Lofty Valuations and Massive PE and Strategic Buyer Interest Lead M&A
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Damaged Stock (Guitar/ Amplifier/ Bag/ Cases/ Keyboard/ Others)
Damaged stock (guitar/ amplifier/ bag/ cases/ keyboard/ others) Item no. Stock no. Description Qty 1 Fender Limited Edition Tone-Master 2-channel 100 watts guitar amp head with speaker1 cabinet 2 Marshall 70's JMP combo amp 1 3 Johnson Marquis JM120 tube-integrated stereo modeling amp with J8 foot controller 1 4 KORG M50-73 keyboard synthesizer 1 5 Fender 51' Nocaster/52' telecaster case 1 6 ZTAMPS Lunchbox LBG2 amplifier ( @ $408.00 per unit) 7 7 ZTAMPS Lunchbox LBJ1 junior amplifier (@ $228.00 per unit) 2 8 Roland Cube 60 Bass Amp 1 9 ARIA PRO II CAT series electric guitar 1 10 Yamaha Japan made FG-140 Nippon Gakki acoustic guitar 1 11 Peavey Combo 300 Bass Amp 1 12 Laney Cub 10 10W 2X10 tube guitar amp 1 13 MONO M80-SEB bass sleeve black soft case (Bacchus 5-string bass guitar) 1 14 Rockbag Jumbo size acoustic padded soft case 1 15 Epiphone PR350E acoustic guitar 1 16 S.YAIRI (1975) classical guitar 1 17 2377-1D Truetone 3 pickup guitar 1 18 Yamaha FG-75 vintage japan nippon gakki acoustic guitar 1 19 Teisco hollow body electric guitar 1 20 Guild Starfire IV guitar 1 21 Crate BT25 25 watt 1x10 bass guitar amp 1 22 Gibson 1975 Les Paul Deluxe Stand hard case 1 23 Joyo JPA-862 rollable street amp (busker amp) 1 24 Gibson 1957 J45 acoustic guitar 1 25 Gibson 1957 J45 hard case 1 26 Gibson 1980 Les Paul firebrand-nat-ural mahagony with soft case 1 27 Ibanez UE-405 multi-effect 1 28 Ministar Basstar Travel guitar natural finish 4-string bass with built-in Amp 1 29 SKB PS-25 effect pedal pedalboard 1 30 1493-23 Roland VS-1680 24-bit digital -
Leading Music Enthusiast Content Publisher Doubles Video Output
CASE STUDY Leading Music Enthusiast Content Publisher Doubles Video Output with StorNext When a leading creator of specialized music news, enthusiast, and instructional content wanted to increase their output, they hit a major roadblock. Their aging video production SAN, an Xsan inherited through an acquisition, just wasn’t up to a faster tempo. Installing Quantum’s StorNext Pro Foundation turned their workflow from lento to prestissimo and doubled production. StorNext Pro Foundation We do not have a large IT staff, so it was really important to find a solution that would be “turn-key, that could fit in quickly and that would minimize ongoing admin. We needed something that would be easy to install and that would just work once it was in. Anthony Verbanac Director of IT, NewBay Media FEATURED PRODUCTS ” The StorNext Pro Foundation was exactly what we needed...It gives us the capacity we need today, room to grow in the future, and it is compatible with all our applications “and the latest versions of OS X. ” Anthony Verbanac - Director of IT, NewBay Media With over 13 million monthly readers in over previously released material is incorporated into 50 countries around the world, NewBay new offerings, and support has to be provided Media is the industry’s premiere publisher of for YouTube and all the latest Apple, Google, specialized enthusiast content across music, Nook, and Kindle formats. SOLUTION OVERVIEW pro-audio, video, and gaming, which it delivers ∙ StorNext Pro Foundation through a combination of traditional print and AGING SAN LIMITS GROWTH - StorNext® 5 platform new media platforms. -
Computer Music Products Guide 2010
Computer Music Products Guide 2010 Computer Music Products Guide 2010 V-STUDIO MIDI KEYBOARD CONTROLLERS AUDIO INTERFACES MICRO MONITORS Cakewalk is a registered trademark and SONAR, V-STUDIO 700, Active Controller Technology, Dimension Pro, Rapture and the Cakewalk logo are trademarks of Cakewalk, Inc. Roland, BOSS, COSM, EDIROL, SuperNATURAL, VariPhrase, V-LINK and V-Vocal are either registered trademarks or trademarks of Roland Corporation in the United States and/or other countries. Mac and Mac OS are trademarks of Apple Inc. ASIO and VST are trademarks of Steinberg Media Technologies AG. ReWire is a trademark of Propellerhead Software, AB. iZotope Radius copyright c 2005-2010 iZotope, Inc. Other trademarks mentioned are held by their respective owners. All specifications and appearances are subject to change without