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Ronnie Earl for a Blackface Vibroverb Today? Surely Something North of $4,000
Mountainview Publishing, LLC INSIDE the The Truth… Rarely given, we know it when we hear it, and you The Player’s Guide to Ultimate Tone TM can only get it here… $15.00 US, December 2013/Vol.15 NO.2 Report The Kansas Tornado… Another immensely tone- Truth ful classic amp that went unclaimed “Three chords and the truth – that’s what a country song is.” – Willie Nelson Size matters… Pressure is being asked point-blank which guitar, amplifier or pickup to buy. This happens frequent- The Warehouse ly enough that we have learned to pose probing personal questions in search of an answer… Well, G15A Alnico what do you think you might want and why? We don’t always know what we want until we want it, Big Fifteen and we still couldn’t always tell you why. Sometimes the things that last seem to materialize out of no where with little forethought or insight, as if we were meant to have them, and that’s the truth. 4 Richard Goodsell and the evolution of the Goodsell Super 17 Our review of the Super 17 Mark IV 10 The Goodsell overdrive 10 John McGuire Guitars Our interview with John McGuire & review of the McGuire Tradition 14 The Eastwood Jupiter Pro… We also must confess that we don’t always understand what motivates guitar players when it Simply cool comes to choosing amplifiers today. This is nothing new – most of the amps we own are immensely in every way toneful classic keepers that were ignored by potential buyers due to stripped or recovered original cabinets or a replaced transformer. -
Collector, Player and Signature Guitars June 2-4
09/30/21 03:34:20 Collector, Player and Signature Guitars June 2-4 Auction Opens: Tue, Jun 2 11:00am CT Auction Closes: Thu, Jun 4 1:00pm CT Lot Title Lot Title GG0500 Harley-Davidson Themed Fender Stratocaster GG0531 Harley-Davidson Themed Fender Telecaster GG0501 1963 Gibson ES-175 DN GG0532 1961 Gibson ES 335 GG0502 Toby Keith Autographed Guitar GG0533 Harley-Davidson Themed Fender Stratocaster GG0503 1966 Gibson Firebird I Sunburst with OHSC GG0534 1958 Fender Telecaster GG0504 Gretsch G5622T Electromatic GG0535 Harley-Davidson Themed Fender Telecaster GG0505 1957 Gibson Les Paul TV Special GG0536 1960 Gibson ES 355 GG0506 Counting Crows Adam Durtiz Autographed GG0537 Harley-Davidson Themed Fender Telecaster Guitar GG0538 1965 Gibson ES - 120T GG0507 Counting Crows Adam Durtiz Autographed GG0539 Gretsch G5622T Electromatic Center Block Guitar Double Cut GG0508 1966 Epiphone Sheraton GG0540 1955 Gibson ES-125 Spanish Guitar GG0509 Harley-Davidson Themed Fender Stratocaster GG0541 Danelectro 59M Spruce Black Pearl GG0510 John Entwistle Gold Warwick Buzzard Bass GG0511 Gretsch G5655TG Electromatic Jr GG0512 1966 Epiphone Casino GG0513 Harley-Davidson Themed Fender Stratocaster GG0514 Danelectro '59M NOS Plus GG0515 1955 Gibson Les Paul Gold Top GG0516 Dave Grohl Autographed Guitar GG0517 Dave Grohl Autographed Guitar GG0518 1960 Gibson ES 345 GG0519 1956 Gibson Les Paul Jr Sunburst GG0520 Harley-Davidson Themed Fender Telecaster GG0521 1969 Gibson Les Paul Custom GG0522 Fender Acoustic/Electric Guitar GG0523 1955 Fender Stratocaster GG0524 Harley-Davidson Themed Fender Stratocaster GG0525 1976 Ibanez 2663 TC Iceman GG0526 Meatloaf Autographed Guitar GG0527 1962 Fender Stratocaster GG0528 Harley-Davidson Themed Fender Telecaster GG0529 Harley-Davidson Themed Fender Stratocaster GG0530 1968 JW Gallagher & Sons Acoustic Guitar 1/2 09/30/21 03:34:20 Payment Info Payment for On Time auction is via credit card only. -
