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THE YEAR IN

REVIEWTHE WALTERS ANNUAL REPORT 2003 , France, Ms.M.638, folio 23 verso, 1244–1254, The Pierpont Morgan Library, New York Dear Friends: After more than three intense years renovating and reinstalling our Centre Street Building, which con- cluded in June 2002 with the opening of our transformed 19th-century galleries, we stepped back in fiscal year 2002–2003 to refocus attention on our Charles Street Building, with its , , and rococo collections, in preparation for its complete reinstallation for a fall 2005 opening. For the Walters, as for cultural institutions nationwide, this was more generally a time of reflection and retrenchment in the wake of lingering uncertainty after the terrorist attack of 9/11, the general economic downturn, and significant loss of public funds. Nevertheless, thanks to Mellon Foundation funding, we were able to make three new mid-level curatorial hires, in the departments of ancient, medieval, and Renaissance and baroque art. Those three endowed positions will have lasting impact on the museum, as will a major addition to our galleries: in September 2002, we opened a comprehensive display of the arts of the ancient Americas, thanks to a long-term loan from the Austen-Stokes Foundation. Now, for the first time, we are able to expand on a collecting area entered nearly a century ago, to match our renowned ancient and medieval holdings in quality and range with more than four millennia of works from the western hemisphere. The 2002–2003 season was marked by three major exhibitions organized by the Walters, and by the continued international tour of a fourth Walters show, Desire and Devotion. In the fall, The Book of Kings, funded in part by the National Endowment for the Humanities, explored in depth one of the greatest of all medieval , a pic- ture Bible of the 13th century in the Morgan Library, possibly made for King Louis IX of France. Then, in the late winter and spring, we mounted two exhibitions as our contribution to the city- wide celebration of St. Petersburg’s 300th anniversary, Vivat! St. Petersburg. One, The Fabergé Menagerie, was assembled from collections worldwide and went on a national tour after it closed at the Walters, whereas the other, Origins of the Russian Avant-Garde, was a collaborative project between the Walters and the State Russian Museum. The latter was favorably reviewed in the Wall Street Journal, New York Times, and Washington Post, as well as in local press. However, exhibitions were not the only changes at the Walters. After more than two decades of increas- ing leadership, including six years as board president (1994–2000) and then three as chair, Adena Testa stepped back (and up) to the status of emerita. Though we will greatly miss her, I am absolutely certain that Dena Testa will continue to be at the heart of all that the Walters is and does. During these challenging economic times, our ability to move forward with our mission “to bring art and people together,” and thereby to fulfill Henry Walter’s mandate to act “for the benefit of the public,” depends all the more on you, our supporters.

Yours sincerely,

Gary Vikan Director

2 • the | annual report 2003 TABLE OF CONTENTS

The Year in Review

Curatorial Affairs and Exhibitions

Conservation and Technical Services

Education and Public Programs

Development

Marketing and Communications

Exhibitions

Acquisitions

Donors

Volunteers

Staff

Financials (detail), 1911, oil on canvas, The State Russian Museum, St. Petersburg Peasants Natalia Goncharova, Natalia Goncharova, annual report 2003 | the walters art museum • 3 The Year in Review CURATORIAL AFFAIRS & EXHIBITIONS

TOGETHER, THE CURATORIAL AND EXHIBITIONS DIVISIONS produced 23 dis- crete exhibition projects in-house. Four traveling exhibitions organized by the Walters were enjoyed by audiences in Albuquerque, Birmingham, Kansas City, Nashville, and Leuven, Belgium. As part of the citywide festival Vivat! St. Petersburg, the Walters Art Museum celebrated the 300th anniver- sary of the founding of St. Petersburg, , with two international loan exhibitions: Origins of the Russian Avant Garde and The Fabergé Menagerie.

IN ADDITION TO GROWING THROUGH INDIVIDUAL ACQUISITIONS, the perma- nent collection increased significantly in one core department, Asian art, and dramatically expanded into another field, the art of the ancient Americas. The gifts of John and Berthe Ford and the Charitable Foundation have fundamentally transformed the museum’s col- lection of southeast Asian art. A long-term loan from the Austen-Stokes Foundation provided the museum with a superlative collection of the art of the ancient Americas.

THE CURATORIAL DIVISION PRODUCED THREE EXHIBITION CATALOGUES, and individual curators and curatorial fellows authored and/or edited one addi- tional exhibition catalogue, one book, and thirteen articles.

THE CURATORIAL DIVISION PARTICIPATED IN EXHIBITION SYMPOSIA held in conjunction with The Book of Kings: Art, War, and The Morgan Library’s Medieval Picture Bible and Origins of the Russian Avant-Garde, and the curators and curatorial fellows delivered 42 lectures and/or professional papers.

THE REINSTALLATION OF THE COLLECTIONS IN THE CHARLES STREET (detail), 1928–9, , oil on The plywood, State Russian Museum, St. bottom:Petersburg; France, Ms.M.638, recto folio 15 (detail), “The Story of Samson and Delilah”, The Pierpont Morgan Library, New York BUILDING, scheduled to reopen in October 2005, is the major, ongoing proj- ect spearheaded by the curatorial division, working closely with every other Reaping. Modello division in the museum. During fiscal year 2003, enormous strides were made in all areas of the project, including the overall vision, object selec- tion, installation design, and preparation of interpretive didactics. Top: Kazimir Malevich, 4 • the walters art museum | annual report 2003 The Year in Review CONSERVATION & TECHNICAL RESEARCH

AS THE MUSEUM HAS FOCUSED ON THE CHARLES STREET BUILDING REINSTAL- LATION, conservation has made progress in the treatment of Renaissance works of art. With funding from the Kress Foundation and the Mangione family, two large-scale altarpieces were studied and treated. The treatment has so transformed the Neri di Bicci altarpiece that many visitors will not recognize it. The Giovanni di Paolo altarpiece will be on view for the first time in the history of the Walters when the Charles Street Building reopens.

THROUGH THE GENEROSITY OF THE VON HESS FOUNDATION, we have been able to carry out a study of a group of our Renaissance bronzes in collaboration with the National Gallery in Washington, D.C. We have also been able to analyze the enamel on our Renaissance jewelry, enabling us to distinguish between Renaissance creations and later imitations.

SIGNIFICANT PROGRESS HAS BEEN MADE IN THE CONSERVATION OF THE . Half of the was disbound to facilitate imaging and transcription by scientists and scholars. The biggest challenge was developing a protocol for removing a tenacious, intractable adhesive that had been applied in the past to the second half of the manuscript.

WITH FUNDING FROM THE WYETH FOUNDATION, research was begun on a large landscape by . The goal was to test the theory of an art historian that our painting was a part of a larger painting thought to have been destroyed in an accident in the 19th century. Two in other collections, also believed to be from the same larger painting, were brought together with ours with startling results.

THE CARE OF OUR ISLAMIC MANUSCRIPT COLLECTION has also been a priority this year. A study of the Walters’ copy of the Ottoman map album has highlighted European influences on Ottoman mapmakers and suggests re-dating the manuscript to the second quarter of the 18th century. The Archimedes Palimpsest annual report 2003 | the walters art museum • 5 The Year in Review EDUCATION & PUBLIC PROGRAMS

THE FIRST WALTERS AND SMITHSONIAN ASSOCIATES COLLABORATIVE SEMINAR sold out in less than one month. The seminar, “St. Petersburg: The Splendor of Its Arts,” was held on March 1, 2003, in conjunction with the citywide festival Vivat! St. Petersburg.

