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Acoustic Guitars in the 1960S Folk-Era, Guild Built Con- Strumming
SATURDAY, JANUARY 27, 2018 The Official Show Publication DAILY The NAMM Show has truly changed. New booths, new companies and a dedication to more segments of the industry than ever before. With a massive reorganization of the show floor also comes opportunity. Where’s your next growth area — the percussion market, lighting, B&O, pro audio, guitars, keyboards, DJ, live sound? It’s all here, under one roof, organized by tribes. Here are a few companies that might just spur the next big idea. 1. The RapcoHorizon team shows off the RAT FX distortion cable. 2. D’Angelico’s Brenden Cohen high- lights the company’s first foray into solid-body guitars — the Deluxe Bedford and the color is called Chameleon. 3. From left, Jason Carter, Mary Rowden and Dan Roberts pose with three new models in the Noteworthy Music Stand Collection at their booth on Friday morning. 4. Toni Fishman, owner and CEO of Telefunken, shows one of the company’s DI boxes on the show floor Friday. 5. From left, D’Addario’s Steve Mucciolo, Brian Vance and Rob Cunningham take a break from taking care of retail- ers to smile for the camera at their booth on Thursday. BREAKFAST SESSION Meet Marcus Sheridan and hear from a man who’s been called the “web marketing guru” by The New York Times. Breakfast Session Innovative Signature Sticks 2 New Sigmas Ibanez Heats AZ Series The Real Feel Page 102 Page 61 Page 67 Page 70 Page 95 2 UBD January 27, 2018 NAMM Show News AM&S Spotlights Brands U.K.-based Focusrite kicked off Friday sive Fostex-approved tuning. -
And How to Fix It
} PAGE 36 PAGE PAGE 50 PAGE { BY GREG BILLINGS What Went And How to Fix It to Fix How And ... Piano Industry Piano Wrong With With The Wrong MUSICINCMAG.COM I JUNE 2009 BLUES BUSTERS: SUMMER PROMOTIONS TO DRIVE TRAFFIC, SALES MI0906_01_Cover.qxd 5/8/09 1:42 PM Page 1 MUSIC INC. SCOTT'S MUSIC I PIANO INDUSTRY RECOVERY PLAN I SUMMER PROMOTIONS JUNE 2009 Project5 5/4/09 4:13 PM Page 1 Project4 5/8/09 1:36 PM Page 1 MI0906_04_Masthead.qxd 5/8/09 2:47 PM Page 4 JUNE 2009 I VOL. 20, NO. 5 PUBLISHER Frank Alkyer EDITOR Zach Phillips ASSOCIATE EDITOR Jenny Domine CONTRIBUTING EDITORS Jason Koransky, Aaron Cohen WEST COAST CORRESPONDENT Sara Farr ADVERTISING SALES MANAGER John Cahill WESTERN ACCOUNT EXECUTIVE Tom Burns CLASSIFIED AD SALES Sue Mahal ART DIRECTOR Andy Williams PRODUCTION ASSOCIATE Ara Tirado CIRCULATION Kelly Grosser BOOKKEEPING Margaret Stevens INTERN Katie Kailus PRESIDENT Kevin Maher OFFICES Ph (630) 941-2030 • Fax (630) 941-3210 e-mail: [email protected] CUSTOMER SERVICE (800) 554-7470 Jack Maher, President 1970-2003 SUBSCRIPTION RATES: $50 one year (11 issues). $90 two years (22 issues) to U.S.A. addresses. $75 one year (11 is- sues), $140 two years (22 issues) to Canada and other for- eign countries. Air mail delivery at cost. SINGLE COPY (and back issues, limited supply): $9.95 to any address, surface mail. Air mail delivery at cost. We cannot be responsible for unsolicited manuscripts and photos. Nothing may be reprinted in whole or in part without written permission from Maher Publications Inc. -
Breedlove Owner's Manual
1 BREEDLOVE Owner’s MANUAL Breedlove Owner’s Manual TABLE OF CONTENTS A Note From Kim Breedlove 4 How To Experience Breedlove 7 Humidity, Temperature and Solid Wood Instruments 8 Neck Truss Rod Adjustment 10 Breedlove Bridge Truss 12 Adjustment Bolt Sizes for Breedlove Instruments 14 Steel-String Acoustic Guitar Set Up Specifications 15 Changing Strings on your Breedlove Guitar 16 Breedlove Mandolins 17 Electronics Configurations for Acoustic Guitars 19 Cleaning Your Breedlove Instrument 19 Breedlove Factory String Specifications 22 Breedlove Warranty 22 Keep a record of your Breedlove Guitar 25 5 THANK YOU Thank you for purchasing your new Breedlove instrument. You are now the caretaker of a fine stringed instrument. Every instrument we produce is special to us and we hope it will bring you many years of enjoyment. To preserve the remarkable tone and playability of your