Blue Book of Electric Guitars Sixth Edition
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Press Release December 30, 2014 Media Contact Bill Mcelhone
Press Release December 30, 2014 Media Contact Bill McElhone Kalamazoo Valley Museum Director 269-373-7990, [email protected] January 10 Hands-On Event Celebrates Kalamazoo’s “Heroes in Time” During the Jan. 10 “Heroes in Time” hands-on program at the Kalamazoo Valley Museum, guests are invited to discover local heroes by creating artifact reproductions and going on a scavenger hunt through the Kalamazoo Valley Museum’s history gallery. The free event runs from 1 to 4 p.m. The Museum’s hands-on programs are designed for children ages 5-12 and their families. Hands- on activities highlight different parts of the Museum's permanent and temporary exhibits and collections. Participants make arts and crafts to take home and sometimes see demonstrations or performances. When the Kalamazoo Valley Museum opened its newly-renovated history gallery, “Kalamazoo Direct to You,” it recognized the everyday local heroes who helped Kalamazoo become the place it is today. Take a celebratory walk through history creating crafts inspired by the imaginations of entrepreneurs, inventors, and leaders from the past. Samuel Gibson came from Fitchburg, Massachusetts in 1867 to be the Kalamazoo Paper Company’s bookkeeper. He went on to become plant superintendent and later the company president. Not only did the company produce a wide variety of papers, they formed their own town and company baseball team. Learn how to fold a paper baseball. Ted McCarty became president of the Gibson Guitar Company in 1950 and oversaw the development of the renowned Les Paul solid-body electric guitar. Create your own guitar design on a wooden guitar. -
2013 Full Line Catalog 2013
Electric Guitars, Electric Basses, Acoustic Guitars, Amplifiers, Effects & Accessories 2013 Accessories Effects & Amplifiers, Guitars, Electric Acoustic Electric Basses, Guitars, www.ibanez.com 1726 Winchester Road, Bensalem, PA 19020 · U.S.A. · ©2012 Printed in Japan NOV12928 (U) For Authorized Dealers Only - All finishes shown are as close as four-color printing allows. CATALOG - All specifications and prices are subject to change without notice. 2013 FULL LINE Table of Contents Solid Body Electric Guitars Signature Models 6-10 Iron Label RG/S 11-13 RG/GRG/GRX/MIKRO 13-26 RGA 26 RGD 27 S 28-31 X 32-33 FR 33 ARZ 34 AR 34-35 ART 35-36 Jumpstart 37 Hollow Body Electric Guitars Signature Models 40-41 Artstar 41 Artcore Expressionist 42-44 Artcore 44-47 Electric Basses Signature Models 50-51 SR 51-61 Grooveline 62-63 BTB 64-65 ATK 66-67 Artcore 67-68 GSR/MIKRO 68-73 Jumpstart 73 Acoustic Guitars Signature Models 76 Artwood 77-81 PF 82-85 SAGE 85 AEG 86 AEL 87 AEF 88-89 EW 90-91 Talman 91-92 AEB 92 SAGE Bass 93 Classical 93-95 Ukulele 95-96 Banjo 96 Resonator 96 Mandolin 97 Jampack 98 Amplifiers/Effects/Accessories Tube Screamer Amplifier 100-101 Wholetone 101 Promethean 102-103 Sound Wave 103 Troubadour 104-105 IBZ 105 Tube Screamer 106 9 Series 107 Echo Shifter 108 Signature Effect Pedal 109 Wah Pedals 109 Tuners 110 Cables & Adapter 110 Stand 111 Tremolo Arm 111 Picks 111 Cases/Straps 112 Bags/Microphone Stand 113 02 for more information visit www.Ibanez.com for more information visit www.Ibanez.com 03 04 for more information visit www.Ibanez.com -
Luthier Rob Engel Started Taking out These Guitars, and They Were Just Phe - by Marc A
