Download History of Japanese Electric Guitars Free Ebook

Total Page:16

File Type:pdf, Size:1020Kb

Download History of Japanese Electric Guitars Free Ebook HISTORY OF JAPANESE ELECTRIC GUITARS DOWNLOAD FREE BOOK Frank Meyers | 164 pages | 18 May 2015 | CENTERSTREAM PUBLISHING | 9781574243154 | English | United States History of Japanese Electric Guitars Discovering samurai, robotic dogs, baby mops, manga, maid cafes, oh-so-many temples and why the Japanese can't say no, it's an History of Japanese Electric Guitars journey full of light-hearted Mandolin Family. Left-Handed Instruments. Japanese Spitz Training Guide. Other information is based on identifying common properties between guitars, to identify links in their history. Aria Shiro Arai founded Arai and Company in as an importer of classical guitars. A must have for collectors. Until the launch of the Flying V and Explorer inelectric guitars Many History of Japanese Electric Guitars players, famous and not so famous, began playing on Japanese electric guitars, yet the history of the people and factories that produced these instruments has remained largely ignored. Vacuum Tubes. Matsumoto Musical Instrument Manufacturers Association is also the name of a musical instrument. This machine-cut yet hand-worked process offered improved profit margins at lower unit prices and yielded high quality instruments with unique character. Vintage Used. The name Matsumoku appeared on the neck bolt plate of some guitars they built. Matsumoku could not afford to buy itself out of Singer and inclosed down. Specifications on Epiphone archtops changed throughout the Matsumoku era. American owned Unicord contracted Matsumoku to build most of its Univox and Westbury guitars. The Japanese Spitz Training Book is a truly informative and unique training guide, full of A lot of our information is based on data that we have collected over the last decade. Matsumoku Industrial was History of Japanese Electric Guitars to build its sewing machine cabinets, and in Matsumoku became a partially owned subsidiary of Singer, Japan. This site is still a long way from being compiled and typed up. The Repair Shop. Coming Soon. Until the launch of the Flying V and Explorer inelectric guitars were supposed to look like A lot of the pages are still in draft form. Japanese Spitz Training Book. Your cart is empty. Overview Reference. Collectors of Matsumoku guitars from this History of Japanese Electric Guitars have often solved this problem by fabricating and installing permanent custom neck shims. Product Details. It can be difficult sorting out fact from fiction in such an undocumented field. After Matsumoku ceased operations, Aria continued production of Aria Pro II guitars and basses through its own factories and other manufactures. We have been running the Help Re-Discover Teisco page since June History of Japanese Electric Guitars have had such a small response to the web site that it seems no one really cares. These Ash Bodied Guitars were only produced in extremely small numbers for the domestic market. The Casino was restored to its specifications aroundabout the same time Matsumoku began production of set neck archtops. As a subcontractor to Aria, Matsumoku manufactured most electric Epiphones made in Japan from through a few solid body electrics were made by other Japanese manufacturers and at least one model was made in Taiwan. Sale Items. Guitar Brands. Aria Diamond was a History of Japanese Electric Guitars chosen for its early hollow bodied electric guitars. Catalog History of Japanese Electric Guitars. Suddenly, Gibson turned conventional design upside down, almost literally, by using straight lines and angular body shapes, changing the way Recording Equipment. Penney sold Matsumoku-built Skylark guitars through its catalog division. History of Japanese Electric Guitars Book And the Japanese cleaned the stadium follows a wide-eyed gaijin foreigner's first foray into Japan. And the Japanese cleaned the stadium: A book. History of Japanese Electric Guitars Industrial was contracted to build its sewing machine cabinets, and in Matsumoku became a partially owned subsidiary of Singer, Japan. Overview Reference. As a subcontractor to Aria, Matsumoku manufactured most electric Epiphones made in Japan