Breedlove we have some simple suggestions to help ensure that your instrument will be making beautiful music for years to come. Should you ever have questions or concerns please send us an email at: [email protected] Sincerely, Kim Breedlove 5 DISTINCTIVELY CRafted SOUND. We love what we do. After all, it’s in our name. We are master luthiers who create instruments of true distinction. It’s in our DNA to push the boundaries of design and craftsmanship. Being different is never the easy path. But in our view, it has far greater rewards. And while we respect tradition, we simply choose not to make instruments of yesterday. Imagination compels us to make instruments of tomorrow. 7 Welcome to the Breedlove family where you are about to experience the highest quality craftsmanship, customer service and an unmatched passion for music and fine instruments. -
Electric Guitars 51
ELECTRIC GUITARS 51. US Masters, Vector, Blue 1. Alvarez Classic Electric, Natural 52. Vester Concert Series, Black/Gold Fractal, Upg 2. Alvarez Classic Electric, Sunburst Sinvader Bridge Hum, Dual Rail Neck 3. Alvarez Electric, White 53. Washburn CT2, Black (upgraded pickups) 4. Alvarez Regulator, Green 54. Washburn CT5, Deluxe, gorgeous figured Blue 5. Bolt USA, SS, Graphic 55. Washburn_JV2, Natural 6. Brian Moore, I8.13, Green 56. Washburn_JV Jr, Flourescent Orange 7. Brian Moore, I2.13, YellowFigured 57. Washburn JB100, White 8. CB Strat guitar, White 58. Washburn KC44V, Green/ Black design 9. CC Clark, Natural 59. Washburn MR250, Red Florentine Figured 10. Charvel 275 Deluxe, Red 60. Washburn N6 (needs assembly) 11. Charvel CX390, Black 61. Washburn P290, Green Transluscent 12. ESP EC100-QM, Red 62. Washburn P290, Blue Green Transluscent 13. Fender Strat Spec. Ed., MIM, Candy Apple Red 63. Washburn P4 Luthier, Natural 14. Fender Strat, MIJ, HSS, Black 64. Washburn Pilsen WI70, Root Beer, Paint Relic’d 15. Fender Squier Showmaster Skull & Crossbones 65. Washburn RR300, Red 16. Fender Squier II, Black Relic’d 66. Washburn SBT-21, Black 17. Fender Squier Bullet, Red w SDuncan Distortion 67. Washburn WI64DL, Black and Gold 18. First Act VW Garage Master SpecEd, W W pg 68. Washburn WI64, Black 19. First Act VW Garage Master Spec Ed, W B pg 69. Washburn WI64, Black, Upg Carvin PU’s 20. Godin G5000, Black (option: Roland Synth PU) 70. Washburn WI66NC, Ebony Figured, Boogie Bros 21. Greco Hollow Body (Jap), Brown 71. Washburn WI66 Pro, Blue Figured Top 22. Harmony solid body electric, White 72. -
Computer Music Products Guide 2010
Computer Music Products Guide 2010 Computer Music Products Guide 2010 V-STUDIO MIDI KEYBOARD CONTROLLERS AUDIO INTERFACES MICRO MONITORS Cakewalk is a registered trademark and SONAR, V-STUDIO 700, Active Controller Technology, Dimension Pro, Rapture and the Cakewalk logo are trademarks of Cakewalk, Inc. Roland, BOSS, COSM, EDIROL, SuperNATURAL, VariPhrase, V-LINK and V-Vocal are either registered trademarks or trademarks of Roland Corporation in the United States and/or other countries. Mac and Mac OS are trademarks of Apple Inc. ASIO and VST are trademarks of Steinberg Media Technologies AG. ReWire is a trademark of Propellerhead Software, AB. iZotope Radius copyright c 2005-2010 iZotope, Inc. Other trademarks mentioned are held by their respective owners. All specifications and appearances are subject to change without notice. All specifications and appearances are subject to change without notice. All trademarks are the property of their respective companies. MIDI INTERFACES MUSIC SOFTWARE www.cakewalk.com | (888) CAKEWALK | +1 (617) 423-9004 outside the US May. 2010 RAM-4594 GR-UPR-SS B1EC1 Made for Musicians By Musicians Cakewalk Computer Music Products These products are created by musicians who listen, understand, and respond to the needs of our customers, who include award-winning producers, engineers, composers, and musicians. Our mission is to inspire your creativity through the combination of superior sound quality, industry-leading technology, and unmatched ease of use. There are Cakewalk products that are right for you at every stage of your musical career and ability. Read on to learn more... V-STUDIO 04 MIDI INTERFACES 15 MICRO MONITORS 18 AUDIO INTERFACES 11 MIDI KEYBOARD CONTROLLERS 16 MUSIC SOFTWARE 19 visit us online at V-STUDIO www.cakewalk.com WDM VS-700R V-STUDIO I/O VS-700C V-STUDIO Console Windows® Windows® High-speed USB 2.0 audio interface that provides all the recording and routing The VS-700C Console offers broader ranging control and deeper editing and AUDIO AUDIO MIDI capabilities needed to handle any music production task. -
