DOCSLIB.ORG

Digital • SHOOT • EDIT • POST • STORE • PRODUCE • DISTRIBUTE TOOLS and TECHNIQUES for the CREATIVE PLANET VIDEOAUGUST 2015 | CREATIVEPLANETNETWORK.COM

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Digital • SHOOT • EDIT • POST • STORE • PRODUCE • DISTRIBUTE TOOLS and TECHNIQUES for the CREATIVE PLANET VIDEOAUGUST 2015 | CREATIVEPLANETNETWORK.COM digital • SHOOT • EDIT • POST • STORE • PRODUCE • DISTRIBUTE TOOLS AND TECHNIQUES FOR THE CREATIVE PLANET VIDEOAUGUST 2015 | CREATIVEPLANETNETWORK.COM Shoot, Composite, Color Grade Nashville Miami Seattle BUYER’S GUIDE: OCTOBER IN SEATTLE • REGISTER AT BONDED CELLULAR STREAMING WWW.CREATIVEVIDEOTOUR.COM CHALLENGES IN CAPTURING THE SCREAM QUEENS SCARY, SUPER-STYLIZED SERIES X TECH FOCUS: BLACKMAGIC ULTRASTUDIO 4K & ULTRASTUDIO EXPRESS, ADOBE PREMIERE PRO CC 2015, TELEPROMPTERS The moment the camera disappears and the story comes alive. This is the moment we work for. // FLEXIBILITY MADE BY ZEISS ZEISS Compact Prime CP.2 lenses Get the angles you really want. Versatile ZEISS Compact Prime CP.2 lenses can be mounted on all types of cameras, so you can achieve true cinema feel in virtually any situation. Each of the 14 focal lengths offers a large rotation angle for perfect pulls, a 14-blade iris for exceptional bokeh, and the precision build quality you expect from Carl Zeiss. www.zeiss.com/cine/flexibility digital VIDEO vol. 23 | no. 8 08.2015 EDITOR’S VIEW EDITORIAL EDITORIAL DIRECTOR Cristina Clapp [email protected] MANAGING EDITOR Katie Makal [email protected] WEB EDITOR Sarv Kreindler [email protected] SAVE THE DATE(S), SEE NEW TECH, CONTRIBUTING EDITORS Jay Ankeney, Chuck Gloman, David Heuring, Debra Kaufman, John Merli, Carl Mrozek, Oliver Peters, Geoff Poister, Dick Reizner, Stefan Sargent, Jon Silberg, Ned Soltz, Jennifer Wolfe STRENGTHEN YOUR SKILLS ADVERTISING U.S. NORTHEAST, NEW ENGLAND & CANADA Vytas Urbonas f you’re on the East Coast, I’d like to invite you to a number of events taking place at the convention [email protected] 212. 378. 0400 Ext. 533 center in Washington, D.C., at the beginning of December. All are designed for education, collabora- WEST/CENTRAL SALES MANAGER Jeff Victor [email protected] 224. 436. 8044 tion and conversation. U.S. MID-ATLANTIC & SOUTHEAST Michele Inderrieden [email protected] 212. 378. 0400 Ext. 523 I• Government Video Expo 2015 PRO AUDIO SALES MANAGER Pete Sembler [email protected] 650. 238. 0324 The D.C. Region’s Largest Video, Broadcast and AV/IT Event EUROPE SALES DIRECTOR Steve Connolly Walter E. Washington Convention Center [email protected] +44 (0) 20 7354 6000 PRODUCT SHOWCASE/CLASSIFIED ADS Michele Inderrieden December 1-3, 2015 [email protected] 212. 378. 0400 Ext. 523 • DC Post|Production Conference ART & PRODUCTION Educational and Training Sessions Produced SENIOR ART DIRECTOR Nicole Cobban ASSOCIATE ART DIRECTOR Walter Makarucha, Jr. by Future Media Concepts (FMC) 2015 PRODUCTION MANAGER Lisa McIntosh [email protected] 703. 852. 