Line 6 POD Go Owner's Manual
® 16C Two–Plus Decades ACTION 1 VIEW Heir Stereo FX Cali Q Apparent Loop Graphic Twin Transistor Particle WAH EXP 1 PAGE PAGE Harmony Tape Verb VOL EXP 2 Time Feedback Wow/Fluttr Scale Spread C D MODE EDIT / EXIT TAP A B TUNER 1.10 OWNER'S MANUAL 40-00-0568 Rev B (For use with POD Go Firmware 1.10) ©2020 Yamaha Guitar Group, Inc. All rights reserved. 0•1 Contents Welcome to POD Go 3 The Blocks 13 Global EQ 31 Common Terminology 3 Input and Output 13 Resetting Global EQ 31 Updating POD Go to the Latest Firmware 3 Amp/Preamp 13 Global Settings 32 Top Panel 4 Cab/IR 15 Rear Panel 6 Effects 17 Restoring All Global Settings 32 Global Settings > Ins/Outs 32 Quick Start 7 Looper 22 Preset EQ 23 Global Settings > Preferences 33 Hooking It All Up 7 Wah/Volume 24 Global Settings > Switches/Pedals 33 Play View 8 FX Loop 24 Global Settings > MIDI/Tempo 34 Edit View 9 U.S. Registered Trademarks 25 USB Audio/MIDI 35 Selecting Blocks/Adjusting Parameters 9 Choosing a Block's Model 10 Snapshots 26 Hardware Monitoring vs. DAW Software Monitoring 35 Moving Blocks 10 Using Snapshots 26 DI Recording and Re-amping 35 Copying/Pasting a Block 10 Saving Snapshots 27 Core Audio Driver Settings (macOS only) 37 Preset List 11 Tips for Creative Snapshot Use 27 ASIO Driver Settings (Windows only) 37 Setlist and Preset Recall via MIDI 38 Saving/Naming a Preset 11 Bypass/Control 28 TAP Tempo 12 Snapshot Recall via MIDI 38 The Tuner 12 Quick Bypass Assign 28 MIDI CC 39 Quick Controller Assign 28 Additional Resources 40 Manual Bypass/Control Assignment 29 Clearing a Block's Assignments 29 Clearing All Assignments 30 Swapping Stomp Footswitches 30 ©2020 Yamaha Guitar Group, Inc. -
A Case Study of the Craft-Made Guitar Industry in the Global Economy
UNIVERSITY OF CALIFORNIA SANTA CRUZ DEMYSTIFYING THE CRAFT PRODUCTION: A CASE STUDY OF THE CRAFT-MADE GUITAR INDUSTRY IN THE GLOBAL ECONOMY A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in SOCIOLOGY by Yi-Chen Liu June 2021 The Dissertation of Yi-Chen Liu is approved: ______________________________________ Professor Steven McKay, chair _______________________________________ Professor Hiroshi Fukurai _______________________________________ Professor Lisbeth Haas ___________________________________ Quentin Williams Vice Provost and Dean of Graduate Studies TABLE OF CONTENTS Table of Contents.........................................................................................................iii List of Figures................................................................................................................v Abstract.......................................................................................................................vii Acknowledgments......................................................................................................viii Chapter One: Why Are Craft-made Guitars So Expensive?........................................1 Chapter Two: How Can a Luthier Create a Value for a Guitar? The Explanations from Political-Economic and Cultural Perspectives...........................................................14 Chapter Three: Case Studies and Methodology. .......................................................38 Chapter Four: Invention -
7.9 the Wood Determines the Sound?