attic – he had a sort of workshop up there – and he Luthier Rob Engel started taking out these guitars, and they were just phe - by Marc A. Ybaben, Ph.D. nomenal pieces of work! I mean they were beautiful; each one was an original piece. Some of them he had worked on with a guy named Tom Doyle – he’s a gui - tar maker and pickup maker from New Jersey – they had been buddies and they had worked together on dif - ferent stuff, and the bug bit me right there! I started looking at the guitars and I guess he saw the expression on my face, and he said, “Well, you can do this, you know.” And I was thinking, “Yeah, right!” but I really had to give it a shot, so I did. I went out and bought all kinds of books, and I already had a garage in the back of my house that served as a wood shop — which is what I did for a living anyhow — and I got started by Photo courtesy Paul Johnson bringing wood home from jobs that were scraps and left-overs, basically practicing until I started to under - hanks to the wonders of YouTube, a friend sent stand how things worked. Then Lenny introduced me me a video of an East Coast guitarist named Bob to Tom Doyle, and he got me a job with Tommy; I TDeVos. I immediately noticed two things: that worked with him for about three years. I really wasn’t Bob was a monster player – incredible lines and sound! making any money there, so I went back to cabinet – and that he played a very cool-looking guitar. -
Breedlove Owner's Manual
1 BREEDLOVE Owner’s MANUAL Breedlove Owner’s Manual TABLE OF CONTENTS A Note From Kim Breedlove 4 How To Experience Breedlove 7 Humidity, Temperature and Solid Wood Instruments 8 Neck Truss Rod Adjustment 10 Breedlove Bridge Truss 12 Adjustment Bolt Sizes for Breedlove Instruments 14 Steel-String Acoustic Guitar Set Up Specifications 15 Changing Strings on your Breedlove Guitar 16 Breedlove Mandolins 17 Electronics Configurations for Acoustic Guitars 19 Cleaning Your Breedlove Instrument 19 Breedlove Factory String Specifications 22 Breedlove Warranty 22 Keep a record of your Breedlove Guitar 25 5 THANK YOU Thank you for purchasing your new Breedlove instrument. You are now the caretaker of a fine stringed instrument. Every instrument we produce is special to us and we hope it will bring you many years of enjoyment. To preserve the remarkable tone and playability of your Breedlove we have some simple suggestions to help ensure that your instrument will be making beautiful music for years to come. Should you ever have questions or concerns please send us an email at: [email protected] Sincerely, Kim Breedlove 5 DISTINCTIVELY CRafted SOUND. We love what we do. After all, it’s in our name. We are master luthiers who create instruments of true distinction. It’s in our DNA to push the boundaries of design and craftsmanship. Being different is never the easy path. But in our view, it has far greater rewards. And while we respect tradition, we simply choose not to make instruments of yesterday. Imagination compels us to make instruments of tomorrow. 7 Welcome to the Breedlove family where you are about to experience the highest quality craftsmanship, customer service and an unmatched passion for music and fine instruments. -
Our Comprehensive Technical Inspection Ensures Your Guitar Ships in Peak Condition and Is Ready to Play Right out Of
238 ELECTRIC GUITARS FENDER FENDER CLASSIC CORONADO SERIES LACQUER FENDER • Thinline semi-hollowbody • Strats have 6-saddle vintage-style STARCASTER guitar with binding bridge; Tele has 3-barrel saddle bridge • Offset thinline semi-hollowbody • Laminated maple body Period-correct controls and switching guitar with binding with alder center-block • Alder body Stratocasters or • Laminated maple body • Dual Fideli’Tron™ ash body Telecaster with alder center-block humbucking pickups • Gloss nitrocellulose lacquer • Dual Wide Range • 21-fret “C”neck; 9.5" radius finish will relic/age naturally humbucking pickups • Pinned Adjusto-matic™ bridge • Vintage-style single-coil pickups • 22-fret “C”neck; 9.5" radius w/floating “F” trapeze tailpiece • Maple neck with vintage- accurate 7.25" radius • Pinned Adjusto-matic™ bridge CORONADO-RW with anchored tailpiece Semi-hollowbody • 50’s Strat has ‘V’-neck; electric guitar ..................699.99 60’s Strat has ‘C’-neck STARCASTER-MN Offset semi-hollowbody TELE-50S-MN-WBL ............ 899.99 electric guitar ......... 699.99 STRAT-50S-MN-CAR .......... 899.99 STRAT-60S-RW-3TSB ......... 899.99 FINISH OPTIONS: FINISH OPTIONS: FINISH OPTIONS: 50’s 50’s 60’s Tele Strat Strat NEW! FENDER AMERICAN FENDER DELUXE NEW! FENDER FISHMAN® DELUXE STRAT® PLUS STRATOCASTER® HSS TRIPLEPLAY NEW! • 3 Strats in one - “Personality cards” PLUS TOP WITH IOS STRATOCASTER® HSS allow you to instantly rewire the guitar CONNECTIVITY • HSS guitar with onboard with pickup/circuitry modifications • Onboard USB audio interface and -
