presen­ to study the extensive collection of Amer-marionettes, and to record an oral history taaon of several full-length Chinese opera ican Indian art at the school, of the family theater, performances. 54 FOLK ARTS

University of Aiaska-Fairbanks Vermont Folklife Center World Music Institute, Inc. Fairbanks, AK $3,000 Middlebury, VT $26,000 New York, NY $13,000 To amend grant #88-5533-0035 to include To support the position of a folk arts To support the completion of "Old Tradi­ costs associated with an expanded pro- coordinator and related costs at the Ver­ tions-New Sounds, Part II," a series of grato surrounding the installation of a mont Folklife Center. radio portraits of outstanding Ameñcan hand-carved totem pole by master Tlingit Visual Arts Research and Resource traditional musicians. artist Nathan Jackson and his apprentice. Center Relating to the Caribbean, Inc. New York, NY $15,200 World Music Institute, Inc. University of Arizona To support traditional artists’ expenses in New York, NY $26,000 Tucson, AZ $16,100 a series of concerts highlighting Afro- To support a series of concerts of tradi- To support videotape documentaries on Caribbean music and dance anda special tional music and dance by master artists Paiute (Native American) traditional oral showcase featuring Afro-Caribbean artists from various Asian, African, and Carib- literature and traditional Paiute hand at the Annual Intemational Expressions bean cultures now residing in the United games. Festival. States. Volcano Art Center University of New Hampshire Hawaii Nat. Park, HI $20,000 World Music Institute, Inc. Durham, NH $19,800 To support a sedes of concerts of tradi- New York, NY $20,000 To support a series of crafts and music tional hula and Hawaiian folk music. To support the African Heritage Tour. residencies: "New Hampshire Folk Artists: The Living Tradition." Western Folklife Center Museum Society, lnc. Salt Lake City, UT $19,300 Tampa, FL $15,000 University of South Carolina at To support the preparation for a regional To support the 1989 Ybor City Folk festival to present folk and ethnic choral Festival. Columbia singing traditions of the American West. Columbia, SC $8,600 To support a a series of traditional music Wheelwrig~t Museum of the American State Arts Agency concerts and scholarly lectores dealing Indian Apprenticeship Programs with the development of in Santa Fe, NM $31,200 the United States. To support preparation of films document-Funds are available to state or private ing the culture, beliefs, and traditional nonprofit agenciesfor the development of pottery making of the San Ildefonso Tewa in-state apprenticeship programs. University of Wyoming Pueblo people of New Mexico. Laramie, WY $12,100 To support ñeldwork in Wyoming to locate 24 Grants Wis¢onsin Folk Museum, Inc. Program Funds: $536,000 tradiUonal artists in preparation for a 1990 Mount Horeb, WI $9,100 state-wide folklife festival. To support artists demonstrations anda catalogue related to the exhibition "UpperAlabama State Council on the Arts Montgomery, AL University of Wyoming Midwest Rosemaling: A Story of Revival $30,000 and Regionalism." Laramie, WY $10,000 To support the state folk arts coordinator California Arts Council Wisconsin Folk Museum, Inc. Sacramento, CA $30,000 position for a period of five months. Mount Horeb, WI $26,000 To support a folk arts specialist position at the Wisconsin Folk Museum. Country Roads, Inc. Utah Folkñfe Center, Inc. Boston, MA $22,200 Salt Lake City, UT $10,200 Woodside on the Move, Inc. To support the developmem of a computer Woodside, NY $9,000 Davis & Elkins College system of forms and data collection To support the second annual "Inside Elkins, WV $26,200 which could be made available to all stateWoodside," a multi-ethnic festival. and local folk arts programs. World Kuñntang Institute and District of Columbia Commission on Research Studies Center, Inc. the Arts & Humanities Vermont Folklife Center Reseda, CA $21,400 Washington, DC $20,000 Middlebury, VT $9,000 To support an instruction series in the To support a radio sedes on the Daisy history, theory, skills, and performance ofDivision of Cultural Affalrs Florida Tumer family heritage for airing during traditional music of the Filipino "kulin- Department of State Black History Month. tang" gong ensemble. Tallahassee, FL $26,200 55 Division of the Arts Louisiana Michigan State University State Foundation on Culture and the Department of Culture, Recreation, & East Lansing, MI $19,300 Arts Tourism Honoluh, HI $26,100 Baton Rouge, LA $30,000 Minnesota State Arts Board St. Paul, MN $20,000 Guam Council on the Arts and Texas Folklife Resources Humanities Missouri State Council on the Arts Austin, TX $25,000 Agana, GU $10,000 St. Louis, MO $30,000 lowa Arts Council Nevada State Council on the Arts University of South Carolina at Des Moines, IA $18,800 Reno, NV $20,000 Columbia Columbia, SC $11,700 Kansas Arts Commission North Dakota Council on the Arts Topeka, KS $20,000 Fargo, NI) $22,600 Utah Arts Council Lewis and Clark Coilege Rhode Island State Council on the Arts Salt Lak~ City, UT $28,000 Portland, OR $24,800 Providence, RI $22,300 Maine Arts Commissíon Shoshone Tribal Business Cotmcil Wisconsin Arts Board Augusta, ME $22,800 Ft. Washakie, WY $20,000 Madison, WI $10,000

56 258 Grants m Prograrn Funds: $4,340,314 Inter Arts Treasury Funds: $200,000

The Inter-Arts Program promotes institutions such as presenting dance, music, and theater in performances which combined organizations, artist communities, and service organizations traditional sources with artistic innovation. which serve more than one artistic discipline, and supports projects involving original work by artists from a variety of Through Dance on Tour (formerly the Dance/Inter-Arts/States disciplines. Programs Presentingffouring Initiative), state arts agencies and regional arts organizations helped increase the quality and uring 1989, the Inter-Arts Program, The Rockefeller quantity of dance presentation throughout the nation, particularly Foundation, and the Pew Charitable Trusts convened in smaller communities. D the National Task Force on Presenting and Touring the Performing Arts. Administered by the AssociationThe Inter-Arts program’s newly christened Artists’ Projects: of Performing Arts Presenters, the task force strengthened the New Forros category supports the creation and production of field by working toward a more pluralistic concept of presenting,work that extends or challenges the traditional art forms. In 1989, It promoted new ways of thinking about what a presenter is and the Brooklyn Arts Council presented "White Chocolate," a does, and emphasized the mutuality of purpose between present-multi-media work which explores the life of an American Black ing organizations, artists, audiences, and communities, child in 1959. Presenting Organizations grantees sponsored more than 20,000 By continuing to fund artist communities and arts service arts events, reaching more than six million Americans during theorganizations, the Inter-Arts Program provided support for the 1988-89 performance season, needs of a broad range of artists and arts organizations. Fifteen artist communities received more than 7,800 requests for Multícultural and multidisciplinary touring networks were residency during 1989 and were able to accommodate 1,422 developed by a consortia of arts presenters. Appalshop in artists. Artists and arts organizations alike beneñt from the Whitesburg, KY and the Ameñcan Festival Project illuminated assistance provided by arts service organizations in the areas of the experience of four distinct cultures--African-American, health care, live/work space, management services, and techni- Latin American, Appalachian, and Jewish-Amerícan--throughcal/professional support.

Advisory Panels Rinde Eckert Lynn Schuette Performer, Theater Artist Artíst (painting) San Francisco, CA Director, Sushi Gallery Artists Projects: New Forms San Diego, CA Wayne Horvitz Composer Art~ur Tsuchiya Sally Banes Seattle, WA Writer, Critic Video Artist Cornell University Educator, Middlebury College Benito Huerta Middlebury, VT Ithaca, NY Visual Artist Houston, TX MK Wegmann Roberto Bedoya Herb Levy Associate Director Poet, Wñter, Curator Contemporary Arts Center Intersection for the Arts Director San Francisco, CA Soundwork New Orleans, LA Seattle, WA Fred Wilson C. Carr Gerald Lindahl Visual Artist, Curator Critic, Scholar Artist, Administrator Director, Longwood Arts Project Village Voice New York State Councfl on the Arts Bronx Council on the Arts New York, NY New York, NY New York, NY Marie Cieri Mark Russell Bruce Yonemoto Independent Producer, Consultant Executive Director, P. S. 122 Media and Video Artist Cambridge, MA New York, NY Los Angeles, CA 58 INTER-ARTS

Jawole Zollar Communities/Services Susan Slocum Choreographer, Artistic Director Director Urban Bushwomen Mark Anderson Foundation for the Community of Artists New York, NY Executive Director New York, NY Arts Resources & Technical Service, Inc. Challenge III Los Angeles, CA Dance on Tour Bruce Chao Tandy Beal Wallace Chappell Artist Artistic Director Director, Hancher Auditoñum Head, Glass Program Fñends of Olympia Station University of Iowa Rhode Island School Of Design Santa Cruz, CA Iowa City, lA Providence, RI Blondell Cummings Ping Chong Jane Delgado Choreographer, Artistic Director Artist (performance) Executive Director Cycle Art Foundation Artistic Director, Theater Company Association of Hispanic Art New York, NY New York, NY New York, NY Carolelinda Dickey Executive Director Bill Cook Oiga Garay-Ahern Pittsburgh Dance Council Arts Consultant Assistant Director Pittsburgh, PA Yerba Buena Cultural Center Metro-Dade County Cultural Affairs San Francisco, CA Council Colleen Jennings-Roggensack Miami, FL Dkector of Program, Hopkins Center Stephanie Hughley Kenneth Larsen Hanover, NH Artistic Director, Manager Executive Director National Black Arts Festival Rural Arts Services Hoyt T. Mattox Atlanta, GA Mendocino, CA Executive Director Society for the Pefforming Arts Ralph Sandler Ann-Ellen Lesser Houston, TX Managing Director Executive Director Madison Civic Center Millay Colony for the Arts Henry Moran Madison, WI Austerlitz, NY Executive Director Mid-Amefica Arts Alliance (MAAA) Kansas City, MO Barbara Shaffer-Bacon Halsey North Executive Director, Arts Extension Executive Director Mary Regan Service Cultural Council Foundation Executive Director Universíty of Massachusetts New York, NY North Carolina Arts Council Amherst, MA Raleigh, NC Alyce Sadongei Executive Director, Poet Shelton Stanfill Holly Sidford ATLATL Executive Director President Phoenix, AZ Wolf Trap Foundation New England Foundation for the Arts Cambridge, MA , VA Barbara Shaffer-Bacon Executive Director, Alts Extension Dan Wagoner Patrice Walker-Powell Service Founder, Artistic Director Arts Consultant University of Massachusetts Dan Wagoner Dance Foundation Charleston, SC Amherst, MA New York, NY 59 New Forros Regional Initiative Liz Lerman Corporation of Yaddo Choreographer, Artistic Director Saratoga Springs, NY $22,000 Caron Atlas Dance Exchange To support residencies for approximately Producer Washington, DC 160 writers, composers, and visual artists. Appalshop Whitesburg, KY Arnie Malina Cummington School of the Arts, Inc. Founder, Executive Director Curnmington, MA $11,500 Marie Cieri Helena Film Society/Second Story CinemaTo support a residency program which Independent Producer, Consultant Helena, MT provides over 100 artists with living and Cambridge, MA working facilities in this 66-year-old David Midland colony. Gerard Givnish Executive Director Director Performing Arts Center Djerassi Foundation Painted Bride Art Center Tampa, FL Woodside, CA $18,000 Philadelphia, PA To support a residency program which provides studio and living facilities for Robbie McCauley Cora Mirikitani writers, composers, media, visual, and Performance/Theater Artist Managing Director of Programs interdisciplinary artists. New York, NY Japanese American Cultural and Commu- nity Center Dorland Mountain Colony, lnc. Renny Pritikin Los Angeles, CA Temecula, CA $4,500 Writer, Executive Director To support a residency program for 40 to New Langton Arts Nigel Redden 50 wñters, composers, and visual artists. San Francisco, CA General Manager Spoleto Festival Fine Arts Work Center in Carlos Solana Charleston, SC Provincetown, Inc. Artist, Director, Visual Arts Program Provincetown, MA $26,200 NY State Council on the Arts Edwin Romain To support residencies of 20 emerging New York, NY Artist in Residence, School of Music visual artists and wríters who are given Southem Illinois University the opportunity to live and work in Prov­ Helen Valdez Carbondale, IL incetown for seven months. President Mexican Fine Arts Center Museum Holly Sidford Hambidge Center for Creative Arts Chicago, IL Executive Director and Sciences, Inc. New England Foundation for the Arts Rabun Gap, GA $4,500 Larry Yanez Cambridge, MA To support residencies to approximately Multi-Media Artist, Administrator 30 artists in 1989-90. Afizona Commission on the Arts Leni Sloan Phoenix, AZ Headlands Center for the Arts Executive Producer Sausalito, CA $9,000 Presenting Organizations San Francisco Festival 2000 San Francisco, CA ResidencyTo support Program the National/International providing residencies Jessica Chao to 15 artists yearly. Program Officer for Arts and Culture MK Wegmann Lila Wallace/Readers Digest Funds Associate Director MacDowell Colony, Inc. New York, NY Contemporary Arts Center Peterborough, NH $21,600 New Orleans, LA To support more than 220 writers, visual Jackie Davis artists, composers, and filmmakers for Director of Concerí, Chamber Music, and Artist Communities six-week residencies at the oldest continu­ New Directions Series ously running colony in the United States. University of Kansas To enable artist communities and other Lawrence, KS artist workplaces toprovide opportunities Middle Village Summer Theatre for creative artists from various disci­ Workshop, Limited Omus Itirshbein plines to pursue their work. Palenville, NY $7,200 Director of Performing Arts To support artist housing and subsistence 92nd Street YM-YWHA 14 Grants for interdisciplinary artists at the Palenville New York, NY Program Funds: $200,000 Interarts Colony. INTER-ARTS

Millay Colony for the Arts, Inc. Artists Foundation, Inc. Chicago Theatre Group, Inc. Austerlitz, NY $18,000 Boston, MA $7,000 Chicago, IL $15,000 To support a one-month residency program To support the commission of a video To support the commission and extended for up to 60 writers, composers, and sculpture installation by visual artist developmental residency for performance visual artists. Denise Marika to be exhibited in the artist David Cale and composer Roy Artists Foundation’s Gallery and Atrium Nathanson to create a piece with Chicago Ragdale Foundation Exhibition Concourse at City Place in blues musicians for the Goodman Lake Forest, IL $13,500 Boston. Theatre. To support residencies of two weeks to two months for approximately 150 writers, Before Your Eyes, Inc. for Jo Andres Cieri, Marie visual artists, and composers. New York, NY $7,000 Cambridge, MA $15,000 To support the creation of a new work by For a cooperative agreement to conduct a Real Art Ways, Inc. choreographer/visual artist Jo Andres. study of organizations to be considered Hartford, CT $4,000 in the FY89 New Forms Regional Initiative. To support the Urban Artists Colony Brooklyn Arts Council for Laurie Program, offering week-long residencies Carlos Contemporary Arts Center, New and access to audio, video, and technical Brooklyn, NY $12,000 assistance. Orleans To support "White Chocolate," a new New Orleans, LA $10,500 multimedia piece by director/performer Virginia Center for the Creative Arts To support a residency and the develop- Laurie Carlos in collaboration with com- ment of new work by collaborating artists Sweet Briar, VA $18,000 poser Don Meissner, choreographer Jawole To support more than 250 artists’ residen- Celeste Miller, Linda Parris-Bailey, Elise Willa Jo Zollar, set designer Kevin Ham- Witt, Jo Carson, and Paula Larke. cies for wñters, composers, and visual ilton, and percussionist Edwina Lee Tyler. and performing artists. Crosspulse $20,000 Yellow Springs Institute for Cactus Foundation for Pam Casey El Sobrante, CA Los Angeles, CA $12,000 To support a new collaborative work by Contemporary Studies and the Arts percussionist/rhythrn dancer Keith Terry Chester Spñngs, PA To support the creation of a new work by $22,000 the movement-based performance ensem- and Indonesian choreographer/pefformer I To support the Interdisciplinary Artists’ ble Shrimps, composed of artists Pamela WayanDibia. Residency Program, emphasizing the Casey, Steven Nagler, Gail Gonzalez, and development of experimental works in Cultural Council Foundation for Sonic interdisciplinary/performance art. Martin Kersels in collaboration with Weba Garretson, Mark Wheaton, and Architecture Steve Stewart. New York, NY $10,000 Artists’ Projects: New Forms To support an environmental interactive sound installation by artists Bill and Mary To encourage experimental, innovative of Los Angeles Buchen. projects that challenge the traditional art Los Angeles, CA $14,000 To support the commission of a new forms. This category supports the crea- Cultural Council Foundation for tion and production of original work that collaborative work by choreographer Biondell Cummings extends or explores both single-discipli- Ishmael Houston-Jones, writer Dennis New York, NY $12,000 nary and multi-disciplinaryforms by Cooper, composer Toro Recchion, and To support the creation of a new perform- individual artists, groups of collaborating director Peter Brosius by the Mark Taper ance work based on the life of Josephine artists, and/or ongoing ensembles. Forum. Baker by choreographer/director Blondell Cummings. 60 Grants Centro Cultural de la Raza, Inc. Program Funds: $772,825 San Diego, CA $20,855 Cultural Council Foundation for To support a travelling show of site- Pepatian Allied Productions, Ine. for Beatríce specific performance events and public New York, NY $12,000 Roth installations by The Border Arts Work- To support a new collaborative project New York, NY $11,I00 shop, composed of collaborators Michael combining music, dance, visual art, film, To support "Broken Cups," a work-in- Schnorr, Victor Ochoa, Bertha Jottar, text, and projections by collaborating progress by Beatrice Roth in collaborationEmily Hicks, Guillermo Gomez-Pena, artists Pepon Osorio, Medan Soto, Ela with Debby Lee Cohen, Nudt Tilles, and Richard Lou, Robert Sanchez, and Rocío Troyano, Alfredo Bejar Aguirre, and Brooks Williams. Weiss. Lourdes Torres Comanche.

61 Dance Theater Workshop, Inc. for Franklin Furnace Archive, Inc. for Ken Los Angeles Contemporary Shelley Hirsch Butler Exhibitions, Inc. for Bruce and New York, NY $12,000 New York, NY $7,000 Norman Yonemoto To support the crcation of a new perform- To support a multimedia solo performanceLos Angeles, CA $12,000 ance piece by composer/performer Shelley by visual and sound artist Ken Butler. To support the creation of a new vidco Hirsch in collaboration with compos~r Franklin Furnace Archive, Inc. for work by collaborating artists Bruce and David Weinstein, filmmaker Eric Muzzy, Julia Heyward Norman Yonemoto and . and costume designer Liz Prince. New York, NY $10,000 To support the creation of a new work by Los Angeles Poverty Department Dancing in the Streets, Inc. collaborating artists Julia Heyward, Los Angeles, CA $13,900 for Elizabeth Streb Mimi Goese, and Urszula Dudziak. To support a residency and the develop­ New York, NY $11,000 ment of new work by the performance To support the creation of "Vanishing Hallwalls, Inc. ensemble. Point," a new work by Elizabeth Streb. Buffalo, NY $7,500 To support the creation of a multi-media Downtown Art Co. for Hoily Hughes installation by visual artist Charles Long., Inc. Baltimore, MD $14,000 New York, NY $7,000 Installation Gallery To support the creation of a new work by To support Diverse Works 1990, a resi- San Diego, CA $12,000 dency project joining visiting directors Par writer/performer Holly Hughes. To support the creation of a series of collaborative events by artísts Louis Hock, Oleszko, Rinde Eckert, and Blondell Elizabeth Siseo, David Avalos, and Cummings with regional artists in the Field Papers, Inc.’~ creation of new works. New York, NY $7,500 Deborah Small. To support the creation of a new work by collaborating artists Dana Reítz, Steve Institute of Contemporary Art Maryland Art Place, Inc. Paxton, Polly Motley, Laurie Booth, HansBoston, MA $25,000 Baltimore, MD $12,000 Peter Kuhn, and Jennifer Tipton to prender To support the creation and production of a new music vídeo documentary theater To support Diverse Works 1989, a resi­ at the 10th Pepsico Summerfare. A coop­ work by composer and video/ dency project joining visiting artistic di­ erative project also funded by the Dance visual artíst Beryl Korot. rectors Kay Lawal, , and Program: $7,500 anda ~Chairman’s John Malpede with regional artists in the Action Grant of $10,000, for a total of Interaction Arts Foundation, Inc. for creation of new works. $25,000. Jerri Allyn New York, NY $10,000 Massachusetts Institute of Technology Filmforum, Inc. for David Wilson To support a new work by visual/installa- Cambridge, MA $25,000 Los Angeles, CA $10,960 tion artist Jerri Allyn. To support the production and presentation To support the creation and development of a new multi-media visual theater work of a series of installations by artist David International Arts Relations, Inc. (INTAR) for John Jesrun by Robert Whitrnan, to be presented at Wilson. New York, NY $8,470 the List Visual Arts Center at M1T, The To support the creation of a new work by Kitchen in New York City, the Painted Foundation for Dance Promotion, Inc. John .lesrun exploñng bis own Spanish- Bride in Philadelphia, and the Walker Arts New York, NY $35,000 Puerto Rican heñtage. Center in Minneapolis. To support the creation of a new work combiníng movement, text, and music; Jacob’s Pillow Dance Festival, Inc. collaborating artists include the World Lee, MA $20,000 Movement Research, Inc. for Yvonne Saxophone Quartet, set designer Huck To support the commission of a new work Meier Snyder, and choreographer Bill T. Jones. by British artist Jonathan Stone, to be New York, NY $7,020 developed during a residency at Jacob’s To support a new work by dance/perform­ Foundation for Independent Artists, Pillow, and other related costs, ance artist Yvonne Meier. Inc. for Urban Bush Women Kulintang Arts, Inc. New York, NY $25,000 San Francisco, CA $15,!300 Nexus, Inc. To support collaboration on a new work To support the creation of a new work Atlanta, GA $25,000 by artistic director Jawole Willa Jo Zollar, resulting from a collaboration between To support the comndssion of a new site choreographer Pat Hall-Sndth, composer the members of Kulintang Arts and Jon specific work by designer/visual artist Carl Riley, and writer Angie Debord. Jang’s Pan-Asian Arkestra. Dan Graham.

62 INTER-ARTS

Painted Bride Art Center, Inc. Ridge Theater Theater Artaud Philadelphia, PA $7,000 New York, NY $ 6,175 San Francisco, CA $17,000 To support the creation of a new work by To support the second act of an opera/ To support the creation of a new work composer/performer "Blue" Gene Tyrannyperformance piece in progress by the based on the writings of Cecile Pineda by to be presented in 1990 during The Elec- Ridge Theater and composer . collaborating artistic director Ellen Sebas­ trical Matter: Opinions and Conjectures tian, filmmaker Ashley James, musicians festival in Philadelphia. Tim White and Silvia Nakkach, and scenic , Inc. designer Grant Ditzler. Parabola Arts Foundation, Inc. for New York, NY $12,000 Mary Lucier To support the development of a cycle of Unique Projects, Inc. New York, NY $12,000 songs by composer Robin Holcomb, into New York, NY $20,000 To support the creation of a mixed-media an evening-length performance piece, to To support the creation and production of installation by video/visual artist Mary be arranged by Wayne Horvitz and di- a dance opera performance work by Lucier. rected by Carey Perloff. composer Stewart Wallace, librettist Mi­ chael Korie, visual artist Dee Wolff, and Performance $pace 122, Inc. for Eileen choreographer/director Ann Carlson. Myles Santa Monica Museum of Art New York, NY $7,000 Santa Monica, CA $I0,000 University of Colorado, Boulder To support the creation of a performance To support the commission of a new Boulder, CO $10,000 piece by writer Eileen Myles, choreogra-collaborative installation and artists’ bookTo support the creation phase of a large­ pher Ellen Fisher, and visual artist Thomasby poet Amy Gerstler and visual artist scale art project "From the Continental Berry. Alexis Smith. Divide to the Denver Plain: A Meditation on the Boulder Creek Watersh¢d," by Performance Space 122, Inc. for Newton and Helen Mayer Harñson. Dancenoise~" Segue Foundation, Inc. for Barbara New York, NY $5,000 Chang New York, NY Walker Art Center, Inc. To support a new performance work by $7,000 Minneapolis, MN $10,000 Lucy Sexton and Anne Iobst in collabora- To support an evening-length performanceTo support the creation of a large-scale tion with David Linton. collaboration between choreographer installation/performance work to be Barbara Chang, composer , conceived and directed by Ann Carlson. ~’Chairman’s Action Grant and sculptor Yong Soon Min. Pick Up Performance Company, Inc. Washington Project for the Arts, Inc. New York, NY $7,000 Seven Stages, Inc. Washington, DC $14,000 To support the creation of a new work by Atlanta, GA $10,000 To support the creation of a multimedia writer/director . To support the development of a new musicinstallation by Baltimore artist Pat Ward theater work based on the life of Charlie Williams. Pyramid Arts Center, Inc. for Karen Parker by writer Robert Earl Price, com- Finley poser Fuasi Khaliq, and artistic director Washington Project for the Arts, lnc. Rochester, NY $12,000 Del Hamilton. Washington, DC $16,000 To support a new installation/performance To support the creation of ah installation/ work by artist Karen Finley. performance by San Diego artist James Southern Theater Conspiracy, Inc. Luna. Randolph Street Gallery, Inc. Atlanta, GA $10,000 Chicago, IL $11,420 To support the creation of a new perform- White Columas, Inc. To support the development and presenta- ance work by playwfight Rebecca Wack- New York, NY $9,925 tion of a new visual/audio work by Dorit ler, composer Ron Short, and photographer To support the creation and exhibition of Cypis. Nancy Spencer. ah installation piece by visual artist Fred Wilson. Randolph Street Gallery, Inc. for Lin Hixson Sushi, Inc. for Guillermo Gomez-Pena Wilma Theater Chicago, IL $7,000 San Diego, CA $12,000 Philadelphia, PA $12,000 To support the creation of a new work by To support the creation of the second part To support a collaborative creative devel­ the performance collaborative Goat Island of a trilogy by performance artist Guil- opment process between Wilma Theater combining text, movement, and thealricallermo Gomez-Pena with film and video artistic director Jiri Zizka, writer/director elements, work by Isaac Artenstein. Dario Fo, and translator Ron Jenkins. 63 New Forms Regional Initiative New England Foundation for the Arts of existing and/or new works. SERVICES Cambddge, MA $15,000 TO PRESENTING ORGANIZATIONS To support a grants program for artists in grants ate awarded to state and regional 13 Grants the New England states, in collaboration arts agencies and service organizations Program Funds: $195,000 with Inquilinos Boricuas En Accion, to helppresenters improve theirprofes­ Refugee Arts Group, and the Middle sional skills. DANCE/INTER-ARTS/STATE Colorado Dance Festival, Inc. Passage Educational and Cultural PROGRAMS PRESENTING/TOURING Boulder, CO $15,000 Resources, Inc. INITIATIVE assists presenters in booking To support a grants prograrn administered nationally recognized dance companies collaboratively with the Helena Film Painted Bride Art Center, Inc. and dance artists through supporting Society for artists in the states of Colo­ Philadelphia, PA $25,000 store arts agencies and regional organi- rado, Idaho, Montana, Nevada, Utah, and To support a grants program for artists in zation projects. This is a cooperative Wyoming. Pennsylvania, New Jersey, Virginia, West effort between the Endowment’s Inter- Vírginia, Maryland, Delaware, and the Arts, Dance, and States Programs in District of Columbia. Contemporary Arts Center, New consultation with presenters, dance companies, artists, and state/regional Orleans Puerto Rico Community Foundation, New Orleans, LA $15,000 arts agency representatives. This initiative Inc. isadministeredbythelnter-ArtsProgram. To support a grants program for artists in Hato Rey, PR $10,000 the states ofAlabama, Arkansas, Louisi- This section presents a partial list of To support a grants program for artists in these grants; the remaining grants ore ana, and Mississippi. Puerto Rico. included under the same subcategory in Randolph Street Gallery, Inc. the Dance Program and Dance on Tour in Hallwalls, Inc. the States Program. Buffalo, NY $15,000 Chicago, IL $15,000 To support a grants prograrn for artists in To support a grants program for artísts in upstate New York. the states of Illinoís, Indiana, Michigan, 113 Grants and Ohio. Program Funds: $1,877,560 Treasury Funds: $200,000 Intermedia Arts of Minnesota, Inc. Southeast Community Cultural Center, Minneapolis, MN $15,000 Inc. Anchorage Concert Association, Inc. To support a grants program for artists in Atlanta, GA $15,000 Anchorage, AK $20,000 the siates of Minnesota, Iowa, Wisconsin,To support a grants program for artists in To support marketing, production, and Nebraska, Kansas, North Dakota and the states of Georgia, Kentucky, Tennes- administrative expenses of multidiscipli- South Dakota. see, North Carolina, and South Carolina. nary arts presentations during the ACA’s 1989-90 season. 80 Langton Street, Inc. State Dance Association of Florida, San Francisco, CA $15,000 Inc. Appalshop, Inc. To support a grants program administered Miami Beach, FL $10,000 Whitesburg, KY $14,1300 in collaboration with the Multi-Cultural To support a grants program administered To support administratíve fees and related Arts Consortium and Artist Trust for collaboratively with the Metro-Dade costs for the 1989-90 season of this artists in Alaska, northem Califomia, County Cultural Affairs Council for artistsmultidísciplinary presenter located in the Oregon, and Washington. in the state of Florida. heart of the Appalachian mountains.

Los Angeles Contemporary Presenting Organizations Artswatch, Inc. Exhibitions, Inc. Includesfour subcategories: GRANTS TO Louisville, KY $5,000 Los Angeles, CA $15,000 PRESENTING ORGANIZATIONS ore To support artists’ lees and related costs To support a grants prograrn for artists in designed to improve the ability ofprofes­ for the 1989-90 season of interdisciplinary southem Califomia, Nevada, and Hawaíi. sional presenting organizations to present presentations. diverse, high-quality arts programming Mexic-Arte in their communities. PARTNERSHIPS IN Asia Society Austin, TX $15,000 COMMISSIONING AND TOURING New York, NY $15,000 To support a grant program collaboratively grants are available to multidisciplinary To support administrative expenses, administered with DiverseWorks in Hous- presenting organizationsfor the commis­ production expenses, and related costs for ton for artists in the states of Añzona, sioning and touring ofnew works, and a series of Japan-related performances New Mexico, Oldahoma, and Texas. for the central coordination oftours during the 1989-90 season. INTER-ARTS

Baltimore Theatre Project, Inc. City of Madison/Madison Civic Center Dance Theater Workshop, Inc. Baltimore, MD $10,000 Madison, WI $20,000 New York, NY $72,500 To support artists’ fees and related costs To support artists’ fees and related costs To support artists’ lees and related costs for the 1989-90 season of new and experi- for the 1989-90 season including a series for the 1989-90 presentation season. mental work in theater and dance, of contemporary performance events and the educational/outreach component of Dancing in the Streets, Inc. Black Arts Alliance, Inc. "Art on the Edge" lecture series. New York, NY $5,000 Austin, TX $7,500 To support artists’ fees and related costs City of San Antonio/Carver To support artists’ fees and related costs for the 1989-90 Annual Performance Community Cultural Center for the 1989-90 presentation season. Series, a multidisciplinary presentation of San Antonio, TX $7,500 Black theater, poetry, music, and dance, To support marketing, development, and Davis & Eikins College related costs for the 1989-90 season of multi-ethnic, contemporary programmíng. Elkins, WV $9,000 Brooldyn Academy of Music, Inc. To support artists’ fees, administrative Brooldyn, NY $200,000 CITYFOLK, lnc. expenses, and related costs for a five-week To support administrative costs, artists’ Dayton, OH $10,000 summer festival of public performances fees, and production expenses associated To support artists’ fees and related costs and workshops. with the 1989 Next Wave Festival, for the 1989-90 season which will include DanceAfñca, and the DanceAfrica Na- presentations that reflect a variety of District Curators, Inc. tional Tour. cultural communities within the city of Washington, DC $16,500 Dayton. To support artists’ fees and related costs Brooklyn Arts Council for the 1989-90 presentation season. Brooklyn, NY $10,000 Contemporary Arls Center, Cincinnati To support artists’ fees and related costs Cincinnati, OH $5,000 for the 1989-90 Fringe Series of original To support artists’ fees and related costs Experimental productions, for the Center’s "Next Stage" series dufing Intermedia Foundation, Inc. the 1989-90 season. New York, NY $7,000 Carter G. Woodson Foundation, Inc. To support artists’ fees and related costs Contemporary Arts Center, New for the 1989-90 season of contemporary Newark, NJ $5,000 Orleans To support artists’ fees and audience arts events. New Orleans, LA $7,500 development costs for New Artists/New To support artists’ fees and related costs Audiences, a subscfiption series of Affi­ for the 1989-90 presentation season. Exploratorium can-American performing artists. San Francisco, CA $20,000 Theater Projects Consultants, Inc. To support artists’ fees and related costs Catamount Film and Arts Company New York, NY $50,000 for the 1989-90 season, including "Speak- St. Johnsbury, VT $13,000 For a cooperative agreement to conducta ing of Music," the performance/discussion To support artísts’ fees and related costs feasibility study for the development of series "Crossover," and "Performance for the 1989-90 season to improve and performance facilities within the Interna- Residencies." expand staff, and to promote audience tional Cultural and Trade Center in Wash- development, ington, D.C. Flynn Theatre for the Performing Arts, Center for Contemporary Arts of Santa Cornell University Ltd. Burlington, VT Fe, Inc. Ithaca, NY $5,000 $7,000 To support artists’ fees, administrative Santa Fe, NM $15,000 To support artists’ fees and related costs expenses, and marketing and production To support artists’ lees and related costs for the 1989-90 season to bfing contempo- costs associated with presenting the for the 1989-90 season, rary work by Ameñcan artists and compa­ "American Festival," a multicultural, nies into the region. multidisciplinary project. City Celebration, Inc. San Francisco, CA $5,000 Creative Time, Inc. Franklin Furnace Archive, Inc. To support artists’ fees and related costs New York, NY $15,000 New York, NY $7,500 for two concerts involving four multicul- To support artists’ fees and related costs To support audience development and tural performing ensembles during the for the 1989-90 season of contemporary technical assistance efforts by Franklin 1989-90 season, arts events. Fumace during the 1989-90 season.

65 Friends of the KiMo/City of Institute of Contemporary Art La Pena Cultural Center, Inc. Albuquerque Boston, MA $30,000 Berkeley, CA $8,600 Albuquerque, NM $10,000 To support artists’ lees and related costs To support artists’ fces and r¢lat¢d costs To support costs associated with present­ for the 1989-90 season of contemporary for the 1989-90 season, including inter­ ing the first annual Rio Grande NewArt presentations, disciplinary productions by multicultural Festival, showcasing intemational, conti­ Califomia-based and natíonal pefforming nental, and regionally-based dance, Inter-Media Art Center, In¢. companies. theater, music, performance art, and visualHuntington, NY $5,000 arts. To support artists’ fees and related costs Leland Stanford Junior University for the 1989-90 presentation season. Board of Trustees Fund for the Borough of Brooklyn, Stanford, CA $15,000 Inc. To support Amefican artists’ fees and Brooklyn, NY $7,500 Jacob’s Pillow Dance Festival, Inc. related costs for the 1989-90 "Lively Arts" To support artists’ fees and related costs Lee, MA $25,000 presentation season. for the 1989-90 season, including the To support artists’ fees and related costs Prospect Park Bandshell señes "Celebrate for the 1989-90 season, including the Lífe on the Water Brooklyn," a year-round pefforming arts "Splash Festival," which adds jazz and San Francisco, CA $7,500 festival, gospel music to augment music, dance, To support artists’ fees and related costs and performance art presentations, associated with the 1989-90 presentation Gallaudet University season. Washington; DC $50,000 Japanese American Cultural and For support of"The Deaf Way," an inter- Community Center Lime Kiln Arts, Inc. national arts festival and conference Los Angeles, CA $30,000 Lexington, VA $5,000 scheduled for July 1989. To support American artists’ fees and To support administrative expenses and related costs for the 1989-90 presentation related costs for the 1989-90 presentation Guadalupe Cultural Arts Center season, season focused on art that reflects the San Antonio, TX $5,000 history and culture of the region. To support artists’ fees and related costs Joyce Theater Foundation, Inc. Lincoln Center for the Performing for the 1989-90 Guadalupe Theater series New York, NY $25,000 of regionally and nationally acclaímed To support andience development efforts Arts, Inc. Hispanic ensembles and companies, New York, NY $75,000 at the Joyce Theater for the 1989-90 To support artists’ fees and related costs Haleakala, Inc. presentation season, for the 1989-90 presentation season, New York, NY $60,000 including Lincoln Center Out-of-Doors, To support artists’ fees and related costs Keene State College Community Holiday Festival, Great for the 1989-90 season in The Kitchen’s Keene, NH $5,000 Performers’ contemporary events, and the effort to encourage emerging and experi­ To support a festival at the college that summer series "Serious Fun." mental artists, involves the presentation of contemporary performances, workshops, lecture/demon- Los Angeles tlallwalls, Inc. strations, and master classes in a format Contemporary Exhibitions, Inc. Buffalo, NY $10,000 conducive to experimentation for both Los Angeles, CA $10,000 To support staff salaries and related artist and audience. To support artists’ fees and related costs administrative expenses in conjunction for the 1989-90 presentation season of with Hallwalls’ 1989-90 presentation LPL Plus APL interdisciplinary work. season. Lewiston, ME $5,000 Maine Festival of the Arts, Inc. Helena Film Society, Inc. To support artists’ fees and related costs Portland, ME $8,000 Helena, MT $27,500 for the 1989-90 presentation season. To support "New Performances: Inside To support artists’ fees and related costs and Out," a series for 1989 focusing on for the 1989-90 season to expand pro­ La Mama Club, experimental new works in the categories gramming and to develop multiple Inc. of theatre, music, dance, and interdisci- performances. New York, NY $30,000 plinary performance. To support projects which include: a new Humboldt State University Foundation ballet based on the myth of Osiris, a new Mamaroneck Free Library Arcata, 9Á $28,000 piece by the Kid Brothers, a multi- Mamaroneck, NY $7,500 To suppórt artists’ fees associated with media piece by Molly Davies, and a To support artists’ fees and related costs increased artists’ residencies during the collaboration between Max Roach and for the 1989-90 presentation season at 1989-90 season. George Ference. Emelin Theatre.

66 INTER-ARTS

Mary Lufl and Company, Inc. New York Shakespeare Festival Randolph Street Gallery, Inc. Miami, FL $5,000 New York, NY $20,000 Chicago, IL $5,000 To support artists’ fees and related costs To support American participation in the To support staff and artistic salaries and for the 1989-90 presentation season of 1989 Festival Latino en Nueva York. (This marketing efforts to enhance earned interdisciplinary work. grant was jointly funded with the Theater, income in the presentation of contempo­ Opera-Musical Theater, and Music Pro­ rary arts events during the 1989-90 season. Maui Philharmonic Society grams for a total of $50,000.) Wailuku, HI $5,000 Real Art Ways, Inc. To support artists’ lees and related costs North Carolina State University at Hartford, CT $10,000 for the 1989-90 presentation season. Raleigh To support artists’ fees and related costs Raleigh, NC $5,000 for the 1989-90 presentation season. Milwaukee Art Museum, Inc. To support artists’ lees and related costs Milwaukee, WI $7,000 for the 1989-90 presentation season. San Antonio Performing Arts To support artists’ fees and related costs Association for the 1989-90 presentation season. On the Boards San Antonio, TX $7,500 Seattle, WA $30,000 To support administrative expenses for the MoMing Dance & Arts Center, Inc. To support artists’ fees and related costs 1989-90 presentation season. Chicago, IL $10,000 for the 1989-90 New Performance Series To support artists’ fees and related costs involving residencies of contemporary San Francisco Performances, Inc. artists. San Francisco, CA $20,000 for the 1989-90 presentation season. To support artists’ fees and related costs Painted Bride Art Center, Inc. Mobius, Inc. for the 1989-90 10th anniversary presenta­ Philadelphia, PA $17,500 tion season. Boston, MA $5,000 To support artists’ fees and related costs To support artists’ fees and related costs for the 1989-90 presentation season. for the 1989-90 presentation season, Snug Harbor Cultural Center, Inc. including the Exchange Program, Boston/Pennsylvania State University Main Staten Island, NY $5,000 Regional Artists Series, and the Interna­ Campus To support artists’ fees and related costs tional Sound Art Festival. University Park, PA $5,000 for the 1989-90 presentation season. To support artists’ fees and related costs So¢iety for the Performing Arts More Productions, Inc. for the 1989-90 presentation season Houston, TX $15,000 Tucker, GA $5,000 focused on multicultural programming, To support artists’ fees and related costs To support artists’ fees and related costs contemporary art forros, and emerging for the 1989-90 presentation season. for the 1989-90 presentation season, artists. Spoleto Festival U.S.A. Music Center of Los Angeles County Pentangle Charleston, SC $100,000 Los Angeles, CA $10,000 Woodstock, VT $5,000 To support administrative fees and promo­ To support administrative salaries for the To support artists’ fees and related costs tional expenses associated with the 1989 1989-90 presentation season, for the 1989-90 presentation season, ar.d 1990 festivals and other related Performance Space 122, Inc. expenses in the presentation of new works Music Hall Center for the Performing and Ameñcan premieres. Arts, Inc. New York, NY $20,000 To support artistic, administrative, and Detroit, MI $5,000 St. Ann Center for Restoration and the To support administrative expenses and marketing costs to aid P.S. 122 in its presentation of interdisciplinary work. Ai’ts, Inc. marketing and promotional costs associ- Brooklyn, NY $12,000 ated with The New Masters señes during Httsburgh Children’s Festival, lnc. To support Phase II of a marketing/ the 1989-90 season. Pittsburgh, PA $5,000 development plan that provides for pñmary To support artists’ fees and related costs brochures and supplementary (event- New Langton/80 Langton Street, Inc. for the 1989-90 presentation season, specific) brochures along with upgraded San Francisco, CA $6,000 newspaper and radio advertising duñng To support artists’ fees and related costs Purdue University Main Campus the 1989-90 season. for the 1989-90 presentation season. West Lafayette, IN $10,000 To support artists’ fees and promotional Stamford Center for the Arts, Inc. New York Shakespeare Festival and production expenses in the presenta­ Stamford, CT $10,000 New York, NY $25,000 tion of a series called "New Directions" To support arfists’ fees and related costs To support development and coordination during the 1989-90 season, focusing on for the 1989-90 presentation season, of the summer 1989 tour of Festival contemporary and experimental including the New Vaudeville, Magic of Latino. programming. Dance, and New Music Series. 67 Sushi, Inc. University of Arizona University of Kansas/Concert and San Diego, CA $7,500 Tucson, AZ $5,000 Chamber Music Series To support NEOFEST VII, the Seventh To support artists’ fees and related costs Lawrence, KS $16,000 Annual Festival of the New Arts focused for the 1989-90 presentation season. To support artists’ fees and related costs on new interdisciplinary works by local for the New Dire¢tions component of the and visiting artists. University of California-Los Angeles 1989-90 Concert and Chamber Music Los Angeles, CA $20,000 Series. Symphony Space, Inc. To support planning and research costs New York, NY $7,500 associated with the September 1990 University of Massachusetts at Amherst To support artists’ fees and related ex­ Pacific Rim Arts Festival to take place in Amherst, MA $7,700 penses for "Selected Shorts" and the Cur- both Los Angeles and New York. To support programming for the 1989-90 riculum Arts Project. season, which includes events that focus University of California-Berkeley on American pefforming artists, "Four Berkeley, CA $50,000 Front" programs, and Third World pro­ Tears of Joy Theatre To support artists’ lees and related costs , WA $7,500 for the 1989-90 season, including com- ductions of music, dance, and theater. To support the 1989 International Chil­ missioning and presentation of several dren’s Festival which celebrates cultural contemporary dance, theater, and music University of Minnesota/Northrup exchange between the people of Washing- events. Auditorium ron state and the Pacific Basin. St. Paul, MN $7,500 University of California-Davis To support artists’ fees and production The art.re.grup, Inc. Davis, CA $10,000 expenses for performances by Martha San Francisco, CA $5,000 To support artists’ fees along with devel- Clarke, , and To support artists’ fees and related costs opment and promotional efforts for UC Project, anda collaboration between Paul for the 1989-90 presentation season. Davis’ Arts and Lectures programming inDresher and Rinde Eckert during the the greater Sacramento metropolitan arca 1989-90 season. Theater Artaud duñng the 1989-90 season. San Francisco, CA $23,560 University of Nebraska-Líncoln/ To support artists’ lees, marketing, and University of California-Riverside Kimball Hall production costs during the 1988-89 Riverside, CA $5,000 Lincoln, NE $25,000 season. To support artists’ fees during the 198% To support artists’ fees and related costs 90 season in the presentation of ethnicallyfor the 1989-90 presentation season at Thelma Hill Performing Arts Center, and culturally diverse programming. Kimball Hall and the new Lied Center for Inc. the Performing Arts. Brooklyn, NY $5,000 University of California-Santa To support artists’ fees, promotional and Barbara/Arts and Lectures University of Washington/Meany Hall marketing expenses, and other project Santa Barbara, CA $30,000 Seattle, WA $5,000 related costs of a program entitled "Black To support artists’ fees for expanded To support audience development efforts Women Choreographers and Their programming of culturally and ethnicallyassociated with the 1989-90 presentation diverse artists and art fonns during the Companies." 1989-90 presentation season. season.

Trustees of the University of University of Illinois/Krannert Center Virginia Museum of Fine Arts Pennsylvania Champaign, IL $7,700 Richmond, VA $7,500 Philadelphia, PA $25,000 To support artists’ fees and related costs To support the continuation of "Fast/ To support artists’ fees and related costs for the 1989-90 Marquee season and to Forward," a performing arts series that for the 1989 Philadelphia International continue support of the special audience focuses on expeñmental work in dance, Theatre Festival for Children at the Ah­ development initiative for senior citizensmusic, and performance art. nenberg Center. and the physically challenged. Visual Arts Research and Resource United Jewish Y’s of Long Island, Inc. University of Iowa/ Center Relatíng to the Caribbean, Inc. Plainview, NY $5,000 Hancher Auditorium New York, NY $25,000 To support audience development and Iowa City, IA $24,000 To support initial planning for develop­ marketing efforts in the 1989-90 presenta- To support artists’ fees and related costs ment of the Network of Cultural Centers tion season, for the 1989-90 presentation season, of Color. 68 INTER-ARTS

Visual Arts Research and Resource Young Men’s & Young Women’s Dance/Inter-Arts/State Programs Center Relating to the Caribbean, Inc. Hebrew Association Presenting/Touring Initiative New York, NY $5,000 New York, NY $90,000 To support a~tists’ fees and production To support artists’ lees, expansion of To assistpresenters to book nationally costs for the 1989-90 presentation season, programming, and strategies for strength- recognized dance companies and dance ening ability to generate earned and artists by supporting state arts agency contfibuted income duñng the 1989-90 and regional organization projects which Walker Art Center, Inc. season of multidisciplinary arts serve these ends. Minneapolis, MN $95,000 presentations. To support artists’ fees and related costs 4 Grants for the 1989-90 presentation season. Services to Presenting Program Funds: $274,900 Organizations Washington Performing Arts Society California Arts Council Washington, DC $40,000 Sacramento, CA $50,000 To support artists’ fees and related costs 6 Grants For artists’ fee support to encourage the for the 1989-90 presentation season. Program Funds: $136,500 presentation of out-of-state dance compa­ Arts Midwest nies throughout the 1989-90 season. Washington Universíty/Edison Theatre Minneapolis, MN $20,000 Commonwealth of Pennsylvania St. Louis, MO $5,000 To support the Multicultural Performance Council on the Arts To support artists’ fees for the 1989-90 Presenters Network (MPPN) program Harñsburg, PA $45,000 presentation season including the "Ova- during the 1989-90 season. For artists’ lee support to presenters of tions!" señes, children’s series, and a out-of-state dance companies during the drama studio series at the Edison Theatre. Association of Performing Arts Presenters, Inc. 1989-90 season. Washington, DC $55,000 Spider Kedelsky Watermelon Studio, Inc. To support projects during the 1989-90 Jamaica Plain, MA $5,000 season to assist presenter development and New York, NY $24,900 To support costs associated with the fifih training. To support a cooperative agreement/ armual Women in Theatre Festival. contract with a contractor who will serve Míd-America Arts Alliance as liaison between all of the organizations Kansas City, MO $25,000 involved in Dance on Tour: dance artists Wesleyan University To develop and provide programs that and companies, booking coordinators, Middletown, CT $25,000 help presenters increase professional presenters, the Arts Endowment, state arts To support artists’ fees, administrative skills, expand programming, and to agencies, regional arts organizations, expenses, and other related costs in the strengthen presenter networking duñng service organizations, and private funding presentation of arts events associated with the 1989-90 season, sources. a conference entitled, "The Cultural Impact of Colonialism and Imperialism,"New England Foundation for the Arts Mid-America Arts Alliance during the 1989-90 season. Cambñdge, MA $10,000 Kansas City, MO $155,000 To strengthen the professional skills and For artists’ fee support to presenters throughout Arkansas, Kansas, Missouri, Women and Their Work, Inc. artistic knowledge of arts presenters in the New England region. Nebraska, Oklahoma, and Texas for Austin, TX $10,000 presenting dance companies during the To support artists’ lees and related costs Western Alliance of Arts 1989-90 season. for the 1989-90 presentation season. Administrators Foundation Los Angeles, CA $11,000 Partnerships in Commissioning Wooster Group, Inc. To support the presentation of two in- and Touring New York, NY $5,000 depth seminars in the areas of chamber To support artists’ fees and production music presentation and technícal support. To support commissionsfor new work by costs associated with the 12th Visiting ah artist or performing ensemble by three Artists Señes at The . Western States Arts Federation of more presenters in three different Santa Fe, NM $15,500 cities and touring networks to enable To support the Westem States Presenter significant works by three or more artists World Music Institute, Inc. Incentive Project which will aid in the and/or companies to tour nationally. New York, NY $7,500 development, maintenance, and expansion To support artists’ fees and related costs of presenting and toufing in the West 13 Grants during the 1989-90 presentation season, during the 1989-90 season. Program Funds: $447,500

69 Appalshop, Inc. Performance Space 122, Inc. Alternate Roots, Inc. Whitesburg, KY $40,000 New York, NY $40,000 Atlanta, GA $19,000 To support the American Festival Project To support the P.S. 122 Field Trips, a To support a sedes of five regional work- touring network, national touring program for solo and shops and up to 20 artistic residencies small ensemble works by emerging artists,during the 1989-90 season. Brooklyn Academy of Music, Inc. Brooldyn, NY $50,000 Society for the Performing Arts American Council for the Arts, Inc. To support the co-commission of a new Houston, TX $25,000 New York, NY $17,500 work by , "The ElectronicTo support the commission of David To support a market survey of the health Theater," to be presented by the Brooklyn Gordon’s "United States" by presenters insurance buyíng behavior of originating Academy of Music, the Spoleto Festival, nationwide, artists. and the UCLA Center for the Performing Arts. University of California-Berkeley Arizona Commission on the Arts Berkeley, CA $50,000 Phoenix, AZ $9,000 Dance Theater Workshop, Inc. To support the commission and presenta- To support ah Arizona Artists Conference New York, NY $I00,000 tions of a new work by Merce sponsored by local and state arts agencies. To support artist residencies as part of the Cunningham to be presented at Zellerbach National Performance Network, the annual Hall, the Madison Civic Center, Dart- ,Arts Council of Southern Oregon, Inc. meeting of primary sponsors, and the mouth College, and the University of producers’ travel fund. Medford, OR $7,500 Massachussetts. To support operation and expansion of the Western Arts Management Institute Dancing in the Streets, Inc. University of Iowa New York, NY $12,500 (WAMI), which provides an intensive To support the development of a touring Iowa City, IA $15,0Ó0 residential training program for artists, program of site-related works for public To support the co-commission and pres­ arts administrators, and volunteers. spaces. entation costs of a new work by Paul Dresher and Rinde Eckert to be presented Artspace Projects, Inc. Humboldt State University Foundation by Hancher Auditorium, The American Minneapolis, MN $20,000 Arcata, CA $40,000 Music Theater Festival, and Walker Art To support the administrative costs for a To support the co-commission of a new Center. project, "Workspace Improvement Allow- work by Joanne Akalaitis, Terry Allen, ance Program." and Eric Overmyer to be presented by Walker Art Center, Inc. CenterArts, the Ameñcan Music Theater Minneapolis, MN $20,000 Associatíon of Performing Arts Festival, Walker Art Center, and the To support the creation of a new work by Presenters Hopkins Center/Dartmouth College. John Jesurun to be presented by the Walker Washington, DC $67,175 Art Center, Los Angeles Festival, and For a cooperatíve agreement that will Intermedia Arts of Minnesota, Inc. the American Museum of the Moving enable qualified experts to perform artistic Minneapolis, MN $10,000 Image. and administrative evaluations of approxi­ To support the creation of a new work by mately 300 applicants to the Inter-Arts Melisande Charles and Jan Gilbert to be Services to the Arts Program. presented by Painted Bride, the Women’s For activities that serve professionaL Inter-Art Center, Real AI~ Ways, and Association of Performing Arts Middlebury College. artists and arts organizations involved in more than one art form on a national Presenters Jacob’s Pillow Dance Festival, Inc. or regional level. Washington, DC $1,444 l_ze, MA $35,000 For ah amendment to cooperative agree­ To support the creation of new works by 35 Grants ment to convene a seminar in Washington, choreographers Bebe Miller and Ralph Program Funds: $453,529 D.C. bdnging together artists who tour Lemon to be presented by Jacob’s Pillow and Endowment staff to improve coordi­ and 8-10 members of New England ATLATL nation of Endowment support for present­ Presenters. Phoenix, AZ $15,000 ing activities. To support the Native Arts Network On the Boards conference to be held in Washington, D.C. Assocíation of Hispanic Arts, Inc. Seattle, WA $10,000 New York, NY $8,000 To support the co-commission of a new Allied Arts Foundation To support a marketing survey that will work by Llory Wilson to be presented by Seattle, WA $5,000 explore the establishment of a collective On the Boards, Painted Bñde Art Center, To support the Artists’ Task Force on the marketing program for several Hispanic and Dance Theater Workshop. Arts Report. companies and museums.

70 INTER-ARTS

Astro Artz Elalne Summers Middle Passage Educational and Santa Monica, CA $10,000 Experimental Intermedia Foundation, Cultural Resources, lnc. To support expanded dissemination of Inc. Boston, MA $5,000 High Performance, a national joumal that New York, NY $7,500 To support the implementation and docu- provides a forum for new and experimen­ To support administrative costs involved mentation of a technical assistance pro- tal art in a range of disciplines, in providing ongoing services to interme-grato for minority artists and organizations dia artists, including production facilitiesthat provide cultural and artistic program- and technical and management assistance,ming for multicultural audiences. California Lawyers for the Arts, Inc. San Francisco, CA $12,000 Foundation for the Community of Artists, Inc. National Association of To support a project that will assist New York, NY $15,000 Artists’ Organizations, Inc. southem Califomia artists with needed To support a program for Washington, DC $30,000 information on housing issues. over 6,000 artists and the publication of To support the Organizational Assistance an annual resource issue of Art and Program for Artists’ Organizations, to Caribbean Cultural Center Artists. promote stability by providing nonmatch- New York, NY $2,000 ing funds to support management exper­ Foundation for the Extension and tise and training through the use of To support a two-day meeting in New Development of the American York City on presenting and touring of Professional Theatre, Inc. consultants. culturally diverse arts organizations. The New York, NY $10,000 participants will include representatives ofTo support the publication of a resource National Biack Arts Festival vafious multicultural groups and will book on the development, role, and Atlanta, GA $5,000 discuss the feasibility of forming a touñngfunction of boards of trustees in the per- To support administrative and planníng network, forming arts. Also funded by the Theater costs for the 1990 Black Arts Festival and Expansion Arts Programs ($2,500 to be held in Atlanta presenting the work Center for Occupational Hazards, Inc. each) for a total of $15,000. of visual and performing artists from throughout the United States. New York, NY $25,000 Institute for Art & Urban Resources, To support the center as the national Inc. clearinghouse for research and education Long Island City, NY $20,000 National Council for the Traditional on hazards in the arts. To support the institute’s residency and Arts studio workspace programs which assist Washington, DC $20,000 approximately 20 artists and up to six To support the expansion of NCTA’s Chicano Humanities and Arts Council,dance companies annually, touring and referral services for artists, Inc. assisting artists in securing additional Denver, CO $8,000 Institute of Puerto Pican Culture presenting opportunities and increased To support workshops for artists and San Juan, PR $10,000 fees. regional arts organizations focused upon To support the hiring of a coordinator of marketing and to support the continuationvolunteers who will implement programs of voluntary assistance by lawyers and National Guild of Community Schools and expansion of the council’s series of businesses, as well as management train- of the Arts, Inc. artists meetings, ing seminars for local arts groups. Englewood, NJ $6,500 To support the Arts Management in Connecticut Commission on the Arts La Napoule Art Foundation-Henry Community Institutions (AMICI) Hartford, CT Clews Memorial designed to provide administrative skills $15,000 New York, NY $10,000 and enhance managedal expertise among To support the fourth year of a program of To support a multidisciplinary intema­ personnel of 12 developing community salary support and management training tional program of artists residencies in thearts institutions. to new arts managers. Chateau de La Napoule, France. Metropolitan Dade County Cultural Newsom, Dr. Lionel Eastern Oregon Regional Arts Council Affairs Council Concord, NC $14,410 La Grande, OR $6,000 Miami, FL $15,000 To identify historically black coIleges and To support task force work sessíons that To support the council’s Joint Advertisinguniversitíes (HBCUs) which ate willing will assess the needs of northwest native and Marketing Program for six emerging to commit the time and necessary financial American populations with regard to and ethnic performing and visual arts resources to develop a performing arts funding and services to the arts. groups in Dade County. visitation prograrn on their campuses. 71 New York Foundation for the Arts, Inc. Saving and Preserving Arts and Tucson/Pima Arts Council, Inc. New York, NY $5,000 Cultural Envirorunents Tucson, AZ $5,000 To support the publication and expanded Los Angeles, CA $7,500 To support a project that seeks to retain dissemination of FYI, a quarterly resourceTo support administrative costs for the artists and emerging expansion arts groups newsletter for artists and arts Archives Program which identiñes, hon- in a developing arts district in Tueson organizations, ors, documents, and protects monumental through planning, marketing, and man- Project Artaud sculptural and architectural environments,agement of space utilization. San Francisco, CA $10,000 To support the National Artspace Devel- The Names Project Foundation opment Network, providing information San Francisco, CA $10,000 for artists and organizations on locating, To support the 1989 retum tour to Wash- creating, and managing affordable "live ington, D.C. of the AIDS Memorial Quilt and work"studios, of the Names Project Foundation.

72 273 Grants Literature Program Funds: $5,061,093

The Literature Program assists individual creative writers and and the excellence of the translation. Preference is given to literary translators, encourages wider audiencesfor contero- projects in which ah English translation is not already available. porary literature, and assists nonprofit literary organizations. Grants in Literary Publishing--Small Presses, Literary Maga­ zines, and Distribution Projects--make the best of contemporary enior Fellowships in the amount of $40,000 support and writing available to all parts of the country. Small press grantees honor accomplished writers and promote their continuedinclude Bamboo Ridge Press, which fosters work by and about S presence on the literary landscape as an invaluable Hawaii’s people, and Fjord Press which produces Danish works resource to younger writers. , Hor­ in translation. Among the literary magazines supported were tense Calisher, and Eudora Welty were the 1989 recipients of The Americas Review, the nation’s oldest Hispanic literary Senior Fellowships for Literature. These three tremendously magazine, and the Afñcan-American focused Black American talented writers were recognized for having made ah extraordi-Literature Forum. Small press books and literary magazines nary contribution to American letters over a lifetime of creativereceive widespread dissemination through organizations partly work. funded by grants to assist in distribution. Audience Development Project grants support innovative mecha­ Ninety-six creative wñters of poetry, fiction, and creative non- nisms to increase awareness of contemporary literature. Projects fiction received Fellowships from the Literature Program in may be bookfairs such as the San Antonio Inter-American 1989. The Fellowship recipients ate chosen in a process of blindB ookfair at the Guadalupe Cultural Arts Center in Texas, judging with the literary merit of application manuscripts beingrecording and archíval enterprises such as the American Audio the only review criterion. They represent American wñters Prose Library in Columbia, Missouñ, of literary promotion residing in 33 states, the District of Columbia, and two foreignprojects such as the Maine Writers and Publishers Alliance’s countries. These "buying time" grants enable writers to devote program which focuses on Maíne writers. These projects, along time to their craft. Fellowships were also awarded to eleven with grants supporting Residencies for Writers and community- literary translators to support specific translations into English.based Literary Centers, reach every part of the country, giving a Projects are judged on the literary merit of the source material voice anda fomm to practicing Ameñcan wñters.

Advisory Panels Beverly Lowry Helaine Harris Fiction Writer Bookseller Audience Development Houston, TX Hyattsville, MD

Lucille Clifton Paula McCarthy-Panczenko George Hitchcock Poet, Fiction Writer Assistant Director Editor Santa Cruz, CA Wisconsin Arts Board (SAA) Santa Cruz, CA Madison, WI Michael Collier Victor Perera Poet, Educator Shawn Wong Creative Non-fiction Writer Baltimore, MD Fiction Writer, Educator Capitola, CA Seattle, WA Elliot Figman Shannon Ravenel Executive Director Literary PublislUng Editor Poets & Writers, Inc. Chapel Hill, NC New York, NY Stratis Haviaras Michael Anania Jira Sitter Fiction Writer, Poet, Educator Poet, Fiction Wñter, Cñtíc Book Distributor Cambridge, MA Chicago, IL Minneapolis, MN Mitchell Kaplan Susan Berg~olz Kim Stafford Bookseller Literary Agent Poet, Creative Non-fiction Writer Coral Gables, FL New York, NY Portland, OR 74 LITERATURE

Mayumi Tsutakawa Susan Richards Shreve Ellen Douglas Arts Administrator Fiction Writer, Educator, Children’s WriterFiction Writer, Educator Seattle, WA Washington, DC Jackson, MS John Taylor Williams Al Young Fiction Wríter, Scñptwriter, Educator Larry Heineman Attomey, Trustee Fiction Wñter, Educator Boston, MA Palo Alto, CA Chicago, IL Overview (Professional Development) Poetry Fellowships James McConkey Michael Anania Ai Fiction Writer, Educator Poet, Fiction Wñter, Cñtic Poet Trumansburg, NY Chicago, IL Tempe, AZ Michael Anania Mary Morris Stratis Haviaras Poet, Fiction Wñter, Critic Fiction Writer, Educator Fiction Wdter, Poet, Educator Chicago, II., Laguna Beach, CA Cambddge, MA Lucille Clifton Francine Prose Richard Howard Poet, Fiction Wñter Fiction Wdter Poet, Translator Santa Cruz, CA Iowa City, IA New York, NY Peter Cooley Nicolas Kanellos Poet Susan Richards Shreve Publisher, Educator New Orleans, LA Fiction Wdter, Educator, Children’s Wñter Houston, TX Washington, DC Alice Fulton Suzanne Jill Levine Poet Shawn Wong Translator, Educator Ann Arbor, MI Fiction Wdter, Educator Santa Barbara, CA Seattle, WA Linda Hogan Poet Beverly Lowry Al Yotmg Fiction Wñter Idledale, CO Fiction Writer, Scriptwdter, Educator Houston, TX Ricñard Howard Palo Alto, CA Sarah Lutman Poet, Translator Arts Administrator New York, NY Fellowships for Translators Oaldand, CA EIlen Voigt Poet John Balaban E. Ethelbert Miller Marshfield, VT Poet, Translator Poet, Educator University Park, PA Washington, DC Alan Wilñamson Poet, Educator Rosemary Catacalos Jennifer Moyer Irvine, CA Poet, Arts Administrator, Publisher Po¢t, Arts Administrator Mt. Kisco, NY Prose Fellowships San Antonio, TX

Peter Sears John Calvin Batchelor Michael Henry Heim Educator, Po¢t, Arts Administrator Fiction Writer Translator, Educator Salero, OR New York City, NY Los Angeles, CA 75 Suzanne Jill Levine Bogen, Donald H. Fitzsimmons, Thomas Translator, Educator Cincinnati, OH Rochester, MI Santa Barbara, CA Bogin, Nina Forche, Carolyn L. Lawrence Venuti Giromagny, Franco Provincctown, MA Translator, Educator Philidclphia, PA Boisseau, Michelle A. Franldin, Edward H. Morchcad, KY San Ansclmo, CA Rosmarie Waldrop Poct, Translator, Editor Bolton, Joseph E. Gander, James F. Providence, RI Gainesville, FL Providence, RI Fellowships for Creative Writers Bowers, Neal Garland, Max E. Ames, IA Padukah, KY lncludes three subcategories : FELLOWSHIPS FOR CREATIVE WRIT­ Calcagno, Anne Gibbons, Kaye B. ERS enable exceptionally talented Manhasset, NY Raleigh, NC published writers of poetry, ficñon, and creative non-fiction to set aside time Cliff~ Michelle C. Gould, Janice M. for writing, research, o,r travel in order to Santa Cruz, CA Albuquerque, NM advance their careers. SENIOR FEL­ LOWSHIPS support and honor creative Cofer, Judith Ortiz Hashimoto, Sharon K. writers and other literary professionals Athens, GA Seattle, WA who have received the highest acclaim but who are not necessarily widely known Cutler, Bruce Hecht, Anthony E. outside the literaryfield. FELLOWSHIPS St. Paul, MN Washington, DC FOR TRANSLATORS allow for the trans­ lation into English of major literary works Davis, Lydia B. Heilenga, Robert R. in other languages. Kingston, NY Galtsburg, IL

111 Grants Dawson, Arid V, Henrie, Carol Program Funds: $2,142,000 San Francisco, CA Hayward, CA

Fellowships for Creative Writers Deaver, Philip F. Higgins, Joanna A. Longwood, FL Líttlc Mcadows, PA The following rccipicnts rcccivcd $20,0~0 each: Di Piero, William S. Hull, Lynda K. Menlo Park, CA W. Caldwell, NJ Aquilar, Ricardo Dorris, Michaei A. Huntington, Cynthia D. El Paso, TX Comish, NH Hanovcr, NH Art~ur, Elizabeth A. Dove, Rita F. Johnson, Fenton Bath, IN T~mpc, AZ San Francisco, CA Barr, Elizabeth H. Dunn, Stephen E. Jones, Nettie P. Philadclphia, PA Port Rcpublic, NJ Houghton, MI Becker, Robin G. Eimers, Nancy C. Justice, Donald Cambñdge, MA Cincinnati, OH GaínesviIle, FL Bilgere, George B. Evans, George E. Kercñeval, Jesse L. Santa Cruz, CA Plymouth, CA Madison, WI Bloch, Florence C. Farnsworth, Robert L. Krist, Gary M. Berkcl~y, CA Lcwiston, ME Brooldyn, NY 76 LITERATURE

Kubicki, Jan T. Neugeboren, Jay Terrill, Richard C. Wilkes-Barre, PA Northhampton, MA Green Bay, WI Lerman, Rhoda Orr, Gregory S. Thornton, Lawrence A. Cazenovia, NY Charlottesville, VA Claremont, CA Levis, Larry P. Owens, Louis D. Tisdale, Sallie A. Selma, CA Sandia Park, NM Portland, OR Lillywhite, Harvey J. Perry, Richard Ullman, Leslie Rcisterstown, MD Tcnafly, NJ El Paso, TX Lindsay, Frances W. Pope, Jr., Robert F. Vega, Edgardo A. Cambridge, MA Akron, OH New York, NY Louie, David Wong Roberts, Leonard R. Viramontes, Helena M. Santa Cruz, CA Hellcrtown, PA Irvinc, CA McCann, Janet P. Schwartz, Jane E. Wallace, David F. College Station, TX Brooklyn, NY Urbana, IL McCarriston, Linda J. Scofield, Sandra J. Warner, Irving M. Chelsea, VT Ashland, OR Kodiak, AK McDonald, Walter R. Shomer, Enid Watanabe, Sylvia A. Lubbock, TX Gainesville, FL Heyward, CA

McNair, Wesley C. Shumaker, Peggy Weaver, Gordon A. Farmington, ME Fairbanks, AK Stillwater, OK Meinke, Peter Smith, Bruce F. Weaver, Judith M. St. Petersburg, FL Andover, MA Berkeley, CA Meredith, Don C. Smith, Tima A. Wiggins, Marianne Occidental, CA Pomfret Center, CT , England

Miller, Leslie A. Sodowsky, Roland E. Wilson, Steven R. Houston, TX Alpine, TX Laguna Hills, CA Milofsky, David Soos, Jr., Frank M. Wright, Carolyn D. Denver, CO Fairbanks, AK Providence, RI Moore, Marie L. Standiford, Lester A. Fellowships for Translators Madison, WI Miami, FL Moss, Thylias R. Stewart, Susan A. Clancy, Joseph P. Andover, MA Philadelphia, PA Bronx, NY $20,000 Murray, Joan Stroup, Dorothy A. Cryer, James M. Rochester, NY Berkeley, CA Chapel Hill, NC $10,003 Myers, Walter Sukenick, Ronald Feldman, Ruth W. Jersey City, NJ Boulder, CO Cambfidge, MA $10,003 Nelson, Antonya Swanger, David Hejinian, Carolyn H. Evanston, IL Santa Cruz, CA Berkeley, CA $10,000 77 MacDonald, Sandy Assistance to Literary Magazines Chelsea Associates, Inc. Cambridge, MA $10,000 New York, NY $5,430 To support writers’ fees and production Maier, Carol S. Agní Review, Inc. Boston, MA $10,000 costs for an issue Chelsea, anda "Chelsea Noria, IL $10,000 To support contributors’ fees and produc- Award Competition." Martín, Jr., Henry A. tion costs for issues of The Agni Review. Coordinating Council of Literary Bolzano, Italy $10,000 Magazínes Ameriean Poetry Review New York, NY $10,000 Mauldon, Margaret Philadelphia, PA $10,000 To support writers’ fees, production, and Amherst, MA $10,000 To support authors’ payments and awards design costs for issues of The Paris for poetry appearing in issues during the Review. Mitchell, Breon Bert grant period. Ellettsville, IN $20,000 Coordinating Council of Literary Another Chicago Press Magazines Peden, Margaret S. Chicago, IL $6,700 New York, NY $6,500 Columbia, MO $20,000 To support contributors’ fees and produc- A nonmatching grant to pay prepanel tion costs for Another Chicago Magazine. reading fees for the Literary Publishing Zenith, Richard categories. Alexandña, VA $20,000 College Yellow Springs, OH $10,000 Cornell Uníversity Senior Fellowships To support payments to contributors, Ithaca, NY $6,700 production, promotion, and distribution To support contributors’ fees for issues of Brooks, Gwendolyn costs for the Antioch Review. Epoch. Chicago, IL $40,000 Appleñeld, David Cultural Council Foundation Calisher, Hortense Lincoln, MA $10,000 New York, NY $10,000 New York, NY $40,000 To support writers’ fees, editorial, pro­ To support writers’ lees, production, duction, and promotion costs for issues of Welty, Eudora distribution, and promotion costs related Frank: Ah International Journal of Con- to the publication of The Writers’ Review. Jackson, MS $40,000 temporary Writing & Art. Special Fellowship Category Culture Shock Foundation, Inc. Arts and Humanities Council of Tulsa, Baton Rouge, LA $10,000 Inc. To support contributors’ fees, production, Poets & Writers, Inc. Tulsa, OK $9,459 and pñnting costs for six issues of Ex­ New York, NY $102,000 To support writers’ fees and production quisite Corpse. For a nonmatching grant to support the costs for publication of issues of Nimrod. lees to be paid to manuscript readers and Eastern Washington University cover administrative costs. Beloit College Foundation Beloit, WI $3,850 Cheney, WA $5,000 Literary Publishing To support awards for writers, production To support contributors’ fees, production, Includes three subcategories: ASSIST­ and promotion costs for the Beloit Fiction and dístribution costs for two issues of ANCE TO LITERARY MAGAZINES grants Journal. Willow Springs. help nonprofit literary magazines that regularly publish poetry, fiction, literary Association Eshleman, Clayton essays, and translations. SMALL PRESS St. Louis, MO $8,000 Ypsilanti, MI $8,000 ASSISTANCE grants support small, To support authors’ fees, printing and To support contributors’ fees and produc­ independent presses that publish contero­ distribution costs for River Styx. tion costs for publication of issues of porary creative writing. DISTRIBUTION Sulfur. GRANTS fund nonprofit organizations for Calyx, Inc. the distribution ofcontemporary creative Corvallis, OR $10,000 Halpern, Daniel literature. To support contributors’ fees, production, New York, NY $10,000 promotion, and distribution costs related To support contributors’ fees and costs 91 Grants to the publication of Calyx, A Journal related to publication and distribution of Program Funds: $1,350,102 of Art and Literature by Women. Antaeus. 78 LITERATURE

Helicon Nine, A Journal of Women’s OINK! Press, Inc. Threepenny Review Ar~s and Letters Chicago, IL $5,000 Berkeley, CA $10,000 Kansas City, MO $10,000 To support writers’ fees and productioa To support writers’ fees anda subscription To support contñbutors’ fees and produc- expenses for issues of New American campaign. tion costs. Writing. Trustees of Columbia University in the Hollander, Kurt Opojaz, Inc. City of New York New York, NY $5,000 Philadelphia, PA $10,000 New York, NY $10,000 To support authors’ fees, printing, and To support writers’ fees, production and To support translators’ fees and production promotion costs for publication of issues distribution costs for three issues of costs associated with the publication of of The Portable Lower East Side. Boulevard. Translation. OtherWind Press, Inc. Hudson Review Inc. Ann Arbor, MI $4,838 University of Aiaska-Fairbanks New York, NY $10,000 To support contributors’ fees, production, Fairbanks, AK $3,000 To support increased authors’ fecs and and promotion costs for issues oíNotus, To support writcrs’ lees, production, and promotional costs for issues of Hudson new writing, promotion costs for issues of Permafrost, Review. A Literary Journal. Ploughshares, Inc. IKON, Inc. Cambñdge, MA $I0,000 University of HoustonmUniversity New York, NY $6,000 To support writers’ fees, promotion and Park To support contributors’ fees, production, postage costs related to publication of Houston, TX $10,000 and promotion expenses for issues of Ploughshares. To support conlributors’ fees, production, IKON. mailing, and marketing costs for issues Review of Contemporary Fiction of The Americas Review. Elmwood Park, IL $I0,000 Indiana State University To support fees for contributors and Terre Haute, IN $7,330 translators. University of Missouri-Columbia To support payments to wñters and print- Columbia, MO $10,000 ing costs for four issues of BlackAmerican Robinson, Andy To support payments to authors and Literature Forum. Tucson, AZ $3,000 printing expenses for issues of The Mis- To support payments to wñters, production souri Review. Massachusetts Review, Inc. and promotion costs for publication of Amherst, MA $8,000 Sonora Review. University of Nort~ Carolina at Chapel To support wñters’ fees, printing, promo- Hill tion, and postage costs for publication Rudman, Mark Chapel Hill, NC $3,000 New York, NY $10,000 To support contributors’ fees, promotion, of The Massachusetts Review. To support writers’ payments, production, and distribution costs for three íssues of and distribution costs related to publica- Carolina Quarterly. New Writing Foundation, Inc. tion of issues of Pequod. New York, NY $10,000 To support payments to contributors and University of Southern Mississippi Smith, Lawrence R. Hattiesburg, MS $8,000 editorial and production costs related Arre Arbor, MI $9,000 To support contributors’ fees and produc­ to the publication of Conjunctions. To support contributors’ fees and produc- tion costs for issues of the Mississippi tion costs for the publication of Caliban. Review. Northwestern University Southern Methodist University Evanston, IL $I0,000 University of Virginia To support writers’ fees and advertising Dallas, TX $10,000 To support payments to writers and pro- Charlottesville, VA $10,000 costs related to the publication of To support writers’, artists’, and evalua­ TriQuarterly. motion costs for publication of issues of Southwest Review. tors’ payments for issues of Callaloo. O. R. Press, Inc.. Stine, Peter William Bonifas Fine Arts Center, Inc. Princeton, NJ / $5,840 Farmington Hills, MI $10,000 Escanaba, MI $5,000 To support writers’ fees, production, To support contributors’ fees, production, To support wfiters’ lees, production, and promotion, and distribution costs for is- and distribution costs related to the promotion costs for issues of Passages sues of Ontario Review. publication of Witness. North.