7-102 7. Neck and body of the guitar 7.9 The Wood Determines the Sound? Mahogany! Maple! Rosewood! Men oft believe, if only they hear wordy pother, that there must surely be in it some thought or other [Goethe]. And the usual thinking is: “the electric guitar is a musical instrument made of wood. In all musical instruments made of wood, the wood determines the sound. The more noble the wood, the more noble the sound.” Goethe’s witch’s kitchen – a suitable location for deception and magic – holds more such articles of faith, but let us keep some distance from alchemy, and give physics the priority here: how does the body of the guitar vibrate, and in what way will the vibration of this body influence the sound? In the material-science course, every luthier learns about different tonewoods and their sound-determining material-parameters: “the denser the wood, the more brilliant, treble- rich the sound; the higher the stiffness, the longer the sustain (P. Day).” As if that were self- evident, this statement and similar ones are based on the assumption that the findings that are valid for violins and acoustic guitars apply to electric guitars, as well. If we now add that board of experts who listen to an electric guitar first of all without amplification, we quickly arrive at a conglomerate of teachings that, between them, could not be more contradictory. All the while two simple principles would really help us: 1) Compared to the acoustic guitar, the electric guitar functions very differently. Findings derived from the one type of guitar may not be sight-unseen applied to the other type. -
The Music Begins Here SBO Level 1 Level 2 JANUARY 25-28, 2018 • ANAHEIM, CALIFORNIA Level 1 LEVEL 2: MEETING ROOMS 200–299 Hilton Hotel Inmusic Brands Inc
ANAHEIM CONVENTION CENTER 326A 326B 369 370 LEVEL 3: Grotrian Piano Company GmbH Yangtze River Mendelssohn Piano Mason & Hamlin MEETING ROOMS & BOOTHS 300–799 THANK YOU TO OUR SPONSORS LEVELS & HOTELS Piano 323 (Shanghai) Reserved Wilh. Steinberg Fender Fazioli Marketing Co., Ltd. 303D Group Inc. 366 388 Fender 321 Pianoforti Niendorf SPA Dynatone Flügel AT A GLANCE Musical - 319 Corp. und PianoDisc Musical Klavierfabrik 300B2 Samick Instruments 318 340 362GmbH 384 391 Instruments 317 Corporation Music North Corporation 314 335 American A.Geyer Music Corp. Inc. Kawai America Corp 334 356 376 390 393 Schimmel Piano Ravenscroft North Corporation Lowrey ACC North 304BCD Pianos Vienna W. Schimmel 303BC W Katella Ave American International, 374 Gretsch Guitars Music Pianofortefabrik Inc. Inc. Pearl River Piano Jackson 308 330 352 372 389 392 GmbH Guangzhou Pearl River Amason PROFESSIONAL ACC 300E Charvel Digital Musical Instr 305 L88A L88B 300B 300A 304A EVH 303A Arena Outdoor Cafe S West Street 303 • Level 2 • Level 2 • Level 2 • Level 2 DJ String • Lobbies E & D 300a & PTG Museum Display • Lobby B Arena • Mezzanine • Lobby C • Lobby B &Piano Bow Plaza Events DJ/Pro Audio Level 2 Level 3 The Music Begins Here SBO Level 1 Level 2 JANUARY 25-28, 2018 • ANAHEIM, CALIFORNIA Level 1 LEVEL 2: MEETING ROOMS 200–299 Hilton Hotel inMusic Brands Inc. Akai Professional Hotel Way Denon DJ Import Reserved Exhibitor Numark Music Grand Reserved Reserved RANE Reserved Plaza NAMM Meeting Alesis USA, Events D'Angelico Alto Professional Corp. Mackie 209B 206B MARQ Lighting 203B Guitars 210D 210D1 207D 204C Ampeg Hall E Yamaha Zemaitis Guitars Reserved Exhibitor Meinl W Convention Way Taylor Greco Guitars Meeting 212AB 210C 209A 207C 206A Pearl Corporation 203A 201CD Marriott Hotel Guitars Marshall Adams Musical Instruments Pacific Drums & Amplification Percussion Sky Bridge to ACC North Dean Guitars Drum Workshop, Inc. -
Pop Culture BACKLIST 3 5 the World of My Little Pony® : an Unauthor
Pop Culture BACKLIST 35 The World of My Little Pony® : An Unauthor- More Strawberry Shortcake™: An Unauthorized Vintage Electric Guitars: In Praise of Fretted ized Guide for Collectors. Revised & Expanded Handbook and Price Guide. Jan Lindenberger Americana. William G. Moseley, Jr. Photography 2nd Edition. Debra L. Birge. Over 600 My Little & Jennifer Bowles. Strawberry Shortcake and her by Bill Ingalls, Jr.; Foreword by Jeff Carlisi. 