from through a few solid body electrics were made by other Japanese manufacturers and at least one model was made in Taiwan. Matsumoto : Junk Guitar Museum. Catalog Archive. Aria had two factories that produced guitars besides Matsumoku, one which made classical guitars, and another that made medium grade and specialty guitars. Its strong, full, warm sound Includes hundreds of color photographs, a chapter on pickups, collecting vintage Japanese guitars, more. Acoustic-Electric Guitars. Guitar Brands. Early Matsumoku made Epiphone archtops and hollow-body basses had four-point bolt on necks. Coming Soon. Matsumoto Musical Instrument Manufacturers Association is also the name of a musical instrument. Aria Shiro Arai founded Arai and Company in as an importer of classical guitars. Explorer: A Pictorial History. Mandolin Family. This created a very strong neck not prone to splitting or warping. Violin Family. Aria Diamond was a name History of Japanese Electric Guitars for its early hollow bodied electric guitars. Matsumoku devoted its energies on engineering and building guitars and other stringed instruments. Matsumoku often utilized the Nisshin Onpa company, who own the Maxon Effects brand as a subcontractor for its pickups. Thank you for your support. Contact Us. These issues were addressed early on with Matsumoku. However, it was not the neck construction, that was inferior as described below, many Matsumoku-built necks were of premium quality. Blog - All Strings Considered. Reviews 0. Gibson decided to move Epiphone production to Japan in the early s and chose Aria as its contractor. For the first time author Frank Meyers examines the Japanese electric guitars and factories that were active during the s, s and s, identifying the people, companies, and guitars that contributed to History of Japanese Electric Guitars guitar boom of the s. Javascript is not enabled in your browser. Until the launch of History of Japanese Electric Guitars Flying V and Explorer inelectric guitars were supposed to look like The History of Matsumoku A lot of our information is based on data that we have collected over the last decade. Some times we may get it wrong. Early Matsumoku made Epiphone archtops and hollow-body basses had four-point bolt on necks. Aria focused on sales in both domestic and export markets and provided design development. Violin Family. Matsumoto : Junk Guitar Museum. Until the launch of the Flying V and Explorer inelectric guitars Many guitar players, famous and not so famous, began History of Japanese Electric Guitars on Japanese electric guitars, yet the history of the people and factories that produced these instruments has remained largely ignored. Sources claim that Gibson made a handful of prototypes, but an original has yet to Power Supplies. Washburn Guitars contracted Matsumoku to build some of its electric guitars History of Japanese Electric Guitars basses from through though Yamaki was the manufacturer for the early Wing series. Matsumoto Guitars, Guitar manufacturers in Matsumoto city in Japanese. Electric Guitars. Related Searches. Tsukada in Matsumoto, Japan. Collectible History of Japanese Electric Guitars. More information View images. We also still need a lot more information. Subscribe to Our Mailing List. The Japanese Spitz Training Book is a truly informative and unique training guide, full of reliable and tested information - written for the admirers of this wonderful breed. The vast majority of these would have Ash Bodies and the export models would be Maple. Acoustic-Electric Guitars. The result was a Casino that looked more like a short scale Riviera. American owned Unicord contracted Matsumoku to build most of its Univox and Westbury guitars. Guitar Brands. The Repair Shop. Product Details. Last Revised: 14 th Oct Recording Equipment. Instrument Parts. Vacuum Tubes. Vintage Used. https://cdn-cms.f-static.net/uploads/4565280/normal_5fbf91c23b690.pdf https://cdn-cms.f-static.net/uploads/4566375/normal_5fc18c47954f5.pdf https://cdn-cms.f-static.net/uploads/4568075/normal_5fc151de9a84b.pdf https://cdn-cms.f-static.net/uploads/4567985/normal_5fc060b76fe99.pdf https://cdn-cms.f-static.net/uploads/4568642/normal_5fc16ca4562d4.pdf https://cdn-cms.f-static.net/uploads/4568124/normal_5fc23ca23079a.pdf.