79 ZYZZYVA, Inc. Contemporary Arts Educational New Rivers Press, Inc. San Francisco, CA $10,000 Project, Inc. Minneapolis, MN $30,000 To support writers’ lees and production Los Angeles, CA $30,000 To support royalties, production and costs. To support production costs for books promotion costs for publication of books. published by Sun & Moon Press. Small Press Assistance New York Foundation for the Arts, Inc. Crawford, John F. New York, NY $25,000 Another Chicago Press Albuquerque, NM $12,000 To support royalties, production, and Chicago, IL $7,500 To support royalties, production, and promotion costs for books published by To support royalties, production, and promotion costs for books published by Four Walls Eight Windows. promotion costs for books published, the West End Press. Northwestern University Evanston, IL $11,500 Adzona State University Curbstone Press Tempe, AZ $30,000 Willimantic, CT $12,000 To support the translation and production To support royalties, productíon, and of books published by Northwestem promotion costs for books produced by To support royalties, production, promo­ University Press. the Bilingual Review Press. tion, and distribution of books. O.R. Press, Inc. Bamboo Ridge Press Graywolf Press Princeton, NJ $3,250 Honolulu, HI $7,055 St. Paul, MN $30,000 To support royalties, production, and To support the publication, promotion, To support royalties, production, promo­ promotion costs. and distribution of books, tion, and distribution costs for books. Perlman, Jim Bridge Center for Contemporary Art Greenfield Review Literary Center, Inc. Duluth, MN $25,000 El Paso, TX $4,300 Greenfield Ctr., NY $9,000 To support royalties, production, and To support production, promotion, and To support production costs for publication promotion costs for books published by distribution costs for books to be publishedof books by the Greenfield Rcvíew Prcss. Holy Cow! Press. by Cinco Puntos Press. Potes & Poets Press, Inc. Calyx, Inc. Institute for Publishing Arts Elmwood, CT $6,000 Corvallis, OR $30,0~0 Ban’ytown, NY $30,000 To support royalties, production, and To support royaltics, production and To support royaltics, production, promo- promotion costs for books, as well as promotion costs related to books published tion, and distribution costs for books rclated costs. by Calyx Books. produced by Station Hill Prcss. Reaper, Inc. Centrum Foundation Latin American Literary Review Press Santa Cruz, CA $12,000 Port Townsend, WA $25,000 Pittsburgh, PA $15,000 To support royalties, production, and To support royaltics, cditing, production, To support royaltics, production and promotion costs for books published by promotion, and distribution costs for promotion costs for books. Story Line Press. books published by Copper Canyon Press. Lumen, Inc. Review of Contemporary Fiction Children’s Book Press-Imprenta de New York, NY $6,000 Elmwood Park, IL $29,660 Libros Infantiles To support royaltics, translation, produc- To support royalties, production and San Francisco, CA $10,000 tion, promotion of books, promotion of books produced by the To support the printing and binding of Dalkey Archive Press. bilingual picture books. Milkweed Editions, Inc. San Francisco Women’s Centers City University of New York Minneapolis, MN $20,000 San Francisco, CA $17,000 New York, NY $25,000 To support royalties, production, promo­ To support production and distribution of To support royalties and production costs tion, and distribution for books, books published by Spinsters/Aunt Lute for books produced by the Feminist Press. Book Company. Murray, Steven T. Coffee House Press Seattl~, WA $12,000 Sheep Meadow Press, Inc. Minneapolis, MN $30,000 To support royalties, production, and Riverdale, NY $14,000 To support royalties, production, promo­ promotion costs for books published by To support royalties, production, and tion, and distribution costs. Fjord Press. promotion costs. 80 LITERATURE

Strayer, Emily COMPAS, Inc. Corpus Christi Literary Reading Series South Willington, CT $5,940 St. Paul, MN $50,000 Corpus Christi, TX $3,170 To support production and promotion To support Bookslinger in the nationwide To support wdtcrs’ lees for residencies in costs for the Kutcnai Press. distdbution of small press books, the rail of 1989 and in the spdng of 1990. Thunder’s Mouth Press, Inc. Coordinating Councii of Literary Film News Now Foundation, Inc. New York, NY $30,000 Magazines New York, NY $10,000 To support royalties, production, promo- New York, NY $86,000 To support wdtcrs’ fees for a residency tion, and distribution of books. To support administrative costs and series called Word of Mouth, presenting special projects, minodty wfiters in several ethnic commu- University of Houston--University nities in New York City. Park Segue Foundation, Inc. Houston, TX $30,000 New York, NY $6,500 Fine Arts Work Center in To support royalties and production costs To support the administrative costs and Provincetown, Inc. for the publication of books by Arte special projects of The Segue DistributionProvincetown, MA $7,000 Publico Press. Project. To support wdters’ fees for the center’s University of Iowa 1989-90 program for visiting wdters. Iowa City, IA $12,000 Small Press Distribution, Inc. To support production costs for books Berkeley, CA $50,000 Guadalupe Cultural Arts Center published by The Windhover Press. To support the administrative costs and San Antonio, TX $6,000 special projects of Serendipity Books To support wdters’ fees for the center’s University of Iowa Distñbution. 1990 Summer Wñters-in-Residence señes. Iowa City, lA $12,500 To support production and promotion Western States Arts Federation Intersection costs for books produced by the University Santa Fe, NM $45,000 San Francisco, CA $5,000 of Iowa Press. To support the administrative costs and To support wñtcrs’ fees and relatcd costs related expenses of the Westem Statcs for a litcrary residency sedes. University of Pittsburgh Main CampusBook Awards Program. Pittsburgh, PA $12,000 Lewis Clark State College To support the production costs for books Audience Development Lewiston, ID $8,029 published by the University of Pittsburgh To support wdtcrs’ lees and related costs Press. Includes three subcategories: RESIDEN- for residencies in the fall of 1989 and CIES FOR WRITERS grants are for the spdng of 1990. Wainhouse, Austryn developing audiences for published writers Marlboro, VT $23,963 ofpoetry, fiction, arut creative non- Northern Arizona University To support royalties, production, promo- fiction. AUDIENCE DEVELOPMENT Flagstaff, AZ $7,956 tion, and distribution for books published PROJECTS grants ate awarded to To support wdters’ lees fora coopcrative by The Madboro Press. organizationsfor the promotion of litera- residency sedes at Arizona universities. ture through cooperative literary promo- White Pine Press, Inc. tion projects, regional bookfairs, exhibits Fredonia, NY $16,700 Old Dominion University of literary works, and syndicated review Norfolk, VA $10,000 To support royalties, production, and networks. L1TERARY CENTERS that promotion costs, To support wdters’ fees fora residency offer a variety ofactivities receive grants señes in the Tidewater area. Distribution for projects that benefit the literary community and its audience. Painted Bride Art Center, Inc. Philadelphia, PA $2,980 Another Chicago Press 66 Grants Chicago, IL $43,710 Program Funds: $628,477 To support writcrs’ fees for a residency in To support the administrative costs and conjunction with the centcr’s Spokcn special projects of the Illinois Literary Arts Series. Publishers Association. Residencies for Writers Roane State Community College Arizona State University Boise State University Hardman, TN $5,000 Tempe, AZ $24,877 Boise, ID $7,000 To support wdters’ fees for a cooperative To support the Bilingual Review Press To support writers’ fees for a residency residency program between branch cam­ disa’ibution project, sedes, puses of Roane State Community College. 81 Society of the Muse of the Southwest Audience Development Projects Greenfield Review Literary Center, Taos, NM $6,000 Inc. To support writers’ fees for a residency Greenñeld Ctr., NY $15,000 sedes in the town of Taos, New Mexico. American Audio Prose Library, Inc. To support the Native Amefican Authors Columbia, MO $20,000 Project. Town of Franconia, New Hampshire To support the tenth in a series of record- Franconia, NH $2,650 ings by American prose writers. Guadalupe Cultural Arts Center To support writers’ fees for a residem poet San Antonio, TX $8,000 at Frost Place and for shorter residencies American Audio Prose Library, Inc. To support presenter’s fees for the third as part of the Poets’ Series. Columbia, MO $10,000 annual San Antonio Inter-American Bookfair. United Black Artists USA, Inc. To support the ninth in a series of record- Detroit, MI $5,000 ings by distinguished American prose To support writers’ fees fora mentor artists. Guadalupe Cultural Arts Center residency series, American Black Artist. San Antonio, TX $6,000 American Poetry Center, Inc. To support presenter’s lees for the second annual San Antonio Inter-American University of Alabama Philadelphia, PA $10,000 Tuscaloosa, AL $8,800 To support the Poetry Weeks program and Bookfair. To support writers’ fees for a residency ongoing seminars, workshops, and poetry series, contests. In Our Time Arts Media, Inc. New York, NY $14,834 University of Kentucky To support production and distribution of Lexíngton, KY $6,690 Another Chicago Press the taped series, "A Moveable Feast." , To support writers’ fees for a residency Chicago, IL $10,780 series. To support a small press review service In Our Time Arts Media, Inc. and an author tour/reading series. New York, NY $14,834 University of Massacñusetts at Amherst To support production and distribution of Arnherst, MA $4,000 Committee for Internatioaal Poetry the taped series, "A Moveable Feast." To support writers’ fees for the university’s residency series. New York, NY $10,000 To support a recording series of foreign Maine Writers and Publishers Alliance University of New Orleans poets which will provide American audi- Brunswick, ME $5,000 New Orleans, LA $9,360 ences access to contemporary intemationalTo support audience development projects. To support wñters’ fees for the Writer-in- poetry. Residence program. Maine Writers and Publishers Alliance Committee for International Poetry Brunswick, ME $5,000 University of Texas at El Paso New York, NY $12,500 To support MWPA’s audience develop- El Paso, TX $8,417 To support a series ofrecordings offoreign ment projects, including book promotion To support writers’ lees fora residency poets which will provide Ameñcan audi- and a series of summer institutes for series, ences with access to contemporary inter­ teachers. national poetry. University of Wiscousin-Milwaukee North Carolina Writers’ Network Milwaukee, WI $4,975 Carrboro, NC $10,000 To support wñters’ fees for a residency COMPAS, Inc. To support administrative salaries to this program. St. Paul, MN $15,000 orgarüzation which provides statewide To support Bookslinger in marketing highservices. Washington College quality works of small, noncommercial Chestertown, MD $5,000 presses to the book trade and general One Red To support writers’ fees for the college’s public. residency series, "Contemporary Writers Seattle, WA $20,000 from Bi-Lingual and Bi-Cultural To support the development of a literary Backgrounds." COMPAS, Inc. component at the Bumbershoot festival. St. Paul, MN $10,000 Wayne State Coilege To support costs of marketing nationally South Carolina Arts Commission Wayne, NE $7,270 the works of small, non-commercial Columbia, SC $4,600 To support wñters’ fees for a residency presses to the book trade and the general To support The South Carolina Fiction circuit, public. Project.

82 LITERATURE

South Carolina Arts Commission Big River Association Associated Writing Programs Columbia, SC $4,400 St. Louis, MO $9,000 Norfolk, VA $25,000 To support The South Carolina Fiction To provide a variety of services to the To support a variety of services to writers. Project. literary community. Minnesota Cen{er for Book Arts Symphony Space, Inc. Loft, Inc. Minneapolis, MN $15,000 New York, NY $10,000 Minneapolis, MN $30,000 To support the various activities which To support wñters’ fees, audio rights To support wfiters’ fees, administrative benefit wfiters and enlarge audiences for payments, and production costs for the costs, programming costs, and publicity, the book in the upper Midwest. second audio edition of Selected Shorts: A Celebration of the Short Story. Poetry Project, Limitefl PEN American Center New York, NY $40,000 New York, NY $90,000 Trask House Books, lnc. To support a broad range of literary To support programs which provide Portland, OR $7,500 activities, services to American wfiters. To support the 1990 festival, "Bridging the Americas: Nome to Valparaiso." Thurber House, Incorporated Poets & Writers, Inc. Columbus, OH $9,916 New York, NY $175,000 University of Houston--University To support a wide range of literary activi- Park To support services and publications which ties which assist literary artists and provide practical inforrnation for creative Houston, TX $11,913 which present quality literary program- writers as well as others interested in To support traveling bookfairs and author ming for the general public, contemporary American writing. tours, introducing Southwest audiences to U.S. Hispanic literature. Woodland Pattern, Inc. Milwaukee, WI $25,000 UniversitySan Francisco Foundation, State Incorporated University of HoustonmUniversity To support writers’ fees, administrative Park costs, and publicity for literary activities San Francisco, CA $30,000 Houston, TX $12,654 at the center. To support the production and distribution To support traveling bookfairs and author of videotapes of live poetry performances. tours introducing Southwest audiences Writers and Books, Inc. to U.S. Hispanic literature. Rochester, NY $35,000 Teachers and Vh’iters Collaborative To support a broad range of ongoing New York, NY $75,000 Washington State Arts Commission literary activities. To support services for American writers. Olympía, WA $10,000 To support a collaborative reading ex- Writer’s Center Trustees of Amherst College change between Washington and Oregon. Bethesda, MD $20,000 Washington, DC $10,634 To support the center’s literary services To support a tñbute to Howard Nemerov, Yellowstone Art Center Foundation and programming, the nation’s Poet Laureate, at the Folger Billings, MT $10,649 Shakespeare Library. Cooperative Agree- To support The Regional Wñters Project ment #8916. which will develop audiences for authors Professional Development and small presses in the Rocky MountainTo support a limited number ofnational Trustees of Columbia University in the Northwest. organizations that provide professional City of New York assistance to creative writers, and for New York, NY $20,000 Literary Centers unique literary projects not eligiblefor To support the Translation Center’s efforts support in other categories, to increase the number of books translated Allentown Community Center, Inc. into English and assist the literary Buffalo, NY $30,000 10 Grants translator. To support writers’ fees, administrative Program Funds: $519,830 costs, advertising, and promotion for Just University of Texas at Dallas Buffalo’s literary activities. Academy of American Poets, Richardson, TX $39,830 Incorporated To support the services of the American Beyond Baroque Foundation New York, NY $25,000 Literary Translators Association promot- Venice, CA $20,600 To support three national book competi- ing excellence in literary translation and To support a broad range of literary arts tions, a public reading series, and general providing essential information and sup- services to writers and the public, operating expenses, port services to literary translators. 83 Writers Room, Inc. In Our Time Arts Media, Inc. Pennsylvania Radio Theatre New York, NY $25,000 New York, NY $10,003 Camp Hill, PA $10,000 To support the provision of work space for To support production costs for "A More- To support "An Altered Chant," a sedes creative wdters, and for four residencies able Feast," a literary arts public televisionof poetas, short stories, and dramatic for creative wñters, series, sketches produced for radio programming.

Special Projects Intersection Symphony Space, Inc. San Francisco, CA $15,000 New York, NY $7,000 For projects that benefit the field of To support the pdnting, production, and To support production costs and writers’ Literature asa whole and ate not eligible implementation of Stree~fare Journal, fees for the Selected Shorts sedes. under other categories. poetry posters to be displayed on buses. Trustees of Amherst College 15 Grants Washington, DC $15,000 Program Funds: $270,684 National Black Arts Festival, Inc. To support "On History’s Doorstep: The Atlanta, GA $10,550 Role of Poetry in Socíety," a two-day Allentown Communíty Center, Inc. To support wñters’ fees and expenses for conference to take place at the Folger Buffalo, NY $7,500 live readings of their works which will Shakespeare Library in Washington, DC. To support Across State Línes, a pilot be recorded and produced as records, national touring project among literary tapes, and compact discs. WHYY, Inc. centers. Philadelphia, PA $20,000 Otherworld Children’s Media To support "Fresh Air," a radio sedes Freeland, WA $10,000 featuring wdters reading from their work Before Columbus Foundation and giving interviews. Seattle, WA $25,000 To support Otherworld Media in the To support the establishment of a Center commission of new works by wfiters and in the adaptation of contemporary Amed- Woodland Pattern, Inc. for American Multicultural Literature Milwaukee, WI $15,000 in Seattle. can fiction for radio. To support administrative costs for a national conference of literary centers. District of Columbia Commission on PEN Ameñcan Center the Arts & Humanities New York, NY $25,000 Writer’s Center Washington, DC $5,000~" To support the PEN Syndicated Fiction Bethesda, MD $85,000 To support the 1989 Larry Neal Wñters’ Project in placing quality fiction to the To support the PEN Syndicated Fiction Program. pages of newspapers and in producing Project in placing quality fiction in news- radio programs for "The Sound of papers and in producing radio prograrns ~’Chairman’s Action Grant Wdting." for "The Sound of Writing."

84 171 Grants Program Funds: $11,814,006 Media Arts Treasury Funds: $1,200,000

The Media Arts Program promotes artworks in film, radio and of the diversity through which the American identity constantly vídeo media. It supports the preservation and interpretation recreates itself. In FY 89 a total of 39 national and 160 regional of the best media works of the past and present, and assists their grants resulted in works that personalize, as only art can, the distribution to further greater appreciation of the media arts. cultural issues that cortfuse and beguile us. he richness of Ameñca’s folk heñtage will reach Among these issues is the role of media itself in our lives. Much millions of Americans when "American Patchwork" isof what we see on the screen coaches our responses and pre- Tpresented in 1990 on PBS by the legendary folk scholar,determines our ways of thinking. Seventeen of the 76 Media Arts Alan Lomax. This is part of the on-goíng initiative to Centers funded in FY 89 either launched or continued programs bring the arts through broadcast radio and televísion to every designed to enable children and adults to become literate in American. Eight television series supported by the Media Arts media. Program, including "Great Performances" and "American - Masters," were delivered to a cumulative audience of over 300 A major prionty of the Media Arts Program is to make media million at a cost to the Endowment of $4.3 million, which work for the audience instead of anesthetizing it with the coercive generated over $30 million in matching funds, seductiveness often conveyed on the television screen. Appalshop in Whitesburg, Kentucky, St. Paul, Minnesota’s Film in the Bmadcast is supplemented by the presentation of media artworksCities, the Southwest Alternate Media Project in Houston, Texas, at media arts centers, theaters, museums, and universities acrossand the Northwest Film Study Center in Portland, Oregon, have the nation. In towns like Helena, Montana, and in major developed vigorous programs in this vital atea. exhibition centers like the Pacific Film Archive in Berkeley, Preceded by production and distribution, the third component in Califomia, over a million people left their homes to see work notthe cycle of all media activity is preservation. The Media Arts ordinarily available on commercial screens. This includes Program has taken the preservation issue with the utmost independent documentaries, narrative films, and experimental seriousness. The long-term imperative to convert degraded nitrate work, plus films from overseas and third world countñes, oftenstock into permanent acetate continued in FY 89 at the National in circulating exhibitions. The New England Foundation for Center for Film and Video Preservation situated at the American the Arts toured "Black Cinema," and the Intemational House ofFilm Institute. The Center’s other major activities, such as Philadelphia circulated "Latin Ameñcan Visions," representingdeveloping a National Moving Image Database of existing over fifty years of Latin American film and video, archival collections and the AFI Catalog of Ameñcan Feature Films were ñgorously addressed in FY 89. In a tour-de-force of The keystone of the Media Arts Program’s arch is the vision ofscholarship, a catalog of films made between 1911 and 1920 the independent media artist, who-like the painter-takes every was published, adding one more volume to the decade-by-decade subject as mateñal for his or her transformative vision. The greatmarch through this century of film. Three decades have been documentarian Fred Wiseman celebrated in film an American completed, and this massive project, without which film schol­ masterwork, New York’s Central Park. The video artist Doug arship and preservation activities would be compromised, Hall examíned the ways in which architecture shapes the lives continuesof with the cooperation of our sister agency, the National those who líve within it. The vañety of these grants-in subject,Endowment for the Humanities, and the Packard Foundation, cultural reference and approach-helps to renew our understandingwhich has steadfastly funded this visionary project.

Advisory Panels Howard Myrick Kathleen Woodward ’ Chaírman, Department of Film, Radio, Director, Center for 20th Century Studies American Film Institute TV University of Wisconsin Howard University Milwaukee, WI Jaime Washington, DC Filmmaker, TV Producer Challenge II New York, NY Joan Shigekawa William Judson Film, Television Producer Adrian King Curator of Film Program for Art on Film Director Carnegie Institute, Museum of Art Metropolitan Museum of Art Southem Arts Federation Pittsburgh, PA New York, NY Atlanta, GA 86 MEDIA ARTS

Howard Myrick W. Dwaine Greer Film/Video Production Chairman, Department of Film, Radio, Professor of Art TV University of Arizona Tom Borrup Howard University Tucson, AZ Executive Director Washington, DC Intermedia Arts Denise Jefferson Minneapolis, MN Davia Nelson Director Independent Radio Producer Alvin Ailey Ameñcan Dance Center Diedre Boyle San Francisco, CA New York, NY Writer, Critic, Media Consultant New York, NY William Siemering Diane Karp Executive Producer Professor of Art History Carol Brandenberg Soundprint, MD Temple University Television Producer Philadelphia, PA New York, NY Challenge III Mary Lee Charles Burnett Michael Fleíschman Director, Vírginia Tanner Creative Dance Filmmaker Director, Media Arts Center Program Los Angeles, CA South Carolina Arts Commission University of Utah Columbia, SC Judy Crichton Salt Lake City, UT Executive Producer Virginia Fox The American Experience Allan Miller Boston, MA President Filmmaker, Executive Director Kentucky Educational TV Endowment Symphony Space Lexington, KY Ellen Hovde New York, NY Filmmaker William Judson New York, NY Curator of Film Alan Sandler Carnegie Institute, Museum of Art Director, Public Education Bruce Jenkins Pittsburgh, PA American Institute of Architects Director, Film Department Washington, DC Walker Art Center Joan Shigekawa Minneapolis, MN FilnVTelevision Producer Joan Slügekawa Program for Art on Film Film, Television Producer Wendy Keys Metropolitan Museum of Art Program for Art on Film Film Programmer New York, NY Metropolitan Museum of Art Film Society of Lincoln Center New York, NY New York, NY Children’s Television Series Rhea Sikes NarrativcTeri and McLuhan Documcntary Filmmaker Child Devclopmcnt Spccialist Robert Alexander Ncw York, NY Artistic Director, Living Stagc Thcater Washington Island, WI Company Edin Velez Arena Stage Maura Swanson Vídeo Artist Washington, DC Actress, Wñter New York, NY Weehawken, NJ Bruce Yonemoto President Steven Traugh Media Artist, Co-Founder Kyodai Media Action for Children’s Television Composer, Producer, Educator Productions Cambridge, MA Los Angeles, CA LOs Angeles, CA 87 Media Art Centers Virginia Fox Nancy Sher President Treasurer Joyce Bolinger Kentucky Educational TV Endowment Independent Feature Project Executive Director Lexington, KY New York, NY Center for New Television Lawrence Fraiberg Anne Marie Stein Chicago, IL President, Broadcasting Director of Programs Michael Fleischman MCA Boston Film/Video Association Director, Media Arts Center New York, NY Boston, MA South Carolina Arts Commission John Goberman Jack Wright Columbia, SC Director, Media Development Media Coordinator Lincoln Center for the Performing Arts Ohio Arts Council Ed Hugetz New York, NY Director Columbus, OH Southwest Altemate Media Project Paula McCarthy-Panczenko Film/Video Production Houston, TX Assistant Director Wisconsin Arts Board To support outstanding productions in Fenton Jolmson Madison, ~ film and video that emphasize the use of Administrator these media as art forms. NAMAC Management Assistance Radio Program 39 Grants San Francisco, CA Anne Bourget Program Funds: $780,000 Media Program Administrator Rodger Larson Califomia Arts Council Alternative Media Information Center, Director Sacramento, CA Inc. Film/Video Arts, Inc. New York, NY $25,000 New York, NY Davia Nelson To support the packaging and distribution Independent Radio Producer by Deep Dish TV of a cable television Linda Mabalot San Francisco, CA señes presenting the best work of national Executive Administrator videomakers across the country. Visual Communications Marty Newell Los Angeles, CA General Manager Arlyck, Ralph Appalshop Radio Poughkeepsie, NY $15,000 Narrative Film Development New Haven, CT To support the completion of a documen­ tary film. Marcia Nasatir Florence Ramos Film Producer President, General Manager Center for New American Media, Inc. New York, NY KUVO-FM New York, NY $20,000 Denver, CO To support a video documentary by Louis Alvarez and Andrew Kolker. Fred Roos William Wax Film Producer Independent Radio Producer Charlesworth, Bruce Los Angeles, CA Bethesda, MD Minneapolis, MN $15,000 To support the production of ah exped­ Ronald Taylor National Services Independent Productions mental videotape. Wamer Bros. Douglas Hall Condit, Cecelia Burbank, CA Video Ataist Milwankee, WI $20,000 San Francisco, CA To support the production of ah experi­ Television Programming in the Arts mental videotape. Howard Myrick Terry Carter Chairman, Department of Film, Radio, Curry, Dan R and Pamela Falkenberg Actor, Producer, Director of TV, Film, TV South Bend, IN $10,000 Radio, and Theater Howard University To support the completion of an experi­ Los Angeles, CA Washington, DC mental filnYvideo project. 88 MEDIA ARTS

Daedalus Productions, Inc. Hatta, Kayo Pierce, Steffen and Christian Pierce New York, NY $20,000 Los Angeles, CA $25,000 Allston, MA $20,000 To support the production of a documcn- To support the production of a dramatic To support the production of a documen­ tary film by Nina Rosenblum. film. tary videotape. DeMi¢hiel, Helen High, Kathryn Rafferty, Kevin Minneapolis, MN $10,000 Brooklyn, NY $10,000 New York, NY $20,500 To support the production of a video essay. To support an experimental videotape. To support a documentary film. Educational Broadcasting Corp. Ho¢k, Louis Ross, Gaylen New York, NY $40,000 San Diego, CA $19,500 New York, NY $15,000 to support the completion of a documen- To support a film/video work. To support a documentary film. tary film by Frederick Wiseman. Jesurun, John Russell, David O. Eisenberg, Daniel New York, NY $15,000 New York, NY $20,000 Cambñdge, MA $25,000 To support a film adaptation of a theater To support a narrative film. To support the production of an experi- piece. mental film. Soul, Veronika P. Laboratory for Icon & Idiota, Inc. Brooklyn, NY $10,000 Exploratorium New York, NY $10,000 To support the completion of an expeñ- San Francisco, CA $20,000 To support the development of a narrative mental film. To support a multi-screen, interactive film by Jill Godmilow. video installation by Andrej Zdravic. Southwest Alternate Media Projeet, Livingston, Jennie Inc. Film Arts Foundation New York, NY $25,000 San Francisco, CA $25,000 To support the completion of a documen- Houston, TX $30,000 To support the completion of a documen- tary film. To support a narrative film by Ken tary film by Allie Light and Irving Saraf. Harrison. Lyon, Danny Fisher, Morgan H. Clintondale, NY $20,000 Vasulkas, Inc. Santa Monica, CA $20,000 To support a narrative film. Santa Fe, NM $25,000 To support the production of a nonfiction To support a video/sound/performance film. Mabou Mines Development piece by Woody and Steina Vasulka in Foundation, In¢. collaboration with composer David Dunn. Global Village Vídeo Resour¢e Center, New York, NY $15,000 Inc. To support a documentary film by JoArmeWNYC Foundation New York, NY $20,000 Akalaitis. New York, NY $25,000 to support a video documentary by Jolm To support the production of a señes of Reilly. Moore, Allen D. "Poetry Spots." Silver Spring, MD $25,000 Gorewitz, Shalom S. To support a documentary film. Zando, Julie New York, NY $20,000 Buffalo, NY $10,000 To support an experimental videotape. New York Foundation for the Arts, In¢. To support a narrative videotape. New York, NY $45,000 Gorin, Jean-Herre To support a documentary film by Errol Regional Fellowships Beverly Hills, CA $20,000 Morris. To support the production of a film/video To enable media centers to administer essay. New York Foundation for the Arts, In . fellowship programsfor regionalfilm and New York, NY $20,000 video artists. Gudema, Louis To support a narrative film by Gordon Cambridge, MA $15,000 Eriksen, John O’Bñen, and Heather 13 Grants To support the production and develop- Johnston. Program Funds: $650,000 ment of a dramatic film. Parabola Arts Foundation, Inc. Appalshop, Inc. Hall, Douglas E. New York, NY $15,000 Whitesburg, KY $50,000 San Francisco, CA $20,000 To support a documentary film by Alan To support regional fellowships for media To support an experimental videotape. Berliner. artists in the Southeast. 89 Appalshop, Inc. University of Colorado, Boulder Appalshop Whitesburg, KY $50,000 Boulder, CO $50,000 Whitesburg, KY $52,000 To support regional fellowships for media To support regional fellowships for mediaFor the media center to offer film/video artists in the Southeast. artists at the Rocky Mountain Film workshops, distribution, and perform- Center. ances; artists residencies; film/video screenings; radio and television production Boston FilnffVídeo Foundation, Inc. University of Colorado, Boulder and programming; and archíval activities. Boston, MA $50,000 Boulder, CO $50,000 To support regional fellowships for mediaTo support regional fellowships for media artists in New England. artists at the Rocky Mountain Film Chicago, IL $29,000 Center. For an exhibition program presenting Boston Film/Video Foundation, Inc. international, classic and independent Boston, MA $50,000 Narrative Film Development film; guest filmakers and scholars; touring To support regional fellowships for media sedes; retrospectives; a film study archive; artists in New England. To support experienced professional and publications. independent producers in the development ofnewfeaturefilmprojects intendedfor Artists Space, Inc. Center for New Television theatrical distribution. New York, NY $5,000 Chicago, IL $50,000 To support film and video exhibitions with To support regional fellowships for media 3 Grants guest curators; and video installations. artists in the Great Lakes region. Program Funds: $54,000 Asian Cine-Vision, Inc. Center for New Television Bradley, Peter New York, NY $30,000 Chicago, IL $50,000 Minneapolis, MN $19,500 For film and vídeo exhíbitíons, the Asian- To support regional fellowships for media To supporl script development of a featureAmeñcan International Film Festival, artists in the Great Lakes region, film based on the novel Not Without access to video production and post- Laughter by Langston Hughes. production facilities, workshops, and publications. Film in the Cities, Inc. Gerima, Haile St. Paul, MN $50,000 Washington, DC $10,000 Bay Area Video Coalition, Inc. To support regional fellowships for mediaTo support script development fora feature San Francisco, CA $35,000 artists in the Upper Midwest. film. For low-cost access to broadcast quality on-line and rough-cut video editing suites, Httsburgh Film Makers, Inc. O’Donnell, Lynn broadcast camera system packages, work- Pittsburgh, PA $50,000 San Francisco, CA $24,500 shops, seminars, and Video Networks To support regional fellowships for mediaTo support script development for a feature newsletter. artists in the Mid-Atlantic region, film based on Entirely Surrounded by Charles Brackett. Berks Filmmakers, Inc. Reading, PA $5,000 Httsburgh Film Makers, Inc. Media Arts Centers For exhibition programs of independent Pittsburgh, PA $50,000 and experimental films with visiting To support regional fellowships for media To assist media arts centers in a variety of artists. artists in the Mid-Atlantic region, projects that make the arts of film, video, and radio more widely appreciated and Biack Filmmaker Foundation Southwest Alternate Media Project, practiced. Centers may be independent or New York, NY $12,000 lnc. associated with another organization, For distfibution and marketing services to Houston, TX $50,000 such os a museum, university, or state film and video artists, film exhibitions, To support regional fellowships for media arts agency, with visiting artists, seminars, and pro­ artists in the South Central region, Puerto gramming information services. Rico, and the U.S. Virgin Islands. 76 Grants Program Funds: $1,500,000 Boston Film/Video Foundation, Inc. Boston, MA $30,000 Southwest Alternate Media Project, American Museum of the Moving For workshops, exhibitions, provision of Inc. Image access to film and vídeo post-production Houston, TX $50,000 Astoña, NY $18,000 facilities, touñng programs of works by To support regional fellowshíps for medía To support film and vídeo exhibition regional filmmakers, and educational artists in the South Central region, programs and guest lectures, media programs. MEDIA ARTS

Carnegie Institute Downtown Community Television Film/Video Arts, Inc. Pittsburgh, PA $21,000 Center, Inc. New York, NY $18,000 For exhibitions of classic American and New York, NY $23,000 To support a center offering access to film/ foreign film; exhibition of independent For access to basic and CMX computer- video production and post-production film/video; installations; and visiting me-ized editing facilities, technical work- facilities, film to tape transfer services, dia artists, shops, production services, exhibition, production and directing workshops, and and distribution, exhibition services. Center for Contemporary Arts of Santa Fe, Inc. Filmforum, Inc. Santa Fe, NM $5,000 , Inc. Beverly Hills, CA $6,000 For film and video exhibition programs, New York, NY $30,000 For exhibition programs of independent access to film and video post-production For dislribution of , provision offilm with visiting artists, workshops, and facilities, workshops, installations, and access to video editing facilities, and seminars. performances, artists’ lectures and screenings. Foundation for Art in Cinema Center for New Television Experimental Television Center, Ltd. San Francisco, CA $15,000 Chicago, IL $43,000 Owego, NY $5,000 For the San Francisco Cinematheque’s For independent video exhibitions; provi- To support providing to artists the access film and video exhibition program; publi- sion of production/post-production facili- to a highly sophisticated video image cation of Cinematograph, a journal of ties; production, editing, and video film criticism; seminars; and visiting artist graphics workshops; a bimonthly newslet-processing system with advisory, admin- programs. ter; anda video library, istrative, and curatoñal services in the development of projects. Friends of the Sheldon Film Theater, Chicago Filmmakers Inc. Chicago, IL $18,000 Facets-Multimedia, Inc. Lincoln, NE $10,000 For exhibitions of independent film and Chicago, IL $25,000 For an exhibition program at the Sheldon video, and provision of access to film For film exhibition programs, workshops Film Theater of independently produced editing equipment, and seminars, special programs for young and classic narrative films, visiting artists people, distribution, and monthly programs, extensive program notes, and Cine Accion, Inc. publications, access to a film research library. San Francisco, CA $15,000 For independent film/video screenings, Global Village Video Resource Center, programming of independent works on Film Art Fund, Inc. Inc. cable television, and for the publication ofNew York, NY $8,000 New York, NY $10,000 Cine Accion News. To support ’ To support exhibitions presenting innova- daily screenings of contemporary and tive video works, a documentary festival, Collective for Living Cinema, Inc. classic avant-garde films; exhibition of seminars, workshops, film and video New York, NY $18,000 independent narrative and documentary exhibition programs, artists’ residencies, For an exhibition program of independent films; retrospectives; special series; an annual documentary festival, anda and classic narrative film, filmmaking premiers of independent featurc films; conference. workshops, and cñtical publications, visiting filrnmakers; anda film/video reference library. Guadalupe Cultural Arts Center San Antonio, TX $12,000 Community Film Workshop of Chicago To support programs of filmivideo exhibi- Chicago, IL $5,000 Film Arts Foundation tion series. For provision of access to post-production San Francisco, CA $35,000 film facilities, filmmaking workshops, For workshops, weekly works-in-progress Haleakala, Inc. media consultation services, and film screenings, 16mm production/post-pro- New York, NY $21,000 screenings, duction services, and other services to For media exhibitions and installations, a independent filmmakers, video distribution program, and symposia Cornell University at The Kitchen Center for Video and Ithaca, NY $5,000 Music. To support exhibitions of altemative film Film in the Cities, Inc. and video art; recent documentary and St. Paul, MN $60,000 Hallwalls, Inc. international feature films; installations ofFor provision of access to film, video, Buffalo, NY $5,000 works by media artists; and programming and audio facilities, education programs, For film and video exhibitions with of film and video series on local public workshops, screenings, regional media visiting artists, publications, and 3/4-inch access television, programs, and publications, video editing facilities. 91 Helena Film Society, Inc. 80 Langton Street, Inc. Moving Image, Inc. Helena, MT $8,000 San Francisco, CA $5,000 New York, NY $45,000 For exhibitíon of independently produced For video exhibitions and installations, For Film Forum’s exhibition of independ­ film and rarely seen American and foreign lectures by artists, and publication of ently produced documentañes, animated narrative features, appearances by film­ a catalogue of works presented at the New films, and premieres of American and makers, and video residencies and Langton Arts Center. foreign dramatic features, with extensive workshops, program notes. Independent Feature Project West Long Beach Museum of Art Foundation Los Angeles, CA $5,000 Long Beach, CA $30,000 Museum of Broadcasting To support regular screenings of current For extensive exhibition programs, instal­ New York, NY $10,000 independent feature films; feature film­ lations, access to production and post­ For television and radio exhibiton pro­ making seminars and symposia with production facilities, workshops, visiting gratas, retrospectives with extensive pro­ directors, production designers, and cine- artists, and a videotape library, gram notes, seminars, publication of matographers; resource development catalogues, and educational programs. sessions for filmakers led by independent producers, directors and development Los Angeles Contemporary executives; and publication of Montage, a Exhibitions, Inc. Museum of Fine Arts, Boston monthly newsletter on independent feature Los Angeles, CA $8,000 Boston, MA $5,000 film. For exhibitions and installations of new To support exhibition of international and and classic video, film exhibitions, lec­ classic cinema; Amefican independent Independent Media Artists of Georgia, tures/discussions, and the LACE On- film and video; works by New England Etc., Inc. Line video facilifies access program, media artists; and a visiting artists Atlanta, GA $25,000 program. For an armual film and vídeo festival, Media Alliance, Inc. technical workshops, access to film and New York, NY $12,000 Museum ofFine Arts, Houston video facilities, regular film/vídeo exhibí- To support the On-Line program, provid- tíons, and cable programming, Houston, TX $5,000 ing access to production and post-produc- To support exhibition of independent film/ Institute of Contemporary Art tion facilities at considerable discounts vídeo, íntemational filmivideo, classic Boston, MA $20,000 to independent media artists, film, retrospectives, silent films, screen- For film and video exhibition programs ings of works by local ñlmmakers, guest with original program notes and visiting Media Project lectures, and a film study collection. artists, toufing vídeo programs, installa- Portland, OR $5,000 tions, and broadcast projects. To support a center offering distribution of independent film/vídeo; publicationMuseum of New of ModernYork, NY Art $60,000 Inter-Media Art Center, Inc. Printed Matter, a quarterly newsletter; Huntington, NY $10,000 exhibitions; and services to independent For the Film Department’s film exhibition For media production workshops, per­ media artists, program with visiting artists, a research formances, exhibitions with visiting art­ center that íncludes a film study collection, ists, and access to facilities, a film stills collection, video exhibitions, Millennium Film Workshop, Inc. installation and distribution. Intermedia Arts of Minnesota, Inc. New York, NY $18,000 Minneapolis, MN $33,000 For experimental film exhibitions with For access to production and post-produc- visiting artists, access to post-productíon National Alliance of Media Arts tion facilities, technical workshops, facilities, and publication of Millenium Centers, Inc. vídeo exhibitions, distfibution, and local Film Journal. San Francisco, CA $50,000 cable programming of independent work. To support the seventh year of the NAMAC Technical Assistance Program. International House of Philadelphia Minnesota Film Center Philadelphia, PA $34,000 Minneapolis, MN $18,000 For exhib~tion programs of the Neighbor­ For exhibition of more than 300 programs Nationai Alliance of Media Arts hood FffmiVideo Project, including of independently produced and interna­ Centers, Inc. visiting filmmakers, touring programs, tional features, many with visiting film- San Francisco, CA $50,000 and the Philadelphia Equipment Resource makers, and the Rivertown Intemational To support the sixth year of the NAMAC for Media Arts project. Film Festival. Management Assistance Program. 92 MEDIA ARTS

National Learning Center Positive Productions, Inc. University of Calífornia-Los Angeles Washington, DC $5,000 Washington, DC $5,000 Los Angeles, CA $22,000 To support the Capital Children’s Mu- For a center offering screenings of films To support the UCLA Film and Television seum’s media center programs for young by African American filmmakers, a seriesArchives, a film archive and study center people, including video training work- of narrative and documentary films from with exhibition programs of independently shops, production of audio works, artists within the , workshops, produced and classic narrative film. residencies, and provision of facilities, and guest lectures by filmmakers and scholars. New American Makers University of Colorado San Francisco, CA $8,000 Raindance Foundation, Inc. Boulder, CO $28,000 For workshops, weeldy works-in-progress New York, NY $20,000 For film exhibitions, visiting artists, screenings, production/post-production To support the "Stand-By" program under touring packages, access to film editing services, and other services to independent which videomakers are provided low- filmmakers, facilities, and maintenance of a film study cost access to Matrix Video, a state-of- collection at the Rocky Mountain Film New Community Cinema Club, Inc. the-art commercial video production Center. Huntington, NY $5,000 facility in New York City. For exhibition of independently produced University of the District of Columbia features and short experimental, docu­ Real Art Ways, Inc. mentary, animated, and narrative films Hartford, CT $5,000 Washington, DC $12,000 with visiting filmmakers. For film and video exhibitions, perform- To support the Black Film Institute, ah ances, provision of access to video and exhibition center offering weekly film New Orleans Video Access Center, Inc. audio facilities and workshops, exhibitions with guest filmmakers and New Orleans, LA $14,000 lecturers. For access to post-production facilities, Scribe Video Center, Inc. production services to artists, technical Philadelphia, PA $5,000 workshops, and assistance to video makers To support media arts center activities. Upstate Films, Llmited in gaining access to cable. Rinebeck, NY $5,000 South Carolina Arts Commission To support exhibition programs of inde- Newark Mediaworks Columbia, SC $43,000 pendent feature films, non-fiction film, Newark, NJ $5,000 For outreach with touring film packages, intemational cinema, animation, classic To support a center that offers ñlm/video access to film and video facilities, artists-films, and video art, generally with guest exhibition, the New Jersey Video and in-residence, anda filmmaker-in-schools artists. Film Festival and showcase, access to program. video production/post-production equip­ ment, production workshops, and services Southern California Asian American Utah Media Center, Inc. to media artists. Studies Central Salt Lake City, UT $10,000 For film and video exhibitions, provision Nine One One Contemporary Arts and Los Angeles, CA $20,000 For film and video production workshops, of access to video facilities, statewide Resource Center media management services, exhibitions, Seattle, WA $6,000 touring programs, media workshops, For a program of film and video exhibitonspublications, and distribution by Visual visiting artists programs, and festivals. with visiting artists and provision of Communications. access to film and video facilities. Southwest Alternate Media Project, Walker Art Center, Inc. Minneapolis, MN Oregon Art Institute Inc. $27,000 Portland, OR $18,000 Houston, TX $30,000 For exhibition of film and video, visiting For exhibition programs, education and For a varied program of exhibitions, artists, performances, publication of outreach, film and video festivals, pro- workshops, provision of access to film commissioned critical monographs, and duction workshops, anda circulating filmand video post-production facilities, and maintenance of a film study collection. collection at the Northwest Film Study touring film programs. Center. University of California-Berkeley Whitney Museum of American Art Pittsburgh Film Makers, Inc. Berkeley, CA $60,000 New York, NY $37,000 Pittsburgh, PA $25,000 For a film exhibition program with visitingFor exhibition of independent and expefi- For film exhibitions, workshops, distribu-artists and critics, anda research center mental film and video, the New American tion, and provision of access to film and film study collection at the Pacific Filmmakers Series, and the Whitney facilities. Film Archive. Biennial.

93 National Services Jewish Film Festival Art Institute of Chicago Berkeley, CA $5,1900 Chicago, IL $10,000 Includesfive subcategories: CONFER­ To support the 1989 Jewish Film Festival, To support cassette distribution of video ENCES/SEMINARS/WORKSHOPS of presenting screenings of documentaries art to the home market. priority issues infilm and vídeo; DISTRI­ and narrative films on Jewish subjects by BUTION on a national or regional basis independent American and foreign film­ Film Art Fund New York, NY $5,000 ofartistically significantfilms and makers, as well as workshops and To support distribution of films and videotapes; CIRCU~ING EXHIBI­ seminars, videotapes through the Film-Makers’ TIONS to expand audiences for film and Cooperative. video art; PUt~LICATIONS on practical Los Angeles Contemporary and aesthetic media arts issues; and Exhibitions, Inc. Film News Now Foundation, Inc. COMBINED SERVICESfor projects that Los Angeles, CA $7,000 New York, NY $15,000 provide a combination of the above. To support an exhibition, publication, andTo support the distribution of independ­ symposium, "Resolution II," to generate ently produced film and videotape. cñtícal dialogue on vídeo art. 38 Grants Foundation for Art in Cinema Program Funds: $500,000 Museum of the American Indian-Heye San Francisco, CA $10,000 Foundation To support distñbution services including Conferences/Seminars/Workshops New York, NY $12,000 an updating of the Canyon Cinema To support the seventh Native American catalog. Boston Film/Video Foundation, Inc. Film and Video Festival and information Foundation for Independent Video and Boston, MA $8,000 services. Film, Inc. To support a symposium on cultural New York, NY $35,000 representations in film, with screenings, National Film Preserve, Ltd. To support services to independent media panel discussions and workshops; bfingingHanover, NH $6,000 artists, including publications, a Festival together artists, critícs, and scholars. To support the 16th Telluride Film Festival.Bureau, seminars, and information services. New York Foundation for the Arts, lnc. City of Atlanta, Bureau of Cultural New York, NY $7,000 National Asian Ameriean Affairs To support "American Independents in Telecommunications Association Atlanta, GA $6,000 Berlin 1989," a consortium of artists and San Francisco, CA $10,000 To support the ninth Atlanta Third World media organizations organized to repre- To support distribution opportunities for Film Festival. sent Ameñcan independent film at the quality films by Asian-Ameñcan film and Berlin Film Festival. video artists. Eugene O’Neill Memorial Theater WGBI-I Educational Foundation Center, Inc. Squaw Valley Creative Arts Sodety Boston, MA $15,000 Waterford, CT $7,000 Olympic Valley, CA $5,000 To support public television distñbution of To support the annual New Drama for To support the Screenwriters Program at the video art señes "New Television." Television project, a month-long workshop the Squaw Valley Community of Writers, to improve the quality of television including lectures, workshops, and Women Make Movies, Ine. scriptwñting, screenings. New York, NY $15,000 To support distribution of films and Washington D.C. Film Festival, Inc. videotapes by and about women, including Frameline Washington, DC $7,000 the acquisition and distñbution of three San Francisco, CA $10,000 To support the third armual Washington new collections, the production of a new To support the 13th annual San Francisco International Film Festival. catalog, and the development of a national International Lesbian and Gay Film study center. Festival. Distribution Circulating Exhibitions International Film Seminars, Inc. American Federation of Arts Global ViHage Video Resource Center, New York, NY $9,000 New York, NY $35,000 Inc. To support the 35th annual Robert FlahertyTo support the Independent Film/Video New York, NY $8,000 Seminar, bringing together artists and Distribution Program anda circulating To support the circulation of films from scholars for screenings and discussions onfilm exhibition program "Animated Filmsthe 15th Annual Global Village Docu­ documentary film. from the People’s Republic of China." mentary Festival.

94 MEDIA ARTS

Independent Curators, Inc. Educational Film Library Association, Publications New York, NY $12,000 Inc. To support a circulating cxhibition "Auto-La Grange Park, IL $10,000 portraits: Video and the Self," exploring To support the American Film and Video Bay Area Video Coalition, Inc. the work of contemporary artists who use Festival, information services, and San Francisco, CA $10,000 video to examine their own lives, publications. To support Video Art: Theory and Prac­ tice, an anthology of new and critical writings on video by artists and scholars. International Film Circuit, Inc. Film Society of Lincoln Center, Inc. New York, NY $10,000 New York, NY $38,000 To support a national tour of contemporaryTo support New Directors/New Films, the Visual Studies Workshop, Inc. feature films from around the world New York Film Festival, and Film Com- Rochester, NY $12,000 which do not reach American audiences ment magazine. To support the coverage of independent through conventional distñbution film and video in Afterimage, a monthly channels. Independent Feature Project, Inc. joumal. New York, NY $15,000 International House of Philadelphia To support services to assist producers of American Film Institute Philadelphia, PA $8,000 independent feature films, including the To support a national tour of works from annual Independent Feature Film Market, Supportfor the American Film Institute, "Latin American Visions," a retrospectiveseminars, screenings, publications, and founded in 1967 to preserve the heritage of of over 50 years of Latin American a resource program providing technical and to advance the art offilm and cinema and vídeo, assistance, television.

International Center for 8mm Film 1 Grant New England Foundation for the Arts Program Funds: $1,500,000 Cambridge, MA $25,000 and Video, Inc. To support the national tour of the exhibi- Somerville, MA $7,000 tion "Celebration of Black Cinema V," To support services designed to advance American Film Institute and production and distribution of the the art of 8mm film, including technicalWashington, DC $1,500,000 cable television series "Mixed Signals." assistance, publications, touring exhibi- To support exhibition, education, public tions, and workshops, services, and Academy intemship pro­ grams; television and video services; the South Carolina Arts Commission Center for Advanced Film and Television Columbia, SC $21,000 National Alliance of Media Arts To support the Southem Circuit, a tour of Centers, Inc. Studies; the Mayer Library; the CAFTS independent film and video artists to San Francisco, CA $20,000 Fellow Film Distñbution; and the Direct- southeastem cities. To support services to media arts centers, ing Workshop for Women. including a newsletter, a national confer­ University of California-Los Angeles ence, a database on the media arts field, AFI Independent Filmmaker Los Angeles, CA $25,000 and information-sharing services for Program To make preserved films available to mediamedia arts exhibitors. arts centers from the Archive Preservation AFI administersfor the Endowment a Access Collection. Sundance Institute for Film and program ofgrants to media artists Television working in animated, documentary, Sundance, UT $25,000 experimental, and narrativefilm and Combined Services To support the institute’s Feature Film video. Screenwwñting and June Laboratory Pro- Academy of Television Arts & Sciences grams, the United States Film Festival, 1 Cooperative Agreement Foundation and the Latin American Film Initiative. Program Funds: $400,000 Burbank, CA $5,000 To support planning for a research library, Writers Guild of America, East, American Film Institute which will include reference books, trade Foundation, Inc. Washington, DC $400,000 publications, scripts, correspondence, New York, NY $10,000 For a coopemtive agreement to conduct program synopsis, photographs, clip- To support fellowships to improve the the Independent Filmmaker Program, pings, oral histories, and other documen- quality of scripts produced for film and a national program for advanced film and tation related to primetime television, television, video artists.

95 AFI/NEA Film Preservation Educational Broadcasting Corporation Music Project for Television, Inc. Program New York, NY $635,000 New York, NY $25,000 , TF: $565,000* To complete a documentary film on the To help organizations locate, preserve, To support the 1990-91 season of the composer by the filmmaker and catalogfilm ofartistic value, public television series "Great Perform- Allan Miller. ances," including four new productions of 2 Cooperative Agreements "Dance in America." New York Foundation for the Arts, Inc. Program Funds: $525,200 New York, NY $50,000 Educational Broadcasting Corporation To support a documentary film on the American Film Institute New York, NY TF: $200,000* architect and designer R. Buckminster Washington, DC $500,000 To amend a previous grant for the 1989-90 Fuller by the filmmakers Kirk Simon and For a cooperative agreement for the season of "Great Performances." Karen Goodman. American Film Institute/National Endow­ ment for the Arts film preservation grant Educational Broadcasting Corporation Public Television Playhouse, Inc. program for nitrate preservation efforts New York, NY $875,000 New York, NY $500,000 administered by the National Center for To amend a previous grant to support To support the ninth season of the public Film and Video Preservation. "Behind the Scenes," a television series television series "American Playhouse." on the arts for children. American Film Institute QED Communications, Inc. Washington, DC $25,200 Foundation for Independent Video anfl Pittsburgh, PA TF: $300,000 To amend a previous cooperative agree­ Film, Inc. To support the seventh season of the public ment to support the fiflh year of the New York, NY $50,000 television series "WonderWorks." National Center for Film and Video To continue the administration of the Short Film Showcase project. QED Communications, Inc. Preservation. Pittsburgh, PA $50,000 International Cultural Programming, To support a documentary film about the Programming in the Arts Inc. photographer W. Eugene Smith by the To develop a series of programs on the New York, NY $50,000 filmmaker Kirk Morñs. artsfor national broadcast on television To support a documentary film about the playwright Tennessee Williams. Sundauce Institute for Film and or radio, Television Television International Cultural Programming, Sundance, UT $40,000 Inc. To support a documentary film about the New York, NY $150,000 screenwriter Waldo Salt by the filmmaker Program Funds: $4,440,000 To support "Americans In Paris," the pilotEugene Corr. Treasury Funds: $1,690,000 program in the public television series "Musically Speaking with Gerard The American Documentary, Inc. Appalachian Community Service Schwarz." New York, NY $200,000 Network To support the 1989-90 season of the Rosslyn, VA $150,000 KCET/Community Television of public television series "P.O.V." To support the cable television sedes "TheSouthern California Independents," telecast by The Learning Los Angeles, CA $150,000 The Moving Image, Inc. Channel. To support the second season of the public New York, NY $50,000 television sedes "Trying Times." To support a documentary film about ETV Enduwment of South Carolina, photographer Mathew Brady by filmmaker Inc. Lincoln Center for the Performing Calvin Skaggs. Spartanburg, SC $25,000 Arts, Inc. To support development of a public televi- New York, NY TF: $325,000 The Moving Image, Inc. sion series based on Ralph Caplan’s To support the 1990 season of the public New York, NY $40,000 book By Design: of Why There Ate No television series "Líve From Lincoln To support a documentary film about the Locks on the Bathroom Doors of the Hotel Center." screenwriter Preston Sturges by the Louis X1V and Other Object Lessons. filmmaker Ken Bowser. Metropolitan Opera Association, Inc. Educationai Broadcasting Corp. New York, NY TF: $300,000 Twin Cities Public Television, Inc. New York, NY $800,000 To support the 1989-90 season of the St. Paul, MN $500,000 To support the 1990 season of the public public television señes "The MetropolitanTo support the 1990 season of the public television series "American Masters." Opera Presents." television series "Alive From Off Center."

96 MEDIA ARTS

WGBH Educational Foundation Friends of Public Radio, Painted Bride Art Center, Inc. Boston, MA $85,000 Inc. Philadelphia, PA $50,000 To support the public telcvision series Charleston, WV $75,000 To support a 13-part series on , "New Television." To support production "," produced by Steve Roland. a weekly arts performance program Pennsylvania Public Radio Associates, Women Make Movies, Inc. showcasing artists from folk music, jazz, Inc. New York, NY $15,000 classical music, and comedy, produced byUwchland, PA $50,000 To support a documentary film about the Larry Groce and Andrew Rídenour. To support the production of "Echoes," a writer and composer , co- weekly program of contemporary music, produced and co-directed by Catherine In Our Time Arts Media, Inc. produced by John Diliberto and Kimbefly Wamow and Regina Weinreich. New York, NY $9,000 Haas. To support a weekly half-hour radio Sound Foundation, Inc. *Committed only. These funds will be program featuring poets and fiction writ- New York, NY $30,000 obligated in Fiscal 1990. ers, produced by Tom Vitale. To support "Heat of the Night," a nightly two-hour radio broadcast featudng satire, Radio University interviews, music and soundscapes, Baltimore, MD $30,000 produced by Steve Rathe. To support the third season of "Sound­ 20 Grants pñnt," a weekly documentary sedes, pro- Symphony Space, Inc. Program Funds: $830,000 duced by David Creagh. New York, NY $30,000 To support the production of "Selected Shorts: A Celebration of the Short Story,"a Alaska Public Radio Network L.A. Theatre Works series of programs featuring live record- Anchorage, AK $20,000 Venice, CA $30,000 ings from the works of contemporary To support "National Native Arts," a sedes To support a radio señes presenting 20th authors, produced by Marjoñe Van of short segments on traditional Native Century Ameñcan plays and novels, Halteren. produced by Susan Lowenberg. Ameñcan arts, produced by Donna Carter. University of Missouri---Kansas City Kansas City, MO $10,000 Brooklyn Academy of Music, Inc. National Public Radio, Inc. To support production of "New Letters Brooklyn, NY $40,000 Washington, DC $50,000 Poem for the Day," produced by Rebekah To support production of a sedes of radio To support the 1989-90 season of"Per- Presson. programs on the tenth anniversary of the formance Today," produced by Don Lee. "New Music Amedca Festival," produced WHYY, Inc. by Steven Edckson. New Radio & Performing Arts, Inc. Philadelphia, PA $35,000 Brooklyn, NY To support the third season of"Fresh Air," $75,000 a daily program combining interviews Duquesne University of the Itoly Ghost To support "BluesStage," a weeldy series with artists and commentary about the on the many styles of blues in America, arts, hosted and produced by Terry Gross. Pittsburgh, PA $6,000 hosted by Ruth Brown, produced by Felix For the production of radio features on Hernandez. World Music Productions living American composers, produced by Brooklyn, NY WDUQ-FM. $60,000 New Radio & Performing Arts, Inc. To support a radio series on contemporary Brooklyn, NY $60,000 Affican music, produced by Sean Barlow. Inc.ETV Endowment of South Carolina, icanT° supportRadio,,,thea productiOnseries of expedmental°fRadio "New Projects Amer­ Spartanburg, SC $50,000 programs featufing works commissioned Includes two subcategories: RADIO To support the production of Seies XI of or acquired from radio producers and PRODUCTION grants support outstanding "Marian McPartland’s Jazz," pro- audio artists, produced by Helen singleproductions and seriesfor radio duced by William Hay. Thorington. broadcast; and RADIO SERVICES AND WORKSHOPS grants enable organizations Fresno Free College Foundation Newark Public Radio, Inc. to offer services to radio producers or to invite nationally recognized radio New York, NY $60,000 Newark, NJ $60,000 producersfor workshops. To support "Soundplay," a 52-week series To support the seventh season of the of one-hour radio dramas, produced by "Ameñcan Jazz Radio Festival," produced 38 Grants Everett Frost. by Wylie Rollins. Program Funds: $450,000

97 Radio Production Fresno Free College Foundation Minnesota Publíc Radio, Inc. New York, NY $6,000 St. Paul, MN $10,000 Alaska Public Radio Network To support the English language version To support the 1989-90 season of"Saint Anchorage, AK $8,000 of the German radio play "The Inversion Paul Sunday Moming," produced by Toro To support "Alaskanarts,"a weekly pro­ of America: Epic Radio Drama," pro- Voegli. gram exploring Alaskan arts, artists and duced by Everett Frost. art issues, produced by Johanna Eurich. Monadnock Media, Inc. GianattassioiMall, Robin Shutesbury, MA $15,000 Allison, Jay San Francisco, CA $8,000 To support the radio production of "Earth- Woods Hole, MA $12,000 To support a nine-part radio seres on stone," a musical on the theme of nature To support a 13-part radio seres, older women’s lives, and technology, produced by Steve Bres­ sler and Chfis Hardee. American Audio Prose Library, Inc. Golding, Barrett W. Columbia, MO $8,000 Bozcman, MT $8,000 National Public Radio, Inc. To support the "Ameñcan Prose Series," To support a series of short audio art Washington, DC $13,000 featuring distinguished American writerspieces. To support the 1989-90 season of"NPR reading their works, produced by Kay Playhouse," produced by Mary Lou Bonetti. Henderson, David Finnegan. Berkeley, CA $5,000 American Composer’s Orchestra, Inc. To support a radio series on the black New Mexico Arts Division New York, NY $10,000 Ameñcan poet Bob Kaufman. To support "The Ameñcan Composer’s Santa Fe, NM $10,000 Orchestra Radio Series," hosted by con- To support production of "Southwest Hollick, Julian Crandall Sound Collage," produced by Jack ductor Dennis Russell Davies and pro­ Littleton, MA $8,000 Loeffler. duced by Julie Burstein. To support a series of two half-hour radio documentafies and four shorter segments O’Rourke, Michael Baskas, Harriet on Calcutta. Seattle, WA $10,000 Portland, OR $5,000 To support a seres of radio programs on To support two radio documentaries on Interaction Dance Foundation, Inc. musician and folldorist Alan Lomax. our designed environment. New York, NY $5,000 To support "Ameñcan Diníng: A Working Carrier, Scott Woman’s Moment," produced by Jerri Oppenheim, Irene M. Salt Lake City, UT $7,000 Allen. Los Angeles, CA $7,000 To support a three-part radio series. To support a half-hour radio drama by disabled writers. Documentary Arts, Inc. Jackson, Homer Philadelphia, PA $5,000 Dallas, TX $15,000 Roberts, D. To support "American Patchwork,"a radio To support a half-hour audio collage about the collective memory of black Americans.Portland, OR $6,000 series on regional oral traditions of music, To support the radio production of"Mei poetry, and storytelling across the United Mei." States, produced by Alan Govenar. King, George P. S. Atlanta, GA $10,000 Double Hdix Corporatíon To support an eight-part radio series on Sahi, Michael St. Louis, MO $20,000 the oral narrative tradition in the United New York, NY $8,000 To support a radio series on "The Birth of States. To support a 90-minute radio opera Jazz." entitled "Dream Beach." Kronos Performing Arts Association Earmark, Inc. San Francisco, CA $15,000 Sloan, Anthony J. Miami, FL $20,000 To support the third season of "Radio New York, NY $10,000 To support production of "American Kronos." To support a four-hour radio production of Music Theater Today," produced by Eliza­ Richard Wright’s "The Long Dream." beth Perez Luna. Manhattan Marimba Quartet, Inc. New York, NY $7,000 Western Wind Vocal Ensemble, Inc. Frank, Joe To support a two-hour documentary on New York, NY $10,000 Santa Monica, CA $20,000 the mañmba, produced by Steve To support "The Westem Wind on the To support "Joe Frank: Work in Progress." Robinson. Air."

98 MEDIA ARTS

Radio Services and Workshops Pacitica Foundation Krafft, Rebecca North Hollywood, CA $20,000 Arlington, VA $10,000 To support the Pacifica Program Service To support the research and writing of a Bay Area Radio Drama and Radio Archive. catalogue of public television programs Berkeley, CA $25,000 funded by the Media Arts Program. To support a radio drama production and Sound Foundation, Inc, training center. New York, NY $12,000 National Alliance of Media Arts For the Association of Independents in Centers, Inc. Harvestworks, Inc. Radio to provide services to independent San Francisco, CA $50,000 New York, NY $12,000 radio producers. To support the State and Regional Media To support services to independent radio Arts Initiative program. producers. Western Public Radio, Inc. San Francisco, CA $15,000 New York Foundation for the Arts, Inc. To support services to independent radio New York, NY $70,000 National Federation of Community producers. To support the production of a film by Broadcasters, Inc. Chiz Schultz about arts initiatives in small Washington, DC $20,000 towns in Amedca. To support services to public radio pro­ Special Projects ducers, programmers, and stations. For projects that concern special artistic Research Foundation of the City opportunities. University of New York National Public Radio, Inc. New York, NY $20,000 Washington, DC $10,000 6 Grants To support media center activities at the To support audio recording workshops. Program Funds: $185,000 Centro de Estudios Puertorriquenos at Hunter College. International Museum of P~otography New Wave Corporation at George Eastman House Schultz, Chiz Columbia, MO $35,000 Rochester, NY $10,000 South Nyack, NY $25,000 To support the 1989 Midwest Radio To support a film programmer and related To support pre-production of a film about Theater Workshop. costs, arts initiatives in small towns in Amedca.

99 553 Grants ~o~~oFunds: $11,192,500 Museum Treasury Funds: $1,453,000

The Museum Program supports projects of artistic significance The Special Artistic Initiatives category supports significant in the museum field through grants to museums, organizations, long-term programming by encouraging coordinated programs and museum professionals. It supports museum activities which linked together by a unifying thematic framework using the present art to the public through exhibitions and contributes unique artistic resources of a museum. As an example, a grant to the understanding ofart through the presentation ofart in the to the Museum of Contemporary Art supported a project galleries, special exhibitions, educational programs, lecture entitled "Dos Ciudads/Two Cities: A Border Project." Through series, andpublications, a series of exhibitions, artists’ residencies, commissions, symposia,educationalactivities,films,and multidisciplinary 1989, the Museum Program supported a wide range of projects, among them ah exhibition of Buddhist ritual art programs the museum concentrates attention on the San Diego Infrom at the Asia Society Gallery in New York, an community and its unique multi-cultural border environment. exhibition of Georgia O’Keefe’s paintings of Hawaii at the Honolulu Academy of Arts, an exhibition at the Los AngelesThe Museum Purchase Plan assists museums in expanding their County Museum of Art of the work of George Bellows, and an collections by acquiring works by living American artists. Sixty exhibition of the Cubist works of and Georges grants were awarded to museums across the country. Braque at the Museum of Modero Art in New York. Grants under the Presentation and Education category supported The Museum Program also continued to provide funds for the major reinstallations, including one at the conservation of works of the highest quality and the enhancement of its collection dating from the 13th through 20th of museum environments through improved storage, securíty, century. Collection sharing projects included the Corcoran and climate control. Funds for training, fellowship, and intem­ Gallery of Art’s loan of its William A. Clark Collection to theship opportunities are provided for museum professionals and Yellowstone Art Center and the Montana Historical Society. those enteñng the field.