Collector, Player and Signature Guitars June 2-4
09/30/21 03:34:20 Collector, Player and Signature Guitars June 2-4 Auction Opens: Tue, Jun 2 11:00am CT Auction Closes: Thu, Jun 4 1:00pm CT Lot Title Lot Title GG0500 Harley-Davidson Themed Fender Stratocaster GG0531 Harley-Davidson Themed Fender Telecaster GG0501 1963 Gibson ES-175 DN GG0532 1961 Gibson ES 335 GG0502 Toby Keith Autographed Guitar GG0533 Harley-Davidson Themed Fender Stratocaster GG0503 1966 Gibson Firebird I Sunburst with OHSC GG0534 1958 Fender Telecaster GG0504 Gretsch G5622T Electromatic GG0535 Harley-Davidson Themed Fender Telecaster GG0505 1957 Gibson Les Paul TV Special GG0536 1960 Gibson ES 355 GG0506 Counting Crows Adam Durtiz Autographed GG0537 Harley-Davidson Themed Fender Telecaster Guitar GG0538 1965 Gibson ES - 120T GG0507 Counting Crows Adam Durtiz Autographed GG0539 Gretsch G5622T Electromatic Center Block Guitar Double Cut GG0508 1966 Epiphone Sheraton GG0540 1955 Gibson ES-125 Spanish Guitar GG0509 Harley-Davidson Themed Fender Stratocaster GG0541 Danelectro 59M Spruce Black Pearl GG0510 John Entwistle Gold Warwick Buzzard Bass GG0511 Gretsch G5655TG Electromatic Jr GG0512 1966 Epiphone Casino GG0513 Harley-Davidson Themed Fender Stratocaster GG0514 Danelectro '59M NOS Plus GG0515 1955 Gibson Les Paul Gold Top GG0516 Dave Grohl Autographed Guitar GG0517 Dave Grohl Autographed Guitar GG0518 1960 Gibson ES 345 GG0519 1956 Gibson Les Paul Jr Sunburst GG0520 Harley-Davidson Themed Fender Telecaster GG0521 1969 Gibson Les Paul Custom GG0522 Fender Acoustic/Electric Guitar GG0523 1955 Fender Stratocaster GG0524 Harley-Davidson Themed Fender Stratocaster GG0525 1976 Ibanez 2663 TC Iceman GG0526 Meatloaf Autographed Guitar GG0527 1962 Fender Stratocaster GG0528 Harley-Davidson Themed Fender Telecaster GG0529 Harley-Davidson Themed Fender Stratocaster GG0530 1968 JW Gallagher & Sons Acoustic Guitar 1/2 09/30/21 03:34:20 Payment Info Payment for On Time auction is via credit card only. -
Download History of Japanese Electric Guitars Free Ebook
HISTORY OF JAPANESE ELECTRIC GUITARS DOWNLOAD FREE BOOK Frank Meyers | 164 pages | 18 May 2015 | CENTERSTREAM PUBLISHING | 9781574243154 | English | United States History of Japanese Electric Guitars Discovering samurai, robotic dogs, baby mops, manga, maid cafes, oh-so-many temples and why the Japanese can't say no, it's an History of Japanese Electric Guitars journey full of light-hearted Mandolin Family. Left-Handed Instruments. Japanese Spitz Training Guide. Other information is based on identifying common properties between guitars, to identify links in their history. Aria Shiro Arai founded Arai and Company in as an importer of classical guitars. A must have for collectors. Until the launch of the Flying V and Explorer inelectric guitars Many History of Japanese Electric Guitars players, famous and not so famous, began playing on Japanese electric guitars, yet the history of the people and factories that produced these instruments has remained largely ignored. Vacuum Tubes. Matsumoto Musical Instrument Manufacturers Association is also the name of a musical instrument. This machine-cut yet hand-worked process offered improved profit margins at lower unit prices and yielded high quality instruments with unique character. Vintage Used. The name Matsumoku appeared on the neck bolt plate of some guitars they built. Matsumoku could not afford to buy itself out of Singer and inclosed down. Specifications on Epiphone archtops changed throughout the Matsumoku era. American owned Unicord contracted Matsumoku to build most of its Univox and Westbury guitars. The Japanese Spitz Training Book is a truly informative and unique training guide, full of A lot of our information is based on data that we have collected over the last decade. -