Recommended publications
  • Electric Guitars 51
    ELECTRIC GUITARS 51. US Masters, Vector, Blue 1. Alvarez Classic Electric, Natural 52. Vester Concert Series, Black/Gold Fractal, Upg 2. Alvarez Classic Electric, Sunburst Sinvader Bridge Hum, Dual Rail Neck 3. Alvarez Electric, White 53. Washburn CT2, Black (upgraded pickups) 4. Alvarez Regulator, Green 54. Washburn CT5, Deluxe, gorgeous figured Blue 5. Bolt USA, SS, Graphic 55. Washburn_JV2, Natural 6. Brian Moore, I8.13, Green 56. Washburn_JV Jr, Flourescent Orange 7. Brian Moore, I2.13, YellowFigured 57. Washburn JB100, White 8. CB Strat guitar, White 58. Washburn KC44V, Green/ Black design 9. CC Clark, Natural 59. Washburn MR250, Red Florentine Figured 10. Charvel 275 Deluxe, Red 60. Washburn N6 (needs assembly) 11. Charvel CX390, Black 61. Washburn P290, Green Transluscent 12. ESP EC100-QM, Red 62. Washburn P290, Blue Green Transluscent 13. Fender Strat Spec. Ed., MIM, Candy Apple Red 63. Washburn P4 Luthier, Natural 14. Fender Strat, MIJ, HSS, Black 64. Washburn Pilsen WI70, Root Beer, Paint Relic’d 15. Fender Squier Showmaster Skull & Crossbones 65. Washburn RR300, Red 16. Fender Squier II, Black Relic’d 66. Washburn SBT-21, Black 17. Fender Squier Bullet, Red w SDuncan Distortion 67. Washburn WI64DL, Black and Gold 18. First Act VW Garage Master SpecEd, W W pg 68. Washburn WI64, Black 19. First Act VW Garage Master Spec Ed, W B pg 69. Washburn WI64, Black, Upg Carvin PU’s 20. Godin G5000, Black (option: Roland Synth PU) 70. Washburn WI66NC, Ebony Figured, Boogie Bros 21. Greco Hollow Body (Jap), Brown 71. Washburn WI66 Pro, Blue Figured Top 22. Harmony solid body electric, White 72.
    [Show full text]
  • Guitar Cross Reference Updated 02/22/08 Includes: Acoustic, Bass, Classical, and Electric Guitars
    Gator Cases Guitar Cross Reference Updated 02/22/08 Includes: Acoustic, Bass, Classical, and Electric Guitars Use Ctrl-F to search by Manufacturer or Model Number Manufacturer Model Type Fits (1) Fits (2) Fits (3) Fits (4) Fits (5) Alvarez AC60S Classical Guitar GL-Classic GC-Classic GPE-Classic GWE-Class GW-Classic Alvarez Artist Series AD60K Dao Acoustic Guitar GL-Dread-12 GC-Dread-12 GPE-Dread G-Tour Dread-12 GW-Dread Alvarez Artist Series AD60S Acoustic Guitar GL-Dread-12 GC-Dread-12 GPE-Dread G-Tour Dread-12 GW-Dread Alvarez Artist Series AD70S Acoustic Guitar GL-Dread-12 GC-Dread-12 GPE-Dread G-Tour Dread-12 GW-Dread Alvarez Artist Series AD80SSB Acoustic Guitar GL-Dread-12 GC-Dread-12 GPE-Dread G-Tour Dread-12 GW-Dread Alvarez CYM95 Classical Guitar GL-Classic GC-Classic GPE-Classic GWE-Class GW-Classic Alvarez MC90 Classical Guitar GL-Classic GC-Classic GPE-Classic GWE-Class GW-Classic Alvarez RC10 Classical Guitar GL-Classic GC-Classic GPE-Classic GWE-Class GW-Classic Alvarez RD20S Acoustic Guitar GL-Dread-12 GC-Dread-12 GPE-Dread G-Tour Dread-12 GW-Dread Alvarez RD8 Acoustic Guitar GL-Dread-12 GC-Dread-12 GPE-Dread G-Tour Dread-12 GW-Dread Alvarez RD9 Acoustic Guitar GL-Dread-12 GC-Dread-12 GPE-Dread G-Tour Dread-12 GW-Dread Aria PE-STD Series Electric Guitar GL-LPS GC-LPS GPE-LPS G-Tour LPS GW-LPS Cordoba 32E Classical Guitar GL-Classic GC-Classic GPE-Classic GWE-Class GW-Classic Cordoba 32EF Classical Guitar GL-Classic GC-Classic GPE-Classic GWE-Class GW-Classic Cordoba 45FM Classical Guitar GL-Classic GC-Classic GPE-Classic
    [Show full text]
  • National Endowment for the Arts Annual Report 1989