THREE FAMILY FESTIVAL DAYS brought in a record attendance of over 5,000 kids and families.

THE WALTERS COMPLETED THE THREE-YEAR Mummies, Manuscripts and Myths art and literacy program for selected Baltimore City elementary students. The program, which served over 1,000 2nd-, 3rd-, and 4th-grade students successfully demonstrated that art museums such as the Walters can be used to motivate academic achievement and support emerging literacy skills.

THE FAMILY ART CENTER EXPANDED to include a puppet theater, costume area, and Discovery Cart, based on Walters’ collections, for visitors to enjoy without an educator present.

THE WALTERS’ FIRST MOTHER’S DAY TEA AND CONCERT, a collaboration with the Women’s Committee of the Walters Art Museum, was a sold-out event that featured a performance by the Army Field Band on the Sculpture Court.

ATTENDANCE AT OUR DROP-IN FAMILY ART PROGRAMS on Saturday increased

by 136%, and at our Studio Art Programs for schoolchildren by 70%. oil (detail), on 1917, cardboard, The State Russian Museum, St. bottom:Petersburg; Activities in the ArtFamily Center Churches. Churches. New Jerusalem Top: Aristarkh Lentulov, 6 • the walters art museum | annual report 2003 The Year in Review DEVELOPMENT

WITH THE SUPPORT AND GENEROSITY OF OVER 1,300 FRIENDS, Annual Giving raised a record $1,237,201 for the operating budget. Without these critical gifts from donors at all giving levels, the museum would not be able to pres- ent the collection and related programs to the public, and we offer our heartfelt thanks.

A MEMBERSHIP DRIVE DURING The Fabergé Menagerie and Origins of the Russian Avant-Garde exhibitions resulted in the acquisition of 900 members, bring- ing membership to 9,621. Members enjoy free admission to the collection, discounts at the café and store, and reduced or waived fees at programs.

THE EXHIBITION Art of the Ancient Americas opened with great flourish at the “Where the Wild Things Were” gala on October 12, 2002. and alpacas nuzzled up to 500 guests as they arrived and then led them to a dinner under palm trees.

TWELVE PEOPLE JOINED THE LEGACY SOCIETY, bringing the group to a record high of 133 people who have made provisions for the Walters in their estate plans. These generous donors have helped the Walters secure for future gen- erations access to excellent programming and unparalleled works of art.

THE FRIENDS OF THE WALTERS CONTINUED TO GET “SHAKEN AND STIRRED BY ART!” The Friends hosted two very successful special events and enjoyed two behind the scenes tours with the museum director.

IN ADDITION TO THE GENEROUS INDIVIDUAL SUPPORT THE WALTERS RECEIVES, we are fortunate to be associated with a dedicated group of corporate part- ners. These partners, a group of commitment businesses throughout the region, recognize the importance of the Walters to the vitality of Baltimore. Again, many thanks for your continued support and dedication. Top: “Where the Wild gala; Things bottom:Were” Art Blooms 2003 display in the 19th-Century Art Galleries annual report 2003 | the walters art museum • 7 8 • the walters art museum | annual report 2003 report annual | museum art walters the COMMUNICATION & MARKETING O travelwriters. and arts national fortours media hosted Walters’staff Baltimore. to tourists cultural new brought and attention national and regional generated culture promote and T travelconference.Association Bus American national the in participating as well Festivalas Heritage American African the and at booths outreachworld, coordinating outside Walters the to the took also Marketingvisitors.staff 200,000 some to providers tality hospi- and greeters as hours 2,722 contributed who volunteers, desk mation T million. over84 of audience an to people and projects, tions, Walterscollec- of exhibitions, news worldwide,bringing television and radio CHANDISE V P a companion piece to the best-selling the to piece companion a Walters’ touring exhibition Walters’touring accompanythe to collection 19th-century the from imagesby inspired items gift other and notecards of series a developedstore the addition, In 2001. in M swing. to salsa to blues from ranging dance and music, activities, art adult tours, gallery of livelyforevenings night per 800 and between500 of crowds diverse and young attracting events, night The Year in Review Yearin The UBLIC HE POPULAR FOUR COORDINATED DIVISION HE ISITORS RVSTRSRIE EATETCODNTDTEEFFORTS THE COORDINATED DEPARTMENT SERVICES VISITOR UR REIGSAFPRNRDWT THE WITH PARTNERED STAFF ARKETING M USEUM R LTOSEFRSRSLE NOVER IN RESULTED EFFORTS ELATIONS A with a reproduction of the 19th-century bronze figure figure bronze 19th-century the of reproduction a with SSOCIATION . This citywide festival of Russian art and art Russian festivalof citywide Vivat!This PetersburgSt.. S OEEPNE ITS EXPANDED TORE and the Baltimore cultural community to package to community cultural Baltimore the and to Monet. to Raphael W ALTERS African African B ALTIMORE “W ’ COLLECTIONS 1,000 ALTERS reproduction introduced reproduction A STORIES REA A FTER C - EAE MER RELATED NETO AND ONVENTION in print and on and print in H OURS of 34 infor- 34 of Prince Said, Prince ” Friday -

Top: Josif Skolnik, Still Life with Yellow Tablecloth (detail), early 1910s, size paint on canvas, The State Russian Museum, St. Petersburg; bottom: Charles-Henri-Joseph Cordier, African Venus (detail), modelled in 1851, bronze EXHIBITIONS

HIGHLIGHTS FROM THE SPECIAL EXHIBITIONS PERMANENT COLLECTION The Book of Kings: Art, War, and The Morgan Everyday Life and Love in Dutch and Flemish Library’s Medieval Picture Bible Painting of the 17th Century October 27–December 29, 2002 March 28–November 17, 2002 The Bible, one of the greatest manuscripts produced A selection of 22 paintings comprised this small in France during the 13th century, and now owned exhibition of highlights of Dutch and Flemish art by the Pierpont Morgan Library, New York, was from the Walters’ collection. loaned to the Walters for this exhibition. The book was disbound, presenting the opportunity to display A Magnificent Age: The 19th-Century many of the pages at once. It recounts biblical histo- Collection of the Walters Art Museum ry in sumptuous color and vivid detail. A large edu- cation gallery accompanied the exhibition. This June 16, 2002–May 25, 2003 exhibition was supported by a grant from the The completion of the renovation and reinstallation National Endowment for the Humanities. of the Centre Street Building was celebrated with the reopening of the 19th-century art galleries. Ringside: The Boxing Paintings and Sculptures of Joseph Sheppard Art of the Ancient Americas November 10, 2002–March 9, 2003 American experience. The 47 watercolors and draw- Opened September 22, 2002 The exhibition focused on 11 boxing subjects—exe- ings exhibited (in two parts) are from some of his

