Steinberger Gearless Tuners Instructions
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Guitar Center Partners with Eric Clapton, John Mayer, and Carlos
Guitar Center Partners with Eric Clapton, John Mayer, and Carlos Santana on New 2019 Crossroads Guitar Collection Featuring Five Limited-Edition Signature and Replica Guitars Exclusive Guitar Collection Developed in Partnership with Eric Clapton, John Mayer, Carlos Santana, Fender®, Gibson, Martin and PRS Guitars to Benefit Eric Clapton’s Crossroads Centre Antigua Limited Quantities of the Crossroads Guitar Collection On-Sale in North America Exclusively at Guitar Center Starting August 20 Westlake Village, CA (August 21, 2019) – Guitar Center, the world’s largest musical instrument retailer, in partnership with Eric Clapton, proudly announces the launch of the 2019 Crossroads Guitar Collection. This collection includes five limited-edition meticulously crafted recreations and signature guitars – three from Eric Clapton’s legendary career and one apiece from fellow guitarists John Mayer and Carlos Santana. These guitars will be sold in North America exclusively at Guitar Center locations and online via GuitarCenter.com beginning August 20. The collection launch coincides with the 2019 Crossroads Guitar Festival in Dallas, TX, taking place Friday, September 20, and Saturday, September 21. Guitar Center is a key sponsor of the event and will have a strong presence on-site, including a Guitar Center Village where the limited-edition guitars will be displayed. All guitars in the one-of-a-kind collection were developed by Guitar Center in partnership with Eric Clapton, John Mayer, Carlos Santana, Fender, Gibson, Martin and PRS Guitars, drawing inspiration from the guitars used by Clapton, Mayer and Santana at pivotal points throughout their iconic careers. The collection includes the following models: Fender Custom Shop Eric Clapton Blind Faith Telecaster built by Master Builder Todd Krause; Gibson Custom Eric Clapton 1964 Firebird 1; Martin 000-42EC Crossroads Ziricote; Martin 00-42SC John Mayer Crossroads; and PRS Private Stock Carlos Santana Crossroads. -
Tone Tips from the Road
EDUCATION CENTER PETERSTROUD TONE TIPS FROM THE ROAD tone sucker when you rolled down the most likely need to replace the 3-posi- volume control. tion toggle switch; the original switch Rewiring Magic is different in order to accommodate Over the years I’ve ended up rewiring This is a very common problem that the stock three pickup wiring. But it’s the electronics of many of my guitars. I most try to correct by placing a small worth the trouble and you can easily thought this might make a good topic value (pF) filter capacitor across the get the switch from Gibson. With the to share three of my favorite rewirings. volume pot. But that remedy usually middle pickup on its own volume, you Of course, changing out pick-ups is the screws with the taper of the volume can get any pickup combination, dras- biggest way to customize your sound, control and adds false amounts of top- tically expanding the tonal range of but there are a few significant tricks end as you drop to lower levels. The your three pickup Gibbo. you can do with the wiring itself. The ‘50s Gibson wiring is much more true additional freedom and creativity you sounding and useable. have in shaping your tone makes these 3.“The Chromacaster” – My latest mods priceless. wiring thrill is my Tonequest Strat with the Deaf Eddie’s “Chromacaster” But before you start whacking on your switch. This 6-way rotary switch allows guitar’s inards, be sure you’re adept for almost every imaginable pickup with a soldering iron and understand combination. -
Ibanez Market Strategy