    National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended September 30, 1989. Respectfully, John E. Frohnmayer Chairman The President The White House Washington, D.C. July 1990 Contents CHAIRMAN’S STATEMENT ............................iv THE AGENCY AND ITS FUNCTIONS ..............xxvii THE NATIONAL COUNCIL ON THE ARTS .......xxviii PROGRAMS ............................................... 1 Dance ........................................................2 Design Arts ................................................20 . Expansion Arts .............................................30 . Folk Arts ....................................................48 Inter-Arts ...................................................58 Literature ...................................................74 Media Arts: Film/Radio/Television ......................86 .... Museum.................................................... 100 Music ......................................................124 Opera-Musical Theater .....................................160 Theater ..................................................... 172 Visual Arts .................................................186 OFFICE FOR PUBLIC PARTNERSHIP ...............203 . Arts in Education ..........................................204 Local Programs ............................................212 States Program .............................................216
    [Show full text]
  • Audition Repertoire, Please Contact the Music Department at 812.941.2655 Or by E-Mail at AUDITION REQUIREMENTS for VARIOUS DEGREE CONCENTRATIONS
    1 AUDITION GUIDE AND SUGGESTED REPERTOIRE 1 2 TABLE OF CONTENTS AUDITION REQUIREMENTS AND GUIDE . 3 SUGGESTED REPERTOIRE Piano/Keyboard . 5 STRINGS Violin . 6 Viola . 7 Cello . 8 String Bass . 10 WOODWINDS Flute . 12 Oboe . 13 Bassoon . 14 Clarinet . 15 Alto Saxophone . 16 Tenor Saxophone . 17 BRASS Trumpet/Cornet . 18 Horn . 19 Trombone . 20 Euphonium/Baritone . 21 Tuba/Sousaphone . 21 PERCUSSION Drum Set . 23 Xylophone-Marimba-Vibraphone . 23 Snare Drum . 24 Timpani . 26 Multiple Percussion . 26 Multi-Tenor . 27 VOICE Female Voice . 28 Male Voice . 30 Guitar . 33 2 3 The repertoire lists which follow should be used as a guide when choosing audition selections. There are no required selections. However, the following lists illustrate Students wishing to pursue the Instrumental or Vocal Performancethe genres, styles, degrees and difficulty are strongly levels encouraged of music that to adhereis typically closely expected to the of repertoire a student suggestionspursuing a music in this degree. list. Students pursuing the Sound Engineering, Music Business and Music Composition degrees may select repertoire that is slightly less demanding, but should select compositions that are similar to the selections on this list. If you have [email protected] questions about. this list or whether or not a specific piece is acceptable audition repertoire, please contact the Music Department at 812.941.2655 or by e-mail at AUDITION REQUIREMENTS FOR VARIOUS DEGREE CONCENTRATIONS All students applying for admission to the Music Department must complete a performance audition regardless of the student’s intended degree concentration. However, the performance standards and appropriaterequirements audition do vary repertoire.depending on which concentration the student intends to pursue.