. 600 This long-term installation, the majority of which is cuted in oil on canvas and in bronze—as well as two most beloved books: Sam and the Tigers; The Hired D . A on loan from the directors of the Austen-Stokes self-portraits by Joseph Sheppard. His documentary Hand; Black Cowboy, Wild Horses; The Little Match Girl; Ancient Americas Foundation, surveys the major film “Mr. Mack’s Fighter’s Gym” was also shown in The Ugly Duckling; and Journeys with Elijah. This exhi- . 250– D . cultures of the ancient Americas, including the the gallery. The Walters’ exhibition was part of a A bition was organized by the National Center for , Olmec, Maya, , and Aztec from , multi-venue retrospective celebrating Sheppard’s 50 Children’s Illustrated Literature, Abilene, Texas. and the Valdivia and Inca from . In years as an artist. the 127 beautiful and striking sculptures, vessels, Origins of the Russian Avant-Garde and jewelry, the artists and craftsmen of these cul- The World of Jerry Pinkney tures encoded a wide range of religious beliefs in February 13–May 25, 2003 representations of humans, animals, and supernatu- February 1–April 27, 2003 and Drawing on the collection of the State Russian with Shell Mosaic ral beings. From gem-like objects of stone and gold May 3–July 27, 2003 Museum, St. Petersburg, and part of the Vivat! St. to paintings and ceramic figures, the intricate com- Jerry Pinkney’s delicate, intricately detailed illustra- Petersburg festival, this exhibition presented 163 positions, remarkable naturalism, and sometimes tions have been critically acclaimed both for their works by some of the most original and celebrated powerful abstraction indicates how much remains beauty and for their revisionist take on traditional artists of the 20th century, such as Kandinsky, to be learned about these ancient cultures. narratives from the point of view of the African- Malevich, and Goncharova, and concentrated on the relationship between the art of the Russian avant- garde (ca. 1908–25) and its stylistically “primitive” sources—including icons, signboards, toys, fabrics, and ethnographic objects.

The Fabergé Menagerie February 13–July 27, 2003 Organized in collaboration with the Fabergé Arts Foundation and part of the citywide Vivat! St. Petersburg festival, the exhibition showcased 124 Fabergé works, primarily animal creations, from col- lections in the United States and . Inspired by Japanese netsukes, Fabergé carved delightful, tiny animals from semiprecious stones. Set within the context of the Russian tradition of hardstone carv- ing, the artistry of these miniature creatures was, for the first time, the focus of a Fabergé exhibition.

MANUSCRIPT EXHIBITIONS The Closed Book: Seven Short Stories January 26–August 4, 2002 From the medieval period, when entire manuscripts were handmade, to the present day, bindings have been created or altered to reflect the interests, her-

Female Female Rider and Lions , 1918, oil on glass, The State Russian Museum, St. bottom:Petersburg; Mexico (Teotihuacan), itage, wealth, and tastes of their owners. This exhibi- tion of 24 books explored how certain markings on, or materials of, bindings often reveal fascinating details about the people who once owned and used the books. Top: Wassily Kandinsky, Kandinsky, Wassily Top: annual report 2003 | the walters art museum • 9 A Renaissance Gem Revealed: variety and quality of ancient South Italian art exclusively on producing portraits of actors in cur- ’s Disbound using nine examples from a private collection. rent productions of the Kabuki theater, as this selec- tion of 12 prints illustrates. August 10–November 10, 2002 Faience: The Colors of the Heavens The spectacular late 15th-century manuscript of Osaka Prints II Petrarch’s Triumphs (W.755) possesses qualities cen- May 17–August 3, 2003 tral to the Italian Renaissance: exquisite, jewel-like Faience was a very popular material in for January 15–April 13, 2003 paintings by master artists from Florence and more than 4,000 years. Its blue-green color symbol- The Kabuki theater of Osaka was the center of the Padua; a text by the renowned 14th-century poet ized the heavens. Craftsmen realized early on that by city’s cultural and intellectual life during the 19th Petrarch; by a scribe to the popes; and a only a small change in the components they were century. Many of the actors identified in this selec- passion for classical history, art, and literature. able to produce a material with an intense blue tion of 10 prints were learned men, accomplished in Disbound for conservation treatment, the manu- color, a discovery that allowed them to create the the literary arts. script’s six illustrated pages were on view for the first artificial color in antiquity. This exhibition first time. Nine manuscripts, three books, 22 decora- looked at 46 objects to explore the production and Osaka Prints III tive arts objects, and four paintings enhanced the uses of . significance of this gem of the Italian Renaissance. April 16–July 13, 2003 EXHIBITIONS OF 19TH- AND The print designers of Osaka tended to become involved in all aspects of the production process, The Artful Book: Selections from a 20TH-CENTURY WORKS ON PAPER Contemporary Collection of Books by Artists paying careful attention to color balance and to Awash with Color such effects as embossing. This selection of 13 prints November 16, 2002–February 23, 2003 includes four by Hirosada, the leading print design- June 16–October 27, 2002 The exhibition featured 26 books designed by great er of the mid-19th century, who was also a publisher. book artists of the 20th century. The books were In England in the late 18th century, there was a lent by Betty and Edgar Sweren of Timonium, surge in watercolor painting among both profes- TRAVELING EXHIBITIONS . sional and amateur artists that was sustained throughout the next century in Europe and Realms of Faith: Medieval and The Cross and the Crescent: Books from the America. This exhibition of 23 works demonstrated from the Walters Art Museum, Baltimore Ottoman Age that painting in watercolors and gouache was not confined to any one school of artists during the April 13, 2002–January 2, 2005, March 1–May 18, 2003 19th century. The Frist Center for the Visual Arts, This exhibition focused on 23 glorious books creat- Nashville, Tennessee ed by various cultures within the political sphere of Russian Avant-Garde Prints by El Lissitzky and This exhibition comprises 55 works of art from the the and explored the interaction Moholy-Nagy , A.D. 300–1400, representing the of religions and cultures during the 15th and 16th Migration, Romanesque, and Gothic periods in the March 15–May 25, 2003 centuries. West, and Late Antique, Byzantine, Russian, and This exhibition focused on the set of 11 lithographs Ethiopian in the East. The White Beryl: Tibetan Elemental Divination known as Victory over the Sun by El Lissitzky Paintings (1890–1941), based on his costume designs for the Desire and Devotion: Art from , Nepal, futuristic opera of the same name, first performed and in the John and Berthe Ford May 24–August 10, 2003 in 1913. Lissitzky’s version of Constructivism was Collection This exhibition focused on the finest existing copy juxtaposed with a selection of six constructivist lith- of the White Beryl, which was generously on loan ographs known as the Kestnermappe by László September 7, 2002–January 5, 2003, from a private collection. The manuscript, a master- Moholy-Nagy (1895–1946). The works were on loan Albuquerque Museum, Albuquerque, piece of Tibetan painting consisting of 59 intricate from the Rothschild Art Foundation. New Mexico and exquisitely designed leaves, was commissioned March 9–May 25, 2003, Birmingham during the second half of the 18th century. JAPANESE PRINT EXHIBITIONS Decorated by the artist Sonam Peljor of Tsedong, Museum of Art, Birmingham, Alabama A generous grant from the E. Rhodes and Leona B. the White Beryl is a treatise written by Sangye Gyatso The approximately 150 works of art in this exhibi- Carpenter Foundation provided essential support (1653–1705), regent to the Fifth Dalai Lama, that tion span nearly 2,000 years and represent the great for the conservation, storage, identification, study, unites the astrological learning of and India. religious traditions of India, both as they developed and exhibition of Japanese prints. Chinese and in India itself and as they were carried to Nepal and Japanese paintings were rotated throughout the year Tibet. This exhibition opened at the Walters and is ANCIENT FOCUS EXHIBITIONS on the same schedule as the print exhibitions. circulating internationally. Serapis: The Creation of a God Hirosada and Friends Medieval Mastery: Book Illumination from April 2–September 22, 2002 April 10–July 14, 2002 Charlemagne to Charles the Bold (800–1475) The god Serapis was created in the late 4th century These seven woodblock prints by Hirosada—the B.C. and served as the dynastic deity of the Ptolemaic September 21–December 8, 2002, rulers of Egypt (the successors of Alexander the leading printmaker in Osaka during the mid-19th Stedelijik Museum Vander century—and other artists all come from a single Great) until the 1st century B.C. The Romans adopt- Kelen-Mertens, Leuven, Belgium ed his cult, and it spread widely throughout the album of actor portraits collected by a Kabuki the- ater fan of the time. The Walters collaborated on this exhibition with the empire. Thirty small sculptures, gems, and coins Studiecentrum Vlaamse Miniaturisten, associated were featured in this exhibition. Kuniyoshi and Sadahide with the Catholic University of Leuven, and the Royal Library Albert I in Brussels. Tradition and Innovation: Red-Figure Vases July 17–October 27, 2002 from South Italy Kuniyoshi and Sadahide were 19th-century print- A Magnificent Age: Masterpieces from the November 23, 2002– makers who were adept at creating innovative com- Walters Art Museum, Baltimore positions in three of the major genres of Japanese May 11, 2003 June 28–September 7, 2003, prints—landscapes, Kabuki theater actors, and leg- In the ancient Greek world, vase painting was a endary warriors—as seen in these eight prints. The Nelson Atkins Museum, highly appreciated art form. During the 4th century Kansas City, Missouri B.C., artists, ideas, and styles spread from Athens to Osaka Prints I This loan exhibition featured approximately 46 Italy. At first, South Italian vase painters depended paintings and six works of decorative arts by pre- on Greek prototypes, but soon they developed a October 30, 2002–January 12, 2003 mier artists of the 16th through 19th centuries from style all their own. This exhibition examined the In 19th-century Osaka, printmakers focused almost the Walters’ collection.