Ibanez Market Strategy Billy Heany, Jason Li, Hyun Park, Alena Noson Strategic Marketing Table of Contents Executive Summary ....................................................................................................................................... 3 Firm Analysis.................................................................................................................................................... 4 Key Information about the Firm ........................................................................................................... 4 Current Goals and Objectives ................................................................................................................ 5 Current Performance ................................................................................................................................. 6 SWOT ............................................................................................................................................................. 7 Current Life Cycle Stage for the Product .......................................................................................... 8 Current Branding Strategy ...................................................................................................................... 9 Industry Analysis .......................................................................................................................................... 10 Market Review ........................................................................................................................................ -
GUITARS at AUCTION FEBRUARY 27 Dear Guitar Collector
GUITARS AT AUCTION FEBRUARY 27 Dear Guitar Collector: On this disc are images of the 284 guitars currently in this Auction plus an GUITARS additional 82 lots of collectible amps, music awards and other related items all being sold on Saturday, February 27. The Auction is being divided into two sessions AT AUCTION FEBRUARY 27 starting at 2pm and 6pm (all East Coast time.) Session I, contains an extraordinary array of fine and exciting instruments starting with Lot 200 on this disc. The majority of lots in this Auction are being sold without minimum reserve. AUCTION Saturday, February 27 The event is being held “live” at New York City’s Bohemian National Hall, a great Session I – 2pm: Commencing with Lot #200 setting at 321 East 73rd Street in Manhattan. For those unable to attend in person, Session II – 6pm: Commencing with Lot #400 the event is being conducted on two “bidding platforms”… liveauctioneers. com and invaluable.com. For those who so wish, telephone bidding can easily PUBLIC PREVIEW February 25 & 26 be arranged by contacting us. All the auction items will be on preview display Noon to 8pm (each day) Thursday and Friday, February 25 and 26, from 12 noon to 8 pm each day. LOCATION Bohemian National Hall 321 East 73rd Street Please note that this disc only contains photographic images of the items along New York, NY with their lot headings. For example, the heading for Lot 422 is 1936 D’Angelico ONLINE BIDDING Liveauctioneers.com Style A. Descriptions, condition reports and estimates do not appear on this disc. -
Overview Guitar Models
14.04.2011 HOHNER - HISTORICAL GUITAR MODELS page 1 [54] Image Category Model Name Year from-to Description former retail price Musima Resonata classical; beginners guitar; mahogany back and sides Acoustic 129 (730) ca. 1988 140 DM (1990) with celluloid binding; 19 frets Acoustic A EAGLE 2004 Top Wood: Spruce - Finish : Natural - Guitar Hardware: Grover Tuners BR CLASSIC CITY Acoustic 1999 Fingerboard: Rosewood - Pickup Configuration: H-H (BATON ROUGE) electro-acoustic; solid spruce top; striped ebony back and sides; maple w/ abalone binding; mahogany neck; solid ebony fingerboard and Acoustic CE 800 E 2007 bridge; Gold Grover 3-in-line tuners; shadow P7 pickup, 3-band EQ; single cutaway; colour: natural electro-acoustic; solid spruce top; striped ebony back and sides; maple Acoustic CE 800 S 2007 w/ abalone binding; mahogany neck; solid ebony fingerboard and bridge; Gold Grover 3-in-line tuners; single cutaway; colour: natural dreadnought western guitar; Gruhn design; 20 nickel silver frets; rosewood veneer on headstock; mahogany back and sides; spruce top, Acoustic D 1 ca. 1991 950 DM (1992) scalloped bracings; mahogany neck with rosewood fingerboard; satin finish; Gotoh die-cast machine heads dreadnought western guitar; Gruhn design; rosewood back and sides; spruce top, scalloped bracings; mahogany neck with rosewood Acoustic D 2 ca. 1991 1100 DM (1992) fingerboard; 20 nickel silver frets; rosewood veneer on headstock; satin finish; Gotoh die-cast machine heads Top Wood: Sitka Spruce - Back: Rosewood - Sides: Rosewood - Guitar Acoustic -
