Collector, Player and Signature Guitars June 2-4

Total Page：16

File Type：pdf, Size：1020Kb

09/30/21 03:34:20 Collector, Player and Signature Guitars June 2-4 Auction Opens: Tue, Jun 2 11:00am CT Auction Closes: Thu, Jun 4 1:00pm CT Lot Title Lot Title GG0500 Harley-Davidson Themed Fender Stratocaster GG0531 Harley-Davidson Themed Fender Telecaster GG0501 1963 Gibson ES-175 DN GG0532 1961 Gibson ES 335 GG0502 Toby Keith Autographed Guitar GG0533 Harley-Davidson Themed Fender Stratocaster GG0503 1966 Gibson Firebird I Sunburst with OHSC GG0534 1958 Fender Telecaster GG0504 Gretsch G5622T Electromatic GG0535 Harley-Davidson Themed Fender Telecaster GG0505 1957 Gibson Les Paul TV Special GG0536 1960 Gibson ES 355 GG0506 Counting Crows Adam Durtiz Autographed GG0537 Harley-Davidson Themed Fender Telecaster Guitar GG0538 1965 Gibson ES - 120T GG0507 Counting Crows Adam Durtiz Autographed GG0539 Gretsch G5622T Electromatic Center Block Guitar Double Cut GG0508 1966 Epiphone Sheraton GG0540 1955 Gibson ES-125 Spanish Guitar GG0509 Harley-Davidson Themed Fender Stratocaster GG0541 Danelectro 59M Spruce Black Pearl GG0510 John Entwistle Gold Warwick Buzzard Bass GG0511 Gretsch G5655TG Electromatic Jr GG0512 1966 Epiphone Casino GG0513 Harley-Davidson Themed Fender Stratocaster GG0514 Danelectro '59M NOS Plus GG0515 1955 Gibson Les Paul Gold Top GG0516 Dave Grohl Autographed Guitar GG0517 Dave Grohl Autographed Guitar GG0518 1960 Gibson ES 345 GG0519 1956 Gibson Les Paul Jr Sunburst GG0520 Harley-Davidson Themed Fender Telecaster GG0521 1969 Gibson Les Paul Custom GG0522 Fender Acoustic/Electric Guitar GG0523 1955 Fender Stratocaster GG0524 Harley-Davidson Themed Fender Stratocaster GG0525 1976 Ibanez 2663 TC Iceman GG0526 Meatloaf Autographed Guitar GG0527 1962 Fender Stratocaster GG0528 Harley-Davidson Themed Fender Telecaster GG0529 Harley-Davidson Themed Fender Stratocaster GG0530 1968 JW Gallagher & Sons Acoustic Guitar 1/2 09/30/21 03:34:20 Payment Info Payment for On Time auction is via credit card only. The credit card you used to register for Mecum On Time will be charged at the end of each auction. For Wisconsin residents, Wisconsin State Sales Tax will apply. Shipping Shipping costs are the responsibility of the winning bidder. All items will be shipped via UPS or USPS. Shipping charges will be charged to the winning bidders credit card. Hawaii and Alaska buyers: Mecum will contact you with rates. International Buyers (including Canada): Mecum will contact you with options and rates. Buyer's Premium: There is a 23.000% Buyer's Premium in effect for this auction. 445 South Main St, Walworth, WI 53184-9536 -- Phone 262-275-5050 ontime.mecum.com 2/2.

Copy Link

Recommended publications

A Case Study of the Craft-Made Guitar Industry in the Global Economy
UNIVERSITY OF CALIFORNIA SANTA CRUZ DEMYSTIFYING THE CRAFT PRODUCTION: A CASE STUDY OF THE CRAFT-MADE GUITAR INDUSTRY IN THE GLOBAL ECONOMY A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in SOCIOLOGY by Yi-Chen Liu June 2021 The Dissertation of Yi-Chen Liu is approved: ______________________________________ Professor Steven McKay, chair _______________________________________ Professor Hiroshi Fukurai _______________________________________ Professor Lisbeth Haas ___________________________________ Quentin Williams Vice Provost and Dean of Graduate Studies TABLE OF CONTENTS Table of Contents.........................................................................................................iii List of Figures................................................................................................................v Abstract.......................................................................................................................vii Acknowledgments......................................................................................................viii Chapter One: Why Are Craft-made Guitars So Expensive?........................................1 Chapter Two: How Can a Luthier Create a Value for a Guitar? The Explanations from Political-Economic and Cultural Perspectives...........................................................14 Chapter Three: Case Studies and Methodology. .......................................................38 Chapter Four: Invention
[Show full text]
7.9 the Wood Determines the Sound?