    [Show full text]
  • (SETSS) Independent Provider Registry
    Independent Provider Registry SETSS This document is divided into 3 sections: Independent Providers Independent Agencies DOE Providers New York City Department of Education Office of Related Services SETSS -- INDEPENDENT PROVIDERS Report Run Date: Sep 15, 2021 CHANIN, JEFFREY 7 SHENOROCK DRIVE YORKTOWN HEIGHTS, NY 10598 Work Site: All Boroughs/Districts Email ID: [email protected] 914-248-5441 COFFEY, JUDITH 405 E 63rd street New York, NY 10065 Work Site: All Boroughs/Districts Email ID: [email protected] 631-836-9064 GREEN, CHAYA 419 Palisade Ave Jersey City, NJ 07307 Work Site: All Boroughs/Districts Email ID: [email protected] 212-810-7898 LABORDE, DIXIE 247 west 145th street Manhattan, NY 10039 Work Site: All Boroughs/Districts Email ID: [email protected] 646-271-1475 MARCIAL, JOSE 140 GRACE STREET JERSEY CITY, NJ 07307 Work Site: All Boroughs/Districts Email ID: [email protected] 862-571-2134 MITTA, ALLEGRA ALLIE 2155 East 19th Street Brooklyn, NY 11229 Work Site: All Boroughs/Districts Email ID: [email protected] 718-376-1465 SIMONOWITS, CHAVA 1167 42nd St. Brooklyn, NY 11219 Work Site: All Boroughs/Districts Email ID: [email protected] 347-668-8996 2 SETSS -- INDEPENDENT PROVIDERS Report Run Date: Sep 15, 2021 ABERNETHY, AMA 415 South Fulton Avenue apt 4 Mount Vernon, NY 10553 Work Site: Bronx All Districts Email ID: [email protected] 646-207-0481 ABREU, LETICIA 2915 HARDING AVENUE BRONX, NY 10465 Work Site: Bronx All Districts Email ID: [email protected] 718-863-2042 ADDERLEY, MELISSA
    [Show full text]
  • Barney Kessel Collection Finding Aid (PDF)
    University of Missouri-Kansas City Dr. Kenneth J. LaBudde Department of Special Collections NOT TO BE USED FOR PUBLICATION TABLE OF CONTENTS Biographical Sketch …………………………………………………………………… 3 Scope & Content …………………………………………………………………… 5 Series Notes …………………………………………………………………………… 6 Container List: Series I: Correspondence …………………………………………………… 9 Incoming, Dated …………………………………………………… 9 From Maurice J. Summerfield …………………………………… 33 Incoming, Undated …………………………………………………… 35 Incoming, Unsigned & Undated …………………………………… 37 Blank Envelopes …………………………………………………… 37 Outgoing, Dated …………………………………………………… 38 To Maurice J. Summerfield …………………………………………… 43 Outgoing, Undated …………………………………………………… 44 Outgoing, Unsigned & Undated …………………………………… 44 Correspondence Including Photographs …………………………… 45 Series II: Personal Documents …………………………………………… 46 Biographies …………………………………………………………… 46 Marriage Documents …………………………………………………… 46 Obituaries …………………………………………………………… 47 Series III: Seminar …………………………………………………………… 48 Business …………………………………………………………… 48 Promotional Material …………………………………………………… 48 Notes …………………………………………………………………… 49 Correspondence …………………………………………………… 49 Questionnaires …………………………………………………… 50 Series IV: Promotional Material …………………………………………… 51 Flyers …………………………………………………………………… 51 Press Releases …………………………………………………… 52 Programs & Booklets …………………………………………………… 53 Interview Transcripts …………………………………………………… 55 Reviews …………………………………………………………… 55 Oversized Posters …………………………………………………… 56 Series V: Notes …………………………………………………………… 57 Notebooks ……………………………………………………………
    [Show full text]
  • ONE HUNDRED and THIRTY-FOURTH COMMENCEMENT Iv
    ONE HUNDRED AND THIRTY-FOURTH COMMENCEMENT iv Virtual Recognition Weekend May Sixteenth and Seventeenth Two Thousand and Twenty VIRTUAL RECOGNITION WEEKEND TABLE OF CONTENTS 1 Undergraduate Degrees 1 College of Arts and Sciences 7 College of Business 9 Alan Shawn Feinstein College of Education and Professional Studies 10 College of Engineering 12 College of the Environment and Life Sciences 15 College of Health Sciences 19 College of Nursing 22 College of Pharmacy 23 Master’s Degrees 28 Doctoral Degrees ALMA MATER All hail to thee, Rhode Island, We pledge our faith anew, While our heroes bring thee honor With our banner of white and blue. In truth we owe her much, for she’s shown us the way To achieve and be of service to the world. So all hail our Alma Mater, Rhode Island, our guide whate’er we do. COLLEGE OF ARTS AND SCIENCES Some names of degree BACHELOR OF ARTS Michaela Bergwall * Nicholas Gerard Cardi candidates may have been Camille Madeleine Bertholon * ‡ Hannah Leigh Carey ‡ Danielle Abatiello *** Matthew J. Bevilacqua Olivia Mae Carle ** added or withdrawn from Jordan Elizabeth Abreu ** Leo A. Lychack Bienvenue Kristen A. Carr *** † the official graduation list Taylor Catherine Adolff † Caleb Jonathan Bierman Matthew J. Carroccia after this program was Sadiq Wilson Agbaje Thomas J. Bileau Brendan Carroll *** published. Notations of Jason Alexis Robyn Bjorn Edward Carroll † distinction for graduation— Griffin Richard Alix *** Stephanie Bjorn * Madison Lynn Caruana Alexander Lloyd Allard cum laude, magna cum Max Bliss * Samuel V. Ceceri ‡ Areli Andrea Almaraz laude, and summa cum Mark Anthony Bocchini *** † Amanda Marie Centone ** Emma D.
