5.16 Patents Und Inventions
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
5.2 Humbuckers
5.2 Humbucker 5-9 5.2 Humbuckers The interference occurring with single-coil pickups motivated the development of the Humbucker. Single-coil pickups do not only pickup the vibration of the strings and generate a corresponding electric voltage, but they are also sensitive to magnetic fields as they are radiated by transformers, fluorescent lamps, or mains cables. Instead of having one coil, the "Hum-Bucker" consists of two coils connected to form a dipole and wired such that they are out of phase. The magnetic field generated by external interference sources induces in each coil the same voltage. Because of the anti-phase connection of the two coils the voltages cancel each other out. If the field generated by the permanent magnet would also flow through both coils with the same polarity, the signals generated by the vibrating string also be cancelled – this of course must not happen. For this reason the permanent field flows through the two coils in an anti-parallel manner such that the voltages induced by the vibrating strings are out of phase. Because the coils are connected out of phase, the voltages are turned twice by 180° i.e. they are again in phase (180° +180° = 360° corresp. to 0°). With this arrangement the signal-to-noise ratio can be improved somewhat compared to single-coil pickups (chapter 5.7). As early as the 1930s designers sought to develop a marketable pickup based on compensation principles which were generally already known. Seth Lover, technician with the guitar manufacturer Gibson, achieved the commercial break-through. -
W Irin G D Iag Ram S
1 s A 2 3 4 5 B 6 500k ON/ON/ON 7 m 8 9 C 10 11 500k a 12 ON ON 47nF r Jetzt mit Schaltplan zu jeder Schaltung! g a i d 1 2 3 4 5 6 7 nicht mehr ganz so g n kleine Sammlung i r i von Schaltplänen w Version 4.03 WITH AN GERM GLISH EN Y ONAR DICTI NOW! Passive Schaltungen für E-Bässe sowie einige aktive Schaltungen • Historische Schaltungen • Umbauten & Eigenbauten • Modifikationen • Grundlagen & Theorie • Pläne selbst entwerfen Inhaltsverzeichnis 1 1 Deckblatt 54 1.1.651 Fender Bass V 1965 - 70 2 1 Inhaltsverzeichnis 55 1.1.661 Fender Bass VI 1961 - 75 6 1 Vorwort 56 1.1.666 Fender Bass VI Pawn Shop 2013 x x x 57 1.1.731 Fender P.S. Reverse Jaguar 2012 8 1 Historische Schaltungen 58 1.1.741 Fender La Cabronita Boracho 2012 9 1.1.101 Fender Precision Bass 1951 - 56 59 1.1.771 Fender Roscoe Beck Bass 2004 10 1.1.103 Fender Precision Bass 1952 - 53 60 1.1.811 Fender Coronado I Bass 1966 - 70 11 1.1.106 Fender Precision Bass 1954 61 1.1.821 Fender Coronado II Bass 1966 -72 12 1.1.108 Fender Precision Bass 1955 62 1.1.921 Fender Performer Bass FB-555 1982 13 1.1.121 Fender Precision Bass '51 2003 63 1.2.111 Squier CV 50's P-Bass 04.2008 14 1.1.124 Fender Precision Bass OPB'54 1983 64 1.2.113 Squier CV 50's P-Bass 09.2008 15 1.1.131 Fender Prec. -
Player Jaguar Bass® (014-9302-Xxx/014-9303-Xxx) Parts Layout
PLAYER JAGUAR BASS® (014-9302-XXX/014-9303-XXX) PARTS LAYOUT 9 8 7 5 6 2 13 14 12 4 3 1 10 6 20 18 15 20 18 16 23 24 26 27 22 25 26 27 20 19 17 12 11 21 6 13 14 12 Page 1 of 5 COPYRIGHT - 2017 - FENDER MUSICAL INSTRUMENTS CORPORATION DEC 4, 2017 - Rev. A PLAYER JAGUAR BASS® (014-9302-XXX/014-9303-XXX) PARTS LIST REF # DESCRIPTION PART NUMBER 1 BODY PLAYER JAGUAR BASS TDP 7712676513 BODY PLAYER JAGUAR BASS SGM 7712676519 BODY PLAYER JAGUAR BASS SRD 7712676525 2 NECK PLAYER JAGUAR BASS PF 7712361000 NECK PLAYER JAGUAR BASS MN 7712362000 3 NECK PLATE - ‘F’ CHROME 0991448100 4 SCRW SMA 8x1-3/4 OHP NI 0015636049 5 ORIGINAL BASS STRING GUIDE 0994913000 6 SCRW SM OV HD 4x1/2 0015578049 7 KEYS BASS CORT 0036400049 8 SCREW # 3 X 3/8 SM RD HD NIC 0011357049 9 BUSHING KEY BASS 0051532049 10 PICKGUARD STD JAGUAR BASS P/B/P 7713115000 11 BRIDGE STD BASS 0081459000 12 SCRW SM OV HD 5x1 0015610049 