DOCSLIB.ORG

Jamatoriumtm Gear

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Jamatoriumtm Gear The jamatorium 2014 STUDIO GEAR RENTER’S GUIDE Version 5.3 Updated 7/29/2014 Welcome!!! It happens all the time – you’re reading the liner notes on an album and it reads, “…we used a ’63 Tele’ on that song to get a different feel…” As a collector and a musician, I am continuously amazed at how profoundly one seemingly simple piece of gear can change, inspire or add to the creative thought process of a musician… My personal goal has always been to find “that perfect guitar…” My continuous search has left me with a collection of what I consider to be true “player” guitars – the ones you want with you on your special studio day. Some happen to be great makes and models that we all know… some are not so familiar. Some are truly surprising! I make available my personal collection of musical instruments to regional professional recording studios. I have much to offer your studio in providing added value to your clients – perhaps the one piece of gear that will alter or inspire a project! Let’s enhance your clients studio experience with the option to use alternate gear! Inside... Terms Guitars Amps Miscellany Rock’n Rich 1984 “Amnesty” SIMPLE Terms… We rent to studios for studio work only!!! Our gear is not permitted to be used for performances, “gigs” or any thing not studio related! You may set-up the guitars to your liking (actions, strings…)Please reset the instrument to original actions prior to our retrieving the instrument (except for strings). Please off-set customized tunings to reduce stress on the neck and return to standard when done. Do not make gear alterations other than set-ups! Do not change tubes in the amps, remove parts, disassemble or attempt any gear repairs! Do not install strap locks – please use the plastic ones included with the strap from the case. We deliver to and retrieve from your studio. Keeping it easy… 50% of replacement cost deposit required. Frequent renters may agree to a fixed deposit. Flat rate: $75 per 24hr period, per item (guitars and amps, $20 per day for effect pedals and misc.) Total Minimum $225/DAY. Minor travel fees may apply - I will tell you this when we talk. There are no surprises. Renters are responsible for the care of the instrument. All items featured here are considered one of a kind. This includes theft prevention. Inspect the instrument for general condition upon receipt. Renter is responsible for any damage, complete replacement costs or repairs by authorized repair facility only. If you have questions regarding any terms or general equipment concerns, PLEASE CALL or email!!! 585-727-0765 [email protected] Guitars “Each guitar offers the player a distinct, rich sampling of yet another way by which tone may be found. Enjoy!!!” -Rock’n Rich Fender stratocaster I played 6 of these specific types of Strats and bought this one near 2004… I was told that the acoustic tones married to the most robust pickups that Fender had built in years made these Highway One guitars feel and perform far better than the new Standard Stratocasters. It was true – I bought three! I really love this guitar and respect the risk that Fender took when they created this line. Even unplugged, this Highway One Stratocaster USA sounds like a baby grand! It has no lacquer finish. Probably the most playable Strat I have ever touched. All stock. First year issue. Nothing can touch this nicely worn-in mojo groove maker! Fender stratocaster Great find - USA Standard Stratocaster brought back from the dead – by me! The original bridge pickup was in the case, and had been replaced by a poorly installed EMG – OMG! Found an NOS USA pickguard from same vintage and a vibrant, new USA Strat emerged, ready to defend the free world one more time! So freak’n easy to play and has a gentle “C” neck that is medium radius. Twin post pivot bridge (instead of six screws…) Distinct fender tone on each position of the 5- way switch. The pickups are the stock, no-fuss, Fender Classic pickups and deliver what you would expect from one of my guitars – perfect tone. Fender stratocaster I purchased this one used in Rochester NY. It features a big headstock, standard configurations and is a mix of USA and import Fender parts. It plays fantastic. Perfect weight and feels so tight – as if it was a well-loved custom order. Like I mentioned in the beginning – I have only PLAYER instruments here. When I thinned-out my Strat collection, I could not let this one example go. The maple neck is a satin finish with an amazing rosewood fretboard, medium