100s of Ponies, made by Hasbro from 1981 to 1991, are many-fl avored friends became playmates of children American-made guitars and basses from the ’40s to illustrated, some of which are extremely rare. The everywhere through the 1980s. Today, Strawberry and the ’80s, including many rare brands and models of 300+ color photographs clearly identify them and her friends are in high demand on the collectors’ market. Fender, Gibson, Harmony, Kay, Valco, Peavey, Guild, hundreds of related items sold under the MLP logo. Here are over 400 color photos of dolls, miniatures, Danelectro, and many others. An authoritative and Adult Ponies, Baby Ponies, Adult and Baby Sets, Petite toy sets, foods, premiums, and even some “fabulous entertaining text, helpful lexicon, a price guide, and Ponies, Animal Families, Pony Places and Accessories, fakes” to beware of! gorgeous photos. Pony Clothes, and Pony Items are covered,. Size: 6" x 9" • 414 color photos Size: 8 1/2" x 11" • 289 color photos Size: 8 1/2" x 11" • 300 color photos • 128 pp. Price Guide • 160 pp. Price Guide • 160 pp. ISBN: 978-0-7643-2878-7 • soft cover • $24.95 ISBN: 0-7643-0762-2 • soft cover • $16.95 ISBN: 0-7643-1361-4 • soft cover • $29.95 My Little Pony® Around the World. -
JHS & Co. Ltd. Look Forward to Another Successful NAMM Show
Press Release - for immediate publication Booth 5279 Hall B JHS & Co. Ltd. look forward to another successful NAMM Show John Hornby Skewes & Co. Ltd. (JHS) the worldwide trade distributors for their proprietary Fret-King™ electric and bass guitars, Vintage® and Encore® electric, acoustic and bass guitars and Pilgrim® Folk Instruments, are looking forward to a successful NAMM Show 2016. Having secured representation in North America through Texas-based RBI Music back in June 2015, their Fret-King, Vintage and Encore guitar brands will all be on show in Hall B Booth 5279, along with a comprehensive range of the Paul Tebbut designed Pilgrim Folk Instruments range, including the brand new Morning Star series with their superb ‘tubaphone style’ tonerings. Fret-King guitars will see the official launch of the new Black Label ‘JJ’ John Jorgensen Signature model, designed by Trev Wilkinson in conjunction with the former Hellecasters and session supremo. John’s model will join the ranks of Fret-King Signature models alongside former band mate Jerry Donahue, jazz supremo John Etheridge, Queensryche’s Parker Lundgren, former Michael Jackson guitarist Gregg Wright, Procul Harum’s Geoff Whitehorn and UK blues guitarists Danny Bryant and John Verity. There will also be a select number of one-off Fret-King guitars pre-fitted with the groundbreaking Fishman Fluence pickup systems on display and ready to try. The very popular Vintage electric guitar range has taken on 8 new models, including its very first seven-string the V7HTBB, an homage to the ‘80s rock guitars with the V624M which has been honoured to receive 5 star reviews from a number of UK guitar magazines. -
Equipment List
EQUIPMENT LIST HARDWARE • Pro Tools HD3 Accel System with Antelope Audio OC X master word clock • Crane Song Hedd 192 converter and harmonic processor COMPRESSORS • 8- Empirical Labs El-8 Distressor's • Inward Connection TSL-3 tube limiters • Retro Sta-Level • Chandler/Emi Stereo Abbey Road compressor • Chandler Germanium • Neve 2254 Stereo • Neve 33609 Stereo • Manley ELOP Stereo • Alan Smart C1 Stereo • 2- Teletronix LA2A Tube • 2- Urie La 3a • Urie 1176 Ln Black Face • Purple Mc76 1176 Reissue EQUALIZERS / MIC PREAMPS • 2- Telefunken V72 Tube Mic Pre's • 4- Neve 1084 Class A Discreet • Great River Electronics MP2 NV • Great River Electronics EQ2 NV • 5- Chandler Ltd. Neve Class A Mic Pre/EQ's • 2- Chandler Germanium Mic Pre’s • Chandler Ltd. EMI Channel • Chandler Ltd. Tg2 EMI Style Stereo Mic Pre • Grace 201 Stereo Mic Pre • 4 - Api 312 Mic Pre's • 6- Api 560 Graphic EQ • 8- Api 550 A EQ • 2- Api 554 B EQ • 4 - Aengus EQ's • Reddi Tube DI • Evil Twin Tube DI MICROPHONES - BOCK • Bock EL 250 MICROPHONES - AKG • C-12 Vintage Tube • C-12a Vintage Tube • C-28 Tube • D112 • 5 D19 “Beatles mics” MICROPHONES - NEUMAN • U-67 Vintage Tube • KM - 53 Vintage Tube • KM - 54 Vintage Tube • KM - 56 Vintage Tube Matched Pair • KM - 84 Matched Pair • U-87 Matched Pair MICROPHONES - TRACY KORBY • Handmade Classic Tube Mic MICROPHONES - ROYER LABS • 2 SF-24 Active Stereo Ribbon • 4 122 Matched Pair Active Ribbon • 4 121 Matched Pair Ribbon MICROPHONES - MOJAVE • 2 MA 200 large diaphragm • 2 MA 100 small diaphragm MICROPHONES - HEIL • PR 40 • PR 35 -
Designing and Building an Electric Baritone Guitar