The Bison, September 30, 1977
Harding University Scholar Works at Harding The Bison Archives and Special Collections 9-30-1977 The Bison, September 30, 1977 Follow this and additional works at: https://scholarworks.harding.edu/thebison Recommended Citation The Bison, September 30, 1977. (1977). Retrieved from https://scholarworks.harding.edu/thebison/1124 This Newspaper is brought to you for free and open access by the Archives and Special Collections at Scholar Works at Harding. It has been accepted for inclusion in The Bison by an authorized administrator of Scholar Works at Harding. For more information, please contact [email protected]. Construction plans Set for auditorium by Clssy Howell cluded. A large lobby will be used Construction is slated to begin to facilitate the now of traffic In March 1 on the George S. Benson and out of the auditorium. Auditorium, the final project In The new structlD'e will be used President Clifton Ganus' for playa, American Studlea "Decade of Develo.-nent." ~era, lectureehi.. , Spring The new complex, named after Sing, and otber college events. the former Himling president Acc:ordlng to Crouch, 80 to 90 who served from 1936-1965, will percent ~ ill use will be for be bUilt adjacent to the Stevens Chapel aervices. Art Center where the old "Because of the large tennis courts are currently enrollment at Harding, two located. chapel services are necessary The $2.6 million structure will each day," he said. ''With the have a seating capacity of 3,400 completioo of the auditorium, the and is expected to be completed problem will he ellmi.nated Iince by the fall ~ 19'79, according to everyone can gather at one David Crouch, Director of service." Placement. -
The Prisoner's Apothecary
Oct. 30 - Nov. 6, 2019 www.lansingcitypulse.com Locally owned • A newspaper for the rest of us The Prisoner’s Apothecary Visiting MSU artist plants seeds to a revolution See page 15 2 www.lansingcitypulse.com City Pulse • October 30, 2019 Thanksgiving Fresh includes materials, snacks & refreshments Cut Flower $ Call the Floral Shop Centerpiece Class 45 517-372-5610 to reserve your spot City Pulse • October 30, 2019 www.lansingcitypulse.com 3 Favorite Tings Kewpee’s owner Autumn Weston and her Kewpie doll BWL Seeks Public Input on Future Energy Plan for Region The BWL will host open houses to seek public input as we update our plan to continue delivering cleaner, affordable and reliable power to the region. Join us at one of the dates below to learn about the BWL’s new Integrated Resource Plan People really don’t know how to that’s been part of us since we started (IRP), which will serve as the foundation for our take the baby. People don’t even know in 1923. I’m a fourth-generation own- what to call our mascot. Some know er and we always got Kewpie dolls for new strategic plan. what a Kewpie doll is, but most just our birthdays. I always thought “Can’t call it the “creepy baby.” Even I’m I get a Cabbage Patch doll or Barbie Wednesday, Nov. 6, 4:30-7pm guilty of that. I’ve got two tattoos of or something? This baby doesn’t even BWL REO Depot, 1201 S. Washington Ave., Lansing them so I don’t think they are that have clothes to play with.” creepy. -
Musicforall.Org Is
Volume I • Fall 2008 Volume Education | Performance | Advocacy 4 10 Inside: Gayl & Beverly Doster What inspires a $100,000 gift? - page 4 Giving in a down market can provide tax savings Music for All giving at all levels of support - page 7 Where Are They Now? BOA Alumni talk with Music for All - page 8 BOA: True Champions of Life! by participant parents, Donna and Scott Wesley - page 10 Creating a Legacy Music for All names National Percussion Festival in honor of Sandy Feldstein - page 12 Message from the Chairman Welcome to the first edition of Impact. The goal of this publication is to inform, inspire and engage. Given the current economic climate, now is a critical