Variax Standard
® VARIAX STANDARD PILOT’S GUIDE MANUEL DE PILOTAGE PILOTENHANDBUCH MANUAL DEL PILOTO パイロット・ガイド 新手指南 40-00-0364 - B www.line6.com/manuals © 2019 Yamaha Guitar Group, Inc. All rights reserved. © 2019 Yamaha Guitar Group, Inc. All rights reserved. Line 6, the Line 6 logo, Variax, Helix, Firehawk, POD and Line 6 Monkey are trademarks or registered trademarks of Yamaha Guitar Group, Inc. in the U.S. and/ or other jurisdictions. Shuriken is a trademark or registered trademark of Shuriken Guitars Pty Ltd. in the U.S. and/or other jurisdictions and is used under license. What’s in the Box: Gig bag, Variax VDI USB Interface, 1 Lithium Ion Battery, Charger, Bridge Saddle Wrench, Truss Rod Wrench, and Pilot’s Guide Basic Operation 1 3 2 5 4 1. Volume - Adjusts the signal level output of your guitar. the fly. Missing your favorite tuning? No problem! You can store your own custom tunings here as well. More on that later. Be sure you Adjusts the amount of high frequency pass through. 2. Tone - amplify your signal enough to drown out the natural acoustics of your 3. Guitar Model Selector - Push in this knob (LED is lit) to access any of guitar or you might hear some odd modulations from it blending with the 10 Variax guitar model banks, or one of two user definable custom the amplified sound. model banks. When set to MODEL your Variax® guitar’s tuning is determined by When in Variax mode, the Guitar Model Selector LED will illuminate the current guitar model and Selector Switch position. -
01437 1965 Epiphone Olympic SB 722D. Sunburst (9.00)
A Fine, All Original Mid-Sixties Two Pick-Up Epiphone Olympic 1965 Epiphone Olympic SB 722D. Sunburst (9.00). #01437 $1,750 This fine and very light guitar weighs just 5.60 lbs. One-piece mahogany neck with a fast thin-to-medium profile. Black faced 'Batwing' headstock with "Epiphone" silk-screened in gold. Rosewood fretboard with 22 original jumbo frets and pearl dot markers. Serial number "323241" stamped in blind on back of headstock. Six-in-a-row 'double-line' Kluson Deluxe tuners with white plastic oval buttons. The scale length is a standard Gibson 24 3/4 inches and the nut width is just over 1 9/16 inches. Two Melody Maker single-coil pickups with nice, balanced outputs of 6.97k and 7.09k. Single-layer white plastic pickguard with inlaid silver Epiphone 'Epsilon' and eight screws. Four controls (two volume, two tone) plus three-way selector switch and jack socket, all on pickguard. Black plastic ribbed-sided knobs with metal tops with red markings. The potentiometers are stamped "134 6508" & "134 6523" (Centralab February & June 1965). Combination ridged "wrap-over" bridge, factory Epiphone Vibrola tailpiece with tubular tremolo arm with walrus-tooth tip. There is a minimal amount of belt-buckle scarring on the back and a few very small surface marks, mainly on the edges. This fine little, all original mid- sixties guitar is in exceptionally fine (9.00) condition. Housed in a later 3-latch black softshell case with blue felt lining (8.50). "The solidbody line got a complete overhaul that gave the models as much first- impression power as the new sharp-pointed, double-cutaway Gibson SG models. -
As One of the Best-Loved Guitar Brands of All Time Continues to Assault the Boundaries of Technology, We Review Its Latest Featu