13 ORIGINAL STRAP BUTTONS 0994915000 14 WHITE FELT WASHERS 0994930000 15 LEAD PICKUP ASSY P BASS 7712271000 16 RHYTHM PICKUP ASSY P BASS 7712272000 17 BRIDGE PICKUP JAZZ BASS 7712273000 18 ORIG PICKUP COVERS P BASS 0992037000 19 ORIG PICKUP COVERS J BASS 0992038000 20 SCREW 4X1-1/4 0027035049 21 CONTROL PLATE, STD. J BASS, CHROME 0992057100 22 JACK PHONE 1/4 - OUTPUT 0047329049 23 JAZZ BASS KNOBS 0099137000 24 ORIG T/V CNTRL 500K SOLID SHFT 0990831000 25 WSHR FLAT 3/8x.614 NI 0031153049 26 WASHER, INTLOCK 3/8 NI 0016436049 27 NUT HEX 3/8-32 X 3/32 NI 0016352049 Page 2 of 5 COPYRIGHT - 2017 - FENDER MUSICAL INSTRUMENTS CORPORATION DEC 4, 2017 - Rev. -
Fender VG Stratocaster Issue 57
REVIEW FENDER VG STRATOCASTER Fender and Roland have joined forces again, this time to produce a Stratocaster with a difference. Text: Brad Watts It’s not all that often we review a guitar in you’ve got a spare $2.5k to drop on a guitar. And while the AudioTechnology – that’s a job best left to the guitar VG Strat comes with either a rosewood or maple fretboard, magazines. But every now and then an instrument hits the colour options are limited to black or three-tone the streets that truly embraces some of the technological sunburst (the sunburst is a tad pricier, as per usual). Fender advances we’ve all witnessed during the last 10 years or so. also supplies American series guitars with a solid moulded DSP modelling is one such field, and an area that ‘serious’ case rather than the padded gig bags that arrive with the guitarists do their best to steer clear of. But in the last lower-priced models. They’re a very nice guitar and well couple of years systems such as Line 6’s Variax range, along worth the extra lolly if you can stretch your budget. with various incarnations of the Roland ‘GK’ standard The VG model up for review possessed an extremely nice and the digital Les Paul from Gibson, have infiltrated the maple neck, which for me is the ultimate neck – standard ‘wood & steel’ domain. headstock design of course! The body, however, (black in The big drawcard of these guitars is versatility. I’m not this case) looked as though it hadn’t been sanded correctly. -
Blue Book of Electric Guitars Sixth Edition
Blue Book of Electric Guitars Sixth Edition Gibson Electric Guitars and Basses Edited by S.P. Fjestad Blue Book Publications, Inc. 8009 34th Avenue South, Suite 175 Minneapolis, MN 55425 U.S.A. Phone: 800-877-4867 (U.S.A. and Canada orders only) Phone: 952-854-5229 FAX: 952-853-1486 Email: [email protected] Web site: www.bluebookinc.com Reprinted with permission Copyright 1999 Blue Book Publications, Inc. All Rights Reserved. No part of this publication may be reproduced in any form whatsoever, by photograph, mimeograph, FAX transmission, or any other mechanical or electronic means. Nor can it be broadcast or transmitted, by translation into any language, nor by recording electronically or otherwise, without the express written permission from the publisher - except by a reviewer, who may quote brief passages for critical articles and/or reviews. Please note: At the request of Blue Book Publications, Inc., all pricing information has been omitted. For detailed pricing information, please either contact Blue Book Publications for ordering information, or visit their web site at www.bluebookinc.com Table of Contents Gibson Background History ----------------------------------------- 3 Identifying Features --------------------------------------------------- 4 Gibson Electric Guitars ---------------------------------- 5 B.B. King Series -------------------------------------------------------- 5 Barney Kessel Series --------------------------------------------------- 6 Byrdland Model --------------------------------------------------------- -
My Bloody Valentine's Loveless David R