10 • the walters art museum | annual report 2003 (Jujaka): The Woodsman Cetaputta’s Dogs Send Jujaka up a Tree (35.235); Chapter 7 (The Deep Forest): Accata Directs Jujaka (35.236); Chapter 8 ACQUISITIONS (The Royal Children): Jali at Vessantara’s Feet (35.237); Chapter 8 (The Royal Children): As Jujaka Sleeps, Jali and Kanha Dream of Vessantara and Maddi Comforting Them (35.238); Chapter 11 Whether due to the generous gifts of (Maharaja): The Enjoyment of Jujaka’s Reward (35.239); Chapter 12 (Six Royal Personages) or 13 (The Capital City): Jali’s Army Recovers individuals or through museum purchases, Vessantara and Returns to the Capital (35.240) , Vessantara Jataka, 19th century, set the new acquisitions this year strengthened of eleven paintings, pigments on paper: Chapter 1 (Ten Boons): Queen Phusati as Queen the already world-renowned collection at Sudhamma, in Indra’s heaven (?) (35.241); Chapter 2 (Himavanta Forest): Vessantara Gives the Walters Art Museum. the White Elephant to the Kalinga Brahmans (35.242); Chapter 3 (The Gift): Vessantara Gives Away the Chariot (35.243); Chapter 4 (The Forest Edge): The Ceta Princes Implore Vessentara to Remain in Ceta (35.244); Chapters 5 (Jujaka) and 6 (The Light Forest): The Woodsman Cetaputta’s Dogs Send Jujaka up a Tree; Cetaputta Sends GIFTS Cambodia, Shiva, 10th century, sandstone Jujaka to Accata (35.245); Chapter 8 (The Royal Children): Vessantara Gives Jali and Kanha to Gift of Mr. & Mrs. P. Dow Berggren, 2003 (25.229) Thailand (Lopburi), Head of a Guardian Lion, Jujaka (35.246); Chapter 9 (Maddi): Wild Beasts Kishi Ganryo, Japanese (1798–1852), Sage and 8th–9th century, (25.230) Prevent Maddi from Joining the Royal Children Boys, ink and light color on silk, mounted as (35.247); Chapter 10 (Indra’s Realm): Indra, in the a hanging scroll (35.296) Burma, Adorant Disciple, 19th century, wood, Form of a Brahman, Requests Maddi (35.248); gilt, and lacquer (25.231) Takahashi Hiroaki, Japanese (1871–1945), Man Chapter 11 (Maharaja): Jujaka and the Royal Pulling a Cart, in Moonlight, color woodblock Burma, Buddha in Royal Attire, 18th–19th Children (Jali and Kanha) are Brought to King print (95.873) century, wood, gilt, glass inlay, and dry Sanjaya (35.249); Chapter 11 (Maharaja): The lacquer (25.232) Enjoyment of Jujaka’s Reward (35.250); Chapter 12 Gift of Jean A. Blake, 2002 Burma, Standing Buddha, 18th century, wood, (Six Royal Personages): Jali’s Army Recovers China, Celadon Vase with Waves and Dragon, lacquer, lacquer relief, and pigments (25.233) Vessantara and Returns to the Capital (35.251) mark of Ch’eng-hua (Chenghua), 1465–87 in Thailand, Head of a Divinity, 8th century, Thailand, Buddha Preaching to the Five Hermits, underglaze blue, attributed to the K’ang-his stucco (25.234) 19th century, pigments on cloth, gilt (35.252) (Kang Xi) period (1662–1722) (49.2810) Thailand, Head of the Buddha, 7th century, Thailand, Buddha and Adorants, 19th century, temple banner, pigments on cloth (35.253) Gift of Kenneth Blumberg, from the collection terracotta (25.235) Thailand, Buddha and Adorants, late 19th–20th of Stanley & Bertie Blumberg, 2003 Thailand, Head of the Bodhisattva Vajrapani, 7th century, terracotta (25.236) century, temple banner, pigments on cloth , Japanese (1797–1858), Fifty-three (35.254) Stations of the Tokaido Road, Station 22, Okabe, Thailand, Naga-Protected Buddha, 12th–13th Thailand, Buddha, Demons, and Attendants, 19th from the Kyoda Tokaido series, ca. 1838, color century, stone, traces of lacquer and gilt century, temple banner, pigments on cloth woodblock print (95.870) (25.237) (35.255) Hiroshige, Japanese (1797–1858) or Hiroshige Northern Thailand, Seated Buddha in Northeastern Thailand, Vessantara Jataka, 1st II, Japanese (1826–69), Fifty-three Stations of the Maravijaya, 19th century, inscribed, wood, half of the 20th century, narrative scroll, Tokaido Road, Station 22, Okabe, color lacquer, gilt, and glass inlay (25.238) pigments on cloth (35.256) woodblock print (95.871) Northern Thailand, Standing Buddha, 19th Thailand, Temple Banner with Life of Buddha, Kim Dae-jung, Korean (1925–) Calligraphy, century, wood, gilt, and red lacquer (25.239) Bangkok Period, late 19th–early 20th century, hanging scroll (35.294) Burma, Adorant Disciple, 19th century, wood, pigments on cloth (35.257) Utagawa Toyokuni III, Japanese (1786–1864), leather, gilt, and glass inlay (25.240) Northeastern Thailand, Vessantara Jataka, Man Holding a Satchel, color woodblock print Thailand, Review of the Troops, ca. 1900, narrative scroll, Bangkok Period, 1st half of (95.872) pigments on paper (35.228) the 20th century, pigments on cloth (35.258) China, The Philosopher Lao Tzu (Laozi) as “T’ai Thailand, Battle Scene, ca. 1900, pigments on Thailand, Life of the Buddha, late 19th–early Shang Lao Chun” (“Taishang Laojun”), color paper (35.229) 20th century, temple banner, pigments on woodcut print (96.282) Thailand, Life of the Buddha: Buddha Preaching, canvas (35.259) 19th century, pigments and gilt on wood Gift of Rosalee C. Davison and Charlotte C. Thailand, Painting on Stand: Buddha with (35.230) Weinberg, in memory of their parents Ben and Adorants, 19th century, wood, gilt, pigments, Zelda Cohen, 2003 Thailand, Scene of Worship, 19th century, glass, lacquer, paper (35.260) pigments and gilt on wood (35.231) Tiffany and Company, Tulip Vase, 1905, glass Thailand, Scenes from Vessantara Jataka, 19th (47.730) Thailand, Vessanta Jataka, 19th century, set of century, pigments on wood (35.261) nine paintings, pigments on wood, framed: Thailand, Life of the Buddha: Taming of the Gift from Doris Duke Charitable Foundation’s Chapter 2 (Himavanta Forest): Kalinga Brahmans Elephant, second-half of the 19th century, Southeast Asian Art Collection, 2002 are Given the White Elephant (35.232); Chapter 3 pigments on wood (35.262) (The Gift): Vessantara Gives Away the Chariot Burma, Pair of Attendant Figures, 19th century, (35.233); Chapter 4 (The Forest Edge): Vessantara, Thailand, Buddha’s Descent from Tavatimsa wood, lacquer, gilt, and glass inlay (25.227, Maddi, Jali, and Kanha (35.234); Chapter 5 Heaven, 19th century, pigments on wood 25.228) (35.263)