7-102 7. Neck and body of the guitar 7.9 The Wood Determines the Sound? Mahogany! Maple! Rosewood! Men oft believe, if only they hear wordy pother, that there must surely be in it some thought or other [Goethe]. And the usual thinking is: “the electric guitar is a musical instrument made of wood. In all musical instruments made of wood, the wood determines the sound. The more noble the wood, the more noble the sound.” Goethe’s witch’s kitchen – a suitable location for deception and magic – holds more such articles of faith, but let us keep some distance from alchemy, and give physics the priority here: how does the body of the guitar vibrate, and in what way will the vibration of this body influence the sound? In the material-science course, every luthier learns about different tonewoods and their sound-determining material-parameters: “the denser the wood, the more brilliant, treble- rich the sound; the higher the stiffness, the longer the sustain (P. Day).” As if that were self- evident, this statement and similar ones are based on the assumption that the findings that are valid for violins and acoustic guitars apply to electric guitars, as well. If we now add that board of experts who listen to an electric guitar first of all without amplification, we quickly arrive at a conglomerate of teachings that, between them, could not be more contradictory. All the while two simple principles would really help us: 1) Compared to the acoustic guitar, the electric guitar functions very differently. Findings derived from the one type of guitar may not be sight-unseen applied to the other type.
[Show full text]
The Music Begins Here SBO Level 1 Level 2 JANUARY 25-28, 2018 • ANAHEIM, CALIFORNIA Level 1 LEVEL 2: MEETING ROOMS 200–299 Hilton Hotel Inmusic Brands Inc
ANAHEIM CONVENTION CENTER 326A 326B 369 370 LEVEL 3: Grotrian Piano Company GmbH Yangtze River Mendelssohn Piano Mason & Hamlin MEETING ROOMS & BOOTHS 300–799 THANK YOU TO OUR SPONSORS LEVELS & HOTELS Piano 323 (Shanghai) Reserved Wilh. Steinberg Fender Fazioli Marketing Co., Ltd. 303D Group Inc. 366 388 Fender 321 Pianoforti Niendorf SPA Dynatone Flügel AT A GLANCE Musical - 319 Corp. und PianoDisc Musical Klavierfabrik 300B2 Samick Instruments 318 340 362GmbH 384 391 Instruments 317 Corporation Music North Corporation 314 335 American A.Geyer Music Corp. Inc. Kawai America Corp 334 356 376 390 393 Schimmel Piano Ravenscroft North Corporation Lowrey ACC North 304BCD Pianos Vienna W. Schimmel 303BC W Katella Ave American International, 374 Gretsch Guitars Music Pianofortefabrik Inc. Inc. Pearl River Piano Jackson 308 330 352 372 389 392 GmbH Guangzhou Pearl River Amason PROFESSIONAL ACC 300E Charvel Digital Musical Instr 305 L88A L88B 300B 300A 304A EVH 303A Arena Outdoor Cafe S West Street 303 • Level 2 • Level 2 • Level 2 • Level 2 DJ String • Lobbies E & D 300a & PTG Museum Display • Lobby B Arena • Mezzanine • Lobby C • Lobby B &Piano Bow Plaza Events DJ/Pro Audio Level 2 Level 3 The Music Begins Here SBO Level 1 Level 2 JANUARY 25-28, 2018 • ANAHEIM, CALIFORNIA Level 1 LEVEL 2: MEETING ROOMS 200–299 Hilton Hotel inMusic Brands Inc. Akai Professional Hotel Way Denon DJ Import Reserved Exhibitor Numark Music Grand Reserved Reserved RANE Reserved Plaza NAMM Meeting Alesis USA, Events D'Angelico Alto Professional Corp. Mackie 209B 206B MARQ Lighting 203B Guitars 210D 210D1 207D 204C Ampeg Hall E Yamaha Zemaitis Guitars Reserved Exhibitor Meinl W Convention Way Taylor Greco Guitars Meeting 212AB 210C 209A 207C 206A Pearl Corporation 203A 201CD Marriott Hotel Guitars Marshall Adams Musical Instruments Pacific Drums & Amplification Percussion Sky Bridge to ACC North Dean Guitars Drum Workshop, Inc.