Gibson Firebird X £3,299 ElEctrics Learning To F ly ames Looker j As one of the best-loved guitar brands of all time continues to assault the boundaries of technology, we review its latest feature-laden creation and ask if the tearing sound is that of the envelope being pushed just too far? Words by Simon Bradley hy by joby sessions & P Photogra 82 Guitarist October 2011 GIT347.rev_gibson.indd 82 9/12/11 4:16:36 PM Gibson Firebird X £3,299 ElEctrics October 2011 Guitarist 83 GIT347.rev_gibson.indd 83 9/12/11 4:16:40 PM Gibson Firebird X £3,299 ElEctrics others were genuinely ill- conceived. The seventies RD Gibson Firebird X £3,299 Artist that featured Moog- designed onboard electronic wizardry could be either, depending on your opinion. In ibson is no stranger to Shortly before that was the any case it didn’t last long, and What we innovation, despite its Flying V and Explorer. “Russia neither did the Corvus – one want to know G position in 2011 as a has her satellite, perhaps to the wacky shape too far. heritage brand in many players’ embarrassment of the US,” With the advent of affordable Hasn’t this guitar had a eyes. For example, its most crowed the Gibson Gazette in and reliable digital technology 1 rather mixed reception highly prized electric solidbody November 1957. “But the has come another spurt of from the guitar-buying – the Les Paul Standard – had a Gibson folks have come Gibson innovations, driven by public so far? torrid time with popularity forward with their own first; chairman and CEO Henry Even a cursory glance at throughout the 1950s, even in the futuristic Flying V guitar.” Juszkiewicz. -
Poteg-7-10-2-1-Gibson-Abr-1
7-122 7. Neck and body of the guitar 7.10.2 Bridges without Vibrato 7.10.2.1 Gibson’s ABR-1-Bridge Orville Gibson was a guitarist and a luthier – characteristics that were not originally natural to Leo Fender, who of course was a builder of guitars, too – but not in the traditional sense. As Tom Mulhern notes in his book on Gibson guitars [Rittor 1996], Orville’s ideas often originated from violin making, and it is therefore not surprising that the famous Style O guitar features an arched top that carries merely the bridge but no tailpiece. The strings are anchored in a trapeze tailpiece that is mounted to the end-side of the guitar body. This separation of bridge and tailpiece resurfaces half a century later in the ES-335, although that guitar is based on a very different principle of construction. The top of Orville’s acoustic guitars needed to be thin in order to radiate sound. While it was still possible to anchor gut strings in a combined bridge/tailpiece that was glued to the guitar top, this approach became a problem with the steel strings increasingly demanded by musicians: their higher pull (parallel to the top) could warp the top, or rip off the glued-on bridge and destroy the thin top. Conversely, with a tailpiece mounted to the side at the end of the guitar, the top was subjected merely to a perpendicular force it was able to withstand due to its curvature similar to the arch of a bridge. The bridge of the Gibson Style O is of a single piece and not adjustable – again similar to that of a violin. -
Studio 2 Equipment
STUDIO 2 EQUIPMENT Console Compressors/Limiters/Dynamics Solid State Logic Duality SE 48 input analog console with Total Recall API 2500 stereo compressor Elysia MPRESSOR stereo compressor Computer Elysia Xpressor 500 series stereo compressor Avid Pro Tools 10.3.8 HD5 Accel PCIE system Empirical Labs EL8 XS stereo distressor {pair} Apple Mac Pro 12-Core 2.66 GHz 6-core Intel Xeon/12GB w/ Mtn Lion Inward Connections TSL-3 stereo tube limiter Apple 20” Cinema Screen monitor # 1 Neve 33609 JD stereo compressor Apple 20” Cinema Screen monitor # 2 Retro Instruments 176 Limiting Amplifier Glyph GT103 FireWire 800 rack with 3 FW 800 250GB hotswap drives Tube-Tech CL 1B mono tube compressor Logic 10.0.7 Studio Music Production Software for Mac Universal Audio LA 2A mono leveling amplifier Source Elements Source-Connect Pro 3.5.1 Universal Audio 1176LN mono limiting amplifier Source Elements Source-Live 3.5.1 Drawmer Dual Gate DS201 I/O EQ (6 x) Digidesign 192 I/O {48 in 96 out} SPL PASSEQ stereo EQ model 2595 Antelope Robidium 10M Atomic Clock & Isochrome Trinity GML 8200 stereo EQ Lavry AD 122 96K MKIII stereo A to D converter Tube-Tech PE 1C mono EQ Motu MIDI Timepiece AV Neve 1073LBEQ 500 Series mono EQ # 1 Neve 1073LBEQ 500 Series mono EQ # 2 Monitors EXIGY S412G custom four-way system with dual 18" subwoofers Harmonics Pro Ac Studio 100 monitors Thermionic Culture Vulture Adam A7 monitors Avantone MixCube monitors Headphones Sound Anchor speaker stands Sony MDR 7506 headphones Adam S3X-H monitors Sony MDR 7520 headphones Bryston 4B SST & -