4616 December 1-3, 2015 ADVERTISING COORDINATOR Caroline Freeland • Video Distance Learning in the Federal Government DECEMBER 2–3, 2015 [email protected] Produced by the Federal Government Distance Learning Association (FGDLA) CIRCULATION GROUP DIRECTOR, AUDIENCE DEVELOPMENT Meg Estevez December 2, 2015 CIRCULATION MANAGER Kwentin Keenan • National Drone Show CIRCULATION CUSTOMER SERVICE Michele Fonville A Conference & Expo Featuring SUBSCRIPTIONS DV, P.O. B ox 221, Lowell, MA 01853 UAS Video Capture Technology DECEMBER 2–3, 2015 Telephone: 888-266-5828 (USA only, 8:30 a.m. - 5 p.m. EST) December 2-3, 2015 978-667-0352 (Outside the US) Fax: 978-671-0460 If you’d like more information about any of these events, you can visit www.gvexpo.com/info. E-mail: [email protected] Government Video Expo is the East Coast’s largest technology event designed for video, broadcast NEWBAY MEDIA VIDEO/BROADCAST GROUP and AV/IT professionals. It features a full exhibit floor, numerous training options, free seminars, EXECUTIVE VICE PRESIDENT | GROUP PUBLISHER Carmel King VP SALES | GROUP PUBLISHER Eric Trabb keynotes, presentations, networking opportunities, and the Briefing Room, an educational series of panel EDITORIAL DIRECTOR - VIDEO Cristina Clapp discussions that’s new this year. EDITORIAL DIRECTOR - BROADCAST Paul J. McLane WEB DIRECTOR Ragan Whiteside-Johnson Attendees can learn about video technologies and techniques at the DC Post|Production Conference; ONLINE PRODUCTION MANAGER Robert Granger distance learning and education technology at the day-long seminar on Video Distance Learning in the NEWBAY MEDIA CORPORATE Federal Government, presented by the FGDLA; and drone operation and production at the National PRESIDENT & CEO Steve Palm CHIEF FINANCIAL OFFICER Paul Mastronardi Drone Show. CONTROLLER Rick Ng Featuring conference programs designed to teach, enlighten and inspire, Government Video Expo VICE PRESIDENT OF DIGITAL STRATEGY & OPERATIONS Robert Ames encourages attendees to get hands-on with the latest video gear in an exhibit hall featuring more than VICE PRESIDENT OF AUDIENCE DEVELOPMENT Denise Robbins 175 suppliers, dealers and distributors. Numerous free special events further our attendees’ knowledge, VICE PRESIDENT OF HUMAN RESOURCES Ray Vollmer VICE PRESIDENT OF PRODUCTION & MANUFACTURING careers and agency mission. Bill Amstutz If you shoot, edit, post, store or distribute video, or use AV solutions, save these dates. I hope you can VICE PRESIDENT OF CONTENT & MARKETING Anthony Savona IT DIRECTOR Anthony Verbanac join us and I look forward to seeing you there! LIST RENTAL 914. 925. 2449 [email protected] Editorial Director REPRINTS AND PERMISSIONS Please contact our Reprint Coordinator Digital Video magazine at Wright’s Media: 877. 652. 5295 creativeplanetnetwork.com PUBLISHED BY NEWBAY MEDIA LLC p: 310-429-8484 28 E 28th Street, 12th Floor New York, NY 10016 e: [email protected] Tel: 212. 378. 0400 Fax: 212. 378. 0470 Twitter: @DigitalVideomag Web: www.nbmedia.com creativeplanetnetwork.com | 08.2015 3 08.2015 | vol. 23 | no. 8 CONTENTS 20 LOOK 18 America, Arguments and Archival Material Best of Enemies Revisits a Remarkable Time in Television 20 Ex Machina Artificial Intelligence and Human Innovation Combine for Film’s Production 18 LISTEN 24 Ambient Sound on The Americans Enhancing the Spy Show’s Setting and Subject Matter LUST 28 Thunderbolt and Throughput Checking Out Blackmagic Design’s UltraStudio 4K and UltraStudio Express feature 32 Putting the “Cloud” in Creative Cloud Adobe Premiere Pro CC 2015 14 Scream Queens: Enhances Color Workflow, Application Interoperability 28 Fright and Delight Cinematographers Michael Goi and LEARN Joaquin Sedillo 40 Tips to Clip Reinvent Scare Tactics 42 Teleprompting Technology New Functionality, Form Factors and Features for the FX Series 42 50 Production Diary: Home Again But There’s an Avid in My Bathroom 36 Buyer’s Guide: Bonded Cellular Streaming departments Digital Video (ISSN 