Gibson Declares Bankruptcy
Gibson Declares Bankruptcy David Diaz, CEO,Davenport Laroche Another timeless rock and roll icon is headed to “rehab”. This time, though, it’s not a performer. It’s the brand that tied together some of rock’s biggest names, from Elvis Presley to Keith Richards, Jerry Garcia, Slash, Ace Frehley and Jimmy Page. Each of these icons played Gibson. Slash, in fact, was an official brand ambassador for the guitar brand he proudly played on stage during a meteoric six-year run with Guns ‘n Roses. Seeing one of the new breed of guitar gods ripping through sets on his Gibson inspired a new generation of shredders to grab their Les Paul or Standard, jam and dream. Now, though, Gibson has hit a major roadblock, filing for bankruptcy protection as the company struggles to mitigate half a billion dollars in debt. As a result of the bankruptcy filing, the press is reporting that creditors will “take control” of the company, that was founded way back in 1902 and helped defined American music for more than a century. Because Gibson guitars were so popular for so many years, many are wondering why, exactly, the company is in such dire straits. There are several reasons, though many are blaming the relatively recent acquisition of Philips’ consumer audio division a few years back. That, in fact, is the first thing Gibson’s new ownership plans to let go in an attempt to get the business back in the black. The company will divest itself of the line of headphones, loudspeakers and turntables that have proven to be a drag on profitability. -
GUITARS at AUCTION FEBRUARY 27 Dear Guitar Collector
GUITARS AT AUCTION FEBRUARY 27 Dear Guitar Collector: On this disc are images of the 284 guitars currently in this Auction plus an GUITARS additional 82 lots of collectible amps, music awards and other related items all being sold on Saturday, February 27. The Auction is being divided into two sessions AT AUCTION FEBRUARY 27 starting at 2pm and 6pm (all East Coast time.) Session I, contains an extraordinary array of fine and exciting instruments starting with Lot 200 on this disc. The majority of lots in this Auction are being sold without minimum reserve. AUCTION Saturday, February 27 The event is being held “live” at New York City’s Bohemian National Hall, a great Session I – 2pm: Commencing with Lot #200 setting at 321 East 73rd Street in Manhattan. For those unable to attend in person, Session II – 6pm: Commencing with Lot #400 the event is being conducted on two “bidding platforms”… liveauctioneers. com and invaluable.com. For those who so wish, telephone bidding can easily PUBLIC PREVIEW February 25 & 26 be arranged by contacting us. All the auction items will be on preview display Noon to 8pm (each day) Thursday and Friday, February 25 and 26, from 12 noon to 8 pm each day. LOCATION Bohemian National Hall 321 East 73rd Street Please note that this disc only contains photographic images of the items along New York, NY with their lot headings. For example, the heading for Lot 422 is 1936 D’Angelico ONLINE BIDDING Liveauctioneers.com Style A. Descriptions, condition reports and estimates do not appear on this disc. -
Layout 1 (Page 1)