sized frets with no inlay along the back. I had reverse wound pickups installed – it is super quiet and so easy to play. This is my “surf Strat” – match it with the ‘59 Bassman and the Holy Grail Reverb pedal – wow. FENDER standard TELECASTER Leo got it right the first time… True Tele lovers should perhaps start with this one and move on down the line from here! This Fender USA Vintage ‘52 Standard Telecaster reissue features a gentle “C neck (not as thick as the “No-Caster” and a little more than that of the USA Highway One, both featured here as well, of course) Though it has the wear indicative of fairly steady use, the prior owner claimed that it was “hardly ever used and just sat”. Hmmm. Somewhere a very sad nephew or niece is looking for that missing tweed case from under the bed or in that guest-room closet… Fender 1951 “no-caster” vos Custom Shop ’51 “No-Caster” built especially for the 2009 NAMM Show! This vintage neck pickup is killer. Also killer is the radius of the neck: lets just say baseball bat cut in half. No joke - this is a rare Custom Shop production and it really shows off the stellar capability of the Fender Custom Shop luthiers. Nobody can put this one down – even if you dislike fat necks! There are no real specs listed on this other than it is everything you ever read about in a 1951 “No-Caster”. Oh – it’s PINK! Ash-tray cover is easily removable - snaps on or off… might even just fall off when you are playing. Loves county, blues and VOX amplifiers!!! Fender esquire telecaster Simple, vibe-laden, and LOUD! C-neck shape. Custom-Wired at the factory 3- position blade: Position 1: Volume control & no Tone control w/ capacitor activated for darker tone. Position 2: normal Volume/Tone control. Position 3: Volume control only. Alnico vintage single-coil Tele-Bridge pickup is stock. It may appear to be a one-trick pony, but that pickup is ROBUST. It is a bit heavier than most other Telies, making it feel like the serious guitar that it is. It is just another great guitar where tone starts with the amp cranked, guitar volume control for output control until you find your sweet spot! Loves a VOX amp!!! Fender telecaster My Highway One Telecaster USA… Again – I played a bunch of these, and selected this one based upon it’s perfect neck (hot knife through butter) and ability to deliver true Tele tone with no fuss. It has no outer finish – the tone really lives through the wooden body. All stock parts. This one is a first year Highway One with the medium jumbo frets and gentle medium-radius neck making it very easy to play. Another favorite of regional studio musicians. It even smells good. Fender 1972 telecaster deluxe With the successful re-launching of Gibson’s Les Paul several years before, Fender decided to compete in the humbucking world with this entry (and several prior): the 1972 Telecaster Deluxe. This re-issue features an alder body, a C-shaped maple neck, bullet truss rod, ‘70s vintage hardtail strings- through Strat bridge, three-bolt neckplate with micro-tilt adjustment. ‘70s Strat headstock, two Wide Range humbucking pickups, traditional three-way switching and four skirted amp-style knobs. Wears nicely too since it features a contoured body – odd for a Tele. Great jazz guitar with it’s creamy, deeper tones and easy to play neck. It leapt out at me in the store because it was so business-like and lacked any eye-candy. Plays so fine. Fender 1969 thin-line telecaster To spicen-up the Fender Tele line, the brains at CBS (then owners of Fender) decided to “pick on” the pick guard and pick ups while making the body semi-hollow. This Fender reproduction of the ‘69 Thin Line accurately delivers the goods with a raspy bold tone in a feather weight guitar. Surprisingly resilient to feedback despite its semi- hollow body and acoustic sound “f”vent. Comfy, easy neck – thin and narrow when compared to the ‘72 Deluxe and ‘50 No- Caster. While an overall joy to play, the tone with a slightly overdriven tube amp is inspiring, to say the least. Fender jaguar In 1962 Fender targeted high-end Gibson users with the Jaguar. Having never found the popularity of the Stratocaster, and discontinued from 1975-1985, the slightly bigger and bolder Jaguar will always be known for it’s killer looks and successful countless surf tunes, hard rock and punk rock tunes which emerged from the fret boards of this innovative line of Fender guitars. From early surf to late seventies punk and indie tunes, so many amazing genres have been plucked from the strings of the Jaguar. Hard to put down, even when staring at a 68 other guitar options.