2164-0963) is published monthly by NewBay Media L.L.C. at 28 E 28th Street, 12th Floor, New York, NY, 10016. Telephone: 212-378-0400. Periodicals post- 3 Editor’s View age paid at New York, New York, and at additional mailing offices. U.S. subscription rate is $29.97 for one year; Mexico and Canada are $39.97 (including GST); foreign airmail 6 Update is $79.97; back issues $7. Prepayment is required on all foreign subscriptions in U.S. funds drawn on a U.S. bank. All rates are one year only. Digital Video, Videography, Digital Content Producer, Millimeter, Digital Cinematography, Cinematographer, 2-pop, Reel Exchange and Creative Planet Network are trademarks of NewBay Media L.L.C. All material 48 Company Index published in Digital Video is copyrighted © 2015 by NewBay Media L.L.C. All rights reserved. Postmaster: Send address changes to Digital Video, Subscription Services, P.O. Box 49 Classifieds 221, Lowell, MA 01853. Return undeliverable Canadian addresses to Bleuchip International, P.O. Box 255542, London, ON N6C 6B2. Digital Video makes every effort to ensure the accuracy of all information published in the magazine; however, it assumes no responsibility for damages due to errors or omissions. Printed in the USA. 49 Advertiser Index 4 creativeplanetnetwork.com | 08.2015 CANON COLLABORATIONS THE XA25 AS CONFIGURED BY THE CREW OF MAKER STUDIOS SAM MACARONI PRODUCER/DIRECTOR // JESSICAH FILIPAS POSTPRODUCTION MANAGER // LAYNE PAVOGGI DP/SHOOTER/DIRECTOR INFRARED SHOOTING RODE NTG2 SHOTGUN MIC BUILTIN WIFI, GPS COMPATIBILITY MP4 AND AVCHD CODECS AT UP TO 1080/60P 20X HD ZOOM LENS 5AXIS IMAGE STABILIZATION DUALFORMAT RECORDING 1/2.84” HD CMOS PRO SENSOR MANFROTTO 503 TRIPOD PEARSTONE DUSM1 UNIVERSAL SHOCK MOUNT Maker Studios is a next-generation media and technology company, home to some of the internet’s top digital content. Partnered with over 50,000 content creators, Maker produces and distributes a wide range of content across various genres. With tight turnarounds and unpredictable conditions, the compact XA25 HD Camcorder helps the Maker crew capture incredible footage without disturbing the scene. Combined with the cinematic style and integrated workfl ow of the EOS C300 Cinema Camera, Maker is equipped with the tools to produce high-quality content in a fast-paced environment. Watch the crew of Maker Studios discuss this confi guration at: cinemaeos.usa.canon.com/xa25confi gured GO WHEREVER THE STORY TAKES YOU © 2015 Canon U.S.A., Inc. All rights reserved. Canon and EOS are registered trademarks of Canon Inc. in the United States and may also be registered trademarks or trademarks in other countries. All other products and brand names are registered trademarks, trademarks or service marks of their respective owners. UPDATE Kelsey (Hilary Duff, left) and Liza at work Maggie (Debi Mazar, left), Liza’s best friend, convinces Liza to start a new life as a 26 year old. Liza (Sutton Foster) TV LAND’S YOUNGER COMBINES STYLES AND STORIES he TV Land series Younger cen- the use of several distinct looks Raffaele concentrates on refining finishing editor Mike Nuget on an T ters on Liza Miller, a 40-year- and camera techniques, each light and contrast to draw attention Avid Symphony equipped with old recent divorcee who poses as a highlighting a different aspect of to specific characters, highlight or FilmLight’s Baselight for Avid plug- 26 year old to land a job at a New Liza’s increasingly fragmented life. subdue background elements, and in.