[Show full text]
Angel Lopez SAU-S Klassieke Gitaar Charvel Pro Mod San Dimas 1 HH
Angel Lopez SAU-S klassieke gitaar Charvel Pro Mod San Dimas 1 HH HT Trans Blue Danelectro 64 Metallic Red Duesenberg Rezobro 2T Eastwood Guitars Classic 6 Walnut ESP LTD EC-200 Tobacco Sunburst Satin ESP LTD RB-1005SM Natural ESP LTD SN-1000W Rosewood Charcoal Metal EVH Striped Series Star EVH Wolfgang Special Matte Army Drab MN EVH Wolfgang Special T.O.M. Vintage White Fender American Standard Dimension Bass V HH Olympic White MN Fender American Standard Dimension Bass V HH 3-Color Sunburst RW Fender American Standard Precision Bass V Black MN Fender American Vintage 56 Stratocaster Black MN Fender American Vintage 65 Strat Burgundy RW Fender Classic Series 72 Telecaster Custom Black RW Fender Classic Series 72 Telecaster Custom 3-Color Sunburst MN Fender Classic Series 72 Telecaster Deluxe Walnut MN Fender Deluxe Stratocaster HSS iOS Blizzard Pearl Fender Japan Aerodyne Strat Black RW Fender Japan Classic 60s Tele Custom LH 3-Color Sunburst RW Fender Road Worn 50s Precision Bass 2-Color Sunburst MN Fender Standard Jazz Bass Fretless Brown Sunburst RW Fender Standard Jazz Bass Lake Placid Blue RW Fender Standard Jazz Bass LH Black RW Fender Standard Jazz Bass V Black RW Fender Standard Stratocaster HSS Floyd RW Ghost Silver RW Fender Standard Stratocaster LH Candy Apple Red Gibson 2004 Les Paul Custom CS Heritage (inruil) Gibson Les Paul Custom Tobacco Sunburst (inruil) Gretsch G5022CE Rancher Jumbo Gretsch G5620T-CB Electromatic Center-Block Gretsch G6120SSLVO Brian Setzer Nashville Guild D-120 Natural Westerly Guild D-140CE Sunburst
[Show full text]
Setting Guitar Intonation Using Your Peterson Tuner
Setting Guitar Intonation Using Your Peterson Tuner Before you attempt to tune any stringed instrument, the intonation should be checked and, if necessary, adjusted to the correct position. If you’ve never used a Peterson tuner before, then it is almost certain that your instrument is not yet correctly intonated and will not sound its best until you address it. Now that you have a Peterson, you can achieve professional quality results with the help of the tips below, and the intonation will be the best it can be on your instrument. You’ll need your Peterson tuner, a short guitar cord, a small screwdriver and a set of new strings. Before starting, find a surface upon which to lay your guitar that is free of any objects which could damage your instrument and cover it with a towel or similar soft material. Remember to tune the guitar in the position in which you would normally play it (i.e. around your neck, supported by a strap), but adjust the bridge of the guitar after laying it on a flat surface. If you tune the guitar while it’s laying flat, gravity will affect the tension of the neck and skew the results. If you adjust the bridge while the guitar is hanging from a strap on your shoulder, there is a risk that the guitar’s finish will be damaged by the screwdriver. If possible, take the opportunity to clean the fingerboard after the old strings have been removed. New strings will stay clean and sound good a lot longer if the fingerboard is free of grime and dirt.