Advisory Panels Susan Taylor Douglas Hyland Director Director Wellesley ColIege Museum Birmingham Museum of Art Advancement Wellesley, MA Birmingham, AL Care of Collections Michael Mezzatesta Curtis Carter Director Director Russell Bowman Duke University Art Museum Patrick & Beatrice Haggerty Museum of Durham, NC Art Director Milwaukee, WI Milwaukee Art Museum Milwaukee, WI Roy Perkinson Chief Conservator, Prints and Drawings David de La Torre Lynda Forsha Museum of Fine Arts Executive Director Curator Boston, MA The Mexican Museum La Jolla Museum of Contemporary Art San Francisco, CA La Jolla, CA Head ShelleyObjects Sturman Conservator Alexander Nyerges Frank Goodyear National CJallery of Art Executive Director President Washington, DC The Mississippi Museum of Art Permsylvania Academy of the Fine Arts Jackson, MS Philadelphia, PA Challenge III Judith Sneddon Barbara Heller Kinshasha Conwill Former Executive Director Head Conservator Director Guild Hall Museum The Detroit Institute of Arts The Studio Museum in Harlem East Hampton, NY Detroit, MI New York, NY 100 MUSEUM

Suzanne Delehanty Kynaston McShine Peter Marzio Director Senior Curator, Department of Painting Director Contemporary Arts Museum and Sculpture Museum of Fine Arts, Houston Houston, TX Museum of Modero Art Houston, TX New York, NY Bruce Evans Terry Melton Director Dennis O’Leary Executive Director Dayton Art Institute Director Westem States Arts Federation Dayton, OH Boise Gallery of Art Santa Fe, NM Boise, ID Edward Nygren J. Brooks Joyner Director Director David Travis Smith College Museum of Art Montgomery Museum of Fine Arts Curator of Photography Northampton, MA Montgomery, AL Art Institute of Chicago Chicago, IL Merribell Parsons Evan Maurer Director Director Overview Columbus Museum of Art Minneapolis Institute of Arts Columbus, OH Minneapolis, MN James Ballinger William Weiss Director Chairman Richard Muhlberger Phoenix Art Museum Wyoming Council on the Arts Former Vice-Director for Education Phoenix, AZ Cheyenne, WY Metropolitan Museum of Art New York, NY Michael Conforti Professional Development Chief Curator Lewis Sharp Minneapolis Institute Of Arts David Curry Director Minneapolis, MN Curator of American Art Denver Art Museum The Denver Art Museum Denver, CO Kevin Consey Denver, CO Director Steven Nash Museum Purchase Plan Newport Harbor Art Museum Associate Director and Chief Curator Newport Beach, CA Fine Arts Museums of San Francisco San Francisco, CA Elizabeth Armstrong Kinshasha Conwill Associate Curator Director Russell Panczenko Walker Art Center The Studio Museum in Harlem Director, Elvehjem Museum of Art Minneapolis, MN New York, NY University of Wisconsin Madison, WI Mitchell Kahan Douglas Hyland Director Director Thomas Sokolowski Akron Art Museum Birmingham Museum of Art Director, Grey Art Gallery Akron, OH Birmingham, AL New York, NY Carlotta Kotik Janet Kardon Martha Wolff Curator of Contemporary Art Director, Institute of Contemporary Art Curator of European Painting Before 1750 The Brooklyn Museum University of Pennsylvania Art Institute of Chicago Brooklyn, NY Philadelphia, PA Chicago, IL

101 Speciai Artistic Initiative Robert Murdock Fcllowships for Muscum Director of Exhibitions Professionals American Federation of Arts Gerald Bolas New York, NY To enable currently employed museum Director professionals to take leaves of absence of Portland Art Museum Edward Nygren up to one year to undertake independent Portland, OR Director study, research, travel, or otherwise Smith College Museum of Art improve their professional qualifications. Michaei Conforti Northampton, MA Chief Curator 11 Grants Minneapolis Institute of Arts Sidra Stich Program Funds: $90,000 Minneapolis, MN Senior Curator, University Art Museum University of Califomia Armstrong, Eiizabeth N. Douglas Hyland Berkeley, CA Minneapolis, MN $7,000 Director To support salary and related costs while Birmingham Museum of Art Philip Yerre independent research. Birmingham, AL Chief Curator Bronx Museum of the Arts Barriault, Anne B. Janet Kardon Bronx, NY Richmond, VA $7,000 Director, Institute of Contemporary Art To support salary to complete the revising University of Pennsylvania Utilization of Museum Resources and editing of a manuscñpt on domestic Philadelphia, PA Tuscan spalliera painting. Jacquelynn Baas John Kent Lydecker Director Butterfield, Mary Ann L. Executive Director of Museum Education University Art Museum St. Paul, MN $8,000 The Art Institute of Chicago Berkeley, CA To support travel to Stockholm to work at Chicago, IL LSH Textilconservering under Eva Moller, John Kent Lydecker head conservator. Executive Director of Museum Education Special Exhibitions The Art Institute of Chicago Cadogan, Jean K. Chicago, IL West Hartford, CT $15,000 Linda Ayres To support travel to Italy to complete Curator of Painting and Sculpture Merribell Parsons research for a book on the art of Domenico Wadsworth Atheneum Director Ghirlandaio (1449-1494). Hartford, CT Columbus Museum of Art Columbus, OH Harnly, Marc W. Charles Desmarais San Diego, CA $5,000 Director Sharon Patton To support salary and travel to Wilming­ Laguna Art Museum Chief Curator ton, Delaware to work with Debbie Hess Laguna Beach, CA The Studio Museum in Harlem Norris, Assistant Director, University of New York, NY Delaware/Winterthur Museum of Art Conservation Training Program. Bruce Guenther Patterson Sims Chief Curator Chief Curator Hering, Michad J. Museum of Contemporary Art, Chicago Seattle Art Museum Santa Fe, NM $15,000 Chicago, IL Seattle, WA To support salary, supplies, and travel to principal United States museums with Susan Krane Gail Trechsel southwest Ameñcan Indian collections Curator of 20th-Century Art Adjunct Professor, Department of Art and to the Indian reservation of Zia, New High Museum of Art University of Alabama Mexico. Atlanta, GA Birmingham, AL Johnson, Gretchen D. J. Patrice Marandel Roger Ward Denver, CO $4,000 Curator of Early European Paintings Associate Curator of European Art To support mateñals and travel in Colo­ Detroit Institute of Arts The Nelson-Atkíns Museum of Art rado, New Mexico, and Añzona to study Detroit, MI Kansas City, MO contemporary Navajo weaving.

102 MUSEUM

Lunning, Elizabeth Brooklyn Institute of Arts and Sciences Metropolitan Museum of Art Bmoldine, MA $8,000 Brooklyn, NY $20,000 New York, NY $10,000 To support salary to study special paper To support several curatorial intemships To support the Metropolitan Museum’s repair techniques/with Christa Gaehde. for graduate students, graduate assistantship program.

Rossen, Susan Corporation of the Fine Arts Museums Minneapolis Society of Fine Arts Chicago, IL $5,000 San Francisco, CA $13,000 Minneapolis, MN $8,000 To support salary, travel, and research at To support a curatorial intemship in To support an intemship program at the W. W. Norton in New York. American art, and related costs. Minneapolis Institute of Arts.

Wood, Donald A. Corporation of the Fine Arts Museums Museum of Contemporary Art, Los Birmingham, AL $8,000 San Francisco, CA $13,000 Angeles To support mateñals and travel to South­ To support an intemship program in the Los Angeles, CA $20,000 east Asia for study, registrar’s department. To support one intemship in the curatorial department and one in the education Wye, Deborah department. Brooklyn, NY $8,000 Denver Art Museum To support salary and travel to to Denver, CO $16,000 To support an intemship program designedMuseum of Fine Arts, Boston study prints and contemporary print- Boston, MA $20,000 making printrooms, for a student of native American background. To support two one-year post-graduate curatorial intemships. Museum Training Film in the Cities, Inc. Museum of the City of New York To assist museums and universities in St. Paul, MN . $12,1300 training museum professionals and To support an intemship program in the New York, NY $13,000 technicians through arts-related formal film/video exhibitions program. To support an internship program in the college- and post-graduate level pro­ Department of American Decorative Arts. gratas, internships, and apprenticeships. Indian Council of Regents Institute of New Museum American Indian Arts, Inc. New York, NY $15,000 32 Grants Santa Fe, NM $15,000 Program Funds: $449,600 To support a graduate-level intemship To support the institute’s museum trainingprogram. program. American Law Institute Philadelphia, PA $15,000 Museum ofArt, Inc. New New York York, University NY $20,000 To support stipends for museum profes­ Indianapolis, IN $5,000 sionals to attend a course of study in To support the curatorial studies program To support an intemship in the Departmentat the Institute of Fine Arts, which is Houston, Texas on legal problems of of Ethnographic Art. museum administration, conducted jointly with the Metropolitan Museum of Art. Art Institute of Chicago Indianapolis Museum of Art, Inc. Chicago, IL $13,000 Indianapolis, IN $5,000 Oberlin College To support a graduate-level intemship To support a post-graduate curatorial Oberlin, OH $13,000 program in the Department of Pñnts and intemship in the Department of Contem- To support an intemship program in the Drawings. porary Art. Allen Memorial Art Museum’s education department. Birmingham Museum of Art La Jolla Museum of Contemporary Art Birmingham, AL $9,000 La Jolla, CA $10,000 Philadelphia Museum of Art To support a curatorial intemship programTo support a year-long graduate or post- Philadelphia, PA $13,000 in the Decorative Arts Department. graduate curatorial intemship program in To support a post-graduate intemship the museum, program in museum education. Board of Trustees of the University of Illinois Metropolitan Museum of Art Philadelphia Museum of Art Champaign, IL $10,003 New York, NY $18,000 Philadelphia, PA $15,000 To support the university’s graduate To support an intemship program for blackTo support a post-graduate intemship program in museum studies at the Kran­ and Hispanic college seniors and graduateprogram in the Department of Prints, nert Art Museum. students. Drawings, and Photographs. 103 President & Fellows of Harvard College Special Exhíbitions Cambñdg¢, MA $13,000 New York, NY $25,000 To support a graduate-level internship as To support a special artistic initiative To enable museums to organize special part of the curatoñal internship program ofdirected toward g¢nerating the writing of exhibitions or to borrow exhibitions the Harvard University Art Museums. the history of American craft in the 20th organized by other museums. St. Louis Art Museum century. 208 Grants St. Louis, MO $8,000 Program Funds: $4,883,000 To support a part-time apprenticeship DeCordova and Dana Museum and Treasury Funds: $748,000 program in the building operations Park department. Lincoln, MA $70,000 Akron Art Museum Trustees of Boston University TF: $5,000 Akron, OH $25,000 Boston, MA $19,600 To support the implementation of a coor- To support a touring exhibition and ac­ To support internships for advanced dinated series of programs that will assistcompanying catalogue of the work of graduate students in the Ameñcan and the museum in realizing the potential of photographer Ralph Eugene Meatyard New England Studies Program. the sculpture park and its unique natural (1925-1972). setting. University of Kansas Main Campus Albright College Lawrence, KS $15,000 To support several part-time graduate level La Jolla Museum of ContemporaryTo Artsupport Reading, ah exhibition PA and accompany­ $13,200 intemships at the Spencer Museum of La Jolla, CA TF: $250,000 ing catalogue of the work of contemporary Art. To support a special artistic initiative artist Donald Lipski at the Freedman entitled "Dos Ciudades/Two Cities: A Gallery.. University of Southern California Border Project." Los Angeles, CA $20,000 To support intemship stipends for students Alexandria Museum Visual Art Center in the museum studies program in the Minneapolis Society of Fine Arts Alexandña, LA $8,300 School of Fine Arts. Minneapolis, MN $25,000 To support an exhibition señes of site- To support the formative evaluation and specific installation works by emergíng Walker Art Center, Inc. planning for museum-wide installations ofand established regional artists. Minneapolis, MN $20,000 educational resources called "leaming To support two post-graduate intemships activity areas." Artists Space in the curatorial and education areas. New York, NY $10,000 Whitney Museum of American Art Museum of Fine Arts, Houston To support an exhibition examining the $20,000 social issues of AIDS and the impact New York, NY Houston, TX $100,000 it has had on the work of contemporary To support the art history/museum studies To support "An Exploration of Sculpture,"artists. fellowship program, an initiative dedicated to ínterpreting the museum’s permanent collection of Asia Society Worcester, MA $13,000 sculpture. New York, NY TF: $40,000 To support a graduate-level curatoñal To support an exhibition of the work of intemship program in East Asian art in Pennsylvania Academy of the Fine Arts Japanese artist Ito Jakuchu (1716-1800). the Department of Asiatic Art. Philadelphia, PA $50,000 To support "Teaching at the Academy," a Asia Society Special Artistic Initiatives series of exhibitions, publications, and New York, NY $85,000 To support an exhibition of the work of To support special long-term initiatives by education programs featuñng the teaching museums to define of redefine their practices and collecting history of the Indonesian court art. Pennsylvania Academy. mission and artistic direction through a Asia Society carefully coordinated sequence of exhibi­ New York, NY $60,000 tions, reinstallations, educational pro­ Trustees of the University of gratas, publications, and interdisciplinary To support an exhibition of Buddhist ritual Pennsylvania art from Bhutan. projects of the highest artistic level and Philadelphia, PA $60,000 ofnational or regional significance. To develop a broad-based contemporary Aspen Art Museum 7 Grants art education program entitled "More Aspen, CO $15,000 Program Funds: $330,000 Than Meets the Eye--an Exploration of To support an exhibition and accompany­ Treasury Funds: $255,000 Contemporary Art and Contemporary ing catalogue of work by contemporary Issues." artists from the Northem Rockies region.

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Aspen Art Museum Brooklyn Institute of Arts and Sciences Center for Mrican Art, Inc. Aspen, CO $25,000 Brooklyn, NY $37,500 New York, NY $10,000 To support "Sculpture/Aspen: 1990," an To support "Portfolios and Projects: The To support the planning of an exhibition exhibition of site-specific outdoor sculp-25th National Pdnt Exhibition," and its examining the relationship between art, tures and accompanying catalogue, accompanying catalogue, statehood, and cosmology in ancient Dahomey (today part of the Benin Brooldyn Institute of Arts and Sciences Republic). Annandale-on-Hudson, NY $25,000 To support ah exhibition and accompany- Brooklyn, NY $15,000 ing catalogue at the Edith C. Blum Art To support ah exhibition and accompany- Center for Contemporary Arts of Santa Institute examining the impact of Far ing catalogue of Milton Avery’s black Fe, Inc. Eastern art and philosophy on post-1945 and white drawings. Santa Fe, NM $10,000 Ameñcan art. To support a toudng exhibition and ac- Brown Uníversity companying catalogue of contemporary Beaver College Providence, RI $25,000 pinhole photography. Glenside, PA $10,000 To support ah exhibition and accompany- To support one in a señes of exhibitions ing catalogue of 16th-century architecturalChrysler Museum of temporary outdoor installation projects drawings focusing on the Spanish illustra-Norfolk, VA $20,000 and complementary indoor exhibitions tor Juan de Herrera. To support the presentation at the Chrysler of work by contemporary Ameñcan artists Museum of "Paris 1889: American Artists and an accompanying catalogue. Buffalo Fine Arts Academy at the Wofld’s Fair," an exhibition orga- Buffalo, NY $30,000 nized by the Pennsylvania Academy of the Board of Trustees of the University of To support an exhibition and accompany- Fine Arts in Philadelphia. Illinois ing catalogue of the work of contemporary Champaign, IL $18,000 English artist Hamish Fulton at the Al- Cleveland Center for Contemporary To support a touring exhibition and ac­ bfight-Knox Art Gallery. Art companying catalogue of the work of Russian artists Nina Kogan (1887-1942). Cleveland, OH $6,000 Buffalo Fine Arts Academy To support an exhibition and accompany- Boise Art Museum Buffalo, NY $65,000 ing catalogue of the work of contemporary Boise, ID $10,000 To support an exhibition and accompany- artist John L. Moore. To support an exhibition and accompany- ing catalogue of geometric abstraction ing catalogue of works of art specifically painting in America since 1945 at the olumbia College created for the yard environment. Albright-Knox Art Gallery. Chicago, IL $15,000 To support an exhibition and accompany- Boise Art Museum, Inc. California State University Long Beach ing catalogue of the work of photographer Boise, ID $20,000 Foundation Linda Connor at the Museum of Contem- To support the presentation at the Boise Long Beach, CA $35,000 porary Photography. Art Museum and the Cheney Cowles To support an exhibition and accompany- Museum in Spokane, Washington, of artisting catalogue of the graphic art of con- Contemporary Arts Association of Red Grooms’ "Ruckus Rodeo," an exhi- temporary artist James Rosenquist. Houston bition organized by the Modern Art Houston, TX $20,000 Museum of Fort Worth, Texas. California State University Long Beach To support the presentation in Houston of Foundation "Binationale- of the Late Bronx Museum of the Arts Long Beach, CA ’80s," an exhibition organized by four Bronx, NY $40,000 $20,000 To support an exhibition and accompany- To support "Centfic," an ongoing sedes ofDusseldorf Museums as part of an ex- ing catalogue of installations by artists small-scale exhibitions of contemporary change program with the Museum of Fine who use technology in the exploration of art. Arts and the Institute of Contemporary space and time. Art, Boston. Carnegie-Mellon University Brooldyn Institute of Arts and Sciences Pittsburgh, PA $15,000 Contemporary Arts Association of Brooldyn, NY $40,000 To support the presentation in Pittsburgh Houston To support "Grand Lobby Exhibitions," of ": A 20-Year Survey," Houston, TX $20,000 ah ongoing series of síte-specific installa-an exhibition organized by the Newport To support "Perspectives," ah ongoing tions by contemporary artists in the Harbor Art Museum, Newport Beach, series of small-scale exhibitions of con­ museum’s lobby. CA. temporary art.

105 Contemporary Arts Association of Denver Art Museum Emory Uníversity Houston Dcnvcr, CO $15,000 Atlanta, GA $20,000 Houston, TX $30,000 To support "Closc Range Gallery," ah To support ah cxhibition and accompany- To support an exhibition and accompany- ongoing series of small-scale exhibitions ing catalogue of ancient in ing catalogue of the work of American of contemporary art produced in the colored marble from the Museo Nazionale artist Ida Applebroog. region. Romano in Rome.

Contemporary Arts Center, Cincinnati Denver Art Museum Denver, CO $25,000 Cincinnati, OH $25,000 To support an exhibition and accompany- Syracuse, NY $5,000 To support ah exhibition and accompany- To support multimedia installation proj­ ing catalogue examining popular and ing catalogue of the work of American artist . ects by contemporary artists Elaine Rei- professional conceptions of the Ameñcan chek and Richard Bolton. dream house from 1790 to 1990. Dia Art Foundatíon New York, NY TF: $30,000 Exit Art Contemporary Arts Center, New To support an exhibition/installation and New York, NY $8,000 Orleans accompanying catalogue of the work of To support an exhibition and accompany- New Orleans, LA $15,000 contemporary artist Maria Nordman. ing catalogue of the work of Hispanic- To support an exhibition and accompany- American painter and printmaker Juan ing catalogue of the work of contemporaryDia Art Foundation Sanchez. artist Robert Tannen. New York, NY $15,000 To support an exhibition and accompany- Fine Arts Museum of Long Island Cornell University ing catalogue of work by contemporary Hempstead, NY $20,000 Ithaca, NY $18,400 artist Tim Rollins and K.O.S. (Kids of To support an exhibition and accompany- To support an exhibition and accompany- Survival). ing catalogue of the work of American ing catalogue of the work of Arthur artist . Wesley Dow (1857-1922) at the Herbert I. Johnson Museum of Art. New York, NY $10,000 TF: $20,000 Fort Wayne Museum of Art To support ah exhibition and accompany- Fort Wayne, IN Corning Museum of Glass $5,000 ing catalogue of theater design drawings To support a site-specific installation and Coming, NY $35,000 from the past 300 years selected from the accompanying catalogue by Indiana artist To support ah exhibition and accompany- collectíons of the Theatre Arts branch of Rick Paul. ing catalogue documenting the history the Victoria and Albert Museum. of glassmaking in from the 17th century to the present. Edmundson Art Foundation, Inc. Franklin Furnace Archive Des Moines, lA $20,000 New York, NY $10,000 Corporation of the Fine Arts Museums To support an exhibition and accompany- To support an exhibition and accompany­ San Francisco, CA $80,000 ing catalogue of the work of American ing catalogue of artists’ publications To support an exhibition and accompany- photographer Lewis Baltz at the Des from Eastem Europe. ing catalogue examining the landscape Moines Art Center. tradition as it developed in Italy during the Friends Foundation of Memphis Brooks 17th and early 18th centuries. Edmundson Art Foundation, Inc. Museum Des Moines, IA $10,000 Memphis, TN $20,000 Currier Gallery of Art To support an exhibition and accompany- To support the presentation in Memphis of ing catalogue of the work ofcontemporary"The Universal Exposition of 1889: Manchester, NH TF: $75,000 artist Joel Shapiro at the Des Moines Art To support an exhibítion and accompany- American Artists at the Fair," an exhibi­ ing catalogue of French Barbizon Center. tion organized by the Pennsylvania Acad­ painting. Emory University emy of the Fine Arts, Philadelphia. Atlanta, GA $35,000 Danforth Museum of Art To support an exhibition and accompany- Friends of Photography Framingham, MA $25,000 ing catalogue of works of art from the San Francisco, CA $14,000 To support an exhibition and accompany- city of Syracuse drawn from To support photographic installations by ing catalogue of recent work by contem- the collection of the Archaeological artists Barbara Bloom, Christain Boltan­ porary Dutch artists. Museum of Syracuse in . ski, and Alfredo Jaar.

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Friends of Puerto Rico Huntington Museum of Art lnstitute for Art & Urban Resources New York, NY $15,000 Huntington, WV $20,000 Long Island City, NY $30,000 To support an exhibition and accompany- To support an exhibition and accompany- To support three solo exhibitions at P. S. 1 ing catalogue of the work of artist Mel ing catalogue of the work of the 19th- and an accompanying catalogue of work Casas at the Museum of Contemporary century American artists known as "the by contemporary French artists Raymond Hispanic Art. group of ten." Hains, Andre Cadere, and Catherine Beaugrand. Hallwalls, Inc. lllinois State Museum Society Buffalo, NY $10300 Springfield, IL $12,000 Institute of Contemporary Art To support an exhibition and accompany- To support an exhibition and accompany- Boston, MA $20,000 ing catalogue of work by San Francisco ing catalogue of the work of contemporary To support "Currents," an ongoing series Bay Area conceptual artists. Chicagu artists Phyllis Bramson, Michikoof small-scale exhibitions of contemporary Hebrew Union College-Jewish Institute Itatani, and Vera Klement. art. of Religion (California Branch) Los Angeles, CA $15,000 lllinois State University Institute of Contemporary Art To support the presentation in Los Angeles Normal, IL $15,000 Boston, MA $20,000 of"Alsatian Jewish Folk Art," an exhibi- To support an exhibition and accompany- To support an exhibition and accompany­ tion organized by the Jewish Museum ing catalogue of the work of contemporarying catalogue of the work of contemporary in New York. artist David Wojnarowicz. artist Mary Heilman. Henry Gallery Association Independent Curators, Inc. InterCultura, Inc. Seattle, WA $45,000 New York, NY $25,000 Ft. Worth, TX’ $20,000 To support an exhibition and accompany- To support a touring exhibition and ac­ To support a touñng exhibition and ac- ing catalogue of Russian Constructivist companying catalogue of the video work companying catalogue of Mexican retablo art focusing on the period from 1921 of multimedia artists Peter Campus, Brucepaintings. through the early 1930s. Nauman, Beryl Korot, and William Wegman. International Center of Photography Henry Street Settlement New York, NY $20,000 New York, NY $10,000 Independent Curators, Inc, To support an exhibition and accompany- To support an exhibition and accompany- ing catalogue of contemporary photogra- ing catalogue of the work of Ameñcan New York, NY $20,000 phy entitled "New Picturemakers." artist Vincent Smith. To support a touring exhibition and ac­ companying catalogue of new work by International Center of Photography Honolulu Academy of Arts contemporary Italian artists. New York, NY $20,000 Honolulu, HI $30,000 To support a touring exhibition of the To support an exhibifion and accompany- Indianapolis Museum of Art work of photographer Lotte Jacobi. ing catalogue of the 20 paintings producedIndianapolis, IN $40,000 by Georgia O’Keeffe when she visited To support an exhibition and accompany- International Center of Photography Hawaii in 1939. ing catalogue of the work of Indiana artistsNew York, NY $15,000 Theodore Clement Steele, J. Ottis Adams, To support a touring exhibition of photo- Honolulu Academy of Arts and William Forsyth, known as the graphs by artist created around Honolulu, HI $25,000 Hoosier Group. To support "Focus," an ongoing series of the time he was producing commercial fashion photography for Bazaar magazine. small-scale exhibitions of contemporary Installation Gallery art. San Diego, CA $5,000 J.B. Speed Art Museum Honolulu Academy of Arts To support the presentation in San Diego Louisville, KY $19,600 Honolulu, HI $8,000 of"Unknown Secrets: Art and the Rosen- To support an exhibition and accompany- To support a program of small-scale berg Era," an exhibition organized by ing catalogue of Russian Constructívist photography exhibitions, the Rosenberg Era Art Project, Turner theater design, Falls, Massachusetts. Hudson River Museum Japan Society Yonkers, NY $25,000 Institute for Art & Urban Resources New York, NY TF: $35,000 To support ah exhibition and accompany- Long Island City, NY $20,000 To support the exhibifion "Medieval ing catalogue on the late 19th century To support an exhibition and accompany- Paintings and Blades from the Gotoh Egyptian Movement in American decora- ing catalogue of the work of contemporaryMuseum, Tokyo," and its accompanying tive arts. Amefican artist Alan Saret at P.S. 1. catalogue. 107 Jewish Museum Marquette University Municipality of Anchorage New York, NY $40,000 Milwaukee, WI $20,000 Anchorage, AK $20,000 To support an exhibition and accompany- To support an exhibition and accompany- To support an exhibítíon and accompany­ ing catalogue of Jewish art produced in ing catalogue of the work of contemporarying catalogue of the work of artist Italy during the modern era. artists and their response to death, to be Laurence (1865-1940) at the Anchorage presented at the Haggerty Museum of Museum of History and Art. John & Mable Ringling Museum of Art. Art Foundation, Inc. Museum Associates Sarasota, FL $15,000 Massachusetts Institute of Technology Los Angeles, CA $30,000 To support "Projects," ah ongoing series Cambridge, MA $20,000 To support an exhibition and accompany- of small-scale exhibitions of contemporaryTo support an exhibition and accompany- art. ing catalogue of the work of German ing catalogue of the work of contemporaryexpressionist artíst Ludwig Meidner artist Matt Mullican at the List Visual (1884-1966) at the Los Angeles County La Jolla Museum of Contemporary Art Arts Center. La Jolla, CA $30,000 Museum of Art. To support an exhibition, and accompany- Metropolitan Museum of Art ing catalogue of the work of contemporary New York, NY TF: $150,000 Mnseum Associates Britísh artist Richard Long. To support an exhibition of the work of Los Angeles, CA $150,000 the late 18th-century Venetian artist To support an exhibition and accompany­ La Jolla Museum of Contemporary Art Giovanni Antonio Canal, known as ing catalogue reconstructing the "degen­ La Jolla, CA $35,000 Canaletto. erate art" exhibition, mounted in 1937 To support an exhibition and accompany­ in , at the Los Angeles County ing catalogue entitled "Satellite Intelli­ Metropolitan Museum of Art Museum of Art. gence: Boston/San Diego New Art New York, NY $25,000 Exchange," featuring the work of contem-To support an exhibition of the graphic Museum Associates porary artists from each city. works of Pierre Bonnard. Los Angeles, CA $60,000 To support an exhibition and accompany­ La Jolla Museum of Contemporary Art La Jolla, CA $20,000 Mexic-Arte ing catalogue of the work of George To support "Parameters," an ongoing Austin, TX $10,000 Bellows (1882-1925) at the Los Angeles señes of small-scale exhibitions of con­ To support the presentation in Austin of County Museum of Art. temporary art. "The Ceremony of Memory," a touring exhibition organized by the Center for Museum Associates Laguna Art Museum Contemporary Arts of Santa Fe, New Los Angeles, CA $65,000 Laguna Beach, CA $20,000 Mexico. To support an exhibition and accompany­ To support an exhibition and accompany­ ing catalogue of contemporary Japanese ing catalogue of the work of contemporary Minneapolis College of Art and Design sculpture at the Los Angeles County artist llene Segalove. Minneapolis, MN $15,000 Museum of Art. To support an exhibition and accompany­ Laumeier Sculpture Park ing catalogue of the work of contemporary artists Kñstin Jones and Andrew Ginzel. Museum of Arts and Sciences St. Louís, MO $10,000 Macon, GA $20,000 To support an exhibition of the work of To support the presentation at the Museum contemporary artist Terry Allen. Minneapolis Society of Fine Arts Minneapolis, MN $100,000 of Arts and Sciences of "Abstraer Sculp­ ture in Ameñca: Four Decades of Mod­ Los Angeles Municipal Art Gallery To support an exhibition and accompany­ ing catalogue of 17th-century Dutch emism, 1930-1970," an exhibition Los Angeles, CA $20,000 organized by the American Federation of To support an exhibition and accompany- marine art at the Minneapolis Institute of ing catalogue of the work of photographer Arts. Arts, New York. Joe Deal. Mississippi Museum of Art Museum of Contemporary Art, Madison Art Center Jackson, MS $15,000 Chicago Madison, WI $5,000 To support an exhibition and accompany- Chicago, IL $25,000 To support a multimedia interactive sounding catalogue of the work of three artists To support "Options," an ongoing series sculpture by contemporary American from Mississippi: Ke Francis, Ed Mc- of small-scale exhibitions of contemporary artist Liz Phillips. Gowin, and Randy Hayes. art.

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Museum of Contemporary Art, Los Museum of New Mexico Foundation New Orleans Museum of Art Angeles Santa Fe, NM $35,000 New Orleans, LA $20,000 Los Angeles, CA $50,000 To support a series of touring photographyTo support an exhibition and accompany- To support an exhibition and accompany- exhibitions and an accompanying cata- ing catalogue of the work of contemporary ing catalogue of the work of the contero- loguc to thematically cxplore innovativc Louisiana artist Robcrt Warrcns. porary German artist Lothar Baumgarten. prcccdents that established major modera contñbutions in photography. New York Public Library Astor Museum of Fine Arts, Boston New York, NY $25,000 Boston, MA $40,000 Museum of Photographic Arts To support an exhibition and brochure of To support an exhibition of furniture San Diego, CA $10,000 work by contemporary Puerto Rican and created by the leaders of the second gen- To support an exhibition of the work of black photographers at the Schomburg eration of Ameñcan studio craftsmen contemporary French photographer Ber- Center for Research in Black Culture. in the 1970s and 1980s. nard Plossu. New York University Museum of Fine Arts, Boston New York, NY $30,500 Boston, MA $15,000 Museum of Photographic Arts San Diego, CA $20,000 To support an exhibition and accompany- To support the planning phase of an To support an exhibition and accompany- ing catalogue of ancient Etruscan art at exhibition of prints by Emil Nolde. ing catalogue focusing on the Worker the Grey Art Gallery. Museum of Fine Arts, I-Iouston Photography movement in Germany be- tween the World Wars. Newark Museum Houston, TX $10,000 Newark, NJ $10,000 To support the planning phase of a retro- To support the presentation in Newark of spective exhibition of the work of the NewNational Museum of Women in the York cabinetmakers Gustave and Christian Arts "Leaves from the Bodhi Tree: The Art Herter. Washington, DC $15,000 of Pala India (8th-12th centuries) and its To support "Forefront," a series of small- International Legacy," an exhibition Museum of Fine Arts, I-Iouston scale exhibitions of contemporary art organized by the Dayton Art Institute, Houston, TX $20,000 featuring work by emerging and mid- Ohio. To support the presentation at the Museum career women artists. of Fine Arts, Houston of "Africa and the Newark Museum Renaissance," an exhibition organized Nelson Gallery Foundation Newark, NJ $45,000 by the Center for African Art, New York, Kansas City, MO $20,000 To support an exhibition and accompany- as well as an accompanying catalogue. To support "Hoñzons," an ongoing series ing catalogue on the Harmon Foundation of small-scale exhibitions of contemporary and its support of black artists from 1922 Museum of Fine Arts, Houston art at the Nelson-Atkins Museum of Art. until 1945. Houston, TX TF: $50,000 To support a touring exhibition and ac- Newport Harbor Art Museum New England Foundation for the Arts Newport Beach, CA $18,000 companying catalogue of the work of Cambridge, MA $30,000 Edouard Vuillard. To support an exhibition of the work of To support the visual arts Exhibition contemporary Russian artist Erik Bulatov Museum of Modern Art Touring Program. and an accompanying catalogue. New York, NY TF: $150,000 To support an exhibition and accompany- New Museum Newport Harbor Art Museum ing catalogue of the Cubist works of PabloNew York, NY $67,500 Newport Beach, CA $15,000 Picasso and Georges Braque. To support a collaborative exhibition by To support the presentation in Newport the Museum of Contemporary Hispanic Beach of "American Landscape Vídeo: Museum of New Mexico Foundation Art, the Studio Museum in Harlem, and The Electronic Grove," an exhibition Santa Fe, NM $20,000 the New Museum on a multicultural, organized by the Caraegie Museum of Art To support a series of exhibitions and ah multidisciplinary view of the art of the in Pittsburgh. accompanying catalogue of the work of 1980s, including an accompanying New Mexican sculptors from 1925 to catalogue. Newport Harbor Art Museum 1985. Newport Beach, CA $50,000 New Orleans Museum of Art To support an exhibition and accompany- Museum of New Mexico Foundation New Orleans, LA $30,000 ing catalogue entitled "Objectives: The Santa Fe, NM $15,000 To support ah exhibition and accompany- New Sculpture," including the work of To support an exhibition of the work of ing catalogue of Louisiana art from 1800 contemporary American and European photographer Betty Hahn. to 1950. artists.

109 North Carolina Museum of Art Otis Art Institute of Parsons School of Photographic Resource Center Raleigh, NC $8,000 Design Boston, MA $10,000 To support an exhibition and accompany- Los Angeles, CA $8,000 To support ah exhibition of the work of ing catalogue of work produced over the To support ah exhibition and accompany- contemporary Ameñcan artist John past 25 years by North Carolina artists ing catalogue of the international avant- Baldessari. who might be called "outsider artists." garde movement known as "Visual Poetry." Pierpont Morgan Library Northwestern University New York, NY TF: $50,000 Evanston, IL $25,000 Paine Art Center and Arboretum To support ah exhibition of Dutch manu- To support an exhibition and accompany- Oshkosh, WI $15,1300 script painting from the 15th century. ing catalogue examining the work of 16th-To support the presentation in Oshkosh of century master engravers at the Mary and "The Grand Tradition: British Art from Leigh Block Gallery. Amherst College," ah exhibition orga- Portland Museum of Art nized by the Mead Museum, Amherst Portland, ME $50,000 College, Massachusetts. To support a touring exhibition and ac- Norton Gallery & School of Art companying catalogue of pre-Columbian West Palm Beach, FL $15,000 gold from the Museo del Oro in Bogota, To support ah exhibition and accompany- Pennsylvania Academy of the Fine Arts ing catalogue of new work by contempo- Philadelphia, PA $75,000 Colombia. rary Florida photographers. To support a touring exhibition and ac­ companying catalogue of paintings that Queens County Art and Cultural Oklahoma Art Center were shown in the American fine arts Center Oklahoma City, OK $15,000 section of the 1889 Pañs World’s Fair. Flushing, NY $30,000 To support ah exhibition and accompany­ To support an exhibition and accompany- ing catalogue of the work of contemporary Phíladeiphia Museum of Art ing catalogue of contemporary art in Philadelphia, PA $20,000 plaster at the Queens Museum. artists Ed Ruscha, Joe Goode, and Jerry To support an exhibition and accompany- McMillan. ing catalogue of the work of American photographer Emmet Gowin. Real Art Ways Oregon Art lnstítute Haxtford, CT $20,000 Portland, OR $15,000 Philadelphia Museum of Art To support a series of site-specific instal- To support the presentation at the Portland Philadelphia, PA TF: $75,000 lation projects by contemporary artists Art Museum of "George Segal: Still To support an exhibition of the work of Richard Baim, Mel Chin, and Group Lifes," an exhibition organized by the Henry Ossawa Tarmer (1858-1937). Material. Modero Art Museum of Fort Worth, Texas. Philadelphia Museum of Art Regents of the University of Michigan Oregon Art Institute Philadelphia, PA $40,000 Ann Arbor, MI $15,000 Portland, OR $7,000 To support an exhibition and accompany- To support an exhibition and accompany- To support "Perspectives," an ongoing ing catalogue of drawings, prints, photo-ing handbook of early Scottish series of small-scale exhibitions of con- graphs, and artifacts created early in this photography. temporary art at the Portland Art Museum. century as part of the plan for Philaddphi~ a’s Benjamin Franklin Parkway and the Renaissance So¢iety of the University Oregon Art Institute Philadelphia Museum of Art. Portland, OR $7,500 of Chicago To support the presentation in Portland of Chicago, IL $25,000 Phillips Collection To support ah exhibition and accompany­ "Minor White: A Retrospective," an Washington, DC $40,000 exhibítion organized by the Art Museum To support an exhibition and accompany- ing catalogue of work by contemporary of . ing catalogue of the work of French artistAustrian artists Franz West, Herbert Nicolas de Stael (1914-1955) drawn from Brandl, and Otto Zitko. Oregon Arts Commission American collections. Salero, OR $10,000 of the University To support the organization and touñng ofPhotographic Resource Center of Chicago small visual arts exhibitions produced Boston, MA $5,000 Chicago, IL $15,000 by Visual Arts Resources, the traveling To support an exhibition of the work of To support an exhibition and accompany- exhibition department of the Oregon contemporary Amedcan artist Louise ing catalogue of the work of contemporary Museum of Art. Lawler. artist Barbara Rossi.

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Renaissance Society of the University San Francisco Museum of Modern Art Saint Louis Art Museum of Chicago San Francisco, CA $40,000 St. Louis, MO $15,000 Chicago, IL $15,000 To support an exhibition and accompany- To support the planning of an exhibition To support ah exhibition and accompany- ing catalogue of photography by Ameri- of works from collections of the Nanjing ing catalogue of the work of contemporary can-boro artist Florence Henri (1893- Museum of Art. Crerman photographer Thomas Struth. 1982). Research Foundation of State San Jose Museum of Art Association Washington, DC $40,000 University of New York San Jose, CA $45,000 To support an exhibition and accompany- ing catalogue of the work of contemporary Albany, NY $10,000 To support a toudng exhibition and ac­ To support a touring exhibition and ac- companying catalogue of the work of fiber/textile artist . companying catalogue of the work of contemporary Spanish artist Susana Trustees of Dartmouth College contemporary artist Esther Parada at the Solano. Hanover, NH $41,700 University Art Museum, Binghamton. To support a touring exhibition and ac- Santa Barbara Museum of Art companying catalogue of images of para- Richmond Art Center Santa Barbara, CA $30,000 dise in Islamic art at the Hood Museum of Richmond, CA $12,000 To support an exhibition and accompany- Art. To support ah exhibition and accompany- ing catalogue examining the contdbutions ing catalogue of the work of American made to the Modemist movement by a Trustees of Walters Art Gallery artist Edward Corbett. group of Los Angeles artists between 1934 Baltimore, MD $10,000 and 1954. To support the presentation in Baltimore Robert W. Woodruff Arts Center of "Leaves from the Bodhi Tree: The Art Atlanta, GA $60,000 Santa Clara ,University of Pala India (Sth-12th Cenmries) and To support ah exhibition and accompany- Santa Clara, CA $13,000 Its Intemational Legacy," ah exhibition ing catalogue of the work of contemporary To support the presentation at the de organized by the Dayton Art Institute, Amedcan artist at the Saisset Museum of "Abstract Options," OH. High Museum of Art. ah exhibition organized by the Art Mu- Trustees of the Corcoran Gallery of seum of the University of California, Santa Art Barbara. Robert W. Woodruff Arts Center, Ine. Washington, DC $75,000 Atlanta, GA $20,000 ($2,000 Program, $73,000 Treasury) To support "Art at the Edge," ah ongoing Seattle Art Museum To support ah exhibition and accompany­ sedes of small-scale exhibitions of con- Seattle, WA $20,000 ing catalogue examining the evolution temporary art. To support "Documents Northwest," a of the imagery of blacks in Amedcan art toudng and ongoing series of small-scale from 1750 to 1930. Rutgers, The State University of New exhibitions of contemporary art by artists Jersey New Brunswick Campus from the Pacific Northwest region. Trustees of the Corcoran Gallery of New Brunswick, NJ $24,600 Art To support ah exhibition and accompany- Smith College Washington, DC $20,000 ing catalogue of works of art carved ffom Northampton, MA $20,000 To support "Gallery One," ah ongoing ivory, bone, antler, and hora dating from To support a sedes of installation projects sedes of small-scale exhibitions of con- the Middle Ages at the Zimmerli Art by contemporary artists at the Museum temporary art. Museum. of Art. Trustees of the University of Pennsylvania San Francisco Craft and Folk Art Solomon R. Guggenheim Museum Philadelphia, PA $25,000 Museum New York, NY $30,000 To support "Investigations," ah ongoing San Francisco, CA $18,000 To support an exhibition and accompany­ sedes of smaIl-scale exhibitions of con- To support an exhibition and accompany- ing catalogue of the work of Ameñcan temporary art at the Institute of Contem­ ing catalogue of the work of artist and artist Jenny Holzer. porary Art. craftsman Dirk van Erp. Southeastern Center for Contemporary University of Akron Main Campus San Francisco Museum of Modern Art Art Akron, OH $15,000 San Francisco, CA $20,000 Winston-Salem, NC $25,000 To support the presentation in Akron of To support "New Work," an ongoing sedes To support an exhibition and accompany- "The Emerging Figure," an exhibition of small-scale exhibitions of contemporary ing catalogue of work by contemporary organized by the Norton Gallery of Art, art. southem black artísts. West Palm Beach, FL.

111 University of Arizona University of Colorado at Colorado Very Spccial Arts, Washington, DC Tucson, AZ $25,000 Springs Washington, DC $18,000 To support the work of American photog- Colorado Springs, CO $8,300 To support the presentation in Washington rapher Danny Lyon at the Center for To support an exhibition and accompany- of "Design for Independent Living," an Creative Photography. ing catalogue of work by Hispanic artistsexhibition organized by the Museum of living and working in the Southwest. Modero Art, New York. University of California-Berkeley University of Georgia Virginia Commonwealth University Berkeley, CA $40,000 Athens, GA $15,000 Richmond, VA $15,000 To support an exhibition and accompany- To support an exhibition and accompany- To support an exhibition and accompany­ ing catalogue of the work of contemporary ing catalogue of the work of American ing catalogue of the work of Hungarian German artist at the artist George Cooke (1793-1849) at the artist Hajas Tibor(1946-1980) at the University Art Museum. Georgia Museum of Art. Anderson Gallery. University of California-Berkeley University of Kansas Main Campus Wadsworth Atheneum Berkeley, CA $40,000 Lawrence, KS $10,000 Hartford, CT $25,000 To support an exhibition and accompany- To support the presentation at the Spencer To support "Matrix," ah ongoing series of ing catalogue of the work of American Museum of Art of"Committed to Print," small-scale exhibitions of contemporary artist James Lee Byars at the University an exhibition organized by the Museum art. of Modero Art, New York. Art Museurn. Wadsworth Atheneum University of Maryland-Coilege Park Hartford, CT $50,000 University of California-Berkeley Campus To support ah exhibition and accompany- Berkeley, CA $10,000 College Park, MD $25,100 ing catalogue of the work of Italian artist To support "Matñx," an ongoing series ofTo support an exhibition and accompany- and designer Maria Monaci Gallenga small-scale exhibítions of contemporary ing catalogue exploring the development (1880-1944). art at the University Art Museum. ofphotomontage in the United States from the 1930s to 1965 at the University Art Walker Art Center University of California-Los Angeles Minneapolis, MN $20,000 Museum. To support "Viewpoints," an ongoing Los Angeles, CA $20,000 series of small-scale exhibitions of con- To support the presentation at the Wight University of Minnesota-Twin Cities temporary art. Art Gallery of"Art/Artifact," an exhibi-St. Paul, MN $20,000 tion of African Art organized by the To support an exhibition and accompany- Waiker Art Center Center for African Art, New York. ing catalogue of the work of contemporaryMinneapolis, MN $15,000 ceramist Warren MacKenzie at the Uni- To support an exhibition of site-specific University of California-Los Angeles versity Art Museum. sculpture installations. Los Angeles, CA $30,000 Washington Project for the Arts To support an exhibition and accompany- Rochester, NY $30,000 Washington, DC $30,000 ing catalogue of the works of Betye and To support ah exhibition and accompany- To support ah exhibition and accompany- Alison Saar. ing catalogue of the late landscapes and ing catalogue examining the influence marine paintings of Winslow Homer at of African-American culture on 20th­ University of California-Riverside the Memorial Art Gallery. century art. Riverside, CA $19,600 To support an exhibition and accompany- University of Rochester Whitney Museum of American Art ing catalogue examining the photographicRochester, NY $20,000 New York, NY $75,000 depiction of death in the Victorian era at To support the showing in Rochester of To support an exhibition and accompany­ the California Museum of Photography. "Art of the July Monarchy: France 1830 ing catalogue of post-Minimalist Ameri­ to 1848," an exhibition organized by the can sculpture created between 1965 and Museum of Art and Archaeology at the 1975. University of Colorado at Boulder University of Missouñ, Columbia. Boulder, CO $4,900 Williams College To support the presentation in Boulder of University of Southern California Williamstown, MA $22,800 "The Avant-Garde and the Text, ah exhi- Los Angeles, CA $10,000 To support "Artworks," an ongoing series bition organized by Visual Studíes Work- To support the planning of an exhibition of small-scale exhibitions of contempo­ shop, Rochester, NY. of contemporary Brazilian art. rary art. 112 MUSEUM

Women and Their Work, Inc. Art Institute of Chicago Currier Gallery of Art Austin, TX $15,000 Chicago, IL $25,000 Manchester, NH $15,000 To support an exhibition and accompany- To support the development of a series of To support fees for consultants to aid in ing catalogue of the work of 20 Chicana gallery guides as part of a new Gallery the development of a new directional and Latina artists. Guide Program. signage and labeling system for the mu­ seum, including related costs. Wright State University Main Campus Asian Art Museum Foundation of San Dayton, OH $15,000 Francisco To support an exhibition and accompany- Dallas, TX ing catalogue exploring the use of photo- San Francisco, CA $45,000 $40,000 To support the reinstallation of the mu- graphic images by contemporary artists at To support the reinstallation of the Indian seum’s collections of non-Westem art, and the University Art Galleries. and Himalayan Galleñes. to support related educational programs. Birmingham Museum of Art New Haven, CT $75,000 Birmingham, AL $35,000 Danville Chapter of the Virginia To support ah exhibition and accompany- To support the installation of the mu- Museum of Fine Arts ing catalogue of the work of Chinese artist seum’s newly acquired Eugenia Wood- Danville, VA $17,600 Bada Shanren (1626-1705). ward Hitt collection of 18th-century To support an exhibition of the museum’s French paintings and decorative arts. Ameñcan costume collection dating Yellowstone Art Center Foundation from the post Civil War period to 1930. Billings, MT $28,400 Brooldyn Institute of Arts and Sciences To support "Focus," an ongoing series of Fabric Workshop, Inc. Brooklyn, NY $45,000 small-scale exhibitions of contemporary Philadelphia, PA $17,500 art. To support the reinstallation of the mu­ seum’s African art collection dating from To support a series of exhibitions orga­ nized by guest curators. Yellowstone Art Center the 13th through the 20th centuries, Billings, MT $15,000 Field Museum of To support an exhibition and accompany- California State University Long Beach Chicago, IL ing catalogue of the graphic work of Foundation $50,000 To support the installation of the first of a contemporary Amefican artist Richard Long Beach, CA $15,000 Diebenkom. series ofrotating exhibitions drawn from To support the tour of several exhibitions the museum’s permanent collection of drawn from the museum’s permanent Oceanic art. Presentation and Education collection. To help organizations make greater use of Fitchburg Art Museum museum collections and other resources Contemporary Arts Association of Fitchburg, MA $7,000 primarily ofartistic significance. Houston To support educational programming Houston, TX $12,000 related to the permanent collection. 58 Grants To support an education program intended Program Funds: $1,487,700 to expand the museum’s role as an educa- Flint Institute of Arts Treasury Funds: $150,000 tional training center and network resource Flint, MI $3,000 for contemporary art in the Greater Hous- American Federation of Arts To support the development of an educa- ron community, tional outreach program intended for local New York, NY $25,000 schools. To support the tour and accompanying Corporation of the Fine Arts Museums catalogue of the exhibition "Of Time and San Francisco, CA the City: Amefican Modemism, 1910- TF: $75,000 Friends of Photography To support the reinstallation of the Legion 1930," drawn from the Sheldon Memorial San Francisco, CA $18,000 Art Gallery. of Honor through the redistribution and To support the installation of the collection reorganization of the museums’ permanent of Ansel Adams photographs at the new American Federation of Arts collections. Ansel Adams Center. New York, NY $25,000 To support the organization and tour of a Corporation of the Fine Arts Museums Guild Hall of East Hampton, Inc. major retrospective of the American San Francisco, CA $25,000 East Hampton, NY $25,000 modemist , drawn primar- To support "Viewpoints," a rotating To support a collection sharing project ily from the collection of the Montclair thematic exhibition señes drawn from the between the Guild Hall Museum and the Art Museum. permanent collection. Florence Griswold Museum.

113 Hyde Collection Trust Massachusetts Institute of Technology Museum of Fine Arts, Boston Glens Falls, NY $25,000 Cambridge, MA $15,000 Boston, MA $20,000 To support the reinstallation of the collec- To support two exhibitions devoted to the To support "Artful Adventures," an tion of Old Master paintings in the Hyde work of Beverly Pepper and Pablo Picasso outreach program designed as an intro- House. at the List Visual Arts Center. duction to the museum’ s permanent collection. Indiana University Bloomington Metropolitan Museum of Art Bloomington, IN $12,000 New York, NY $42,000 Museum of Fine Arts, Boston To support the production of gallery To support an exhibition of musical Boston, MA $35,000 information sheets devoted to individual instruments from around the world ac­ To support an exhibition drawn from the objects in the collection of the Indian quired during the past 15 years, museum’s permanent collection exploring concepts of portraiture in Asian painting. University Art Museum. Michigan State University East Lansing, MI $12,000 National Academy of Design Indianapolis Museum of Art, Inc. To support the development of a coordi- Indianapolis, IN $30,000 nated series of educational programs New York, NY $45,000 To support the reinstallation of the mu­ devoted to regional folk arts at the Univer- To support a major exhibition drawn from seum’s collection of Asian art. the museum’s permanent collection high­ sity Museum. lighting works of art dating from 1825 Indianapolis Museum of Art, Inc. Milwaukee Art Museum, Inc. to the present. Indianapolis, IN $30,000 Milwaukee, WI $15,000 To support the installation of the HarrisonTo support the production of new multi- New York Historical Society Eiteljorg Collection of African AI~. image programs and accompanying edu-New York, NY $50,000 cation kits. To support ah exhibition and catalogue Institute of Contemporary Art entitled "Americans in Italy." Boston, MA $20,000 Milwaukee Art Museum, Inc. To support ah outreach program to develop Milwaukee, WI $17,000 Newark Museum Association To support ah exhibition, "Folk Art from Newark, NJ $37,500 a video curriculum. the Milwaukee Art Museum Collection,"To support the reinstallation of the mu­ ro travel to museums throughout the state seum’s native American collection in new International Folk Art Foundation of Wisconsin. expanded galleries. Santa Fe, NM $18,000 To support educational programming to Minneapolis Society of Fine Arts Philadelphia Museum of Art complement the inaugural exhibition of theMinneapolis, MN $28,300 Philadelphia, PA $50,000 museum’s new Hispanic Hedtage Wing. To support the reinstallation of the perma-To support the reinstallation of the Rodin nent collection of Afdcan, Oceanic, and Museum. International Museum of Photography New World Cultures. at George Eastman House Pierpont Morgan Library Rochester, NY $60,000 Mint Museum of Art, Inc. New York, NY $12,000 To support an exhibition, "The Genius of Charlotte, NC $20,000 To support the publícation of A Young Photography," which will be a permanent To support a reinstallation of the mu-Person’ s Guide To llluminated reinstallation of one of the museum’s seum’s permanent collection. Manuscripts. galleries. Museum Associates Los Angeles, CA $12,000 Randolph-Macon Woman’s College La Jolla Museum of Contemporary Art To support the publication of an illustratedLynchburg, VA $45,000 La Jolla, CA $20,000 children’s guide focusing on objects in To support the organizatíon and tour of ah To support a traveling exhibition, "Selec- the Los Angeles County Museum of Art’sexhibition drawn from the Maier Mu­ tions from the Collectíon: La Jolla Mu- permanent collection, seum’s collection of 19th- and 20th­ seum of Contemporary Art," and related century American art. activitíes. Museum of Contemporary Art, Los Angeles Robert W. Woodruff Arts Center, Inc. Lehman College Art Gallery, Inc. Los Angeles, CA $15,500 Atlanta, GA $25,000 Bronx, NY $17,500 To support an interactive education pro- To support the organization of a long-term To support an education outreach program grato of gallery presentations focused exhibition, pñmafily for young people, for high school students in the Bronx. on the permanent collection, at the High Museum of Att. 114 MUSEUM

San Antonio Museum Association, Inc. University of Utah Brooklyn Institute of Arts and Sciences San Antonio, TX TF: $75,000 Salt Lake City, UT $16,900 Brooklyn, NY $30,000 To support the insta!lation of the collectionTo support a collection sharing project To support the services of a cataloguer of ancient art at th(San Antonio Museum between the Utah Museum of Fine Arts in and consultants to research and document of Art. Salt Lake City and the Nora Eccles the museum’s collection of Spanish Harfison Museum of Art in Logan, UT. Colonial art. Springfield Library and Museums Association Walker Art Center, Inc. Spñngfield, MA $12,000 Cincinnati Institute of Fine Arts Minneapolis, MN $45,000 Cincinnati, OH $15,000 To support ah educational series of pro­ To support a series of short-term installa- gratas called "Sunday Spectrum" at the To support honoraria and travel for schol­ tions focusing on aspects of the permanentars and writers, and for scientific tests Museum of Fine Arts and the George collection. Walter Vincent Smith Art Museum. on two decorative arts collections. St. Louis Art Museum Yellowstone Art Center Foundation Billings, MT $70,500 Cincinnati Museum Association St. Louis, MO $35,009 Cincinnati, OH $30,500 To support two exhibitions drawn from To support a collection sharing project in which the Corcoran Gallery of Art lent To support the publication of a scholarly the museum’s Asian art collection, a portion of its William A. Clark Collec- catalogue on the Italian paintings collec­ tion at the Cincinnati Art Museum. St. Louis Art Museum tion to the Yellowstone Art Center and St. Louis, MO $16,000 the Montara Historical Society. To support a señes of exhibitions designed Corporation of the Fine Arts Museums to place selected works from the perma­ Catalogue san Francisco, CA $10,000 nent collection in context. To support research and preparation of the To document collections or to publish manuscript for a publication of the work St. Louis Art Museum catalogues or handbooks on collections, of Ameñcan sculptor Arthur Putnam St. Louis, MO $20,000 (1873-1930). To support the development and publica­ 99 Grants tion of See For Yourself, a series of Program Funds: $1,220,700 Davenport Museum of Art interpretive brochures. Davenport, IA $10,900 , Inc. To support the research and documentation Tacoma Art Mnseum Baltimore, MD $35,000 of the museum’s uncatalogued collection Tacoma, WA $8,400 To support the cataloguing of undocu- of Mexican Colonial paintings. To support the development of interpretivemented works in the museum’s Garrett materials focused on the permanent Print Collection. collection and related educational Friends of Independence National activities. Historical Park Bennington Musenm, Inc. Philadelphia, PA $12,000 Trustees of Waiters Art Gallery Bennington, VT $7,200 To support the preparation of the manu­ To support the preparation of manuscript Baltimore, MD $40,000 script for the first comprehensive cata­ To support the publication of a handbook mateñals for an illustrated catalogue of logue of the park’s collection of American which will accompany the reinstallation the museum’s ceramic collections. portraits. of the Asian art collection. Board of Trustees of the Henry Francis du Pont Winterthur Trustees of the Corcoran Gallery of Leland Stanford Junior University Art Stanford, CA $40,000 Museum, Inc. Washington, DC $15,000 To support the publication of a catalogue Winterthur, DE $30,000 To support an exhibition and catalogue of master drawings in the permanent To support the publication of "John Lewis featuring the prints of James McNeil collection of the Krimmel, Genre Artist of the Early Whistler, Francis Seymour Haden, and Museum of Art. Republic." Joseph Pennell. Brandywine Conservancy, Inc. International Museum of Photography Chadds Ford, PA $25,000 at George Eastman House Chicago, IL $35,000 To support the publication of a scholarly Rochester, NY $25,000 To support an exhibition of Chinese art catalogue of the museum’s permanent To support the production of the third in a drawn from the David and Alfred Smart collection of 19th- and 20th-century series of videodiscs documenting the Gallery’s permanent collection. American art. museum’s collections. 115 John & Mable Ringling Museum of Museum of Fine Arts of Saint Philadelphia Museum of Art Art Foundation, Inc. Petersburg, Florida, Inc. Philadelphia, PA $30,000 Sarasota, FL $20,000 St. Petersburg, FL $10,000 To support the cataloguing of a portion of To support the updating of information onTo support the publication of a catalogue the approximately 12,000 French pñnts the permanent collection in preparation on the permanent collection, included in the collection of 42,000 for its computerization. European pñnts acquired for the museum Museum of Fine Arts, Boston through a gift from the Berman family. Boston, MA $50,000 La Jolla Museum of Contemporary Art Pierpont Morgan Library La Jolla, CA $20,000 To support the publication of a catalogue fully documenting the keyboard ínstru- New York, NY $30,000 To support the documentation of the To support the documentation of Islamic museum’s permanent collection, ments in the permanent collection. illuminated manuscripts in the collection. Museum of Fine Arts, Boston Laumeier Sculpture Park President & Fellows of Harvard Coilege Boston, MA $50,000 Cambridge, MA $17,000 St. Louis, MO $7,500 To support the publication of a catalogue To support a series of scholarly publica- To support the publication of a catalogue of medieval metalwork, tions documenting Dumbarton Oaks documenting site-speciñc sculpture in­ Museum’s Robert Woods Bliss Collection stallations by Ursula von Rydingsvard andMuseum of Fine Arts, Houston of Pre-Columbian art. at the Sculpture Park. Houston, TX $10,000 To support the documentation of the President & Fellows of Harvard College Mattress Factory collection of English earthenware Cambridge, MA $53,400 Pittsburgh, PA $20,000 ceramics in the Bayou Bend Collection ofTo support the publication of an illustrated To support the production of a compre- American Painting and Decorative Arts. catalogue of the Fogg Art Museum’s hensive catalogue documenting the site­ collection of European paintings. speciñc installations and performance art Museum of Modern Art commissioned by the museum. New York, NY $25,00~ Proprietors of the Boston Athenaeum To support the research and cataloguing Boston, MA $7,700 of the museum’s industrial design collec-To support the cataloguing of the Boston Metropolitan Museum of Art tion including the development of a Athenaeum’s bound volumes of European New York, NY $50,000 revised computer format, and Ameñcan pñnts. To support the publication of the mu- seum’s collection of American pastcls. Seattle Art Museum Museum of the City of New York Seattle, WA $25,000 New York, NY $30,000 To support the publication of a monograph Metropolitan Museum of Art To support the documcntation of urban in ah ongoing series of topical booklets New York, NY $30,000 sccne paintings in the permanent on the permanent collection. To support the cataloguing of the mu- collection. seum’s photography collection and to Seattle Art Museum introduce an information retñeval system Oklahoma Art Center Seattle, WA $40,000 through computeñzation. Oklahoma City, OK $20,000 To support the preparation of a manuscript To support the research and documentation for a general handbook of the permanent Metropolitan Museum of Art of a collection known as the "Washington collection. Gallery of Modero Art." New York, NY $30,000 Springfield Library and Museums To support the preparation of the manu- Association script of a catalogue of the museum’s Pennsylvania Academy of the Fine Arts Springfield, MA $30,000 Philadelphia, PA $30,000 To support scholarly research for a cata­ American1885. sculpture by artists boro before To support the publication of ah illustratedlogue on Japanese art in the Museum guidebook to the collection of American of Fine Arts and the George Walter Vin­ paintings, Milmeapolís Society of Fíne Arts cent Smith Art Museum. Mínneapolis, MN $18,000 Philadelphia Museum of Art Sterling and Francine Clark Art To support the documentation phase for Philadelphia, PA $35,000 Institute the preparation of a comprehensive cata- To support the publication of ah illustratedWilliamstown, MA $30,000 logue of European tapestries in the per- book of essays on aspects of the Carl To support the publication of a scholarly manent collection of the Minneapolis Otro Kretzschmar ron Kienbusch Collec- catalogue of the institute’s collection of Institute of Fine Arts. tion of Armor and Amas. English domestic silver.

116 MUSEUM

Textile Museum of D.C. Utah State University Akron Art Museum Washington, DC $14,000 Logan, UT $7,500 Akron, OH $6,000 To support the photography of the 17th- To support the preparation of a manuscñpt To support conservation treatment of and 18th-century Caucasian carpets and a for a catalogue of the Nora Eccles Harrison paintings and drawings by Ohio artist portion of the 20th-century Panamanian Museum of Art’s 20th-century American William Sommer, at the Akron Art molas in the permanent collection, as wellceramic collection. Museum. as the preparation of related educational materials. Wadsworth Atheneum Albany Institute of History and Art Hartford, CT $25,000 Albany, NY $10,000 Thomas Gilcrease Museum Association To support the research and preparation of To support conservation treatment of Tulsa, OK $20,000 a catalogue of the 18th-century French Hudson River School paintings in the To support the publication of the second in the collection formed by J. Albany Institute of History and Art. volume in a sedes about the field sketches Pierpont Morgan, now at the Atheneum. of Thomas Moran. Allentown Art Museum Wellesley College Allentown, PA $7,000 Trustees of Princeton University Wellesley, MA $25,000 To support conservation treatment of Princeton, NJ $10,000 To support the publication of a handbook European paintings in the museum. To support the cataloguing and documen- of the permanent collection. tation of photographs by Minor White Art Institute of Chicago in the Art Museum’s permanent collectionSpecial Projects Chicago, IL $15,000 (1908-1976). To support conservation treatment of a To support a limited number of innovative 14th-century Japanese pictorial handscroll, Trustees of Walters Art Gallery projects that will have a broad impact "Yuzu Nembutsu Engi." Baltimore, MD $50,000 on the museum field asa whole. To support the publication of a scholarly Asian Art Museum Foundation of San catalogue of the gallery’s Netherlandish, 2 Grants Program Funds: $71,500 Francisco Dutch, Flemish, German, French, and San Francisco, CA $15,000 Spanish paintings. Association of Art Museum Directors selectedTo support Japanese conservation screens treatmentin the Asian of Art Trustees of the Corcoran Gallery of Educ,:a, tional Foundation, Inc. Museum of San Francisco. Art New York, NY $21,500 Washington, DC To support a conference on the education $20,000 programs of art museums held in Provi- Bass Museum of Art To support the examination and documen- Miami Beach, FL $4,600 tation of the Corcoran’s photography dence, Rhode Island, at the biannual meeting of the Association of Art MuseumTo support a conservation survey of the collection. Directors. Bass Museum’s textiles and works on paper. Ukrainian Museum American Association of Museums New York, NY $5,000 Washington, DC $50,000 Bennett College To support the documentation of a portion To support a statistical survey of Greensboro, NC $4,500 of the museum’s fine arts collection, museums. To support conservation treatment of a 1931 oil mural by . Uníversity of Chicago Conservation Chicago, IL $30,000 Bernice P. Bishop Museum To support the publication of a guide to To enable museums to plan conservation Honolulu, HI $12,000 the David and Alfred Smart Gallery’s programs, implement conservation To support an advanced internship in permanent collection, treatmentfor permanent collections, ethnographic conservation at the Pacific conduct workshops, support training Regional Conservation Center. University of Kentucky Research centers and intern programs to train Foundation conservation professionals, andpurchase Birmingham Museum of Art Lexington, KY $25,000 conservation equipment. Birmingham, AL $22,000 To support the publication of an illustrated To support conservation treatment of handbook of the museum’s permanent 98 Grants Renaissance panel paintings and Reming­ collection. Program Funds: $1,232,300 ton bronzes in the museum’s collection.

117 Board of Trustees of the University Charles W. Bowers Museum Denver Art Museum of Illinois Corporation Denver, CO $10,000 Champaign, IL $11,000 Santa Ana, CA $8,000 To support conservation of selected works To support conservation treatment of To support conservation treatment of from the collection of Pre-Columbian several paintings and works on paper in paintings by American artist William ceramics. the collection of the Krannert Art Joseph McCloskey and one by his wife Museum. Alberta Binford McCloskey in the collec- Edmundson Art Foundation, lnc. tion of the Charles W. Bowers Museum. Des Moines, lA $20,000 Bowdoin College To support conservation treatment of a Bmnswick, ME $5,300 Cincinnati Institute of Fine Arts group of paintings and sculptures in the To support conservation treatment of Des Moines Art Center. American paintings in the Bowdoin Col- Cincinnati, OH $9,700 lege Museum of Art. To support conservation treatment of two portraits by at the Taft Founders Society Detroit Institute of Brooklyn Institute of Arts and Sciences Museum. Arts Brooldyn, NY Detroit, MI $25,000 $10,000 To support conservation treatment of two, To support a conservation survey of Cincinnati Museum Association selected European furniture from the in a series of four, early 16th-century, Cincinnati, OH $5,700 Flemish tapestries. museum’s Decorative Arts department. To support purchase of a Nikon Labaphot Fluorescence microscope for the conser­ Hickory Museum of Art, Inc. Buffalo Biil Memorial Association vation laboratory. Cody, WY $3,000 Hickory, NC $8,000 To support a conservation survey of the To support conservation treatment of a extensive sculpture collection in the City of Ocean Springs, Mississippi group of oil paintings drawn from the Buffalo Bill Memorial Museum. Ocean Springs, MS $10,000 museum’s collection of 19th- and 20th­ To support conservation treatment of WPA century American art. Buffalo Bill Memorial Association murals painted by Walter Anderson for Cody, WY $5,500 the Ocean Springs High School Honolulu Academy of Arls To support treatment of Edgar S. Paxson’s auditoñum. Honolulu, HI $7,000 painting "Custer’s Last Stand." To support a conservation survey of the Columbus Museum of Art collection of European and Ameñcan Buffalo Fine Arts Academy Columbus, OH $12,000 prints, drawings, and photographs, and Buffalo, NY $16,500 To support conservation treatment of the James A. Michener Collection of To support conservation treatment of 20th- paintings from the museum’s Ferdinand Japanese "ukiyo-e" prints. century sculpture in the Albñght-Knox Howald ColIection. Gallery. Hudson River Museum of Westchester California State University Long Beach Cornell University Yonkers, NY $12,000 Foundation Ithaca, NY $3,000 To support conservation of several pieces of 19th-century fumiture in the museum’s Long Beach, CA $6,000 To support conservation of American To support a conservation survey of the sígnature quilts in the Herbert E Johnson 19th-century Trevor mansion "Glenview." site-specific sculpture collection of the Museum. University Art Museum. Huntington Museum of Art, Inc. Humington, WV $12,000 Currier Gallery of Art To support conservatíon treatment of Cape Ann Historical Association Manchester, NH $5,000 Gloucester, MA $2,500 selected 19th-century European paintings To support conservation treatment of an To support conservation treatment of an in the museum’s collection. American Chippendale armchair in the Italian Renaissance painting and original collection, drawings and other works on paper related Indianapolis Museum of Art, Inc. to the design of Frank Lloyd Wright’s Indianapolis, IN $6,000 Caramoor Center for Music and the 1950 Zimmerman House. To support the purchase of specialized Arts, Inc. equipment for the conservation laboratory. Katonah, NY $10,000 Davenport Museum of Art To support conservation treatment of Davenport, IA $5,000 Intermuseum Conservation Association several pieces of German polychrome To support conservation treatment of Oberlin, OH $12,000 sculpture from the 15th to the 17th selected paintings in the museum’s To support a master apprenticeship in centuñes, collection, painting conservation.

118 MUSEUM

Isabella Stewart Gardner Museum, Museum Associates New York University Inc. Los Angeles, CA $12,000 New York, NY $16,800 Boston, MA $8,000 To support a conservation research intem- To support the continuing development of To support conservation of two stone ship at the Los Angeles County Museum a pilot project to offer specialized instruc­ sculptures at the museum, of Art. tion in the conservation of ethnographic and archaelogical works of art. La Jolla Museum of Contemporary Art Museum of Contemporary Art, Los Angeles La Jolla, CA $13,000 Newport Harbor Art Museum To support conservation treatment of Los Angeles, CA $11,000 To support conservation treatment of Newport Beach, CA $4,000 works in the video collection and of sev- To support conservation treatment of eral key works of art in the permanent ’s "Untitled: (Man in the White Shoes)" (1955). selected works in the permanent collection, collection. Museum of Fine Arts, Boston Maymont Foundation Boston, MA $17,700 Northeast Document Conservation Richmond, VA $3,000 To support the conservation of Rosso Center, Inc. To support conservation ü’eatment of a Fiorentino’s 16th-century painting "Dead Andover, MA $12,000 Rococo Revival rosewood cabinet in the Christ with Angels." To support a one-year post-graduate Maymont House Collection. intemship in paper conservation. Museum of Fine Arts, Boston Memphis State University Boston, MA $24,000 Northeast Document Conservation Memphis, TN $5,000 To support an advanced-level intemship in To support conservation treatment of the Objects Conservation laboratory. Center, Inc. Egyptian antiquities in the Institute of Andover, MA $4,300 Egyptian Art and Archaeology. Museum of Medern Art To support the purchase of new equipment New York, NY $17,800 for the laboratory. To support the purchase of ah x-ray Milwaukee Art Museum, Inc. Peabody Museum of Salero Milwaukee, WI $10,000 diffractometer to carry out essential anal- To support a conservation survey of the yses of works of art in the permanent Salem, MA $3,000 sculpture, fumiture, and textiles in the collection. To support conservation treatment of Milwaukee Art Museum. works on paper in the collection of the Museum of the American Indian-Heye Peabody Museum of Salero. Foundation Minneapolis Society of Fine Arts New York, NY $15,000 Pennsylvania Academy of the Fine Arts Minneapolis, MN $25,000 To support conservatíon treatment of a To support conservation treatment of Philadelphia, PA $10,000 collection of native Califomian basketry To support conservation treatment of selected paintings and works of decorative in the Museum of the Ameñcan Indian. arts in the Minneapolis Institute of Arts. selected works of art. Museum of the City of New York New York, NY $6,600 Pennsylvania State University Main Montclair, NJ $3,000 To support conscrvation treatment of the Campus To support conservation treatment of a mural "American Life" by Anatol Shulkin.University Park, PA $9,000 sclccted group of Amcrican paintings in To support conscrvation trcatmcnt of the museum’s collection. National Academy of Design selected paintings in the museum’s Adolf New York, NY $11,300 Collection. Mount Holyoke College To support the purchase of equipment for South Hadley, MA $5,100 an in-house conservation laboratory. Philadelphia Museum of Art To support conservation treatment of National Academy of Design Philadelphia, PA $20,000 selected drawings in the museum’s New York, NY $5,000 To support conservation treatment of collection. To support conservation of sculpture at furniture in the museum’s collection. the National Academy of Design. Munson-Williams-Proctor Institute Philadelphia Museum of Art Utica, NY $7,900 New York University Philadelphia, PA $12,000 To support conservation treatment of a New York, NY $75,000 To support ah advanced intemship in Renaissance Revival cabinet in the Insti- To support the university’s graduate paintings conservation for a post-graduate tute’s Museum of Art. training program in conservation, level conservator.