Load more

Recommended publications
  • Tone Tips from the Road
    EDUCATION CENTER PETERSTROUD TONE TIPS FROM THE ROAD tone sucker when you rolled down the most likely need to replace the 3-posi- volume control. tion toggle switch; the original switch Rewiring Magic is different in order to accommodate Over the years I’ve ended up rewiring This is a very common problem that the stock three pickup wiring. But it’s the electronics of many of my guitars. I most try to correct by placing a small worth the trouble and you can easily thought this might make a good topic value (pF) filter capacitor across the get the switch from Gibson. With the to share three of my favorite rewirings. volume pot. But that remedy usually middle pickup on its own volume, you Of course, changing out pick-ups is the screws with the taper of the volume can get any pickup combination, dras- biggest way to customize your sound, control and adds false amounts of top- tically expanding the tonal range of but there are a few significant tricks end as you drop to lower levels. The your three pickup Gibbo. you can do with the wiring itself. The ‘50s Gibson wiring is much more true additional freedom and creativity you sounding and useable. have in shaping your tone makes these 3.“The Chromacaster” – My latest mods priceless. wiring thrill is my Tonequest Strat with the Deaf Eddie’s “Chromacaster” But before you start whacking on your switch. This 6-way rotary switch allows guitar’s inards, be sure you’re adept for almost every imaginable pickup with a soldering iron and understand combination.
    [Show full text]
  • W Irin G D Iag Ram S
    1 s A 2 3 4 5 B 6 500k ON/ON/ON 7 m 8 9 C 10 11 500k a 12 ON ON 47nF r Jetzt mit Schaltplan zu jeder Schaltung! g a i d 1 2 3 4 5 6 7 nicht mehr ganz so g n kleine Sammlung i r i von Schaltplänen w Version 4.03 WITH AN GERM GLISH EN Y ONAR DICTI NOW! Passive Schaltungen für E-Bässe sowie einige aktive Schaltungen • Historische Schaltungen • Umbauten & Eigenbauten • Modifikationen • Grundlagen & Theorie • Pläne selbst entwerfen Inhaltsverzeichnis 1 1 Deckblatt 54 1.1.651 Fender Bass V 1965 - 70 2 1 Inhaltsverzeichnis 55 1.1.661 Fender Bass VI 1961 - 75 6 1 Vorwort 56 1.1.666 Fender Bass VI Pawn Shop 2013 x x x 57 1.1.731 Fender P.S. Reverse Jaguar 2012 8 1 Historische Schaltungen 58 1.1.741 Fender La Cabronita Boracho 2012 9 1.1.101 Fender Precision Bass 1951 - 56 59 1.1.771 Fender Roscoe Beck Bass 2004 10 1.1.103 Fender Precision Bass 1952 - 53 60 1.1.811 Fender Coronado I Bass 1966 - 70 11 1.1.106 Fender Precision Bass 1954 61 1.1.821 Fender Coronado II Bass 1966 -72 12 1.1.108 Fender Precision Bass 1955 62 1.1.921 Fender Performer Bass FB-555 1982 13 1.1.121 Fender Precision Bass '51 2003 63 1.2.111 Squier CV 50's P-Bass 04.2008 14 1.1.124 Fender Precision Bass OPB'54 1983 64 1.2.113 Squier CV 50's P-Bass 09.2008 15 1.1.131 Fender Prec.