[Show full text]
Booklet-Pages-All.Pdf
few years back I had resigned myself should make new music. I opened the door to to the fact that my days as a recording whatever might come through it. Little did I Aartist were probably over. I didn’t feel there know the song stampede that was waiting just was the internal drive or external demand to outside. maintain a recording career in this frenzied, Immediately songs poured in and out of me. internet-driven music world. I was happy to It was as if I weren’t even writing them, like keep doing Farmer Jason shows, hold down the sequoias themselves were singing them a job, and maintain my farming operation. to me. All I had to do was jot them down or Then completely out of the blue, Dawn Ryan, a hum them into my phone recorder. One day at ranger at Sequoia National Park, contacted me the Charles Young Tree, and then at Crescent about doing their artist-in-residency program. Meadow, I wrote the basics of three songs. As she explained, I would spend a month in a Nothing like that had ever happened to me mountain cabin, explore the park trails and in my life. The songs weren’t all about the sequoia groves, and do concerts at the park. sequoias; in fact, most were not. But they all I would also write songs about anything I shared an originality that I didn’t think I had in wanted. Hmmm, what’s the catch? It turns me anymore. Later in the residency my family out there was no catch! That’s a good thing, – Suzy, Addie, and Camille – joined me.
[Show full text]
Extending Generalizations About the Disposition of Meaningful
ASSOCIATION FOR CONSUMER RESEARCH Labovitz School of Business & Economics, University of Minnesota Duluth, 11 E. Superior Street, Suite 210, Duluth, MN 55802 Extending Generalizations About the Disposition of Meaningful Possessions to Buyers With a Shared Self John Lastovicka, Arizona State University USA Karen Fernandez, University of Auckland NZ We extend Lastovicka and Fernandez’ (2005) naturalistic study of garage sales to an on-line setting, and offer prescriptions for both buyers and sellers of meaningful possessions. It has been argued that it is in buyers’best interests to appear uncommitted in their enthusiasm about products when negotiating with a seller. In contrast, our field research with on-line auction buyers suggests the opposite. In the case of a consumer disposing of a meaningful possession through selling—when a shared self is sensed between the buyer and the seller—our results show such disclosure is a benefit to the buyer. [to cite]: John Lastovicka and Karen Fernandez (2006) ,"Extending Generalizations About the Disposition of Meaningful Possessions to Buyers With a Shared Self", in AP - Asia-Pacific Advances in Consumer Research Volume 7, eds. Margaret Craig Lees, Teresa Davis, and Gary Gregory, Sydney, Australia : Association for Consumer Research, Pages: 105-107. [url]: http://www.acrwebsite.org/volumes/13013/volumes/ap07/AP-07 [copyright notice]: This work is copyrighted by The Association for Consumer Research. For permission to copy or use this work in whole or in part, please contact the Copyright Clearance Center at http://www.copyright.com/. DISPOSING MEANINGFUL POSSESSIONS TO BUYERS WITH A SHARED SELF John Lastovicka Arizona State University Karen Fernandez University of Auckland ABSTRACT attachments to their instruments.
[Show full text]
Tonequest Magazine Interview with Tom
Mountainview Publishing, LLC INSIDE the Mambo Sons Tom Guera… 20 Years of Rockin’Tone on stage The Player’s Guide to Ultimate Tone & TM studio $10.00 US, April 2007/VOL.8 NO.6 Report Reviews – 9 The rare Digging for Tones Bassman you really want… the blonde Fender ‘61 6G6 “There’s a basic rule which runs through all kinds of music – kind of an unwritten rule. I don’t know what it is, but I’ve got it.” - Ron Wood The ‘64 AA864 blackface Bassman… affordable, portable, and It is fundamental to the human condition that we constantly strive to improve our lot in life, and still plentiful guitar players are not immune to such urges when it comes to choosing what we play. But how many players possess the confident independence and vision to clear their own path in the quest 11 for tone? It certainly is easier following a clearly marked trail left by others, but the old trails The $400 hybrid blazed by the true pioneers in musical instrument manufacturing have swelled to super highways Marshall 3203 30W… clogged by timid tonefreaks clinging to the middle of the road. And while the aptly named “infor- mation highway” has vividly enhanced our fantasies of perfect tone, it has also fostered a “me 12 too” culture in which individuals seek security and validation in numbers. New from Lindy Fralin, RS Guitarworks & Greg Martin… “Psychebilly” humbuckers & wiring kit inspired by Greg’s ‘58 Les Paul! 15 The Stellartone Tonestyler… 16 tones from a single tone pot! 16 New from Fender… the American & vintage Hot Rod Stratocasters Like the old Tower of Power song, “What Is Hip?” our perceptions of what may indeed be hip 18 are constantly assaulted by stale myths, giddy sycophants drunk on the kool-aid flavor of the Step on this… month, and well-greased marketing campaigns that promote exclusionary images of what is Voodoo Lab essential, cool and bleeding edge.