Apollo Twin Mk2 Solo RME ADI-2 Pro FS (Connected to Apollo Via AES/EBU)
Desk SSL 4000G+E 40Ch. Total Recall Converters Apollo 16 (2x) Apollo Twin Mk2 Solo RME ADI-2 Pro FS (connected to apollo via AES/EBU) DAW & Plugins Protools 2018 Ableton Live 10 Logic pro X UAD all Plugins bundle Fabfilter bundle Waves Gold bundle Soundtoys Bundle Monitoring Custom (Flush-Mounted) Dynaudio M4 PMC TwoTwo6 Dynaudio Air15 Avantone active mixcube Cue Mix Behringer P16 Monitoringsystem Yamaha HS80 (SLS) Sennheiser G4 wireless system Pre-Amps API 512c (x3) Avalon U5 Neve 1073 + EQ (x2) Blue Robbie Tube pre Great River MP-500NV (x3) Universal Audio LA610 MKII Universal Audio 4-710D SSL 4000 Desk pre-amps (x40) Dizengoff D4 Dynamics Dbx 160XT Empirical Labs Distressor EL8X (2x) UREI 1178 SSL Desk Compressors (x40) SSL Masterbus Compressor Warm Audio WA-2A (x2) Tubetech CL1B Warm Audio WA-76 Rupert Neve Portico II MBP Equalizer/Filters Manley Massive Passive Neve 1073 EQ (x2) Sherman Filterbank SSL 242 Desk EQ (Black knob) (x32) SSL 232 Desk EQ (Orange knob) (x8) Warm Audio EQP-WA (x2) Little Labs VOG FX Lexicon 480L TC Electronic M3000 Vermona VSR3.2 Spring reverb Microphones Neumann U67 Neumann U47Fet Neumann U87 Neumann KM84 (2x) Flea 47 Tube Peluso P12 Tube AKG C414 XLS (x4) AKG C414 XL II (x2) AKG C451 B (x2) Coles 4038 (x2) Beyerdynamic M160 Telefunken M80 Octava MK012 (x2) Sennheiser MD421 (x5) Shure SM58 (x3) Shure SM57 (x3) Shure SM7B (x4) Shure Beta 52A Electrovoice RE20 Mothsound Mothmic Placidaudio Copperphone Headphones Presonus HP60 Headphone amp Beyerdynamic DT-770 Pro (x4) 250 Ω Beyerdynamic DT-770 Pro (x2) 32 Ω KRK KNS-8400 (4x) Controllers Ableton Push 2 Drum Computers Novation Drum Station Synthesizers Korg SV1 Korg MicroKorg XL Korg MS20 mini Korg Volca Sample, Bass, Keys Korg King Korg Korg Minilogue Roland TR-09 Roland Bassline Roland Vocoder VP-03 Roland Juno-60 Roland Jupiter-6 Roland TB-3 touch bassline Oberheim Expander D.I. -
Gibson Acoustic Serialization Taken from the 11
Gibson Acoustic Serialization Taken from the 11th Edition Blue Book of Acoustic Guitars By Zachary R. Fjestad Blue Book Publications, Inc. 8009 34th Avenue South, Suite 175 Minneapolis, MN 55425 U.S.A. Phone: 800-877-4867 (U.S.A. and Canada orders only) Phone: 952-854-5229 FAX: 952-853-1486 Email: [email protected] Web site: www.bluebookinc.com Reprinted with permission Copyright 2007 Blue Book Publications, Inc. All Rights Reserved. No part of this publication may be reproduced in any form whatsoever, by photograph, mimeograph, FAX transmission, or any other mechanical or electronic means. Nor can it be broadcast or transmitted, by translation into any language, nor by recording electronically or otherwise, without the express written permission from the publisher - except by a reviewer, who may quote brief passages for critical articles and/or reviews. GIBSON ACOUSTIC SERIALIZATION 1 GIBSON SERIAL NUMBERS GIBSON ACOUSTIC SERIALIZATION,SERIALIZATION cont. Identifying Gibson instruments by serial number is tricky at best, and APPROX. LAST # YEAR downright impossible in some cases. The best method of identifying 13350 1912 them is to use a combination of the serial number, the factory order 16100 1913 number and any features that are particular to a specific time (i.e. logo 20150 1914 design change, headstock volutes, etc). 25150 1915 In addition to the above serial number information, Gibson also used 32000 1916 Factory Order Numbers (FON) to track batches of instruments being produced at the time. In the earlier years at Gibson, guitars were nor- 39500 1917 mally built in batches of forty instruments. Gibson’s Factory Order 47900 1918 Numbers were an internal coding that followed the group of instru- 53800 1919 ments through the factory.