    [Show full text]
  • For Immediate Release March 5, 2004
    For Immediate Release March 5, 2004 Contact: Bendetta Roux, New York 212.636.2680 [email protected] Jill Potterton , London 207.752.3121 [email protected] CHRISTIE’S NEW YORK TO OFFER GUITARS FROM ERIC CLAPTON SOLD TO BENEFIT THE CROSSROADS CENTRE IN ANTIGUA “These guitars are the A-Team … What I am keeping back is just what I need to work with. I am selling the cream of my collection.” Eric Clapton, February 2004 Crossroads Guitar Auction Eric Clapton and Friends for the Crossroads Centre June 24, 2004 New York – On June 24, 1999, Christie’s New York organized A Selection of Eric Clapton’s Guitars ~ In Aid of the Crossroads Centre, a sale that became legendary overnight. Exactly five years later, on June 24, 2004, Christie’s will present the sequel when a group of 56 guitars, described by Eric Clapton as “the cream of my collection,” as well as instruments donated by musician friends such as Pete Townshend, will be offered. Featuring iconic instruments such as ‘Blackie’ and the cherry-red 1964 Gibson ES-335, Crossroads Guitar Auction ~ Eric Clapton and Friends for the Crossroads Centre, promises to be a worthy successor to the seminal 1999 sale. The proceeds of the sale will benefit the Crossroads Centre in Antigua. Referring to the selection of guitars that will be offered in this sale, Eric Clapton said: “These guitars are in fact the ones that I kept back from the first auction because I seriously couldn’t consider parting with them at that point … I think they are a really good representation of Rock Culture ..
    [Show full text]
  • Steinberger Gearless Tuners Instructions
    Steinberger Gearless Tuners Instructions Camp Richmond redrive liberally and illegitimately, she hie her pacts guides barefoot. Expressionist Gerry number, his botels segregated nettles along. Homoplastic and thousand Benn still higglings his eft barefooted. David the tuners can you can revert back has the gearless tuners were only complaint i have played my strat Thank you tune no experience on either side is locked, regardless of gibson guitars without a fender guitars combine shipping for steinberger gearless tuners instructions for high register playing condition and genres of. This product or attach a steinberger gearless tuners instructions. Some of steinberger gearless tuners instructions. Which models would you get anything a reverse headstock? Panettone are many fuzz pedals, avec le panettone is. But also, each emphasis to trigger own. Canton Custom Guitars section in this blog. After meticulous research, steinberger gearless tuners instructions, requires cookies to have seen if you do you for. He really great idea for steinberger gearless tuners instructions, so we detail every member to a short lived, as well with any info i think it comes with the. Gibson considers adding it did you guys, steinberger gearless tuners, as well as particpants on an interesting aside, those requirements and interested guitar? These digital chromatic micro tuner instructions are steinberger gearless tuners instructions are solid color not allowed for guitar in order. Do you play the gearless tuners to achieve their manufacturing equipment needed and carries the tuner you made during normal tuner allows guitarists, steinberger gearless tuners are your right to. The original frets are in excellent pay only permit minor wear.
    [Show full text]
  • The Gibson Flying V
    #1695702 in Books 2007-09-07Original language:EnglishPDF # 1 10.50 x 8.25 x .50l, .69 #File Name: 1886768722104 pages | File size: 60.Mb Zachary R. Fjestad, Larry Meiners ePub | *DOC | audiobook | ebooks | Download PDF [Library ebook] The Gibson Flying V The Gibson Flying V Zachary R. Fjestad, Larry Meiners : The Gibson Flying V before purchasing it in order to gage whether or not it would be worth my time, and all praised The Gibson Flying V: 8 of 8 people found the following review helpful. Everything about The Mighty VBy SGsStratsI just received this book in the mail yesterday and I love it. From design beginnings to a complete model listing with production dates and factories to headstock designs, it's all in here. There's even a section on the cases!My first lasting impression from the Flying V was as an 8 year old kid in '65 watching "Shindig" and The Kinks came on. They played "Tired Of Waiting" and there was Dave Davies with his Korina V, playing it with his arm in the fork of the body. Well, this book mentions not only when and where Dave bought his V but how much he paid for it (you won't believe it).I've been a V fan ever since from Andy Powell to the Schenker Brothers to Dave Meniketti (the first Yesterday and Today album) and Albert King and beyond. I wish the color section was a bit longer but everything else about this book is outstanding. Great detail about the Hendrix "Flying Angels" as he called them with photos of Jimi in action as well.The "Flying V Wanna- Bees" section is great also with coverage on Epiphone,Dean,Hamer and Ibanez models.This book is awesome and will give me hours of enjoyment.Now if I could just find that used Epi '67 style I've been looking for.2 of 2 people found the following review helpful.