OWNER’S MANUAL 1550-07 GUS © 2007 Gibson Guitar Corp. To the new Gibson owner: Congratulations on the purchase of your new Gibson electric guitar—the world’s most famous electric guitar from the leader of fretted instruments. Please take a few minutes to acquaint yourself with the information in this booklet regarding materials, electronics, “how to,” care, maintenance, and more about your guitar. And then begin enjoying a lifetime of music with your new Gibson. The Components of the Solidbody Electric Guitar 4 Gibson Innovations 6 The History of Gibson Electric Guitars 8 DESIGN AND CONSTRUCTION Body 13 Neck and Headstock 13 Pickups 14 Controls 15 Bridge 17 Tailpiece 18 CARE AND MAINTENANCE Finish 19 Your Guitar on the Road 19 Things to Avoid 20 Strings 21 Install Your Strings Correctly 22 String Gauge 23 Brand of Strings 23 NEW TECHNOLOGY The Gibson Robot Guitar 24 64 Strap Stopbar Tune-o-matic Three-way 12th Fret Button Tailpiece Bridge Pickups Toggle Switch Marker/Inlay Neck Fret Fingerboard Nut Headstock The Components of the Solidbody Electric Guitar Featuring a Les Paul Standard in Heritage Cherry Sunburst Input Jack Tone Volume Binding Body Single Truss Machine Tuning Controls Controls Cutaway Rod Heads Keys Cover 57 Strap Stopbar Tune-o-matic 12th Fret Button Body Tailpiece Bridge Pickups Neck Marker/Inlay Fret Fingerboard Nut Headstock Three-way Toggle Switch The Components of the Solidbody Electric Guitar Featuring a V-Factor Faded in Worn Cherry Input Jack Tone Volume Pickguard Truss Machine Tuning Control Controls Rod Heads Keys Cover 6 Here are just a few of the Gibson innovations that have reshaped the guitar world: 1894 – First archtop guitar 1922 – First ƒ-hole archtop, the L-5 1936 – First professional quality electric guitar, the ES-150 1947 – P-90 single-coil pickup introduced 1948 – First dual-pickup Gibson, the ES-300 1949 – First three-pickup electric, the ES-5 1949 – First hollowbody electric with pointed cutaway, the ES-175 1952 – First Les Paul guitar 1954 – Les Paul Custom and Les Paul Jr. -
Overview Guitar Models
14.04.2011 HOHNER - HISTORICAL GUITAR MODELS page 1 [54] Image Category Model Name Year from-to Description former retail price Musima Resonata classical; beginners guitar; mahogany back and sides Acoustic 129 (730) ca. 1988 140 DM (1990) with celluloid binding; 19 frets Acoustic A EAGLE 2004 Top Wood: Spruce - Finish : Natural - Guitar Hardware: Grover Tuners BR CLASSIC CITY Acoustic 1999 Fingerboard: Rosewood - Pickup Configuration: H-H (BATON ROUGE) electro-acoustic; solid spruce top; striped ebony back and sides; maple w/ abalone binding; mahogany neck; solid ebony fingerboard and Acoustic CE 800 E 2007 bridge; Gold Grover 3-in-line tuners; shadow P7 pickup, 3-band EQ; single cutaway; colour: natural electro-acoustic; solid spruce top; striped ebony back and sides; maple Acoustic CE 800 S 2007 w/ abalone binding; mahogany neck; solid ebony fingerboard and bridge; Gold Grover 3-in-line tuners; single cutaway; colour: natural dreadnought western guitar; Gruhn design; 20 nickel silver frets; rosewood veneer on headstock; mahogany back and sides; spruce top, Acoustic D 1 ca. 1991 950 DM (1992) scalloped bracings; mahogany neck with rosewood fingerboard; satin finish; Gotoh die-cast machine heads dreadnought western guitar; Gruhn design; rosewood back and sides; spruce top, scalloped bracings; mahogany neck with rosewood Acoustic D 2 ca. 1991 1100 DM (1992) fingerboard; 20 nickel silver frets; rosewood veneer on headstock; satin finish; Gotoh die-cast machine heads Top Wood: Sitka Spruce - Back: Rosewood - Sides: Rosewood - Guitar Acoustic -
01437 1965 Epiphone Olympic SB 722D. Sunburst (9.00)
A Fine, All Original Mid-Sixties Two Pick-Up Epiphone Olympic 1965 Epiphone Olympic SB 722D. Sunburst (9.00). #01437 $1,750 This fine and very light guitar weighs just 5.60 lbs. One-piece mahogany neck with a fast thin-to-medium profile. Black faced 'Batwing' headstock with "Epiphone" silk-screened in gold. Rosewood fretboard with 22 original jumbo frets and pearl dot markers. Serial number "323241" stamped in blind on back of headstock. Six-in-a-row 'double-line' Kluson Deluxe tuners with white plastic oval buttons. The scale length is a standard Gibson 24 3/4 inches and the nut width is just over 1 9/16 inches. Two Melody Maker single-coil pickups with nice, balanced outputs of 6.97k and 7.09k. Single-layer white plastic pickguard with inlaid silver Epiphone 'Epsilon' and eight screws. Four controls (two volume, two tone) plus three-way selector switch and jack socket, all on pickguard. Black plastic ribbed-sided knobs with metal tops with