notice. All specifications and appearances are subject to change without notice. All trademarks are the property of their respective companies. MIDI INTERFACES MUSIC SOFTWARE www.cakewalk.com | (888) CAKEWALK | +1 (617) 423-9004 outside the US May. 2010 RAM-4594 GR-UPR-SS B1EC1 Made for Musicians By Musicians Cakewalk Computer Music Products These products are created by musicians who listen, understand, and respond to the needs of our customers, who include award-winning producers, engineers, composers, and musicians. Our mission is to inspire your creativity through the combination of superior sound quality, industry-leading technology, and unmatched ease of use. There are Cakewalk products that are right for you at every stage of your musical career and ability. Read on to learn more... V-STUDIO 04 MIDI INTERFACES 15 MICRO MONITORS 18 AUDIO INTERFACES 11 MIDI KEYBOARD CONTROLLERS 16 MUSIC SOFTWARE 19 visit us online at V-STUDIO www.cakewalk.com WDM VS-700R V-STUDIO I/O VS-700C V-STUDIO Console Windows® Windows® High-speed USB 2.0 audio interface that provides all the recording and routing The VS-700C Console offers broader ranging control and deeper editing and AUDIO AUDIO MIDI capabilities needed to handle any music production task. -
A Case Study of the Craft-Made Guitar Industry in the Global Economy
UNIVERSITY OF CALIFORNIA SANTA CRUZ DEMYSTIFYING THE CRAFT PRODUCTION: A CASE STUDY OF THE CRAFT-MADE GUITAR INDUSTRY IN THE GLOBAL ECONOMY A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in SOCIOLOGY by Yi-Chen Liu June 2021 The Dissertation of Yi-Chen Liu is approved: ______________________________________ Professor Steven McKay, chair _______________________________________ Professor Hiroshi Fukurai _______________________________________ Professor Lisbeth Haas ___________________________________ Quentin Williams Vice Provost and Dean of Graduate Studies TABLE OF CONTENTS Table of Contents.........................................................................................................iii List of Figures................................................................................................................v Abstract.......................................................................................................................vii Acknowledgments......................................................................................................viii Chapter One: Why Are Craft-made Guitars So Expensive?........................................1 Chapter Two: How Can a Luthier Create a Value for a Guitar? The Explanations from Political-Economic and Cultural Perspectives...........................................................14 Chapter Three: Case Studies and Methodology. .......................................................38 Chapter Four: Invention -
11C Software 1034-1187
Section11c PHOTO - VIDEO - PRO AUDIO Computer Software Ableton.........................................1036-1038 Arturia ...................................................1039 Antares .........................................1040-1044 Arkaos ....................................................1045 Bias ...............................................1046-1051 Bitheadz .......................................1052-1059 Bomb Factory ..............................1060-1063 Celemony ..............................................1064 Chicken Systems...................................1065 Eastwest/Quantum Leap ............1066-1069 IK Multimedia .............................1070-1078 Mackie/UA ...................................1079-1081 McDSP ..........................................1082-1085 Metric Halo..................................1086-1088 Native Instruments .....................1089-1103 Propellerhead ..............................1104-1108 Prosoniq .......................................1109-1111 Serato............................................1112-1113 Sonic Foundry .............................1114-1127 Spectrasonics ...............................1128-1130 Syntrillium ............................................1131 Tascam..........................................1132-1147 TC Works .....................................1148-1157 Ultimate Soundbank ..................1158-1159 Universal Audio ..........................1160-1161 Wave Mechanics..........................1162-1165 Waves ...........................................1166-1185 -