119 President & Fellows of Harvard Coilege Society for the Preservation of New Toledo Museum of Art Cambridge, MA $75,000 England Antiquities, Inc. Toledo, OH $6,900 To provide stipends for conservation Boston, MA $10,000 To support conservation treatment of late training in the 1989-90 advanced level To support conservation treatment of medieval French and German ivories anda training program, decorative arts from the Walter Gropius gilded bronze figure of "Victory" by collection. Augustus Saint-Gaudens. President & Fellows of Harvard College Cambridge, MA $4,000 Society of Architectural Historians Trustees of Dartmouth College To support the 15th annual two-day Philadelphia, PA $6,500 Hanover, NH $9,200 graduate Conservation Training To support a symposium to díscuss the To support a conservation survey of works Conference. conservation of 20th-century decorative on paper at the Hood Museum of Art. arts. President & Fellows of Harvard College Trustees of Princeton University Cambridge, MA $8,000 Solomon R. Guggenheim Foundation Princeton, NJ $6,900 To support the purchase of a suction table New York, NY $20,000 To support conservation treatment of to be used in the treatment of paintings To support the purchase of equipment for and works on paper at Harvard’s Center the conservation laboratory. ancient Greek vases in the Art Museum. for Conservation and Teclmical Studies. Sons of the Revolution in the State of Trustees of the Berkshire Museum Research Foundation of State New York Pittsfield, MA $5,000 University of New York New York, NY $5,000 To support conservation treatment of Albany, NY $75,000 To support a conservation survey of works American paintings and their frames. To support the State University College at on paper in the Fraunces Tavem Museum. Buffalo’s art conservation training Trustees of the Corcoran Gallery of program. St. Louis Art Museum Art St. Louis, MO $12,000 Washington, DC $10,000 Rhode Island School of Design To support a master-apprenticeship in the To support conservation treatment of Providence, RI $8,200 St. Louis Art Museum’s Objects Conser- selected pieces of Italian majolica in the To support conservation of selected Greek vation Department. museum’s collection. vases and British watercolors in the Museum of Art. St. Louis Art Museum Trustees of the University of St. Louis, MO $7,200 Pennsylvania Robert W. Woodruff Arts Center, Inc. To support conservation of selected prints Philadelphia, PA $16,000 Atlanta, GA $6,000 and drawings in the museum’s collection.To support conservation ofblack figure To support conservation treatment of Greek pottery in the museum’s collection. selected works in the American painting Storm King Art Center collection of the High Museum of Art. Moufitainville, NY $15,000 Ukrainian Museum To support conservation treatment of San Francisco Museum of Modern Art sculpture at the Storm King Art Center. ToNew support York, conservationNY treatment$3,500 of San Francisco, CA $24,000 To support a master-apprenticeship fora Studio Museum in Harlem, Inc. selected textiles in the museum’s post-graduate level conservator to develop New York, NY $4,000 collection. professional expertise in the conservation To support conservation treatment of of contemporary art. selected works on paper in the museum’s University of Arizona collection. Tucson, AZ $6,000 Seattle Art Museum To support conservation treatment of oil Seattle, WA $8,600 Telfair Academy of Arts & Sciences, paintings by Stuart Davis, Georgia To support conservation treatment of Inc. O’Keeffe, and Arshile Gorky in the Chinese sculpture in the museum’s Savannah, GA $20,000 University of Adzona Museum of Art. collection. To support conservation treatment of paintings in the museum’s collection. University of Colorado, Boulder Smith College Boulder, CO $3,000 Northampton, MA $5,500 Textile Conservation Workshop, Inc. To support conservation of selected paint­ To support conservation treatment of South Salem, NY $12,000 ings from the Colorado Collection and selected paintings in the Smith CoIlege To support a one-year master-apprentice­ the permanent collection of the Depart­ Museum of Art. ship in textile conservation, ment of Fine Arts.

120 MUSEUM

University of Delaware Art Institute of Chicago Kendall Whaling Museum Trust Newark, DE $75,000 Chicago, IL $25,000 Sharon, MA $40,000 To support training p~bgram stipends for To support the renovation of the storage To support the first phase of a climate first- and second-yeár students in the 1989- facility for the permanent collection of control project. 1990 academic year. ancient art of the Amerícas. Milwaukee Art Museum, Inc. University of Denver Colorado Brooklyn Institute of and SciencesMilwaukee, WI $20,000 Seminary Brooklyn, NY $75,000 To support the purchase and installation Denver, CO $12,000 To support the purchase of archival mate- of equipment needed to improve the To support an advanced level intemship inrials anda tracking system for - handling and conservation of the Milwau­ one of two related conservation speciali- lyn Museum’s collection of African, kee Art Museum’s collection of works zations--ethnographic/archaeological Oceanic, New World, and Asian art. works of art or textiles at the Rocky on paper. Mountain Regional Conservation Center. Brooklyn Institute of Arts and Sciences Brooklyn, NY $10,000 Mississippi Museum of Art, Inc. University of Iowa To support a survey of some 50,000 Jackson, MS $31,900 Iowa City, lA $12,000 objects from the Brooklyn Museum’s To support the expansion and improvement To support a master apprentice intem in collections of African, Oceanic, New of collection storage space. the third year of an apprenticeship in Wofld, and Asian art. bookbinding, and book, print, and docu- Missouri Historical Society ment conservation at the Center for the Currier Gallery of Art St. Louis, MO $5,000 Book. Manchester, NH $15,000 To support the renovation of the society’s To support a climate control survey of the storage facility. University of Kansas Main Campus museum’s galleries and storage areas. Lawrence, KS $9,000 Museum Associates To support conservation treatment of Danville Chapter of the Virginia Los Angeles, CA TF: $50,000 selected paintings in the Spencer Art Museum of Fine Arts To support the design, manufacture, Museum. Danville, VA $2,500 transport and installation of a painting University of North Carolina at Chapel To support a general survey of environ- storage system at the Los Angeles County HAll mental and storage conditions in the Museum of Art. Chapel Hill, NC $12,000 Danville Museum. To support conservation treatment of Museum of Contemporary Art, Los Frank Lloyd Wright Home and Studio Angeles selected paintings in the collection of the Foundation Ackland Art Museum. Los Angeles, CA $4,700 Oak Park, IL $55,000 To support a comprehensive survey of University of Rochester To support window treatment and the security needs at the museum’s Temporary Rochester, NY $5,000 installation of climate control in Frank Contemporary facility. To support conservation treatment of Lloyd Wright’s house and studio in Oak selected works on paper in the Memorial Park. Museum of Fine Arts, Boston Art Gallery’s collection. Boston, MA TF: $150,000 Franldin Furnace Archive, Inc. To support the renovation and climate Walker Art Center, lnc. New York, NY $20,000 control of galleries for the museum’s Minneapolis, MN $12,000 To support the purchase of archival mate- Asian collections. To support the conservation treatment of rials and protective enclosures for the works on paper by . Franklin Fumace Archive’s artists books and publications. Museum of Fine Arts, Houston Houston, TX TF: $100,000 Collection Maintenance Honolulu Academy of Arts To support the installation of a new climate To help museums preserve collections Honolulu, HI $50,000 control system for the Bayou Bend Col- primarily ofartistic significance through To support the renovation of storage lection of Amefican paintings and Deco- indentifying and solving problems in facilities at the Honolulu Academy of Arts.rative Arts, a branch of the Museum of the areas of climate control, security arut Fine Arts. storage. Indianapolis Museum of Art, Inc. Indianapolis, IN $51,200 Museum of Photographic Arts 28 Grants To support the expansion and renovation San Diego, CA $10,000 Program Funds: $727,700 of the Indianapolis Museum’s art and To support the renovation of storage Treasury Funds: $300,000 storage facilities, facilities at the museum. 121 New York Historical Society Utah State University Columbia College New York, NY $100,000 Logan, UT $5,000 Chicago, IL $5,000 To support the installation of a museum- To support the purchase of storage units standard paintings storeroom to accom- for the permanent collection storage areas Cornell University modate the collection of about 3,000 of the Nora Eccles Harrison Museum of Ithaca, NY $10,000 paintings. Art. Corporation of the Fine Arts Museums Newport Harbor Art Museum Yale University San Francisco, CA $10,000 Newport Beach, CA $4,900 New Haven, CT $15,000 To support the construction and installa- To support a survey of the Yale UniversityCurrier Gallery of Art tion of shelving units and earthquake Ar[ Gallery’s storage areas. Manchester, NH $5,000 resistant materials in the storage vault. Museum Purchase Plan Dallas Museum of Art Dallas, TX $20,000 Pñiladelphia Museum of Art To support thepurchase ofworks in all Philadelphia, PA $7,500 media by living American artists. The To support a survey to renovate and create Denver Art Museum category is designed to assist museums in Denver, CO $20,000 new storage areas for the museum’s adding to their collections ofcontempo­ collections of American, European, Japa- rary American art, expand public interest nese, and Chinese fumiture, Edmundson Art Foundation, Inc. in current artistic expressions, and assist Des Moines, IA $15,000 artists. Pierpont Morgan Library New York, NY $50,000 Fort Wayne Museum of Art, Inc. 60 Grants Ft. Wayne, IN $10,500 To support the construction of two vaults Program Funds: $700,000 for the storage and safekeeping of the Friends of the North Dakota Museum library’s drawings and illuminated Ball State University of Art manuscripts. Muncie, IN $10,500 Grand Forks, ND $10,500 Springfield Library and Museums Baltimore Museum of Art, Inc. Grand Rapids Art Museum Association Baltimorc, MD $20,000 Grand Rapids, MI $15,000 Springfield, MA $60,000 To support the modification of skylights Bass Museum of Art Miami Beach, FL Greenville County Museum of Art in the galleries of the Museum of Fine $5,000 Greenville, SC $10,000 Arts. Birmingham Museum of Art Birmingham, AL $15,00(I J.B. Speed Art Museum Springfield Library and Museums Louisville, KY $15,000 Association Springfield, MA $10,000 Board of Trustees of the University of Illinois Jewish Museum To support a thorough assessment of the New York, NY $5,000 Museum ofFine Arts’ environment and Champaign, IL $12,500 the development of plans for a new envi- John & Mable Ringling Museum of ronmental control system. Bronx Museum of the Arts Brortx, NY $5,000 Art Foundation, Inc. Sarasota, FL $13,000 Trustees of the University of Brooklyn Institute of Arts and Sciences Pennsylvania Brooldyn, NY $20,000 La Jolla Museum of Contemporary Art Philadelphia, PA $40,000 La Jolla, CA $20,000 To support the purchase of storage equip- Butler Institute of American Art ment for the Asian Arts collection at the Youngstown, OH $7,500 Laguna Art Museum University Museum. Laguna Beach, CA $7,500 California State University Long Beach Uníversity of Nebraska-Lincoln Foundation Laumeier Sculpture Park Lincoln, NE $20,000 Long Beach, CA $10,000 St. Louis, MO $15,000 To support upgrading of the security system at the Sheldon Memoñal Art Gal- Chrysler Museum, Inc. Madison Art Center, Inc. lery for protection of its collections. Norfolk, VA $7,500 Madison, WI $7,000 122 MUSEUM

Milwaukee Art Museum, Inc. Museum of Photographic Arts San Francisco Museum of Modern Art Milwaukee, WI $20,000 San Diego, CA $10,000 San Francisco, CA $12,500

Minneapolis Society of Fine Arts Nelson Gallery Foundation Smith College Minncapolis, MN $7,000 Kansas City, MO $9,000 Northampton, MA $5,000 Monterey Peninsula Museum of Art New Orleans Museum of Art Association Ncw Orlcans, LA $10,000 St. Louis Art Museum Monterey, CA $5,000 St. Louis, MO $15,000 Newport Harbor Art Museum Mount Holyoke College Newport Beach, CA $20,000 Trustees of Princeton University South Hadley, MA $5,500 Princeton, NJ $15,000 Oakland Museum/Museum of California Foundation Museum Associates University of California-Berkeley Los Angeles, CA $15,000 Oaldand, CA $10,000 Berkeley, CA $10,000 Museum of American Folk Art Pennsylvania Academy of the Fine Arts New York, NY $5,000 Philadelphia, PA $8,000 University of New Mexico Main Campus Museum of Arts and Sciences, Inc. Philadelphia Museum of Art Albuquerque, NM $5,000 Macon, GA $5,000 Philadelphia, PA $20,000 Museum of Contemporary Art, Los Phoenix Art Museum Utah State University Angeles Phoenix, AZ $15,000 Logan, UT $8,000 Los Angeles, CA $10,000 Rhode Island School of Design Walker Art Center, Inc. Museum of Fine Arts, Boston Providence, RI $10,500 Minneapolis, MN $20,000 Boston, MA $15,000 Robert W. Woodruff Arts Center, Inc. Washington State University Museum of Fine Arts, Houston Atlanta, GA $20,000 Houston, TX $20,000 Pullman, WA $3,000 Rutgers, T~e State University of New Museum of Modern Art Jersey New Brunswick Campus Wright State University Main Campus New York, NY $20,000 New Brunswick, NJ $10,000 Dayton, OH $10,000

123 756 Grants ~o~~amFunds: $12,123,949 Music Treasury Funds: $3,200,551

The Music Program provides support for the creation and Continued support promoted orchestra seasons for orchestras as performance ofmusic, with an emphasis on assisting the growth large as the St. Louis Symphony andas small as the fledgling ofAmerican music and musicians. Western Piedmont Symphony in North Carolina. Touring and educational programs, such as those engaged in by the Fort Worth he Music Program received a total of 1,766 applications Symphony in Texas, brought quality performances to extended in 1989 and awarded 756 grants. Competition was keen audiences in many isolated communities. The Consortium Tand panelists were selective in rewarding musical Commissioning category has been substantially augmented with excellence. Grants reflected increased performance of additional support from the Endowment’s Opera-Musical American music by large and small vocal and instrumental Theater Program and the Lila Wallace-Reader’s Digest Fund and ensembles, the additional presentation of emerging American administered by Meet the Composer, Inc. Duñng the second artists and ensembles, increased opportunities for minority artists and composers, and enhanced outreach to diverse American year, commissious were given to 31 composers, through 19 grants audiences, to consortia comprised of 52 members (orchestras, chamber/ new music and jazz ensembles, chorus and vocal ensembles, Jazz--now designated by Congress as an Ameñcan treasure-­ soloists, and radio stations). was supported through 74 fellowship grants for performance, composition, study and special projects, plus 60 grants to Projects funded to individuals included Jazz and Solo Recitalist continue support for Jazz presenters, Jazz management, and Jazzfellowships. The Music Program gave continued seasonal support special projects. Jazz Masters Fellowships were awarded to to orchestras, both large and small. Innovations in Special three Jazz legends: Barry Harris, Hank Jones, and Sarah Projects included a grant to support the development of a national Vaughan. This is the eighth year in which such masters awardschamber music information system and two residency programs were made. of the Black Music Repertory ensemble.

Advisory Panels Joseph Leavitt Jean Ivey General Manager Composer, Director, Electronic Music Philharmonic Orchestra of Floñda Studio Advancement Miami, FL of Joann Allison Sergiu Luca Baltimore, MD Executive Director Violinist, Educator Artpark Houston, TX Lewiston, NY Jonathan Kramer Caryl Tipton Faculty Thomas Bacchetti Manager University of Cincinnati, College- General Manager Musica Sacra Conservatory Atlanta Symphony Orchestra New York, NY Cincinnati, OH Atlanta, GA Centers/Services Paul Hill Vladimir Ussachevsky Artistic Director Composer in Residence National Choral Foundation, Inc. Charles Dodge University of Utah Bethesda, MD Composer, Director, Center for Computer New York, NY Music Willard Jenkins Faculty, Challenge Jazz Program Coordinator Brooklyn, NY Arts Midwest Minneapolis, MN Pablo Furman Guest Composer Chair Conway Jones Center for Computer Musicat Stanford Voice Department, Manhattan School of Member, Oaldand Arts Council University Music Oakland, CA Berkeley, CA New York, NY 124 MUSIC

Judith Arron Raymond Harvey General Manager Music Director and Conductor Percussionist, Educator Camegie Hall Springfield Symphony Orchestra Peabody Institute of Johns Hopkins New York, NY Springfield, MA University Baltimore, MD Eileen Cline Charles Helm Pianist, Organist, Singer Music Consultant Vincent McDermott Dean, Peabody Institute of Johns Hopkins Walker Art Center Composer, Ethnomusicologist, University Minneapolis, MN Gamelanist Baltimore, MD Faculty, Lewis and Clark College Ann Koonsman Portland, OR William Hall Executive Director Director Fort Worth Symphony Orchestra Neva Hlgrim William Hall Chorale Fort Worth, TX Soprano Orange, CA Faculty, Syracuse and Colgate Universities Steven Ovitsky Syracuse, NY Robert Jones Artistic Director, General Manager Executive Director Grant Park Concerts Paul Posnak Indianapolis Symphony Orchestra Chicago, IL Faculty, University of Miami Indianapolis, IN Pianist Peter Rosen Coral Gables, FL Linda Magee Independent FilmiTV Producer, Director Executive Director New York, NY Chamber Music Northwest Composer-in-Residence, St. Louis Portland, OR Patricia Ups~aw Symphony Orchestra Assistant General Manager, Dkector of Faculty, Eastman School of Music Peter Smith Youth Programs Executive Director Atlanta Symphony Orchestra Fairport, NY Grand Rapids Symphony Atlanta, GA Grand Rapids, MI Robert Watt Chamber/New Music Ensembles French Homist David Wax New Brass Ensemble and L.A. Executive Director Philharmonic Louise Basbas Los Angeles, CA Houston Symphony Orchestra Organist Director, Music Before 1800 Houston, TX New York, NY Chamber/New Music Presenters Challenge III Ronald Crutcher Cellist, Educator Mary Ann Bonino University of North Carolina at Director, The Da Camera Society Conductor, Music Director Laureate Greensboro Faculty, Mount St. Mary’s College Utah Symphony Orchestra Greensboro, NC Los Angeles, CA Salt Lake City, UT William Dunham Joseph Celli Vada Butcher Arts Consultant Consultant to Vice President for Arts Dean, College of Fine Arts Vice Chairman, Maryland State Arts Matters Howard University Council Miami Dade Community College Washington, DC Annapolis, MD Miami, FL 125 Joanne Cossa William Noll Libby Larsen Managing Director Music Director Composer Symphony Space Choral Guild of Atlanta Minneapolis, MN New York, NY Atlanta, GA Gertrude Rivers Robinson Herb Levy Doreen Rao Composer, Faculty Grants Administrator Faculty Loyola Marymount University Comish College of the Arts University of Los Angeles, CA Seattle, WA Toronto, Ontario, CN Alvin Singleton Susan Lipman Gilbert Seeley Composer-in-Residence Executive Director Director, Oregon Repertory Singers Spelman College Chamber Music Chicago Faculty, Lewis and Clark College Atlanta, GA Chicago, IL Portland, OR Eugene Simpson Claudia Polley Faculty Composer President Glassboro State University Riverdale, NJ Accord Foundation; Mapleshade Records Glassboro, NJ Upper Marlboro, MD Jazz Fellowships Arthur Sjogren Georgia Ryder Artistic Director Valerie Capers Chairwoman Pro Arte Chamber Singers Composer, Pianist, Faculty Norfolk Commission on the Arts and Westport, CT Bronx Community College, City Humanities University of New York (CUNY) Noffolk, VA Arlene Williams Brortx, NY President Cynthia Seibert Chorus America Richie Cole Executive Director Minneapolis, MN Alto Saxophonist, Composer Friends of Music Board Member, National Jazz Service Kansas City, MO Composers Organization Duncan Mills, CA Sheidon Soffer Elinor Armer Pianist Chairman, Composition Department Fostina Dixon President, Sheldon Soffer Artists San Francisco Conservatory of Music Multi-reed Player Management San Francisco, CA Freelance Composer New York, NY New York, NY Leonardo Balada Faculty, Composer Fred Hopkins Chorus Camegie Mellon University Pittsburgh, PA NewBassist, York, Composer NY Vance George Choral Conductor John Eaton Composer, Faculty Joe Htmt Chorus Percussionist, Faculty San Francisco, CA Indiana University Bloomington, IN Berklee School of Music Needham, MA Paul Hill Earl Kim A_rfistic Director, National Choral Composcr Paul Jeffrey Foundation, Inc. Faculty, Harvard University Saxophonist, Faculty Bethesda, MD Cambridge, MA Duke Uníversity Durham, NC Fred Leise Paui Lansky Assistant General Manager Composer Andrew White Music of the Baroque Concert Series Faculty, Princeton University Saxophonist, Composer Chicago, IL Princeton, NJ Washington, DC 126 MUSIC

Jazz Presenters Gillian Levine Seth McCoy Curator of Contemporary Music Professor of Voice S. David Bailey Institute of Contemporary Art Eastman School of Music Executive Director Boston, MA Rochester, NY Jazzmobile, Inc. New York, NY Manuel Melendez Blanche Moyse Congressional Relations Officer Artistic Director Office of Congressional Relations Brattleboro Music Center Patti Bown Smithsonian Institution Brattleboro, VT Pianist, Singer, Composer Washington, DC New York, NY Steven Ovitsky Edward Nelson Artistic Director, General Manager Senior Client Services Representative Grant Park Concerts Trumpeter, Composer, Educator Michigan Council for the Arts Chicago, IL Hempstead, NY Detroit, MI Royce Saltzman Michael Grofsorean Maureen O’Neill Professor of Choral Music, University of Radio and Television Producer Manager, City of Seattle: Parks and Oregon Director of Jazz Spoleto Festival, U.S.A. Recreation Executive Director, Oregon Bach Festival Ann Arbor, MI President of the Board, Seattle Folklife Eugene, OR Festival Kjristine Lund Seattle, WA Michael Steinberg Executive Director, Manager, Cultural Artistic Advisor Resources Division Wayne Shilkret Minnesota Orchestra King County Arts Commission General Manager, Hollywood Bowl Minneapolis, MN Seattle, WA Association Pasadena, CA Neil Stulberg Music Director, Conductor Saxophonist, Composer A. Michdle Smith New Mexico Symphony Orchestra Leader, Art Ensemble of Chicago Executive Director Albuquerque, NM Chicago, IL National Black Arts Festival Atlanta, GA Orchestra Lynn Skinner Faculty, School of MusicJoseph Wheeler Stepheu Albert University of Idaho Exec Director, Centrum Foundation Composer-in-Residence with the Seattle , ID Fort Worden State Park Symphony Composition Faculty, The Port Townsend, WA Multi-Music Presenters Seattle, WA Music Festivals Alan Balter Ron Bowlin Music Director and Conductor Executive Director, Kimball Hall and Daniel Gustin Memphis and Akron Symphony Kimball Performance Series Assistant Managing Director Orchestras University of Nebraska Boston Symphony Orchestra Memphis, TN Lincoln, NE Boston, MA Bradford D. Bucldty Robert Browning Warren Hattield Chairman, Intemational Conference of Artistic and Executive Director Chairman Symphony and Opera Musicians World Music Institute South Dakota Arts Council Contrabassoonist, St. Louis Symphony New York, NY Brookings, SD St. Louis, MO Charles Hehn Michad Lankester Karen Dobbs Music Consultant Music Director General Manager Walker Art Center Hartford Symphony Orchestra Rhode Island Philharmonic Minneapolis, MN Hartford, CT Providence, RI

127 Richard Dunlap Paul Lansky Wayne Brown Organist, Choral Director Composer Executive Director, The Louisville Deputy Director, Michigan Council for Faculty, Princeton University Orchestra the Arts Pdnceton, NJ Louisville, KY Sterling Heights, MI Harold Lawrence Amelia Haygood Henry Fogel Independent President Executive Director Chairman, Oakland Arts Council Delos Records Intemational Chicago Symphony Orchestra Oakland, CA Santa Monica, CA Chicago, IL Fred Leise Guenter Hensler Assistant General Manager President, Polygram Classics Conductor Laureate, Albany Symphony Music of the Baroque Concert Series New York, NY Orchestra Chicago, IL Harold Lawrence Music Director, Berkshire Symphony Kjristine Lund Independent Record Producer Orchestra Executive Director, Manager, Cultural Chairman, Oakland Arts Council Williamstown, MA Resources Division Oakland, CA King County Arts Commission Lynn Johnson Seattle, WA Jeffrey Nissim Supervisor, Symphony Department Executive Vice President, Musical West Coast Office of the American Steven Monder Heñtage Society Federation of Musicians General Manager Ocean, NJ Los Angeles, CA Cincinnati Symphony Cincinnati, OH Richard Totusek Steven Monder Pianist General Manager Allison Nelson Member of International Executive Board Cincirmati Symphony Pianist, Artist in Residence of American Federation of Musicians Cincinnati, OH University of Tennessee (AFM) Member, Tennessee Arts Commission President, Spokane Local of AFM Seymour Rosen Martin, TN Spokane, WA Dean, College of Fine Arts Añzona State University Steven Ovitsky Tempe, AZ Artistic Director, General Manager Composer, Pianist Grant Park Concerts New York, NY Daniel Webster Chicago, IL Music Critic Solo Recitalist Fellowships The Philadelphia Inquirer Robert Pierce Wayne, PA Director Irene Gubrud Peabody Institute of Johns Hopkins Soprano Donald White University Lloyd Harbor, NY Cellist, Baltimore, MD East Cleveland, OH Allison Nelson Cynthia Siebert Pianist/Artist in Residence, University of Overview Executive Director Tennessee Friends of Chamber Music (Kansas City) Member, Tennessee Arts Commission Kansas City, MO Martin, TN Ronald Crutcher Cdlist, Educator Andrew White Lucy Shelton University of North Carolina at Saxophonist, Composer Soprano Greensboro Washington, DC New York, NY Greensboro, NC Recording Omus Hirshbein Pianist Director, Pcfforming Arts Ed Bland Faculty, The Juilliard School & University 92nd Street YM-YWHA Composer, Record and Concert Producer of Houston New York, NY Los Angeles, CA Houston, TX

128 MUSIC

John Van Buskirk Composers Fellowships Jarvinen, Arthur J. Keyboardist, Faculty Sylmar, CA $10,000 Smith College Includes two subcategories: COMPOSERS To support the composition of a work for New York, NY FELLOWSHIPS providefor the creation chamber ensemble. or completion of musical works. COL­ LABORATIVE FELLOWSHIPS are LeBaron, Anne William Warfield available to composers and their collabo- Washington, DC $12,000 Baritone rators, including librettists, video To support the composition of a concerto Chairman, Voice Department, University artists, f!lmmakers, poets, or choreogra- for harp and chamber orchestra. of Illinois-Champaign phers for the creation or completion of Urbana, IL new works. Miller, Edward J. Oberlin, OH $15,000 17 Grants To support the composition of a series of Training Prograrn Funds: $275,000 works for solo instruments and chamber ensemble. Rita Angel Composers Fellowships Mosko, Stephen L. Faculty, University of New Mexico Saugus, CA $18,000 Pianist Baker, Jr., W. Claude To support the composition of a work for Albuquerque, NM Bloomington, IN $15,000 To support the composition of a work for orchestra. Jeffrey Babcock orchestra. Paxton, Steven E. Lubbock, TX $16,000 Educator, Composer Costinescu, Gheorghe Executive Director, New World Symphony To support the composition of several New York, NY $19,500 works, including a work for piano, a work Miami, FL To support the composition of a work for for percussion ensemble, incidental music chamber orchestra, for a Shakespeare play, anda soundscore Heidi Castleman for a television fairy tale. Violist, Professor of Viola, Eastman Gahuro, Kenneth L. School of Music and Cleveland Institute Iowa City, IA $19,000 Rodriguez, Robert X. of Music To support the completion of a señes of Richardson, TX $25,000 Cleveland, OH compositions for diverse instruments and To support the composition of a work for ele¢tro-acoustic tape. and orchestra. Sam Grabarski Gass, Glenn C. Rouse, Robert S. Musician, Executive Director, Minnesota Bloomington, IN $8,500 Louisville, KY $7,500 State Arts Board To support the composition of a work for To support the composition of a work for St. Paul, MN chamber ensemble, orchestra.

Robert Pierce Hodkinson, Sydney P. Tsontakis, George Director Fairport, NY $21,500 Shokan, NY $25,000 Peabody Institute of Johns Hopkins To support the composition of a work for To support the composition of a work for University violin and orchestra, orchestra. Baltimore, MD Holmes, Reed K. Westergaard, Peter T. San Antonio, TX $7,000 1Mnceton, NJ $14,500 George Shirley To support the composition of a work for To support the completion of an opera Tenor chamber ensemble anda work for cello based on Shakespeare’s The Tempest. Faculty, University of Michigan and tape. Ann Arbor, MI Collaborative Fellowship Hovda, Eleanor H. St. Paul, MN $12,000 Sheng, Bright Z. Frank Tirro To support the composition of a work for Chicago, IL $29,500 Dean, School of Music chamber orchestra; a work for oboe and To support the composition of an opera Yale University electric bass; anda work for flute, clañnet,with collaborator Charles Kondek as New Haven, CT cello, percussion, and voice, librettist. 129 Jazz Fellowships Cunliffe, Jr., William H. LaVerne, Andrew M. Cincinnati, OH $3,000 Peekskill, NY $7,000 Nonmatchingfellowships are awarded to To support costs of a demonstration To support costs of a concert celebrating establishedjazz musiciansfor perform­ recording focusing on traditional and updating the music and tradítion of ance, composition, study, or to honor and post-bebop piano literature. Bud Powell. distinguished jazz masters who have significan@ altered the art form. Grants Farnham, Allen N. Mazzio, Paul are also awarded to individualsfor Brooklyn, NY $6,070 North Hollywood, CA $3,000 innovativejazzprojects that benefit the To support costs of concerts featuring the To support costs of a demonstration field of jazz. artist’s original compositions andar­ recording featuring the artist within a rangements for quartet, quartet. 77 Grants Program Funds: $450,000 Harris, Barry D. Modir, Hafez New York, NY $13,500 Middletown, CT $3,0OO Jazz Master Awards To support costs of a performance of To support costs of a demonstration original compositions fora 100-plus recording of original works for quintet. Harris, Barry D. member ensemble consisting of strings, a New York, NY $20,000 big band, chorus, and guest artists. Namery, Allan Dumont, NJ $9,410 Jones, Jr., Henry W. Harrison, William To support costs of a series of perform­ Hartwick, NY $20,000 Chicago, IL $3,000 ances in libraries throughout northem To support costs of a demonstration New Jersey. Vaughan, Sarah recording featuñng the artist’s original Beverly Hills, CA $20,000 compositions for solo bass and quartet. Naranjo, Valerie D. New York, NY $2,000 Jazz Performance Hashim, Michael J. To support costs of a demonstration New York, NY $4,800 tion recordingof jazz and focusing balafon on the(African artist’s xylo-explora- Anderson, Jay R. To support costs of a performance and Brooklyn, NY $3,000 demonstration recording focusing on the phone) music. To support costs of a demonstration compositions of Billy Strayhom. recording featuring the artist within a Persip, Charles L. quartet. New York, NY $15,000 Hersch, Frederick S. To support costs of a concert presenting New York, NY $15,OO0 the artist’s I7-piece band, Superband, Bergonzi, Jerry To support costs of a performance includ- Brighton, MA $9,710 in collaboration with the Brooklyn Phil­ ing original compositions for tño, soloist,harmonic Orchestra Ensemble. To support costs of a concert focusing on and strings. the development of thz styles of John Coltrane and . Rainey, Tom G. Herwig III, Conrad New York, NY $4,400 Binney, David Brooklyn, NY $3,000 To support costs of a performance focusing New York, NY $3,000 To support costs of a demonstration on original compositions for percussion To support costs of a demonstration recording focusing on the artist’s interpre-ensemble. recording, tations of jazz standards and oñginal compositions. Ridley, Larry Cochrane, Míchael D. Brooklyn, NY $11,260 New York, NY $7,500 Howland, Harold To support costs of a performance pro- To support costs of a Ferformance featur­ Vienna, VA $7,450 moting the legacy of the artistry of Lee ing the artist’s original compositions andTo support costs of concerts featuñng the Morgan and . arrangements, artist’s oñginal compositions for sextet. Rosenthal, Theodore M. Cowings, Marion L. Hughes, William H. New York, NY $2,800 New York, NY $13,300 Staten Island, NY $12,000 To support costs of a demonstration To support costs of a señes of workshops To support costs of a performance and recording focusing on the artist’s interpre­ and performances demonstrating the vocalvideo demonstration recording featuring tation of jazz standards and original art of "scat" improvisation, the applicant within a small ensemble, compositions.

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Routch, Robert E. Hester, Karlton E. Cox, Michael W. New York, NY $12,000 Staten Island, NY $10,000 Plymouth, NH $1,150 To support costs of performances focusingTo support the composition of a work in To support intensivo onc-on-onc study on the artist’s dcvelopment as a jazz progress entitled "The Pan African Bal- with saxophonist Bill Evans. homist through collaboration with the Mollet," writtcn forjazz orchcstra. Lewis Orchestra. Cox, Raymond B. Holmes, Jeffrey W. Greeley, CO $4,200 Saunders, Keith L. To support intensive one-on-one study Ncw York, NY $3,000 Sunderland, MA $7,700 To support costs of a dcmonstration To support the composition of a jazz with drummers and L¢wis rccording, concerto for trumpet in three movcmcnts. Nash. Schumacher, David M. Lopato, David P. Daniels, Lee Astoña, NY $3,000 Ncw York, NY $8,000 Bethlehem, PA $2,000 To support costs of a dcmonstration To support the composition of a largo To support intcnsive onc-on-onc study recording focusing on the artist’s originalwork for the ensemble Sunda Swing. with pianist . compositions and intrepretation of jazz standards within a small cnscmble. Jazz Study De Greg, Philip A. Cincinnati, OH $4,340 Snidero, James J. To support intcnsive one-on-onc study Ncw York, NY $9,360 Balagurchik, James with pianist Jim McNeely. To support costs of a señes of perform- New York, NY $5,000 ances focusing on the artist’s oñginal To support intensive one-on-one study De Wilde, Laurent G. compositions, with pianists Barry Hards and John Kamitsuka. To supportNew York,intensive NY one-on-one study $2,620 Weiskopf, Walter D. with pianist . Brooklyn, NY $3,000 Brenner, Adam J. To support costs of a demonstration Paterson, NJ $4,150 recording focusing on the artist’s interpre- Elswiek, Michael E. To support intensive one-on-one study Charlottesville, VA $2,400 tations of jazz standards as well as originalwith saxophonist George Coleman. compositions, To support intensive one-on-one study with saxophonist Andrew White III. Wilson, Glenn D. Brooks, Gloria J. New York, NY $3,000 Brooklyn, NY $3,000 Fitzgerald, Joseph To support costs of a demonstration To support intensive one-on-one study Jamaica Plain, MA $4,000 recording, with pianist Barry Harñs. To support intensive one-on-one study with bassist . Woods, Reginald R. Cadwallader, Jr., Rex G. Queens Village, NY $12,000 Greeley, CO $2,200 Greenberg, Mark A. To support costs of a series of perform- To support intensive one-on-one study in Granby, CT $2,220 ances to benefit handicapped, elderly, and composition with composer Clare Fischer. To support intensive one-on-one study disabled persons, with drummer Alan Dawson. Capon, Mark Jazz Composition Queens Village, NY $1,280 Greene, Ríchard W. To support intensive one-on-one study Portland, OR $4,120 Dahlgren, Chris with guitarist Billy Bauer. Cincinnati, OH $5,500 To support intensive one-on-one study To support the composition of a four- with Dave Holland and Lew Tabackin. movement work for piano violin, wood- Coleman, Ira N. winds, and bass. New York, NY $2,300 Grunhut, Ron To support intensive one-on-one study Ridgewood, NJ $1,560 Ehrlich, Marty L. with double bassist . To support intensive one-on-one study New York, NY $8,600 with flutist Thomas Nyfenger. To support the composition of two works Connell, Robin L. forjazzorchestraperformedbytheMusi-Brooklyn, NY $1,950 Halperin, James D. cians of Brooklyn Initiative (MOBI) To support intensive one-on-one study in Woodbury, NY $1,610 Orchestra and the New York Composers composition with composer Earl To support intensive one-on-one study Orchestra. Mclntyre. with pianist Sal Mosca.

131 Ham, Lawrence C. Scott, Vivian E. Solo Rccitalists Fcllowships New York, NY $4,040 Pontiac, MI $4,990 To support intensive one-on-one study To support intensive one-on-one study For awards to specific projects directly with pianist Barry Harris. with pianist Ron Elliston. related to artists" solo or duo recital careers. Fellowships during 1989 were Hubka, Diane E. Springer, Joel awarded to keyboard and vocal recitalists. Brooklyn, NY $2,850 Bñghton, MA $3,160 To support intensive one-on-one study To support intensive one-on-one study 12 Grants with vocalist Anne Marie Moss. with saxophonist Jerry Bergonzi. Program Funds: $150,000 Huron, Bruce D. Sterbank, Mark J. Brooklyn Park, MN $5,000 Lyndhurst, OH $5,000 Brubaker, Bruce C, To support intensive one-on-one study To support intenswe one-on-one study New York, NY $12,000 wíth saxophonist George Coleman. with pianist Ellis Marsalis. To support costs associated with the promotion and performance of solo piano King, Lloyd B. Stitely, Jeff T. recitals in the United States. Chicago, IL $3,160 Chicago, IL $5,000 To support intensive one-on-one study To support intensive one-on-one study with flutist James Newton. Carlin, Seth A. with drummer Victor Lewis. St. Louis, MO $15,000 Ledvina, Charles B. To support costs associated with the Sheboygan, WI $1,140 Vermillion, Terry L. performance of solo forte piano recitals in To support intensive one-on-one study Greeley, CO $1,150 New York City in 1990-91 and costs with bassist Rufus Reido To support intensive one-on-one study associated with the production of demon­ wíth drummer Peter Erskine. stration tapes. Leinwand, Bryan Weisz, Deborah J. New York, NY $4,140 de Mare, Anthony J. To support intensive one-on-one study Las Vegas, NV $3,200 with bassist Cecil McBee. To support intensive one-on-one study New York, NY $15,000 with pianist Jim McNeely. To support costs associated with the McAuliffe, Marie T. preparation and presentation of a series of New York, NY $1,410 Wendholt, Scott G. solo piano recitals and residencies at To support intensive one-on-one study Cincinnati, OH $5,000 various locations within the United States with pianists and Richie To support intensive one-on-one study in 1990-91. Beirach. with saxophonislYflutist David Liebman. Drury, Stephen J. Mead, Marilyn L. Williams, Susan C. Cambridge, MA $12,000 Cypress, TX $5,000 New York, NY $2,050 To support costs associated with the To support intensive one-on-one study To support intenswe one-on-one study preparation and presentation of solo piano with flutists James Newton and Lew with bassist Dave Holland. recitals in New York City andat various Tabacldn. university locations within the Uníted Jazz Fellowships Special Projects Newell, Jeff D. States in 1990, 1991, and 1992. Chicago, IL $4,950 To support intensive one-on-one study Rusch, Robert D. Fernandez, Nohema D. with saxophonist/flutist David Liebman. Redwood, NY $9,300 Redwood City, CA $10,000 To support costs for the continuation of To support costs associated with the Nicolazzo, Rachel C, oral history projects tracing the transition preparation and presentation of solo piano New York, NY $4,000 of the music of the Big Band artists into recitals at various locations throughout To support intensive one-on-one study the small group work of and ’50s the United States in 1990-91. with pianist Charlie Banacos. Bop. Niemiec, Frank E. Shapiro, Jan A. Hosford, Philip J. Calumet City, IL $5,000 West Newton, MA $13,000 Baltimore, MD $11,500 To support intensive one-on-one study To support costs for documenting the To support the presentation of a solo piano with vibraphonist/marimbist David contributions to vocal jazz history of recital in New York City, and related Samuels. and . costs.

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La Brecque, Rebecca O. Chamber/New Music Ensembles Atlanta Chamber Players, Inc. N~w York, NY $13,500 Atlanta, GA $6,000 To support costs associatcd with the To support artists’ fccs and rclatcd costs pr~paration and performance of a solo 1807 and Friends, Inc. for chamber music concerts during the piano recital in Ncw York City in 1990 or Philadclphia, PA $3,000 1989-90 scason. 1991. To support artists’ fccs and rclatcd costs for a señas of chambcr music conccrts Atlanta Virtuosi Foundation, Inc. Ohrenstein, Dora during the 1989-90 s~ason. Atlanta, GA $3,000 New York, NY $14,550 To support artists’ fees and related costs To support costs associated with the 20th Century Consort for the performance of chamber music preparation, promotion, and presentation Washington, DC $6,000 during the 1989-90 season. of a solo voice recital, and the production To support artists’ fees and related costs of demonstration tapes in 1990-91. for a new music concert sedes during the Aulos Ensemble, Inc. 1989-90 season. New City, NY $3,000 Paul, Jennifer S. To support artists’ fees for chamber music Burbank, CA $10,650 Aeolian Chamber Players, Inc. concerts during the 1989-90 season. To support costs associated with the New York, NY $3,100 preparation of publicity and promotion To support artists’ fees and related costs Board of Trustees of the Leland materials necessary to pursue opportuni- for chamber music concerts duñng the Stanford Junior University ties for solo harpsichord r~citals, including1989-90 season. Stanford, CA $3,000 a demonstration recording in 1990-91. To support a publicist’s fee and production costs for a chamber music series by the Alea III, Inc. Rust, Roberta F. Stanford String Quartet during the 1989­ Boston, MA $3,000 90 season. Miami, FL $10,300 To support artists’ fees and related costs To support costs associated with the for chamber and new music concerts Boston Camerata, Inc. preparation, promotion, and performance dudng the 1989-90 season. of solo piano recitals in 1990-91. Boston, MA $3,000 To support artists’ salañes for chamber American Chamber Ensemble, lnc. music concerts during the 1989-90 season. Salvatore, Ramon Massapequa, NY $3,000 Morton Grove, IL $12,000 To support costs associated with the To support artists’ fees for chamber and Boston Chamber Music Society, Inc. presentation of solo piano recitals in New new music concerts during the 1989-90 Boston, MA $3,000 York City in 1991. season. To support artists’ fees and the artistic director’s salary dufing the 1989-90 season. Weirich, Robert W. Amherst Saxophone Society, Inc. Skaneateles, NY $13,500 Buffalo, NY $4,000 To support costs associated with the To support a chamber and new music Boston Musica Viva, Inc. preparation and presentation of solo piano residency and related costs dufing the Boston, MA $6,500 1989-90 season. To support artists’ fees and related costs recitals and residencias in 1990-91. for new music concerts during the 1989­ 90 season. Chamber/New Music and Jazz Apple Hill Center for Charnber Music, Inc. Ensembles Brass Charnber Music Foundation, East Sullivan, NH $5,600 Inc. To assist organizations that perform To support artists’ fees and related costs Dayton, OH $3,000 chamber music, recent 20th-century fora chamber and new music concert To support artists’ fees and related costs music, with ah emphasis on American series during the 1989-90 season, for a chamber music concert señes by the works, andjazz in its traditional or Top Brass Quintet during the 1989 season. current forms. Assistance is also available Aston Magna Foundafion for Music, to organizations providing services to Inc. Brass Ring, Inc. the chamber and new musicfields. Danbury, CT $4,1300 New Haven, CT $3,500 To support artists’ lees and related costs To support artists’ fees and related costs 95 Grants for the performance of chamber music for a chamber music concert señes duñng Program Funds: $498,500 during the 1989-90 season, the 1989-90 season.

133 Bronx Arts Ensemble, Inc. The Chicago Ensemble Da Capo Chamber Players, Inc. Bronx, NY $4,500 Chicago, IL $3,000 New York, NY $14,500 To support artists’ fees and related costs To support artists’ fees and related costs To support artists’ fees and related costs for concerts during the 1989-90 season, for chamber and new music concerts for chamber/new music tour concerts and duñng the 1989-90 season, mini-residencies during the 1989-90 California E.A.R. Unit Foundation season. Los Angeles, CA $4,000 Cimarron Wind Quintet To support artists’ fees and related costs Houston, TX $3,000 Detroit Chamber Winds fora chamber and new music concert To support artists’ fees and related costs Royal Oak, MI $3,000 series during the 1989-90 season, fora chamber music concert señes during the 1989-90 season. To support artists’ fees and related costs Capitol Chamber Artists, Inc. fora chamber music concert series during the 1989-90 season. Albany, NY $4,300 Ciassical Quartet, Inc. To support artists’ fees and related costs New York, NY $3,000 for chamber and new music concerts To support artists’ fees for chamber musicEarly Music America, Inc. during the 1989-90 season, concerts duñng the 1989-90 season. New York, NY $7,500 To support costs fora technical assistance Capitol Woodwind Quintet Coilage, Inc. program and the publications: Historical Adington, VA $3,000 Boston, MA $6,000 Performance, Journal ofEarly Music To support a chamber music concert señes To support artists’ fees and related costs America, Register ofEarly Music in during the 1989-90 season, for a new music concert series and an America, and Collegium Director’s annual newsletter during the 1989-90 Handbook. Center for Creative Studies-lnstitute of season. Musíc and Dance Detroit, MI $3,000 Early Music Foundation, lnc. To support artists’ fees and related costs Contemporary Music Forum New York, NY $3,200 for chamber musíc concerts by the Lafay- Washington, DC $3,500 To support artists’ fees and related costs ette Sa’ing Quartet during the 1989-90 To support artists’ fees for chamber and for chamber music concerts during the new. music concerts during the 1989-90 1989-90 season. season. season. Chamber Music America, Inc. Ensemble of Santa Fe, Inc. New York, NY $41,000 Cornish College ofthe Arts Seattle, WA $3,000 Santa Fe, NM $3,000 To support costs for a technical assistance To support artists’ fees and related costs program and the quarterly magazine, To support artists’ fees and related costs for new music concerts by The New for chamber music concerts during the Chamber Music, during the 1989-90 1989-90 season. season. Performance Group during the 1989-90 season. Chamber Music Society of Grand Group for Contemporary Music, Inc. Rapids, Inc. Cultural Council Foundation New York, NY $5,500 Grand Rapids, MI $3,000 New York, NY $6,000 To support artists’ fees and related costs To support artists’ fees and related costs To support chamber music concerts by the for new music concerts dufing the 1989­ for the performance of chamber music New York Woodwind Quintet dufing the 90 season. during the 1989-90 season. 1989-90 season. Haydn-Mozart Chamber Orchestra Chamber Music Society of Lincoln Cultural Councíl Foundation Brooldyn, NY $3,000 Center, Inc. New York, NY $3,000 To support artists’ lees and related costs New York, NY $11,500 To support artists’ fees and related costs for chamber concerts by the Powell Quartet To support artists’ fees and related costs for chamber and new music residencíes by duñng the 1989-90 season. fora series of chamber music concerts Flute Force during the 1989-90 season. during the 1989-90 season. Cultural Councii Foundation Health Educators, Inc. Chicago Brass Quíntet New York, NY $3,000 Danbury, CT $3,000 Chicago, IL $3,000 To support artists’ fees and related costs To support artists’ fees and related costs To support the salary of a full-time ad­ for chamber and new music concerts by for tour concerts and chamber music ministrative director during the 1989-90 the Chelsea Chamber Ensemble during theconcerts by the Borealis Wind Quintet season. 1989-90 season, during the 1989-90 season. 134 MUSIC

Hesperus Mozartean Players, Inc. New York Philomusica Chamber Arlington, VA $3,000 Bronx, NY $3,000 Ensemble To support artists’ fees and related costs To support artists’ fees and related costs New York, NY $3,000 for tour concerts during the 1989-90 for chamber music concerts during the To support artists’ fees and related costs season. 1989-90 season, for chamber music concerts during the 1989-90 season. House Foundation for the Arts, Inc. Musica Antigua de Albuquerque, Inc. New York, NY $3,500 Albuquerque, NM $3,000 North Country Chamber Piayers, Inc. To support the salary of a marketing To support artists’ fees for a chamber Franconia, NH $5,000 director during the 1989-90 season, music concert series during the 1989-90 To support artists’ fees and related costs season, for the performance of chamber music Kronos Performing Arts Association during the 1989-90 season. San Francisco, CA $17,500 New Jersey Chamber Music Society, To support artists’ fees and related costs Inc. North Shore Philharmonic, Inc. for tour concerts and chamber/new music Montclair, NJ $6,000 Marblehead, MA $3,000 concerts by the during To support artists’ lees and related costs To support artists’ lees and salaries for the 1989-90 season, for chamber music concerts duñng the chamber music concerts by the Cambridge 1989-90 season. Chamber Players during the 1989 season. Lark Society for Chamber Music Portland, ME $3,000 New Music Consort, Inc. North/South Consonance, Inc. To support artists’ fees and related costs New York, NY $15,000 New York, NY $3,000 fora chamber music concert series by the To support artists’ lees and related costs To support artists’ fees and related costs Portland Stñng Quartet during the 1989- for tour concerts and other new music for new music concerts duñng the 1989­ 90 season, concerts during the 1989-90 season. 90 season.

Long Island Baroque Ensemble, Inc. New York Chamber Soloists, Inc. Odyssey Chamber Players, Inc. Burlington, VT $3,000 Locust Valley, NY $3,200 To support artists’ fees and related costs New York, NY $3,000 To support artists’ fees for chamber musicfor chamber music concerts during the To support artists’ fees for chamber music concerts duñng the 1989-90 season, 1989-90, season. concerts duñng the 1989-90 season.

Lyric Chamber Ensemble, Inc. New York Chamber Sound, Inc. Parnassus Contemporary Music Southfield, MI $3,000 New York, NY $3,000 Foundation, Inc. To support artists’ fees and related costs To support artists’ fees and related costs New York, NY $4,600 for the performance of chamber music for chamber concerts during the 1989­ To support artists’ fees and related costs concerts during 1989-90. 90 season, fora new music concert series during the 1989-90 season. MSQ Enterprises, Inc. New York Consort of Viols, Inc. Mt. Kisco, NY $4,600 New York, NY $3,500 Performers’ Committee, Inc. To support artists’ fees and related costs To support artists’ lees and related costs New York, NY $6,000 for a concert series and tour prograrn for chamber music concerts during the To support artists’ fees and related costs by the Manhattan String Quartet during 1989-90 season, for chamber and new music concerts the 1989-90 season, during the 1989-90 season. New York Cornet and Sacbut Manhattan Marimba Quartet, Inc. Ensemble, Inc. Philomel Concerts, Inc. New York, NY $3,000 New York, NY $3,000 Philadelphia, PA $3,000 To support artists’ fees and related costs To support artists’ fees and related costs To support artists’ lees and related costs for chamber and new music concerts for a chamber music concert series duñng for the performance of chamber music during the 1989-90 season, the 1989-90 season, duñng the 1989-90 season.

Minneapolis Artists Ensemble New York New Music Ensemble Present Music, Inc. Minneapolis, MN $3,500 New York, NY $11,300 Milwaukee, WI $3,000 To support artists’ fees and related costs To support artists’ lees and related costs To support artists’ lees and related costs for chamber music concerts during the fora new music concert series and tour for chamber and new music concerts 1989-90 season, concerts during the 1989-90 season, during the 1989-90 season. 135 Pro Musica Rara, Inc. Soundscapes and Workshop Baltimorc, MD $3,000 Colorado Springs, CO $3,000 Center, Inc. To support artists’ fccs and rclatcd costs To support artists’ fees and related costs Ncw York, NY $3,000 for pcrforrnancc of chamber music duñng fora new music concert series during the To support artists’ fccs and relatcd costs the 1989-90 season. 1989-90 season, for the performance of chamber music by Vineyard Musicke duñng the 1989-90 Quintet of the Americas, Inc. Speculum Musicae, Ine. season. New York, NY $3,000 Hoboken, NJ $9,000 Virtuosi dalia Rosa, Inc. To support artists’ fees and related costs To support artists’ fees and related costs Portland, OR $3,500 for chamber and new music concert series for new music concerts, improving man-To support artists’ fees and related costs during the 1989-90 season, agement, and development of youth for a chamber and new music concert programs duñng the 1989-90 season, series, audience development, and educa­ Relache, Inc. tional activities during the 1989-90 Philadelphia, PA $4,700 St. Luke’s Chamber Ensemble, Inc. season. To support artists’ fees and related costs New York, NY $5,500 for the performance of new music during To support artists’ lees and related costs Voices of Change the 1989-90 season, fora chamber music concert series duringDallas, TX $7,500 the 1989-90 season. To support artists’ lees and related costs fora new music concert seres duñng the Resource Development Foundation, 1989-90 season. Inc. St. Michael’s Episcopal Church Brattleboro, VT $3,000 New York, NY $3,500 Waverly Consort, Inc. To support artists’ fees and related costs To support artists’ fees and related costs New York, NY $9,000 for a residency project during the 1989-90 for a chamber/new music seres by the To support artists’ fees and related costs season. Saturday Brass Quintet during the 1989­ for chamber music concerts during the 90 season. 1989-90 season. Rosewood Chamber Ensemble, Inc. Western Wind Vocal Ensemble, Inc. Sunnyside, NY Synchronia $3,000 St. Louis, MO $3,000 New York, NY $11,000 To support artists’ fees and related costs To support artists’ fees and related costs To support artists’ fees and related costs for chamber music concerts during the for the performance of new music duñng for chamber music concerts duñng the 1989-90 season, the 1989-90 season. 1989-90 season. Jazz Ensembles S.E.M. Ensemble, Inc. Theater Chamber Players, Inc. Brooklyn, NY $3,000 Washington, DC $4,500 Creative Opportunity Orchestra, Inc. To support artists’ fees and related costs To support artists’ fees for a chamber Austin, TX $10,000 for new music concerts during the 1989- music concert seres during the 1989-90 To support the orchestra’s 1989-90 per­ 90 season, season, formance season, including a subscription concert series, guest artists’ residencies, San Francisco Contemporary Music Tremont String Quartet, Inc. and youth concerts and workshops. Players Geneseo, NY $4,000 Phoenix Art Museum San Francisco, CA $9,600 To support artists’ fees and related costs To support the salaries of the music Phoenix, AZ $15,000 for chamber and new music concerts To support the Viva Jazz ensemble’s director and the administrator during the during the 1989-90 season, 1989-90 season. formal concerts, lecture-demonstrations, and residencies by guest artists during Trustees of Amherst College Searborough Chamber Piayers, Inc. Washington, DC $7,500 1989-90. Squantum, MA $3,000 To support artists’ fees for chamber musicChoruses To support artists’ fees and related costs concerts by the Folger Consort during for the performance of chamber music the 1989-90 season. To improve the artistic quality ofchoruses; during the 1989-90 season, to enhance opportunities for choral University of Chicago singers, conductors, and accompanists; Sea Cliff Chamber Players, Inc. Chícago, IL $3,000 and to make choralperformances more Sea Cliff, NY $7,300 To support artists’ fees and related costs widely available. To support artists’ fees and related costs for new music concerts by the Contempo- 35 Grants for chamber music concerts duñng the rary Chamber Players during the 1989- Program Funds: $405,000 1989-90 season. 90 season. Treasury Funds: $75,000

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Professional Choruses San Francisco Chantideer, Inc. Performing Arts Association of Orange San Francisco, CA $25,000 County Cantari Singers of Columbus, Ohio TF: $25,000 Santa Ana, CA $10,000 Columbus, OH $10,000 To support singers’ and administrative To support in 1989-90 increased fees for To support fees for the singers and music staff’s salaries in 1989-90. singers, an increase in the artistic direc­ director in 1989-90. tor’s/conductor’s salary, fees for vocal Santa Fe Desert Chorale soloists, anda series of choral workshops Dale Warland Singers Santa Fe, NM $10,000 to improve the musical skills of nonpaid St. Paul, MN $25,000 To support improved salaríes for the members of the chorale. TF: 25,000" singers, conductor, and assistant conductor To support singers’ fe.es and salañes for in 1989-90. Pomerium Musices, Inc. the music director, associate conductor, New York, NY $7,000 accompanist/assistant conductor, anda Other Choruses with Four or More To support singers’ fees in 1989-90. full-time professional director of develop- Paid Singers ment in 1989-90. Saint Louis Symphony Society Gregg Smith Singers, Inc. Baltimore Symphony Orchestra St. Louis, MO $9,000 New York, NY $12,600 Association, Inc. To support singers’ fees and salaries/fees To support salaries for the singers, con- Baltimore, MD $7,000 for the chorus directors, manager, accom- ductor, and accompanist, and related costs To support fees and salaries of the Balti- panist, and related costs of duñng the 1989-90 season, more Symphony Chorus’s singers, master Louis Symphony Chorus during the 1989­ and voice teachers, accompanist, chorus 90 season. Handel & Haydn Society director, and general manager in 1989-90. Boston, MA $16,000 San Francisco Symphony To support, in the 1989-90 season, fees Choral Arts Society of Philadelphia San Francisco, CA $17,500 for singers, vocal soloists, guest conduc- Philadelphia, PA $18,000 To support fees for the singers of the San tots, accompanist, and the salary of the To support in 1989-90 increased fees for Francisco Symphony Choms in 1989-90. assistant conductor, the artistic director, assistant conductor and accompanist; singers’ and vocal Other Choruses with Three or Fewer Music of the Baroque Concert Series soloists’ lees; a marketing manager’s Paid Singers Chicago, IL $25,000 salary; and ah outreach program for TF: $25,000 Philadelphia high school students. To support in 1989-90 singers’ and vocal Cantata Singers, Inc. soloists’ fees, artistic and administrative Los Angeles Master Chorale Cambridge, MA $6,000 expenses related to a series of run-out Association To support fees for vocal soloists, ah concerts to Evanston and River Forest, Los Angeles, CA $11,500 improved salary for the manager and Illinois, and ah educational outreach To support singers’ fees in 1989-90. music director, and an assistant manager’s program, fee during the 1989-90 season. Milwaukee Symphony Orchestra, Inc. Musiea Sacra, Ine. Milwaukee, WI Choral Arts So¢iety of Washington New York, NY $29,000 $16,500 To support singers’ and vocal soloists’ To support the Milwaukee Symphony Washington, DC $4,000 Choms management staff salaries in 1989- To support soloists’ fees in 1989-90. fees in 1989-90. 90, an increase in salary for the chorus Orchestral Association director, and singers’ fees. Cincinnati Musical Festival Association Chicago, IL $25,000 Cincinnati, OH $3,000 TF: $25,000 Minnesota Chorale To support fees in 1989-90 for the director To support the fees of the singers of the Minneapolis, MN $13,000 of choruses, assistant chorus director, Chicago Symphony Chorus in 1989-90. To support increases in the number of accompanist, vocal soloists, and guest singers, singers’ fees, and the salary of conductors of the May Festival Chorus. Philadelphia Singers the executive director in 1989-90. Philadelphia, PA $6,500 Columbus Symphony Orchestra, Inc. To support in 1989-90 singers’ and vocal National Choral Foundation, Inc. Columbus, OH $3,000 soloists’ fees, a guest conductor’s fee, Washington, DC $15,000 To support improved salafies in 1989-90 increases in artistic and adminisl!ative To support in 1989-90 the music director’s for the director and accompanist of the staff salañes, and increased marketing salary and fees for singers in the Paul Columbus Symphony Orchestra Chorus expenses. Hill Chorale. and vocal soloists’ fees.

137 Dallas Symphony Association, Inc. Robert W. Woodruff Arts Center, Inc. American Composers Orchestra, Inc. Dallas, TX $4,000 Atlanta, GA $10,000 New York, NY $35,000 To support an increase in salary for the To support artistic staff salaries and relatedTo support artistic fees for additional assistant chorus director and accompanist administrative expenses for educational rehearsal time, the engagement of Ameri­ and the salary of a choms manager for classes for the Atlanta Symphony Orches­ tra Chorus in the 1989-90 season. can conductors and soloists, and market­ the Dallas Symphony Chorus. ing and promotion expenses. Denver Symphony Association San Francisco Girls Chorus, Inc. San Francisco, CA $10,000 American Symphony Orchestra, Inc. Denver, CO $3,000 To support in 1989-90 master teachers’ To support in 1989-90 salaries for the and soloists’ fees. New York, NY $28,000 assistant conductor and chorus manager To support the 1989-90 subscription series of the Denver Symphony Orchestra *Committed only. These funds will be of concerts in Camegie Hall. Choms. obligated in Fiscal 1990. Anchorage Symphony Orchestra Emerald City Arts Services to the Field Anchorage, AK Seattle, WA $4,000 $5,000 To support in 1989-90 an increase in salary To support the 1989-90 season activities, Chorus America Association of including engagement of a music director, for the music director and accompanist, Professional Vocal Ensembles and the salary fora sign language inter- Philadelphia, PA $15,000 musicians, and guest artists; touring of preter for the Seattle Men’s Chorus to To support in 1989-90 the continuation of the full orchestra and small ensembles; convey language to heañng-impaired in one-day choral management seminars be and community outreach programs. the audience, held regionally throughout the United States, and to support a national choral Ann Arbor Symphony Orchestra, Inc. Glen Ellyn Chíldren’s Chorus survey. Ann Arbor, MI Glen Ellyn, IL $3,000 $7,000 To support an educational program fo­ To support in 1989-90 the salary of a Orchestras concert manager, conductor, and cused on the development and perform­ accompanist, To improve artistic quality and manage­ ance of Paul Hindemith’s Building a City, ment of orchestras in all sections of featuring the winner of the annual youth the country ; encourage orchestras to soloist competition. Musical Arts Association, The broaden their repertoires to include not Cleveland Orchestra only works of many historical periods, but Cleveland, OH $9,000 particularly music ofour time with ah Arkansas Orchestra Society, Inc. To support in 1989-90 the salaries of the emphasis on American works; provide Little Rock, AR $13,000 director and accompanist of the Cleveland professional opportunitiesfor American To support the 1989-90 educational serv­ Orchestra Chorus and master teachers’/ artists and conductors; and encourage ices of the stñng quartet and woodwind coaches’ fees and expenses, orchestras to increase and educate their trio, additional rehearsal time, and expan- audiences and serve the larger community, sion of the music library. Northwest Girl Choir Seattle, WA $4,400 183 Grants To support in 1989-90 the salary of a part- Program Funds: $6,353,949 Austin Symphony Orchestra Society, time financial/business manager. Treasury Funds: $2,901,051 Inc. Artistie and Administrative Activities Austín, TX $30,000 Oregon Repertory Singers To support the 1989-90 subscription señes Portland, OR $10,000 Alabama Symphony Associatian of concerts and the engagement of a To support increases in the salañes of the music director, guest artists, and string music director, accompanist, and admin­Birmingham, AL $40,000 To support the classical subscription seriesprincipals. istrator in 1989-90. for the 1989-90 season. Portland Symphonic Choir Albany Symphony Orchestra, Inc. Baltimore Symphony Orchestra Portland, OR $4,000 Albany, NY $35,000 Association, Inc. To support in 1989-90 costs associated To support the 1989-90 classical subscrip- Balfimore, MD $120,000 with an expanded audience development tion series of concerts in Albany, New TF: $100,000 project, soloists’ fees, anda financial York and repeat performances in Troy, To support the 1989-90 Celebrity and consultant’s fee. New York. Favorites Series.

138 MUSIC

Baton Rouge Symphony Association Buffalo Philharmonic Orchestra Chicago Chamber Orchestra Baton Rouge, LA $12,000 Society, Inc. Association To support the engagement of a full-time Buffalo, NY $100,000 Chicago, IL $3,000 string quartet to perform withthe orchestra TF: $50,000 To support addítional rehearsal time and and provide services in schools, and To support Live Sessions at UB, run-out engagement of a concertmaster and other human development programs, and con- concerts, educational programs in arca principal musicians. certs for disabled and disadvantaged schools, and radio broadcasts of the 1989­ citizens in southem Louisiana. 90 subscription series concerts. Chicago String Ensemble Chicago, IL $3,000 Bay Area Women’s Philharmonic Canton Symphony To support the preparation and perform- San Francisco, CA $8,000 Orchestra Association ance of an American music concert To support salaries of musicians anda featuring the Chicago Brass Quintet. conductor for the performance of sub- Canton, OH $25,000 scription concerts and rehearsals. To support the string quartet, brass and woodwind quintets, and percussion Cineinnati Symphony Orehestra ensembles. Cincinnati, 014 $120,000 Berkeley Symphony Orehestra TF: $100,000 Berkeley, CA $3,000 To support the 1989-90 subscription señes To support marketing and promotional Cape Cod Symphony Orchestra of concerts. costs. Association, Inc. Osterville, MA $3,000 Colorado Springs Symphony Orchestra Billings Symphony Orchestra Society To support increased remuneration for Asso¢iation Billings, MT $3,000 orchestra musicians. Colorado Springs, CO $20,000 To support a duo piano concert in the To support youth concerts and the salaries 1989-90 subscription series and related Cathedral Concert Series of orchestra musicians. costs. Newark, NJ $4,000 To support the 1989-90 subscription series Columbus Symphony Orchestra, Ine. Binghamton Symphony and Choral in the Cathedral of the Sacred Heart. Soeiety, Inc. Columbus, OH $100,000 Binghamton, NY $10,000 TF: $25,000 To support musicians’ salades for the Cedar Rapids Symphony Orehestra To support full orchestra and ensemble 1989-90 subscription concerts and in Association, Inc. concerts for students, the Symphony Edu­ school ensembles and the engagement of Cedar Rapids, lA $18,000 cation and Audience Training in Schools a part-time educational coordinator. To support salafies of the string quartet program; employment of educational staff, for services and orchestra run-out concerts educational materials, lollipop concerts, Boise Philharmonic Association, Inc. to rural communities, anda children’s chorus. Boise, ID $8,000 To support broadcasts of the orchestra’s Champaign-Urbana Symphony Concerto Soloists of Philadelphia performances, the issuance of discounted Champaign, IL $4,000 Philadelphia, PA $42,000 tickets to students, and young people’s To support the 1989-90 season’s artistic To support sala_des of core musicians and concerts, and administrative activities, a music director. Boston Symphony Orchestra, Inc. Charleston Symphony Orchestra Dallas Symphony Association, Inc. Boston, MA $156,000 Dallas, TX $100,000 TF: $130,000Charleston, SC $15,000 TF: $70,000 To support the 1989-90 subscription season To support the employment of a develop- To support the 1989-90 main subscription in Symphony Hall. ment assistant, concerts for develop- señes, the summer Discovery series, mentally handicapped persons in SuperPops, and community outreach Brooklyn Philharmonic Symphony cooperation with the Department of services. Orchestra, Inc. Mental Retardation, and the in-school Brooklyn, NY $45,000 program in public schools. Dayton Philharmonic Orchestra TF: $10,000 Association To support the "Command Performance" Chariotte Symphony Orchestra Society, Dayton, OH $42,000 series, rehearsal time for the "Meet the Inc. To support a chamber music series, full Moderas" series, family and community Charlotte, NC $40,000 orchestra and ensemble concerts for young outreach concerts, free student concerts, To support educational and run-out people, and outreach and community and free summer park concerts, concerts, concerts. 139 Dayton Philharmonic Orchestra Erie Philharmonic, Inc. Florida Symphony Orchestra, Inc. Association Erie, PA $4,000 Orlando, FL $40,000 Dayton, OH TF: $10,000’* To support additional rehearsal time, To support extra rehearsal time, engage- engagement of Amefican soloists, and Delaware Symphony Association issuance of díscounted tickets for studentsment of guest artists and conductors on Wilmington, DE $18,000 the Masterworks series, solo performances To support the 1989-90 Southern Delaware and senior citizens, in the Masterworks and Chamber Music series of concerts and in-school concerts, series by the orchestra’s musicians, and Evansville P~ilharmonic Orchestrai the Contemporary Music Festival. Denver Chamber Orchestra Corporation Denver, CO $3,000 Evansville, IN $20,000 Florida West Coast Music, Inc. To support the American Music Festival To support the engagement of American Sarasota, FL $6,000 held during American Musíc Week, artists and conductors, youth concerts, To support salaries of core orchestra November 1989. and expansion of outreach activities by musicians anda harpist, who serve as Philharmonic Chamber Players. Des Moines Symphony Association principal, co-principal, and assistant prin- $20,000 cipal players in the orchestra andas Des Moines, IA Fairbanks Symphony Association, Inc. teachers for youth orchestra programs. To support the 1989-90 subscription series Fakbanks, AK $9,000 ofconcerts. To support the engagement of guest Fort Wayne Philharmonic Orchestra, Detroit Symphony Orchestra, Inc. conductors and artists and touring of the Inc. Detroit, MI $100,000 Arctic Chamber Orchestra. Ft. Wayne, IN $45,000 TF: 70,000** To support the employment of principal To support the 1989-90 downtown series Fairfax County Symphony Orehestra orchestra musicians and related costs. and the summer series at Meadow Brook, McLean, VA $12,000 additional rehearsal time, and additional To support additional rehearsal time, the Fort Worth Symphony Orchestra costs incurred for the performance of "Classic Encounters" series, and "SimplyAssociation, Inc. American music. Symphonic" ensemble concerts. Ft. Worth, TX $60,000 Duluth-Superior Symphony TF: $20,000 Fairtield Chamber Orchestra, Inc. To support touring of the Fort Worth Association Southport, CT $3,000 Duluth, MN $12,000 To support additional rehearsal time for Chamber orchestra and educational To support additional rehearsal time for the preparation of contemporary and concerts. the preparation of a commissioned work commissioned works, engagement of and other new works, expansion of cham- additional musicians for larger scale Fresno Philharmoníc Association ber ensemble "informances," and chamberworks, and increased remuneration for Fresno, CA $6,000 orchestra concerts, principal players. To support the employment of a publicity Eastern Coanecticut Symphony, Inc. director. New London, CT $3,000 Fargo-Moorhead Orchestral To support music-in-the-schools programsAssociation Grand Rapids Symphony Society for pre-kindergarten through eighth grade Fargo, ND $5,000 Grand Rapids, MI $60,000 students. To support the subscñption señes, chato­ TF: $20,000 ber, and educational concerts during the To support salaries of core musicians and El Paso Symphony Orchestra 1989-90 season, related expenses. Association El Paso, TX $8,000 Flint Institute of Music Greater Akron Musical Association, To support the 1989-90 subscription series, Flint, MI $7,000 Inc. a free concert at Chamizal National Park, To support the Flint Symphony Orchestra’sAkron, OH $13,000 and youth concerts, school concerts and a Sunday matinee To support the engagement of an assistant Eigin Symphony Orchestra Associationseries for families and senior citizens, conductor, hall rental costs, guest artists’ Elgin, IL $4,000 fees, and printing of program brochures To support the engagement of an additionalFlorida Orchestra, In¢. for the subscription señes. cello player anda principal harpist, Tampa, FL $40,000 increased remuneration for musicians, To support the 1989-90 season activities, Greensboro Symphony Society, Inc. Young People’s Concerts, and costs including the classical, pops, and Chato-Greensboro, NC $7,000 associated with the run-out series in pagne series; youth and family concerts; To support the In-School Ensemble Schaumburg, Illinois. and free outdoor park concerts. Program. 140 MUSIC

Greenville Symphony Association Indiana State Symphony Society, Inc. Lexington Philharmonic Society, Inc. Greenville, SC $4,000 Indianapolis, IN TF: $100,000~" Lexington, KY $10,000 To support the Winter Music Festival in To support chamber orchestra and young the 1989-90 season. Island Philharmonic Society, Inc. people’s concerts. Melville, NY $20,000 Handel & Haydn Society To support additional rehearsal time for subscription programs. Lincoln Symphony Orchestra Boston, MA $10,000 Association To support orchestra musicians’ fees for performances in the 1989-90 season. Jackson Symphany Orchestra Lincoln, NE $6,000 Association To support the continuation and expansion Jackson, MI $3,000 of the Young People’s Concert señes and Harrisburg Symphony Association engagement of a string quartet. Harrisburg, PA $8,000 To support expansion of the concert series To support increased remuneration for and employment of additional string first violin section musicians, musicians, and related costs. Lang Beach Symphony Association Long Beach, CA $30,000 Jacksonville Symphony Association To support musicians’ salaries. Hoboken Chamber Orchestra Jacksonville, FL $15,000 Hoboken, NJ $3,1300 To support the Mozart Festival and per- To support the 1989-90 subscription series formances of a new work by composer Los Angeles Chamber Orchestra in Demarest Auditoñum and increased . Society, Inc. remuneration for principal players. Los Angeles, CA $40,000 Johnstown Municipal Symphony TI:: $10,000 Honolulu Symphony Society Orchestra To support additional rehearsal time for Honolulu, HI $60,000 Johnstown, PA $3,000 the preparation of new works and the TF: $32,000 To support a string rehearsal and the engagement of American artists. To support the 1989-90 subscription series, engagement of additional string musi- Starlight Pops señes, educational ensemblecians, as well as related costs. Los Angeles Philharmonic Association performances on the island of Oahu, and statewide touring to neighboring HawaiianKalarnazoo Symphony Society, Inc. Los Angeles, CA $156,000 islands. Kalamazoo, MI $12,000 TF: $130,000’ To support full orchestra concerts, a To support the 1989-90 winter season Houston Symphony Society collaborative performance of the Nut- activities. Houston, TX $100,000 cracker Ballet with the Kalamazoo Ballet TF: $90,000 Company, anda composer and rninofity Louisville Orchestra, Inc. To support the 1989-90 winter subscription artist in residency program. Louisville, KY $45,000 señes and the Miller Outdoor Theatre TF: $15,000 concerts. Kansas City Symphony To support the presentation of the Kansas City, MO $45,000 MasterWorks and Coffee Concert Series. Hudson Valley Philharmonic Society, To support the 1989-90 season activities. Inc. Knoxville Symphony Society, Inc. Macon Symphony Orchestra, Inc. Poughkeepsie, NY $30,000 Knoxville, TN $28,000 Macon, GA $5,000 To support increased remuneration for To support the continued engagement of To support additional rehearsal time for musicians and guest artists and the en­ core orchestra musicians, the preparation and performance of Amer­ gagement of a director of volunteers, ican music and engagement of American Lansing Symphony Association, Inc. artists. Indian Hill Arts, Inc. Lansing, MI $13,000 Littleton, MA $3,000 To support the presentation of contempo- Marin Symphony Association To support the 1989-90 season activities rary and American music, artists, and of the Indian Hill Symphony. San Rafael, CA $13,000 composers, the chamber music and pops To support rehearsal costs for the prepara­ concert señes, and educational and out- tion of a new work and the engagement Indiana State Symphony Soeiety, Ine. reach activities. Indianapolis, IN $100,000 of guest conductors anda pianist. TF: $70,000 Lehigh Valley Chamber Orchestra To support a mini-series featuring music Lehigh Valley, PA $3,000 Maryland Symphony Orchestra, Inc. of the classical period, a summer series in To support increased remuneration for Hagerstown, MD $4,000 Circle Theatre, and promotional activities, principal musicians. To support the 1989-90 concert season.