red markings. The potentiometers are stamped "134 6508" & "134 6523" (Centralab February & June 1965). Combination ridged "wrap-over" bridge, factory Epiphone Vibrola tailpiece with tubular tremolo arm with walrus-tooth tip. There is a minimal amount of belt-buckle scarring on the back and a few very small surface marks, mainly on the edges. This fine little, all original mid- sixties guitar is in exceptionally fine (9.00) condition. Housed in a later 3-latch black softshell case with blue felt lining (8.50). "The solidbody line got a complete overhaul that gave the models as much first- impression power as the new sharp-pointed, double-cutaway Gibson SG models. -
Fitting a Fishman Matrix Infinity in an Archtop Guitar
Fitting a Fishman Matrix Infinity in an Archtop Guitar This was the first archtop guitar where I installed the FMI system: It is a 15-inch archtop, small and comfortable to play. It has several uncommon details, for example the bridge: Being so low, it could not have the usual adjustment wheels; instead, it has two grub screws threaded in the saddle that push onto two brass pieces embedded in the foot. This low bridge was the result of a design towards low pressure, which allowed me to make a thinner, more responsive top. You can see that there is a tailpiece, as in most archtops, but the fretboard is glued to the top, which is characteristic of flat tops: Archtops usually have a neck extension that raises the last section of the fretboard above the top. This low pressure design was the origin of some problems. At first, I installed a cheap piezo/preamp system with an undersaddle pickup, but I could never get a balanced volume for all the strings. I tried the obvious solutions, but nothing seemed to work. One of the problems that I saw was that the ebony saddle flexed a little under the pressure of the strings. I thought of using some kind of reinforcement or make it bigger, but first I tried to make another from a block of Granadillo wood (Dalbergia melanoxylon), which was noticeably stiffer than ebony. If you look closely with good light you’ll see that it is not the same color as the foot (Ebony): This worked perfectly and has remained without any distortion since I made it more than a year ago, but it didn’t fix the balance problems of the saddle inside it. -
Christie's to Offer Les Paul's Personal “Number One” ~ the Guitar That
PRESS RELEASE | NEW YORK I FOR IMMEDIATE RELEASE : 18 A U G U S T 2021 CHRISTIE’S TO OFFER LES PAUL’S PERSONAL “NUMBER ONE” ~ THE GUITAR THAT STARTED IT ALL THE FIRST GIBSON LES PAUL GUITAR OWNED & APPROVED BY THE FATHER OF THE SOLID-BODY ELECTRIC GUITAR ~ OFFERED AT CHRISTIE’S ‘EXCEPTIONAL SALE’ ON OCTOBER 13 IN NEW YORK Gibson Incorporated, Kalamazoo, Michigan, Circa 1951-52 The solid-Body Electric Guitar, Known as Les Paul’s “Number One” Les Paul Model Artist's Prototype Estimate: $100,000-150,000 Les Paul “is part of a homespun tradition of scientific wizards that includes Benjamin Franklin and Thomas Edison.” ~The Rock & Roll Hall of Fame New York— Christie’s announces Les Paul’s own personal ‘Number One,’ the very earliest approved production model of the famed Gibson Les Paul electric guitar which monumentally changed the development of Rock’n’Roll in the 20th Century will be featured in The Exceptional Sale on October 13 in New York. Along with Mr. Paul, Gibson Incorporated developed this innovative solid body electric guitar circa 1951-1952 to meet the demanding standards of guitar virtuoso and inventor, Les Paul, who designated this his Number One; the first solid electrified guitar that met with his approval, and was the culmination of his lifelong dream. Kerry Keane, Christie’s consultant and Musical Instruments Specialist, remarks, “In any creation narrative there are always multiple protagonists, but the name Les Paul ranks at the pinnacle when discussing the electric guitar. His development of multi-track recording, and audio effects like delay, echo, and reverb all profoundly influenced how music is reproduced and heard.