Digital • SHOOT • EDIT • POST • STORE • PRODUCE • DISTRIBUTE TOOLS and TECHNIQUES for the CREATIVE PLANET VIDEOAUGUST 2015 | CREATIVEPLANETNETWORK.COM
digital • SHOOT • EDIT • POST • STORE • PRODUCE • DISTRIBUTE TOOLS AND TECHNIQUES FOR THE CREATIVE PLANET VIDEOAUGUST 2015 | CREATIVEPLANETNETWORK.COM Shoot, Composite, Color Grade Nashville Miami Seattle BUYER’S GUIDE: OCTOBER IN SEATTLE • REGISTER AT BONDED CELLULAR STREAMING WWW.CREATIVEVIDEOTOUR.COM CHALLENGES IN CAPTURING THE SCREAM QUEENS SCARY, SUPER-STYLIZED SERIES X TECH FOCUS: BLACKMAGIC ULTRASTUDIO 4K & ULTRASTUDIO EXPRESS, ADOBE PREMIERE PRO CC 2015, TELEPROMPTERS The moment the camera disappears and the story comes alive. This is the moment we work for. // FLEXIBILITY MADE BY ZEISS ZEISS Compact Prime CP.2 lenses Get the angles you really want. Versatile ZEISS Compact Prime CP.2 lenses can be mounted on all types of cameras, so you can achieve true cinema feel in virtually any situation. Each of the 14 focal lengths offers a large rotation angle for perfect pulls, a 14-blade iris for exceptional bokeh, and the precision build quality you expect from Carl Zeiss. www.zeiss.com/cine/flexibility digital VIDEO vol. 23 | no. 8 08.2015 EDITOR’S VIEW EDITORIAL EDITORIAL DIRECTOR Cristina Clapp [email protected] MANAGING EDITOR Katie Makal [email protected] WEB EDITOR Sarv Kreindler [email protected] SAVE THE DATE(S), SEE NEW TECH, CONTRIBUTING EDITORS Jay Ankeney, Chuck Gloman, David Heuring, Debra Kaufman, John Merli, Carl Mrozek, Oliver Peters, Geoff Poister, Dick Reizner, Stefan Sargent, Jon Silberg, Ned Soltz, Jennifer Wolfe STRENGTHEN YOUR SKILLS ADVERTISING U.S. NORTHEAST, NEW ENGLAND & CANADA Vytas Urbonas f you’re on the East Coast, I’d like to invite you to a number of events taking place at the convention [email protected] 212. -
Monthly Flash Report Select Software Industry M&A Transactions
Software Equity Group Flash Report Select M&A Transactions and Valuations and Financial and Valuation Performance of 250+ Publicly Traded Software, SaaS and Internet Companies by Product Category LEADERS IN SOFTWARE M&A • Industry leading boutique investment bank, founded in 1992, representing public and private software and We Do Deals. internet companies seeking: • Strategic exit • Growth capital • Buyout • Inorganic growth via acquisition • Buy and sell-side mentoring • Fairness opinions and valuations • Sell-side client revenue range: $5 - 75 million • Buy-side clients include private equity firms and NASDAQ, NYSE and foreign exchange listed companies • Clients span virtually every software technology, product category, delivery model and vertical market • Global presence providing advice and guidance to more than 2,000 pritivate an d pu blic compan ies thhtUSthroughout US, Canada, Europe, Asia-Pacific, Africa and Israel • Strong cross-functional team leveraging transaction, operating, legal and engineering experience • Unparalleled software industry reputation and track record. • Highly referenceable base of past clients Copyright © 2014 by Software Equity Group, LLC EXTENSIVE GLOBAL REACH Current Sell-side Representation • SEG currently represents software companies in the United States, Canada, France, Germany, Australia & Saudi Arabia Recent Sell-side Representation • In addition to the countries listed above, SEG has recently represented software companies in the United Kingdom, France, Netherlands, Israel, and South Africa SEG Research Distribution • SEG’s Quarterly and Annual Software Industry Eqyquity Re ports and Monthl y Flash Re ports are distributed to an opt-in list of 50,000 public software company CEOs, software entrepreneurs, private equity managing directors, VCs, high tech corporate lawyers, pp,ublic accountants, etc. -
Registered No: 3757874