[Show full text]
Legendary Guitars & Musical Treasures
LEGENDARY GUITARS & MUSICAL TREASURES DECEMBER 2, 2017 Legendary Guitars & Musical Treasures - Dec 2 1: Les Paul electric guitar signed to Bruce Springsteen USD 5,000 - 7,000 An Epiphone electric guitar signed to Bruce Springsteen, from Les Paul. Serial #9400536. Les respected Bruce and thought he was a "cool dude." The consigner of this item, who worked for Les Paul, had given Bruce an acoustic guitar Les had signed in the 1990s. When Les heard he was on tour a few years later, he signed this guitar to Bruce. Lester William Polsfuss was an inventor and musician. A talented musician as well as inventor, Les Paul is credited with various recording innovations and his skilled guitar playing, however he is probably best known for helping to design the Gibson Les Paul.The consigner of this item worked directly with Les Paul. 2: 1963 Jan & Dean Master Tapes USD 3,000 - 5,000 Two master tracks from the album "Jan & Dean Take Linda Surfin'". Recorded on February 20th, 1963. Track list: "Rhythm of the Rain" and "Mr. Bass Man." Arranged and produced by Jan Berry and supervised by Lou Adler, "Jan & Dean Take Linda Surfin'" is the duo's first Liberty album, and included the usual backup of high quality musicians, giving Jan & Dean ample opportunity for vocal acrobatics and comic antics in "Mr. Bass Man," while their rendition of "Rhythm of the Rain" has a low-key charm that wasn't usually associated with the duo.Jan & Dean were an American rock duo made up of Jan Berry and Dean Torrence.
[Show full text]
For Immediate Release
FOR IMMEDIATE RELEASE These Hyper-ModTM Stratocaster Pickguards Give You 35 Pure Analog Pickup Tones To Find Your Signature Sound Detroit, Michigan, December 27, 2010 Just released – Hyper-ModTM Stratocaster pickguards that contain AweSome Musical Instruments revolutionary patented Pickup Tone MultiplierTM (PTM) switching system. With only six switches, these drop- in products let you instantly get the 30 additional pickup tones that are silently hiding in your instrument. With the seven times more pickup tones that these products give, you can finally get that elusive Signature Sound you desperately want. These PTM-Enhanced acrylic SSS pickguards come in four colors (white, black, white pearloid, brown tortoise) and are made to fit a standard American right-hand Stratocaster body. These pickguards are designed to accept your three single-coil pickups and is easy to install with no soldering needed. AweSome Musical Instruments products are built around their unique Pickup Tone MultiplierTM switching system that lets you dramatically increase the tone power of your electric guitar. After you Hyper-ModTM your 3-pickup guitar, you will have 30 additional pickup tones to get a huge edge in the crowded music market. Installing this product instantly converts your instrument into a Hyper-Strat ― a never-before-heard tone monster that elevates your conventional guitar to an entirely new level. These PTM-Enhanced products will let you emulate a huge number of well-known, famous guitar sounds from your modified instrument ― and also eliminate the need to change guitars for a particular sound or style. With this Hyper-Mod, you can get the sound of every electric guitar ever made; including a Stratocaster, Telecaster, Jaguar, Jazzmaster, Les Paul Custom or Studio, Silvertone, National, Mosrite, Airline, Danelectro, Harmony, Kay, Maestro, Supro, Valco or sound like virtually any electric guitar that has ever been made with either single-coil or humbucker pickups – and all this with cheap pickups.