Load more

Recommended publications
  • Leading Music Enthusiast Content Publisher Doubles Video Output
    CASE STUDY Leading Music Enthusiast Content Publisher Doubles Video Output with StorNext When a leading creator of specialized music news, enthusiast, and instructional content wanted to increase their output, they hit a major roadblock. Their aging video production SAN, an Xsan inherited through an acquisition, just wasn’t up to a faster tempo. Installing Quantum’s StorNext Pro Foundation turned their workflow from lento to prestissimo and doubled production. StorNext Pro Foundation We do not have a large IT staff, so it was really important to find a solution that would be “turn-key, that could fit in quickly and that would minimize ongoing admin. We needed something that would be easy to install and that would just work once it was in. Anthony Verbanac Director of IT, NewBay Media FEATURED PRODUCTS ” The StorNext Pro Foundation was exactly what we needed...It gives us the capacity we need today, room to grow in the future, and it is compatible with all our applications “and the latest versions of OS X. ” Anthony Verbanac - Director of IT, NewBay Media With over 13 million monthly readers in over previously released material is incorporated into 50 countries around the world, NewBay new offerings, and support has to be provided Media is the industry’s premiere publisher of for YouTube and all the latest Apple, Google, specialized enthusiast content across music, Nook, and Kindle formats. SOLUTION OVERVIEW pro-audio, video, and gaming, which it delivers ∙ StorNext Pro Foundation through a combination of traditional print and AGING SAN LIMITS GROWTH - StorNext® 5 platform new media platforms.
    [Show full text]
  • Lofty Valuations and Massive PE and Strategic Buyer Interest Lead M&A
    M&A Soundcheck – Q1’18 Lofty Valuations and Massive PE and Strategic Buyer Interest Lead M&A Activity in Q1’18 intrepidib.com | Mergers & Acquisitions | Capital Markets | Strategic Advisory 11755 Wilshire Blvd., 22nd Floor, Los Angeles, CA 90025 T 310.478.9000 F 310.478.9004 Member FINRA/SIPC Lofty Valuations and Massive PE and Strategic Buyer Interest Lead M&A Activity in Q1’18 M&A activity in 2018 is off to a very strong start, reflecting strong demand from private equity and strategic buyers as well as lofty valuations seen in both the public and private markets. It’s been particularly busy for Commercial & Consumer Technology (CCT) M&A in Southern California, where two of the larger deals in the sector occurred with Amazon acquiring Ring for over $1 billion and Foxconn affiliate FIT acquiring Belkin for over $850 million. Both home grown Los Angeles-based companies play squarely in the connected home space. Across the broader CCT markets, A/V integration remains a hot sector, with several deals occurring among mid-tier integrators and Snap AV continuing its acquisition spree following its recapitalization by Hellman & Friedman last year. Intrepid continues to be busy in this active market, closing the sale of Radial Engineering, a well-known manufacturer of accessories for professional musicians and live performance venues just in time for NAMM 2018. We are excited about the robust backlog of opportunities and continued strong interest among acquirers for high-quality assets. If you are considering options for your business or would like to discuss any of these trends, please do not hesitate to reach out.
    [Show full text]
  • Monthly Flash Report Select Software Industry M&A Transactions
    Software Equity Group Flash Report Select M&A Transactions and Valuations and Financial and Valuation Performance of 250+ Publicly Traded Software, SaaS and Internet Companies by Product Category LEADERS IN SOFTWARE M&A • Industry leading boutique investment bank, founded in 1992, representing public and private software and We Do Deals. internet companies seeking: • Strategic exit • Growth capital • Buyout • Inorganic growth via acquisition • Buy and sell-side mentoring • Fairness opinions and valuations • Sell-side client revenue range: $5 - 75 million • Buy-side clients include private equity firms and NASDAQ, NYSE and foreign exchange listed companies • Clients span virtually every software technology, product category, delivery model and vertical market • Global presence providing advice and guidance to more than 2,000 pritivate an d pu blic compan ies thhtUSthroughout US, Canada, Europe, Asia-Pacific, Africa and Israel • Strong cross-functional team leveraging transaction, operating, legal and engineering experience • Unparalleled software industry reputation and track record. • Highly referenceable base of past clients Copyright © 2014 by Software Equity Group, LLC EXTENSIVE GLOBAL REACH Current Sell-side Representation • SEG currently represents software companies in the United States, Canada, France, Germany, Australia & Saudi Arabia Recent Sell-side Representation • In addition to the countries listed above, SEG has recently represented software companies in the United Kingdom, France, Netherlands, Israel, and South Africa SEG Research Distribution • SEG’s Quarterly and Annual Software Industry Eqyquity Re ports and Monthl y Flash Re ports are distributed to an opt-in list of 50,000 public software company CEOs, software entrepreneurs, private equity managing directors, VCs, high tech corporate lawyers, pp,ublic accountants, etc.