141 Memphis Orchestral Society, Inc. Napa Valley Symphony Association, New Orchestra of Westchester, Inc. Mcmphis, TN $45,000 Inc. Hartsdale, NY $12,000 TI:: $10,000 Napa, CA $4,000 To support a festival anda To support salañes of coro orchestra To support incrcascd remuncration for biccntcnnial commcmoration of the French musicians, musicians. Revolution, featuring works by French composers for orchestra, ensembles, and Nassau Symphony Society, Inc. Milwaukee Symphony Orchestra, Inc. Garden City, NY $4,000voice. Milwaukee, WI $100,000 To support improvement of the artistic New Orleans Philharmonic Symphony TF: $75,000’ quality of the classical sedes, including Society To support the 1989-90 subscription series, employment of additional musicians, youth concerts, and Wisconsin tours and increase in their pay scale, and engage- New Orleans, LA $50,000 run-out concerts, To support educational concerts, Saturday ment of guest soloists. moming concerts for families, and run- Minneapolis Chamber Symphony, Inc. National Chamber Orchestra Society, out concerts. Minneapolis, MN $5,000 Inc. To support the 1989-90 Community Con­ Rockville, MD $3,000 North Carolina Symphony Society, Inc. cert Señes. To support additional rehearsal time for Raleigh, NC $95,000 the performance of contemporary Ameri­ TF: $15,000 can works. To support full orchestra educational Minnesota Orchestral Association, The concerts and the performance of new Minneapolis Symphony Orchestra National Symphony Orchestra American music. Minneapolís, MN $156,000 Association of Washington, D.C. TF: $130,000’ Washington, DC $120,000 Ohio Chamber Orchestra Society To support the 1989-90 season activities. TF: $100,000 Cleveland, OH $10,000 To support the 1989-90 subscription To support the expansion of the concert Minnesota Orchestra Association, The concerts, señes to atea locations. Minneapolis Symphony Orchestra Minneapolis, MN Nebraska Chamber Orchestra Omaha Symphony Association TF: $100,000’* Lincoln, NE $3,000 To support the employment of a full-time Omaha, NE $40,000 Modesto Symphony Orchestra manager. TF: $10,000 Modesto, CA $4,000 To support educational and outreach To support educational outreach to the New Hampshire Symphony Orchestra activitíes. Hispanic community. Manchester, NH $13,000 To support the 1989-90 subscription señes, Orchestra of Santa Fe, Inc. Monterey County Symphony run-out concerts, concert series in Keene Santa Fe, NM $3,000 Association, Inc. and Portsmouth, New Hampshire, and To support the engagement of a guest summer pops concerts, artist, rehearsal and performance costs Carmel, CA $10,000 associated with the presentation of a con­ To support the employment of a general New Haven Symphony Orchestra, Inc. manager. temporary American work, anda free New Haven, CT $40,000 public concert. To support the 1989-90 winter season Music of the Baroque Concert Series performances and young people’s Orchestral Association Chicago, IL $10,000 concerts. Chicago, IL $156,000 To support orchestra musicians’ salañes New Jersey Symphony Orc~estra TF: $130,000 and instrumental soloists’ fees and the To support the 1989-90 subscription series educational outreach program. Newark, NJ $88,000 TF: $30,000 in Orchestra Hall. To support the education program anda Musical Arts Association, The Holiday Family Concert. Oregon Symphony Association Cleveland Orchestra Portland, OR $100,000 Cleveland, OH $156,000 New Mexico Symphony Orchestra TF: $25,000 TF: $130,000 Albuquerque, NM $45,000 To support the"Symphony Sunday" series, To support the 1989-90 educational con- TF: $15,000 the "Music for Youth" series, the "Kids certs for students and daytime concerts at To support the educational outreach Concerts" series, and the engagement of reduced prices, program and statewide touring, administrative personnel.

142 MUSIC

Orpheon, Inc. Philadelphia Orchestra Association Pro Arte Chamber Orchestra of Ncw York, NY $10,000 Philadelphia, PA TI:: $110,000’* Boston, Inc. To support the 1989-90 season’s artistic Boston, MA $7,000 and administrative activities. Philharmonia Baroque Orchestra of To support costs associated with the the West performance of a prcmiere work during Orpheus Chamber Ensemble, Inc. San Francisco, CA $18,000 American Music Week. New York, NY $45,000 To support the presentation of Handel’s TF: $10,000 Susanna and associated artistic and Pro Musica Chamber Orchestra of To support the 1989-90 administrative costs. señes anda satellite series in other U.S. Columbus, Inc. communities. Philharmonia Virtuosi Corporation Columbus, OH $4,000 Dobbs Ferry, NY $12,000 To support the employment of additional Owensboro Symphony Orchestra, Inc. To support the 1989-90 subscription series full-time administrative personnel. Owensboro, KY $3,000 and the marketing of these concerts in To support the Consortium Chairs several locations in New York. Puerto Rico Symphony Orchestra program. Corporation Philharmonic Orchestra of Florida, Santurce, PR $25,000 Pacific Symphony Orchestra Inc. To support the presentation of concerts at Association Ft. Lauderdale, FL $40,000 the University of Puerto Rico, pops run- Santa Ana, CA $41,000 To support the orchestra’s administrative out concerts, educational concerts for To support the engagement of a principal and artistic activities in the 1989-90 guest conductor/music advisor, young low-income and culturally depñved stu­ American conductors, and guest artists; season, dents, and the issuance of discounted tickets to special constituencies. rehearsal costs; anda Chamber Concert Philharmonic Society of Northeastern Series. Pennsylvania Queens Symp~ony Orchestra, Inc. Palmetto State Orchestra Association, Avoca, PA $23,000 Rego Park, NY $25,000 Inc. To support the preparation for the per- To support the Masterworks Concert Columbia, SC $5,000 formance of a commissioned work for Series. To support employment of a part-time chorus and orchestra by Bemard Rands. assistant conductor, expansion of the Philharmonic-Symphony Society of Redlands Symphony Association subscription series and chamber series, Redlands Winter Concert Association and promotional costs associated with the New York, Inc. New York, NY $85,949 Redlands, CA $3,000 performance of contemporary Ameñcan To support additional rehearsal time for music. TF: $200,051 To support the engagement of American the Redlands Symphony. Pasadena Symphony Association artists and the performance of American Pasadena, CA $25,000 repertoire; collaborative educational Rhode Island Philharmonic Orchestra To support the 1989-90 season activities, programs; and outdoor classical concerts Providence, RI $15,000 including the Saturday evening subscrip-in the New York City boroughs, Long To support the educational program of tion concerts. Island, and Westchester County. concerts and related costs.

Peoria Symphony Orchestra Phoenix Symphony Association Richmond Symphony Peoria, IL $4,000 Phoenix, AZ TF: $115,000 Richmond, VA $25,000 To support the employment of a full-time To support the 1989-90 Classic Series. To support core orchestra musicians’ administrative assistant and part-time salaries for additional services. accountant, ensemble performances, and Pittsburgh Symphony Society the Sunday Brunch Chamber señes. Pittsburgh, PA $120,000 TF: $100,000 Robert W. Woodruff Arts Center, Inc. Philadelphia Orchestra Association To support the 1989-90 subscription señes. Atlanta, GA $120,000 Philadelphia, PA $156,000 TF: $100,000 TF: $130,000 Portland Maine Symphony Orchestra To support the Atlanta Symphony Orches- To support subscription concerts, chamber Portland, ME $40,000 tra’s presentation of American artists, music concerts, free "Orchestra Insights" To support the Classical Subscription regional touring, and educational pro- lectures and "Composer Encounter" Series and the preceding Opening Night gram; and the costs associated with the discussions for the public, and educationalConcert, including costs associated with preparation and performance of commis­ programs for students and young adults, the Pre-Concert Lecture Series. sioned works. 143 Rochester Civic Music San Jose Symphony Association Springfield Symphony Orchestra Rochester, MN $5,000 San Jose, CA $45,000 Spdngfield, IL $15,000 To support the orchestra’s 70th anniver- TF: $15,000’ To support additional rehearsals, the sary season, engagement of Amedcan To support the 1989-90 Masterworks engagement of guest artists, and expansion guest artists, a repeat Young People’s subscfiption concerts, of the Bloomington-Normal sedes. concert, and an audience development program. Santa Barbara Symphony Orchestra St. Luke’s Chamber Ensemble, Inc. Association New York, NY $13,000 Santa Barbara, CA $12,000 To support the 1989-90 Carnegie Hall Rochester Philharmoníc Orchestra, To support the Sunday Matinee Sedes. Inc. concert sedes. Rochester, NY $100,000 Santa Rosa Symphony Association TF: $75,000 Santa Rosa, CA $6,000 Stamford Symphony Orchestra, Inc. To support the 1989-90 subscdption señes To support the employment of a public Stamford, CT $5,000 and educational, park, and run-out relations/marketing director. To support a pops sedes, the "Síngles concerts. Series," in-school concerts, "Kids on Savannah Symphony Society, Inc. Stage," and related administrative Sacramento Symphony Association Savannah, GA $15,000 expenses. Sacramento, CA $25,000 To support the engagement of an additional To support the 1989-90 Classical Sedes, full-time musician, a black American Symphonic and Chamber Music the summer season, and the Northem guest artist, and a full-time education andSociety of Las Vegas Califomia Outreach Program. publication coordinator; costs associated Las Vegas, NV $3,000 with the expansion of audition sites; andTo support young people’s concerts, the Saginaw Symphony Association ensembles in the schools, promotion and performance of contempo- Saginaw, MI $7,000 rary Ameñcan musíc, and the presenta- Seattle Symphony Orchestra, lnc. tion of Amedcan soloists. To support the engagement of principal Seattle, WA $100,000 stñng players anda pñncipal oboist. TF: $40,000 Symphony Society of Greater Hartford, To support musicians’ salaries and related Saint Louis Symphony Society costs for the Masterpiece Sedes duñng Inc. St. Louis, MO $156,000 the 1989-90 season. Hartford, CT $45,000 TF: $130,000 To support charnber orchestra services for To support the 1989-90 symphonic series Shreveport Symphony Society core musicians, the engagement of Amer- Shreveport, LA $15,000 ican guest artists and conductors, Discov- with pre-concert lectures, the Chamber ery Concert programs for youth, and the Music St. Louis sedes, and the Discovery To support community and educational outreach concerts, in-school concerts by issuance of free tickets to high school series, full orchestra and ensembles, and special students. concerts for institutionalized populations. Saint Paul Chamber Orchestra Society Symphony Society of San Antonio St. Paul, MN $100,000 South Dakota Symphony Orchestra San Antonio, TX TF: $75,000 TF: $79,000 Sioux Falls, SD $5,000 To support the classical subscription series To support the Ordway Music Sedes, the To support the engagement of string anda series of educational and outreach Baroque Series, and the Morning Coffee musicians, additional rehearsal time, and programs. Sedes. family concerts. Syracuse Symphony Orchestra, Inc. San Diego Symphony Orchestra Spokane Symphony Orchestra Syracuse, NY $100,000 Association Spokane, WA $15,000 TF: $25,000 San Diego, CA TF: $95,000 To support partial salaries and benefits for To support the 1989-90 season activities. To support the 1989-90 subscription sedes orchestra musicians in the 1989-90 season. and the engagement of an education Springtield Orchestra Association, Inc. Toledo Orchestra Association, Inc. coordinator. Spdugfield, MA $35,000 Toledo, OH $45,000 To support additional rehearsals for the TF: $15,000 San Francisco Symphony preparation of new works, free neighbor- To support a minority outreach program San Francisco, CA $156,000 hood concerts, engagement of ah educa- and the engagement of Amefican guest TF: $130,000 tional coordinator, full orchestra in-schoolartists, conductors, and composers on To support the 1989-90 main subscñption concerts, and expansion of orchestral several of the subscñption concerts, and señes, services, related costs.

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Tucson Symphony Society Wheeling Symphony Society, Inc. Meet the Composer, Inc. Tucson, AZ $15,000 Wheeling, WV $4,000 New York, NY $60,000 To support an education p/rogram and the To support the 1989-90 classical subscñp­ TF: $60,000 engagement of a full-time education tion señes anda composer residency. To support the continuation of composer coordinator, residencies in various symphony Wichita Symphony Society, Inc. orchestras. Tulsa Philharmonic Society, Inc. Wichita, KS $33,000 Tulsa, OK $25,000 To support run-out and tour concerts New World Symphony, Inc. To support salaries and benefits for core throughout Kansas, the engagement of theMiami, FL $40,000 orchestra musicians. Graduate S tring Quartet, and young To support the continuation of the Seaver/ people’s concerts. NEA Conductors Award in 1989-90. Utah Symphony Society Salt Lake City, UT $85,000 Winston-Salem Symphony Association TF: 25,000* Winston-Salem, NC $15,000 Creative Projects To support the 1989-90 season activities. To support additional rehearsal time and the in-school education program. Bay Area Women’s Philharmonic Ventura County Symphony Association San Francisco, CA $8,000 Ventura, CA $10,000 Young Men’s & Young Women’s To support a career development seminar Hebrew Association for emerging Bay Area women composers To support musicians’ salaries. New York, NY $45,000 and reading sessions. To support the engagement of guest artists Vermont Symphony Orchestra for the 1989-90 season of the New York *Committed only. These funds will be Association, Inc. Chamber Symphony. Burlington, VT $20,000 obligated in Fiscal 1990. To support young people’s concerts in Youngstown Symphony Society, Inc. surrounding communities, in-school en- Youngstown, OH $8,000 **Fiscal 1988 grant for which the treasury semble concerts, and the performance of To support the recruitment of quality fund portion was obligated in Fiscal 1989. contemporary American compositions, musicians. Consortium Commissioning and Virginia Symphony Services to the Field Norfolk, VA $24,000 Composer-in-Residence To support salaries and benefits of core Afffliate Artists, Incorporated CONSORTIUM COMMISSIONING grants musicians for subscription and children’s enable consortia of at least three perform­ concerts. New York, NY $100,000 TF: $30,000 ing organizations, solo recitalists, or To support the continuation of the Affiliatepresenting organizations, festivals, radio Waterloo Cedar Falls Symphony Artists/Arts Endowment Conductors and television stations to commission Orchestra Association Program, which involves residencies of and perform new works. The COMPOSER- Waterloo, IA $3,000 young American conductors. IN-RESIDENCE category provides To support additional rehearsal time. support to establish a collaborative American Symphony Orchestra Leagueworking relationship between a composer Waukesha Symphony, Inc. Washington, DC $50,000 and two or more music performing Waukesha, WI $3,000 To support the Orchestra Management organizations which wish to sponsor a To support additional string section re­ Fellowship Program, which involves the residency. hearsals for each subscñption concert, identification, selection, and training of candidates who show potential as general 4 Grants Western Piedmont Symphony managers of symphony orchestras. Program Funds: $225,000 Hickory, NC $3,000 To support the engagement of string American Syinphony Orchestra LeagueConsortium Commissioning musicians to perform as pñncipals with Washington, DC $185,000 the orchestra and provide chamber and To support management seminars, training ensemble services, courses, regional workshops for volunteersMeet the Composer, Inc. and staff, training for conductors, publi- New York, NY $200,000 Westmoreland Symphony Orchestra cations and newsletters, and general To support the Meet the Composer--Lila Greensburg, PA $4,000 informational and consulting services to Wallace-Reader’s Digest Commissioning To support additional rehearsal time. the field. Program.

145 Composer in Residence Broward’s Friends of Chamber Music, Coleman Chamber Music Association Inc. of Pasadena, California Plantation, FL $3,500 Pasadena, CA $4,000 Boston Musíca Viva, lnc. To support artists’ fees and related costs To support artists’ fees and related costs Boston, MA $12,000 for the presentation of chamber music To support a residency with composer for the presentation of chamber music Anthony Davis duñng the 1989-90 season. during the 1989-90 season, during the 1989-90 season. Buffalo Fine Arts Academy Composers Guild of New Jersey, Inc. San Francisco Contemporary Music Buffalo, NY $7,000 Ship Bottom, NJ $4,500 Players To support artists’ fees and related costs To support artists’ lees for the presentation San Francisco, CA $8,000 for a new music concert series duñng the of new music duñng the 1989-90 season. To support a residency of Harvey Sollber- 1989-90 season. ger during the 1989-90 season. Composers, Inc. Chamber Music Chicago Fremont, CA $5,200 Virtuosi della Rosa, Inc. Chicago, IL $7,000 To support artists’ fees for a new music Portland, OR $5,000 To support artists’ lees and related costs concert series during the 1989-90 season. To support a residency with Leroy Jenkins for the "Dejavant 1989." during the 1989-90 season. Contemporary Arts Center, Cincinnati Chamber Music In Yellow Springs, Cincinnati, OH $7,000 Chamber/New Music Presenters Inc. To support artists’ fees and related costs Yellow Springs, OH $4,000 for a series of new music concerts during To enable music presenting organizations To support artists’ fees and related costs the 1989-90 season. and music festivals to present chamber fora chamber music residency during misic and recen@ composed music--with 1989. ah emphasis on American music--of the Creative Time, Inc. highest artistic level and ofnational or New York, NY $7,000 regional significance. Chamber Music Northwest, Inc. To support artists’ fees and related costs Poa.land, OR $14,500 for the presentation of new music duñng To support artists’ lees and related costs the 1989-90 season. 61 Grants for Chamber Music Northwest’s annual Program Funds: $354,000 festival season during 1989. Cunningham Dance Foundation, Inc. New York, NY $5,000 Bang On A Can, Inc. Chamber Music Society of Central To support musicians’ fees and related New York, NY $3,500 Kentucky, Inc. costs for the music component of a series To support artists’ lees and related costs Lexington, KY $3,500 of EVENT performances during the 1989­ for the "Bang On A Can Festival" during To support the presentation of chamber 90 season. 1989. music during the 1989-90 season. Dance Theater Workshop, Inc. Bay Chamber Concerts Chamber Music Society of St. Cloud, New York, NY $6,000 Camden, ME $4,000 Inc. To support artists’ lees and related costs To support artists’ fees and related costs St. Cloud, MN $2,000 for the presentation of new music concerts for the presentation of chamber music To support artists’ lees and related costs duñng the 1989-90 season. during the 1989-90 season, fora chamber music señes during the 1989-90 season. Elaine Summers Experimental Boise State University Intermedia Foundation, Inc. Boise, ID $4,000 Chamber Music Society of Utica, Inc. New York, NY $4,500 To support artists’ fees and related costs Clinton, NY $3,500 To support artists’ fees and related costs for the Boise Chamber Music Señes To support artists’ fees and related costs for the presentation of ah experimental duñng the 1989-90 season, fora chamber music concert series duringmusic series during the 1989-90 season. the 1989-90 season. Bowdoin College Grand Canyon Chamber Music Brunswick, ME $5,003 City Celebration, Inc. Festival, Inc. To support artists’ fees and related costs San Francisco, CA $4,000 Grand Canyon, AZ $6,000 for the presentation of chamber music andTo support artists’ fees and related costs To support artists’ fees and related costs new music during the 1989 Bowdoin for the Annual World Drum Festival fora chamber music/new music concert Stmuner Music Festival. during 1989. series during the 1989-90 season. 146 MUSIC

Hallwalis, Inc. Mostly Music, Inc. Renaissance and Baroque Society of Buffalo, NY $9,000 Chicago, IL $8,500 Pittsburgh To support artists’ fees and related costs To support artists’ fees and related costs Pittsburgh, PA $4,200 for the presentation of new music duñng for the presentation of chamber music To support a half-time manager’s salary the 1989-90 season, concerts during the 1989-90 season, during the 1989-90 season. improvisational musíc co., inc. Museum Associates Rensselaer Polytechnic Institute Allentown, PA $5,600 Los Angeles, CA To support artists’ lees and related costs $16,000 Troy, NY $4,000 for a new music concert señes during To support artists’ fees and related costs To support artists’ lees and related costs 1989-90. for the Monday Eveníng Concert Series for new music concerts in the Electronic duñng the 1989-90 season. Arts Performance Series duñng the 1989­ Independent Composers Association 90 season. Los Angeles, CA $4,400 Music at Gretna, Inc. To support artists’ fees and related costs Mt, Gretna, PA $5,000 Res Musica Baltimore, Inc. for the prcs¢ntation of new music dufing To support artists’ fecs and rclated costs Baltimore, MD $9,000 the 1989-90 season, for residencies and chamber music con­ To support artists’ fees and related costs certs duñng the 1989-90 season, fora series of contemporary music con­ Intermedia Arts of Minnesota, Inc. c~rts duñng the 1989-90 season. Minneapolis, MN $4,000 Music in Deerfield, Inc. To support artists’ fees and related costs Deeníeld, MA $4,000 Research Foundation of State for the presentation of new music during To support artists’ fees and related costs the 1989-90 season, University of New York for the presentation of chamber music Albany, NY $4,000 during the 1989-90 season. 80 Langton Street, Inc. To support artists’ fees and related costs San Francisco, CA $9,500 for the North American New Music Musica de Camara, Inc. Festival during 1990. To support artists’ fees and related costs New York, NY $4,000 for experimental new music concerts by To support artists’ fees and related costs composer-performers during the 1989-90 for chamber music concerts during the Roanoke Valley Chamber Music season. 1989.-90 season. Society, Inc. Roanoke, VA $4,000 Los Angeles Contemporary To support artists’ fees and related costs Exhibitions, Inc. New Music Circle for a chamber music concert series during Los Angeles, CA $6,000 St. Louis, MO $5,000 1989-90. To support artists’ lees and related costs To support artists’ lees and related costs for the presentation of new music duñng fora new music concert series during the the 1989-90 season. 1989-90 season. Robert W. Woodruff Arts Center, Inc. Atlanta, GA $4,000 Maverick Concerts, Inc. Newberry Library To support artists’ fees and related costs Woodstock, NY $3,500 Chicago, IL $3,500 for a new music concert señes during the To support artists’ fees and related costs To support artists’ fees and related costs 1989-90 season at the High Museum of for the presentation of chamber music for the presentation of ah early music Art. during the 1989-90 season, concert series during the 1989-90 season. Rockport Chamber Music Festival, Minnesota Composers Forum Performance Space 122, Inc. Inc. St. Paul, MN $11,000 Rockport, MA $4,000 To support artists’ fees and related costs New York, NY $4,000 for the presentation of new music by To support artists’ fees and related costs To support artists’ fees and related costs American composers during the 1989-90 for the presentation of new music during for the 1989 Rockport Chamber Music season, the 1989-90 season. Festival. Mohawk Trail Concerts, Inc. Pyramid Arts Center, Inc. Roulette Intermedium, Inc. Greenfield, MA $5,000 Rochester, NY $4,000 New York, NY $11,000 To support artists’ fees and related costs To support artists’ fees and related costs To support artists’ fees and related costs for a chamber music/new music series for the presentation of new music during for the presentation of new music during during the 1989-90 season, the 1989-90 season, the 1989-90 season. 147 San Francisco Conservatory of Music, University of North Texas Arts Festival Association of Atlanta, Inc. Denton, TX $4,500 Inc, San Francisco, CA $4,500 To support artists’ fees and related costs Atlanta, GA $9,150 To support artists’ fees and related costs for an expeñmental music señes duñng To support the fall 1989 presentation of for Chamber Music West duñng the 1989- the 1989-90 season of the Center for Terri Lynne Carrington in a concert with a 90 season. Experimental Music and Intermedia. quartet and conducting a workshop- master class. Santa Fe Chamber Music Festival, Ltd. Washington Project for the Arts, Inc. $23,500 Washington, DC $3,500 Santa Fe, NM To support artists’ fees and related costs ArtsCente~" To support artists’ fees and related costs for the presentation of new music duñng Carrboro, NC $8,150 for the Santa Fe Chamber Music Festival the 1989-90 season. To support the 1989-90 señes of concerts during the 1989-90 season, and workshops, presenting national artists Western Michigan University and local musicians. Sarah Johnson & Friends Kalamazoo, MI $5,000 Charleston, SC $3,500 To support artists’ lees and related costs To support artists’ lees and related costs Associated Students of the University fora residency by the Arden Trio dudng of California for a chamber music series during the the 1989-90 season. 1989-90 sea.son. Berkeley, CA $5,750 Yellow Barn To support artists’ lees and related travel, Seattle Chamber Music Festival Putney, VI" $4,000 promotion, and production costs for the Seattle, WA $4,000 To support artists’ lees fora chamber annualjazz festival in April 1989. To support artists’ fees and related costs music residency dudng the 1989-90 for the presentation of chamber music season. Ball State University during the 1989-90 season. Muncie, IN $4,500 Jazz Presenters To support expansion of the Art of Jazz señes for 1989-90 by the presentation of a Society for Chamber Music in To assist organizations of the highest Rochester, Ine. artistic level in presenting jazz artists and national ensemble. Rochester, NY $7,000 ensembles. To support artists’ fees and related costs Board of Trustees of the University of for the Baroque Festival duñng the 1989- 60 Grants Illinois 90 season. Program Funds: $734,500 Chicago, IL $5,500 To support the 1989 UIC Jazz Festival Snn City Fine Arts Society, Inc. Jazz Presenters presentations of Joe Williams, the Modero Sun City, AZ $4,000 Jazz Quartet, and local artists and To support artists’ fees and related costs Mrikan Poetry Theatre, lnc. ensembles. for a chamber music señes during the Jamaica, NY $6,250 1989-90 season. For "Meet the Composer," a 1989-90 Central Pennsylvania Friends of Jazz sedes of lecture-demonstrations, audience Harñsburg, PA $12,000 Syracuse Society for New Muslo, Inc. discussions, and composer-performers leading their ensembles in concert. For the ninth annual festival of public Syracuse, NY $10,600 concerts and student clinics featuring local To support artists’ fees and related costs for the presentation of new music duñng Artists Collective, Inc. ensembles and natíonal artists in June the 1989-90 season. Hartford, CT $25,000 1989. Fora tribute concert concert by the Band honoñng Sarah Vaughan and Charlin Jazz Society, Inc. The.art.re.grup, Inc. for a master jazz series of lectures and San Francisco, CA $5,000 Washington, DC $6,250 To support artists’ fees and related costs performances by Kenny Garrett, Harold For the 1989-90 theme concerts and annual for the presentation of new music during Mabem, and Michael Carvin. lecture/master class sedes devoted to the 1989-90 season. Arts & Humanities Division, West "The Jazz Singer." Virginia Department of Culture and Theater Artaud Hístory City Celebration, Inc. San Francisco, CA $4,000 Charleston, WV $5,000 San Francisco, CA $24,000 To support artists’ fees and related costs To support local, emerging, and national To support jazz artists’ fees and a publí­ for the performance of new music during artists’ fees for the 13th annual West cist’s salary for Jazz in the city’s seventh the 1988-89 season. Virginia Jazz Festival in April 1990. annual festival in October 1989.

148 MUSIC

City of Atlanta, Bureau of Cultural Inquilinos Boricuas en Accion National Association of Jazz Educators Affairs Boston, MA $7,700 Manhattan, KS $14,400 Atlanta, GA $24,1300 For concerts and workshops by Dave To support guest artists’ fees and related To support artists’ fees and related costs Valentin and the Eddie Gomez Ensemble production expenses for the 1990 annual for the 12th annual Atlanta Jazz Festival in 1989. conference and music festival in New anda concert señes dudng the summer Orleans. of 1989. International Art of Jazz, Inc. Stony Brook, NY $28,800 New Mexico Jazz Workshop, Inc. Cityfolk To support the 1989-90 season of collabo- Albuquerque, NM $8,650 Dayton, OH $7,200 rative community presentations, free For the 1989-90 Guest Artists Señes, For the 1989-90 concert season, presenting outdoor summer concerts, the winter con- including monthly winter concerts, work- Barry Harñs, Marcus Belgrave, Charles cert series in Nassau County, the sub- shop presentations at the University of McPherson, Snooky Young and Cassandra scdption series at SUNY, and the Long New Mexico, and regional premieres of Wilson; anda new emerging artist concertIsland Jazz Festival in Islip, New York. emerging artists. and residency component with Spencer Barefield and . Jazz Club of Sarasota, Inc. Jazz Society Sarasota, FL $5,000 Cleveland Heights, OH $7,200 Coastal Jazz Association, Inc. For artists’ fees, travel, and production For the 1989-90 subscñption sedes, "Six Savannah, GA $19,200 expenses associated with the ninth annualDecades of Jazz," and for outdoor summer To support Amedcan jazz artists’ fees and Sarasota Jazz Festival in Apdl 1989, events, including workshops, master related costs for the seventh annual Sa- vannah Jazz Festival and the fall/winter including the first-year engagement of a classes, anda presentation for Cuyahoga concert series "Jazz Alive" in 1989-90. music director, John Clayton, Jr. Community College. Cuyahoga Community College District Jazzmobile, Inc. Painted Bride Art Center, Inc. Cleveland, OH $11,500 New York, NY $58,000 Philadelphia, PA $19,200 To support professional artists’ clinician To support artistic and administrative To support jazz artists’ fees and related fees and related costs for the tenth annual costs for the 25th season of free summer promotion, production, and administrative Tri-C JazzFest in April 1989. mobile concerts throughout New York costs for the 1989-90 concert season, State and in Washington, DC; and for including premiere performances of com­ DeCordova and Dana Museum and lecture-concerts in New York public missioned works by Craig Harris and Park schools. Edward Wilkerson. Lincoln, MA $6,750 To support Amedcan jazz artists’ fees and Kuumbwa Jazz Society Performing Arts Foundation of Kansas related costs for the 1989-90 sedes of Santa Cruz, CA $14,400 City performances by established and emergingTo support artists’ fees for the 1989-90 Kansas City, MO $7,700 artists and ensembles, season of weekly performances and spe- To support artists’ fees and related costs cial concerts by local, emerging, and for the 12th Street Jazz Series during Detroit Renaissance Foundation national ensembles. 1989-90. Detroit, MI $14,400 For the 1989 Montreux Detroit Jazz Lake George Arts Project, Inc, Portland Performing Arts Center, Inc. Festival presentations of established, Lake George, NY $10,000 Portland, ME $9,100 emerging, and Michigan-based artists andFor the sixth annual Lake George Jazz To support jazz artists’ lees, promotion, ensembles. Festival in 1989, featuring the Johnny and related production expenses for 1989 Colon Orchestra, the Red Rodney Quintet, concert presentations of Cecil Taylor in Gainesville Friends of Jazz, Inc. Jay Hoggard, the Jearme Lee Quartet, a solo performance, the World Saxophone Gainesville, FL $6,750 and The Microscopic Septet. Quartet, and Tiro Puente’s Latin Jazz To support professional artists’ lees and All-Stars. related costs for the 1989-90 season of Manna House Workshops, Inc. concerts, workshops, and clinics. New York, NY $4,000 Regents of the University of Michigan To support guest artists’ performance fees Ann Arbor, MI $12,000 Highlights in Jazz and related expenses for the 1989-90 jazz To support Eclipse Jazz’s 1989-90 season New York, NY $5,000 concert sedes, featuring Cullen Knight, of concerts, workshops, and lecture For the 1989-90 concert season, presenting the Ricky Ford Quintet, and the Richard presentations by national and emerging established artists and ensembles. Cummings Quintet. artists, as well as by local musicians. 149 Snug Harbor Cultural Center, Inc. Jazz Management Kuumbwa Jazz Society Staten Island, NY $9,600 Santa Cruz, CA $4,500 To support arfistic and production ex- American Federation of Jazz Societies, For second-year support of the develop­ penses for 1989-90 presentations of Chick Inc. ment associate’s salary. Corea, the Jane Ira Bloom Trio, the Littleton, CO $8,000 Modero Jazz Quartet, the Roseanna Vitro For the salary of the newly established Manna I-Iouse Workshops, In­. Quartet, the Pat Metheny Ensemble, and position of administrator who is responsi­ New York, NY $5,000 the Duke Ellíngton Orchestra. ble to the Board in developing policy, To support the salary of a part-time jazz organizational direction, and outreach manager position with emphasis on in­ activities for affiliates, creasing eamed income for the concert Tucson Jazz Society, Inc. series, improving promotion and outreach Tucson, AZ $11,000 Capital City Jazz Festival mateñals, and developing a jazz summer For the 12th annual Jazz Sundae festival Washington, DC $4,500 program. in May 1989 and the tenth annual "Pri- For second-year support of the festival Northeast Ohio Jazz Society mavera: A Celebration of Women in the producer’s salary. Arts" during March 1990. Cleveland Heights, OH $9,000 To support the first-year salary fora full- Charlin Jazz Society, Inc. time executive director. University of Hartford Washington, DC $4,000 West Hartford, CT $16,300 For the first-year salary of a development Jazz Special Projects To support guest jazz artists’ fees for the assistant to manage grants programs and Hartt School of Music’s 1989-90 residen- to design strategies for increasing audienceAmerican Federation of Jazz Societies, ejes, public lectures, workshops, and attendance. Inc. concerts. Littleton, CO $13,700 City Celebrafion, Inc. To support the 1990 annual conference; San Francisco, CA $10,000 development, publication, and distribution University of Idaho To support the ñrst-year salary of a Moscow, ID $11,500 marketing director for Jazz in the City, of a national jazz directory; and publica­ To support professional guest artists’ responsible for developing long-range tion of the newsletter anda membership performance and workshop fees and re- plans and strategies for improved mem­ brochure. lated costs for the 22nd Lionel Hampton- bership, promotion, publications, com- American Music Center, Inc. Chevron Jazz Festival in 1989. munity relations, and special events. New York, NY $10,300 For partial support of the center’s services University of South Florida Coastal Jazz Associatíon, Inc. to jazz composers and performers in $6,000 Tampa, FL $9,600 Savannah, GA 1990, including copying assistance grants To support the third-year salary of the to jazz composers for premiere perform­ For the March 1990 Suncoast Jazz Festival administrator, responsible for program of open rehearsals, workshops, master ances and salary support for a jazz infor- and budgetary planning, implementation mation specialist. classes, and concerts by featured guest and evaluation. ensembles. Arts Midwest Gainesville Friends of Jazz, Inc. Minneapolis, MN $38,200 University of Virginia Gainesville, FL $3,000 For continued development of a regional Charlottesville, VA $8,650 To support the second-year salary of a jazz program during 1989-90, including To support artists’ fees, promotion, and part-time concert-grants administrator, technical assistance to jazz artists and or­ production expenses for concerts by ganizations, a computer jazz referral Grachan Moncur, , Ed Wilkerson, Jazz Institute of Chicago, Inc. service, regional workshops, a Meet the Roscoe Mitchell, Fred Hopkins, Geri Chicago, IL $5,000 Jazz Masters project, and publication Allen, Sheila Jordan, and Randy Weston. For sec~nd-year salary support of the of the quarterly Jazzletter and the fourth admini§trator responsible for member in a series of "how-to" booklets. services,, budget and programming; and William Paterson College coordinates Board activities. Carnegie Hall Corporation Wayne, NJ $21,150 New York, NY $8,000 For guest artists’ fees, promotion, and Jazz Interactions, Inc. To support taping costs associated with production expenses for the 1989-90 Sun­ Glen Oaks, NY $6,000 Maurice Peress’ July 14, 1989 recreation day Jazz Room Series and the 1990 To support the executive director’s second- of the 1912 James Reese Europe’s Clef annual Willowbrook Jazz Festival. year salary. Club Orchestra concert.

150 MUSIC

Let My Children Hear Music, Inc. Brooklyn Academy of Music, Inc. Contemporary Arts Center, New N~w York, NY $30,000 Brooklyn, NY $117,000 Orleans To support artists’ fees and related costs To support American artists’ lees and N~w Orleans, LA $10,000 for the world premiere performance of related costs for the 1989-90 multimusic To support American artists’ fees and "Epitaph" by Charles Mingue. presentation of New Music Ameríca 1989. related costs for the 1989-90 multimusic presentation season. National Jazz Service Organization Brooklyn Philharmonic Symphony Washington, DC $25,000 Orchestra, Inc. D’Addario Foundation for the To support the salary of the executive Brooklyn, NY $6,000 Performing Arts, Inc. director and administration of the servicesTo support Ameñcan artists’ fees and East Fanningdale, NY $3,000 to the field program, including technical related costs for the 1989-90 multimusic To support American artists’ fees and assistance to jazz musicians and presentation season, related costs for the 1989-90 multimusic organizations, presentation season. Candlelight Concert Society, Inc. New England Foundation for the Arts Columbia, MD $4,500 District Curators, Inc. Cambridge, MA $7,600 To support American artists’ lees and Washington, DC $9,000 To support the second-year jazz develop- related costs for the 1989-90 multimusic To support American artists’ fees and ment initiative with emphasis on increas­presentation season, related costs for the 1989-90 multimusic ing the visibility of jazz music and presentation season. improving performance opportunities for Carnegie Hall Society, Inc. the region’s jazz artists~ New York, NY $77,000 Dumharton Avenue Concert Series Washington, DC $3,000 New Mexico Jazz Workshop, Inc. To support American artists’ fees and related costs for the 1989-90 multimusic To support American artists’ fees and Albuquerque, NM $4,000 related costs for the 1989-90 multimusic For partial support towards upgrading an presentation season. audience development publication for presentation season. distribution throughout New Mexico. Centrum Foundation Fairbanks Symphony Association, Inc. Port Townsend, WA $10,000 Fairbanks, AK $6,000 Southern Arts Federation To support American artists’ fees and Atlanta, GA $32,400 related costs for the 1989-90 multimusic To support American artists’ fees and To support the 1990-91 program of serv- presentation season. related costs for the 1989-90 multimusic ices to the jazz field, including a regional presentation season. newsletter and directory, and technical Charles River Concerts, Inc. Flynn Theatre for the Performing Arts, assistance and fee subsidies forjazz pre- Boston, MA $6,000 Ltd. senters of and her trio. To support American artists’ fees and Burlington, VT $12,000 related costs for the 1989-90 multimusic To support Ameñcan artists’ fees and Multi-Music Pre,senters presentation season, related costs for the 1989-90 multimusic To assist organizations that present two or City of Madison, Wisconsin/Madison presentation season. more of the following genres ofmusic: Civic Center Friends of the Arts, Inc. chamber music or new music, chorus, Madison, WI $5,000 jazz, orchestra, and solo recitalists. Locust Valley, NY $3,000 To support American artists’ fees and To support American artists’ fees for the 54 Grants related costs for the 1989-90 multimusic 1989-90 multimusic presentation s~ason. Program Funds: $842,000 presentation season. Friends of the Brattleboro Music Artist Series at the Pabst, Inc. Composers’ Forum, Inc. Center, Inc. Milwaukee, WI $3,000 New York, NY $16,000 Brattleboro, VT $9,000 To support American artists’ fees and To support American artists’ fees and To support American artists’ fees and related costs for the 1990 multimusic related costs for the 1989-90 multimusic relat~d costs for the 1989-90 multimusic pres~ntation season, presentation season, presentation season. Al’ts Midwest Concert Association of Greater Miami, Fund for the Borough of Brooldyn, Minneapolis, MN $40,000 Inc. Inc. To support the continuation of fee support Miami Beach, FL $20,000 Brooldyn, NY $6,000 to presenters in a nine-state region for To support American artists’ fees and To support American artists’ fees and the 1989-90 multimusic presentation related costs for the 1989-90 multimusic related costs for the 1989 multimusic season, presentation season, season, of Celebrate Brooklyn. 151 Haleakala, Inc. (The Kitchen) Mount Saint Mary’s College Southern Arts Federation New York, NY $15,000 Los Ang¢les, CA $10,000 Atlanta, GA $30,000 To support American artists’ fees and To support American arfists’ fees and To support the continuation of fee support related costs for the 1989-90 multimusic related costs for the 1989-90 multimusic for presenters in this nine-state region presentation season, presentation season, for the 1989-90 multimusic presentation season. Hebrew Arts School $12,000 New England Foundation for the Arts New York, NY Cambñdge, MA $40,000 University Community Concerts, Inc. To support American artists’ fees and College Park, MD $8,000 related costs for the 1989-90 multimusic To support the continuation of lee support to presenters in this six-state region for To support American artists’ lees and presentation season, the 1989-90 multimusic presentation related costs for the 1989-90 multimusic Helena Film Society, Inc. season, presentation season. Helena, MT $3,000 University of California-Berkeley To support Ameñcan artists’ lees and New School for Social Research Berkeley, CA $5,000 related costs for the 1989-90 multimusic New York, NY $5,000 To support American artists’ fees and presentation season. To support American artísts’ lees and related costs for the 1989-90 multimusic related costs for the 1989-90 multimusic Hudson River Museum of Westchester presentation season. presentation season. Yonkers, NY $4,000 To support American artists’ fees and University of California-Los Angeles related costs for the 1989-90 multimusic Orcas Center Los Angeles, CA $4,000 presentation season. Eastsound, WA $3,000 To support Ameñcan artists’ fees and To support Ameñcan artists’ fees and related costs for the 1989-90 multimusic Institute of Contemporary Art related costs for the 1989 multimusic presentation season. Boston, MA $6,000 presentation season. To support American artists’ lees and University of Iowa related costs for the 1989-90 multimusic Phillips Coilection Iowa City, IA $6,000 presentation season. Washington, DC $10,000 To support American artists’ fees and To support American artists’ fees and related costs for the 1989-90 multimusic John F. Kennedy Center for the related costs for the 1989-90 multimusic presentation season. Performing Arts presentation season. Washington, DC $15,000 University of Kentucky Research To support Ameñcan artists’ fees and Quantum Productions, Inc. Foundation related costs for the 1989-90 multimusic Atlanta, GA $5,000 Lexington, KY $3,500 presentation season. To support Ameñcan artists’ fees and To support Ameñcan artists’ fees and related costs for the 1989-90 multimusic related costs for the 1989-90 multimusic Lincoln Center for the Performing presentation season. Arts, Inc. presentation season, New York, NY $37,500 To support American artists’ fees for the Real Art Ways, Inc. University ofMassachusetts at Amherst 1989-90 multimusic presentation season. Hartford, CT $7,000Amherst, MA $8,000 To support American artists’ fees and To support American artists’ fees and related costs for the 1989-90 multimusic Mid-America Arts Alliance related costs for the 1989-90 multimusic Kansas City, MO $40,000 presentation season. presentation season. To support the continuation of fee support Urban Philharmonic Society, Inc. to presenters in this six-state region for Schubert Club, Inc. the 1989-90 multimusic presentation Washington, DC $3,000 season. St. Paul, MN $8,000 To support American artists’ fees and To support Amefican artists’ fees for the related costs for the 1989-90 multimusic Mid-Atlantic Arts Foundation 1989-90 multimusic presentation season, presentation season. Baltimore, MD $15,000 To support the continuation of fee support Society for the Performing Arts Vermont Mozart Festival for presenters in this seven-state region, Houston, TX $5,000 Burlington, VT $3,000 including the District of Columbia, for To support American artists’ fees and To support Ameñcan artists’ fees and the 1989-90 multimusic presentation related costs for the 1989-90 multimusic related costs for the 1989-90 multimusic season, presentation season, presentation season.

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Walker Art Center, Inc. Aspen Music Festival, Inc. Colorado Music Festival Minneapolis, MN $38,000 New York, NY $6,000 Boulder, CO $8,000 To support American artists’ fees and TF: $12,500 To support American artists’ fees at the related costs for the 1989-90 multimusic To support American artists’ fees at the 1989 Colorado Music Festival. presentation season. 1989 Aspen Music Festival. Eastern Music Festival, Inc. Washington Perforrning Arts Society Associated Students of California State Greensboro, NC $9,000 Washington, DC $34,500 College To support American artists’ fees at the To support American artists’ fees for the Sacramento, CA $8,000 1989 Eastem Music Festival. 1989-90 multimusic presentation season. To support American artists’ fees at the 12th Festival of New American Music. Florida West Coast Music, Inc. Sarasota, FL $3,500 Western States Arts Federation Bach Aria Group Association, Inc. To support American artists’ fees at the Santa Fe, NM $35,000 1989 Music Festival of Floñda. To support the continuation of fee support Stony Brook, NY $3,500 to presenters in the thirteen-state region To support Ameñcan artists’ fees for the Fredric R. Mann Music Center for the 1989-90 multimusic presentation 1989 Bach Aria Festival. Philadelphia, PA $7,500 season. To support American artists’ fees for the Boston Early Music Festival, Inc. 1989 season of the Mann Music Center. World Music Institute, Inc. Cambridge, MA $4,000 New York, NY $5,000 To support American artists’ fees for the Friends of the Brattleboro Music To support American artists’ fees and Boston Early Music Festival Orchestra Center, Inc. related costs for the 1989-90 multimusic and Choms. Brattleboro, VT $13,000 presentation season. To support American artists’ fees and Boston Symphony Orchestra, Inc. collaborative efforts with other presenting YM-YWHA of Metropolitan New Boston, MA $6,000 organizations for the 1989 New England Jersey TF: $12,500 Bach Festival. West Orange, NJ To support American artists’ fees for $9,000 the1989 Tanglewood Festival. Grand Teton Music Festival, Inc. To support Ameñcan artists’ fees and Teton Village, WY $16,000 related costs for the 1989-90 multimusic Cabrillo Guild of Music To support American artists’ fees and presentation season. Aptos, CA $16,000 related costs for the 1989 Grand Teton To ~upport American artists’ fees for the Music Festival. Young Men’s & Young Women’s 1989 Cabdllo Music Festival. Hebrew Association Gregg Smith Singers, Inc. New York, NY $40,000 California Institute of the Arts New York, NY $6,800 To support Ameñcan artists’ fees for the Valencia, CA $6,000 To support Ameñcan artists’ fees at the 1989-90 multimusic presentation season. To support American artists’ fees for the 1989 Adirondack Festival of American 1989 Contemporary Music Festival. Music. Music Festivals Caramoor Center for Music and the Jo Scott’s Center for Cultural Developments, Inc. To assist organizations that offer a series Arts, Inc. ofhigh-quality music events that are Katonah, NY $9,000 Fairbanks, AK $3,700 special in nature, coordinated within a To support Ameñcan artists’ fees at the To support American artists’ fees at the 1989 Fairbanks Summer Arts Festival. specific period of time, and presented at 1989 Caramoor Music Festival. a centralized location. Lincoln Center for the Performing Chicago Park District Arts, Inc. 36 Grants Chicago, IL Program Funds: $300,000 New York, NY TF: $16,500 TF: $22,000* To support Ameñcan artists’ fees at the Treasury Funds: $53,500 To support American artists’ fees for the 1989 Mostly Mozart Festival. 1989 season of Grant Park Concerts. Appalachian State University Los Angeles Philharmonic Association Foundation, Inc. Cincinnati Symphony Orc~estra Los Angeles, CA $8,000 Boone, NC $4,000 Cincinnati, OH $9,000 TF: $12,000 To support "An Appalachian Summer" in To support American artists’ fees at the To support Ameñcan artists’ fees at the 1989. Funds will be used for American 1989 season of the Riverbend Music 1989 season of the Hollywood Bowl artists’ fees. Center. Summer Festival.

153 Mendocino Music Festival Association Sun Valley Center for the Arts and Center for Early Keyboard Mendocino, CA $3,500 Humanities Studíes, Inc. To support American artists’ lees for the Sun Valley, ID $4,500 Easthampton, MA $10,000 1989 Mendocino Music Festival. To support Amefican artists’ fees for the To support in 1989-90 the presentation of 1989 Wood River Music Festival. American recitalists on historic instru- Minnesota Orehestral Association, The ments in solo recitals of early music. Minneapolis Symphony Orehestra University of Maryland-College Park Minneapolis, MN $13,000 Campus Xavier University TF: $12,000’ College Park, MD $4,500 Cincinnati, OH $4,000 To support American artists’ fees for the To support American artists’ fees for the To support the presentation of classical 1989 Viennese Sommerfest. 1989 Maryland Handel Festival. and jazz piano and guitar solo recitals in 1989-90 at the Xavier University Center Monadnock Music University of Oregon Theatre. Peterborough, NH $14,000 Eugene, OR $14,500 To support American artists’ lees for the To support Ameñcan artists’ fees for the Music Professional Training 1989 Monadnock Music Festival. 1989 Oregon Bach Festival. To foster the career development of committed, talented musicians through Musical Arts Association, Vermont Mozart Festival support of their training and education as The Cleveland Orchestra Burlington, VT $7,000 artists. Grants are awarded to post­ Cleveland, OH $6,000 To support Ameñcan artists’ lees for the secondary programs that provide out­ TF: $12,500’ 1989 Vermont Mozart Festival. standing advanced trainingforprofes­ To support American artists’ fees for the sional careers in music. 1989 season of the Blossom Music Center. Young Men’s & Young Women’s Hebrew Association 35 Grants New Hampshire Music Festival, Inc. New York, NY $10,000 Program Funds: $331,600 Centre Harbor, NH $5,000 To support Ameñcan artists’ fees for the Treasury Funds: $171,000 To support American artists’ fees for the 1989 Schubertiade. 1989 New Hampshire Music Festival. Academy of Vocal Arts *Committed only. These funds will be Philaddphia, PA $4,000 obligated in Fiscal 1990. To support the program of scholarship aid Ojal Festivals, Limited and related costs. Ojai, CA $17,000 To support American artists’ fees for the Solo Recitalists Presenters Aspen Music School, Inc. 1989 Ojai Festival. To enable music presenting organizations Aspen, CO TF: $6,600 to present solo recitalists, recitalists To support the program of scholarship and Ravinia Festival Association with accompanist, or duos ofgreat talent fellowship aid for students participating Highland Park, IL $17,500 who have not yet received national in the Aspen Festival Orchestra. To support Ameñcan artists’ fees for the recognition as recitalists. 1989 Ravinia Music Festival. Bach Aria Group Association, Inc. 4 Grants Stony Brook, NY $4,000 Saint Louis Symphony Socíety Program Funds: $23,000 To support the program of fellowship aid. St. Louis, MO $16,000 Boston Symphony Orchestra, Inc. To support American artists’ fees for the Milwaukee Foundation for Guitar 1989 Summerfest. Boston, MA TF: $62,000 Studies, Inc. To support the fellowship program at Milwaukee, WI $6,000 . Spoleto Festival U.S.A. To support in 1989 the presentation of Charleston, SC $13,500 emerging and established American gui- Bowdoin College To support Ameñcan artists’ fees for the tarists in the third biennial American Brunswick, ME $4,000 1989 Spoleto Festival U.S.A. Finger-Style Guitar Festival. To support the program of scholarship aid at the Bowdoin Summer Music Festival. Stern Grove Festival Association Valparalso University Association, Inc. San Francisco, CA $7,000 Valparaiso, IN $3,000 California Institute of the Arts To support Ameñcan artists’ fees for the To support the presentation in 1989-90 of Valencia, CA $5,700 1989 Stem Grove Midsummer Music emerging American artists in solo recitalsTo support the program of scholarship Festival. and master classes or lectures, aid.

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Cleveland Institute of Music Marlboro School of Music, Inc. Society for Strings, Inc. Clcveland, OH $9,500 Philadclphia, PA $33,800 Ncw York, NY $6,500 To support the program of scholarship and To support the program of scholarship To support the program of scholarship aid fellowship aid. aid. for stñng players at the Mcadowmount School of Music. Curtis Institute of Music Music Academy of the West St. Louis Conservatory & Schools for Philaddphia, PA $9,000 Santa Barbara, CA $14,200 the Arts To support the program of scholarship To support the program of scholarship St. Louis, MO $4,000 aid. aid. To support the program of scholarship aid. Eastern Music Festival, Inc. National Repertory Orchestra, Inc. Greensboro, NC $4,900 Keystone, CO $5,300 Summit Brass To support the program of scholarship To support the program of scholarship Tempe, AZ $4,000 aid. To support the program of scholarship aid. aid. New England Conservatory of Music Harlem School of the Arts, Inc. Boston, MA $21,900 University of Cincinnati Main Campus New York, NY $7,700 Cincinnati, OH $13,600 To support the program of scholarship aid To support the program of scholarship To support the program of scholarship aid anda Career Skills course. for students enrolled in the Master Voice aid. Class. New School for Social Research University of Hartford New York, NY $13,500 West Hartford, CT $4,000 Johns Hopkins University To support the program of scholarship aid To support the program of scholarship Baltimore, MD TF: $19,900 for students participating in the New aid. To support the program of scholarship York String Orchestra Seminar. aid. University of Massachusetts at Amherst New World Symphony, Inc. To Amherst,support the programMA of scholarship $4,000 aid Juilliard School Miami Beach, FL $7,400 for the 1989 Jazz in July Workshop in New York, NY $10,600 To support the program of scholarship Improvisation. TF: $25,000 aid. To support the program of scholarship aid Yale University for students enrolled in the Peabody Oberlin College New Haven, CT $12,700 Institute. Oberlin, OH $18,200 To support the program of scholarship aid To support the program of scholarship at the Yale School of Music. aid. Kent State University Main Campus Yellow Barn Kent, OH $10,100 Orchestral Association Putney, VT $4,100 To support the program of scholarship aid To support the program of scholarship aid at The Blossom Festival School. Chicago, IL $18,800 To support the scholarship aid program of for the Yellow Bato Music Festival. Los Angeles Philharmonic Association the Civic Orchestra of Chicago. Career Development Los Angeles, CA $8,800 Quartet Program, Inc. Organizations for Solo Recitalists TF: $28,500 Rochester, NY $4,900 To assist organizations, other than To support scholarships and fellowships To support the program of scholarship for participation in the Los Angeles presenting organízations andfor Solo Philharmonic Institute. aid. Recitalists educational institutions, that ate devoted primarily to the professional Regents of the University of Michigan career development of American solo Manhattan School of Music Ann Arbor, MI $19,500 recitalists. / New York, NY $23,200 To support the program of scholarship To support the program of scholarship aid. 6 Grants aid. Program Funds: $172,400 San Francisco Conservatory of Music, Afffliate Artists, Inc. Mannes College of Music Inc. New York, NY $54,000 New York, NY $14,000 San Francisco, CA $5,700 To support the participation of instrumen- To support the program of scholarship To support the program of scholarship talists in Affiliate Artists’ corporate aid. aid. sponsored residency program. 155 Affiliate Artists, Inc. Cantara Singers, Inc. Marshali, Ingrato D. New York, NY $27,000 Cambñdge, MA $8,900 Guilford, CT $7,500 To support residencies for the Xerox To support the recording of John Harbi- To support a recording of original music Pianists Program. son’s Pulitzer Prizc-winning compositionfor piano, voicc, and ­lcctronic mcdiums The Flight lnto for Nonesuch for New Albion Records. Concert Artists Guild, Inc. Rccords. New York, NY $12,000 Performers’ Committee, Inc. To support management services, artists’ City Celebration, Inc. San Francisco, CA $15,100 New York, NY $34,550 fees, and related costs for concerts during To support production and distñbution of To support a recording featuring the music the 1989-90 season. Bebop and Beyond’s recording of the of anda recording featuring music of Thelonius Monk for Mesa/Blue the music of Henry Cowell for Musical Great Lakes Performing Artist Moon Recordings. Heritage Society. Associates Ann Arbor, MI $5,400 Comparone, Elaine To support management services for Philadelphia Orchestra Association New York, NY $7,500 Philadelphia, PA regional pefforming artists in the Great To support a recording of music for the $50,000 Lakes states, harpsichord, featuñng the sonatas of Vin- To support a recording of Vincent Persi­ cent Persichetti for Laurel Records. chetti’s Symphony No. 5 (Symphony for Pro Musicis Foundation, Inc. Strings), Opus 61, and Concertofor Piano New York, NY $18,000 Composers Recordings, Inc. and Orchestra, Opus 90, for New World To support a recital series in cities New York, NY $29,000 Records. throughout the United States. To support marketing, promotion, and related staff costs during 1989-90, includ- Philharmonic-Symphony Society of Young Concert Artists, Inc. ing production and direct mailing of the New York, Inc, New York, NY $56,000 biannual catalogue and supplemental New York, NY $12,250 To support services to Ameñcan solo brochures. For post-production expenses associated recitalists, including booking and man- Cultural Council Foundation with the recording of John Knowles agement services, publicity materials, andNew York, NY $15,00(I Paine’s Symphony No.l (1875) and As You career counseling. To support the New York Woodwind Like It Overture (1876) for New World Quintet’s recording of works by Ronald Records. Music Recording Roseman, Ralph Shapey, Martin Bresnick, and Mel Powell by New World Records. Plymouth Music Series To assist nonprofit organizations in the Minneapolis, MN $25,000 recording and distribution of American Dorian Woodwind Quintet Foundation, To support a recordíng of Aaron Copland’s music. Inc. opera The Tender Land for Virgin New York, NY $10,550 Classics. 23 Grants To support a recording for Leonarda Program Funds: $527,500 Records featuñng compositions by , Lee Hoiby, Conrad de Jong, Quintet of the Americas, Inc. Board of Trustees of the Leland and Gershwin Melange, transcribed for New York, NY $12,000 Stanford Junior University woodwind quintet by Geoffrey Bergler. To support a recording for Newport Stanford, CA $12,000 Classic, featuring selected commissions For the Stanford Stñng Quartet’s record­ Hebrew Arts School and premiere works of composers Stuart ing of Ben Johnston’s String Quartet No.9 New York, NY $17,150 Balcomb, Ursula Mamlok, Roberto and William Bolcom’s String Quartet To support a recording for Bridge Records, Sierra, Julia Wolfe, , and featuñng Barbara Kolb’s Chromatic Jeffrey Wood. No.lO for Laurel Records. Fantasy, performed by The Music Today Ensemble and Millefoglie, performed Recorded Anthology of American Brooklyn Philharmonic Symphony by the Dallas Symphony Orchestm. Orchestra, Inc. Music, Inc. Brooklyn, NY $10,000 Jazz Composer’s Orchestra New York, NY $25,000 To support the recording of Philemon and Association, Inc. For New World Records’ production, Baukis by Lou Harrison, Olson III by New York, NY $30,000 post-production, and distribution of new , and The Orchestral Dreams For publication and distribution of New releases during 1989-90 and for market- by La Monte Young for Gramavision Music Distribution Service’s 1990 cata- ing, promotion, and administratíve ex- Records. logue, The New Music Annual. penses associated with these recordings. 156 MUSIC

San Francisco Contemporary Music centers in order to encourage collabora- Elaine Summers Experimental Players tion between composers and other creative Intermedia Foundation, Inc. San Francisco, CA $21,000 artists. New York, NY $3,000 To support the recording of Morton To support salaries, supplies, and other Feldman’s For Samuel Beckett, on the 30 Grants costs for services provided to composers Newport Classic . Program Funds: $258,000 using the facility, which include pre- and post-production work, equipment loans, Seattle Symphony Orchestra, Inc. Services to Composers and engineering assistance. Seattle, WA $50,000 To support production costs associated American Academy in Rome Independent Composers Association with the recording of Walter Piston’s New York, NY $4,000 Los Angeles, CA $5,000 Symphony No, ó, and ’s To support a one-year fellowship for a To support composer fees for Meet the Symphony No.2 for Delos Intemational. composer to reside and work independ- Composer/Califomia. ently at the Academy. Meet the Composer, Inc. St. Luke’s Chamber Ensemble, Inc. American Music Center, Inc. New York, NY $50,000 New York, NY $78,000 To support one recording for Nonesuch New York, NY $53,000 To support the Composers Performance Records of works by Lou Harñson and To support information services, copying Fund, and the National Affiliate Program. two recordings for Musical Heritage assistance, and administrative expenses. Minnesota Composers Forum Society, featuring the works of Charles Arts Midwest Wuorinen and Aaron Copland. St. Paul, MN $7,000 Minneapolis, MN $4,000 To support staff salaries and costs for a To support composer fees and administra- University of California-San Diego tire costs for Meet the Composer/ newsletter. La Jolla, CA $19,350 Midwest. National Orchestral Association, Inc. To support a recording of Robert Eñck- son’s works by members of SONOR for Bay Atea Women’s Philharmonic ToNew support York, NY reading rehearsals for$7,000 the New CRI. San Francisco, CA $3,000 To support part of the salary of the coor- Music Orchestral Project. University of California-Santa Cruz dinator for the National American Women New Hampshire Music Festival, Inc. Santa Cruz, CA $19,400 Composers Resource Center and other Centre Harbor, NH $3,000 To support a recording of the chamber related expenses. To support the New Hampshire Composers music of Lou Harrison, performed by Conference in August 1990 in Plymouth, flutist Leta Miller, pianist Nohema Fer- California Institute of the Arts nandez, and percussionist William WinantValencia, CA $3,000 New Hampshire. for Musical Heñtage Society. To support travel, subsistence, adminis- trative expenses, and other related costsOhio Foundation State University Research Young Men’s & Young Women’s for two bñef intensive seminars for visiting composers. Columbus, OH $5,000 Hebrew Association To support the 1989 Intemational Com- New York, NY $46,250 puter Music Conference. To support the New York Chamber Sym- Center for American phony’s recording of David Diamond’s Music Roxbury, CT $3,500 Real Art Ways, Inc. Concertofor Small Orchestra (1969) and To support activities of the tenth annual Hartford, CT $3,000 Walter Piston’s Sinfonietta (1941) for summer program focusing on American To support the production costs of a Delos Intemational. Music for Chamber Orchestra. biseasonal events publication and produc- tion and distribution costs of the New Services to Composers/Centers Composers’ Forum, Inc. England/New Music calendar. for New Music Resources New York, NY $3,000 Society for Eiectro-Acoustic Music in SERVICES TO COMPOSERS grants are To support salaries and other expenses for the quartedy newsletter Network News the United States, Inc. awarded to organizations for projects that and The Directory. Los Angeles, CA $4,000 serve composers on a national or regional To support workshops in connection with basis. CENTERS FOR NEW MUSIC Ear, Inc. the fifth annual meeting of the Society RESOURCES grants are awarded to New York, NY $3,000 held in New York City in collaboration innovative musicfacilities, including To support staff salaries, supplies, and with New Music America in November electronic music studios and computer other related costs for Ear Mag azine. 1989.

’157 Society of Composers, Inc. Research American Music Center, Inc. New York, NY $3,000 Foundation New York, NY $42,000 To support publication of the society’s Columbus, OH $3,000 To support the activities of the sixth annual newsletter, the SCI Journal of Music To support the purchase of equipment to American Music Week duñng November Scores, administrative expenses for con­ enhance the capabilities at the Sound 5-11, 1990. ferences, and other related costs. Synthesis Studios and related costs. Chamber Music America, Inc. Telluride Institute, Inc. Research Foundation of the City New York, NY $15,000 Telluñde, CO $3,000 University of New York To support the development of a national To support "Composer-to-Composer," a New York, NY $9,000 chamber music information project. seminar scheduled to take place at the To support the purchase of equipment for Institute. the Center for Computer Music to upgrade Chamber Mnsic Society of Líncoln Texas Composers Forum, Inc. and expand the computer network and Center, Inc. Dallas, TX $8,000 analog recording facilities in order to New York, NY $9,500 To support composer fees for appearances modemize the studio and accommodate a To support the Together with Chamber in a series of"Texas Composer Forums," greater demand for its usage. Music, the Young Musicians, and the for the publication of Composer News, Student Ticket Subsidy programs. and for administrative costs. Trustees of Princeton University Princeton, NJ $4,000 Charles Ives Performing Arts Center, University of Cincinnatí Main Campus To support the purchase of equipment for Inc. Cincinnati, OH $5,000 the Midi Studios. Danbury, CT $10,000~" To support WGUC-FM Radio for the To support a special concert honoring United States’ participation in the 1990 University of California-Santa Barbara Mañan Anderson for her life’s achieve- Intemational Rostrum of Composers and Santa Barbara, CA $6,1300 ments asa singer and an outstanding other related costs. To support the purchase of equipment for American woman. Sculptured Sound Environment: Center Western States Arts Federation for Computer Music Composition. Santa Fe, NM $5,000 ~’Chairman’s Action Grant ’ro support composer appearance fees, University of Cincilmati Main CampusCollege Music Society administrative costs, and related costs for Cincinnati, OH $3,000 Meet the Composer/West. Boulder, CO $5,000 To support the purchase of equipment, To support the 1989 annual meeting of the administrative support, and other costs Centers for New Music Resources related to composer residencies at the College Music Society in St. Louis. Electronic Music Studio. Board of Trustees of the Leland Columbia College Stanford Junior University Chicago, IL $7,500 Stanford, CA $10,000 Special Projects To support the Black Music Repertory To support the maintenance of a digital Tofund innovative and exemplary projects Ensemble in two residency programs. synthesizer, mainframe computer, disk that have a broad impact on the music dñves, MIDI equipment, and workstationsfield but ate not eligible under the other Congress of Strings Scholarship Fund, at the Center for Computer Music. funding categories. Inc. New York, NY $9,000 California Institute of the Arts 29 Grants To support the prograrn of scholarship aid Valencia, CA $4,500 for 1989. To support the subsistence and transporta- Program Funds: $232,500 tion costs for composer residencies, the purchase of equipment for score editing, American Dance Festival, Inc. Congress of Strings Scholarship Fund, new interactive software, and the upgrad- Durham, NC $10,000 Inc. ing of present equipment. To support a composers and choreogra- New York, NY $4,500 phers residency program at the American To support the program of scholarship aid Mills Coilege Dance Festival in 1989. for 1990. Oakland, CA $3,000 To support honoraria and publicity costs American Dance Festival, Inc. Curtis Institute of Music for the Seminars in Formal Methods Durham, NC $10,000 Philadelphia, PA $5,000 Series, the composer-in-residence pro- To support a composers/choreographers To support a commission for Ned Rorem grato, and purchase of equipment requiredresidency program at the American Dance to compose a piano concerto for left hand to enhance the center. Festival in 1990. and orchestra.

158 MUSIC

Foundation for New American Music, Norfolk Public Schools San Francisco Symphony Inc. Norfolk, VA $3,000 San Francisco, CA $9,500 Culver City, CA $5,000 To support eight wecks of concerts by the To support the costs of commissioning To support two coneerts in the 1989-90 Tid¢watcr Winds. three works by American composers. national conccrt series. Northwestern Memorial Hospital Santa Fe Chamber Music Festival, Ltd. Goldman Memorial Band, Inc. Chicago, IL $20,000 Santa Fe, NM $4,000 New York, NY $10,000 To support a study that will test the To support a commission and related costs To support the 1989 summer season of premise that the incidence of injuries and for Ned Rorem to compose a work for free outdoor concerts, performance-related disabilities in orches- piano tño and voice. tral musicians can be decreased through Goldman Memorial Band, Inc. regular correct practice of preventative Theatre Development Fund, Inc. New York, NY $8,500 To support the 1990 summer season of exercises. New York, NY $12,500 free outdoor concerts. To support the music portion of the tickets Research Foundation of State by mail program, the voucher program, Lehigh University University of New York NYC/ON STAGE, the 24-hour performing Bethlehem, PA $5,000 Albany, NY $7,500 arts hofline, and the student outreach To support a two-day celebration of To support the 1990 June in Buffalo program. American music in honor of Earl Kim. seminar/festival. Walter W. Naumburg Foundation, Inc. New York S~akespeare Festival River City Brass Banal, Inc. New York, NY $10,000 New York, NY $5,000 Pittsburgh, PA $5,000 To support a chamber music ensemble To support American participation in the To support artists’ salafies and production appearing in Hall, performing Festival Latino en Nueva York during costs of a subscfiption series of rarely a work commissioned specifically for 1989. pefformed brass band music, the group.