23 November 2018 Future plc Double-digit organic growth and a year of material international expansion Future plc (LSE: FUTR, “Future”, “the Group”), the global platform for specialist media, today publishes results for the year ended 30 September 2018. Financial highlights ● Substantial growth in Group revenue; up 48% to £124.6m (2017: £84.4m), of which 11% is organic growth1 o Strong performance in Media revenue, up 88% to £64.2m (2017: £34.1m), of which 40% is organic growth1 ▪ Digital display grew 63% to £31.8m ▪ eCommerce increased 104% to £18.2m ▪ Events grew 148% to £12.9m o Magazine revenue up 20% to £60.4m (2017: £50.3m), driven by the acquisition of the Haymarket titles ● US revenue up 109% to £39.9m (2017: £19.1m), of which 28% is organic growth; UK revenue up 38% to £92.5m (2017: £67.2m), of which 6% is organic growth ● Online Revenue Per User (RPU), a key metric, has increased in both the UK by 26% to £1.68 and the US by 32% to £0.96 as we monetise our audiences more effectively across both territories. ● Adjusted EBITDA2 increased 88% to £20.7m (2017: £11.0m), reflecting margin expansion through change in revenue mix and revenue growth across both Media and Magazine divisions ● Continued growth of Adjusted operating profit up 108% to £18.5m (2017: £8.9m) before share-based payments, amortisation of acquired intangibles, non-trading foreign exchange gains and exceptional items of £13.2m (2017: £8.1m); statutory operating profit up to £5.3m (2017: £0.8m) ● Adjusted EPS increased by 33% to 26.2p per share (2017: 19.7p per share -
Future, We Pride Ourselves on the Heritage of Our Brands and Loyalty of Our Communities
IPSO ANNUAL STATEMENT 2020 Introduction At Future, we pride ourselves on the heritage of our brands and loyalty of our communities. Every month, we connect more than 400 million people worldwide with their passions through brands that span technology, games, TV and entertainment, women’s lifestyle, music, real life, creative and photography, sports, home interest and B2B. First set up with one magazine in 1985, Future now boasts a portfolio of over 200 brands produced from operations in the UK, US and Australia. We seek to change people’s lives through sharing our knowledge and expertise with others, making it easy and fun for them to do what they want. Today, Future employs 2,300 employees worldwide and the company’s leadership structure as of 26 March 2021 is outlined in Appendix 2. Our core portfolio covers consumer technology, games/entertainment, women’s lifestyle, music, creative/design, home interest, photography, hobbies, outdoor leisure and B2B. We have over 100 magazines and publish over 400 one-off ‘bookazine’ products each year. Globally, 330+ million users access Future’s digital sites each month, and we have a combined social media audience of 104 million followers (a list of our titles/products can be found under Appendix 1a. & 1b.). In recent years, Future has made a number of acquisitions in the UK. These include Blaze Publishing, Imagine Publishing, Team Rock, Centaur’s Home Interest brands, NewBay Media, several Haymarket publications, two of Immediate Media’s cycling brands, Barcroft Studios and more recently and perhaps more significantly, TI Media. At the time of the last annual report the TI acquisition had still not completed, but from April 2020 TI Media has been fully under Future ownership. -
Exhibitor Listing As of 9/30/21
Summer NAMM Exhibitor Listing as of 9/30/21 Name Booth 12-Bar Blues LLC 1132 3RD POWER Amplification 861 64 Audio 236 A Tempo Percusion 1543 Accountech Solutions 158 ACE TONE 653 Acme Audio Mfg. Co. 107 Adamovic 911 Advanced Audio Microphones 207 Advanced Plating Inc. 1207 ADVSOUND, Inc. 1 AEA - Audio Engineering Associates 124 Aeris Protective Packaging Inc. 1609 AES Nashville 448 Aguilar Amplification, LLC 853 AirTurn 1703 AJ Peat Effects 1458 Alclair Audio 342 Alexander Pedals 1254 Alfred Music 543 Allied Powers 1059 Alpha Distribution 952 Alpha Innovation 506 Aluminati Guitar Company 1631 Alvarez Guitars 809 Amahi Ukuleles 1501 American Engraver 1745 American Music Furniture, LLC 39, 40 AmeriTrust Group, Inc. MC5 Ampeg 643 Amphion Loudspeakers 531 AmpStamp 1643 AMS Neve 320 Analysis Plus 206 Anatomy of Sound 1727 Ansmann Rechargeables 122 Apex Tube Matching 1639 Artesia 335 Artiphon, Inc. 929 Asterope 529 ATR Magnetics, LLC 130 ATR Service, Inc. 130 ATV Corporation 653 Audio Sprockets 1608 AudioScape Engineering Co. 211 Augspurger Monitors 320 Aura Amps 2027 Auratone 2 Aurora Audio 137 Automated Processes, Inc. 535 AVA 911 Avalon Design 331 Aviate Audio 1357 Axe Paxe, LLC 1613 BackBeat 957 Bad Boy Guitars 1159 BAE (British Audio Engineering) 121 BaldMan Percussion 1760 Balthazar Audio Systems 1055 Bam France 1313 Bamboo 1306 Band-in-a-Box® 234 BandLab 921 Barym Benders and Amps 2010 BAS Instruments LLC 1154 Batson Guitars 911 Bedell Guitars 1213 Benson Custom 1356 Bettermaker 220 Big Bang Slides 1725 BIG EAR Pedals 1359 Big Joe Stomp Box Company 1543 Bigsby D1 Bock Audio 10 BOSS 821 Boutique Guitar Showcase 911 BP Rose Guitars 1620 BrandNewNoise 2007 Brandonwound Pickups 1255 Breedlove Stringed Instruments 1213 Breezy Ridge® Instruments, Ltd. -