    [Show full text]
  • Registered No: 3757874
    23 November 2018 Future plc Double-digit organic growth and a year of material international expansion Future plc (LSE: FUTR, “Future”, “the Group”), the global platform for specialist media, today publishes results for the year ended 30 September 2018. Financial highlights ● Substantial growth in Group revenue; up 48% to £124.6m (2017: £84.4m), of which 11% is organic growth1 o Strong performance in Media revenue, up 88% to £64.2m (2017: £34.1m), of which 40% is organic growth1 ▪ Digital display grew 63% to £31.8m ▪ eCommerce increased 104% to £18.2m ▪ Events grew 148% to £12.9m o Magazine revenue up 20% to £60.4m (2017: £50.3m), driven by the acquisition of the Haymarket titles ● US revenue up 109% to £39.9m (2017: £19.1m), of which 28% is organic growth; UK revenue up 38% to £92.5m (2017: £67.2m), of which 6% is organic growth ● Online Revenue Per User (RPU), a key metric, has increased in both the UK by 26% to £1.68 and the US by 32% to £0.96 as we monetise our audiences more effectively across both territories. ● Adjusted EBITDA2 increased 88% to £20.7m (2017: £11.0m), reflecting margin expansion through change in revenue mix and revenue growth across both Media and Magazine divisions ● Continued growth of Adjusted operating profit up 108% to £18.5m (2017: £8.9m) before share-based payments, amortisation of acquired intangibles, non-trading foreign exchange gains and exceptional items of £13.2m (2017: £8.1m); statutory operating profit up to £5.3m (2017: £0.8m) ● Adjusted EPS increased by 33% to 26.2p per share (2017: 19.7p per share
    [Show full text]
  • Future, We Pride Ourselves on the Heritage of Our Brands and Loyalty of Our Communities
    IPSO ANNUAL STATEMENT 2020 Introduction At Future, we pride ourselves on the heritage of our brands and loyalty of our communities. Every month, we connect more than 400 million people worldwide with their passions through brands that span technology, games, TV and entertainment, women’s lifestyle, music, real life, creative and photography, sports, home interest and B2B. First set up with one magazine in 1985, Future now boasts a portfolio of over 200 brands produced from operations in the UK, US and Australia. We seek to change people’s lives through sharing our knowledge and expertise with others, making it easy and fun for them to do what they want. Today, Future employs 2,300 employees worldwide and the company’s leadership structure as of 26 March 2021 is outlined in Appendix 2. Our core portfolio covers consumer technology, games/entertainment, women’s lifestyle, music, creative/design, home interest, photography, hobbies, outdoor leisure and B2B. We have over 100 magazines and publish over 400 one-off ‘bookazine’ products each year. Globally, 330+ million users access Future’s digital sites each month, and we have a combined social media audience of 104 million followers (a list of our titles/products can be found under Appendix 1a. & 1b.). In recent years, Future has made a number of acquisitions in the UK. These include Blaze Publishing, Imagine Publishing, Team Rock, Centaur’s Home Interest brands, NewBay Media, several Haymarket publications, two of Immediate Media’s cycling brands, Barcroft Studios and more recently and perhaps more significantly, TI Media. At the time of the last annual report the TI acquisition had still not completed, but from April 2020 TI Media has been fully under Future ownership.