annual report 2003 | the walters art museum • 11 Thailand, Vessantara Jataka, 19th century, set (35.281); Chapter 3 (The Gift): Vessantara Gives the God Brahma, 15th century, glazed stoneware of six paintings, pigments on cloth, gilt: Away the Chariot (35.282); Chapter 10 (Indra’s (49.2802) Chapter 2 (Himavanta Forest): Vessantara Gives Realm): Indra, in the Form of a Brahman, Thailand (Si Satchanalai), Miniature Roof, 15th the White Elephant to the Kalinga Brahmans Requests Maddi from Vessantara (35.283); Chapter century, glazed stoneware (49.2803) (35.264); Chapter 1 (Ten Boons): The God Indra 12 (Royal Six Reunited): above: Vessantara and Grants the Ten Boons to Phusati (35.265); Chapter King Sanjaya; below: Maddi, Kanha, Jali, and China, Pair of Cups and Saucers, 19th–20th 8 (The Royal Children): Vessantara Gives Jali and Queen Phusat (35.284) century, blue-and-white (49.2804, 49.2805) Kanha to Jujaka (35.266); Chapter 10 (Indra’s Thailand, Parinirvana, 19th century, pigments Realm): Indra, in the Form of a Brahman, on cloth, gilt (35.285) China, Cup with Thai Monogram, 19th–20th Requests Maddi from Vessantara (35.267); Chapter century, blue-and-white porcelain, brass 5 (Jujaka): The Brahman Jujaka with His Wife Thailand, Presenting Alms to the Buddha, 19th fittings (49.2806) century, pigments on cloth, gilt (35.286) Amittapana (35.268); Chapter 3 (The Gift): China, Jar with Lid, Decorated with the Numeral Vessantara Gives Away the Chariot (35.269) Northeastern Thailand, Vessantara Jataka, 1st 5, 1868–1910, blue-and-white porcelain Thailand, Vessantara Jataka, 19th century, set half of the 20th century, narrative scroll in (49.2807) of seven paintings, pigments on cloth, gilt: four sections (chapters 1–3, 4–5, 6–8, and 12–13), pigments on cloth (35.287, 35.288, China, Seated Kuan-yin (), 19th–20th Chapter 1 (Ten Boons): The God Indra Grants Ten century, blue-and-white porcelain (49.2808) Boons to Phusati (35.270); Chapter 2 (Himavanta 35.289, 35.290) China, Covered Bowl, Bencharong ware, 19th Forest): Vessantara Gives the White Elephant to the Northeastern Thailand, Vessantara Jataka, 1st century, porcelain with enamels (49.2809) Kalinga Brahmans (35.271); Chapter 3 (The Gift): half of the 20th century, section from a Vessantara Gives Away the Chariot (35.272); narrative scroll (chapters 6–8), pigments on Thailand, Pair of Swordblades Mounted with Chapter 4 (The Forest Edge): Vessanata, Maddi, cloth (35.291) Grips and Scabbards, 19th–20th century, wood, Jali, and Kanha (35.273); Chapter 8 (The Royal Thailand (Si Satchanalai), Standing Man with niello, lacquer, brass, steel (51.1442, 51.1443, Children): Vessantara Gives Jali and Kanha to Jar, 15th century, glazed stoneware (49.2795) 51.1444, 51.1445, 51.1446, 51.1447) Jujaka (35.274); Chapter 9 (Maddi): Wild Beasts Thailand (Si Satchanalai), Pitcher in the Form of Thailand, Scissors, 18th–19th century, iron, Prevent Maddi from Joining the Royal Children; a Cat, 15th century, stoneware (49.2796) niello (52.309) Vessantara and Maddi (35.275); Chapter 12 (Royal Thailand, Seated Buddha in Maravijaya, Six Reunited): Vessantara Returns to Sivi (35.276) China, Covered Jar, 19th century, Bencharong ware, porcelain with enamels and gold Bangkok Period, ca. 1900, bronze, gilt Thailand, The Buddha Descending from (49.2797) (54.2987) Tavatimsa Heaven, 19th century, pigments on Thailand, Figures from the Scene in the Palilay cloth (35.277) China, Covered Bowl, 19th century, Bencharong ware, porcelain with enamels and Forest: Monkey and Elephant, 20th century, Thailand, Naga-Protected Buddha, 19th century, gold (49.2798) bronze and gilt (54.2988, 54.2989) pigments on cloth (35.278) China, Teapot, 19th century, Bencharong ware, Thailand, Pair of Kneeling Disciples, 19th Thailand, Birth of the Buddha, 19th century, porcelain with enamels and metal (49.2799) century, bronze, lacquer, and gilt (54.2990, pigments on cloth, gilt (35.279) 54.2991) China, Covered Jar with Tiered Lid, 19th Thailand, The Demon Ravana with a Buddhist century, Bencharong ware, porcelain with Thailand, Pair of Kneeling Disciples, 19th–20th Monk (?), 19th century, pigments on cloth, enamels and gold (49.2800) century, bronze and gilt (54.2992, 54.2993) gilt (35.280) Thailand (Si Satchanalai), Finial with Thailand, Mythical Lion, 19th–20th century, Thailand, Vessantara Jataka, set of four Adorant, 15th century, glazed stoneware bronze, gilt, and lacquer (54.2994) paintings, 19th century, pigments on cloth, (49.2801) Thailand, Shiva on Nandi, 19th–20th century, gilt: Chapter 2 (Himavanta Forest): Vessantara bronze and gilt (54.2995) Gives the White Elephant to the Kalinga Brahmans Thailand (Si Satchanalai), Finial in the Form of Burma, Fabulous Lion (Chinte), 19th century, bronze (54.2996) Thailand, Seated Sihing-Type Buddha in Maravijaya, 16th century, bronze with traces of gilt (54.2997) Thailand, Seated Crowned Buddha in Maravijaya, Together with the Back of a Tabernacle, 13th–14th century, bronze (54.2998) Thailand, Altarpiece with Standing Crowned Buddha, 12th century, bronze (54.2999) Thailand, Standing Buddha in Royal Attire, Bangkok Period, 19th century, bronze, lacquer, gilt, and glass inlay (54.3000) Cambodia, Pair of Palanquin Fittings, 13th century, bronze (54.3001, 54.3002) Thailand, Elephant-Lion (Gajasingha), 18th–19th century, bronze, gilt (54.3003) Thailand, Votive Table with Walking Buddha, 15th century, metal, gilt (55.106) Burma, Weights in the Form of a Hamsa and Lions, lead (55.107, 55.108, 55.109, 55.110. 