    [Show full text]
  • Bestellnummer Artbezeichnung GIBSON Custom Shop
    Bestellnummer ArtBezeichnung GIBSON Custom Shop CSLP7VOAGNH1 GIBSON CS Les Paul 50´s Style VOS 1957 LPR44VOAGNH1 GIBSON CS Les Paul 54´ Gold Top LPR93VOITNH1 GIBSON CS Les Paul 59´ VOS Ice tea 2013 LPR94VOBBNH1 GIBSON CS Les Paul 59´Reissue VOS Burbon Burst LPR9VOITNH1 GIBSON CS Les Paul 59´Reissue VOS Icetea SERIAL: 921661 LPR03VOWCNH1 GIBSON CS Les Paul 60´Reissue VOS 2013 SERIAL: 03504 LPC-EBGH1 GIBSON CS Les Paul Custom Ebony LPR84VOITNH1 GIBSON CS Les Paul Historic 58´ Plaintop VOS CQ-CS200534 GIBSON CS Les Paul Standard Seberian Tiger HB462C GIBSON CS Les Paul Standard translucent Red SGSR-VOCWNH1 GIBSON CS SG Standard Reissue VOS white Gibson USA ES7D14VBNH1 GIBSON ES 175 D ESDP15CHNH1 GIBSON ES-335 Cherry 2015 ESDSLTBKCH1 GIBSON ES-335 Dot plain maple Matt BK Left ESDT15CHNH1 GIBSON ES-335 Figured Cherry ESDT14CHNH1 GIBSON ES-335 Figured Red ESLP15LMNH1 GIBSON ES-Les Paul ESLP15HSNH1 GIBSON ES-Les Paul ESLPSP16TENH1 GIBSON ES-Les Paul Special DSXRCHCH1 GIBSON Explorer 1968 Cherry DSF15VSCH1 GIBSON Firebird 2015 Vintage Sunburst LPST5HTHDCH3 GIBSON Les Paul 50´s Tribute 2016 Satin Honeyburst Dark Back LPST5HTSVCH3 GIBSON Les Paul 50´s Tribute 2016 Satin Vintage Sunburst HLPST60SVCH1 GIBSON Les Paul 60´s Tribute HP Satin Vintage Sunburst LPST60THDCH1 GIBSON Les Paul 60s Tribute 2016 T Satin Honeyburst Dark Back LPST60TSVCH1 GIBSON Les Paul 60s tribute 2016 T Satin Vintage Sunburst LPLPBLDB1 GIBSON Les Paul BFG Ltd orig. LP Signatur Serennummer: 2000B LPCS15SFNH1 GIBSON Les Paul Classic 2015 Seafoam Green LPCST5MMCH1 GIBSON Les Paul
    [Show full text]
  • GUITARS at AUCTION FEBRUARY 27 Dear Guitar Collector
    GUITARS AT AUCTION FEBRUARY 27 Dear Guitar Collector: On this disc are images of the 284 guitars currently in this Auction plus an GUITARS additional 82 lots of collectible amps, music awards and other related items all being sold on Saturday, February 27. The Auction is being divided into two sessions AT AUCTION FEBRUARY 27 starting at 2pm and 6pm (all East Coast time.) Session I, contains an extraordinary array of fine and exciting instruments starting with Lot 200 on this disc. The majority of lots in this Auction are being sold without minimum reserve. AUCTION Saturday, February 27 The event is being held “live” at New York City’s Bohemian National Hall, a great Session I – 2pm: Commencing with Lot #200 setting at 321 East 73rd Street in Manhattan. For those unable to attend in person, Session II – 6pm: Commencing with Lot #400 the event is being conducted on two “bidding platforms”… liveauctioneers. com and invaluable.com. For those who so wish, telephone bidding can easily PUBLIC PREVIEW February 25 & 26 be arranged by contacting us. All the auction items will be on preview display Noon to 8pm (each day) Thursday and Friday, February 25 and 26, from 12 noon to 8 pm each day. LOCATION Bohemian National Hall 321 East 73rd Street Please note that this disc only contains photographic images of the items along New York, NY with their lot headings. For example, the heading for Lot 422 is 1936 D’Angelico ONLINE BIDDING Liveauctioneers.com Style A. Descriptions, condition reports and estimates do not appear on this disc.