    [Show full text]
  • Annual Report 2017
    Annual Report 2017 0300 123 2220 www.ipso.co.uk [email protected] Out of office hours emergency harassment line 07799 903 929 @ipsonews facebook/ipsonews blog: www.ipso.co.uk/news-press-releases/blog IPSO Podcast available on Spotify, Apple and other major providers Independent Press Standards Organisation Financial Information Contents Financial Information 2016 (£) 2017 (£) 03 Vision, mission and values 04 Year in review: Highlights of 2017 06 Chairman’s statement: Sir Alan Moses looks back on 2017 Turnover 2,388,000 2,418,000 07 Chief Executive’s statement: Matt Tee looks forward to future challenges 08 Raising press standards: A broader commitment beyond complaints Administrative expenses (2,382,288) (2,421,510) 09 Standards work outcomes: Guidance, training and wide engagement Operating (loss)/profit (5,712) (3,510) 10 Monitoring wider concerns to provide targeted interventions Interest receivable 1,678 239 11 Help with press intrusion and harassment 12 The Pilling Review: Implementing the recommendations Profit/(loss) on ordinary activities before taxation 7,390 (3,271) 15 Arbitration: Low cost legal claims against the press Tax on profit/(loss) on ordinary activities (3,107) (2,641) 16 External engagement: Raising awareness of our work 3,107 (5,921) 17 Most complained about publications Profit/(loss) for the financial year 18 Effective complaints handling: Using lessons learned to implement best practice 19 Complaints statistics 2017 The turnover above represents contributions from the Regulatory Funding Company (RFC) and a budget for a further 20 Complaints statistics by publisher four years has now been negotiated. The increase in administrative costs above, which reflect the resources required to monitor and maintain the standards set out in the Editors’ Code of Practice and provide support and redress for individuals 22 Case studies: A round-up of 2017 complaints and how they were dealt with seeking to complain about breaches in the Code, relates to both an increase in staff and other operating costs.
    [Show full text]
  • Publishers Signed up with PLS, As of 1St January 2017
    Publishers signed up with PLS, as of 1st January 2017 2000 BC Publishing Limited 2Simple Software Limited 3P Learning Limited 4SM NI Limited 55 North Limited 5M Enterprises Limited 69 Magazine Limited A & N Media Finance Services Limited A and A Thorpe A to B Magazines AA Publishing aa42 AAVO On Camera Publications AB Academic Publishers Abacus Educational Services ABCO Design Limited Aberdeen and Grampian Chamber of Commerce Limited Aberdeen City Council Aberdeen Petroleum Publishing Limited Aberdeen University Press Limited Aberystwyth University Ablan Publishing Company Limited ABR Company Limited Abson Books Abundant Life Recording and Entertainment Company Limited Academic Conferences and Publishing International Limited Academy of Ideas Limited Acair Limited ACAS (Advisory, Conciliation & Arbitration Service) ACC Art Books Limited Accelerated Learning Systems Limited Accent Press Limited Access Press UK Accordia Research Institute Accounts Commission ACE Education Advice CIC Limited Aceville Publications Limited ACO Media Limited ACP Publishers Limited ACT (Administration) Limited ACT Publishing UK Limited Action Against Medical Accidents Limited Action Aid Action For Sick Children Action with Communities in Rural England Action Words Active Magazines Limited Acupuncture Association of Chartered Physiotherapists Limited Adamson Publishing Limited Addiction Recovery Foundation Adrenaline Media Limited Adrian Webster Limited Advance Materials Limited Advanced Success Limited Advanstar Communications (UK) Limited Advantage Publishing
    [Show full text]
  • ENCO Wins Two Newbay Media Best of Show Awards at 2015 NAB Show
    FOR IMMEDIATE RELEASE ENCO Wins Two NewBay Media Best of Show Awards at 2015 NAB Show Southfield, Michigan — ENCO is proud to announce that its HotShot2 and EnStreamer products were presented with one of the industry’s most prestigious technology honors, NewBay Media’s Best of Show Award, at the 2015 NAB Show in Las Vegas. TV Technology recognized HotShot2, an instant audio playout and clip management package for live TV workflows, while Radio magazine awarded ENCO’s new audio/video decoder and automated player. NewBay Media’s Best of Show Awards are evaluated by a panel of engineers and industry experts, and are selected based on innovation, feature set, cost efficiency and performance in serving the industry. Winners receive an award for display and will be featured in Radio and TV Technology magazine, the radio broadcast technology leader. All nominated products also are featured in the special Best of Show Awards Program Guide, to be distributed in digital edition form to more than 100,000 readers of Radio magazine, TV Technology, Digital Video, Video Edge, Radio World, Pro Sound News and Sound & Video Contractor after the convention. Integrated within ENCO’s DADtv platform, HotShot2 provides instant access to audio assets anywhere locally or on the network via a searchable database. Supporting virtually unlimited number of audio files and types, HotShot2 can simultaneously play 16 audio streams across four assignable outputs, with drag-and-drop functionality to simplify content management on the fly. Operable using a mouse, touchscreen or custom- designed button pad, HotShot2 offers simple navigation across 640 easily accessible audio buttons, with a full- screen interface that eliminates windows and dialog boxes; and a color-coded, pre-labeled control surface that seamlessly correlates audio streams with the appropriate buttons.