Hendrik Gideonse Audio Research December 14, 2008 Designing an Electric Baritone Guitar 0 Anatomy of a Guitar ................................................................................................... 2 1 Introduction ................................................................................................................. 3 2 Baritone History .......................................................................................................... 3 3 Problems with Existing Designs ................................................................................. 5 3.1 String Tension ..................................................................................................... 5 3.2 Balance, Ease of Playing 1st Position Chords and Bridge Position .................... 7 3.3 Rigidity for Tone and Sustain ........................................................................... 11 4 Designing the Baritone Guitar .................................................................................. 12 4.1 Woods, Tone and Rigidity ................................................................................ 13 4.2 Angled Headstock and ‘V’ Neck Contour ........................................................ 16 4.3 Headstock Shapes ............................................................................................. 19 4.4 Joining the Neck to the Body ............................................................................ 24 4.5 Body Shape ...................................................................................................... -
Ted Nugent Ted Love the One You’Re With… How Optimizing the Guitars “I Am Classic Rock Revisited
Mountainview Publishing, LLC INSIDE the Mambo Son’s guitarist Tom Guerra takes a journey to the center of The Player’s Guide to Ultimate Tone TM the mind $10.00 US, September 2010/VOL.11 NO.11 Report of the Byrdland blaster, Ted Nugent Ted Love the One You’re With… How optimizing the guitars “I am Classic Rock Revisited. I revisit it every waking moment of my life because it has the spirit you already and the attitude and the fire and the middle finger. I am Rosa Parks with a Gibson guitar.” own provides cheap – Ted Nugent relief in tough times… Who among us has played 7 more than six thousand RS Guitarwork’s shows, sold 30 million Roy Bowen records, arrived at the peak on replacement of their career bankrupt, pots, tone caps, rebounded with a vengeance refins, repairs and is still throwing down and the variable nature of loud and proud thirty years nickel-silver hence? Uh-huh. Ted. In case you hadn’t noticed, the state Optimizing Junior… of Michigan, and the city of Common sense Detroit in particular, have tips for safely turned out some very inter- replacing esting human beings… Bill pots, caps Haley, Del Shannon, Jim & pickup covers McCarty, Bob Seger, Alice Cooper, Iggy Pop, Marshall 14 Crenshaw, Wilson Pickett, Primal Scream! Little Willie John, Smokey Robinson, Aretha Franklin, Chasing Madonna, Don Was, Jack tone with Wolfetone’s White, and Stevie Wonder, MarshallHead among others. hi-octane humbuckers Then there are the bands… MC5, Mitch Ryder and the plus… Detroit Wheels, Iggy Pop and Wolfe’s the Stooges, Cactus, George ‘meaner’ Clinton and Funkadelic, P90s Grand Funk Railroad, Brownsville Station, ? Mark 17 and the Mysterians, Rare The Eastman T185 MX A truly superior, Earth, the mighty, mighty Motown stable, and The White Stripes. -
Look Good, Sound Better
THE 2017 NAMM SHOW | GUITARS & ACCESSORIES LOOK GOOD, SOUND BETTER BY ALEX HARRELL Deco designs make a comeback as intage revivals are nothing new in this industry. But what sets this year’s round manufacturers mix old favorites from the of resurrections apart from the rest is the recurring theme of art deco-inspired designs Dirty ’30s with 21st century technology from the 1920s and ’30s. V“The original guitars from the 1920s weren’t that great,” said Jim LaPlaca, The Music Link’s director of marketing. “So, we took that styling, and we’re building a great instrument.” LaPlaca is referring to Recording King’s Series 7 line. Recording King was originally a 1930s Montgomery Ward brand; TML brought back its depression-era acoustic guitars 10 years ago. The Series 7 line features Single O body styles with distinctive checkerboard styling, cross lap bracing, and comes in a Tobacco Sunburst finish with art deco-inspired stenciling. Ken Peveler Sales’ Ken Peveler and Levy’s Leathers’ Harvey Levy and Glen Booth “It’s not just having that cool styling but having a really good, quality instrument, too,” he said. Washburn released a remake of the Solo Deluxe — a company model from 1939. The Solo Deluxe features a fully torrified top and bracing to create a vintage tone, according to Gil Soucy, USM Music’s vice president and general manager. “We changed the playability of it because the older ones tend to have a real fat neck, so this one is very playable,” he said. Epiphone Guitars is also making beloved acoustics from the 1930s and modifying them with 21st century innovations to make them sound just as good as they look.