    [Show full text]
  • Studio Gear List Gear List Summer 2014 Outboard
    STUDIO GEAR LIST GEAR LIST SUMMER 2014 OUTBOARD Qty. Manufacturer Model Type 2 Acoustic Intl. Swan 52992 Passive Monitor Ribbon Tweet 2 AEA RPQ 500 Mic-Preamp 2 Allison Research Gain-Brain Compressor 1 amcron D150A Power Amplifier 1 Antelope you Rubidium Atomic Clock 1 Antelope Orion 32 AD/DA Convertor 1 Anthony DeMaria Labs ADL 1000 Compressor/Limiter 1 ART DR-X Multi-Eect Proccessor 1 ART PRO MPA Mic-Preamp 1 ART Tube MP Mic-Preamp 3 ART Tube MP Studio Mic-Preamp 1 ART USB Phono Plus Computer interface 1 Audio Design Recording Compex limiter F760X-RS Compressor/Expander/Limiter 1 Avenson Audio isoDI DI Box 1 Beriant MCM-2 Multichannel Mixer 2 Chameleon Labs 7602 MK II Mic-Preamp 1 Chandler Limited EMI TG2 Mic-Preamp 1 DBX 118 Dynamic Range Enhancer 2 DBX 165 Compressor/Limiter 1 DBX 160X Compressor/Limiter 2 DBX 163X Compressor/Limiter 1 Demeter Amplification Real Reverb Analog Spring Reverb 1 Drawmer MX30 Compressor/Limiter 1 Earthworks LAB 102 Mic-Preamp 1 Echoplex Tape Delay Tape Delay 2 Empirical Labs EL8 Distresor 1 Equitech Power Amplifier 1 Focusrite Platinum Voice Master Mic-Preamp 1 Funk Logic RN-Chevy II Compressor 1 Hafler Pro 2400 Power Amplifier 1 Hafler (Trans Nova) P7000 Power Amplifier 1 HEAR Technologies Hear Back HUB Routing 1 Ibanez AD100 Analog Delay 1 Ibanez DM1100 Digital Delay OUTBOARD Qty. Manufacturer Model Type 2 JBL LSR 28P Active Monitor 1 Kurzweil K2500RS Sampler 1 Lexicon 224 Digital Reverb 1 Little Labs PCP Instrument Distro 3.0 Routing 1 Lombardi LCOMP2 Compressor 1 M-Audio Midisport 4x4 Midi Interface 2 MCI
    [Show full text]
  • Jamatoriumtm Gear
    The jamatorium 2014 STUDIO GEAR RENTER’S GUIDE Version 5.3 Updated 7/29/2014 Welcome!!! It happens all the time – you’re reading the liner notes on an album and it reads, “…we used a ’63 Tele’ on that song to get a different feel…” As a collector and a musician, I am continuously amazed at how profoundly one seemingly simple piece of gear can change, inspire or add to the creative thought process of a musician… My personal goal has always been to find “that perfect guitar…” My continuous search has left me with a collection of what I consider to be true “player” guitars – the ones you want with you on your special studio day. Some happen to be great makes and models that we all know… some are not so familiar. Some are truly surprising! I make available my personal collection of musical instruments to regional professional recording studios. I have much to offer your studio in providing added value to your clients – perhaps the one piece of gear that will alter or inspire a project! Let’s enhance your clients studio experience with the option to use alternate gear! Inside... Terms Guitars Amps Miscellany Rock’n Rich 1984 “Amnesty” SIMPLE Terms… We rent to studios for studio work only!!! Our gear is not permitted to be used for performances, “gigs” or any thing not studio related! You may set-up the guitars to your liking (actions, strings…)Please reset the instrument to original actions prior to our retrieving the instrument (except for strings). Please off-set customized tunings to reduce stress on the neck and return to standard when done.