159 200 Grants ProgramFunds:$4,119,005 Opera Musical Theater Treasury Funds: $2,068,000

The Opera-Musical Theater Program assists allforms ofmusic The Regional Touring category assists companies in developing theater generally involving voice--from experimental musical wider audiences. Regional Touñng grants expose new audiences theater to , from ethnic musical theater to classical to a wide array of styles, from works produced by companies musical come@, from to still-developingforms, such as the Michigan Opera Theatre, to California’s Musical Traditions, to the Ensemble for Early Music in New York. he Opera-Musical Theater Program made grants in 1989 to support a wide range of activity in a field committedNew American Works grants support the growth of music theater Tto high quality production of the standard repertory, and new creative talent. A variety of cultural voices have found to the encouragement of the new and innovative, and to support in this category through assistance to such projects as the broadening of audiences for both. Vigorous efforts are beingJulius Hemphill’s "Long Tongues: A Saxophone Opera," Martin made to develop new audiences through community and school Brody’s "Heart of a Dog," and INTAR’s Hispanic American outreach programs, and to increase audience understanding of Music Theater Lab. Workshop, independent, and artist-produc­ and appreciation for the art form. ers’ grants encourage new work outside of the normal structure and methods of producing organizations. Professional Companies grants assisted theaters, opera compa­ nies, musical theater companies, and experimental music theaterSpecial Projects grants, such as the one to National Public organizations across the country which produce widely dívergentRadio’s World of Opera series, can serve asa model to the field work and maintain a high standard of artistic excellence. Smallin broadening audiences for the art forro. Services to the Arts companies in rural communities such as Lime Kiln Arts in grants, like those to the Lyñc Opera Center for American Artists Lexington, Virginia and large companies such as the Los Angelesand the National Alliance of Producers, serve Music Center Opera demonstrate the full range of producing the field by assisting training programs for emerging artists and activity supported in the Opera-Musical Theater Program. organizations that offer services of national or regional scope.

Advisory Panels Charles Maekay Speight Jenkins General Director General Director St. Louis Opera Seattle Opera Challenge II St. Louis, MO Seattle, WA Marc Scorca Edward Purrington Shelley Cohn General Manager Administrative Director Executive Director Chicago Opera Theater Washington Opera Arizona Commission on the Arts Chicago, IL Washington, DC Phoenix, AZ Challenge III ExecutiveSarah Director Richards Max Ferra Hawaii State Foundation on Culture and Artistic Director Theodore Chapín the Arts INTAR Managing Director Honolulu, HI New York, NY Rodgers & Hammerstein Archive New York, NY Overview Charles Gray Executive Director and General Manager Gerald Freedman Christine Bullin Pittsburgh Civic Light Opera Artistic Director Manager Pittsburgh, PA Great Lakes Theater Festival San Francisco Opera Center Cleveland, OH San Francisco, CA Jira Ireland Linda Jackson Angelo Del Rossi Producing Director General Director Executive Producer Houston Grand Opera Chautauqua Opera Paper Mili Playhouse Houston, TX Chautauqua, NY Millbum, NJ

160 Cecilia Fitzgibbon Anne Bogart Charles Shere Executive Administrator Director Composer Delaware State Arts Council New York, NY Cdtic, Oakland Tribune New Castle, DE Berkeley, CA Ciark Gesner Paul Gleason Composer, Writer, Filmmaker Thomson Smillie Executive Director Brooklyn, NY General Director Ameñcan Center for Music Theater Kentucky Opera Association Pasadena, CA Paul Gleason Louisville, KY Stephanie Hughley Executive Director Conrad Susa Artistic Director, Manager American Center for Music Theater Composer National Black Arts Festival Pasadena, CA San Francisco, CA Atlanta, GA Laurel Wilson Karayanis Lyñcist Producer, General Manager General Director New York, NY New York, NY The Dallas Opera Dallas, TX William Harper Diane Wondisford Artistic Director Managing Director Mary Robert American Ritual Theater Company Music Theater Group General Director Chicago, IL Lenox Arts Center OperalOmaha New York, NY Omaha, NE Stephanie I-Iughley Professional Companies, Regional Kevin Smith Artistic Director, Manager Touring, Services to the Arts, Special General Director National Black Arts Festival Projects Minnesota opera Atlanta, GA St. Paul, MN Robert Bailey Paul Kellogg General Director General Director Portland Opera Composer, Conductor Glimmerglass Opera Portland, OR Great Neck, NY Cooperstown, NY Jack Beeson Laurel Ann Wilson Libby Larsen Composer Producer, General Manager Composer New York, NY New York, NY Minneapolis, MN #dice Coulombe Diane Wondisford Member, Board of Trustees Managing Director Michael McConneli Executive Director Arts, Inc. Music Theater Group Pasadena, CA Lenox Arts Center Lyric Opera Cleveland New York, NY Cleveland, OH Robert Darling Producer, Director, Designer New Ameriean Works & Spedal Stephen Paulus Hidden Valley Opera Projects Composer Carmel Valley, CA Atlanta, GA Irene Antoniou Angelo Del Rossi Patron, Board Member Polly Pen Executive Producer Illinois Arts Council Composer, Performer Paper Mili Playhouse Oak Brook, IL New York, NY Millbum, NJ

161 Karen Di Chiera American Music Theater Festival, Inc. International Arts Relations, Inc. Director of Education Philadelphia, PA $65,000 New York, NY $5,000 Michigan Opera Theater To support rehearsal and pre-production To support the 1989-90 Hispanic Ameri­ Detroit, MI costs for the world premiere of can Music Theatre Lab. Paradise, a new opera by Pulitzer Pñze Thomas Hernandez wirming composer William Bolcom and Lehman Engel Musical Theatre Director of Performing Arts noted librettist Amold Weinstein. Workshop Afizona Commission on the Arts Los Angeles, CA $5,000 Phoenix, AZ BMI Foundation, Inc. To support the Lehman Engel Musical New York, NY $5,000 Theatre Workshop for playwñghts, com- Plato Karayanis To support the BMI-Lehman Engel Musi- posers and lyricists. General Director cal Theatre Workshop. Lyric Opera of Chicago The Dallas Opera Boston Musica Viva, Inc. Dallas, TX Chicago, IL $10,000 Boston, MA $5,000 To support commissioning costs relating To support the creation of a to the creation of a new American opera by composer Martin Brody based on Lyricist by composer William Bolcom and libret- Mikhail Bulgakov’s novella Heart of a tists Robert Altman and Amold Weinstein. New York, NY Dog. Meet the Composer, Inc. Mary Robert Brooklyn Academy of Music, Inc. New York, NY $50,000 General Director Brooldyn, NY $10,000 To support the second year of the Meet Opera/Omaha To support the creation of a new music the Composer/Wallace Fund/Arts Endow­ Omaha, NE theater work by composer Elliot Golden­ ment Commissioning Program. thal and designer/director . Kevin Smith CSC Repertory, Ltd. Metropolitan Opera Association, Inc. General Director New York, NY $12,500 The Minnesota Opera New York, NY $5,000 To support the creation of a new blues To support the creation of a full-length St. Paul, MN music-theater piece by composer Anne work by composer/librettist Philip Glass. LeBaron and playwñght Laura Laurel Wilson Minnesota Opera Company Producer, General Manager Harfington. St. Paul, MN $I0,000 New York, NY District Curators, Inc. To support the creation and development Washington, DC $23,000 of a short music-theater piece by com­ New American Works To support the rehearsal and pre-produc­ poser/director Meredith Monk. tion costs for the premiere of Julius To enable Individuals as Producers or Hemphill’s Long Tongues: A Saxophone Minnesota Opera Company Organizations to create, develop, re­ Opera. St. Paul, MN $10,000 hearse, andproduce contemporary Amer­ To support the creation and development ican opera-musical theater works; Eugene O’Neill Memorial Theater of a music-theater piece for five ensemble encourage their introduction into the Center~ Inc. performers by Gunnar "Bob" Madsen standard repertory; and make audiences Waterford, CT $37,000 and Richard "Bob" Greene of the vocal more aware and appreciative ofthem. To support the O’Neill Center’s National quartet "The Bobs." Opera/Music Theater Conference. 42 Grants Minnesota Opera Company Program Funds: $863,500 Goodspeed Opera House Foundation, St. Paul, MN $40,000 Inc. To support rehearsal and pre-production Organizations East Haddam, CT $20,000 costs for Snow Leopard, by composer To support Goodspeed Opera House’s William Harper and librettist Roger musical theater workshop, Goodspeed-at- Neiboer. American Music Theater Festival, Inc. Chester. Philadelphia, PA $I0,000 Minnesota Opera Company To support the creation of a new music House Foundation for the Arts, Inc. St. Paul, MN $65,000 theater work by , composer, New York, NY $10,000 To support pre-production costs for the and Hilary Blecher, script writer and To support the creation of several new premiere of an opera by composer/libret­ director, musical theater pieces by Meredith Monk. tist Libby Larsen.

162 OPERA-MUSICAL THEATER

Minnesota Opera Company Paper Mili Playhouse Individuals as Producers St. Paul, MN $37,000 Millbum, NJ $5,000 To support the development of new works To support the Musical Theatre Project Bernhard, Eric J. by the New Music-Theater Ensemble. during the 1989-90 season. Oakland, CA $10,000 To support the engagement of Eñc Bem- Music Center Opera Association Playwrights Horizons, Inc. hard asa Producing Associate by George Los Angeles, CA $10,003 New York, NY $21,000 Coates Performance Works in San To support the creation of a new opera by To support Playwrights Horizons’ MusicalFrancisco. composer Thea Musgrave based on the Theatre Development Program. life of Simon Bolivar. Dickman, Stephen A. Ridiculous Theatrical Company, Inc. East Hampton, NY $15,000 New Dramatists, In¢. New York, NY $18,000 To support the creation and development New York, NY $9,000 To support the rehearsal and pre-produc- of Tibetan Dreams, a new opera by To support the New Dramatists’ Com­ tion of Der Ring Gott Farblonjet by composer Stephen Dickman and librettist poser-Librettist Studio. composer Mark Bennett and librettist Gary Glickman. Charles Ludlam. , Inc. Dunn, Karen L. New York, NY $33,000 New York, NY $25,000 To support the rehearsal and pre-produc­ San Francisco Mime Troupe, Inc. To support the creation and development tion of the New York stage premiere of San Francisco, CA $5,000 of The Fundamental Things Apply, a Amold Schoenberg’s rarely performed To support the creation of a new work by multimedia music-theater work by Karen Moses undAron, composer/lyricist Bruce Barthol and scñpt writer Joan Holden. Dunn and Sher Domff. New York Shakespeare Festival Herbst, Edward New York, NY $6,000 Skysaver Productions, Inc. East Otis, MA $10,000 To support the development of new musi- New York, NY $5,000 To support the creation and development cals by the New York Shakespeare Festi- To support the creation of a multimedia of Against the Earth, a new music-theater val’s Plays and Musicals Department. musical by composer Pat Irwin, lyricist work involving innovative vocal tech- Andrea Balis, and designer/director niques, acting, dance, and visual theater New Workshop, Inc. Theodora Skipitares. (, shadows, and puppetry). New York, NY $5,000 To support the creation of a full-length Spoleto Festival U.S.A. Vasilevski, Valeria chamber music-theatre piece by composer Charleston, SC $40,000 New York, NY $35,000 Stanley Silverman and librettist Maria To support the rehearsal and pre-produc- To support the creation and development Irene Fomes. tion of a work-in-progress by Laurie ofAllos Maker, a new music-theater work Anderson. by composer Stewart Wallace, librettist Ontological-Hysteric Theatre, Inc. Valeria Vasilevski, and choreographer Bill New York, NY $10,000 Z Jones. To support the creation and completion of Vineyard Theatre and Workshop Center, Inc. a new musical theater piece titled Love Professional Companies and Science by playwright/director/de- New York, NY $10,000 To support the creation of a musical theater signer Richard Foreman and composer piece by composer/lyñcist/author Polly For opera and musical theater companies Stanley Silverman. Pen. to improve their artistic quality and administrative skills, reach new audi- Opera Guild of Greater Miami, Inc. ences, and broaden their repertoire Miami, FL $30,000 Walker Art Center, Inc. to include more works by American To support the creation and development Minneapolis, MN $37,000 artists. of a musical drama by composer Carlisle To support rehearsal and pre-production Floyd. costs of ah opera by composer Paul 111 Grants Dresher and librettist Rinde Eckert. Program Funds: $2,221,000 Opera Theatre of Saint Louis Treasury Funds: $2,068,000 St. Louis, MO $25,000 Yale University To support the rehearsal and pre-produc- New Haven, CT $65,000 AMAS Repertory Theatre, Inc. tion of a new commissioned work by To support rehearsal and pre-production New York, NY $12,000 American composer Anthony Davis and costs for the premiere of Burning Bright To support the 1989-90 season of oñginal author and librettist Deborah Atherton. with and music by Frank Lewin. musical theater. 163 Actors Theatre of St. Paul Augusta Opera Association, Inc. Cincinnati Opera Association, Inc. St. Paul, MN $6,000 Augusta, GA $6,000 Cincinnati, OH $7,1)00 To support the musical theater portion of To support the 1989-90 production season TF: $38,000 the 1989-90 season, including the engagement of artistic, To support the 1989-90 season of administrative, and technical personn~l; productíons. Alaska Light Opera Theatre and to support the resident artist and educational prograrns. Cinnabar Arts Corporation Anchorage, AK $5,000 Petaluma, CA $5,000 To support the musical theater portion of Baltimore Opera Company, Inc. To support the 1989-90 production season the 1989 production season, including the of the Cinnabar Opera Theater including engagement of artistic, managerial, and Baltimore, MD $12,000 the engagement of artistic, managerial, technical personnel. TF: $15,000 To support the 1989-90 season of and technical personnel. productíons. American Music Theater Festival, Inc. Civic Light Opera Association of Philadelphia, PA $17,000 Pittsburgh TF: $20,000 BostonBoston, Lyric MA Opera Company $5,000 To supportPittsburgh, the 1989-90 PA production$18,000 season To support the 1989-90 production season including artists’ fees, rehearsal costs, To support the engagement of artistic and including the engagement of artistic, production personnel during the 1989- managerial, and technícal personnel. and staff salaries, 90 performance season. Connecticut Opera Association, Inc. American Repertory Theatre Casa Manana Musicals, Inc. Hartford, CT $5,000 Cambridge, MA $15,000 Ft. Worth, TX $5,000 To support the 1989-90 production season, TF: $7,000 To support the musical theater portion of including the engagement of artistic, To support the musical theater portion of the 1989 summer production season, manageñal, and technical personnel. the production season, including fees to musicians. Connecticut Player’s Foundation, Inc. Anchorage Civic Opera Association, Center Theatre Group of Los Angeles New Haven, CT $10,000 Inc. Los Angeles, CA $15,000 To support the musical theater portion of Anchorage, AK $8,000 To support the musical theater portion ofthe Wharf 1990 productionTheatre. season of the Long To support the 1989-90 production season the 1989-90 season including the engage- including the engagement of principal ment of artistíc, administrative, and Dallas Opera guest artists, chorus honorarium, and technical personnel. Dallas, TX $47,000 rental of scenery and costumes. TF: $85,000 Central City Opera Itouse Association To support the 1989-90 production season. Arizona Opera Company Denver, CO $10,000 Tucson, AZ $7,000 TF: $20,000 Dayton Opera Association To support the 1989-90 season including To support the engagement of administra- Dayton, OH $8,000 the engagement of artistic, managerial, tive, artistic, and support personnel of To support the engagement of artistic and and technical personnel, the Apprentice Program during the 1989 production personnel and related costs festival season, during the 1989-90 performance season. Arkansas Opera Theatre, Inc. Chautauqua Institution Des Moines Metro Opera, Inc. Little Rock, AR $8,000 Chautauqua, NY $5,000 Indianola, IA $12,000 To support fees to singers and other related TF: $15,000 To support artists’ fees and related costs costs during the 1989-90 season of To support the 60th-anniversary opera for the 1989-90 production season. productions, production season. Eugene Opera Eugene, OR $5,000 Atlanta Civic Opera Association, Inc. Children’s Theater Company and To support the engagement of a pñncipal Atlanta, GA $5,000 School, Inc. guest conductor and artistic fees duñng To support the 1989 summer season of Minneapolis, MN $10,000 the 1989-90 production season. productions including the engagement of To support the musical theater portion of artistic, managerial, and technical person-the 1989-90 production season including Florentine Opera Company, lnc. nel; and to support marketing and the engagement of artistic, development, Milwaukee, WI $15,000 promotion, and administrative personnel. To support the 1989-90 production season. 164 OPERA-MUSICAL THEATER

Ford’s Theatre Society Institute of Puerto Rican Culture Metropolitan Opera Association, Inc. Washington, DC $10,000 San Juan, PR $5,000 New York, NY $370,000 To support the musical theater portion of To support the 1989-90 season of produc- TF: $500,000 the 1989 production season including the tions of the Teatro de la Opera de Puerto To support artistic and technical prepara­ engagement of artistic, managerial, and Rico. tion for the 1989-90 production season. technical personnel. International Arts Relations, Inc. Michigan Opera Theatre Fort Worth Civic Opera Association, New York, NY $11,000 Detroit, MI $25,000 Inc. To support the 1989-90 mainstage musical TF: $35,000 Fort Worth, TX $5,000 theater production season. To support the mainstage production To support production expenses and season, community/education outreach, related costs during the 1989-90 perform- Kentucky Opera Association, Inc. and the Young Artist Apprentice Program ance season. Louisville, KY $18,000 during the 1989-90 performance peñod. TF: $7,0t70 George Coates Performance Company To support artistic, managerial, and technical personnel during the 1989-90 Mili Mountaín Playhouse Company San Francisco, CA $9,000 Roanoke, VA To support administrative and production production season. $5,000 To support the musical theater portion of expenses of original music theater works the 1989-90 season of productions includ­ during the 1989-90 performance season. Knoxville Opera Company Knoxville, TN $5,000 anding administrative the engagement personnel. of artistic, technical, Glímmerglass Opera, Inc. To support the 1989-90 production season. Cooperstown, NY $12,000 To support the engagement of artistic, Lake George Opera Festival Minnesota Opera Company managerial, and technical personnel and Association, Inc. St. Paul, MN $29,000 related costs duñng the 1990 summer Glens Falls, NY $15,000 TF: $45,000 production season. To support the 1990 summer season of To support production expenses for the productions and the Lake George Opera 1989-90 performance season. Goodspeed Opera House Foundation, Festival’s Lyric Theater Apprentice Inc. Program. Mobile Opera, Inc. East Haddam, CT $30,000 Mobile, AL $5,000 TF: $80,000 Long Beach Civic Light Opera To support the engagement of artistic, To support production expenses during Association administrative and production personnel, the 1989-90 performance season. Long Beach, CA $10,000 and related costs during the 1989-90 To support the 1989-90 season of performance season. Hawaii Opera Theatre productions. Honolulu, HI $10,000 Municipal Theatre Association of St. TF: $15,000 Lyric Opera Cleveland Louis To support the 1989-90 season including Cleveland, OH $5,000 St. Louis, MO $15,000 the engagement of artistic, managerial, To support the 1989 summer festival To support the 1989-90 musical theater and technical personnel, season including the engagement of artis- season of productions including the tic, production, and technical personnel, engagement of artistic, technical, and Houston Grand Opera Association, administrative personnel. Inc. Lyric Opera of Chicago Houston, TX $120,000 Chicago, IL $130,000 TF: $170,000 TF: $180,000 Music Center Opera Association To support marketing, expanded develop- To support the artistic, technical, and Los Angeles, CA $30,000 ment activities, and production costs marketing costs during the 1989-90 per- TF: $20,000 during the 1989-90 production season, formance season. To support the 1989-90 performance season. Indianapolis Opera Society Lyric Opera of Kansas City, Inc. Indianapolis, IN $5,000 Kansas City, MO $12,000 Music Theatre of Wichita, Inc. To support the 1989-90 production season TF: $18,000 Wichita, KS $6,000 including artistic, managerial, and techni-To support mainstage productions during To support musical theater productions cal personnel, as well as related costs, the 1989-90 performance season, duñng the 1989-90 season of productions. 165 Musical Theatre Works, Inc. Opera Colorado Opera Theatre of Saint Louis Ncw York, NY $8,000 Denver, CO $15,000 St. Louis, MO $35,000 To support the Premiere Series program To support the 1989-90 production scason TI:: $75,000 during the 1989-90 production season of opera-in-thc-round including the en- To support the Spring 1990 main season of new American musicals, gagcmcnt of artistic, adrninistrative, and of productions. production personnel. Natural Heritage Trust Opera de Camara, Inc. Lewiston, NY $15,000 Opera Company of Boston San Juan, PR $5,000 TF: $7,000 Boston, MA $10,000 To support the 1989-90 season of produc- To support the 1989 summer season of To support the 1989-90 production season tions including the engagement of artistic, opera and musical theater activities, including the engagement of artistic, administrative, and tectmical personnel. administrative, and production personnel. New Cleveland Opera Company Opera/Omaha, Inc. Cleveland, OH $18,000 Opera Company of Philadelphia Omaha, NE $14,000 TF: $7,000 Philadelphia, PA $17,000 TF: $6,000 To support the 1989-90 season of produc­ TI:: $25,000 To support the 1989-90 production season tions and audience development/educationTo support productions and the engage- including the engagement of artistic, ment of artistic, managerial, and technicaladministrative, and production persormel. outreach, personnel during the 1989-90 peñormance New York City Opera, Inc. season. Opera Delaware, Inc. Wilmington, DE $7,000 New York, NY $87,000 Opera Ensemble of New York, Inc. TF: $135,000 To support the engagement of administra­ New York, NY $5,000 tive, artistic, and technical persormel as To support rehearsal and performance fees To support artistic and technical fees and of soloists engaged during the 1989-90 well as the outreach program duñng the other related costs during the 1989-90 1989-90 production season. production season, production season. New York Gilbert & Sullivan Players, Paper Mili Playhouse Opera Grand Rapids Millbum, NJ $24,000 Inc. Grand Rapids, MI $5,000 TF: $31,000 New York, NY $5,000 To support the 1989-90 season of To support the musical theater portion of To support the 1989-90 production season productions, including the engagement of artistic, the 1989-90 production season. administrative, and technical personnel. Opera Guild of Greater Miami, Inc. Pennsylvania Opera Theater Miami, FL $47,000 Philadelphia, PA $9,000 New York Shakespeare Festival TF: $95,000 To support production and other related New York, NY $33,000 To support the 1989-90 production season. TF: $47,000 costs during the 1989-90 performance season. To support the musical theater portion of Opera Memphis, Inc. the 1989-90 production season. Memphis, TN $6,000 To support the 1989-90 production season Piedmont Opera Theater, Inc. and related costs. Winston-Salem, NC $5,000 North Light Repertory Company, Inc. To support the 1989-90 production season Evanston, IL $6,000 Opera North, Inc. including the engagement of artistic, To support the musical theater portion of Philadelphia, PA $5,000 managerial and technical personnel. the 1989-90 production season. To support the 1989-90 production season and related costs. Pittsburgh Opera, Inc. Odyssey Theatre Foundation Pittsburgh, PA $15,000 Los Angeles, CA $5,000 Opera Pacific TF: $20,000 To support the 1989-90 season of musical Costa Mesa, CA $15,000 To support the 1989-90 production season theater productions including the engage- To support the 1989-90 production season including the engagement of artistic, ment of artistic, administrative, and including the engagement of artistic, administrative, and production personnel. technical personnel, administrative, and production personnel. Playwrights Horizons, Inc. Opera Carolina Opera San Jose, Inc. New York, NY $12,000 Charlotte, NC $8,000 San Jose, CA $5,000 TF: $30,000 To support the 1989-90 mainstage produc- To support productions and related costs To support the musical theater portion of tion season and education/outreach, during the 1989-90 performance season, the 1989-90 production season. 166 OPERA-MUSICAL THEATER

Portland Opera Association, Inc. Santa Fe Opera Association Theatre Under the Stars, Inc. Portland, OR $18,000 Santa Fe, NM $75,000 Houston, TX $12,000 TF: $6,000 TF: $125,000 To support the musical theater portion of To support production expenses and To support the 1989-90 production season the 1989-90 production season. related costs during the 1989-90 perform- including the engagement of artistic, ance season, production and administrative personnel. Theatre de la Jeune Lune Minneapolis, MN $8,000 Revels, Inc. Sarasota Opera Association, Inc. To support the musical theater portion of Cambridge, MA $5,000 Sarasota, FL $10,000 the 1989-90 production season. To support artistic, development, market- To support the engagement of administra­ ing, production and related costs during tive, artistic, and technical personnel, TheatreWorks the 1989-90 performance season, as well as related costs during the 1989­ Palo Alto, CA $9,000 90 performance season. To support the 1989-90 season of musical Robert W. Woodruff Arts Center, Inc. theater productions, including the engage­ Atlanta, GA $5,000 Seattle Opera Association, Inc. ment of artistic and technical personnel. To support the musical theater portion of Seattle, WA $62,000 the 1989-90 production season, including TF: $105,000 Tri-Cities Opera Company, Inc. the engagement of artistic, administrative,To support the engagement of artistic, Binghamton, NY $19,000 and technical personnel of the Alliance administrative, production, and technical To support the 1989-90 production season. Theatre Company. personnel, as well as related costs during the 1989-90 season of productions. Tulsa Opera, Inc. Sacramento Opera Association Tulsa, OK $20,000 Sacramento, CA $5,000 Skylight Comic Opera, Ltd. TF: $15,000 To support the 1989-90 season of produc­ Milwaukee, WI $12,000 To support the 1989-90 production season, tions and opera outreach programs. including fees for the orchestra, conduc­ To support artists’ fees during the 1989­ tors, and singers. San Diego Civic Light Opera 90 production season, Association University of Utah San Diego, CA $5,000 Solvang Theaterfest Salt Lake City, UT $5,000 To support artists’ fees and expanded Santa Maria, CA $5,000 To support the musical theater portion of rehearsal time during the 1989 production To support musical artists-in-residence the Pioneer Memorial Theatre Company’s season, during the 1989-90 production season. 1989-90 production season. San Diego Opera Association Spanish Theatre Repertory Company, Utah Opera Company San Diego, CA $31,000 Ltd. Salt Lake City, UT $5,000 TF: $56,000 New York, NY $10,000 To support the 1989-90 season of To support the engagement of artistic, To support artists’ fees and related ex­ productions. production, and technical personnel dur­ penses during the 1989-90 production ing the 1989-90 performance season, season. Vineyard Theatre and Workshop Center, Inc. San Francisco Mime Troupe, Inc. Spoleto Festival U.S.A. New York, NY $8,000 San Francisco, CA $15,000 Charleston, SC $15,000 To support the musical theater portion of To support the 1989-90 season of musical TF: $20,000 the 1989-90 performance season, includ­ theater productions. To support the 1989 production season ing artists’ fees and increased production including the engagement of artistic, pro-and marketing expenses. San Francisco Opera Association duction, and technical personnel. San Francisco, CA $130,000 Virginia Opera Association, Inc. TF: $200,000 Summer Opera Theatre Company, Inc. Norfolk, VA $10,000 To support artistic and technical costs Washington, DC $5,000 TF: $15,000 duñng the 1989-90 production season. To support artistic, administrative, and To support the 1989-90 production season technical fees, and related costs during theincluding the engagement of artisfic, San Jose Civic Light Opera 1989 summer producfion season, administrative, and production personnel. Association, Inc. San Jose, CA $7,000 Syracuse Opera Company, Inc. Washington Drama Society, Inc. To support musician fees and rehearsal Syracuse, NY $6,000 Washington, DC $14,000 costs during the 1989-90 production To support the 1989-90 season of To support the musical theater portion of season, productions. Arena Stage’s 1989-90 production season. 167 Washington Opera Children’s Theater Company and New England Foundation for the Arts Washington, DC $62,000 School, Inc. Cambridge, MA $7,000 TF: $110,000 Minncapolis, MN $5,000 To support fccs to sponsors during the To support fccs for artistic pcrsonncl To support the 1989-90 touring production 1989-90 touring scason. duñng the 198%90 production scason and season. related costs. New York City Opera, Inc. Des Moines Metro Opera, Inc. New York, NY $20,000 Wolf Trap Foundation for the Indianola, lA $5,000 To support the 1989-90 touring production Performing Arts To support the 1989 touring production season. Vienna, VA $7,000 season. Opera de Camara, Inc. To support the Wolf Trap Opera Company San Juan, PR $11,000 during the summer of 1989. Eady Music Foundation, Inc. To support touring expenses during the New York, NY $5,000 1989-90 production season. To support the 1989-90 touring season of The following grants were listed in Annualthe Ensemble for Early Musíc. Opera!Omaha, Inc. Report 1988 as having a portíon of their Omaha, NE $10,000 Treasury Funds obligated in Fiscal 1989: George Coates Performance Company To support the 1989-90 touñng production San Francisco, CA $6,000 season. American Musical Theater Festival, To support touring dudng the 1989-90 Inc. season to the East Coast, Central Plains, Pittsburgh Opera Theater, Inc. Philadelphia, PA Pittsburgh, PA $7,000 TF: $16,000 and Southem Califomia regions. To support the 1989-90 touñng production season. Cincinnati Opera Association, Inc. Michigan Opera Theatre Cincinnati, OH TF: $33,000 Detroit, MI $7,000 San Francisco Mime Troupe, Inc. To support the 1989-90 touring season of San Francisco, CA $15,000 Opera Company of Philadelphia the Opera-in-Residence program. To support the 1989-90 touñng production Philadelphia, PA TF: $22,000 season. Mid-America Arts Alliance Virginia Opera Association, Inc. Kansas City, MO $6,000 Texas Commission on the Arts Norfolk, VA TF: $13,000 To support fees to sponsors during the Austin, TX $21,000 1989-90 touring season. To support, in cooperation with statc and local arts organizations in Texas and *Indicates funds which ate committed Mid-Atlantic Arts Foandation Louisiana, performances and residencies only. These funds will be obligated in of Texas Opera Theatre during the 1989-90 Fiscal 1990. Baltimore, MD $7,000 To support artists’ fees paid by nonprofit touring season. organizations during the 1989-90 touring Texas Opera Theater, Inc. Regional Touring season. Houston, TX $95,000 To support the 1989-90 touring season To enable professional nonprofit opera or Minnesota Opera Company and residency program. musical theater companies to tour in St. Paul, MN $21,000 multistate regions. To support the 1989-90 touring production Theatreworks/USA Corporation season. New York, NY $5,000 23 Grants To support the 1989-90 touñng season of Program Funds: $393,000 Mother Lode Musical Theatre and Theatreworks/USA. Seminars, Inc. Waverly Consort, Inc. Arts Midwest Kentfield, CA $5,000 New York, NY $5,000 Minneapolis, MN $12,000 To support the 1989-90 toufing production To support the 1989-90 touring production To support fee assistance to organizations season. season. that present Midwest Opera Theater, Cleveland Opera on Tour, and Skylight Musical Traditions Western Opera Theater, Inc. Comic Opera during the 1989-90 touring Berkeley, CA $9,000 San Francisco, CA $95,000 season in the area served by the To support the 1989-90 touring production To support the 1989-90 touríng production organization, season, season. 168 OPERA-MUSICAL THEATER

Western States Arts Federation National Alliance of Musical Theatre Kornick, Rebecca H. Santa Fe, NM $14,000 Producers Chicago, IL $5,000 To assist fee support for nonprofit organi- New York, NY $13,000 To support the research and writing of zations that present Westem Opera Thea- To support NAMTP’s artistic, manage- Recent American Opera: A Guide. ter during the 1989-90 touñng production ment, and information programs and services to its 63 member companies. season, National Public Radio, Inc. New York Public Library Astor, Lenox Washington, DC $20,000 Services to the Art and Tilden Foundations To support the production and national New York, NY $11,000 distribution of two produced by To assist organizations that provide To support the Theatre on Film and Tape services to the opera-musical theaterfieM American opera companies, to be aired on Archive (TOFT). the ongoing señes "NPR World of Opera." asa whole ora sector of it. OPERA America, Inc. 13 Grants Washington, DC $99,000 New York Shakespeare Festival Program Funds: $469,005 To support programs and services to New York, NY $5,000 professional opera companies. To support American participation in the Affiliate Artists, Incorporated 1989 Latino Festival en Nueva York. OPERA America, Inc. New York, NY $10,000 Washington, DC $18,000 To support the 1989-90 residency To support the Special Constituencies OPERA America, Inc. program. Technical Assistance program. Washington, DC $10,000 To support the completion of the first American Music Center, Inc. OPERA America, Inc. textbook series for opera-musical theater New York, NY $8,000 Washington, DC $75,900 (for grades K-12) to be published in North To support AMC’s contemporary Ameñ- To support assistance to singers and America. can opera-musical theater information fellowship programs. services, and to support the Margaret San Francisco Opera Association OPERA America, Inc. Fairbank Jory Copying Assistance Washington, DC $50,000 Program. San Francisco, CA $25,000 To support salary and related expenses for To support OPERA America’s "Opera for Adler fellows and their faculty during the 80’s and Beyond" program. Consulting Associates the 1989-90 season. Washington, DC $119,005 Opera Company of Philadelphia For a cooperative agreement to conduct Santa Fe Opera Association Philadelphia, PA $12,500 the Fiscal 1989 onsite program for the Santa Fe, NM $5,000 To support additional production costs in Opera-Musical Theater Program. To support the Apprentice Training Pro- gratas for Singers and Theater the 1989-90 season. Houston Grand Opera Association, Technicians. Inc. Opera Orchestra of New York, Inc. Houston, TX $15,000 Special Projects New York, NY $18,000 To support the 1989-90 season of concert To support the Houston Opera Studio For organizations and individuals to training program during the 1989-90 opera performances and the Young Artists pursue Outstanding, exemplary ideas that Program. season, advance the forms of opera and musical theater. Concert opera projects and Lyric Opera Center for American artistic associates are alsofunded under Theatre Communications Group, Inc. Artists this category. New York, NY $8,000 Chicago, IL $25,000 To support the production and marketing To support the Center’s training program 11 Grants of Laurence Shyer’s and for young American opera singers during Program Funds: $172,500 His Collaborators. the 1989-90 season. Berkshire Ensemble for Theatre Arts, Inc. Warner, Russell L. Metropolitan Opera Association, Inc. Williamstown, MA $5,000 New York, NY $19,000 New York, NY $15,000 To support the Berkshire Ensemble for To support the restoration and orchestra- To support the 1989-90 ¥oung Artist Theatre Arts (BETA) year-round outreach tion of the 1930 musical Fine and Dan@, Development Program. program "BETA Alternative." by Kay Swift. 169 Artistic Associate Goodspeed Opera House Foundation, Inc. East Haddam, CT $20,000 To support the cngagcmcnt of a full-timc artistic associatc and rclatcd costs.

170 ~~~ Grants Theater Program Funds: $10,732,500

The Theater Program assists professional artists, primarily puppeteers, clowns and artists working in creation and through support for theater companies, and facilitates the career performance submitted applications of unusually high quality. development of talented individuals. It also promotes professional training, innovative artistic projects, and activities aimed at The Services to the Field category continued to assist not-for­ reaching new audiences, profit organizations and publishers for projects and specific servíces meeting theater needs on a national scale. One such he Professional Theater Companies category continues grant was made in 1989 to ASSITEJ/USA for the publication and to be the Theater Program’s primary means ofencout- editing of journals addressing theater for young audiences. Taging artistic excellence among organizations. FundingThese publications are distñbuted both nationally and abroad. supports ongoing company activity and performance, with a high prioñty placed on achieved performance standards, The Professional Theater Presenters category supported both appropriate dramaturgy, multi-cultural participation, and appro-theater festivals and tours of professional theater companies and priate compensation of artists. Recognizing that excellence solo theater artists through major regional and independent appears in many different forms, the National Endowment sup- presenters. A grant made to the Southem Arts Federation sup­ ported both established companies and newer, emerging organi- ported activities throughout the South during the 1990-91 season. zations, representing a range of aesthetic and cultural viewpoints. Of the 199 grants awarded in this category, 14 were given to This was the second year that the Special Projects category was companies which had not been funded in the previous year. expanded to include projects of exceptional artistic quality and national impact from organizations that are not current grantees One of the most unusual aspects of the American theater in of the Theater Program. The category is directed towards recent years has been the emergence of a great diversity of solo innovative projects that are not part of a theater’s usual season. performers. In response to artistic achievement in the increasinglyIn 1989, funds were given to of New diverse movement theater field, the Theater Program’s Fellow- Brunswick, NJ, for example, to support the development of ships for Mimes category was expanded for the second year Sheila’s Day, a cross-cultural collaboration of South African and to include Solo Performance Artists. Asa result, the number ofAfrican-Ameñcan women exploring and celebrating a common applications over the past two years has doubled, as grants were ancestral heñtage. Under the direction of Mbongeni Ngema, this made available to a new exciting group of theater artists. In piece was an historic exchange of cultures, dramatic styles, addition to mimes, many performers, such as New Vaudevillians,philosophies, politics, and religion.

Advisory Panels Robert Rosen David Ernmes Artistic Director Artistic Director Theatre de la Jeune Lune Artistic Advancement Minneapolis, MN Costa Mesa, CA Jo Ann Schmidman Artistic Director Phil Esparza Rene Auberjonois Producing Director Actor Omaha Magic Theatre Los Angeles, CA Omaha, NE El Teatro Campesino San Juan Bautista, CA Stan Wojewodski Tisa Chang Artistic Director Ruby Lerner Artistic/Producing Director Founder Pan Asian Repertory Theatre Baltimore, MD Alternate Roots New York, NY Challenge II/Advancement Atlanta, GA

Peter Donnelly Alan Eisenberg Michael Maso President Executive Secretary Managing Director Corporate Council for the Arts Actors’ Equity Association Huntington Theatre Company Seattle, WA New York, NY Boston, MA 172 THEATER

George Parides Companies Ray Tater Director of the Theater Arts Section Theater Program Director North Carolina Arts Council Rene Buch Califomia Arts Council Chapel Hill, NC Artistic Director Sacramento, CA Repertorio Espanol New York, NY Russeli Vandenbroucke Greg Rowe Artistic Director General Manager Northlight Theater People’s Light and Theatre Company David Chambers Malvem, PA Stage Director, Professor of Directing Evanston, IL Yale School of Drama New Haven, CT Sam Woodhouse Sam Woodhouse Producing Director Producing Director Dudley Cocke San Diego Repertory Theatre San Diego Repertory Theatre Director San Diego, CA San Diego, CA Roadside Theater Suzan Zeder Whitesburg, KY Playwright, Professor of Playwriting Challenge IIl John Dillon Southem Methodist University Artistic Director Dallas, TX Rene Auberjonois Milwaukee Repertory Theater Mime & Solo Performance Theater Actor Milwaukee, WI Artists Los Angeles, CA Sheldon Epps Vincent Anthony Tisa Chang Freelance Director Teaneck, NJ Executive Director Artistic/Producing Director Center for Puppetry Arts Pan Asian Repertory Theatre Michael Fields Atlanta, GA New York, NY Co-Artistic Director Philip Arnoult Dell’ Arte Players Company Director Peter Donnelly Blue Lake, CA Theatre Project President Baltimore, MD Corporate Council for the Arts Barry Grove Seattle, WA Managing Director Ariel Ashwell Manhattan Theater Club Movement Artist Robert Rosen New York, NY New York, NY Artistic Director Rick Khan Theatre de la Jeune Lune Reid Gilbert Producing Artistic Director Movement Artist, Professor Minneapolis, MN Crossroads Theatre Company Theater Department New Brunswick, NJ Ohio State University Jo Ann Schmidman Columbus, OH Artistic Director Rob Orchard Omaha Magic Theatre Managing Director Geoff Hoyle Omaha, NE American Repertory Theatre Solo Performer Cambridge, MA San Francisco, CA Stan Wojewodski Suzanne Sato Julie Lazar Artistic Director Associate Director for Arts & Humanities Director of Performance Programming Center Stage Museum of Contemporary Art Baltimore, MD New York, NY Los Angeles, CA

173 Larry Pisoni Barry Grove Julia Miles Performer, Former Artistic Director Managing Director Director Piclde Family Circus Club The Women’s Project San Francisco, CA New York, NY New York, NY National Resources Rick Khan Jerry Patch Producing Artistic Director SouthLiterary Coast Manager Repertory Robert Hoiley Crossroads Theatre Company Costa Mesa, CA Consultant New Brunswick, NJ Albany, NY Suzan Zeder Jerry Patch Playwdght, Professor Baylor Landrum Dramaturg Southem Methodist University Vice President South Coast Repertory Dallas, TX Greater Louisville Fund for the Arts Costa Mesa, CA Louisvílle, KY Artistic Advancement: Ongoing Donovan Marley Mitzi Sales Ensembles Managing Director Artistic Director To help existing theater companies create Denver Center Theatre Company Berkeley Repertory Theatre or strengthen continuing relationships Berkeley, CA Denver, CO with resident artists. Mitzi Sales Jo Ann Schmidman 4 Grants Managing Director Artistic Director Program Funds: $492,000 Berkeley Repertory Theatre Omaha Magic Theatre Berkeley, CA Omaha, NE A Traveling Jewish Theatre San Francisco, CA $47,700 Ralph Sandler Jennifer Tipton To support the third year of ongoing Managing Director Lighting Designer ensemble activity, which has provided for Madison Performing Arts Center New York, NY increased artists’ compensation and Madison, WI benefits, enlargement of the permanent ensemble, and engagemem of a director/ Ruben Sierra Charles Ibwers dramaturg duñng creation of a new work. Artistic Director Artistic Director Seattle Group Theatre Virginia Stage Company American Repertory Theatre Norfolk, VA Cambridge, MA $84,300 Seattle, WA To support the fifth and final year of Arthur Storch Sam Woodhouse ongoing ensemble activity, which Producing Artistic Director Producing Director increases compensation for the acting Syracuse Stage San Diego Repertory Theatre ensemble, extends employment, expands Syracuse, NY San Diego, CA the acting ensemble, and develops the Resident Artists’ Program. Overview Playwrights Foundation Minneapolis, MN $250,000 Philip Arnoult Conrad Bishop To support the third year of ongoing Director Artistic Director ensemble activities, which provides for Theatre Project The Independent Eye increases in artists’ compensation and the Baltimore, MD Lancaster, PA expansion of the acting company. Peter Donnelly Mabou Mines Development President Ríck Davis Foundation, lnc. Corporate Council for the Arts Dramaturg New York, NY $110,000 Seattle, WA Center Stage To support the third year of ongoing Baltímore, MD ensemble activities, which strengthen the core ensemble by providing increased Producing Director Eduardo Machado compensation for ensemble members and Arena Stage Playwright expanding the number of Mabou Mines’ Washington, DC Pasadena, CA associate artists. 174 THEATER

Artistíc Advancement/Special International Arts Relations, Inc. A Contemporary Theatre, Inc. Projects New York, NY $22,800 Seattle, WA $37,500 To support collaborations between trans- To support artists’ fees, salañes, and To respond to innovative and exemplary lators and visual artists who will work production expenses in the 1989-90 projects that are outside of an applicant together throughout the translations of season. organization’ s normal scope of activities plays. andfinancial capabilities. A Traveling Jewish Theatre New York Shakespeare Festival San Francisco, CA $17,500 12 Grants New York, NY $20,000 To support the expenses of the 1989-90 Program Funds: $320,000 To support American participation in the season of productions. 1989 Festival Latino en Nueva York. Appalshop, Inc. Actors Theatre of Louisville, Inc. Whitesburg, KY $16,500 Ohio Outdoor Historical Drama Louisville, KY $165,000 To support a residency by Roadside Associatíon, Inc. To support the expenses of the 1989-90 Theater with traditional Native Ameñcan New Philadelphia, OH $5,000 season of productions. storytellers, singers, and dancers in Zuni, To support artists’ fees for the 20th New Mexico. armiversary season. Actors Theatre of St. Paul St. Paul, MN $7,500 Boarshead Theatre On the Edge, Inc. Lansing, MI To support the expenses of the 1989-90 $5,000 Dallas, TX $28,890 season of productions. To support expenses related to the 1989­ To support the development and produc­ 90 production season, tion of work by solo performance theater artist Fred Curchack for Deep Ellum Adaptors, Inc. Baltimore Theatre Project, Inc. Theatre Garage. Brooklyn, NY $15,000 Baltimore, MD $30,000 To support production costs and artistic salaries in the 1989-90 season. To support the commission and develop- Portland Stage Company, Inc. ment of a new collaborative play by The Portland, ME $39,810 Road Company in Johnson City, Tennnes- To support the first year of the position of Aiabama Shakespeare Festival, Inc. see, and Touchstone Theatre in Bethle- a dramaturg to evaluate the theater’s Montgomery, AL $7,500 hem, Pennsylvania, produced by the process of play development and produc- To support expenses associated with the Baltimore Theatre Project. tion as well as to upgrade publications. 1989-90 production season.

Crossroads, Inc. Spanish Theatre Repertory Company, Ailey Theatre New Bmnswick, NJ $48,000 Ltd. Houston, TX $35,000 To support the development of "Sheila’s New York, NY $50,000 To support the expenses of the 1989-90 Day," a cross-cultural collaboration of season of productions. South African and African-American To support a series of residencies by Latin women, under the direction of Mbongeni Ameñcan directors. Ngema, who will explore and celebrate American Conservatory Theatre their common ancestral heñtage. Theatre de la Jeune Lune Foundation Minneapolis, MN $18,000 San Francisco, CA $85,000 Empty Space Association To support a workshop with playwright/ To support the expenses of the 1989-90 Seattle, WA $10,000 composer Gary Parker. season of productions. To support administrative expenses asso­ ciated with emergency relocation costs. Professional Theater Companies American Place Theatre, Inc. New York, NY $7,500 Empty Space Association To assist professional theater companies To support the expenses of the 1989-90 Seattle, WA $31,000 that produce work at the highest artistic season of productions. To support the Empty Space Theatre’s level and are of national or regional collaboration with British dkector/drama- signilicance. Ameri¢an Repertory Theatre turg Jolm Russell Brown for the develop- Cambridge, MA $245,000 ment and production of The Elizabethan 199 Grants To support the expenses of the 1989-90 Popular Drama Project. Program Funds: $7,729,000 season of productions.

175 American Repertory Theatre of Available Potential Enterprises, Center Theatre Group of Los Angeles Cincinnati Limited Los Angeles, CA $280,000 Cincinnati, OH $7,500 Northampton, MA $10,000 To support artists’ compensation in the To support productíon expenses for Art- To support expenses in the 1989-90 season 1989-90 mainstage season and new play Reach Touñng Theatre during the 1989-90 of productions for NO Theater. development activities for the Mark Taper season. Forum. Berkeley Repertory Theatre American Stage Company, Inc. Berkeley, CA $110,000 Center for Puppetry Arts, Inc. St. Petersburg, FL $7,500 To support expenses of the 1989-90 season Atlanta, GA $125,000 To support expenses associated with the of productions. To support the 1989-90 season of 1989-90 production season. Berkeley Shakespeare Festival production. Berkeley, CA $7,500 Appalshop, Inc. To support the expenses of the 1989 season Chicago Theatre Group, Inc. Whitesburg, KY $40,000 of productions. Chicago, IL $150,000 To support artists’ compensation, training, To support the ’s 1989­ and touring expenses in the 1989-90 Bert Houle-Sophie Wibaux Mime 90 season of productions. season of Roadside Theater. Theatre San Francisco, CA $7,500 Child’s Play Touring Theatre Arizona Theatre Company To support production expenses in the Chícago, IL $12,500 Tucson, AZ $75,000 1989-90 season. To support the expenses of the 1989-90 To support the expenses for the 1989-90 season of productions. season of productions and the administra- Biake Street Hawkeyes Berkeley, CA $7,500 Children’s Theatre Company and tire expenses of a special consultancy To support expenses during the 1989-90 for the theater company, School, Inc. season of production. Minneapolis, MN $90,000 To support the expenses of the 1989-90 Arkansas Repertory Theatre Company Bloomsburg Theatre Ensemble, Inc. production season. Little Rock, AR $7,500 Bloomsburg, PA $7,500 To support artists’ fees, salaries, and To support the expenses of the 1989-90 related expenses in the 1989-90 season of season of productions. Cincinnati Playhouse in the Park productions. Cincinnati, OH $7,500 Brass Tacks Theatre To support expenses associated with the Asolo Center for the Performing Arts, Minneapolis, MN $10,000 1989-90 season of production. Inc. To support artists’ fees and artistic salaries Sarasota, FL $7,500 in the 1989-90 season of productions. Cirde Repertory Theatre Company, To support expenses associated with the Inc. 1989-90 season of productions. Broom Street Theater, Ltd. New York, NY $110,000 Madison, WI $7,500 To support the expenses associated with To support artists’ fees, salañes, and the 1989-90 season of productions. Association for Development of related costs in the 1989-90 production Dramatic Arts, Inc. season. Circle in the Square, Inc. New York, NY $7,500 New York, NY $30,000 To support the expenses associated with CSC Repertory, Ltd. To support production expenses and the 1989-90 season of productions for New York, NY $15,000 artists’ fees in the 1989 90 season. Jean Cocteau Repertory. To support the 1989-90 season of productions. Coney Island USA At the Foot of the Mountain Capital Repertory Company Brooklyn, NY $7,500 Minneapolis, MN $7,500 To support expenses associated with the To support productions in the 1989-90 Albany, NY $15,000 To support the expenses of the 1989-90 1989-90 season. season, season of productions. Connecticut Player’s Foundation, Inc. Attic Theatre, Inc. Center Stage Associates, lnc. New Haven, CT $162,500 Detroit, MI $10,000 Baltimore, MD $165,000 To support expenses associated with the To support the expenses of the 1989-90 To support the expenses during the 1989­ 1989-90 season of productions for Long season of production. 90 production season. Wharf Theater.

176 THEATER

Contemporary Arts Center Denver Center for the Performing Arts Fiji Theater Company, Inc. New Orleans, LA $7,500 Denver, CO $72,500 New York, NY $22,500 To support artists’ fees and artistic saladesTo support the expenses during the 1989- To support the development of new work in the 1989-90 theater production season. 90 production season, in the 1989-90 production season.

The Coterie, Inc East West Players, Inc. Foundation of the Dramatists Guild, Kansas City, MO $10,000 Los Angeles, CA $7,500 Inc. To support artists’ fees and artistic sala_des To support artists’ fees in the 1989-90 New York, NY $7,500 in the 1989-90 production season, season. To support the Young Playwrights’ Festival during the 1989-90 production season. Creation Production Company, Inc. El Teatro Campesino New York, NY $12,000 San Juan Bautista, CA $27,500 To support expenses associated with the To support expet~ses associated with G.A.L.A., Inc. 1989-90 production season, productions in the 1989-90 season. Washington, DC $7,500 To support actors’ lees, artistic salades, Cricket Theatre Corporation El Teatro de la Esperanza and related costs in the 1989-90 season. Minneapolis, MN $7,500 San Francisco, CA $10,000 To support expenses associated with the To support actors’ and directors’ fees in Genesee Valley Arts Foundation, Inc. 1989-90 season of productions, productions during the 1989-90 season. Rochester, NY $12,500 To support the expenses of the 1989-90 Crossroads Theatre Company Emmy Gifford Children’s Theatre season of productions. New Brunswick, NJ $37,500 Omaha, NE $7,500 To support artists’ and production staff To support artists’ compensation in the 1989-90 season. George Coates Performance Works salafies, production expenses for the San Francisco, CA $17,500 mainstage, the associate artists program, Empty Space Asso¢iation To support expenses associated with the and the "New PlayRites" program in the creation of new work for the 1989-90 1989-90 season. Seattle, WA $45,000 To support expenses during the 1989-90 production season. Dallas Theater Center production season. Dallas, TX $115,000 Gloucester Stage Company To support expenses associated with the Ensemble Studio Theatre, Inc. Gloucester, MA $7,500 1989-90 production season. New York, NY $15,000 To support the expenses of the 1989-90 To support artists’ fees and salaries in the season of productions. 1989-90 season. Das Puppenspiel Puppet Theatre, Inc. Westfield, NY $10,000 Eugene O’Neill Memorial Theater Great Lakes Theater Festival, Inc. To support expenses associated with the Center, Inc. Cleveland, OH $20,000 1989-90 season of production. Waterford, CT $125,000 To support artists’ compensation and To support the National Playwrights artistic fees for the 1989-90 season. Deep Ellum Theatre Group Conference and the National Critics Dallas, TX $7,500 Institute. Group I Acting Company, Inc, To support artists’ fees and artistic salañes New York, NY $160,000 in the 1989-90 season of productions for Eureka Theatre Company To support expenses in the 1989-90 Undermain Theatre. San Francisco, CA $25,000 production season of the Acting Company. To support artists’ fees and salaries for the Delaware Theatre Company 1989-90 season. Wilmington, DE $7,500 Guadalupe Cultural Arts Center To support artists’ compensation in the Feedback Productions, Inc. San Antonio, TX $7,500 1989-90 production season. San Francisco, CA $7,500 To support production costs associated To support expenses associated with the with the 1989-90 season of Teatro Dell’Arte, Inc. 1989-90 season for Make-A-Circus. Guadalupe. Blue Lake, CA $17,500 To support artists’ salades and project Figures of Speech Theatre Guthrie Theatre Foundation costs duñng development, performance, Freeport, ME $5,000 Minneapolis, MN $295,1300 and touring of original work by the To support expenses associated with the To support expenses during the 1989-90 ensemble during the 1989-90 season. 1989-90 season, season of productions. 177 Hallie Q. Brown Community Center, L.A. Theatre Works Manhattan Theatre Club, Inc. Inc. Venice, CA $7,500 New York, NY $75,000 St. Paul, MN $7,500 To support production expenses during To support the artistic salaries and pro­ To support artists’ fees, salaries, and the 1989-90 season, duction expenses of the 1989-90 season. production expenses in the 1989-90 season of productions for Penumbra Theatre. La Mama Experimental Theatre Club, McCarter Theatre Center for the Inc. Performing Arts Hartford Stage Company, Inc. New York, NY $215,000 Pdnceton, NJ $50,000 Hartford, CT $180,000 To support the expenses associated with To support expenses for the 1989-90 To support the expenses associated with the 1989-90 theater production season, theater production season. the 1989-90 season of productions. Lime Kiln Arts, Inc. Merrimack Regional Theatre, Inc. Henry Street Settlement Lexington, VA Lowell, MA $12,500 New York, NY $35,000 $7,500 To support production costs and artists’ To support production expenses for the To support the production expenses duringfees in the 1989-90 season. Africa Sedes dudng New Federal Thea­ the 1989-90 season. tre’s 1989-90 season. Metro Theatre Circus Los Angeles Actors Theatre Foundation St. Louis, MO $17,500 Honolulu Theatre for Youth Los Angeles, CA $40,000 To support the expenses of the 1989-90 Honolulu, HI $27,500 To support artists’ fees and artistic salariesseason of productions. To support artists’ fees, salaries, and during the 1989-90 production season of production expenses for the 1989-90 the Los Angeles Theatre Center. Mettawee River Company, Inc. season. Salem, NY $15,000 Mabou Mines Development To support expenses associated with the Huntington Theatre Company, Inc. Foundation, Inc. 1989-90 season of productions. Boston, MA $20,000 New York, NY $107,500 To support the expenses associated with To support artists’ salaries and fees as Milwaukee Repertory Theater, Inc. the 1989-90 season of productions, well as production costs in the 1989-90 Milwaukee, WI $135,000 season. To support artists’ fees and production Independent Eye, Ltd. expenses for the 1989-90 season. Lancaster, PA $12,500 Mad Hatters To support expenses during the 1989-90 Kalamazoo, MI $10,000 Missouri Repertory Theatre, Inc, production season. To support artists’ compensation during Kansas City, MO $12,500 the 1990 production season. To support production expenses during Indiana Repertory Theatre, Inc. the 1989-90 season. Indianapolis, IN $7,500 Mad River Theater Works To support the expenses of the 1989-90 West Liberty, OH $5,000 Mixed Blood Theatre Company season of productions. To support expenses associated with the Minneapolis, MN $12,500 I989-90 season. To support mainstage productions dufing International Arts Relations, Inc. the 1989-90 season. New York, NY $17,000 To support artists’ fees, salaries, and Magic Theatre Foundation Nashville Academy Theatre, Inc. related costs for a mainstage production, Omaha, NE $45,000 Nashville, TN $7,500 the Staged Reading Sedes, and Stage II To support production expenses and To support artists’ compensation during productions in the 1989-90 season, artists’ fees in the 1989-90 season, the 1989-90 production season.

Intiman Theatre Magic Theatre, Inc. Natíonal Theatre of the Deaf, Inc. Seattle, WA $10,000 San Francisco, CA $35,000 Chester, CT $32,500 To support the expenses associated with To support the expenses associated with To support the expenses associated with the 1989-90 season of productions, the 1989-90 season of productions, the 1989-90 production season.

Jomandi Productions, Inc. Manhattan Punch Line Theatre, Inc. Negro Ensemble Company, Inc. Atlanta, GA $12,500 New York, NY $7,500 New York, NY $52,500 To support expenses in the I989-90 season To support expenses associated with the To support the expenses of the 1989-90 of productions. 1989-90 season of productions, season of productions. 178 THEATER

New City Theatre Oakland Ensemble Theatre Perseverance Theatre, Inc. Seattle, WA $7,500 Oakland, CA $7,500 Douglas, AK $30,000 To support artists’ salaries in the 1989-90 To support artists’ fees and artistic salariesTo support mainstage production expenses season of productions, in the 1989-90 season of productions, in the 1989-90 season.

New Dramatists, Inc. Odyssey Theatre Ensemble Philadelphia Festival Theatre for New New York, NY $27,500 Los Angeles, CA $35,000 Plays To support artists’ fees and production To support artists’ fees and artistic salañesPhiladelphia, PA $7,500 expenses in the 1989-90 season, in the 1989-90 theater production season. To support the expenses associated with New Hampshire Mime Company Dance the 1989-90 season of productions. Theatre East Portsmouth, NH $10,000 San Diego, CA $180,000 Philadelphia Theatre Company To support the cxpenscs associatcd with To support cxpenscs associatcd with the Philadclphia, PA $7,500 the 1989-90 scason of productions for 1989-90 production season. To support cxpenses during the 1989-90 Pontine Movement Theatrc. scason of productions. Ontological-Hysteric Theatre, Inc. New Mexico Repertory Theatre, Inc. Ncw York, NY $40,000 Pickle Family Circus, Inc. Albuquerque, NM $7,500 To support expenses associated with the San Francisco, CA $45,000 To support expenses associated with the 1989-90 season of productions. To support the expenses associated with 1989-90 season of productions, the 1989-90 season of productions. Oregon Shakespeare New Stage, Inc. Festival Association Jackson, MS $7,500 Pittsburgh Public Theater Corporation Ashland, OR $55,000 Pittsburgh, PA $22,500 To support artists’ fees and compensation To support artists’ salaries, fees, and during the 1989-90 production season, To support expenses associated with the expenses for the 1989-90 season of 1989-90 season of productions. performances. New Theatre of Brooklyn, Inc. Brooklyn, NY $7,500 Playwrights’ Center To support expenses during the 1989-90 Otrabanda Company Minneapolis, MN $20,000 season of productions. To supportNew York, the expenses NY associated $15,000 with To support the expenses of the Develop- mental Lab and the Midwest PlayLabs. New York School for Circus Arts the development and production of a new New York, NY $20,000 work and related expenses during the 1989-90 season. Playwrights Horizons, Inc. To support production expenses for Big New York, NY $120,000 Apple Circus’ performances at the Lincoln Center during the 1989-90 season. Pan Asian Repertory Theatre, Inc. To support activities related to the devel- New York, NY $12,500 opment of Amefican playwrights and New York Shakespeare Festival To support artists’ fees, salaries, and the theater portion of the 1989-90 produc- New York, NY $270,000 related costs in the 1989-90 season of tion season. To support the expenses associated with productions. the 1989-90 production season. Portland Stage Company, Inc. Paper Bag Players, Inc. Portland, ME $15,000 New York Theatre Workshop, Inc. New York, NY $30,000 To support expenses dudng the 1989-90 New York, NY $7,500 To support expenses dudng the 1989-90 season of production. To support the expenses of the 1989-90 production season. season of productions. Puerto Rican Traveling Theatre Next Theatre Company Passage Theatre Company Company, Inc. Evanston, IL $7,500 Trenton, NJ $7,500 New York, NY $25,000 To support artists’ fees and artistic salariesTo support expenses associated with the To support expenses associated with the in the 1989-90 season. 1989-90 production season. 1989-90 season of production. Northlight Theatre People’s Light & Theatre Company Puppet Showplace, Inc. Evanston, IL $25,000 Malvem, PA $10,000 Brookline, MA $7,500 To support the expenses associated with To support expenses associated with the To support the expenses of the 1989-90 the 1989-90 season of productions. 1989-90 season of productions, season of productions. 179 Red Eye Collaboration San Diego Repertory Theatre, Inc. Soho Repertory Theatre, Inc. Minneapolis, MN $12,500 San Dicgo, CA $35,000 Ncw York, NY $10,000 To support the cxpcnses associatcd with To support expenses of the 1989-90 scason To support artists’ fccs, salaries, and the 1989-90 season oí production, of productions, production costs in the 198%90 scason.

Remains Theatre Ensemble San Francisco Mime Troupe, Inc. South Coast Repertory, Inc. Chicago, IL $7,500 San Francisco, CA $47,500 To support the cxpcnscs associatcd with To support artists’ fccs and salañcs in theCosta Mesa, CA $95,000 the 1989-90 production scason. 1989-90 theater production season, To support the cxpcnscs of the 1989-90 production scason. Repertory T~eatre of St. Louis Seattle Children’s T~eatre Association St. Louis, MO $10,000 Seattle, WA $7,500 Southeastern Academy of Theatre and To support production costs of the 1989­ To support artists’ compensation in the Music, Inc. 90 season. 1989-90 production season. Atlanta, GA $7,500 To support expenses during the 1989-90 Ridi¢ulous Theatrieal Company, In¢. Seattle Group Theatre Eompany season of productions by the Academy New York, NY $67,500 Seattle, WA $10,000 Theatre. To support production costs for the 1989­ To support expenses during the 1989-90 90 season, production season. Spanish Theatre Repertory Company, River Arts Repertory Company, Inc. Ltd. Seattle Repertory Theatre New York, NY $135,000 Woodstoek, NY $15,000 Seattle, WA $190,000 To support artists’ fees and production To support the expenses of the 1989-90 To support production costs and artistic expenses for the 1989-90 production season of productions, fees in the 1989-90 season. season. Second Stage Theatre, Inc. Springfield Theatre Arts Association, Robert W. Woodruff Arts Center, Inc. New York, NY $27,500 Inc. Atlanta, GA $20,000 To support expenses associated with the Springfield, MA $15,000 To support expenses associated with the 1989-90 season of productions. To support the expenses associated with 1989-90 production season for Alliance programs and productions in the 1989-90 Theatre. Seven Stages, Inc. season. Roundabout Theatre Company, Inc. Atlanta, GA $10,000 New York, NY $7,500 To support new play development, work­ Stage One: The Louisville Children’s To support production expenses in the shops, and production expenses in the Theatre 1989-90 production season. 1989-90 season. Louisville, KY $7,500 To support the expenses associated with S.U. Theatre Corporation Southern Theater Conspiracy the 1989-90 season of productions. Syracuse, NY $15,000 Atlanta, GA $5,000 To support the expenses of the 1989-90 To support expenses associated with the season of productions for Syracuse Stage. 1989-90 production season. Stages, Inc. Hollywood, CA $7,500 SEW Productions, Inc. Shakespeare Theatre at the Folger To support artists’ fees and artistic salaries San Francisco, CA $10,000 Library in the 1989-90 production season. To support attists’ fees and artistic salariesWashington, DC $35,000 in the 1989-90 season of productions of To support production costs and artists’ Steppenwolf Theatre the Lorraine Hansberry Theatre. fees in the 1989-90 season. Chicago, IL $50,000 To support artists’ fees, salaries, and SOON 3 Theatre Shatterhand, Inc. production expenses duñng the 1989-90 San Francisco, CA $15,000 New York, NY $7,500 season. To support artists’ salaries and productionTo support production expenses and costs in the 1989-90 season, artists’ salaries in the 1989-90 season. Studio Theatre School Corporation Salt Lake Acting Company Skysaver Productions, In . Buffalo, NY $37,500 Salt Lake City, UT $15,000 New York, NY $7,500 To support expenses during the 1989-90 To support artists’ fees and artistic salariesTo support production costs during the production season for the Studio Arena in the 1989-90 season of production. 1989-90 season. Theatre. 180 THEATER

Sundance Institute for Film and Theatre Three, Inc. Vineyard Theatre and Workshop Television Dallas, TX $7,500 Center, Inc. Sundance, UT $17,500 To support artistic and technical salañes New York, NY $10,000 To support artists’ lees and travel costs fordufing the 1989-90 production season. To support expenses associated with the 1989 Playwñghts Laboratory program, productions during the 1989-90 theater Theatre X, Inc. portion of the season. The Road Company Milwaukee, WI $27,500 Johnson City, TN $15,000 Virginia Stage Company To support artistic salañes and expenses To support artists’ salañes during the associated with the development of new 1989-90 season. Norfolk, VA $7,500 work and touring in the 1989-90 season. To support artists’ salañes and travel Theatreworks/USA expenses during the 1989-90 season. The Talking Band, Inc. New York, NY $7,500 New York, NY $15,000 To support expenses associated with the , Inc, To support production expenses for a new 1989-90 production season. New York, NY $75,000 work developed and premiered duñng the To support expenses associated with the 1989-90 season. Time and Space Limited Theatre 1989-90 production season. Company, Inc. The Wilma Theater New York, NY $7,500 Washington Drama Society, Inc. Philadelphia, PA $15,000 To support production costs and artists’ Washington, DC $262,500 To support production costs in the 1989- fees and salades in the 1989-90 season. To support the expenses of the 1989-90 90 season, theater production seasons of Arena Stage and the Living Stage. Theatre and Arts Foundation of San ’II’inity Repertory Company Providence, RI $191,500 Diego County Whole Theatre, Inc. La Jolla, CA $85,000 To support the expenses associated with the 1989-90 season of productions. Montclair, NJ $12,500 To support expenses associated with the To support the expenses associated with 1989-90 season of theater productions by the 1989-90 season of productions. La Jolla Playhouse. Underground Railway Theater Cambridge, MA $7,500 Theatre de la Jeune Lune Williamstown Theatre Foundation, Inc. To support the expenses associated with Williamstown, MA $12,500 Minneapolis, MN $23,500 the 1989-90 season of productions. To support expenses duñng the 1989-90 To support the expenses associated with the 1989-90 season of productions. theater production season. Unicorn Theatre Theatre for a New Audience, Inc. Kansas City, MO $7,500 Wisdom Bridge Theatre New York, NY $7,500 To support expenses during the 1989-90 Chicago, IL $22,500 To support artists’ salañes and fees and production season. To support production costs for the 1989­ production costs in the 1989-90 season. 90 theater production season. University of North Carolina at Chapel Foundation, Hill Women’s Interart Center, Inc. Inc. Chapel Hill, NC $7,500 New York, NY $7,500 New York, NY $25,000 To support artists’ compensation and To support expenses during the 1989-90 To support artists’ lees and salaries duñngproduction expenses in the 1989-90 season season of productions at Interart Theatre. the 1989-90 production season, of Play Makers Repertory Company. Theatre IV Women’s Project and Productions, Richmond, VA $10,000 Victory Gardens Theater Inc. To support expenses associated with the Chicago, IL $12,500 New York, NY $7,500 1989-90 children’s theater production To support expenses during the 1989-90 To support expenses associated with the season, production season. 1989-90 season of productions. Theatre Rhinoceros, Inc. Vigilante Piayers, Inc. Woolly Mammoth Theatre Company San Francisco, CA $7,500 Bozeman, MT $5,000 Washington, DC $7,500 To support artists’ fees and artistic salariesTo support expenses related to the 1989- To support artists’ fees and artistic salaries in the 1989-90 production season. 90 production season, in the 1989-90 production season. 181 Wooster Group, Inc. Hammond, Wendy Grants to Individuals: New York, NY $72,500 Hoboken, NJ $20,000 Fellowships for Mimes To support the expenses associated with the 1989-90 season of productions. Hock, Oana-Mar|a To assist the work and artistic growth of San Diego, CA $15,000 exceptionally talentedprofessional Workshop of the Players Art individual artists in two fields : mimes Foundation, Inc. Innaurato, Jr., Albert F. working as solo performers independent New York, NY $17,500 New York, NY $20,000 ofprofessional mime companies, and solo To support artists’ fees and salaries in the performance artists exploring new styles 1989-90 production season. Johnson, Cindy Lou andforms oftheater, including puppetry. New York, NY $15,000 12 Grants Yale University Program Funds: $75,000 New Haven, CT $165,000 Klein, Kevin J. (Jon) To support expenses associated with the Chicago, IL $12,500 Bass, Eric 1989-90 theater production season of Yale Putney, VT $10,000 Repertory Theatre. Mueller, Lavonne New York, NY $12,500 Carlson, Ann York Players of the Church of the New York, NY $5,000 Heavenly Rest Nagy, Phyllis A. New York, NY $7,500 New York, NY $15,000 Curchack, Fred I. To support artists’ fees, salaries, and Richardson, TX $10,000 production expenses during the 1989-90 Nemeth, Sarah L. (Sally) season of the York Theatre Company. Egleton, David James Brooklyn, NY $20,1300 New York, NY $5,000 Zachary Scott Theatre Center Parnell, Peter Evans, Joan R. Austin, TX $7,500 Brooklyn Heights, NY $5,000 To support expenses associated with the $12,500 New York, NY 1989-90 production season of Project Ryan, James Geiser, Janie M. InterAct. Brooklyn, NY $15,000 New York, NY $6,000 Grants to Individuals: Leigh, Barbara Kusler Terry, Megan Milwaukee, WI $6,000 Fellowships for Playwrights Omaha, NE $20,000 To encourage the development of profes- Roth, Beatrice, sionalplaywrights ofexceptional talent. Wilson, Erin Cassandra New York, NY $5,000 San Francisco, CA $15,000 Spelman, Jon 19 Grants Washington, DC $5,000 Program Funds: $300,000 Worsley, Dale New York, NY $15,000 Tierney, Hanne Bullins, Ed New York, NY $8,000 Berkeley, CA $15,000 Grants to Individuals: Director Fellows Tomich, Branislav Cunningham, Laura Brooldyn, NY $5,000 Stone Ridge, NY $20,000 To assist in the early career development of directors who have demonstrated an Wolfe, Kedric Robin Davis, Russell ability and commitment to work in Topanga, CA $5,000 New York, NY $20,000 professional theater by awarding grants of $15,000 and by providing support Distinguished Artist Fellowships Dietz, Steven through observerships and mentor rela- in Theater Minneapolis, MN $12,500 tionships with master stage directors. 4 Grants Diggs, Elizabeth 1 Cooperative Agreement Program Funds: $100,000 New York, NY $12,500 Program Funds: $146,000 To recognize individuals who, over the course of distinguished careers, are Freed, Donald Theatre Communications Group, Inc. making extraordinary contributions to Los Angeles, CA $12,500 New York, NY $146,000 American not-for-profit theater. 182 THEATER

Chaikin, Joseph University of North Carolina at Chapel Baltimore Theatre Project, Inc. New York, NY $25,000 Hill Baltimore, MD $10,000 Chapel Hill, NC $10,000 To support artists’ lees for the 1990-91 Foreman, Richard To support the salañes of master teachers performance season. New York, NY $25,000 in theater arts and related costs. Center for Puppetry Arts, lnc. Atlanta, GA $7,500 Lee, Ming Cho Yale University To support artists’ fees for presentations New York, NY $25,000 New Haven, CT $45,000 of exceptional puppetry artists. To support the salafies of master teachers Maleczech, Ruth in theater arts for Yale School of Drama. Mid-America Arts Alliance New York, NY $25,000 Kansas City, MO $45,000 National Resources: To support artists’ fees for performances and residencies by professional theater National Resources: Professional Professional Theater Presenters companies throughout the Mid-America Theater Training To assistprograms thatprovide opportun­ states during the 1990-91 performance ities for the presentation of professional season. To encourage the training of theater artists in professional conservatory theater companies in areas that are Mid-Atlantic Arts Foundation programs of the highest quality, underserved or which provide aesthetic Baltimore, MD $40,000 diversity where performance opportunities To support artists’ fees for performances, may already exist, 8 Grants residencies, and workshops by profes­ Program Funds: $200,000 sional theater companies throughout the 14 Grants Mid-Atlantic region duñng the 1990­ Program Funds: $450,000 American Conservatory Theatre 91 performance season. Foundation Alternate Roots, Inc. Mole End Puppetry Productions, Inc. San Francisco, CA $45,000 Springfield, MA $7,625 To support salaries of master teachers and Atlanta, GA $56,000 To support the presentation of perform­ related costs, To support artists’ lees for performances ances by professional theaters for young by professional theater companies and audiences throughout locations in Massa­ individual solo performance theater artists chusetts during the 1990-91 performance American Repertory Theatre throughout the southeastem states during Cambñdge, MA $10,000 the 1990-91 performance season. season. To support salaries of master teachers and Movement Theatre Internationai, Inc. related costs. Ann Arbor Summer Festival, Inc. Philadelphia, PA $10,000 Ann Arbor, MI $7,500 To support presentations, residencies, and Juilliard School To support the presentation of a new play workshop performances. New York, NY $50,000 developed by a resident theater company New England Foundation for the Arts To support the salaries of master teachers during its residency at the 1990 Ann Arbor in theater arts and fees for directors. Cambridge, MA $15,000 Summer Festival. To support artists’ fees for the tour of the American Repertory Theatre to locations New York University Appalshop, Inc. throughout the New England region New York, NY $15,000 Whitesburg, KY $30,000 during the 1990-91 performance season. To support the salañes of master teachers To support the American Festival Project’s in theater arts. presentations, through a consortium of Southern Arts Federation selected artists who illuminate the expeñ- Atlanta, GA $63,875 University of California.San Diego ence of four distinct cultures: African- To support artists’ lees for performances La Jolla, CA $15,000 Ameñcan, Latin American, Appalachian, throughout the South during the 1990­ To support the salaries of master teachers and Jewish. 91 performance season. and apprentice fees in theater arts. Story Theatre Productions, Inc. Arts Midwest Ft. Lauderdale, FL $7,500 University of Iowa Minneapolis, MN $75,000 To support artists’ fees for touñng and Iowa City, lA $10,0013 To support artists’ fees for performances performances of professional theater com­ To support the sala_des of master teachers by professional theater companies that panies for young audiences throughout in theater arts and production costs related will tour throughout the midwest region Floñda during the 1990-91 performance to the playwrights’ workshop, during the 1990-91 performance season, season. 183 Western States Arts Federation International Theatre Institute of the R.E. Levine Arts Management Santa Fe, NM $75,000 United States, Inc. Bethesda, MD $303,000 To support artists’ fees for performances New York, NY $25,000 For a cooperative agreement for the by professional theater companies and administration and coordination of all site To support expenses associated with report activities of the Theater Program, individual solo performance theater artistsproviding services to theater artists and throughout the westem states region including site visits to professional theater during the 1990-91 performance season, companies in the United States and companies, professional theater training abroad, programs, and solo performing artists in the U.S., and for coordination of play National Resources: Services manuscript screening. to the Field Movement Theatre Internationai, Inc. Philadelphia, PA $15,000 Theatre Communications Group, Inc. To assist nonprofit organizations and To support expenses associated with New York, NY $270,000 To support comprehensive activities that publishersfor projects and/or specific support services to movement theater services that address the needs and goals address the artistic and managerial con- of the theater field on a national scale, artists (mimes, clowns, new vaudevilli- cerrls of not-for-profit theaters, as well as ans, circus artists, and theater perform- institutionally-based and freelance artists, 15 Grants ance artists) and related costs, managers, and trustees nationwide. Program Funds: $770,500 Theatre Development Fund, Inc. New York Foundation for the Arts, Inc. New York, NY $7,500 ASSITEJ/USA Incorporated New York, NY $7,500 To support expenses of the Costume New York, NY $5,000 Collection, a service providing a national To support the editing and publication of To support administrative expenses asso- resource for not-for-profit performing joumals important to the field of theater ciated with the Bert Andrews Project, a arts organizations, and related expenses. for young audiences, project involving the restoration of a photographic collection documenting the UNIMA-U.S.A., Inc. Hyde Park, NY $2,000 Drama League of New York, Inc. eafly history of the black theater. To support publication expenses for New York, NY $7,500 A Propos, a journal devoted to current To support the Directors Project, a national New York Public Library Astor, Lenoxactivities in puppetry around the world. program providing comprehensive career and Tilden Foundations development opportunities for entry­ Yale University level theater directors. New,York, NY $67,500 New Haven, CT $3,000 To support expenses related to the pro- To support expenses associated with the publicatíon of Theater Magazine. Foundation for the Extension and gratas of the Theatre on Film and Tape Development of the American Archive. Stage Designer Fellows ¯ Professional Theatre, Inc. To support early-career stage designers of New York, NY $40,000 New York University To support programs and publications that exceptional talent who design sets, assist in developing the organizational New York, NY $5,000 costumes, and lighting in theater. structure of not-for-profit theater compa- To support expenses related to the publi- 1 Cooperative Agreement nies, and the strengthening of individualcation of The Drama Review, a quarterly Program Funds: $150,000 journal dedicated to the broad spectrum staff skills, Theater Communications Group, Inc. approach to theater performance. New York, NY $150,000 Foundation for the Extension and To support Round One of the Stage Development of the American Designers Fellows Program, which assists Professionai Theatre, Inc. Performing Arts Journal New York, NY professional designers ofexceptional New York, NY $2,500 $10,000 talent early in their career development by To support the publication of a resource To support publication of the Performing awarding grants of $15,000, and by book on the development, tole, and Arts Journal, play anthologies, and books providing support services through ob- function of boards of trustees in the per- of criticism in drama, theater, and the serverships and mentor relationships with forming arts. performing arts, as well as related costs, master stage designers.