time to equip educators and parents with the advocacy tools needed to keep music education in public schools. Music for All uncovers the information and data that can be used by citizens and education leaders to influence local and state public policies in support of music education. Inside you will learn more about the on-going work the organization is doing in partnership with those equally committed to expanding access to music and arts education. Music for All is unique in that it combines the education and performance aspects of music with the information and resources necessary to quantify its positive impact on individuals and communities. In this edition you will also read some of the personal testimonies provided by parents, educators and alumni that convey the positive impact of Music for All’s education and performance programs. Since assuming the Chairmanship of the Music for All Board of Directors, I have personally experienced many of these programs. -
A Case Study of the Craft-Made Guitar Industry in the Global Economy
UNIVERSITY OF CALIFORNIA SANTA CRUZ DEMYSTIFYING THE CRAFT PRODUCTION: A CASE STUDY OF THE CRAFT-MADE GUITAR INDUSTRY IN THE GLOBAL ECONOMY A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in SOCIOLOGY by Yi-Chen Liu June 2021 The Dissertation of Yi-Chen Liu is approved: ______________________________________ Professor Steven McKay, chair _______________________________________ Professor Hiroshi Fukurai _______________________________________ Professor Lisbeth Haas ___________________________________ Quentin Williams Vice Provost and Dean of Graduate Studies TABLE OF CONTENTS Table of Contents.........................................................................................................iii List of Figures................................................................................................................v Abstract.......................................................................................................................vii Acknowledgments......................................................................................................viii Chapter One: Why Are Craft-made Guitars So Expensive?........................................1 Chapter Two: How Can a Luthier Create a Value for a Guitar? The Explanations from Political-Economic and Cultural Perspectives...........................................................14 Chapter Three: Case Studies and Methodology. .......................................................38 Chapter Four: Invention -
Taylor Guitars Wood & Steel Magazine
BTO Bliss Building guitar dreams Honduran Harmony Sustainable social forestry Coheed and Cambria Breaking down a live acoustic sound Ruthie Foster Soul-stirring blues Wayne Johnson Rethinking scales 2 www.taylorguitars.com In 2009, we saw Leo Kottke per- can’t take my eyes off of it, and it plays 814ce, I’ve also picked up the NS72ce form, and Mark took his own guitar like a dream. If it is true that guitars after watching YouTube videos of Jason with him to the concert. Afterward, Mr. sound better with age, I can only imag- Mraz walking around France playing Letters Kottke came out on stage to meet his ine how this one will sound as we grow one. That guitar is gorgeous, and it’s loyal fans. Mark handed him his beloved older together. Thanks for a wonderful the perfect complement to the 814ce Center. Thank you for thinking outside guitar for an autograph. Leo held it, instrument. at shows when I want an alternative the box and creating the most amazing strummed it, recognized the open E-flat Tom Rusiecki to steel strings. Thank you for building acoustic/electric guitar that doesn’t tuning, and sat down on the edge of Port Richey, FL fantastic guitars and for being an hon- require a world-class concert hall to the stage and played! He and Mark est, ground-up company (I’m currently Tommy Shaw sound world-class! had a conversation about strings, bone halfway through Bob Taylor’s Guitar Gets his bluegrass on Spring Limiteds Bob Fischer nuts, etc., before getting an autograph Cheatin’ & Repeatin’ Lessons).