55.111) Thailand, Teapot, 19th century, silver niello (57.2284) Treatise on the Characteristics Treatise of Elephants , ca. 1830s, Doris Duke Charitable Foundation Somerville,Archives, New Jersey Burma, Bird Offering Dish, 19th–20th century, wood, metal, gilt, glass inlay, lacquer, and leather (61.344) Thailand (Bangkok), Thailand (Bangkok), 12 • the walters art museum | annual report 2003 Thailand, Pulpit, Bangkok Period, 19th Thailand, Seven Texts of the Abhidhamma, mid- Tibet, Damaru (Hand Drum), 18th century?, century, wood, glass inlay, lacquer, and gilt 19th century, accordion-pleated manuscript mixed media (73.144) (63.4) with illustrations of divine adorants, paper, South-central Tibet, Cover of a Buddhist Northern Thailand, Candle Holder, 19th pigments, and lacquer (W.892) Manuscript, 13th century, wood with pigments century, wood, lacquer, and glass inlay Thailand, Treatise on Elephants, first half of the and (W.896) (64.182) 19th century, accordion pleated manuscript India (Himachal Pradesh, Chamba?), Kali as Thailand, Model of a Shrine, 19th–20th century, with illustrations throughout, paper, the Supreme Deity, pigments on paper (W.897) pigments, and lacquer (W.893) wood, gilt, and lacquer (64.183) India (Himachal Pradesh, Kangra), Portrait of Northern Thailand, Gable End with Intertwined Thailand, Phra Malai, first half of the 19th Kirat Prakash of Sirmur, 1760–70, pigments and Nagas, 19th century, wood, lacquer, pigments, century, accordion-pleated manuscript with gold on paper (W.898) and inlaid glass (64.184) illustrations of the story of divine adorants, paper, pigments, and lacquer (W.894) Northern India (Mughal), Animal Study: A Thailand, Pair of Doors with Figures of Divine Ram, 1615–50, pigments on paper (W.899) Thailand, Phra Malai, 19th century, illustrated Adorants, 19th century, wood, gilt, and lacquer India (Himachal Pradesh, Kangra), A Superior (64.185) accordion-pleated manuscript, paper, pigments, and lacquer (W.895) Ganesha, ca. 1800, pigments on paper (W.900) Thailand, Cabinet with Carved Doors with India (Himachal Pradesh, Mandi), Cosmic Figures from the Ramayana, 19th–20th century, Gift of Mr. and Mrs. John Gilmore Ford, 2002 Form of Shiva, pigments on paper (W.901) wood and glass inlay (65.133) Roman, Ancient Burial Lamp, Earthenware, India (Himachal Pradesh, Kangra), Lakshmana Northern Thailand, Manuscript Cabinet with black paint (1993.49.1) Fights Indrajit, 1775–1800, pigments and gold Figures of Divine Guardians, 19th century, wood, on paper (W.902) gilt, and red lacquer (65.134) India (Tamil Nadu), Shiva as a Supreme Teacher, 17th–18th century, wood (25.241) Northern India (Imperial Mughal), The Virgin Thailand, Manuscript Cabinet with Figures from and Child, 1600–25, pigments on paper (W.903) the Ramayana, 19th century, wood, black Bangladesh or India (West Bengal), Vishnu lacquer, and gilt (65.135) Riding Garuda, 11th century, gray schist Northern India (late Mughal style), A Popular (25.242) Pleasure Pavilion, ca. 1750, pigments on paper Thailand, Manuscript Cabinet with Scenes of (W.904) Hermits in the Himalaya Forest, 19th century, Pakistan (Ancient Gandhara), Head of the wood, black and red lacquer, and gilt (65.136) Buddha, 4th century, stucco with pigments India (Andhra Pradesh, Golconda?), Ragini (25.243) Saindhavi, ca. 1700, pigments on paper (W.905) Thailand, Manuscript Cabinet with Carved Doors with Guardian Figures, Bangkok Period, Eastern Tibet or China, Sarasvati, ca. 1500, India (Himachal Pradesh, Guler), The 19th–20th century, wood and glass inlay pigments and ink on silk (35.292) Recumbent Vishnu and the Creation of Brahma, (65.137) Eastern Tibet, Vajrabhairava with Retinue, 18th 1775–1800, pigments on paper (W.906) Thailand, Manuscript Cabinet with Scenes of the century, pigments on cotton (35.293) India (Himachal Pradesh, Kangra), The Holy Himalaya Forest, 19th century, wood, green Tibet, Phurbu (Ritual Dagger), 16th century, Family of Shiva, ca. 1800–25, pigments on paper lacquer, and gilt (65.138) iron, silver, and gold (52.311) (W.907) Thailand, Manuscript Cabinet with Scenes from India (Orissa), Krishna as Venugopala, 15th India (Uttar Pradesh, Garwhal), Episodes from the Ramayana, 19th century, wood, black century, brass with silver and gemstone inlays the Krishna Saga, ca. 1800–50, pigments and lacquer, and gilt (65.139) (54.3005) gold on paper (W.908) Thailand, Manuscript Chest, 19th century, Bangladesh, Bodhisattva Avalokiteshvara, 9th India (Himachal Pradesh, Kangra), Narada wood, black lacquer, and gilt (65.140) century, bronze (54.3006) Visits Valmiki, 1775–1800, pigments and gold on paper (W.909) Thailand, Manuscript Cabinet with Scenes from India (Karnataka), Mandala of Padmavati, 11th the Dasajati, 19th century, wood, black lacquer, century, bronze (54.3007) India (Gujarat), Two Leaves from a Kalpasutra and gilt (65.141) Central Tibet, Tsapa Namgyal (active 17th Burma, Wooden Chest with Buddhist Narrative century), Teacher/Philosopher Nagarjuna (Klu- Scenes, 19th century ,wood, lacquer, raised grub), 17th century, gilt bronze with pigments lacquer, and gilt (65.142) (54.3008) Thailand, Tray, 19th century, wood, lacquer, South-Central Tibet, Ascetic Master, 16th and mother-of-pearl (67.667) century, bronze with silver inlay (54.3009) Northern Thailand, Group of Six Wooden Panels Nepal or Tibet, Bodhisattva Shadakshari with Scenes from the Jatakas, the Ramayana, and Lokeshvara, ca. 1300, gilt bronze with pigments Hindu Myth, 19th century, wood, lacquer, and (54.3010) gilt (67.668, 67.669, 67.670, 67.671, 67.672, Nepal, Dancing Ganesha, 16th century, gilt 67.673) copper alloy (54.3011) Burma, Buddha Protected by the Naga, 19th Western Nepal, , ca. 1300, gilt copper alloy century, ivory (71.1201) (54.3012) Thailand, Standing Buddha, 19th century, ivory India (Karnataka), Jina with (71.1202) Attendants, 1589, brass (54.3013) Burma, Jewelry Box, 18th–19th century, ivory, Western Himalayas or Tibet, Transcendental wood, and lacquer (71.1203) Buddha Vajrasatva, 1000–1300, brass (54.3014) Thailand, Four Seals, Bangkok Period, 19th Tibet, Bodhisattva Manjushri, 1000–1200, brass century, ivory (71.1204, 71.1205, 71.1206 71.1208) (54.3015) Thailand, Powder Flask, ca. 18th century, ivory, Tibet or Mongolia, Portable Prayer Wheel, silver (71.1207) 17th–18th century, silver, green jadeite, rubies, Thailand, Two Manuscript Markers, 19th and turquoise (57.2285) century, ivory (71.1209, 71.1210) Northern India, Box with Vegetal Forms, 17th century, ivory (71.1211) Dancing Ganesha , 16th century, gilt copper alloy Nepal, Nepal, annual report 2003 | the walters art museum • 13 PURCHASES The Laurance P. Roberts Memorial Fund, gift of his friends and family, 2003 Ho I, (Heyi, active 1702–28), Spring Landscape, fan painting (35.297)