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 My Bloody Valentine's Loveless David R. Fisher Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC MY BLOODY VALENTINE’S LOVELESS By David R. Fisher A thesis submitted to the College of Music In partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2006 The members of the Committee approve the thesis of David Fisher on March 29, 2006. ______________________________ Charles E. Brewer Professor Directing Thesis ______________________________ Frank Gunderson Committee Member ______________________________ Evan Jones Outside Committee M ember The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS List of Tables......................................................................................................................iv Abstract................................................................................................................................v 1. THE ORIGINS OF THE SHOEGAZER.........................................................................1 2. A BIOGRAPHICAL ACCOUNT OF MY BLOODY VALENTINE.………..………17 3. AN ANALYSIS OF MY BLOODY VALENTINE’S LOVELESS...............................28 4. LOVELESS AND ITS LEGACY...................................................................................50 BIBLIOGRAPHY..............................................................................................................63 -
U.S.A. Retail Price List Prices Effective January 1, 2004
U.S.A. Retail Price List Prices effective January 1, 2004 Suggested List Price Guitars (Price includes free standard case) 620 Deluxe bound body & neck, inlays, 21 fret, 2 pickups, wired for stereo 1299 620/12 Like 620 but with 12 strings 1419 650C "Colorado", 24 fret, solid body, 2 humbucking pickups, chrome parts, Jetglo finish only 1299 650D "Dakota", 24 fret, solid Walnut body, 2 humbucking pickups, chrome parts, natural oil finish 999 650S "Sierra", 24 fret, solid Walnut body, 2 humbucking pickups, gold parts, natural oil finish 1099 660 Charactered Maple body, checked binding, vintage pickups, wide neck, knobs, gold pickguard and 1879 nameplate, trapeze tailpiece 660/12 Like 660, but with 12 strings, 12 saddle bridge 1999 330 Thinline semi-acoustic, 24 fret, 2 pickups, dot inlays, mono 1419 340 Like 330 but with 3 pickups 1549 330/12 Like 330 but with 12 strings,"R" tailpiece 1529 340/12 Like 330/12 but with 3 pickups 1749 360 Deluxe thinline, semi-acoustic hollow body, inlaid neck, wired for stereo 1549 370 Like 360 but with 3 pickups 1699 360/12 Like 360 but with 12 strings 1669 370/12 Like 360/12 but with 3 pickups 1829 380L "Laguna", Walnut body, wide Maple fingerboard, 2 humbucking pickups, gold parts, oil finish 1699 380L PZ Like 380L but with additional piezo pickup under bridge, active electronic package 1999 C Series (Price includes free vintage reissue case) 325C58 “Hamburg”, 3 pickup, semi-hollow, gold pickguard, 21 fret, short scale, Kauffman Vib-rola (MG, JG only) 3199 325C64 “Miami”, 3 pickup, semi-hollow, white pickguard, -
2003 Epiphone Catalog Summer.Pdf
CATALOG 2003 joe pass emperor II™ Authorized By & Designed In Cooperation with Joe Pass > When the late, great Joe Pass played the guitar, people listened. Pick up an Emperor II and you just might get a similar response! ™ emperor regent (Also available Left-Handed) > Huge body, huge sound, great personality. The Regent’s Spruce top and floating mini-humbucker make this guitar an out and out jazzer with sweet tone! One of the “100 Best Buys”Guitar Player, Nov, 1997 broadway™ > A big body for all occasions. Just like the Regent, but with twin humbuckers, 3-way switch, 2 volume and 2 tone controls. alleykat™ > If you’re looking for a guitar that’s as zephyr “blues” unique as you are, check out the AlleyKat. deluxe Like the FlameKat™ it features the Kat- > Based on the legendary 1949 Series small, semi hollow-body design. But Gibson ES-5, this big bodied this guitar features a Tune-o-matic