    [Show full text]
  • OH Completed List
    OH Completed List Page 1 of 70 9/6/2017 7:02:48AM First Name Last Name Title Interview Date Yoshiharu Abe TEAC, Engineer and Innovator d 10/14/2006 Norbert Abel Abel Hammer Company, President 07/17/2015 David L. Abell David L. Abell Fine Pianos, Founder d 10/18/2005 Susan Aberbach Hill & Range Songs Inc., President 11/14/2012 Lester Abrams Songwriter 02/02/2015 Richard Abreau Music Village, Advocate 07/03/2013 Gus Acevedo International House of Music, Founder 01/20/2012 Ken Achard Peavey Corporation, Sales Director UK 07/11/2005 Antonio Acosta Luthier Strings, Founder 01/17/2007 Cliff Acred Amro Music, Band Instrument Repair 07/15/2013 Mike Adams Moog Music, President 01/13/2010 Arthur Adams Songwriter, Musician 09/25/2011 Edna Adams World Wide Music, Former Sales Executive 04/16/2010 Paul Adams Piano Technician 07/17/2015 Hawley Ades Shawnee Press, Music Arranger d 06/10/2007 Henry Adler Henry Adler Music, Founder d 10/19/2007 Dominique Agnew NAMM, Director Trade Show Sales 08/13/2009 Charles Ahlers Anaheim Visitor and Convention Bureau, 01/25/2013 President Don Airey Musician, Product Endorser 09/29/2014 Takehiko Akaboshi Japan Music Volunteer Assoc., Chairman d 10/14/2006 Bulent Akbay Istanbul Mehmet, Product Specialist 04/11/2013 Joy Akerman Museum of Making Music, Docent 11/30/2007 Toshio Akiyama Band Director 12/15/2011 Marty Albertson Guitar Center, Chairman 01/21/2012 John Aldridge Not So Modern Drummer, Founder 01/23/2005 Tommy Aldridge Musician, Product Endorser 01/19/2008 Philipp Alexander Musik Alexander, President 03/15/2008 Will Alexander Engineer, Synthesizers 01/22/2005 01/22/2015 Van Alexander Composer, Arranger, Bandleader d 10/18/2001 James Alexander Musician 07/15/2015 Pat Alger Songwriter 07/10/2015 Frank Alkyer Down Beat and Music Inc, Editor 03/31/2011 Davie Allan Musician, Guitarist, Early Rock 09/25/2011 Fred Allard Amp Sales, Inc, Founder 12/08/2010 John Allegrezza Allegrezza Piano, President 10/10/2012 Andy Allen Luthier 07/11/2017 Richard (RC) Allen Luthier, Friend of Paul A.