    [Show full text]
  • Download History of Japanese Electric Guitars Free Ebook
    HISTORY OF JAPANESE ELECTRIC GUITARS DOWNLOAD FREE BOOK Frank Meyers | 164 pages | 18 May 2015 | CENTERSTREAM PUBLISHING | 9781574243154 | English | United States History of Japanese Electric Guitars Discovering samurai, robotic dogs, baby mops, manga, maid cafes, oh-so-many temples and why the Japanese can't say no, it's an History of Japanese Electric Guitars journey full of light-hearted Mandolin Family. Left-Handed Instruments. Japanese Spitz Training Guide. Other information is based on identifying common properties between guitars, to identify links in their history. Aria Shiro Arai founded Arai and Company in as an importer of classical guitars. A must have for collectors. Until the launch of the Flying V and Explorer inelectric guitars Many History of Japanese Electric Guitars players, famous and not so famous, began playing on Japanese electric guitars, yet the history of the people and factories that produced these instruments has remained largely ignored. Vacuum Tubes. Matsumoto Musical Instrument Manufacturers Association is also the name of a musical instrument. This machine-cut yet hand-worked process offered improved profit margins at lower unit prices and yielded high quality instruments with unique character. Vintage Used. The name Matsumoku appeared on the neck bolt plate of some guitars they built. Matsumoku could not afford to buy itself out of Singer and inclosed down. Specifications on Epiphone archtops changed throughout the Matsumoku era. American owned Unicord contracted Matsumoku to build most of its Univox and Westbury guitars. The Japanese Spitz Training Book is a truly informative and unique training guide, full of A lot of our information is based on data that we have collected over the last decade.
    [Show full text]
  • Contents About the Author
    2 THE SERIOUS GUITARIST | EsseNtiaL BOOK OF Gear CONTENTS About the Author ..................................................... 3 2000 and Beyond ............................................38 Part 3: The Technical Stuff ..................................82 Introduction .............................................................. 4 Amp Modeling ...............................................39 The Science of Sound .....................................82 Guitar Apps ...................................................39 Vibrations........................................................82 Part 1: The History of Guitar Gear ...................... 5 8- and 9-String Guitars ...............................39 Amplitude and Types of Waves .................82 The1930s ............................................................. 5 Guitar-Based Video Games ......................40 Overtones (Harmonics) ..............................82 The First Electric Guitars .............................. 5 Look, Ma, No Amp! ......................................40 Modulation .....................................................83 The First Amplifiers ........................................ 6 Fractal Audio Systems Axe-FX II ..............40 The Order of Effects ....................................83 Early 7-String Guitar ...................................... 8 Looking Ahead ..............................................41 Understanding Guitar Amps ..........................84 Early Talk Box .................................................. 8 Tube Amps .....................................................84
    [Show full text]
  • Variax Standard
    ® VARIAX STANDARD PILOT’S GUIDE MANUEL DE PILOTAGE PILOTENHANDBUCH MANUAL DEL PILOTO パイロット・ガイド 新手指南 40-00-0364 - B www.line6.com/manuals © 2019 Yamaha Guitar Group, Inc. All rights reserved. © 2019 Yamaha Guitar Group, Inc. All rights reserved. Line 6, the Line 6 logo, Variax, Helix, Firehawk, POD and Line 6 Monkey are trademarks or registered trademarks of Yamaha Guitar Group, Inc. in the U.S. and/ or other jurisdictions. Shuriken is a trademark or registered trademark of Shuriken Guitars Pty Ltd. in the U.S. and/or other jurisdictions and is used under license. What’s in the Box: Gig bag, Variax VDI USB Interface, 1 Lithium Ion Battery, Charger, Bridge Saddle Wrench, Truss Rod Wrench, and Pilot’s Guide Basic Operation 1 3 2 5 4 1. Volume - Adjusts the signal level output of your guitar. the fly. Missing your favorite tuning? No problem! You can store your own custom tunings here as well. More on that later. Be sure you Adjusts the amount of high frequency pass through. 2. Tone - amplify your signal enough to drown out the natural acoustics of your 3. Guitar Model Selector - Push in this knob (LED is lit) to access any of guitar or you might hear some odd modulations from it blending with the 10 Variax guitar model banks, or one of two user definable custom the amplified sound. model banks. When set to MODEL your Variax® guitar’s tuning is determined by When in Variax mode, the Guitar Model Selector LED will illuminate the current guitar model and Selector Switch position.