bridge, blues machine is fitted with 3 StopBar tailpiece and a combination of a ’57 Alnico V P-90s, 3 volume Classic Humbucker in the bridge position and controls and 1 master tone a “New York” Mini humbucker in the neck control. Unlike the original position. The result is a guitar with great sus- however, the middle pickup tain, comfort and sound! Available in HS, TB is reverse polarity for and VS. hum-canceling tone! flamekat™ > One of our cooler Epiphone Designs! The ultimate road-rocker, equipped with 2 “New York” mini-humbuckers and now sporting a Licensed Bigsby Vibrato! With Dice knobs, Dice Inlay and Ebony finish with Flame decal.. -
ECE313 Music & Engineering Electric Guitars & Basses
ECE313 Music & Engineering Electric Guitars & Basses Tim Hoerning Fall 2014 (last modified 10/13/14) Overview • Electric Guitar • Parts • Electronics • Simulated Circuit • Common styles of Electric guitars • Other electro-mechanical instruments • Pedal Steel • Keyboard Based • Fender Rhodes • Hammond B3 • Hohner Clavinet The Electric Guitar body neck • Main Parts • Body • Wood • Routing • Neck • Fret board • Connection • Bolt on • Set Neck • Neck through Electric Guitar Parts • Physical • Neck • Tuners • Nut (possibly locking) • Fingerboard • Frets (typically 21 – 24) • Fret markers (3,5,7,9,12,15,17 19,21,24) • Wood type • Main Part of neck • Truss rod • Construction (mirrored, skunk stripe, etc) • Body • Bridge • Saddles • Variants • Fixed (Stop tail, tele style) • Whammy bar (standard, 2 point, Floyd Rose, Kahler, Bigsby) • Electronics • Controls • Pickups • Body shape • Single Cutaway • Dual Cutaway • Other Body Pickups Strap Button Bridge (Whammy Bar) Strings Strap Button Pickup Selector Switch Pick Output Guard Jack Coil Split Switch Volume Control Tone Controls Neck String Retainer Tuners & Tuning Pegs Locking Nut Manufacturer and Model Maple Neck Headstock Rosewood Fingerboard Fret Markers Electronics • Electrical • Pickups • Single Coil • Strat • Tele • P90 • Humbucker • 4 wires • Switches • 1 pole 2 throw with bridging • 2 pole 3 throw with and without bridging • 4 pole 5 throw – Super Switch • Pots • Standard Values • 250k, 500k, 1 Meg • Variants • No-Load, Push Pull Pictures of Electronics • Pots • Switches & Jack • Pickups Pickups • The Fundamental guitar pickup is • Source of magnetism North • 1 magnet under 6 ferro- magnetic pole pieces South • 6 magnetic pole pieces • A coil of wire • Usually several thousand turns of wire • The more turns • The hotter the output signal North • The more higher frequency components lost. -
Gibson Declares Bankruptcy
Gibson Declares Bankruptcy David Diaz, CEO,Davenport Laroche Another timeless rock and roll icon is headed to “rehab”. This time, though, it’s not a performer. It’s the brand that tied together some of rock’s biggest names, from Elvis Presley to Keith Richards, Jerry Garcia, Slash, Ace Frehley and Jimmy Page. Each of these icons played Gibson. Slash, in fact, was an official brand ambassador for the guitar brand he proudly played on stage during a meteoric six-year run with Guns ‘n Roses. Seeing one of the new breed of guitar gods ripping through sets on his Gibson inspired a new generation of shredders to grab their Les Paul or Standard, jam and dream. Now, though, Gibson has hit a major roadblock, filing for bankruptcy protection as the company struggles to mitigate half a billion dollars in debt. As a result of the bankruptcy filing, the press is reporting that creditors will “take control” of the company, that was founded way back in 1902 and helped defined American music for more than a century. Because Gibson guitars were so popular for so many years, many are wondering why, exactly, the company is in such dire straits. There are several reasons, though many are blaming the relatively recent acquisition of Philips’ consumer audio division a few years back. That, in fact, is the first thing Gibson’s new ownership plans to let go in an attempt to get the business back in the black. The company will divest itself of the line of headphones, loudspeakers and turntables that have proven to be a drag on profitability. -