184 501 Grants Visual Arts Program Funds: $6,109,716

The Visual Arts Program encourages the creation of quality art to facilities and equipment are supported through the Visual through support of individual artists and making the work and Artists Organizations category. These groups continue to provide ideas of contemporary visual artists available to a broad public vital services, especially for early-career artists. Numerous through supportfor artist-run organizations, forumsfor commu- artists who have since attained international recognition were nication of visual arts issues, exemplarypublic artprojects, first introduced to the public at spaces such as Nexus Contempo­ and special projects that will have a wide impact on the visual rary Art Center in Atlanta, New Orleans’ Contemporary Arts artsfield. Center, and Los Angeles Contemporary Exhibitions. Visual Artists Forums provides support for projects that encour- Artists Fellowships continue to be the top priorityage dialogue about contemporary art. Visiting artist programs at state universities in Arizona, Indiana, Colorado, North of the Visual Arts Program. This year, grants were Carolina, Illinois, Montana, New Mexico, North Dakota, Utah, Visualawarded to artísts working in painting, works on paper,Idaho, and Washington are examples of grantees in this category. or new genres. Panelists reviewed a total of 5,751 applications and awarded 298 grants. Regional Fellowships wereCommissions to artists for a vañety of public art projects are available to artists working in photography, sculpture, or crafts supported by the Art in Public Places category. Projects ranged this year in 44 states and the District of Columbia. from the completion of murals at the Luni, New Mexico, Pueblo by Native American artists Alex and Kenneth Seowtewa to a Support for individual artists is also provided through grants tocommission for artist Ann Hamilton to design new public rooms organizations. Exhibitions at artist-run spaces and artists’ accessat the Headlands Center for the Arts, Sausalito, Califomia.

Advisory Panels Anne Spirn Marvin Heiferman Faculty Curator, Writer, Editor Landscape Architect, Department of New York, NY Art in Public Piaces Landscape Architecture Graduate School of Fine Arts, University Alexander Melamid Paul Broches of Pennsylvania Artist (Painting) Architect Philadelphia, PA Jersey City, NJ New York, NY Cesar Trasobares Buzz Spector Joyce Kozloff Artist (Painting, Sculpture) Artist (Visual Books) Artist (Painting) Executive Director, Art in Public Places Los Angeles, CA New York, NY for Miami-Dade County Miami, FL Amei Wallach Sande Percivai Art Writer, Critic Program Manager for Art in Public Places Visual Artists Forums Newsday Washington State Arts Commission New York, NY Olympia, WA Edmund Gaither Curator, Director Wendy Watriss Garth Rockcastle Museum of the National Center of Afro- Artist (Photography) Architect American Artists Houston, TX Faculty, School of Architecture Boston, MA University of Minnesota Minneapolis, MN Adam Gopnik New Genres Fellowships Art Writer, Cñtic Michaei Singer The New Yorker Shu Lea Cheang Artist (Sculpture) New York, NY Artist (Video) Wilmington, VT New York, NY Sue Graze Alexis Smith Curator of Contemporary Art Ann Hamiiton Artist (Sculpture) Dallas Museum of Art Visual Artist (Performance, Sculpture) Los Angeles, CA Dallas, TX Santa Barbara, CA

186 VISUAL ARTS

Carole Ann Klonarides Bob Gaylor Elizabeth Murray Artist (Video) Artist (New Genres) Artist (Painting) Independent Curator, Producer Executive Director Center for Contempo- New York, NY Baskerville and Watson Gallery rary Arts New York, NY Santa Fe, NM Patricia Patterson Artist (Painting) Julie Lazar Leucadia, CA Media and Performing Arts Curator Artist (Ceramics), Faculty The Museum of Contemporary Art New York College of Ceramics Special Projects/Challenge III Los Angeles, CA Alfred, NY Bob Gaylor Allan McCollum Janet Kardon Artist (New Gentes) Visual Artist (New Gentes) Curator, Director Executive Director New York, NY American Craft Museum Center for Contemporary Arts New York, NY Santa Fe, NM Allen Ruppersberg Peter Taub Artist (Conceptual) Artist (Photography, Sculpture) Paul Kos New York, NY Artist (Video) Executive Director Faculty, San Francisco Art Institute Randolph Street Gallery Overview Chicago, IL San Francisco, CA Elizabeth Armstrong Cesar Trasobares Sande Percival Artist (Painting, Sculpture) Program Manager for Art in Public Places, Associate Curator Washington State Arts Commission Walker Art Center Executive Director, Art in Public Places Minneapolis, MN for Miami-Dade County Olympia, WA Miami, FL Roger Shimomura Deborah Butterfield Artist (Painting, Performance) Artist (Sculpture), Faculty Dianne Vanderlip Curator of Contemporary Art Faculty, University of Kansas University of Montana Lawrence, KS Bozeman, MT Denver Art Museum Denver, CO Terrie Sultan Houston Conwill Painting Fellowships Curator of Contemporary Art Artist (Sculpture, Performance) Corcoran Gallery of Art New York, NY Mel Bochner Washington, DC Eileen Cowin Artist (Painting) Visual Artists Organizations Artist (Photography), Faculty New York, NY Califomia State University/Fullerton Patricia Gonzalez Jane Farver Culver City, CA Artist (Painting) Curator, Director Houston, TX Tomoko Liguori Gallery Jennifer Dowley New York, NY Director Henry Hopkins Headlands Center for the Arts Curator, Director Richard Harned Sausalito, CA Fredeñck Weisman Foundation Artist (Crafts) Los Angeles, CA Columbus, OH David Fraher Executive Director Alex Katz Margo Humphrey Arts Midwest Artist (Painting) Artist (Printmaking) Minneapolis, MN New York, NY Oaldand, CA

187 Jeanne Lakso Gael Stack Araki, Yoshiki Artist Artist (Painting) Brooldyn, NY $5,000 Support Coordinator Houston, TX Arts Midwest Araujo, Michele Minneapolis, MN Garner ’lhllis Hoboken, NJ $5,000 Master Printer, Artist (Printmaking) Amalia Mesa-Bains Director Arends, Stuart Artist (Sculpture) Garner Tullis Workshop Roswell, NM $5,000 Curator, Educator Santa Barbara, CA San Francisco, CA Arndt, John Visual Artists Fellowships Cleveland, OH $5,000 Gary Niekard Artist (Photography), Director In 1989, fellowships were awarded to Ashcraft, Eve Center for Exploratory and Perceptual Art artists working in painting, new genres, New York, NY $5,000 Buffalo, NY and works on paper. In 1990, fellowships will be offered to artists working in Atlas, John Phyllis Rosenzweig photography, sculpture, and crafts. Houston, TX $5,000 Associate Curator for Contemporary Art REGIONAL FELLOWSHIPS are adminis- Hirshhom Museum and Sculpture Garden tered by regional arts organizations Badt, Par Washington, DC through cooperative agreements with the Allentown, PA $5,000 Endowment. Programs funded will make Lynn Schuette fellowships available in 1990 to artists Baechler, Donald Artist (Painting) living in participating states who work in New York, NY $15,000 Director, Sushi Gallery painting of works on paper. San Diego, CA Bahnmiller, Cay 304 Grants Detroit, MI $5,000 Peter Taub Program Funds: $3,290,000 Artist (Photography, Sculpture) Bailin, David Executive Director Painting N. Little Rock, AR $5,000 Randolph Street Gallery Chicago, IL Abad, Pacita Baldwin, Mildred Washington, DC $5,000 Washington, DC $5,000 Susan Wyatt Executive Director Alexander, Wick Ballou, Michael Artists Space San Diego, CA $5,000 Brooklyn, NY $5,000 New York, NY Allen, Catheríne Battle, Laura Works on Paper Feliowships New York, NY $5,000 Tivoli, NY $5,000 Allen, Edward Bechtle, Robert Elizabeth Armstrong Albany, CA $15,000 San Francisco, CA $15,000 Associate Curator Waiker Art Center Alling, Janet Beerhorst, Richard Minneapolis, MN New York, NY $15,000 Grand Rapids, MI $5,(D0 Eric Fischl Alvarado-Juarez, Francisco Benjamin, Karl Visual Artist (Painting, Drawing) Brooldyn, NY $5,000 Claremont, CA $15,000 New York, NY Amenoff, Gregory Bettison, James Valerie Jaudon New York, NY $15,000 Houston, TX $5,000 Artist (Painting, Drawing) New York, NY Anderson, Doug Bídlo, Michael Newtonville, MA $5,000 New York, NY $5,000 Robert Juarez Artist (Painting) Andrade, Bruno Biggs, Janet Miami, FL Corpus Christi, TX $5,000 New York, NY $5,000 188 VISUAL ARTS

Birmelin, A. Robert Cote, Alan Garcia, M. Rupert Leonia, NJ $15,000 Kingston, NY $15,000 Oakland, CA $5,000 Blackburn, Ed Courtney, Patricia Garcia-Ferraz, Nereyda Ft. Worth, TX $15,000 Atlanta, GA $5,000 Chicago, IL $5,000 Blackburn, Linda Crawford, Mark Lynn Gardiner, T. Michael Ft. Worth, TX $15,000 New York, NY $5,000 Seattle, WA $5,000 Board, Michael Cyphers, Peggy Garet, Jedd Brooklyn, NY $5,000 New York, NY $5,000 New York, NY $15,000 Bonar, Albert Day, Linda Geichman, Judith Austin, TX $5,000 New York, NY $5,000 Chicago, IL $5,000 Boxer, Stanley De Bruycker, Dirk Giamportone, Gerald New York, NY $15,000 Santa Fe, NM $5,000 Los Angeles, CA $5,000 Buchanan, Jerry Dixon, Wiilard Gilbert.Rolfe, Jeremy New York, NY $15,000 San Rafael, CA $15,000 Santa Monica, CA $15,000 Buchwald, Howard Drexler, Rosalyn Gilliam, Sam New York, NY $15,000 New York, NY $5,000 Washington, DC $15,000 Byron, Michael Dubinskis, Anda Gimblett, Maxwell Brooklyn, NY $5,000 Philadelphia, PA $5,000 New York, NY $15,000 Calcagno, Larry Economos, Michael Gipe, Lawrence New York, NY $15,000 Baltimore, MD $15,000 Los Angeles, CA $5,000 Carrino, David Endemann, Heidi Gluska, Aharon New York, NY $5,000 Gualala, CA $5,000 New York, NY $5,000 Chase, Louisa Farber, Amanda Going, Jo New York, NY $15,000 San Diego, CA $5,000 La Jolla, CA $5,000 Clough, Charles Feinberg, Jean Goldberg, Glenn New York, NY $15,000 New York, NY $5,000 New York, NY $5,000 Cobb, James Ferrer, Rafael Goldman, Lester SAn Antonio, TX $5,000 Philadelphia, PA $15,000 Kansas City, MO $15,000 Conal, Robbie Fine, Jane Hafif, Marcia Venice, CA $5,000 Brooklyn, NY $5,000 New York, NY $15,000 Conley, Brian Font, Ignacio Hager, Kristi Brooklyn, NY $5,000 CoraC-ables, FL $5,000 Butte, MT $5,000 Conlon, William Fors, Nathan Hammond, Jane New York, NY $15,000 Kansas City, MO $5,000 New York, NY $5,000 Consagra, Pierluigi Freeman, Daniel Hansell, Freya New York, NY $5,000 Brooldyn, NY $15,000 New York, NY $5,000 Cooke, Judy Frigerio, Ismael Haynes, Nancy Portland, OR $15,000 New York, NY $5,000 Brooklyn, NY $5,000 189 Hecker, Rachel Lawson, Thomas O’Neill, Matt Houston, TX $5,000 Brooklyn, NY $15,000 Denver, CO $5,000 Heeks, Willy Leaf, June Opie, John M. New York, NY $15,000 New York, NY $15,000 Quakertown, PA $15,000 Henderson, Mike Lee, Catherine Ott, Sabina Oaldand, CA $15,000 New York, NY $5,000 Los Angeles, CA $5,000 Herman, Roger Lewallen, Donald Owen, Frank Los Angeles, CA $5,000 New York, NY $15,000 Keene Valley, NY $15,000 Hernandez, John Lewczuk, Margrit Peppard, Blaylock Dallas, TX $5,000 New York, NY $5,000 New York, NY $5,000 Holliday, Frank Liu, Hung Piccolo, Richard New York, NY $5,000 Arlington, TX $5,000 Rome, Italy $15,000 Hoizman, Eric Luchs, Michael Pittman, Lari New York, NY $5,000 Ann Arbor, MI $15,000 LOs Angeles, CA $5,000 Hurley, Denzil Main, Tim Pousette-Dart, Joanna Amherst, MA $5,000 Brooldyn, NY $5,000 New York, NY $15,000 Hurst, Lynn Martin, Chris Quentel, Holt Houston, TX $5,000 Brooldyn, NY $5,000 Chicago, IL $5,000 Janowich, Ronald Martin, Katy Ringgold, Faith New York, NY $15,000 New York, NY $5,000 New York, NY $15,000 Jones, Fay Mateo, Julio Ripps, Rodney Seattle, WA $15,000 Brooklyn, NY $5,000 Lenox, MA $15,000 Kahn, Robin McCoubrey, Sarah Rosen, Kay New York, NY $5,000 Takoma Park, MD $5,000 Gary, IN $5,000 Kaufman, Jane McKinney, Trish Sanchez, Pauline New York, NY $15,000 Astoria, NY $5,000 Inglewood, CA $5,000 Keller, Martha Milder, Jay Santlofer, Jonathan New York, NY $5,000 New York, NY $15,000 New York, NY $15,000 Khhnan, Alan Mínter, Marilyn Scholder, Carole New York, NY $15,000 New York, NY $5,000 Dallas, TX $5,000 Kohring, John Murphy, Catherine Sherwood, Katherine Concord, MA $5,000 Poughkeepsie, NY $15,000 New York, NY $5,000 Koscianski, Leonard Neher, Ross Silva, Ernest Annapolis, MD $5,000 New York, NY $5,000 San Diego, CA $15,000 LaRico, Benje Nelson, James Simpson, David New York, NY $15,000 Pittsburgh, PA $5,000 Berkeley, CA $15,000 Lasker, Jonathan Nutt, James Sisto, Elena New York, NY $15,000 Wilmette, IL $15,000 New York, NY $5,000

19O VISUAL ARTS

Small, Deborah Wesley, John Condit, Cecelia La Jolla, CA $5,000 New York, NY $15,000 Milwaukec, WI $15,000 Stack, Gael Westfall, Stephen Cypis, Dorit Houston, TX $15,000 N~w York, NY $5,000 Minneapolis, MN $15,000 Stanley, M. Louise Whyne, Susan D’Agostino, Peter Emeryville, CA $15,000 Austin, TX $15,000 Elkins Park, PA $15,000 Stuart, Michelle Winant, Fran Davidovich, Jaime New York, NY $15,000 New York, NY $5,000 Kingston, NY $15,000 Sullivan, Bill Wingo, Michael Diamond, Jessica N~w York, NY $15,000 Los Ang~lcs, CA $15,000 Brooldyn, NY $5,000 Sultan, AItoon Wofford, Philip Drury, Sarah N~w York, NY $15,000 Hoosick Falls, NY $15,000 Brooldyn, NY $5,000 Sussman, Wendy WoIff, Dee Dunlap, David B~rkeley, CA $5,000 Houston, TX $5,000 Iowa City, IA $15,000 Swain, Robert Yoshida, Ray Fagin, Steve New York, NY $15,000 Chicago, IL $15,000 La Jolla, CA $5,000 Tabachnick, Anne New Genres Fisher, Andrea New York, NY $15,000 Chatham, NY $5,000 Allyn, Jerri Tchakalian, Sam $5,000 Fox, Terry San Francisco, CA $15,000 New York, NY San Francisco, CA $15,000 Andres, Jo Fullman, Ellen Teraoka, Masami Ncw York, NY $5,000 Waimanalo, HI $15,000 Austin, TX $5,000 Tibbetts, Roger Andrews, Lawrence Geller, Matthew Dayvillc, CT $5,000 Washington, DC $5,1300 New York, NY $15,000 Tompkins, Michael Barr, Burt Gonzalez-Torres, Felix Crock~tt, CA $5,000 New York, NY $5,000 N¢w York, NY $5,000 Torreano, , Judith Goss, John New York, NY $15,000 New York, NY $5,000 Los Angeles, CA $5,000 Treiman, Joyce Bolton, Richard Henle, Jan Pacific Palisade, CA $15,000 Somervill~, MA $5,000 New York, NY $5,000 Uglow, Alan Buchanan, Nancy Hixson, Lin New York, NY $15,000 Los Angeles, CA $15,000 Chicago, IL $15,000 Valdez, Patssi Bunn, David Holland, Fred Los Angeles, CA $5,000 Los Angeles, CA $5,000 New York, NY $5,000 Way, Jeffrey Chernick, Myrel Keading, Hilja New York, NY $15,000 New York, NY $5,000 Santa Monica, CA $5,000 Weiss, Jessica Chong, Ping Kolbowski, Silvia New York, NY $5,000 New York, NY $15,000 New York, NY $5,000 191 Laster, Paul Shimomura, Roger Baehr, Fred New York, NY $5,000 Lawrence, KS $5,000 Evanston, IL $5,000 Lebron, Michaei Silver, Shelly Baird, John New York, NY $5,000 New York, NY $5,000 East Orland, ME $15,000 Lerman, Richard Sisco, Elizabeth Bellavance, Leslie Tokyo, FO $15,000 San Diego, CA $5,000 Milwaukee, WI $5,000 Ligorano, Nora and Reese, Marshall Skipitares, Theodora Birch, Willie Brooklyn, NY $5,000 New York, NY $15,000 Brooklyn, NY $15,000 Loch, Mitchell Sun, May Boiton, Randy San Francisco, CA $5,000 Los Angeles, CA $5,000 Columbus, OH $5,000 Martinez, Daniel Tajiri, Rea Bozzi, Julie Los Angeles, CA $5,000 Brooklyn, NY $5,000 Fort Worth, TX $15,000 Maxwell, William Thompson, Mark Brauntuch, ’l’i-oy Sacramento, CA $5,000 Oakland, CA $15,000 Jersey City, NJ $15,000 McMahon, Paui Vasulka, Woody Brock, Mitchell Brooklyn, NY $5,000 Santa Fe, NM $15,000 Brooklyn, NY $5,000 Miiler, Branda Viola, Bill Buchan, Virginia New York, NY $5,000 Long Beach, CA $15,000 New York, NY $5,000 Miiler, John Woodall, John Burczyk, Monika New York, NY $5,000 San Francisco, CA $15,000 Brooklyn, NY $5,000 Miller, Larry Yonemoto, Bruce and Norman Cernuda, Paloma New York, NY $15,000 Venice, CA $15,000 New York, NY $5,000 Min, Yong Works on Paper Chandler, Bruce Brooklyn, NY $5,000 Boston, MA $I5,000 Mogul, Susan Ahn; Mi Chirus, Jim Los Angeles, CA $5,000 Skokie, IL $5,000 Cambridge, MA $5,000 Morgan, Joey Alf, Martha Coe, Sue Vancouver, B.C. $5,000 San Diego, CA $15,000 New York, NY $15,000 Oursler, Tony Allen, Terry Costan, Chris Jamaica Plains, MA $5,000 Santa Fe, NM $15,000 New York, NY $5,000 Periman, D. Hirsch AIvarez, Gloria Courtenaye, Catherine Chicago, IL $5,000 Carpinteria, CA $5,000 Emeryville, CA $5,000 Prina, Stephen Amano, Taka Crile, Susan LOs Angeles, CA $5,000 New York, NY $15,000 New York, NY $15,000 Rankin, Scott Andrews, Marí Cunningham, C. Bruce Chicago, IL $5,000 Venice, CA $5,000 New York, NY $15,000 Rose, Iris Aschheim, Eve DeCoster, Miles New York, NY $15,000 Los Angeles, CA $5,000 Chicago, IL $5,000 192 VISUAL ARTS

Denes, Agnes Leary, Daniel Thea, Carolee New York, NY $15,000 Hudson Falls, NY $15,000 New York, NY $5,000 Dente, Robert Ledoux, Barry Vissc~er, Jantje Hartford, CT $15,000 New York, NY $15,000 Minneaplois, MN $15,000 Drake, James Lees, John Wagner, Merrill El Paso, TX $15,000 West New York, NJ $15,000 New York, NY $15,000 Erdosy, Albert Ligon, Glenn White, Susan Allentown, PA $5,000 Brooldyn, NY $5,000 Brooklyn, NY $5,000

Faust, Victoria Losavio, Samud Williams, Mark New York, NY $15,000 Winter Park, FL $5,000 New York, NY $5,000 Fessler, Ann Marsh, Georgia Baltimore, MD $5,000 New York, NY $15,000 Zackheim, Michele Tesuque, NM $5,000 Fishman, Beverly McArthur, Jill Stratford, CT $5,000 New York, NY $5,000 Regional Feliowships

Foos, Jean McCoy, Ann Arts Midwest New York, NY $5,000 New York, NY $15,000 Minneapolis, MN $125,000 For a cooperative agreement for a regional Gallagher, Cynthia Millei, John fellowship program for artists working in New York, NY $5,000 Los Angeles, CA $5,000 painting of works on paper who are legal residents of Illinois, Indiana, Iowa, Goldblum, Pamela Moore, Susan Michigan, Minnesota, North Dakota, Los Angeles, CA $5,000 Philadelphia, PA $15,000 Ohio, South Dakota, or Wisconsin.

Gorny, Anthony-Peter Murakishi, Steven Mid-America Arts Alliance Philadelphia, PA $15,000 Bloomfi¢ld Hills, MI $5,000 Kansas City, MO $110,000 Harris, Tracy For a coop¢rating agr¢¢ment for a regional Naves, Mario Paul fellowship program for artists working in Dallas, TX $5,000 Brooklyn, NY $5,000 painting or works on paper who are legal Hart, Claudia Nguyen, Long r¢sidents of Arkansas, Kansas, Missouri, New York, NY $5,000 Oakland, CA $5,000 Nebraska, Oldahoma, or Texas. Henderson, Edward Nilsson, Gladys Mid Atlantic Arts Foundation Stony Point, NY $15,000 Wilmette, IL $15,000 Baltimore, MD $110,000 For a cooperative agreement for a regional High, Timothy Paulson, Robert fellowship program for artists working in Austin, TX $5,000 Carbondale, IL $5,000 painting who are legal residents of Dela­ ware, Maryland, New Jersey, New York, Kaufman, Kenneth Portman, Brian Pennsylvania, Vkginia, West Virginia, Van Nuys, CA $5,000 Houston, TX $5,000 or the District of Columbia. Kenealy, Mary Rohn, David New England Foundation for the Arts Hartford, CT $5,000 Putney, VT $15,000 Cambñdge, MA $75,000 For a cooperative agreement for a regional Kent, Jane Rutledge, Lance fellowship program for artists creating New York, NY $5,000 Brooklyn, NY $5,000 works on paper who are legal residents of Connecticut, Maine, Massachusetts, Kramer, Margia Shatz, Jacqueline New Hampshire, Rhode Island or New York, NY $15,000 Píermont, NY $5,000 Vermont.

193 Southern Arts Foundatíon Alternative Museum Asian American Arts Centre, Inc. Atlanta, GA $100,000 New York, NY $30,000 New York, NY $7,500 For a cooperatíve agreement fora regionalTo support solo and thematic group shows To support a señes of exhibitions of artists fellowship program for artists working in by mid-carecr artists in the Main Gallery from diverse cultural backgrounds in paínting of works on paper who ate legaland installations by emerging and under-curated andjuñed shows. residents of Alabama, Florida, Gcorgia, recognized artists in the Matrix Gallery. Kentucky, Louisiana, Mississippi, North Beacon Street Gallery Carolina, South Carolina, of Termessee. Alternative Worksite, Inc. Chicago, IL $5,000 To support an exhibition program for Western States Arts Federation ToOmaha, support the NE Bemis Foundation’s $7,500 artist- visual artists. Santa Fe, NM $110,000 in-residency program. For a cooperative agreement for a regional Boulder Center for the Visual Arts fellowship program for artists working in Boulder, CO $5,000 painting who ate legal residents of Alaska,Art Awareness, Inc. To support the work of Colorado and Arizona, Califomia, Colorado, Hawaii, Lexington, NY $5,000 regional artists in solo and group Idaho, Montana, Nevada, New Mexico, To support a program of exhibitions, exhibitions. Oregon, Utah, Washington, or Wyoming. performances, installations, and project residencies. Brandywine Graphic Workshop, Inc, Visual Artists Organizations Philadelphia, PA $17,500 Art in General, Inc. To support a visiting artists program which To enable organizations originated by of New York, NY $5,000 makes printmaking facilities available to for artists to conduct a variety ofactivities To support a series of thematic group visual artists. that encourage the artistic growth of exhibitions by artists whose work is over­ individual visual artists, looked by commercial galleries and Bronx Council on the Arts, Inc. museums. Bronx, NY $7,500 121 Grants To support a series of exhibitions at the Program Funds: $1,845,000 Artemisia Fund, Inc. Longwood Arts Project, a visual arts Chicago, IL $10,000 facility in the South Bronx. 1708 East Main, Inc. To support solo and large group exhibi­ Richmond, VA $15,000 tions of emerging and mid-career artists. Capp Street Project To support a sedes of exhibitions, per­ San Francisco, CA $7,500 formances, publications, and artists To support a residency program that allows Artist Alliance, Inc. artists to create and exhibit new site- services. Tampa, FL $5,000 specific work at vañous locations around To support a series of exhibitions by local San Francisco. ARC Gallery and regional artists. Chicago, IL $5,000 To support the work of local, regional, Center for Book Arts, Inc. and national artists through curated exhi- Artísts Space, Inc. New York, NY $10,000 bitions, installations in Raw Space, and New York, NY $50,000 To support working facilities, exhibition To support exhibitions, financial assist­ opportunities, and services for artists solo invitational shows by emerging working in the book arts. artists, ance programs for artists, anda slide registry. Center for Contemporary Arts of Santa Advaita Society Fe, Inc. Berkcley, CA $5,000 Artists’ Television Access Santa Fe, NM $17,500 To support The Kala Institute, which San Francisco, CA $10,000 To support cxhibitions and acccss to providcs working facilitics for printmakcrsTo support cxhibitions, a production working facilitícs. anda program ofcxhibitions, installations,facility, and rclatcd costs for visual artists and performances, working in altemative media. Center for Exploratory and Perceptual Art, lnc. Aljira, Inc. art.re.grup, lnc., The Buffalo, NY $25,000 Newark, NJ $10,0t30 San Francisco, CA $5,000 To support exhibitions temporary gallery To support a sedes of curated exhibitions To support a series of performances, video installations in public transit areas, lec­ and related lectures or panel discussions presentations, and installations by visual tures, project residencies, and the CEPA presenting work of multicultural artists, arts. Quarterly.

194 VISUAL ARTS

Center for Photography at Woodstock, Creative Glass Center of America Fondo del Sol Inc. Millville, NJ $7,500 Washington, DC $17,500 Woodstock, NY $20,000 To support a working facility for glass To support presentations and related To support exhibitions, workshops, lec- artists, activities by visual artists from diverse tures, a fellowship program, and publica- cultural and ethnic backgrounds. tions in photography and related media. Creative Time, Inc. New York, NY $45,000 Foundation for Art Resources, Inc. Center for Safety in the Arts To support the presentation of new work Los Angeles, CA $5,000 New York, NY $10,000 by visual artists in temporary public sites To support a program ofpublic discussions To support research about art hazards and throughout New York City. and presentations in the visual arts. art materials, and education of visual artists about the hazards of materials and Detroit Focus Foundation for Today’s Art/Nexus processes. Detroit, MI $7,500 Philaddphia, PA $7,500 To support a program of solo and group To support visual arts exhibitions, per- Center for Women and Their Work, exhibitions, accompanying catalogues, formances, residencies, workshops, anda Inc. symposia and lectures, and Detroit Focus resource center. Austin, TX $15,000 Quarterly. To support exhibitions, educational pro- ~anklin Furnace Archive, Inc. grams, and services for artists. New York, NY $37,500 DiverseWorks, Inc. To support a program of temporary instal- Center on Contemporary Art Houston, TX $30,000 lations and visually based performance Seattle, WA $17,500 To support a program of exhibitions, art. To support a program of exhibitions, lectures, video and performance presenta- publications, and related events, tions, a slíde registry, anda bookstore. Galeria de la Raza San Francisco, CA $20,000 Centro Cultural de la Raza, Inc. En Foco, Inc. To support a series of exhibitions and San Diego, CA $20,000 Bronx, NY $17,500 billboard murals by Chicano and Latino To support a series of exhibitions by To support publication of Nueva Luz, visual artists. regionally and nationally recognized "Intercambio," and a slide registry. Chicano, Latino, and Indian artists. Galeria Posada Exit Art, Inc. Sacramento, CA $7,500 Chicago Artists’ Coalition New York, NY $10,000 To support an exhibition program present- Chicago, IL $5,000 To support a series of exhibitions, publi- ing the work of Chicano and Native To support a vañety of services for visual cations, and special projects addressing American visual artists from Califomia artists in Illinois and neighboring states, transcultural issues, and the Pacific Rim.

Cincinnati Artists’ Group Effort, Inc. Eye Gallery Glass Art Society, Inc. Cincinnati, OH $15,000 San Francisco, CA $5,000 Coming, NY $17,500 To support a series of exhibitions, per- To support photography exhibitions and To support a national conference, publica- formances, installations, video programs, related public programs, tions, and membership services. and lectures. Group Material, Inc. Contemporary Art for San Antonio Fabric Workshop, Inc. Brooklyn, NY $I0,000 San Antonio, TX $7,500 Philadelphia, PA $17,500 To support a series of large-scale installa- To support a series of exhibitions, publi- To support an artist-ín-residence program tions and special projects. cations, and related lectures, in the textile arts. Hallwalls, Inc. Contemporary Arts Center Film in the Cities, Inc. Buffalo, NY $37,500 New Odeans, LA $30,1300 St. Paul, MN $15,000 To support exhibitions and performances, To support exhibitions, panel discussions,To support a program of exhibitions, accompanying catalogues and related performances, video screenings, and lectures, and workshops in photography, publications, project residencies, lectures, publications, anda slide registry. First Street Forum, Inc. Contemporary Crafts Gallery St. Louis, MO $5,000 Headlands Center for the Art Portland, OR $5,000 To support a series of contemporary Sausalito, CA $5,000 To support a series of exhibitions and exhibitions, related events, and accompa- To support residencies, lectures, work- lectures by craft artists, nying catalogues, shops, installations, and commissions. 195 Houston Center for Photography Los Angeles Center for Photographic Museum of Contemporary Hispanic Houston, TX $20,000 Studies Art To support a program of exhibitions, Los Angdes, CA $12,500 New York, NY $17,000 lectures and workshops, services, and To support a program of exhibitions and To support exhibitions, monthly lectures, publications in photography, projects in photography and rdated media, services, and publications addressing work by Hispanic visual artists. Installation Gallery Los Angeles Contemporary Exhibitions, San Diego, CA $12,500 Inc. N.A.M.E. Gallery To support exhibitions and installations, Los Angeles, CA $42,500 Chicago, IL $12,500 performance and lecture series, services, To support a program of exhíbitíons, To support a program of exhibitions, and an art bookstore, performances, semínars, workshops, pub- performances, related lectures and panel lications, and an artists’ bookstore, discussions, and video screenings. Intermedia Arts of Minnesota, lnc. Minneapolis, MN $15,000 Lower East Side Printshop, Inc. National Association of Artists’ To support exhibitions, installations, New York, NY $5,000 Organizations, Inc, lectures, workshops, and performances. To support a working facility for Washington, DC $25,000 printmakers. To support a national conference, regional International Arts Relations, Inc. conferences, related publications, board New York, NY $22,500 Maryland Art Place, Inc. meetings, and membership services. To support installations and site-specific Baltimore, MD $20,000 work by visual artists from diverse cul- To support a program of exhibitions, National Council on Education for the tural backgrounds, installations, special projects, and related Ceramic Arts events. Bandon, OR $15,000 Intersection To support an annual conference for San Francisco, CA $10,000 Mattress Factory ceramic artists and ajournal to document To support a series of exhibitions, instal- Pittsburgh, PA $5,000 the proceedings. lations, and visual art performances. To support a series of site-specific instal- lations, exhibitions, and services to artists.New Langton Arts Kenkeleba House, Inc. New York, NY $5,500 Midtown Y Photography Gallery To supportSan Francisco, a program CA of installations$50,000 and To support a series of exhibitions by New York, NY $5,000 performances with accompanying emerging and established multicultural To support a series of photographic exhi­ documentation. artists, bitions and related programming. Kohler Arts Center New York Experimental Glass Sheboygan, WI $37,500 Mexic-Arte Workshop, Inc. To support exhibitions, related documen- Austin, TX $12,500 New York, NY $32,500 tation and residencies, and access to To support a program of exhibitions and To support working facilities for glass working facilities, performances by culturally diverse artists,artists, exhibitions, and rdated services. Lawndale Art & Performance Center Minnesota Artists Exhibition Program New York Institute, Inc. Houston, TX $5,000 Minneapolis, MN $5,000 New York, NY $5,000 To support a series of exhibitions and To support exhibitions, performances, andTo support a program of classes, work- performances, related programming, shops, lectures, and exhibitions for women artists. Light Factory, Inc. Mobius, Inc. Charlotte, NC $7,500 Boston, MA $5,000 Nexus Contemporary Art Center To support a program of photography To support installations, group exhibi- Atlanta, GA $50,000 exhibitions, workshops, lectures, publica- tions, a performance art señes, and panel To support exhibitions in Nexus Gallery tions, and darkroom access, discussions, and artists’ book projects of Nexus Press. Light Work Movimiento Artistico del Rio Salado Nine One One Contemporary Arts Syracuse, NY $30,000 Phoenix, AZ $10,000 Center To support a program of exhibitions, To support a visiting artists program that Seattle, WA $10,000 residencies, and publications in photogra- includes exhibitions and related symposia,To support a program of exhibitions, phy and related media, residencies, and publications, installations, and related services.

196 VISUAL ARTS

Oilantay Center for the Aris, Inc. Public Art Fund, Inc. Sculpture Center, Inc. Jackson Heights, NY $5,000 New York, NY $17,500 New York, NY $7,500 To support a series of exhibitions anda To support temporary public art exhibi- To support a series of sculpture exhibitions conference presenting the work of His- tions by visual artists throughout the fiveand installations in two galleñes. panic and other multicultural artists, boroughs of New York City. Sculpture Spa~e, Inc. Oregon Center for the Photographic Public Art Works (formerly Inter-Aris Utica, NY $15,000 Aris, Inc. of Mañn) To support a working facility for sculptors. Portland, OR $5,000 San Rafael, CA $7,500 To support a program of temporary site­ Self-Itelp Graphies and Al’t, Ine. To support photography exhibitions and specific installations and related events. publication of a señes of poster Los Angeles, CA $17,500 announcements. To support collaborative printmaking Pyramid Arts Center, In . residencies for multicultural artists. Rochester, NY $20,000 Organization of Independent Artisls, To support exhibitions, residencies, Inc. lectures, and services. Southern Exposure Galleo’ New York, NY $5,000 San Francisco, CA $5,000 To support a series of exhibitions and Pyramid Atlantic, Inc. To support a series of exhibitions and installations by unaffiliated artists in Washington, DC $10,000 installations by emerging and established nontraditional public sites. To support a working facility in the paper artists. and book arts. Storefront for Art and Architecture Painted Bride Art Center, Inc. New York, NY $5,000 Philadelphia, PA Randolph Street Galleo’, Inc. $7,500 Chicago, IL $30,000 To support a señes of exhibítions which To support a series of exhibitions and To support exhibitions, performances, stimulate dialogue about visual arts and installations with accompanying docu- publications, and related activities, architecture. mentation and related performances. Real Art Ways, Inc. Social and Public Arts Resource Center Pewabic Society, Inc. Hartford, CT $17,500 Venice, CA $12,500 Detroit, MI $15,000 To support a señes of exhibitions, instal- To support the mural resource center and To support exhibitions, workshops, lec- lations, performances, lectures and panel the exhibition program. tures, and residencies in the ceramic arts. discussions, and publications. Society for Photographic Education, Photographic Resource Center, Inc. San Francisco Camerawork, Inc. Inc. San Francisco, CA Boston, MA $32,500 $25,000 Albuquerque, NM $17,500 To support exhibitions, lectures, work- To support an exhibition program, publi- To support a national conference, regional catíons, and related activities in photogra-conferences, publications, and services shops, publications, and services in phy and related media, photography and related media, to photographers. San Jose Institute of Contemporary Pilchuck School Art Society of North American Goldsmiths Seattle, WA $12,500 San Jose, CA $5,000 Jacksonville, FL $10,000 To support visiting artists for the 1989 To support a series of exhibitions and To support a national conference, an summer program, installations, exhibition, workshops, technical research, anda quarterly publication. Printed Matter, Inc. Santa Barbara Contemporao" Arts Forum, Inc. Spaces New York, NY $32,500 Cleveland, OH $20,000 To support the distñbution of artists’ Santa Barbara, CA $15,000 To support exhibitions, performances, To support exhibitions, performances, books, window installations, catalogues, lectures, video presentations, and video screenings, and public fomms. and related services. publications. Sushi, Inc. Pro Arts School #33 Art Center San Diego, CA $17,500 Oakland, CA $5,000 Baltimore, MD $15,000 To support a program of exhíbitions, To support a program of exhibitions and To support a program of exhibitions and performances, commissioned installa­ related activities, related events, tions, and forums. 197 Textile Arts Centre Zone Art Center, Inc. City of Kenner, Louisiana Chicago, IL $5,000 Springfield, MA $5,000 Kenner, LA $30,000 To support a program of exhibitions, To support a series of exhibitions, vídeo To support a commission for environmen­ working facilities, and services for textileand film screenings, and performance tal sculptor Vernon Fisher to create a artists, presentations, site-specific installation in the entry court of the city’s civic center. The Kitchen Art in Public Places New York, NY $7,500 Dia Art Foundation, Inc. To support the 1989-90 performance To enable city and state governments, New York, NY $20,000 señes, educational institutions, and other To support a commission for artist Dan organizations to commission works ofart Graham to create a rooftop urban park Video Data Bank as permanentfeatures ofsuch sites as and performance space in Manhattan. Chicago, IL $40,000 parks, plazas, waterfronts, airports, (This grant was jointly funded with the To support production, presentation, and subways, andpublic buildings. Also Design Arts Program for a total of distribution of vídeo artists’ work. funded are short-term installations of $35,000.) experimental works that demonstrate Visual Arts Center of Alaska further potentialfor art in public places. Anchorage, AK $5,000 Des Moines Art Center To support a program that provides exhi­ Des Moines, IA $40,000 17 Grants To support a commission for artist Robert bitions and services to native Alaskan Program Funds: $399,716 artists. Irwin to create a site-specific environmen­ tal sculpture. Albright College Visual Arts Information Service Reading, PA $25,000 Des Moines Art Center Minneapolis, MN $10,000 To support implementation of a collabora- To support production of the service tire project involving artist Mary Miss Des Moines, IA $20,000 publication Artpaper. and architect Adele Santos. (This grant To support a commission for artist Bruce was jointly funded with the Design Arts Nauman to create a site-specific sculpture. Visual Studies Workshop, Inc. Program for a total of $50,000.) Rochester, NY $40,000 Fitchburg Art Museum To support an artists’ press program, Alternative Worksite, lnc. Fitchburg, MA $5,000 exhibitions, lectures, residencies, and To support the planning phase of a collab­ related serv~.ces. Omaha, NE $10,000 To support the planning phase for up to orative project involving a visual artist anda landscape architect. (This grant was Washington Project for the Arts, Inc. five public art installations as part of Omaha’s new percent-for-art program. jointly funded with the Design Arts Washington, DC $50,000 Program for a total of $10,000.) To support an exhibition program, tempo­ rary site-specific installations, an artists- Arts Council of Wilson, Inc. Wilson, NC $10,000 Harvard College, President and Fellows in-residence program, and an artists’ of bookstore. To support a commission for ceramic artists Tom Spleth and Will Hinton to Cambridge, MA $7,000 create a work in a renovated area of To support the planning phase of a public White Columns, Inc. art concept for the Harvard and Radcliffe New York, NY $15,000 downtown Wilson, North Carolina. To support a sedes of exhibitions and campuses. related programs. Center for Education and Communication, Inc. Headlands Center for the Arts Women’s Building, The Brookline, MA $10,000 Sausalíto, CA $30,000 Los Angeles, CA $10,000 ’íb support the planning phase of a touñngTo support a commission for artist Ann To support exhibitions, performances and public art project by artist Jerry Beck. Hamilton to design new public rooms video screenings; commissioning of new at the center. work; lectures and conferences; anda City of Berkeley, California working facility in printmaking and videoBerkeley, CA $15,000 Lowell Plan, Inc. production. To support the planning phase of a collab- Lowell, MA $60,000 orative project involving artist Agnes To support commissions for artists Jock Women’s Studio Workshop, Inc. Denes and landscape architect Richard Reynolds and Suzanne Hellmuth, Robert Rosendale, NY $7,500 Haag. (This grant was jointly funded withCumming, and David Ireland for perma- To support a working facility in printmak-the Design Arts Program for a total of nent works in Lowell’s historic mill ing and the book arts. $30,000.) distñct.

198 VISUAL ARTS

New Performing Arts Center Art Resources International Concourse of Contemporary Art St. Louis, MO $22,000 Washington, DC $7,500 Minneapolis, MN $4,000 To support the planning phase of a collab- To support artists’ fees paid by a new To support a residency in Minneapolis by orative project that will create an urban quarterly magazine A.K.A., for high visual artist Jenny Holzer, and related lighting concept for St. Louis’s new arts quality reproductions of work by contem- public programs. district. (This grant was jointly funded porary American artists. with the Design Arts Program for a total Daniel Clark Foundation of $42,000.) Artists Space, Inc. Goffstown, NH $12,500 New York, NY $7,500 To support Studio Potter magazine, a St. Anthony Mission To support publication of the periodical publication devoted to the ceramic arts. Zuni, NM $42,716 Real Life, which presents critical wfiting To support a commission for artists Alex by artists and cñtics and original work Dia Art Foundation, Inc. and Kenneth Seowtewa to complete a conceived for presentation on the page. New York, NY $10,000 set of murals on the interior walls of the To support a one-day symposium on artists Zuni Pueblo’s 17th-century church. Arts Council of Greater New Orleans books cosponsored by Dia and Printed New Orleans, LA $5,000 Matter. Stuart Foundation To support "New Art/New Space," a La Jolla, CA $25,000 lecture series on public art. Ea.st Carolina University To support a commission by artist Michael Greenville, NC $4,000 Asher for an outdoor sculpture on the Astro Artz To support a cooperative visiting artists campus of the University of Califomia, Santa Monica, CA $17,500 lecture series between East Carolina San Diego. To support publication of the quarterly University and Westem Carolina joumal High Performance. University. Tucson/Pima Arts Council, Inc. Tucson, AZ $28,000 Atlanta Art Papers, Inc. Friends of Photography To support the planning phase of a collab- Atlanta, GA $15,000 San Francisco, CA $6,000 orative project for the Camegie Cultural To supportArtPapers, a bimonthlyjoumalTo support a series of lecture/seminars Center. (This grant was jointly funded that focuses on visual arts activity in the entitled "Reflections: Photography and with the Design Arts Program for a total 12-state Southeastem region. Society." of $48,000.) Guadalupe Cultural Arts Center Visual Artists Forums Ball State University San Antonio, TX $2,500 Muncie, IN $4,000 To support a symposium entitled "Con- To enable artists and other visual arts To support " and Conceptual temporary Art by Women of Color," to professionals to communicate with peers Art: Recent Perspectives," a visiting coincide with Intemational Women’s Day, and the public about visual arts ideas and artists and critics series. 1990. issues, or pursue projects which create and present new work in a context which Board of Trustees of the University of Henry Gallery Association, Inc. stimulates discussion about contemporary Illinois Seattle, WA $8,000 art. Grants support visiting artistpro- Chicago, IL $5,000 To support the creation and presentation grams, conferences and symposia, and To support a visiting artists lecture series of new work by visual artists during a publications that contribute to the national entitled "Nature/nature," hosted by the residencies at the Henry Art Gallery. dialogue on contemporary art. School of Art and Design. Institute of Puerto Rican Culture 51 Grants Center for Book Arts, Incorporated San Juan, PR $5,000 Program Funds: $375,000 New York, NY $12,500 To support a program of interrelated To support "The First National Conference activities dealing with the book arts at ARTVU Magazine on Book Arts in the USA," held in New Escuela de Artes Plasticas. Winston-Salem, NC $7,500 York in the spring of 1990. To support ARTVU, a quarterly publication International Society for Arts, focusing on contemporary visual arts College Art Association of America, Sciences, and Technology, Inc. activity in the Southeast. Inc. Berkeley, CA $7,000 New York, NY $18,000 To support publication of writings by Art Institute of Chicago To support the Studio Art Program of the artists, art historians, and art theoñsts, Chicago, IL $5,000 College Art Association’s 1990 annual and the documentation of artwork in two To support a visiting artists lecture series, meeting held in New York City. issues of the quarterly joumal Leonardo. 199 Lightworks Magazine, Inc. New York Experimental Glass Sculpture Chicago, Inc. Birmingham, MI $5,000 Workshop, Inc. Chicago, IL $12,500 To support two issues of Lightworks, a New York, NY $5,000 To support "Sculpture Chicago 89," an publication focusing on visual, concep- To support publication ofNew Work, a outdoor sculpture symposium. tual, and intermedia art forros, quarterly journal on glass art. Society for Photographic Education, Los Angeles Contemporary Nine One One Contemporary Arts Inc. Exhibitions, Inc. Center Albuquerque, NM $5,000 Los Angeles, CA $5,000 Seattle, WA $12,000 To support Exposure, a quarterly joumal To support a señes of panels to examine To support Reflex, a bimonthly critical on contemporary theory and practice in issues of artists’ empowerment and self- arts joumal covering the five-state North- photography. determination, west region. Southern Illinois University Carbondale, IL $3,500 Mid Atlantic Arts Foundation North Carolina Museum of Art To support "Other Voices in Photography," Baltimore, MD $10,000 Foundation, Inc. a lecture señes. To support a visual arts residency program Raleigh, NC $12,500 that funds interstate residencies for artists To support a series of artists’ installations,University of Arizona and critics at arts organizations in the an accompanying public forum and lectureTucson, AZ $4,000 Middle Atlantic states, series, and related publications. To support "Human Concems: The Artis­ tic Conscience," a series of slide lectures Midmarch Associates, Inc. OCTOBER Magazine, Ltd. and public discussions by visual artists. New York, NY $7,000 New York, NY $10,000 To support "Artists Talk on Art," a year- To support publication of October, a University of California-San Diego long series of panels addressing contem- quarterly joumal that presents writing on La Jolla, CA $8,000 porary art issues, the theory and practice of contemporary To support "Passages Through the Pres­ art. ent," a visiting artists series. Mills College University of Colorado, Boulder Oakland, CA $4,000 Photographic Resource Center, Inc. Boulder, CO $8,000 To support a visiting artists lecture señes Boston, MA $10,000 To support a series of presentations by entitled "Women Artists: Sources and To support publication of a book of essays artists and critics in a variety of visual Connections." on photography generated through the arts disciplines. Logan Grants in Support of New Writing Montana State University on Photography. University of Iowa Bozeman, MT $2,000 Iowa City, IA $4,000 To support a visiting artists lecture señes Photographic Resource Center, Inc. To support a symposium entitled "Women, entitled "The Divergence of Style: An Boston, MA $10,000 Art, and the Installation of the Exploration of the Acceptance of Inde- To support Views, a quarterly photographyUnconscious." pendent Artists in Contemporary Art." joumal based in New England. University of New Mexico New American Makers Print Club Albuquerque, NM $5,000 San Francisco, CA $4,000 Philadelphia, PA $8,000 To support "The Art and Artists of Chi- To support a two-day symposium/work- To support residencies by visual artists to cago," a visiting artists lecture series. shop to address the aesthetic and cñtical work on limited edition prints at local implications of video diaries, presses in collaboration with master University of North Dakota pñnters. Grand Forks, NI) $4,000 To support a visiting artists lecture series New Art Publications, Inc. on public art entitled "Art Larger than New York, NY $5,0(~0 Robert W. Woodruff Arts Center, Inc. Life." To support publication ofBomb, a quart- Atlanta, GA $4,000 erly publication on contemporary art. To support "Process," a visiting artists Utah State University lecture señes at the Atlanta College of Art.Logan, UT $5,500 New Mexico State University To support a visiting artists series entitled Las Cruces, NM $3,000 San Francisco Art Institute "Off Center," which will feature artists To support "Painting Dialogues," a visit- San Francisco, CA $8,000 who have successfully developed careers ing artist lecture series. To support a visiting artists lecture señes, outside of major metropolitan art centers. 200 VISUAL ARTS

Visual Studies Workshop, Inc. American Foundation for AIDS National Association of Artists’ Rochester, NY $20,000 Research Organizations, Inc. To support publication of cñtical, theoret- New York, NY $10,000 Washington, DC $40,000 ical, and histoñcal writing relating to To support production costs for the public To support a two-year pilot project for photography and the book arts in art component of "Art Against AIDS." Afterimage. collaborative commissioning and touñng of new works among visual Washington State University DiverseWorks, Inc. artists’organizations. Pullman, WA $5,000 Houston, TX $20,000~" To support a collaborative visiting artists To support the costs of relocating the lecture series at Washington State Univer- organization, which lost its space asa Nexus Contemporary Art Center sity, Pullman; Cheney Cowles Memorial result of tire. Atlanta, GA $15,000 Museum, and Spokane Falls Community To support the ñrst year of an apprentice- College in Spokane; and the University ~Chairman’s Action Grant ship program designed to train visual of Idaho, Moscow. artists in all phases of offset print and book production. ZYZZYVA, Inc. La Napoule Art Foundation-Henry San Francisco, CA $2,500 Clews Memorial To support the publication of black and New York, NY $20,000 Rutgers, The State University of New white work on paper by west coast visual To support travel and living expenses for Jersey artists in ZYZZYVA, a quarterly joumal up to eight American visual artists partici-New Bmnswick, NJ $7,500 devoted to new writing, pating in the United States/France Inter- To support a fellowship program for national Exchange Fellowship Program. printmakers of diverse cultural Special Projects backgrounds. To support a very limited number of model National Association of Artists’ projects that assist artists in innovative Organizations, Inc. Washington, DC $12,500 Southeastern Center for Contemporary ways and are not eligible under the other Art categories, To subsidize artists’ and administrators’ attendance at the sixth National Associa-Winston-Salem, NC $75,000 8 Grants tion of Artists’ Organizations conference To support the ninth year of the Awards in Program Funds: $200,000 in Minneapolis in October 1989. the Visual Arts program.

201

Arts In Education ~0ogr%r~n~ünds:$5,904,445

The Arts in Education Program provides leadership and support their state departments of education, local-level education of arts education programs nationwide through the development administrators and practitioners, arts organizations, and advocacy ofeducationalprograms within schools and institutions. A major groups in planning and the creation of coalitions. This bñngs goal is to make arts part of basic education-as central to the greater investment and commitment to arts education at both the curriculum core in K-I2 as is English, math, and science, state and local levels. By 1989, more than half of the states had received AISBEG planning grants and 17 had moved into the rts in Education was furthered in 1989 through a implementation phase. combination of grant programs and Endowment lead­ Aership initiatives for a diverse set of constituencies The Special Projects grants category is open to a wide range of including state arts agencies (SAAs) and education nonprofit arts or education organizations. They cover a broad departments, artists, arts organizations, teachers, education spectrum of focused activities related to making the arts basic to administrators and policymakers, parents, and arts education education. Whenever possible, projects that have regional or advocates, national significance, or that have a potential for replication, are recommended by the panel. This category has become very Through State Arts in Education Grants (SAEG), the state arts competitive; in fiscal year 1989 only 10% of the applicant pool agencies are encouraged to help the arts become a basic part was funded. of education. Artist residencies continue to serve asa key In 1989, the AIE Program developed a Special Projects Hand- element, not only in direct work with students engaged in the book, which describes the outcome of 80 projects funded by the making of art, but also with teachers. Educators leam how the AIE program from 1984 through 1987. Each entry lists products arts can be used as a source of enriched leaming in response toavailable from the former grantees plus persons available to the changed goals of the program, provide assistance on projects. Handbook copies are currently available from the AlE Program office. The Arts in Schools Basic Education Grants (AISBEG) allow the state arts agencies to be catalysts for change. The SAAs Special Projects funds provided a third year of Endowment bring resources together to examine and assess the states’ arts support for the arts education and literature research centers, education programs, to discuss issues and develop action plans which are cooperative projects with the U.S. Department of that meet the unique needs of each state. The agencies involve Education’s Office of Educational Research and Improvement.

Advisory Panels Margaret Hasse Jean Rush Executive Director Associate Professor of Art Education Minnesota Alliance for Arts Education University of Arizona Arts in Schools Basic Education Minneapolis, MN Grants Normal, IL Sue Heath Thomas Schorgl Robert Dwyer Artists in Education Coordinator Executive Director Executive Director Utah Arts Council Indiana Arts Commission Quincy Society of Fine Arts Salt Lake City, UT Quincy, IL Indianapolis, IN Mary Early Carol Huxley Alicia Valdez Music Supervisor Deputy Commissioner for Cultural Principal, Atlanta, GA Education Rio Colorado Elementary School New York State Education Department Albany, NY Sana Farr Challenge IH Chairman, Committee on Economic Development & New Technologies Sam Lipman Member, Califomia House of Publisher/Editor Jira Bodeen Representatives The New Criterion Poetry, Printing Monterey, CA New York, NY Yakima, WA 204 ARTS IN EDUCATION

Sharon Freden Madeleine Grumet Jonathan Katz Assistant Commissioner, Education Serv- Dean, Education Department Executive Director ices Division Brooklyn College National Assembly of State Arts Agencies Kansas State Department of Education Rochester, NY Washington, DC Topeka, KS James Hainlen Jeffrey Kesper Virginia Gambica Fine Arts Coordinator, Music Chairman Executive Director Principal District 834 Schools New Jersey State Council on the Arts El Segundo Unified School District High Stillwater, MN Trenton, NJ School El Segundo, CA Ann Richardson Sam Lipman Coordinator, Interrelated Arts & Tapestry Publisher Gerald Kolm Montgomery County Public Schools The New Criterion Superintendent of Schools Rockville, MD New York, NY Triton Regional School Distfict Newbury, MA Robert Stake Mark Peterson Director, Center for Instructional Research Executive Director Charles McNeal & Curriculum Evaluation Halverson Center For Education, Monte­ Instructor, Dance in Communities University of Illinois zuma Creek Arts Council Program Champaign, IL Council Bluffs, lA San Francisco Ballet San Francisco, CA Vonnie Sanford E. Williams Artists in Education Coordinator Pñncipal Ohio Arts Council Sharon Morgan Austin Community Academy High School Executive Director Chicago, IL Columbus, OH Oregon Coast Council for the Arts Salem, OR Thomas Schorgl Overview Executive Director Alberto Rios Indiana Arts Commission Poet Michael Bernazzani Indianapolis, IN Chandler, AZ Supeñntendent Yakima Public Schools Robert Sylvester Helen Steineker Yakima, WA Dean Manager Montgomery Symphony College of Fine and Performing Arts Montgomery, AL Libby Chiu Westem Washington University Deputy Director Bellingham, WA Interdisciplinary Curriculum RFP Massachusetts Council on the Arts and Humanities Penny Williams Ramon Cortines Boston, MA State Senator Superintendent Oklahoma Legislature San Francisco Unified School District Robert Dwyer Tulsa, OK San Francisco, CA Executive Director Quincy Society of Fine Arts Special Projects Anne EI-Omami Quincy, IL Assistant Professor of Visual Arts Carolyn Blackman Education Mary Early Chair, Department of Education University of Kansas Coordinator of Field Museum Lawrence, KS Atlanta, GA Chicago, IL 205 Michael George Robert Sylvester David Morgan Executive Director Dean, Assistant District Superintendent Wisconsin School Music Association College of Fine and Performing Arts Devault, PA Madison, WI Western Washington University Bellingham, WA Peter Sears Artists in Schools Coordinator, Educator, Willie Mae Grissom Lin Wright Poet University Professor, President Chair, Department of Theater National Dance Association Oregon Arts Commission Arizona State University Salem, OR Terre Haute, IN Phoenix, AZ Elaine Wickens Jack Krietzer State Arts in Education Grants Professor, Graduate School of Education Poet Bank Street College of Education Rapid City, ND Shelley Cohn New York, NY Executive Director William Lafe Añzona Commission on the Arts State Arts in Education Grants Consultant Phoenix, AZ Pittsburg, PA Available to the state arts agencies, this Julie Cook category supports projects which build Director of Artists Services, Arts in upon existing arts education programs Lance Linares Education Coordinator that include artist residencies in a variety Executive Director Montana Arts Council of educational settings and other projects Cultural Council of Santa Cruz County Helena, MT designed to help make the arts as basic Santa Cruz, CA a part of education as any other subject in Boyd Dressler grades K-12. Rose Myers Assistant State Superintendent Principal, Education Administration Denver, CO 41 Grants Charleston, SC Program Funds: $3,449,900 Anne EI-Omami Curator of Education Assistant Alabama State Council on the Arts Roger Paige Professor of Visual Arts Education Montgomery, AL $64,800 Visual Artist Executive Director University of Kansas Kentucky Arts Council Lawrence, KS Frankfort, KY Alaska State Council on the Arts Bili Evans Anchorage, AK $67,300 Carol Penn Dancer, Educator American Samoa Council on Culture, Cun’iculum Specialist Indianapolis, IN Arts & Humanities D.C. Public Schools Pago Pago, AS $18,600 Washington, DC Derek Gordon Executive Director Louisiana State Division of the Arts Arizona Commission on the Arts Jane Polin Baton Rouge, LA Phoenix, AZ $91,345 Comptroller and Program Manager General Electric Foundation Sam Grabarski Arkansas Arts Councii Fairfield, CT Musician Executive Director Little Rock, AR $50,450 Minnesota State Arts Board St. Paul, MN Arts and Humanities Section, Division Donald Proflit of Culture and History, Music Educator West Virginia Department of Somerset County Vocational & Technical Jeffrey Kesper High School Executive Director Education and the Arts Jersey City, NJ New Jersey State Council on the Arts Charleston, WV $20,200 Trenton, NJ California Arts Council Nancy Roucher Frank Lynch Sacramento, CA $159,545 Project Director Principal Oboist Florida Institute for Art Education Jackson Symphony Colorado Council on the Arts Sarasota, FL Jackson, MS Denver, CO $30,050

206 ARTS IN EDUCATION

Commonwealth of Pennsylvania Maryland State Arts Council South Carolina Arts Commission Council on the Arts Baltimore, MD $15,450 Columbia, SC $98,340 Harrisburg, PA $40,800 Massachusetts Council on the Arts and South Dakota Arts Council Connecticut Commission on the Arts Humanities Sioux Falls, SD $59,090 Hartford, CT $40,600 Boston, MA $85,690 Delaware Division of the Arts Michigan Council for the Arts State Arts Council of Oklahoma Wilmington, DE $20,200 Detroit, MI $81,100 Oklahoma City, OK $66,800

District of Columbia Commission on Minnesota State Arts Board State Foundation on Culture and the the Arts and Humanities St. Paul, MN $102,790 Arts Washington, DC $7,250 Honolulu, HI $37,900 Mississippi Arts Commission Division of Cultural Affairs Florida Jackson, MS $29,600 Department of State Tennessee Arts Commission Tallahassee, FL $52,550 Missouri State Council on the Arts Nashville, TN $98,140 St. Louis, MO $39,950 Division of the Arts, Louisiana Texas Commission on the Arts Department of Culture, Recreation, & Montana Arts Council Austin, TX $65,590 Tourism Helena, MT $26,200 Baton Rouge, LA $78,695 Nebraska Arts Council Utah Arts Council Salt Lake City, UT $95,340 Georgia Council for the Arts and Omaha, NE $101,700 Humanities Tucker, GA $76,845 Nevada State Council on the Arts Vermont Council on the Arts Reno, NV $22,200 Montpelier, VT $24,250 Guam Councfl on the Arts and New Hampshire State Council on the Humanities Arts Virginia Commission for the Arts Agana, GU $18,650 Concord, NH $49,400 Richmond, VA $16,300 Idaho Commission on the Arts New Jersey State Council on the Arts Washington State Arts Commission Boise, ID $28,650 Trenton, NJ $105,440 Olympia, WA $48,350 Iilinois Arts Council New Mexico Arts Division Chicago, IL $93,195 Wisconsin Arts Board Santa Fe, NM $68,650 Madison, WI $66,890 Indiana Arts Commission New York State Council on the Arts Indianapolis, IN $104,395 New York, NY $167,700 Wyoming Councii on the Arts Cheyenne, WY $30,600 Institute of Puerto Rican Culture North Carolina Arts Council San Juan, PR $6,800 Raleigh, NC $46,600 Lavine, Eileen Bethesda, MD $5,900 Iowa Arts Council North Dakota Council on the Arts Des Moines, IA $78,900 To write the State Arts in Education Grant Fargo, ND $60,090 summaxies for Fiscal Year 1989. Kansas Arts Commission Ohio Arts Council Topeka, KS $85,100 Columbus, OH $151,840 National Assembly of State Arts Agencies Kentucky Arts Council Oregon Arts Commission Washington, DC $21,050 Frankfort, KY $94,260 Salem, OR $85,690 To support a cooperative agreement to coordinate site visits and provide technical Maine Arts Commission Rhode Island State Council on the Arts assistance to state arts agencies for Fiscal Augusta, ME $74,690 Providence, RI $71,400 Year 1989. 207 Artists in Schools Basic National Assembly of State Arts Board of Education of Prince Georges Education Grants Agencies County, Maryland Washington, DC $80,000 Upper Marlboro, MD $29,962 Available to the state arts agencies, this Fora cooperative agr~ement to coordinate To devdop interdisciplinary curricula category supports state arts agency meefings on Arts Education Outcome models encompassing several art forros collaboration with state and local educa­ Goals in seven disciplines: theater, dance, reflective of the suburban nature of the tion agencies in developing a strong visual arts, music, design, creative writ- community. commitment to making the arts a basic ing, and media. part of K-12 education-through compre­ Boston Film/Video Foundation, Inc. hensive planning and implementation Special Projects Boston, MA $23,100 of sequential arts education. The purpose These grants are available to a wide To advance progress toward making the is to assist state arts agencies to plan range of nonprofit arts and education arts a basic in education by developing and help move their states toward the organizations for projects of regional or and publishing a curñculum model in Program’s purpose, national significance that advance media literacy. progress toward the arts becoming a 13 Grants basic part of education, K-12. Funds are Boston Latin School Program Funds: $1,011,750 also usedfor Endowment leadership Boston, MA $29,960 initiatives to help improve arts education. To develop interdisciplinary curñcula Alaska State Council on the Arts models encompassing several art forms Anchorage, AK $22,500 41 Grants reflective of the urban nature of the Program Funds: $1,442,795 community. Illinois Arts Council Chicago, IL $127,500 American Alliance for Health, Physical Children’s Museum of Manhattan, Education, Recreation and Dance Growth Through Art and Museum Reston, VA $1,200~" New York, NY $24,100 Iowa Arts Council To support a three-day conference for the Des Moines, IA $85,000 To support in-service teacher training National Dance Association in November programs and student workshops in the 1988 on dance directions and the future visual arts, and related costs. Kansas Arts Commission of dance in schools, and the publication of Topeka, KS $137,250 a written guide for future efforts. City School District of New Rochelle Michigan Council for the Arts "~Chairman’s Action Grant New Rochelle, NY $31,200 Detroit, MI $150,000 To advance progress toward the arts American Council for the Arts, Inc. becoming a basic part of education Missouri State Council on the Arts New York, NY $30,000~" through a staff development program. St. Louis, MO $130,000 To strengthen and expand the recently organized National Coalition for Educa­ Colley, Bernadette tion in the Arts. Jamaica Plain, MA $8,000 Nebraska Arts Council For a cooperative agreement to develop a Omaha, NE $90,000 ~’Chairrnan’s Action Grant handbook for Arts in Education coordinators. New Hampshire State Council on the Arts Connection Arts New York, NY $38,300 Columbia College Concord, NH $19,500 To support research and dissemination of findings on the carry over effect of arts Columbia, To support MO the 1989 Asian Pacific$5,000 Confer­ New Jersey State Council on the Arts programming as it relates to academic ence on Arts Education in Columbia, Trenton, NJ $40,000 performance, and personal development and development of arts appreciatíon in Missouri. inner-city youth. New York State Council on the Arts Columbia Public Schools New York, NY $100,000 Board of Education of Prince Georges Columbia, MO $16,970 County, Maryland To advance progress toward making the South Dakota Arts Council Upper Marlboro, MD $38,000 arts a basic element in education through Sioux Falls, SD $10,000 To support the development of a multicul- the creation of a comprehensive, sequen­ rural curriculum, related staff develop- tial, concept-based curriculum; to support Wyoming Council on the Arts ment activities, and other related costs forstaff development; and to devise a student Cheyenne, WY $20,000 Prince Georges County Schools. achievement assessment. 208 ARTS IN EDUCATION

Educational Broadcasting Corporation Levine School of Music New York University New York, NY $31,200 Washington, DC $28,300 New York, NY $3ó9,420 To support the creation, printing, and To advance progress toward the arts To support, in collaboration with the U.S. distñbution of a curriculum package on becoming a basic part of education sup- Department of Education, the continuation musical theater anda concurrent lesson porting the Adams Multicultural Music of one division of a national Arts Educa­ guide for teachers for secondary schools. Project, a collaborative partnership to tion Research Center (also see University create a sequential music program, of Illinois at Urbana Champaign grant in Flynn Theatre for the Performing Arts, this category), to evaluate and document Ltd. Michigan Alliance for Arts Education effective teaching methods for the visual Burlington, VT $14,760 Grand Rapids, MI $15,000~" arts, theater and music at the junior and To advance progress toward the arts To support the development of a leadership senior high school level. (A portion of becoming a basic part of education by training and strategic planning process- this grant-$250,000-and the University expanding performing atts literacy throughthe Local Leadership for Educational Artsof Illinois grant are funds transferred from inservice teacher-training programs and Planning-by the Michigan Arts Educationthe U.S. Department of Education.) the development of classroom resource materials, Coalition as part of a state-wide plan for Orangeburg-Bamberg-Cal~oun the arts in education. Consortium Edisto District Schools Great Valley Community Educational Cordova, SC $14,400 Foundation, Inc. ~’Chairman’s Action Grant To advance progress toward the arts Devault, PA $3,000~" becoming a basic part of education by To support two workshops to disseminate Minnesota Alliance for Arts in establishing a consortium of school information about the Pennsylvania Arts Education districts to implement a comprehensive, Ct~rriculum Project. Minneapolis, MN $16,800 sequential arts curdculum. To support ah impact study and replication ~’Chairman’s Action Grant materials for the Minnesota Comprehen- Oregon Coast Council for the Arts sive Arts Planning Program. Newport, CA $3,000~" Hartford Ballet, Inc. To support Oregon’s first comprehensive Hartford, CT $23,000 Museum of Fine Arts, Boston meeting on Arts Education. To advance progress toward the arts Boston, MA $15,590 "~Chairman’s Actíon Grant becoming a basic part of education by To advance progress toward the arts developing dance curriculum materials, becoming a basic part of education Ririe-Woodbury Dance Foundation through the research and development of Salt Lake City, UT $15,000 lllinois Alliance for Arts Education, curriculum materials based on the mu- To advance progress toward the arts Inc. seum’s Greek, Etruscan, and Roman art becoming a basic part of education Chicago, IL $3,500 collection, through a teacher in-service project in To support a state-wide Arts Education dance improvisation. Forum for arts education leaders in Museum of Modern Art Illinois. New York, NY $27,300 Sacramento Regional Foandation To support program evaluation of art Sacramento, CA $3,000~" International Council of Fine Arts education curñcula that discuss museum To support a joint meeting of California’s Deans objects, three task forces on arts education. San Marcos, TX $8,000~" To support a national conference of fine ~’Chairman’s Action Grant arts and education deans in June 1989. National Assembly of State Arls Agencies Seneca Indian Historical So¢iety ]’Chairman’s Action Grant Washington, DC $50,000 Irving, NY $16,800 To support a cooperative agreement to To advance progress toward the arts Kentucky Educational Television enable arts in education coordinators to becoming a basic part of education by Foundation, Inc. attend a national conference, developing a curdculum model for teach- Lexington, KY $28,100 ing native American arts. To advance progress toward the arts New Museum becoming a basic part of education New York, NY $12,900 Southern Arts Federation through the production of a television To support development of a learning Atlanta, GA $25,000 series of creative dramatic programs and guide for teaching art criticism and a To support the creation of a Regional Task related teacher inservices, concurrent teacher-training program. Force on Arts Education.