[Show full text]
2013 Epiphone Catalog.Pdf
Epiphone Guitar Co. All Epiphone products are guaranteed and backed by Gibson Musical Instruments 24/7 Customer Service A part of the Gibson family of brands at 1-800-444-2766 - Toll-Free USA only. 1510 Elm Hill Pike, Suite 212 In Europe at 00+800-444-2766-1. Nashville, Tennessee In China at 1-800-820-8841. 37210 USA IM Gibson Customer Service at www.epiphone.com [email protected] See warranty card for details or visit www.epiphone.com. In order to continually improve the quality and/or performance of our instruments Guarantee varies country to country. and/or to make use of the best available components, Epiphone reserves the right Check your authorized Epiphone retailer for details. to change prices and specifications without notice. E-CAT13 CATALOG 2013 The Epiphone Story expand as his business and reputation for quality work grew. The family acquired the "stock, goodwill, and modern machinery" of the Epiphone is one of America's oldest and most revered instrument makers. Since 1873, Farovan Company instrument plant in Long Island and incorporat- Epiphone has made instruments for every style of popular music and in 2013 will celebrate its ed. Epi gave the now growing business a new name--Epiphone. 140th anniversary. “Epiphone” referenced not only his own name, but the Greek word The name Epiphone evokes both history and the spirit of invention. The “House of for sound--phone. It was also an echo of the Greek word epipho- Stathopoulo” has played a central role in every great musical era from the mandolin craze of the nous, meaning one sound on another, the son building on the early 1900s to jazz age guitars of the 1920s; from swing era archtops through post-war pop, dreams of the father.
[Show full text]
Brands and Trade Marks Represented by Exhibitors
11 – 14 September 2014 11 – 13 September 2014 Sokolniki Exhibition Center, Moscow, Russia Brands and trade marks represented by Exhibitors Brand Exhibitor Brand Exhibitor 65 amps Trade House on Nevsky 360 Systems MS-Max A A A.Wincens Arsenal Music ADAM-HALL SIM Group Access Multimedia Club ADB SIM Group Acropolis Trade House on Nevsky ADL MS-Max Adagio Major Music Supply AGL Prolight AGL group ADAM Multimedia Club AGL Prosound AGL group Adams Arsenal Music Airscreen MS-Max AHEAD Avallon Allen & Heath Multimedia Club Albena Dynatone Antelope Audio Audio Solutions Alexander Avallon MS-Max Alice Arsenal Music Apex MS-Max ALMANSA Arsenal Music Aphex MS-Max Almires Dynatone API MS-Max ALVAREZ Dynatone ARX ARIS Pro ANTONIO SANCHEZ Arsenal Music ASD Show Atelier Armor Major Music Supply Ashly Multimedia Club AudioVoice Dynatone ASL Intercom ARIS Pro AVID Multimedia Club AtlasSound SNK Syntes B Audas SNK Syntes B&S Avallon Audio-Technica Multimedia Club Bach Arsenal Music Avalon Design Audio Solutions Basix Multimedia Club AVID Audio Solutions Bergerault Avallon Avolites Show Atelier Bespeco Dynatone B BG Avallon BAE MS-Max Blackstar Avallon BARCO MS-Max Blessing Arsenal Music SIM Group Brasspire Arsenal Music Beglec Show Atelier Buffet Crampon Avallon beyerdynamic ARIS Pro BUGARI Avallon Biamp Systems ARIS Pro C Bittner Audio ARIS Pro C.G.Conn Arsenal Music BRAUNER Microphones Audio Solutions C.Giordano Arsenal Music Bricasti Design Audio Solutions Carl Martin Multimedia Club Brightline SNK Syntes Casio Artimusic BUROSIT SIM Group Cherub Multimedia
[Show full text]