GUITARS at AUCTION FEBRUARY 27 Dear Guitar Collector
GUITARS AT AUCTION FEBRUARY 27 Dear Guitar Collector: On this disc are images of the 284 guitars currently in this Auction plus an GUITARS additional 82 lots of collectible amps, music awards and other related items all being sold on Saturday, February 27. The Auction is being divided into two sessions AT AUCTION FEBRUARY 27 starting at 2pm and 6pm (all East Coast time.) Session I, contains an extraordinary array of fine and exciting instruments starting with Lot 200 on this disc. The majority of lots in this Auction are being sold without minimum reserve. AUCTION Saturday, February 27 The event is being held “live” at New York City’s Bohemian National Hall, a great Session I – 2pm: Commencing with Lot #200 setting at 321 East 73rd Street in Manhattan. For those unable to attend in person, Session II – 6pm: Commencing with Lot #400 the event is being conducted on two “bidding platforms”… liveauctioneers. com and invaluable.com. For those who so wish, telephone bidding can easily PUBLIC PREVIEW February 25 & 26 be arranged by contacting us. All the auction items will be on preview display Noon to 8pm (each day) Thursday and Friday, February 25 and 26, from 12 noon to 8 pm each day. LOCATION Bohemian National Hall 321 East 73rd Street Please note that this disc only contains photographic images of the items along New York, NY with their lot headings. For example, the heading for Lot 422 is 1936 D’Angelico ONLINE BIDDING Liveauctioneers.com Style A. Descriptions, condition reports and estimates do not appear on this disc. -
Layout 1 (Page 1)
OWNER’S MANUAL 1550-07 GUS © 2007 Gibson Guitar Corp. To the new Gibson owner: Congratulations on the purchase of your new Gibson electric guitar—the world’s most famous electric guitar from the leader of fretted instruments. Please take a few minutes to acquaint yourself with the information in this booklet regarding materials, electronics, “how to,” care, maintenance, and more about your guitar. And then begin enjoying a lifetime of music with your new Gibson. The Components of the Solidbody Electric Guitar 4 Gibson Innovations 6 The History of Gibson Electric Guitars 8 DESIGN AND CONSTRUCTION Body 13 Neck and Headstock 13 Pickups 14 Controls 15 Bridge 17 Tailpiece 18 CARE AND MAINTENANCE Finish 19 Your Guitar on the Road 19 Things to Avoid 20 Strings 21 Install Your Strings Correctly 22 String Gauge 23 Brand of Strings 23 NEW TECHNOLOGY The Gibson Robot Guitar 24 64 Strap Stopbar Tune-o-matic Three-way 12th Fret Button Tailpiece Bridge Pickups Toggle Switch Marker/Inlay Neck Fret Fingerboard Nut Headstock The Components of the Solidbody Electric Guitar Featuring a Les Paul Standard in Heritage Cherry Sunburst Input Jack Tone Volume Binding Body Single Truss Machine Tuning Controls Controls Cutaway Rod Heads Keys Cover 57 Strap Stopbar Tune-o-matic 12th Fret Button Body Tailpiece Bridge Pickups Neck Marker/Inlay Fret Fingerboard Nut Headstock Three-way Toggle Switch The Components of the Solidbody Electric Guitar Featuring a V-Factor Faded in Worn Cherry Input Jack Tone Volume Pickguard Truss Machine Tuning Control Controls Rod Heads Keys Cover 6 Here are just a few of the Gibson innovations that have reshaped the guitar world: 1894 – First archtop guitar 1922 – First ƒ-hole archtop, the L-5 1936 – First professional quality electric guitar, the ES-150 1947 – P-90 single-coil pickup introduced 1948 – First dual-pickup Gibson, the ES-300 1949 – First three-pickup electric, the ES-5 1949 – First hollowbody electric with pointed cutaway, the ES-175 1952 – First Les Paul guitar 1954 – Les Paul Custom and Les Paul Jr.