209 St. Norbert College University of Illinois at Urbana- Washington County Education Service De Pere, WI $10,000 Champaign District To advance progress toward the arts Champaign, IL $255,892 Portland, OR $15,680 becoming a basic part of education by To support in collaboration with the U.S. To advance progress toward the arts developing an instructional program to Department of Education, the continuationbecoming a basic part of education provide access to the arts for young of one division of a national Arts Researchthrough curriculum development in disabled people. Center (see also New York University architecture. The Exploratorium grant in this category), to conducta num­ San Francisco, CA $23,800 ber of research studies that investigate, Young Men’s & Young Women’s To advance progress toward the arts document, and disseminate strategies and Hebrew Association becoming a basic part of education materials to assist in making the arts a New York, NY $18,000 through a teacher-training program, basic and sequential part of the curricu­ To assist teachers, through a multi-year Town of Princeton lum, K- 12. model curriculum development collabora­ Princeton, MN $30,000 tion with the New York Chamber Sym­ To develop interdisciplinary curricula Very Special Arts New Mexico, Inc. phony, in introducing basic listening skills models encompassing several art forms Albuquerque, NM $16,700 and fundamental musical concepts to reflective of the unique character of the To advance progress toward the arts students. community, becoming a basic part of education through the development of a model for U.S. Department of Education evaluating the impact of arts education on Washington, DC $50,000 To support, in conjunction with the DOE, student problem solving skills. the final year of a 3-year commitment for the Literature Research Center at the State University of New York at Albany.

210 45 Grants Local Programs Program Funds: $2,606,642

The Local Programs encourages programs that will increase Agency Plans, Component Agency Plans, and Professional Staff and sustain local government support for the arts anA improve Grants. local arts agency planning and program processes. The program fosters initiatives and activities that ate developed at the In 1989, the Louisiana Division of the Arts in Baton Rouge and the Middle States Consortium of Statewide Assemblies, (through community, state, ana regional levels. It supports joint planning a grant to Columbia College in Columbia, Missouri) continued for the arts by community leaders, public officials, arts organi­ to develop programs serving small communities, rural, and zations, artists, and arts agencies at the local, state, regional, multicultural populations throughout the Midwest and Southem ana national level, regions of the U.S. n 1989, the Local Programs arranged a conference of leaders Among the 13 Planning and Administrative Grants awarded in from the local arts agency and planning fields to examine 1989 were the Monterey County Cultural Council of Salinas, Ithe issues ofplanning. The goal was to define the planning California, the Arts Council in Buffalo and Erie County, New elements that should be included in applications for funding York, and the Louisiana State Division on the Arts. through the Local Program’s "Planning and Administrative" In a unique planning effort, the Alaska State Council on the Arts subcategory. This resulted in redefining this subcategory under was funded to organize, coordinate and convene a series of the new heading "Planning and Professional Staff Grants." Local plarming conferences and teleconferences to address the needs of and state arts agencies may now submit applications specifically local arts councils in pñmaríly rural and often geographically for support of the following: Community Cultural Plans, Total isolated arcas of the state.

Advisory Panels Diane Martuseello Don Jones Executive Director Arts Consultant Alliance of New York State Arts Councils Chevron, USA Challenge IlI New Windsor, NY Saratoga, CA Kenneth Kahn Lynn Barnett William Moskin Executive Director Executive Director Arts Consultant Sacramento, CA Metropolitan Dade County Cultural Abilene Cultural Affairs Council Affairs Council Abilene, TX Madeline Rabb Miami, FL Executive Director Carmen D’Novais Chicago Office of Fine Arts Gregory Kunesh Executive Director Chicago, IL Professor, Director, School of Drama Xican-Indio Artists, Inc. University of Oklahoma Mesa, AZ Josephine Ramirez Norman, OK Community Arts Coordinator Don Jones King County Arts Commission Beverly Lindsey Arts Consultant Seattle, WA Executive Director Chevron, USA Arkansas Arts Council Saratoga, CA Local Programs Little Rock, AR Michael Marsicano Gregory Kunesh Lynn Barnett President Professor, Director, School of Drama Executive Director Arts and Sciences Council of Charlotte/ University of Oklahoma Abilene Cultural Affairs Council Mecklenburg, Inc. Norman, OK Abilene, TX Charlotte, NC Beverly Lindsey Carmen D’Novais Diane Martuscello Executive Director Executive Director Executive Director Arkansas Arts Council Xican-Indio Artists, Inc. Alliance of New York State Arts Councils Little Rock, AR Mesa, AZ New Windsor, NY

212 LOCAL PROGRAMS

Marion McCollum Arts for Greater Rochester, Inc. Tucson/Pima Arts Council, Inc. Executive Director Rochester, NY $170,000 Tucson, AZ $150,000 Arts Council of New Orleans To support increased funding for mid- To support programs related to the estab- New Orleans, LA sized arts organizations and individual lishment of the new Tucson Arts District, artists, technical assistance, cultural mar- including general operating funds and Bill Moskin keting activities, exploration of arts-in- technical assistance programs, education Consultant education initiatives, and hiring of new projects, and new staff persons to coordi- Sacramento, CA staff, nate these programs.

Madeline Murphy Rabb Division of Cultural Affairs, City of State-Local Partnership Grants Executive Director Dallas Chicago Office of Fine Arts Dallas, TX $330,000 Grants are awarded to state arts agencies Chicago, IL To provide management assistance to on behalfofstate-wide consortia of local small and emerging cultural organiza- arts agencies. These grants must be tions, develop a neighborhood arts pro- Josephine Ramirez matched at 1:1 with new state arts agency Community Arts Coordinator gram, establish an arts resource system, appropriations and these combined increase regranting to arts organizations, Federal-state dollars must be matched King County Arts Commission and hire new staff. Seattle, WA with new local public dollars.

Cynthia Schaal Macon Arts Alliance, Inc. 3 Grants Macon, GA $150,000 Regional Coordinator To support implementation of the commu- Program Funds: $525,000 Virginia Commission for the Arts Richmond, VA nity’s cultural action plan and related expansion of the alliance into a regional Arizona Commission on the Arts agency through new staff positions, Phoenix, AZ $150,000 Lisa Thorson technical assistance, regranting, arts To support a program for new and emerg- Actress, Singer events, anda marketing plan. ing local arts agencies, focusing on Ellenrobin Productions strengthening their ability to implement Everett, MA Metropolitan Arts Commission recently developed cultural plans, with a Portland, OR $260,000 major commitment to development of Direct Grants To Local Arts To provide technical assistance and related professional staff. Agencies implementation grants, expand the city’s public art program, hire new staff, and Commonwealth of Pennsyivania Grants are awarded to local arts councils utilize consultants for resource Council on the Arts of commissions and must be matched at development. least 2:1 with new local public dollars Harrisburg, PA $150,000 over a three-year period. To support completion of a planning and Office of the Arts and Humanities, implementation process for strengthening Boston 7 Grants Boston, MA $65,000 existing local arts agencies and develop­ Program Funds: $1,300,000 ment of new agencies in smaller cities and To amend a previous grant to support selected rural areas of the state. programs for the development of a down- Arts Council of Indianapolis, Inc. town cultural district, expanded regranting Indianapolis, IN $175,000 and arts in education activities, a monthlyConnecticut Commission on the Arts To support regranting to local artists and publication, technical assistance for Hartford, CT $225,000 arts organizations, provide technical minority constituencies, and other To support the establishment of the Local assistance, and hire new staff, services. Arts Agencies Development Program. 213 Planning and Administrative Arts Extension Service Lower Manhattan Cultural Council, Grants Amherst, MA $14,999 Inc. Fora cooperative agreement to convene a New York, NY $10,000 To provide grants to both local and state meeting to examine issues involved in To support fees for a consultant to research arts agencies. Grants enable local arts planning requirements in Local Programsthe cultural needs of children in prekin­ agencies to permanently increase and grants, dergarten through third grade in lower improve their planning and administrative Manhattan and to publish a resource di­ capabilities by securing permanent, rectory identifying neighborhood re- professionalplanning and administrative City of Berkeley, California sources available to them. staff; conducting community-wide plan­ Berkeley, CA $15,000 ning; and compiling and maintaining To support fees fora consultant to forrnu- Monterey County Cultural Council information, research, and reports on late a comprehensive cultural plan for Salinas, CA $12,154 community andfinancial needs in the the city, including a needs assessment andTo support a new staff position of educa­ arts. State arts agencies receive grants to an action plan. tion coordinator, who will administer increase their present community devel­ the agency’s expanded Professional Artists opment staff, planning, and technical Civic Arts Council of Oak Park in Schools Program. assistance to local arts agencies. Oak Park, IL $12,000 San Angelo Cultural Affairs Council 15 Grants To support the expansion of a part-time San Angelo, TX $15,000 Program Funds: $283,848 director’s position to full-time to enhanceTo survey and assess the needs of the arts the organization’s capabilities and to in the community; develop a community Alaska State Council on the Arts perrnit sufficient staff time for planning, arts plan; produce recommendations for Anchorage, AK $20,000~" an implementation strategy; execute a Fora cooperative agreement to facilitate Commission on Cultural Affairs community awareness campaign; and three conferences and several teleconfer- Denver, CO $15,000 strengthen collaborative efforts. ences among seven local arts agencies To support fees for consultants to develop for planning purposes to culminate in South Carolina Arts Commission formulating a Local Programs grant a community-wide cultural plan, as Columbia, SC $20,000 application. mandated by Denver’s recently updated To support hidng of a professional arts Comprehensive City Plan. planning consultant to guide 8-10 compet­ ~’Chairman’s Action Grant itively selected local arts agencies through Council for the Arts in Westchester, a long-range planning process. Abilene Cultural Affairs Council Inc. Abilene, TX $15,000 White Plains, NY $30,000 Leadership Education and To support a new marketing staff position,To support a new staff position of DirectorServices Grants which would permit the development and of Planning, and fees for a consultant to implementation of an effective marketingconduct a community-wide cultural Grants are awarded to service organiza­ plan for agency programs, planning process, tions and educational institutions seeking to develop national or regional services, Arts Council in Buffalo and Erie education and training programs, County Cultural Arts Council of Houston publications, research, and special Buffalo, NY $29,695 Houston, TX $30,000 projects that will lead to improved and To support new support staff positions To support fees for consultants to under­ expandedprofessional development and fees for a consultant to help develop a take an economic impact and trends study opportunitiesfor the local arts agency community-wide needs assessment and anda marketing study for the arts fteld. an intemal strategic long-range plan. community. 20 Grants Arts Council of the City of Program Funds: $497,794 Montgomery Alabama Division of the Arts, Louisiana Montgomery, AL $20,000 Department of Culture, Recreation, Alliance of New York State Arts To support a new staff position of pro- and Tourísm Councils, Inc. granas coordinator to assist with programs Baton Rouge, LA $25,000 New Windsor, NY $30,000 and fees fora consultant to evaluate To support a new staff position of multi- To support the third year of a regional programs anda pending facility renovationcultural arts coordinator and other costs leadership training institute for experi­ as part of an agency long-range planning related to the creation of a LAA Rural/ enced local arts agency personnel in the efforto Multi-Cultural Arts program, summer of 1989.

214 LOCAL PROGRAMS

Alliance of New York State Arts Council for the Arts in Westchester, National Assembly of Local Arts Councils Inc. Agencies New Windsor, NY $2,500 White Plains, NY $10,000 Washington, DC $185,000 To support a cooperative agrccmcnt for a To support inccntivc grants, training in To providc scrviccs that assist, strengthen, limited numbcr of scholarships for local accessibility techniques, discounted and inform local arts agencies, including arts agency personncl to attend currently admissions, improved communications, publications, information services, train- existing leadership education institutes, targeted marketing, and transportation ing, workshops, research, and an annual assistance to disablcd and older adults, meeting. Arts Assembly of Jacksonville, Inc. Jacksonville, FL $15,000 To support a four-part effort to impact arts District of Columbia Comnüssion on National Assembly of Local Arts education curñculum, instruction, and the Arts and Humanities Agencies programming in Duval County. Washington, DC $12,000 Washington, DC $20,000 To support an accessibility education For a cooperative agreement to conduct Arts Commission of Greater Toledo, workshop series and a regranting program site visits for Local Programs for Fiscal Inc. as well as design of an accessibility guide Year 1989. Toledo, OH $15,000 to District of Columbia arts facilities and To support a study and recommendations programs. National Assembly of Local Arts for the planning of a curriculum to address Agencies/Arts for America artistic needs of students in grades four Greater Augusta Arts Council, Inc. Washington, DC $35,000 through six who excel in the creative and Augusta, GA $5,000 To support improvement of NALAA’s performing arts. To provide funds to hire a full-time computer capabilities in order to meet education director to coordinate the ad- increased data and information demands Bronx Council on the Arts, Inc. ministrative functions of the A + School of the Local Programs and the field. Bronx, NY $14,000 Program. To support the development of a training program and manual for administrators National Assembly of ~rts and staffs of senior centers and nursing Kaw Valley Arts Council, Inc. Agencies homes which will address the special arts Kansas City, KS $12,000 Washington, DC $11,600 programming needs of visually impaired To support Expanding Community Arts To support exploration of existing rural older adults. Access, a project to expand and improve arts delivery systems for possible adapta­ existing arts programs to be more inclu- tion by a partnership of four arts agencies: Columbia College sive of special constituents, the Local and States Programs of the Columbia, MO $15,000 Endowment, the National Assembly of To support the second year of activities of Metropolitan Arts Commission State Arts Agencies, and the National the Middle States Consortium of State- Portland, OR $12,000 Assembly of Local Arts Agencies/Arts wide Assemblies. To support an arts initiative for older for Ameñca. audiences that includes research and COMPAS, Inc. resource identification, a regional confer- University of Colorado at Denver St. Paul, MN $15,000 ence, and publication of a program and Denver, CO $26,194 To support a wñting program for older facility inventory guide and manuals on To support a regional training institute for adults, marketing techniques, local arts agency persormel in 1989. Commission on Cultural Affairs Denver, CO $15,000 National Assembly of Local Arts University of Minnesota To support a series of disability awareness Agencies Minneapolis, MN $10,000 training workshops, provide demonstrationWashington, DC $37,500 To support a cooperative agreement for a grants and arts access consultations, and For a cooperative agreement to initiate limited number of scholarships for local create a program guide for other agencies examination of the Leadership Education arts agency personnel to attend currently to use in replicating the project, and Services sub-category, existing leadership education institutes.

215 98 Grants States Program Program Funds: $25,547,182

The States Program administers Endowmentfunds set aside by artists, and encourage excellence in the arts through their assist­ law for state arts agencies and regional groups of state arts ance to artists, arts organizations, and community groups. agencies. It assists these agencies in supporting projects and activities that address the arts priorities in their areas. These During 1989, state arts agencies in the 50 states and six special agencies assist organizations supported by the Endowment and jurisdictions awarded almost 40,000 grants totalling $225 million many others that do not receive direct Endowment support, in more than 4,200 communities throughout the country. These grants were then matched by local public and private funds to he seven regional agencies administer programs best support artists’ fellowships, school residencies, arts festivals, handled on a multi-state basis, and the state arts agencies exhibitions, and thousands of other kinds of projects. T continue to have an extremely broad impact. They increase access to arts experiences, assist individual

Basic State Grants Connecticut Commission on the Arts Indiana Arts Commission Hartford, CT $378,000 Indianapolis, IN $405,000 To provide basic support to state arts agencies. Delaware Division of the Arts Iowa Arts Council Wilmington, DE $348,000 Des Moines, IA $374,000 56 Grants Kansas Arts Commission Program Funds: $21,378,500 District of Columbia Commission on Topeka, KS $370,000 the Arts and Humanities Alabama State Council on the Arts Washington, DC $348,000 Kentucky Arts Council Montgomery, AL $388,000 Frankfort, KY $384,000 Division of the Arts, Louisiana Alaska State Council on the Arts Maine Arts Commission Department of Culture, Recreation, Augusta, ME $355,000 Anchorage, AK $347,000 and Tourism Baton Rouge, LA $393,000 Maryland State Arts Council American Samoa Council on Culture, $393,000 Arts and Humanities Baltimore, MD Pago Pago, AS $200,000 Division of Cultural Affairs, Florida Department of State Massachusetts Cultural Council $481,000 Boston, MA $409,000 Arizona Commission on the Arts Tallahassee, FL Phoenix, AZ $380,000 Michigan Council for the Arts Georgia Council for the Arts and Detroit, MI $448,000 Arkansas Arts Council Humanities $368,000 Tucker, GA $413,000 Minnesota State Arts Board Little Rock, AR St. Paul, MN $390,000 California Arts Council Guam Council on the Arts and Humanities Mississippi Arts Commission Sacramento, CA $662,000 Agana, GU $201,000 Jackson, MS $363,500 Colorado Council on the Arts Missouri State Council on the Arts Denver, CO $379,000 State Foundation on Culture and the St. Louis, MO $400,000 Arts Commonwealth Council for Arts and Honolulu, HI $353,000 Montana Arts Council Culture Helena, MT $350,000 Saipan, CM $200,000 Idaho Commission on the Arts Nebraska Arts Council Boise, ID $352,000 Omaha, NE $359,000 Commonwealth of Pennsylvania Council on the Arts Illinois Arts Council Nevada State Council on the Arts Harrisburg, PA $480,000 Chicago, IL $475,000 Reno, NV $352,000 216 STATES

New Hampshire State Council on the Vermont Council on the Arts lllinois Arts Council Arts Montpelier, VT $347,000 Chicago, IL $35,000 Concord, NH $353,000 To support artists’ fees and related costs Virgin Islands Council on the Arts for ah out-of-state dance company in a New Jersey State Council on the Arts St. Thomas, VI $201,000 commissioning and residency project dur- Trenton, NJ $430,000 Virginia Commission for the Arts ing the 1990-91 season. This project will Richmond, VA $409,000 involve two Illinois presenters, ah out- New Mexico Arts Division of-state dance company and choreogra- Santa Fe, NM $358,000 Washington State Arts Conunission pher, and the Illinois dance community. Olympia, WA $393,000 The two presenters will commission a New York State Council on the Arts dance by the out-of-state company which New York, NY $548,000 Arts and Humanities Section, Division will be presented at both sites. A two- of Culture and History, West Virginia week residency will focus on the process North Carolina Arts Council Dept. of Education and the Arts of commissioning new work and develop- Raleigh, NC $415,000 Charleston, WV $363,000 ing new audiences. North Dakota Council on the Arts Wisconsin Arts Board Fargo, ND $349,000 Madison, WI $397,000 Maine Arts Commission Augusta, ME $15,000 Ohio Arts Council Wyoming Arts Councii To support artists’ fees and related costs Cheyenne, WY $346,000 for residencies and outreach activities Columbus, OH $466,000 by the Feld Ballet and Liz Lerman duñng State Arts Council of Oklañoma Dance on Tour the 1990-91 season. Oklahoma City, OK $379,000 6 Grants New Hampshire State Council on the Oregon Arts Commission Program Funds: $120,000 Arts Salem, OR $372,000 Concord, NH $12,500 Commonwealth of Pennsyivania To support artists’ fees and related costs Institute of Puerto Rican Culture Council on the Arts for a one-week summer residency by the San Juan, PR $379,000 Harrisburg, PA $25,000 Laura Dean Dancers and Musicians during To support costs associated with a multi- the 1990-91 season. The residency will Rhode Island State Council on the Arts year program designed to develop skills ofinvolve open rehearsal time, classes, and Providence, RI $352,000 new presenters of dance and to encourage a one-day conference of targeted work- and support the cooperative efforts of shops, and will be supplemented by a fall 0 South Carolina Arts Commission expedenced dance presenters during the tour including outreach programs in Columbia, SC $381,000 1990-91 season, rural communities. Hawañ State Foundation on Culture South Dakota Arts Council and the Arts New Mexico Arts Division Sioux Falls, SD $349,000 Honolulu, HI $15,000 Santa Fe, NM $17,500 To support out-of-state dance artists’ fees To support costs associated with the SRO/ Tennessee Arts Commission and related costs during the 1990-91 DANCE (Support Residency Operation/ Nashville, TN $397,000 season. This project will assist presenters Dance) project which encourages extended to develop dance education efforts, im- and expanded residencies for out-of-state Texas Commission on the Arts prove conditions under which out-of-state dance companies. In this project, three Austin, TX $536,000 artists tour by providing technical assist- presenters working with local dance ance and equipment, and provide interac- companies, will coordinate an out-of-state Utah Arts Council tion with local companies through classes dance company’s half-week residency at Salt Lake City, UT $360,000 and collaborations, each side. 217 Regional Arts Programming New England Foundation for the Arts Arizona Commission on the Arts Grants Cambridge, MA $312,000 Phoenix, AZ $24,000 To support regional arts projects in Con­ To provide technical assistance and For regional groups oftwo of more state necticutt, Maine, Massachusetts, New professional development for tribal mu­ arts agencies to support arts programs Hampshire, Rhode Island, and Vermont. seums and cultural centers on reservations planned and implemented on a multi-state throughout rural Añzona. basis. New England Foundation for the Arts Cambñdge, MA $30,000 Kansas Arts Commission 14 Grants To amend a regional activities grant. Topeka, KS $25,000 Program Funds: $3,222,500 New England Foundation for the Arts To support ah intensive rural arts develop- Cambddge, MA $5,800* ment program. Arts Midwest Minneapolis, MN $522,000 To support Fiscal 1990 planning activities To support regional programs and activi- for Dance on Tour, including participationMinnesota State Arts Board in a planning meeting held in conjunctionSt. Paul, MN $25,000 ties in North Dakota, South Dakota, with the 1989 NASAA meeting. Wisconsin, Iowa, Illinois, Michigan, To support efforts to join with two of Minnesota’s multicounty regional arts Ohio, and Indiana. Southern Arts Federation Atlanta, GA $529,500 councils in providing advancement sup- Arts Midwest To support regional programs and activi­ port to three groups with potential to be Minneapolis, MN $6,000* ties in Alabama, Florida, Georgia, Ken- model rural arts organizations. To support Fiscal 1990 planning activitiestucky, Louisiana, Mississippi, North for Dance on Tour, including participationCarolina, South Carolina, and Tennessee. National Assembly of State Arts in a planning meeting held in conjunction Agencies with the 1989 NASAA meeting. Southern Arts Federation Washington, DC $5,000 Atlanta, GA $6,100 To support the ongoing program of site Consortium for Pacific Arts and To support Fiscal 1990 planning activitiesvisits to state arts agencies and regional Cultures for Dance on Tour, including participationorganizations to enhance the panel’s Honolulu, HI $175,000 in a planning meeting held in conjunctionevaluation of agency operating proce- To support regional programs in Ameñcanwith the 1989 NASAA meeting, dures, plans, and grant applications. Samoa, Guam, and the Northem Marianas. Western States Arts Federation Santa Fe, NM $754,000 New York State Council on the Arts Mid-America Arts Alliance To support regional programs and activi­ New York, NY $11,900 Kansas City, MO $348,000 ties in Alaska, Arizona, California, To assist rural arts organizations in the To support regional programming and Colorado, Hawali, Idaho, Montana, Ne­ design, development, and maintenance of ¯ operations in Arkansas, Kansas, Mis­ vada, New Mexico, Oregon, Utah, Wash­ cultural facilities; and to assist rural arts sourri, Nebraska, Oklahoma, and Texas. ington, and Wyoming. councils in enhancing their service capac­ ity for constituent organizations. Mid.America Arts Alliance Western States Arts Federation Kansas City, MO $5,900" Santa Fe, NM $6,000* North Dakota Council on the Arts To support Fiscal 1990 planning activities To support Fiscal 1990 planning activities Fargo, ND $10,000 for Dance on Tour, including participationfor Dance on Tour, including participation To support the Dakota Centennial Arts in a planning meeting held in conjunctionin a planning meeting held in conjunction with the 1989 NASAA meeting. Congress, a joint project of state arts with the 1989 NASAA meeting, agencies in North and South Dakota, *Represents amended grant totals to which showcased arts of the Dakotas and Mid.Atlantic Arts Foundation inctude travel expenses, offered concurrent sessions on artists, arts Baltimore, MD $522,000 organizations, arts in education, and To support regional arts programming. Special Projects cultural partnerships. Mid-Atlantic Arts Foundation For special initiatives that ate of national $5,800* South Carolina Arts Commission Baltimore, MD significance and serve as models in the $20,000 To support Fiscal 1990 planning activities artsfield. Columbia, SC for Dance on Tour, including participation To develop and publish a comprehensive in a planning meeting held in conjunction10 Grants action plan for the cultural revitalization with the 1989 NASAA meeting. Program Funds: $190,900 of rural communities.

218 STATES

South Dakota Arts Council Division of the Arts, Louisiana Western States Arts Federation Sioux Falls, SD $15,000 Department of Culture, Recreation, Santa Fe, NM $38,000 To bñng arts programs to communities in and Tourism To support presenters throughout Arizona, currently unserved counties of South Baton Rouge, LA $16,000 Colorado, Idaho, Montana, Nevada, New Dakota, utilizing two-member Touring To support the presentation of out-of-state Mexico, Oregon, Utah, Washington, and Arts Teams. dance companies and artists, emphasizing Wyoming in presenting dance companies avant-garde, postmodem, and ethnic duñng the 1989-90 season. Vermont Council on the Arts idiotas, dudng the 1989-90 season. Montpelier, VT $25,000 State Support Services To support artist residencies of two to Mid-Atlantic Arts Foundation To support costs of services provided on a three weeks in several rural towns. Baltimore, MD $18,000 national basis to state arts agencies and For artists’ fee support to presenters regional groups. Vermont Council on the Arts throughout the District of Columbia, Montpelier, VT $30,000"~ Maryland, New Jersey, and West Virginia 4 Grants To support the Vermont Council on the for the presentation of dance companies Program Funds." $361,300 Arts’ Statewide Business-Arts Partnership and artists during the 1989-90 season. National Assembly of State Arts program which will promote partnerships Agencies among the Vermont Council on the Arts, New England Foundation for the Arts Washington, DC $255,000 local arts organizations, and businesses. Cambridge, MA $48,000 To support general operations and activi- For artists’ fee support to presenters ties with state arts agencies for Fiscal Year ~’Chairman’s Action Grant sponsoring out-of-region dance compa- 1989. nies, and to support special tours by Bebe Dance on Tour Miller, Ralph Lemon, and the Susan National Assembly of State Arts Marshall Company during the 1989-90 Agencies season. Washington, DC $6,300 11 Grants To amend a previous grant to support a Program Funds: $250,000 North Caroliaa Arts Council retreat meeting on federal/state/local roles Raleigh, NC $31,000 in support of arts institutions. Alaska State Council on the Arts For artists’ fee support to presenters of National Assembly of State Arts Anchorage, AK $24,000 out-of-state dance companies in 1989-90. Agencies For support of dance company fees for Washington, DC $30,000 presenters sponsoring out-of-state dance State Foundation on Culture and the To amend a previous grant to support companies and artists during the 1989-90 Arts ongoing maintenance of a national stand- season. Honolulu, HI $19,000 ard for the Arts Information Exchange, For artists’ fee support to presenters of and for continued development of a na- Delaware Division of the Arts out-of-state professional dance companies tional database for the collection and Wilmington, DE $13,000 and dance artists during the 1989-90 analysis of information from final descrip­ For support of artists’ fees for presenters season, tion reports of grants given to state arts sponsoring a professional out-of-state agencies and regional arts organizations dance company to be in residence Tennessee Arts Commission for Fiscal 1988. throughout the state of Delaware during Nashville, TN $14,000 National Assembly of State Arts the 1989-90 season. For artists’ fee support to presenters of Agencies out-of-state, modero and postmodem Washington, DC $70,000 Division of Cultural Affairs Florida dance companies during the 1989-90 To support ongoing maintenance of a Department of State season, national standard for the Arts Information Tallahassee, FL $16,000 Exchange, and for continued development For artists’ fee support to presenters of Virginia Commission for the Arts of a national database for the collection out-of-state dance companies, concentrat- Richmond, VA $13,000 and analysis of information from final ing on those which present ethnic and For artists’ fee support to presenters of description reports of grants given to state avant-garde dance, duñng the 1989-90 out-of-state dance companies during the arts agencies and regional arts organiza­ presentation season. 1989-90 season, tions for Fiscal 1988.

219

36 Grants Program Funds: $18,200,000 Challenge Funds: $13,392,709

The Challenge Program offers major one-time grants to organi- quality and have arts programs of national or regional signifi­ zations, agencies, and consortiafor activities which are de- cance. The purpose of these grants has been to strengthen the signed to have long-term impact. Challenge grants require that financial base of the country’s most prestigious arts institutions. each Federal dollar be matched at least three-to-one with funds from new or increased non-Federal sources. Duñng 1989 the Arts Endowment also reviewed the second n 1989 the Arts Endowment announced 68 Challenge II round of applications submitted under the Challenge III guide- grants, the final round of new grants for this program. Sincelines. Challenge III grants support projects that foster excellence 1983, Challenge II grants have been awarded to cultural in the arts, improve broader access to the arts, increase apprecia­ Iinstitutions that have demonstrated a commitment to artistiction for the arts, and expand support systems for the arts.

Challenge II V/American Cinematheque V/San Diego Opera Association Hollywood, CA $150,000 San Diego, CA $400,000 Challenge Grants are awarded to cultural To construct the arts complex and to To establish a cash reserve and to imple­ institutions of groups of cultural institu­ establish a cash reserve, ment an artistic initiative, including the tions that have demonstrated a commit- presentation of 20th-century works and the ment to artistic quality and have arts creation of one new production every programs of recognized national or v/La Jolla Playhouse three years. regional significance. Thefunds are used La Jolla, CA $250,000 to broaden the base of contributed To augment an endowment and establish a V!American Conservatory Theatre private support and achieve financial cash reserve. stability. Grants must be matched by at San Francisco, CA $250,000 least three to one in new or increased To establish a cash reserve and eliminate a donations for each Federal dollar ~/Community Television of Southern deficit. received. California/KCET Los Angeles,CA $800’000~/Henry E. Huntington Library & Art The following grants ate listed by states. To augment an endowment. Gallery 68 Grants San Marino, CA $100,000 Challenge Funds: $19,165,000 /Craft and Folk Art Museum To angment an endowment. Los Angeles, CA $300,000 Alabama Symphony Association To augment an endowment. ~/~Yale University Art Gallery Birmingham, AL $100,000 To augment an endowment. New Haven, CT $500,000 /Los Angeles Chamber Orchestra To augment an endowment. j Birmingham Museum of Art Society Birmingham, AL $400,000 Los Angeles, CA $100,000 C/The Shakespeare Theatre at the Folger To renovate the existing facility and to To augment an endowment. Library enlarge the Museum with the addition of Washington, DC $140,000 a new three-story wing. ,~/Otis Art Institute of Parsons School of To augment a cash reserve and to eliminate KUAT Radio at the University of Design a deficit. Arizona Los Angeles, CA $500,000 Tucson, AZ $150,000 To construct a new building which willX/Philharmonic Orchestra of Florida To augment an endowment, include individual exhibition centers for Fort Lauderdale, FL $300,000 drawing, fashion design, and fine arts. To augment an endowment. Berkeley Repertory Theatre Berkeley, CA $325,000 , To augment a cash reserve, eliminate a ~/The California College of Arts andx/The John and Mable Ringling Museum deficit, and implement an artistic initiativeCrafts of Art Foundation that includes a new play development Oakland, CA $250,000 Sarasota, FL $100,000 fund for commissioning new works. To augment an endowment. To angment an endowment.

222 CHALLENGE

~/-Savannah Symphony v/Walker Art Center ~/The MacDowell Colony Savarmah, GA $100,000 Minneapolis, MN $1,000,000 New York, NY $250,000 To augment an endowment and to elimi- To augment an endowment. To augment an endowment. nate a deficit. V~~ St. Paul Chamber Orchestra v/Pierpont Morgan Library T~e Se~ool of the Art Institute of St. Paul, MN $650,000 New York, NY $800,000 Chicago To augment an endowment. Toaugment endowment. Chicago, IL $500,000 To augment an endowment. / Actors Theatre of St. Paul St. Paul, MN $100,000 v/Playwrights I-Iorizons Steppenwolf Theatre Company To augment a cash reserve, eliminate New York, NY $225,000 Chicago, IL $300,000 notes payable and reduce a deficit. To establish a cash reserve and eliminate a To construct a new theater facility to note payable. include a 500-seat mainstage anda smaller v/Helena Film Society 150-seat studio theater. Helena, MT $100,000 fSt. Luke’s Chamber Ensemble To augment an endowment. New York, NY $250,000 ~/- Northlight Theatre To augment an endowment. Evanston, IL $200,000 V/Oma~a Symphony Association To establish a cash reserve and eliminate a Omaha, NE $200,000 ~/Vineyard Theatre and Workshop deficit. To augment an endowment. Center New York, NY $200,000 Fort Wayne Philharmonic Orchestra ~/Nevada Public Radion Corporation To establish a cash reserve, eliminate a Fort Wayne, IN $200,000 Las Vegas, NV ~,~’~~,~~,~~,~,~ $150,000 deficit, and construct a new cultural To augment an endowment. To augment an endowment, facility which will include a 130-seat University of Kansas Concert Chamber/Glimmerglass Opera theater and support facilities. Music and New Directions Series Cooperstown, NY $250,000 V/World Monuments Fund Lawrence, KS $100,000 To augment an endowment and eliminate To augment an endowment, a note. New York, NY $200,000 To establish an endowment and augment a Contemporary Arts Center v/The Americas Society cash reserve. New Orleans, LA $150,000 New York, NY $100,000 To renovate its current warehouse facility. To augment an endowment. "i/The Cleveland Institute of Music Cleveland, OH $100,000 Inquilinos Boricuase En Accion V/Dance Theatre of Harlem To augment an endowment. Boston, MA $100,000 New York, NY $400,000 To augment an endowment. To augment an endowment and to elimi- t/Great Lakes T~eater Festival nate a note and deñcit. Cleveland, OH $100,000 Detroit Institute of Arts To establish an endowment and cash Detroit, MI $500,000 ~Haleakala, Inc./The Kitchen To augment an endowment. New York, NY $200,000 reserve, and to eliminate a deficit. To eliminate a note and a deficit. / The Minneapolis Institute of Arts V Dayton Philharmonic Mirmeapolis, MN $750,000 The Hebrew Arts School Orchestra Association To renovate its 1914 building by adding New York, NY $200,000 Dayton, OH $100,000 and improving exhibition space and To establish a cash reserve and eliminate a To augment an endowment. environmentally controlled storage, note. VOberlin Coilege/Conservatory of Music ti’-Plymouth Music Series V" Lincoln Center for the Performing ArtsOberlin, OH $200,000 Minneapolis, MN $100,000 New York, NY $500,000 To augment an endowment and to purchase To augment an endowment. To augment an endowment, equipment.

223 v/~tioch Review/Antioch College v/Virginia Museum of Fine Arts Haleakala, Inc. Yellow Springs, OH $150,000 Richmond, VA $600,000 New York, NY $200,000 To augment an endowment. To augment ah endowment. ~/Portland Opera Association vz The Group Theatre Company Hartford Stage Company, Inc. Portland, OR $150,000 Seattle, WA $100,000 Hartford, CT $650,000 To augment an endowment and establish a To establish a cash reserve. cash reserve. Hebrew Arts School ~/Henry Gallery Association at the New York, NY $200,000 Tyler School of Art at Temple University of Washington University Seattle, WA $100,000 Philadelphia, PA $125,000 To augment an endowment. Johns Hopkins University for To establish an endowment. Peabody Institute ~iWisconsin Public Broadcasting Baltimore, MD $500,000 Pennsylvania Academy of Fine Arts Foundation Philadelphia, PA $600,000 Madison, WI $400,000 To augment an endowment, and renovate To purchase equipment for the television University of Kansas for a space in its museum for collection station. Spencer Museum of Art storage, administration, curators, prepa- Lawrence, KS $200,000 rators, and archivists. ’¢’ Florentine Opera Company Milwaukee, WI $100,000 Lincoln Center for the Performing Carnegie Museum of Art To augment ah endowment. Pittsburgh, PA $500,000 Arts, Inc. New York, NY $100,000 To augment ah endowment. The following grants were announced during previous fiscal years but were Pittsburgh Opera Association obligated during Fiscal 1989. DescriptionsMacDowell Colony, Inc. Pittsburgh, PA $250,000 of these grants may be found in previous New York, NY $250,000 To augment ah endowment and eliminate annual reports. a deficit. 21 Grants Saint Panl Chamber Orchestra Society Clemson Architectural Foundation at Challenge Funds: $7,336,592 St. Paul, MN $300,000 Clemson University Clemson, SC $100,000 To establish ah endowment. Appalshop, Inc. Steppenwolf Theatre Whitesburg, KY $400,000 Chicago, IL $300,000 South Carolina Educational Television Artist’s Collective, Inc. Commission University of California-Berkeley for Hartford, CT $175,000 Columbia, SC $750,000 University Art Museum To purchase equipment. Berkeley Repertory Theatre Berkeley, CA $300,000 Memphis Orchestral Society Berkeley, CA $325,000 Memphis, TN $250,000 University of California-Los Angeles To augment an endowment. City of San Antonio, Texas for for UCLA Center for Performing Arts Carver Community Cultural Center Los Angeles, CA $750,000 Dallas Theater Center San Antonio, TX $200,000 Dallas, TX $200,000 To establish a cash reserve. COMPAS, Inc, ¥irginia Museum Foundation St. Paul, MN $74,230 Richmond, VA $600,000 ~//Utah Museum of Fine Arts Salt Lake City, UT $100,000 Founders Society Walker Art Center, Inc. To establish an cndowment. Detroit Institute of the Arts Minneapolis, MN $1,000,000 Detroit, MI $362,362 Utah Symphony Society Salt Lake City, UT $300,000 Glimmerglass Opera, Inc. World Monuments Fund, Inc. To augment an endowment. Cooperstown, NY $250,000 New York, NY $200,000 224 CHALLENGE

Challenge III Brooklyn Academy of Music, Inc. New York Dance Center, Inc. Brooklyn, NY $750,000 New York, NY $900,000 To initiate major creative projects with potentialfor long-term benefit to the arts Center Stage Associates, Inc. New York Foundation for the Arts, Inc. in all sections of this country. Grants Baltimore, MD $1,000,000 must be matched by at least three-to-one New York, NY $800,000 in new or increased donations for each Cleveland Foundation, Inc. Federal dollar received. Unlike other Cleveland, OH $250,000 Southern Arts Federation Challenge Grants that are designed for Atlanta, GA $100,000 increasing long-term institutionalfinan- Foundation for the Joffrey Ballet, Inc. cial stability, Challenge III grants assist New York, NY model projects of national significance. $249,275 University of Wyoming Laramie, WY $400,000 15 Grants k/Louisville Orchestra, Inc. Challenge Funds: $6,066,117 Louisville, KY $500,000 Cooperative Agreement American Museum of the Moving Minnesota Opera Company Image St. Paul, MN $150,000 Astoria, NY $300,000 ArtsMarket Consulting, Inc. National Trust for Historic Marion, MA $270,256 Ballet West Preservafion in the United States For a cooperative agreement to evaluate Salt Lake City, UT $400,000 Washington, DC $4,380 the fundraising capacity, management and board strength, financial position, likely Bay Area Women’s Philharmonic New England Foundation for the Arts grant impact, and application readiness San Francisco, CA $48,000 Cambridge, MA $214,462 for Challenge III grant applications.

225 3 Grants Pro~ram Funds: $1,319,997 Advancement Other Funds: $178,062

The Advancement Program assists emerging arts organizations In 1989, the second group of technical assistance participants of high artistic quality to develop specific strategies to eliminate was selected. This group includes such diverse organizations as deficiencies in organizational management practices, and to the Red Eye Collaboration in Minneapolis, Honolulu’s Theatre take carefully planned steps toward achieving long-range goals, for Youth, and La Pena Cultural Center in Berkeley.

he Advancement Program offers a two-phase program The Fiscal 1989 participating Advancement organizations were beginning with an intensive 15-month peñod oftechnicalselected from more than 100 applications received from the T assistance which fosters continued development of the disciplines of Arts in Education, Expansion Arts, Inter-Arts, participating organization. This involves help with Museum, Music, and Theater. Applications for FY 91 Advance- planning, govemance, financial management, marketing, and ment Program participation will be accepted from the disciplines other skills. In the second phase of the program, each participat-of Arts in Education, Design Arts, Inter-Arts, Museum, Music, ing organization is eligible to apply for a matching grant to and Theater. The deadline for receipt of FY 91 Advancement implement long-range strategies developed during the first phase,applications is September 4, 1990.

Management Services The North Group The following Advancement Grants were New York, NY $60,787 awarded in previous years, and were To augment a prior year cooperative partially obligated in Fiscal 1989: University of Southern Maine agreement in order to facilitate receipt and Portland, Maine $113,215 disbursement of computer systems which Museo de Arte de Ponce For a cooperative agreement to design and were donated by IBM/NYNEX to Ad- Ponce, PR $75,000 implement a process for assesssing the vancement participants in the fields of readiness of up to 80 panel-recommended Dance, Design Arts, Folk Arts, Litera- Humboldt State University for FY 1989 applicants in the fields of Arts ture, Media Arts, Opera-Musical Theater, CenterArts in Education, Expansion Arts, Inter-Arts, and Visual Arts. Fifty thousand dollars Arcata, CA $18,057 Museum, Music, and Theater. of these funds were donated by NYNEX to the National Endowment for the Arts. Richard Allen Center for Culture and The North Group Art, Inc. New York, NY $1,200,000 New York, NY $31,000 To manage and direct work of Advance­ ment consultants in connection with Phase I: Technical Assistance activities for 50 FY 1989 Advancement participants in the fields of Arts in Education, Expansion Arts, Inter-Arts, Museum, Music, and Theater.

226

46 Grants Fellowship Program Program Funds: $195,722

The National Endowment Fellowship Program for Arts Managers and encourages them to bring fresh insights to the Endowment. provides promising arts managers with a national overview of Due to the timing of fellowship sessions, all grants under this arts activities, acquaints participants with Endowment policies, Program are awarded as Chairman’ s Actions.

Anglin, JoAnn M. Etzkorn, Lars Jetter, Cynthia Lynn Sacramento, CA $4,500 St. Louis, MO $4,400 Charlotte, NC $4,363 To participate asa Fellow in the States To participate asa Fellow in the Office of To participate asa Fellow in the Challenge Program during the fall session, the General Counsel during the summer and Advancement Programs during the session, summer session. Anschdl, Bill Jones, Carol Elizabeth Mercer Island, WA $4,320 Fareed, Tammy Rabun Gap, GA $4,350 To participate asa Fellow in the Music Nashville, TN $4,300 To participate asa Fellow in the Folk Arts Program during the spring session. To participate asa Fellow in the Opera- Program during the fall session. Musical Theater Program during the Benson, Vickie L. summer session. Juzi, Adele Cover Minneapolis, MN $4,350 Fairfax, VA $4,150 To participate as a Fellow in the Music García y Grace, Pamela R. To participate asa Fellow in the Arts in Program during the summer session. Winchester, CA $4,350 Education Program during the spring To participate asa Fellow in the Office of session. Black, Barbara Kerr Congressional Liaison during the spring Washington, DC $4,000 session. Kahn, Sheila To participate asa Fellow in the Arts in Takoma Park, MD $4,000 Education Program during the fall session. To participate asa Fellow in the Dance Goiden, Marita Program during the fall session. Washington, DC $4,000 Boyer, Penelope To participate asa Fellow in the LiteratureKearns, Josephine A. Danbury, CT $4,125 Program in the summer session. Flint, MI $4,200 To participate asa Fellow in the Inter-Arts To participate asa Fellow in the Locals Program during the spring session. Graves, Donna Jane Program during the spring session. Buckner, Kim Lynnette Los Angeles, CA $4,460 To participate asa Fellow in the Visual Knudsen, Christine Columbus, OH $4,253 $4,400 To participate asa Fellow in the Expansion Arts Program during the summer session.To participate Burlingame, asa Fellow KS in the Finance Arts Program in the fall session. Division during the fall session. Green, Laura R. Dobbins, Christopher T. Brooklyn, NY $4,200 Korn, Jessica Radford, VA $4,204 To participate asa Fellow in the Policy Cambridge, MA $4,250 To participate asa Fellow in the Office of and Planning Program during the fall To participate as a Fellow in the Research Public Affairs during the spring session, session. Division during the summer session. Hanzal, Carla M. Langston, Lacy Roseann Dossar, Kenneth M. Oxford, MS $4,280 Philadelphia, PA $4,100 Washington, DC $4,000 To participate asa Fellow in the Design To participate asa Fellow in the ExpansionTo participate asa Fellow in the Research Arts Program duñng the summer session. Arts Program in the summer session. Division duñng the fall session. Leptak, Jeffrey L. Elrick, Krista ttarrington, Nyoka S. Hilliard, OH $4,253 Tempe, AZ $4,200 Austin, TX $4,350 To participate as a Fellow in the Office for To participate as a Fellow in the States To participate as a Fellow in the Locals Special Constituencies during the Fall Program during the spring session. Program during the fall session, session. 228 FELLOWSHIP PROGRAM

Linzee, Jill I. Pierce, Harrison Shaffer, Mariann Poyer Berlin, MA $4,208 San Francisco, CA $4,500 Northboro, MA $4,200 To participate asa Fellow in the Folk Arts To participate as a Fellow in the Opera- To participate as a Fellow in the Office for Program during the spñng session. Musical Theater Program during the fall Special Constituencies during the spring session. Low, David session, Burlington, VT $4,300 Starr, Stephanie To participate asa Fellow in the Inter-Arts Rich, Jennifer Anne New York, NY $4,125 Program during the fall session. Philadelphia, PA $4,460 To participate asa Fellow in the Office of To participate asa Fellow in the Locals Policy and Planning duñng the spfing Martin, Mary Kate Program dufing the summer session. session. San Antonio, TX $4,350 To participate asa Fellow in the Office of Truesdell, Barbara Council and Panel Operations duñng the Roberts, Janet E. Bloomington, IN $4,200 fall session. Essex Junction, VT $4,160 To participate asa Fellow in the Folk Arts To participate asa Fellow in the Design Program during the summer session. McDonald, James P.E. Arts Program during the spring session. Chicago, IL $4,250 Wendt, Kirsten To participate asa Fellow in the Museum Chicago, IL $4,250 Program during the spring session. Sanders, Bedria To participate as a Fellow in the Dance Cincinnati, OH $4,376 Program during the spring session. Murdock, Jan To participate as a Fellow in the Research Flint, MI $4,350 Division during the spñng session. Wetlaufer, Lise To participate as a Fellow in the States Washington, DC $4,000 Program during the summer session. To participate as Fellow in the Design Schmidt, Karen A. Arts Program dufing the fall session. Nelson, Miriam L. Glendale, CA $4,460 Somerset, NJ $4,250 To participate asa Fellow in the Inter-ArtsWinborn, Cooki To participate asa Fellow in the Music Program dudng the summer session. New York, NY $4,125 Program during the fall session. To participate asa Fellow in the Theater Program dudng the spdng session. O’Neil, Maura Maighread Seibert, Jeff Whittier, CA $4,350 Cindnnati, OH $4,200 Yarbrough, Amy M. To participate asa Fellow in the ChallengeTo participate asa Fellow in the Arts in Somerville, MA $4,250 and Advancement Programs during the Education Program during the summer To participate as a Fellow in the Dance spring session, session. Program duñng the summer session.

229 International 32 Grants Funds: $271,100

The International Activities section seeks to broaden the gana joint initiative to expand American representation at exposure of American artists and audiences to international arts international festivals and exhibitions. With additional funds activities and cooperate with other federal agencies which from the Rockefeller Foundation and the Pew Charitable Trusts, support international activities highlighting American arts. In the program has become the Fund for U.S. Artists at Interna­ 1985, the Arts Endowment and the U.S. lnformation Agency be- tional Festivals and Exhibitions.

American Boychoir School E. Monte Motion, Inc. Khadra International Folk Ballet Princeton, NJ $2,500 New York, NY $5,000 San Francisco, CA $5,000 To support performances of the Ameñcan To support performances of the Elisa To support performances of Khadra at the Boychoir at the Festival of Colmar in Monte Dance Company at festivals in intemational folk dance festivals in France France in July 1989. Spain, Poland, Czechoslovakia, and and Belgium during August of 1989. . Appalshop, Inc. Whitesburg, KY $3,500 La Napoule Art Foundation To support performances of the Roadside Garth Fagan’s Bucket Dance Theatre, New York, NY $10,000 Theater company at the London Interna­ Inc. To support staff salaries and travel for a tional Festival of Theater in London, Rochester, NY $7,500 multi-disciplinary intemational program England, during July of 1989. To support performances of Garth Fagan’sof American artists’ residencies in the Bucket Dance Theatre as part of the Chateau de La Napoule, France. Arts International American Black Festival in Italy. New York, NY $25,000 Lucinda Childs Dance Foundation, To support the administrative expenses of Houston Ballet Foundation Inc. managing the Fund for U.S. Artists at Houston, TX $25,000 New York, NY $5,000 intemational festivals and exhibitions. To support performances of the Houston To support performances of the Lucinda Ballet at the 1989 IntemationalChilds Dance Company at the "Milano Baltimore Theatre Project, Inc. Festival in Edinburgh, Scotland, during d’Estate ’89" festival in Milan, Italy. Baltirnore, MD $9,000 August of 1989. To support performances of the Terry Beck Troupe at the Edinburgh Festival in Mabou Mines Development Scotland in 1989. I Care, Inc. Foundation, Inc. Nashville, TN $7,000 New York, NY $3,000 New York Theatre Arts To support performances of the Richard To support performances of the company Foundation, Inc. Smallwood Singers at the Greenbelt at the Festivale C.R.T. Roma in Rome, New York, NY $7,000 Festival in Northampton, England, and Italy, duñng October, 1989. To support performances of Squat Theater the Rockgospel Festival in , at the Zuercher Theater Spektakel in Switzerland. Mid Man Dance Foundation, Inc. Switzerland. New York, NY $7,500 Japan/U.S.Friendship Commission To support performances of the Joyce Dell’Arte, Inc. Washington, DC $30,000 Trisler DansCompany at the Akademie Blue Lake, CA $6,000 To support the 1990 United States/Japan der Kunste in Berlin, Germany, during To support performances of the Dell’Arte~ Artists Exchange Program which providesMay of 1989 and at the Vienna Festival in Players Company at the Arhus Festil¢al five U.S.artists with an opportunity to Austña during November of 1989. in Denmark. live and work in Japan for six months. Dimensions Dance Theater, Inc. Music-Theatre Group, Inc. Oakland, CA $7,500 Jose Limon Dance Foandation New York, NY $10,000 To support performance of Dimensions New York, NY $5,000 To support performances of "The Garden Dance Theater at the 1989 Jerash Festival To support performances of the Limon of Earthly Delights" at the Edinburgh of Culture and Arts in Amman, Jordan, Dance Company at the Interballet FestivalInternational Festival in Scotland in Au­ during July of 1989. 89 in Budapest, Hungary, in March 1989. gust of 1989. 230 INTERNATIONAL

NANA Museum of the Arctic~" Oaldand Youth Chorus San Francisco Ballet Association Kotzebue, AK $6,600 Oakland, CA $2,500 San Francisco, CA $25,000 To support activities related to the appear- To support performances of the Oakland To support performances of the San ance of the Northem Lights Drummers Youth Chorus at the Asian-Pacific Expo- and Dancers at the Arctic Song Festival in sition in Fukuoka, Japan during August Francisco Ballet at the Festival de Paris in Cambridge, England, spñng 1989. 1989. Paris, France, during May of 1989.

~’Chairman’s Action Grant Paul Taylor Dance Foundation, Inc. School of American Ballet, Inc. New York, NY $7,500 National Black Touring Circuit, Inc. To support performances of the Paul TaylorNew York, NY $10,000 New York, NY $5,000 Dance Company at the Spoleto Festival To support performances of the School of To support performances of "I Have a in Melboume, Australia. American Ballet at the Holland Festival Dream," a gospel musical, at the Brighton in Amsterdarn, The , during Festival in Brighton, England, during Relache, Inc. June of 1989. May of 1989. Philadelphia, PA $7,000 New York City Hispaníc-American To support performances of the Relache Dance Company, Inc. contemporary music ensemble at the 1989 Stein, Daniel Andrew New York, NY $6,000 Intedink Festival in Tokyo, Japan. Milwaukee, WI $3,500 To support performances of Ballet His- To support performances of "Inclined to panico at the Festival de Italica, the Rio Grande Union, In . Agree" at the Intemational Moving Thea- Festival de Cadiz, and Veranos de la Villa, New York, NY $5,000 tre Festival of Budapest, Hungary, dudng a summer festival in . To support performances of Douglas Dunn & Dancers at the Festival d’Automne in October of 1989. New York Kammermusiker, Inc. París, France, during October of 1989. New York, NY $2,500 Western Wind Vocal Ensemble, Inc. To support performances of the New York Ririe-Woodbury Dance Foundation New York, NY $5,000 Kammermusiker, during July and August Salt Lake City, UT $5,000 of 1989, at the Holland Festival in Am- To support performances of the Ririe­ To support performances of the Westem sterdam, the Netherlands; the Salzburg Woodbury Dance Company at the Berliner Wind Vocal Ensemble at the Cultural Festival in Salzburg, Austria; and the Festagg in East Berlin, Democratic Re- Olympics in Madrid and , Millstatt Festival in Millstatt, Austtia. public of Crermany, during October 1989. Spain.

231 7 Projects Research Funds: $339,900

The Research Division assists the Arts Endowment, artists, arts the arts field and by developing evaluation studies of program organizations, and the public by developing, analyzing, and effectiveness. disseminating new information on the needs and conditions of

Arts Market, Consulting, Inc. Bureau of the Census NSI Research Group Madon, MA $13,067 Washington, DC $32,100 Austin, TX $106,750 To conducta pilot study to examine the For data tabulations from the 1987 Census Fora nationwide survey to provide infor­ extent to which data gathered from Ad­ of Service Industfies to provide financial mation on the characteñstics of minority vancement grant applications can docu­ information on arts organizations on botharts organizations (Hispanic, Afro-Am¢r­ ment the impact of vadous approaches to a national and state levd. This informa- ican, Asian-American, and Native Am~ri­ govemance of organizations in specific tion is used in the Endowment’s State can) such as age, sources of income, size disciplines, of the Arts Repon. of staff, administrative and artistic ex­ penses, composition and size of audi- Arts Producers International Constance Citro ences, and needs and goals. New York, NY $124,473 Washington, DC $7,500 To conducta study of the workíng condi- For a review of the 1982 and 1985 "Survey Seven Locks Press tions of dance choreographers in four of Public Participation in the Arts" in Cabin John, MD $27,477 major cities (San Francisco, Chicago, order to assess the effectiveness of the For the publication of five Research Washington, and New York). Information sample design, survey procedures, and Division reports based upon analysis of will be obtained from choreographers in questionnaire content, and to make rec- data from the 1982 and 1985 "Survey each city through interviews, group ommendations on potential areas for of Public Participation in the Arts." meetings, and questionnaires, improvement in future surveys of public participation in the arts. Westat, Inc. Rockville, MD $24,513 Patricia Marks For an update to the "Sourcebook of Arts Princeton, NJ $3,750 Statistics," which was developed in 1987 For editing services toward production of for the Endowment’s first State of the five Research Division reports. Arts Report.

232 4 Grants Special Constituencies Program Funds." $70,000

The Office for Special Constituencies carries out advocacy, organizations to make the arts more available to disabled people, technical assistance, and model projects by artists atut arts older adults, and people living in institutions.

Special Constituencies Mid-Atlantic Arts Foundation Technical Access Activities Baltimore, MD $20,000 Washington, DC $8,000 For advocacy, technical assistance, and To support the planning phase of a regionalTo support technical assistance projects modelprojects by artists and arts organi­ access symposium that will assist state such as providing access workshops and zations to make the arts more available arts agencies and other grantees in makingpanels at national and regional meetings of to disabledpeople, oMer adults, and their activities available to people with arts groups, including the National As- people living in institutions, disabilities and older adults. The sympos- sembly of Local Arts Agencies, Ameñcan ium will include panels and workshops Association of Museums, and National 4 Grants on model efforts by arts organizations, Assembly of State Arts Agencies. Program Funds: $70,000 design solutions, and access training for American Association of Museums grantees. U.S. Department of Justice Washington, DC $30,000 Washington, DC $12,000 To support the first phase of a publication To support two one-year residencies for that will present exemplary programs in professional artists who provide compre­ a wide variety of museums that are ~ hensive visual arts programs for inmates completely accessible to older and dis­ of facilities in Lewisburg, Pennsylvania abled people. It will be distributed to and Lexington, Kentucky. Jointly funded museums across the country to encourage with the Department’s Federal Bureau wider access, of Prisons.

233

Financial Summary

Summary of Funds Available~ Fiscal Year 1989 Appropriation: Regular Program Funds2 $123,450,000 Appropriation: Trcasury Funds (to match nonfederal gifts) 9,000,000 Appropriation: Challenge Grant Funds (to match nonfcdcral gifts) 18,200,000 Appropñation: Policy, Planning, and Rcscarch1,3 876,722 Total Federal Appropriations $151,526,722 Nonfederal Gifts~ 55,005 Interagency Transfers~ 250,000 Unobligated Balance, Prior Year1 14,830,011 Total Funds Available $166,661,738

IExcludes administrative operating funds. 2Not less than 20 percent for support of state arts agencies and regional arts groups. 3Administrative funds (see Office of Policy, Plarming, and Research section).

Fiscal Year 1989 Challenge Grant Funds Obligated Obligations Commitments/Obligations5 Dance $9,513,800 $2,500,000 Design Arts 4,013,921 1,100,000 Expansion Arts 6,401,370 818,479 Folk Arts 3,135,200 700,000 Inter-Arts 4,540,314 2,525,000 Literature 5,061,093 200,000 Media Arts 12,739,200 3,700,000 Museum 12,651,604 7,300,000 Music 15,324,500 4,285,000 Opera-Musical Theater 6,187,005 2,310,000 Theater 10,732,500 3,840,000 Visual Arts 6,109,716 750,000 Arts in Education 5,904,445 224,230 Locals Program 2,606,642 100,000 States Program 25,547,182 1,250,000 Advancement 1,498,059 Challenge 270,2564 Policy, Planning, and Research~,3 876,722 Total Funds Obligated $133,113,529 $31,602,709

~Challenge Grants are shown in the column to the right. 5Of the $31,602,709 committed, $15,162,567 was obligated in Fiscal Year 1989.

236 FINANCIAL SUMMARY

HISTORY OF Arts Arts Administrative AUTHORIZATIONS AND APPROPRIATIONS Authorization Appropriation Funds Fiscal 1966 Program Funds $5,000,000 $2,500,000 $727,000* Treasury Ftmds** 2,250,000 34,308 Total Funds for Pmgrammmg $7,250,000 $2,534,308 Fiscal 1967 Program Funds $5,000,000 $4,000,000 $1,019,500" State Arts Agenciis (block) 2,750,000 2,000,0~0 (Subtotal--Program Funds) (7,750,000) (6,000,090) Treasury Funds** 2,250,000 1,965,692 Total Funds for Programnung $10,000,000 $7,965,692

Program Funds $5,000,000 $4,500,000 $1,200,000" State Arts Agencies (block) 2,750,000 2,000,000 (Subtotal--Program Funds) (7,750,000) (6,500,000) Treasury Funds** 2,250,000 674,291 Total Funds for Progranumng $10,000,000 $7,174,291 Fiscal 1969 Program Funds $6,000,000 $3,700,000 $1,400,000* State Arts Agencies (block) 2,000,00~ 1,700,000 (Subtotal--Program Funds) (8,0~0,000) (5,400,000) Treasury Funds** 3,375,000 2,356,875 Total Funds for Prograrmmng $11,375,00~ $7,756,875 Fiscal 1970 Program Funds $6,500,000 $4,250,000 $1,610,000" State Arts Agencies (blo¢k) 2,500,000 2,000,000 (Subtotal--Program Funds) (9,000,000) (6,250,000) Treasury Funds** 3,375,000 2,0~),000 Total Funds for Progranmung $12,375,000 $8,250,000 Fiscal 1971 Program Funds $12,875,000 $8,465,000 $2,660,000" State Arts Agencies (block) 4,125,000 4,125,000 (Subtotal--Program Funds) ( 17,000,000) (12,590,000) Treasury Funds** 3,000,000 2,500,000 Total Funds for Progranumng $20,000,000 $15,090,000 Fiscal 1972 Program Funds $21,000,000 $20,750,000 $3,460,000’ State Arts Agencies (block) 5,500,000 5,500,000 (Subtotal--Program Funds) (26,500,000) (26,250,000) Treasury Funds** 3,500,000 3,500,000 Total Funds for Progranmung $30,000,000 $29,750,000

237 HISTORY OF Arts Arts Administrative AUTHORIZATIONS AND APPROPRIATIONS Authorization Appropriation Funds

~ 1973 Program Funds $28,625,000 $27,825,000 $5,314,000" State Arts Agencies (block) 6,875,000 6,875,000 (Subtotal--Program Funds) (35,500,000) (34,700,000) Treasury Funds** 4,500,000 3,500,000 Total Funds for Programming $40,000,000 $38,200,000 Fiscal 1974 Program Funds $54,000,000 $46,025,000 $6,500,000* State Arts Agencies (block) 11,000,000 8,250,000 (Subtotal--Program Funds) (65,000,000) (54,275,000) Treasury Funds** 7,500,000 6,500,000 Total Funds for Programming $72,500,000 $60,775,000 Fiscal 1975 Program Funds*** $90,000,000 $67,250,000 $10,783,000" Treasury Funds** 10,000,000 7,500,000 Total Funds for Programming $I00,000,000 $74,750,000 Fiscal 1976 Program Funds*** $113,500,000 $74,500,000 $10,910,000" Tr~asury Funds** 12,500,000 7,500,000 Total Funds for Programming $126,000,000 $82,000,000 Transition Quarter July 1, 1976--September 30,1976 Program Funds*** -- $33,437,000 $2,727,000* Treasury Funds** -- 500,000 Total Funds for Programming -- $33,937,000 Fiscal 1977 Program Funds*** $93,500,000 $77,500,000 $11,743,000" Treasury Funds** 10,000,000 7,500,000 Challenge Grants** 12,000,000 9,000,000 Photo/Film Projects 4,000,000 -- Total Funds for Programming $119,500,000 $94,000,000 Fiscal 1978 Program Funds*** $105,000,000 $89,100,000 Treasury Funds** 12,500,000 7,500,000 Challenge Grants** 18,000,000 18,000,000 Photo/Film Projects 2,000,000 -- Subtotal $137,500,000 $114,600,000 Administrative Funds such sums as 9,250,000 necessary Total Fun~ls -- $123,850,000 Fiscal 1979 Program Funds * * * -- $102,160,000 Treasury Funds** -- 7,500,000 Challenge Grants** -- 30,000,000 Administrative Funds -- 9,925,000 Total Funds such sums as $149,585,000 necessary

238 FINANCIAL SUMMARY

HISTORY OF Arts Arts Administrative AUTHORIZATIONS AND APPROPRIATIONS Authorization Appropriation Funds

Program Funds*** -­ $97,000,000 Treasury Ftmds** -­ 18,500,000 Challenge Grants** -­ 26,900,000 Administrative Ftmds -­ 12,210,000 Total Funds such sums as $154,610,000 necessary

Fiscal 1981 Program Funds*** $115,500,000 $113,960,000 Treasury Funds** 18,500,000 19,250,000 Challenge Grants** 27,000,000 13,450,000 Administrative Funds 14,000,000 12,135,000 Total Funds $175,000,000 $158,795,000

¯ Fiscal 1982 Program Funds*** -­ $103,330,000 Treasury Funds** -­ 14,400,000 Challenge Grants** -­ 14,400,000 Administrative Funds -­ 11,326,000 Total Funds $119,300,000 $143,456,000 Fiscal 1983 Program Funds*** -­ $101,675,000 Treasury Funds** -­ 11,200,000 Challenge Grants** -­ 18,400,000 Adminislrative Funds -­ 12,600,000 Total Funds $119,300,000 $143,875,000 Fiscal 1984"**** Program Funds*** $128,500,000 $119,000,000 Treasury Funds** 10,000,000 9,000,000 Challenge Grants** 28,000,000 21,000,000 Administrative Ftmds 17,000,000 13,223,000 Total Funds $183,500,000 $162,223,000 Fiscal 1985 Program Funds*** -­ $118,678,000 Treasury Funds** -­ 8,820,000 Challenge Grants** -­ 20,580,000 Administrative Funds -­ 15,582,000 Total Funds such sums as $163,660,000 necessary Fiscal 1986’*** Program Funds*** $121,678,000 $115,747,932 Treasury Funds** 8,820,000 8,389,600 Challenge Grants** 20,580,000 19,577,000 Administrative Funds 15,982,000 14,822,508 Subtotal $167,060,000 $158,537,040 Arts and Artifacts Indemnity Funds such sums as 285,200 necessaty Total Funds -­ $158,822,240

239 HISTORY OF Arts Arts Administrative AUTHORIZATIONS AND APPROPRIATIONS Authorization Appropriation Funds

Fiscal 1987 Program Funds*** $123,425,120 $120,761,000 Treasury Funds** 9,172,800 8,420,000 Challenge Grants** 21,403,200 20,000,000 Administrative Funds 16,205,280 16,100,000 Total Funds $170,206,400 $165,281,000 Fiscal 1988 Program Funds*** $128,362,125 $122,171,000 Treasury Funds** 9,539,712 9,000,000 Challenge Grants** 22,259,328 19,420,000 Administrative Funds 16,853,491 17,140,000 Total Funds $177,014,656 $167,731,000 Fiscal 1989 Program Funds*** -- $123,450,000 Treasury Funds** -- 9,000,000 Challenge Grants** -- 18,200,000 Administrative Funds -- 18,440,000 Total Funds such sums as $169,090,000 necessary

Fiscal 1990 Program Funds*** -- $124,255,000 Treasury Funds** -- 12,000,000 Challenge Grants** -- 15,150,000 Administrative Funds -- 19,850,000 Total Funds such sums as $171,255,000 necessary

*These funds were jointly provided to the National Endowment for the Arts and the National Endowment for the Humanities until the two agencies were administratively separated in 1978. **Federal funds appropriated by Congress to match nonfederal donations to the Endowment. ***Not less than 20 percent of Program Funds are requked to go to state arts agencies and regional arts groups. ****Appropriation reflects reduction of $7,123,000 pursuant to Public Law 99-177, the Balanced Budget and Emergency Deficit Control Act of 1985. *****Authorization reflects adjustment per Public Law 98-306.

240 FRONT COVER Top row, left to right: Tenor Placido Domingo and mezzo-soprano Victoria Vergara by Susanne Faulkner Stevens; Soprano Leontyne Price by Susanne Faulkner Stevens; Miami Jewish Home and Hospital resident and friend. Bottom row, left to right: Actor James Earle Jones by Fletcher Drake; ’s Children’s Holiday Festival by Craig Schwartz; American Ballet Theater by Kenn Duncan; The Metropolitan Opera production of Gershwin’s Porgy and Bess. BACK COVER Top row, left to right: Pueblo potter Helen Cordero by Al Abrams; Radio artist and writer Garrison Keillor by Jonette Novak; Actor Eddie Bracken in Jerome Kern and Oscar Hammerstein’s Show Boat. Bottom row, left to right: ’s Very Special Arts workshop with Nancy Evans and friend by Paula Davis; 1989 National Heritage Fellowship recipient Jose Gutierrez by Dan Sheehy; Musician and artist Claude Kennedy and friends at St. Petersburg, Florida Community Center by Mindy Francis; Original cast members of A Chorus Line by Martha Swope. PUBLICATION DESIGN WATERMARK DESIGN Alexandria, Virginia

Published by the Office of Public Affairs National Endowment for the Arts Washington, D.C. 20506