Medieval to Metal: the Art and Evolution of the Guitar MEDIEVAL to METAL: the ART and EVOLUTION of the GUITAR September 29Th, 2018-January 6Th, 2019
EXHIBITION RESOURCE PACKET Medieval to Metal: The Art and Evolution of the Guitar MEDIEVAL TO METAL: THE ART AND EVOLUTION OF THE GUITAR September 29th, 2018-January 6th, 2019 How to use this resource: This packet is designed to be flexible. Use it to help prepare for a docent-led tour of the museum, to inform a self-guided tour, or to discuss selected artworks in your classroom, whether you’re able to physically visit the museum or not. The suggested activities (page 7) should be used in conjunction with in-depth discussion of at least one related artwork. The guitar has been a signature element of world culture for more than 500 years. As the guitar’s ancestors evolved over centuries from the earliest ouds and lutes to the signature hourglass shape we all know today, guitar makers experimented with shapes, materials, and accessories, seeking the perfect blend of beauty and sound. Spanning centuries of design and craftsmanship, this exhibition takes visitors through the history of an object that is one of the most recognizable items on the planet. Art and music transcend cultural boundaries while the most recognized musical instrument—the guitar—has influenced culture beyond music. Through the years the guitar and its shape have been integral elements for artists such as Vermeer and Picasso and today they are incorporated into the advertisements of everything from clothes to car. What guitars are in the show? The following 40 guitars are included in the exhibition: Oud (North Africa) Maccaferri Plastic Lute (Europe) Silvertone 1487 Speaker -
Annual Report 2017
Annual Report 2017 0300 123 2220 www.ipso.co.uk [email protected] Out of office hours emergency harassment line 07799 903 929 @ipsonews facebook/ipsonews blog: www.ipso.co.uk/news-press-releases/blog IPSO Podcast available on Spotify, Apple and other major providers Independent Press Standards Organisation Financial Information Contents Financial Information 2016 (£) 2017 (£) 03 Vision, mission and values 04 Year in review: Highlights of 2017 06 Chairman’s statement: Sir Alan Moses looks back on 2017 Turnover 2,388,000 2,418,000 07 Chief Executive’s statement: Matt Tee looks forward to future challenges 08 Raising press standards: A broader commitment beyond complaints Administrative expenses (2,382,288) (2,421,510) 09 Standards work outcomes: Guidance, training and wide engagement Operating (loss)/profit (5,712) (3,510) 10 Monitoring wider concerns to provide targeted interventions Interest receivable 1,678 239 11 Help with press intrusion and harassment 12 The Pilling Review: Implementing the recommendations Profit/(loss) on ordinary activities before taxation 7,390 (3,271) 15 Arbitration: Low cost legal claims against the press Tax on profit/(loss) on ordinary activities (3,107) (2,641) 16 External engagement: Raising awareness of our work 3,107 (5,921) 17 Most complained about publications Profit/(loss) for the financial year 18 Effective complaints handling: Using lessons learned to implement best practice 19 Complaints statistics 2017 The turnover above represents contributions from the Regulatory Funding Company (RFC) and a budget for a further 20 Complaints statistics by publisher four years has now been negotiated. The increase in administrative costs above, which reflect the resources required to monitor and maintain the standards set out in the Editors’ Code of Practice and provide support and redress for individuals 22 Case studies: A round-up of 2017 complaints and how they were dealt with seeking to complain about breaches in the Code, relates to both an increase in staff and other operating costs.