    [Show full text]
  • Television, Video, and Radio Emily A
    University of Dayton eCommons Roesch Library Faculty Publications Roesch Library 2006 Television, Video, and Radio Emily A. Hicks University of Dayton, [email protected] Follow this and additional works at: https://ecommons.udayton.edu/roesch_fac Part of the Library and Information Science Commons eCommons Citation Emily A. Hicks (2006). Television, Video, and Radio. Magazines for Libraries. , 961-965 https://ecommons.udayton.edu/roesch_fac/52 This Encyclopedia Entry is brought to you for free and open access by the Roesch Library at eCommons. It has been accepted for inclusion in Roesch Library Faculty Publications by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. TELEVISION, VIDEO, AND RADIO " TELEVISION, VIDEO, AND RADIO Home Entertainment See also Electronics; Films; and Media and AV sections. Emily A. Hicks, Head of Bibliographic Management & Assistant Professor, Roesch Library, University of Dayton, 300 College Park, Dayton, OH 45469-1360; [email protected] Introduction Digital is the name of the game in the world of television, video, and radio. Several publications have broadened their scope to accommodate readers’ interests as the development and refinement of digital technologies helps to blur the lines between these three industries. The radio industry continues to explore digital radio signals, satellite radio, and Internet radio broadcasting. Digital video production has become the standard as equipment, software, and technologies become more affordable. As the technologies become increasingly mobile, the possibilities will continue to expand. The number of hand-held devices continues to increase in all three fields, although bigger is often still better when it comes to a TV.
    [Show full text]
  • AVT Technology Workbook Create the Best Live Sound
    WorkbookMANAGER’S Delivering The Best Live Sound Experience for Indoor Spaces LEARNING OBJECTIVES p The Connection Between the Room, AVTechnology Manager’s Workbook Manager’s AVTechnology the Audio System, and the Audience | p Understanding the Audio Spectrum as Applied to the Intended Room Use p Designing the Audio System p Selecting Loudspeakers, Placement, and Understanding Pattern Control p Additional Audio Equipment Choices p Selecting the Correct Microphones for the Venue p Acoustical Treatment and Acoustical Replacement Systems DELIVERING THE BEST LIVE SOUND EXPERIENCE FOR INDOOR SPACES DELIVERING THE BEST LIVE SOUND EXPERIENCE FOR INDOOR SPACES Perspective s MANAGER’S Listen Up. Audio is as much of an art as it is a Workbook science. In the world of integrated audio sys- EDITORIAL tems, there is no “one-size-fits-all.” And yet, Margot Douaihy Editorial Director AV and IT managers are expected to magical- Cindy Davis Contributing Editor ly appear at a corporate theater, boardroom, SALES & MARKETING or college campus, clip mics Sue Horwitz Publisher on presenters, adjust goose- 323-933-9485 [email protected] necks, and ensure a solid ART & PRODUCTION Nicole Cobban sound performance. A good Senior Art Director technician needs to know Walter Makarucha Jr. Associate Art Director how sound systems work NEWBAY MEDIA Margot Douaihy, CORPORATE and understand parametric Steve Palm Editorial Director, President & CEO equalization in order to elimi- AV Technology magazine Anthony Savona nate unwanted ringing. Loud- VP of Content & Marketing NEWBAY AV/CONSUMER speaker system design, room ELECTRONICS GROUP Adam Goldstein acoustics, and the interplay among them are Executive VP/Group Publisher highly complex, but there are essentials ev- Published by NewBay Media L.L.C.