    [Show full text]
  • Very Large Estate Auction Saturday, June 22Nd, 2019 9AM Start There Will Be Two Auction Rings! 205 Gordon Rd
    Very Large Estate Auction Saturday, June 22nd, 2019 9AM Start There will be Two Auction Rings! 205 Gordon Rd. Sugar Grove, IL 60554 1957 Ford Fairlane, Cadillac Limousine, Lawn & Garden, Antiques & Collectables, Musical Instruments, Household, Crocks, Advertising Pieces, Barber Shop Collectables, Tools, Shop Equipment, New Old Stock & Much More! 1957 Ford Fairlane 500 Convertible - 1 Owner!, With Thunderbird Special V8 Engine, 8,126 Original Miles, Red & White Color, Plastic Still On The Seats! - Garage Kept! - Very Good Shape. 1989 Cadillac Limousine Silverhawk, 1996 Cadillac Brougham Sedan - White 4 door, Dodge Ram Van, Ford Galaxie 500 4 door with 390 Engine, 1991 Buick Roadmaster 4 door Sedan, Arctic Cat Pantera Snowmobile, Antiques - Collectables, Advertising, Lawn & Garden. Musical Instruments: Over 150 Guitars, Over 100 Musical Instruments, Several Pianos and Organs, [GUITARS: Chet Atkins Country Gentleman Ser. 27101 w/ Original Case, Epiphone Electric Guitar In Case, Ampeg Electric Guitar Ser. 7215 by Burns & London, Squire Strat by Fender Electric Guitar Ser. IC040939112 w/ Hard Shell Case, Supro Bass Guitar in case - Slender Neck, Chet Atkins Gretsch Electric Guitar Ser. 80056 in case, National BelAire Electric Hollow Body Guitar Ser. T10851 in Hard Case, 1963 Marin Acoustic Guitar Mod. 0-16NY Ser. 195080, Vega Electric Hollow Body Guitar in case, Gretsch Electric Bass Ser. No. 79016, Epiphone Mod. EA7P Professional SW. 158075 In Hard Case, Epiphone Mod. E422T Hollow Body Electric Ser. 281216 w/ case, Shomino Hollow Body Electric - Needs Restoring, 1965 Epiphone Electric Bass Guitar Mod. EB232 Ser. 307243, Harmony Electric Guitar, Aria Classical Guitar Mod. 792 Se. 60388, Kimberly 1960s Acoustic Guitar Mod.
    [Show full text]
  • Stuart Spector Designs, Ltd. V. Fender Musical Instruments Corporation
    THIS OPINION IS A PRECEDENT OF THE TTAB Oral Hearing: Mailed: November 6, 2008 March 25, 2009 UNITED STATES PATENT AND TRADEMARK OFFICE _____ Trademark Trial and Appeal Board ______ Stuart Spector Designs, Ltd. v. Fender Musical Instruments Corporation Opposition No. 91161403 to application Serial No. 76516127 filed on April 25, 2003 _____ U.S. Music Corporation v. Fender Musical Instruments Corporation Opposition No. 911614051 to application Serial Nos. 76516126, 76516127, 76515928 filed on April 25, 2003 _____ Warmoth Guitar Products, Inc. v. Fender Musical Instruments Corporation Opposition No. 91161406 to application Serial Nos. 76516126, 76516127, 76515928 filed on April 25, 2003 1 The November 23, 2005 order dismissing this proceeding was vacated on December 12, 2005. The electronic case file has now been updated to reflect this correction. Opposition Nos. 91162245, 91162246 and 91162923 were dismissed without prejudice on September 9, 2005. Two other proceedings, Opposition Nos. 91161269 and 91162484, were dismissed with prejudice under separate orders, December 12, 2005 and February 11, 2008, respectively. Opposition Nos. 91161403 et al. _____ Indoor Storm, Ltd. v. Fender Musical Instruments Corporation Opposition No. 91161411 to application Serial Nos. 76516126, 76516127, 76515928 filed on April 25, 2003 _____ Tradition Guitars, Inc. v. Fender Musical Instruments Corporation Opposition No. 91161413 to application Serial Nos. 76516126, 76516127, 76515928 filed on April 25, 2003 _____ Raise Praise, Inc. d/b/a Tom Anderson Guitar Works v. Fender Musical Instruments Corporation Opposition No. 91161420 to application Serial Nos. 76516126, 76515928 filed on April 25, 2003 _____ Schecter Guitar Research, Inc. v. Fender Musical Instruments Corporation Opposition No.
    [Show full text]