Museum Purchase, 2002 English, Pair of Gothic-Style Andirons, ca. 1880, steel (2002.35) Hardstone Samples (2002.43)

Museum Purchase, 2003 Jean-François Champollion, Precis du Systeme Hierogliphique, 1827–28, two volumes bound in one (92.97) Fragment from the Conradin Bible: Letter D, and gold leaf on parchment (W.152.24) Illuminated Manuscript Fragment from the Manuscript: King Siddhartha in Court and Gift of Mr. and Mrs. Edward J. Ross II, 2003 Conradin Bible: Letter V, tempera and gold leaf Renunciation of Mahavira, ca. 1450, pigments, Egyptian, Shawabti Figure, 26th–30th Dynasty on parchment (W.152.25) ink, and gold on paper (W.910) (646–323 B.C.), faience (48.2758) Illuminated Manuscript Fragment from the India (Gujarat), Two Leaves from a Kalpasutra Conradin Bible: S-Shaped Dragon, tempera and Manuscript: Birth of Mahavira and Renunciation Gift of Herbert and Marilyn Scher, 2002 gold leaf on parchment (W.152.26) of Mahavira, 1450–1500, pigments and ink on Etruscan, Balsamarium in the Form of a Deity, paper (W.911) Illuminated Manuscript Fragment from the 4th–3rd century B.C., bronze (54.3004) Conradin Bible: Jeremiah Looks toward Heaven, Northern India (late Mughal style), An Album tempera and gold leaf on parchment Page with Picture and Calligraphy, 18th century, Gift of Mr. John J. Shields, 2002 (W.152.27) pigments, gold, and ink on paper (W.912) Indo-Pacific, Marble Cone Shell (conus Illuminated Manuscript Fragment from the India (Hyderabad), Portrait of a Lady in marmoreus) (2002.39.1) Conradin Bible: Solomon with the Sword of Justice, European Attire, ca. 1700, pigments on paper Indo-Pacific, Striated Cone Shell (conus striatus) tempera and gold leaf on parchment (W.913) (2002.39.2) (W.152.28) Gift of Fance Franck in memory of Laurence P. Fossil Tooth of Mosasuar (2002.39.3) Illuminated Manuscript Fragment from the Roberts, 2003 Conradin Bible: Fool Holding a Pot and Sponging Gift of Dr. Joaneath Spicer, 2002 His Own Face, tempera and gold leaf on Fance Franck, Three Bowls, copper red glaze parchment (W.152.29) (2003.9.1, 2003.9.2, 2003.9.3) Shark Tooth Fossil (2002.38) Test Samples (2003.9.4) Gift of Mrs. Josephine Sutland, 2002 Museum purchase with funds provided in mem- ory of Mr. and Mrs. Kendall Berry, Blytheville, Gift of James A. Gary, III French, Annual Dial Clock, late 19th century (2000.27) Arkansas, 2002 French, Washington Mantle Clock, 1806–17, gilt German (Berlin), Gothic revival bracelet, 1830s, bronze (58.285) Gift of George and Clary Thomas, 2002 cast iron (52.310) Gift of Ms. Devera Glazer-Schoenberg, 2003 Baltic or German, Small Square Table Clock, 1st half of the 17th century, fire gilded brass case, Purchased with funds from anonymous donor, Coptic or Ethiopian, Processional Cross, 19th iron movement (58.284) 2002 century?, silver alloy (57.2287) Follower of Antoine Le Moiturier, Saint Denis, Egyptian, Mummy Cartonnage with Seated Gift of Ms. Paula Gately Tillman in memory of ca. 1460–70, limestone with polychromy Jackal-Headed God, Late Period (6th–1st her mother and in honor of her father, 2002 (27.606) century B.C.), linen, stucco painted (78.5) , 1775–1800, pigments on paper Turkish, Two Endpieces of Towel with Ethiopian, Icon of the Virgin and Child with Egyptian, Mummy Cartonnage Fragment with Embroidery, late 19th century, cotton, silk Angels, late 15th century, tempera on wood Seated Human-Headed God, Late Period (83.763, 83.764) (36.14) (6th–1st century B.C.), linen, stucco painted Gift of Mrs. William E. Ward, 2003 (78.6) Attributed to Niccolò Brancaleon, Icon of the Fujiwara Tanesuke, Scenes from the Life of a Virgin and Child, ca. 1500, tempera on wood Gift of Jesse Kalisher, 2003 Great Calligrapher (Wang Hsi-chih; Japanese, (36.15) Ogishi), 1894, hanging scroll (35.295) Jesse Kalisher, Giza Plateau at Dawn, silver gelatin print (2003.22) Source unknown Gift of John A. Popplestone, 2002 Chinese, Shwee dagon, Rahgoon, 1930–40, watercolor (35.227) Roman (Balkans), Military Diploma Fragment, The Recumbent Vishnu and the Creation of Brahma 2nd century A.D., bronze (54.3016) Hiroshi Yoshida, Japanese (1876–1950), Osaka Gift of Laurance and Isabel Roberts, 2002 Castle, color woodblock print (95.869) Shibata Zeshin (1807–91), Japanese, after Ogata Kenzan (1663–1743), Dish with Lilly and Poem, in incribed box, lacquer (67.674) India (Himachal Pradesh, Guler), 14 • the walters art museum | annual report 2003 We are especially DONORS grateful to all who have so generously made gifts to the Walters during this past year. Your support has enabled us to be faithful to our mission of bringing art and people together for enjoyment, discovery, and learning.