    [Show full text]
  • Future PLC Capital Markets Day
    Future PLC Capital Markets Day 6 t h F e b r u a r y 2 0 2 0 Today’s Speakers Zillah Byng-Thorne Penny Ladkin-Brand Kevin Li Ying Aaron Asadi Marcus Adolfsson Chief Executive Officer Chief Financial Officer Chief Technology Officer Managing Director of Senior Vice President, eCommerce Future Labs Chris Convey Matthew Pierce Sam Barcroft Kevin Michaluk Senior Vice President, Brand Director Barcroft Studios CEO Strategy & Execution, B2B Future Labs 2 Agenda Execution of 3:00pm Acquisition 4:30pm strategy Playbook Chris Convey Zillah Byng-Thorne New Video Revenue 4:50pm Importance of 3:15pm Sam Barcroft diversification Marcus Adolfsson Organic growth 3:25pm Global operating 5:00pm through audience model Kevin Michaluk & Aaron Asadi Penny Ladkin-Brand Today’s growth 3:55pm Conclusion & 5:10pm from past initiatives questions Matthew Pierce & Kevin Li Ying Zillah Byng-Thorne Coffee Break 4:15pm Drinks 3 Execution of strategy Zillah Byng-Thorne Chief Executive Officer 4 Executive Summary Delivering sustainable growth A tried and tested four-step process to deliver sustainable organic growth over the long term. The Future Horizon Focussed Annual Playbook Planning Execution Planning & Organisational Ensuring the Once aligned and Review alignment around optimal mix of clear the focus is common short, medium on executing well Cycle framework and long term To enable delivery planning to and course deliver correction as sustainable events unfold growth Business Strategy Overview & Growth 5 The Future Playbook 6 The Future Playbook Why do we exist? How will we succeed? 1 Our Purpose 4 Our Strategy How do we behave? What’s important 2 Our Values 5 right now? Our Current Plan What we do? Who must do what? 3 Our Business Model 6 Our Responsibilities Business Strategy Overview & Growth 7 Why we exist Our Purpose We change people’s lives through sharing our knowledge and expertise with others, making it easy and fun for them to do what they want.
    [Show full text]
  • Broadcast & Media Technology Industry Guide
    Broadcast & Media Technology Industry Guide an IABM Sourcebook 2009 The IABM Sourcebook 2009 Broadcast & Media Technology Industry Guide an IABM Sourcebook 2009 IABM Secretariat Team: The Global Media Alliance (GMA): Price: US$145 / €110 / £95 Chief Executive Officer: Roger Stanwell Publisher: Nicholas Hunter Barr Published by: The Global Media Alliance Non Executive Director: Roger Crumpton Account Manager: Cary Creed Operations Manager: Cindy Horwood Design & Pemberton Design Project Manager: Andrew Morgan pembertondesign.co.uk Financial Controller: Lucinda Meek Production Research Director: Kathryn Hall 020 8398 3962 Membership Administrator: Elaine Bukiej Technical Consultant: Max Alexander Marketing & Project Printed in the UK: Thanet Press Coordinator: Megan Haywood Credit Control: Amanda Shepard Website Administrator: Jamie Goodenough Subscriptions: Steven Roberts PO Box 2264 The Studios, 1 Portsmouth Road The publishers would like to thank the sponsors, Reading, Berkshire, UK Thames Ditton, Surrey KT7 0SY, UK contributors, the IABM and all those who have Tel: +44 (0)118 941 8620 assisted in compiling information for this publication. Tel: +44 (0)20 8339 0081 Fax: +44 (0)118 941 8630 Fax: +44 (0)20 8181 6459 Email: [email protected] Email: [email protected] ISBN: 978-0-9552420-4-5 www.theiabm.org www.thegma.eu © The GMA infringement and to the Copyright and Rights in Database Regulation 1997 in relation to copyright and database rights infringement. This work has been compiled as a work of reference, and is published and supplied for such purpose. It is a condition of sale of this publication that it may not be used or reproduced in part or in its entirety to compile or If you are in any doubt as to the manner in which this publication may be used whether in the course of business store lists, other directories or mailing lists without the prior written permission of the publisher (The Global Media or otherwise please contact the publisher for advice and guidance.
    [Show full text]