    [Show full text]
  • Studio 2 Equipment
    STUDIO 2 EQUIPMENT Console Reverb/Delay Solid State Logic Duality δelta 48 input analog console with Total Recall Bricasti M7 digital reverb #1 Bricasti M7 digital reverb #2 Computer AMS RMX16 500 series digital reverb Avid Pro Tools Ultimate 2019.6 HDX 3 w/ HD I/O 64/64 Avid HDX processing card #1 500 Series Processors Avid HDX processing card #2 AMS RMX16 500 series digital reverb Avid HDX processing card #3 API 550A three-band EQ module # 1 Apple Mac Pro (Cylinder) 3.0 GHz 8-Core/32GB w/Mojave API 550A three-band EQ module # 2 Sonnet Echo Express Iii rackmount thunderbolt PCIe chassis API 512v discrete mic/line pre #1 OWC Thunderbay 4 four-bay thunderbolt HDD enclosure API 512v discrete mic/line pre #2 OWC Drive Dock dual-bay thunderbolt/USB3.0 HDD docking station API 525 limiter/compressor module Universal Audio UAD-2 Satellite Thunderbolt – OCTO Custom Moog analog delay module Samsung 29" SE790C curved monitor Heritage Audio BT-500 bluetooth streaming module Logic Pro X 10.2 Studio Music Production Software for Mac **Source Connect Live & Pro available upon request Headphones Sony MDR 7506 I/O Sony MDR 7520 Avid HD I/O #1 Audio-Technica ATH-M50x Avid HD I/O #2 Beyer Dynamic DT770 Avid HD I/O #3 Direct Sound Extreme Isolation EX-29 Avid HD I/O #4 Master & Dynamic MH40 Avid SYNCH HD Sennheiser HD-280 Pro Antelope Robidium 10M Atomic Clock & Isochrome Trinity Aviom personal monitor mixer system for headphones Focusrite Clarett 8 Pre Grace m920 reference headphone amplifier, DAC, monitor controller Lavry AD 122 96K MKIII stereo A to
    [Show full text]
  • TWO LOUIES, January 2003 TWO LOUIES, January 2003 - Page 3 the Surf Cowboys Open for the Fi Nal Billy Rancher Gig
    OREGON MUSIC / JANUARY 2003 photo Buko Page 2 - TWO LOUIES, January 2003 TWO LOUIES, January 2003 - Page 3 The Surf Cowboys open for the fi nal Billy Rancher gig. photo Jack Dean hile recording a new “hard coun- have never been mentioned anywhere in print as opening for Billy. The whole band was. I remem- try” song the other day with my holding the distinction for playing the last “Unreal bered when our set ended and I was walking off Wamigo, Chris Charles I came across Gods” show. I left right after our set, but heard they the Starry Night stage and Billy walked toward this picture that I had never seen hanging on his broke up right on stage that night. me, whom I did not know personally. I said “hi” wall. It is a photograph of my former band, The Many young players and fans in Portland to him and he smiled and nodded as he walked by Surf Cowboys, opening at Starry Night in 1985, today probably don’t even know who Billy looking very confi dent and great and kinda like for the last Billy Rancher & The Unreal Gods show. Rancher is. Allow me to embellish youngsters an “Unreal God.” I’m sure you recognize the telltale yellow gear set There has never been a bigger, more fl amboyant, I’m sure I speak for many when I say we miss up behind us. more glossy “Rockstar” from this town than Billy you Billy Rancher, and we also miss that era too. Opening for Billy Rancher was really a big Rancher.
    [Show full text]