GENERAL OPERATING Mrs. Zelda C. Cohen* Mrs. Louis B. Kohn II Mr. and Mrs. Esko Korhonen SUPPORT Mr. and Mrs. H. Chace Davis, Jr. Mrs. Isaac C. Lycett, Jr. John J. Leidy Foundation, Inc. Mrs. Henry Walters Edgell Mr. and Mrs. George V. McGowan The Macht Philanthropic Fund Baltimore City, Baltimore Office of Mr. and Mrs. Philip D. English Mr. David D. McNally Mr. and Mrs. Bernard Manekin Promotion and the Arts Mr. and Mrs. James A. Goodyear Mr. and Mrs. Michael A. Meredith Mrs. Ruth R. Marder State of Maryland, Maryland State Mr. and Mrs. H. Thorne Gould Mr. and Mrs. J. Jefferson Miller II Drs. David I. and Beatrice S. Miller * Arts Council Mr. and Mrs. Benjamin H. Griswold III Mittelman Family Fund Mr. and Mrs. Decatur H. Miller Baltimore County, Baltimore County Mr. Eric P. Grubman and Ms. Mr. and Mrs. Samuel Perkins Mr. and Mrs. James Dabney Miller Commission on Arts and Sciences Elizabeth K. Compton Dr. and Mrs. Anthony Pinto III Mr. and Mrs. E. Rodgers Novak, Jr. Harford County Mr. and Mrs. Earl L. Linehan Mr. and Mrs. Matthew S. Polk, Jr. Mr. and Mrs. David R. Owen Anne Arundel County Mr. and Mrs. Nicholas Mangione Ms. Doris S. Rief Mr. and Mrs. Harry P. Pappas Howard County, Howard County Arts Mr. and Mrs. Robert E. Meyerhoff Mr. and Mrs. Steven A. Rockwell Mr. and Mrs. William M. Passano, Jr. Council Mrs. Sally J. Michel Mr. and Mrs. Brian C. Rogers Mr. Peter E. Quint Carroll County, Carroll County Arts Mr. William H. Perkins and Mr. and Mrs. John W. Sasser Mr. and Mrs. James S. Riepe Council Ms. Amy K. Huntoon Dr. and Mrs. Stephen C. Schimpff Mrs. Richard C. Riggs Ms. Joan Rambo and Mr. Alexander Mr. and Mrs. Thomas A. Schweizer, Jr. Mr. and Mrs. Stanford Rothschild, Jr. ANNUAL GIVING Matthew Polsky Mr. and Mrs. Stephen T. Scott Mr. and Mrs. Charles H. Salisbury, Jr. Mr. Vernon A. Reid Aaron & Lillie Straus Foundation, Inc. Mr. and Mrs. Herbert Scher Benefactor Rogers-Wilbur Foundation, Inc. Mrs. Clifford A. Truesdell III Dr. and Mrs. Thomas E. Schwark Mr. and Mrs. Robert E. Hall Mr. and Mrs. Edward L. Rosenberg Mrs. Harrison L. Winter Mrs. Arthur W. Sherwood Mr. and Mrs. M. David Testa Mr. and Mrs. Peter Van Dyke Mr. Charles A. Wunder Mr. and Mrs. Raymond C. Anonymous (1) Dorothy Wagner Wallis Trust Ms. Jean Wyman Shreckengost Mr. and Mrs. Bruce P. Wilson Anonymous (1) Mr. and Mrs. Marinos Svolos Founders’ Circle Anonymous (1) Dr. and Mrs. Gary K. Vikan Director’s Circle Mrs. Eloise J. Weatherly Dr. and Mrs. Worth B. Daniels, Jr. Henry Walters Circle Mr. and Mrs. Richard S. Davison Honorable and Mrs. Mahlon Apgar IV Mr. and Mrs. Robert A. Wert James H. DeGraffenreidt, Jr. and Dr. and Mrs. Aristides C. Alevizatos Mr. and Mrs. Joseph J. Askin Mr. and Mrs. Christopher R. West Mychelle Y. Farmer Mr. and Mrs. Bruce M. Ambler Mr. and Mrs. Bruce E. Behrens Dr. and Mrs. Hiram W. Woodward, Jr. Dr. and Mrs. Robert S. Feinberg Ms. Penny Bank Lois & Irving Blum Foundation Dr. Laurie S. Zabin The Harry L. Gladding Foundation Ms. Blair L. Barton Dr. and Mrs. John K. Boitnott Anonymous (1) Mr. and Mrs. Edward C. Bernard Mrs. John E. Bordley Mr. and Mrs. Benjamin H. Griswold IV Curators’ Circle Mr. and Mrs. W. Anthony Hitschler Mr. and Mrs. Stephen W. Boesel Mrs. Joseph Bryan III Ms. Jennifer Hopkins Mr. and Mrs. Perry J. Bolton Mr. and Mrs. Robert P. Burchard Mrs. Howard Baetjer II Mr. and Mrs. John H. Laporte Mr. and Mrs. Kenneth Allen Bourne, Jr. The Campbell Foundation, Inc. Ms. Olivia Barbee Mr. and Mrs. Wallace Mathai-Davis Dr. and Mrs. Donald D. Brown Ms. Constance R. Caplan Dr. and Mrs. John R. Bareham Mrs. Cynthia R. Mead Mr. and Mrs. Eddie C. Brown Mr. Michael P. Cataneo Mr. and Mrs. Christopher H. Bartlett II Mr. and Mrs. William L. Paternotte Mr. and Mrs. Mark M. Caplan Mr. and Mrs. John C. Cooper III Mr. and Mrs. Douglas L. Becker Mr. and Mrs. George J. Pedersen Mr. and Mrs. Jeremiah E. Casey Mrs. Anne H. Cullen Mr. and Mrs. J. Dorsey Brown III Mr. and Mrs. George A. Roche Mr. and Mrs. Anthony W. Deering Mr. and Mrs. A. Eric Dott Vaughan W. Brown Charitable Trust Mr. and Mrs. Mayo A. Shattuck III Mr. and Mrs. William F. Farley Dr. James R. Duke Mr. and Mrs. Edward J. Brush Mr. and Mrs. Dennis J. Shaughnessy Mr. Stephen W. Fisher Mrs. Laura Delano Eastman Mrs. G. Lloyd Bunting Mr. and Mrs. George M. Sherman Mr. and Mrs. John Gilmore Ford Mr. and Mrs. Frederic Emry Miss Ann Callan Mr. and Mrs. D. Smalley Mr. and Mrs. Barrett W. Freedlander Mr. and Mrs. Randal B. Etheridge Mr. and Mrs. T. Kevin Carney Mr. and Mrs. John H. Somerville Ms. Norma Jean Geesey Frank & Sprague Foundation, Inc. Ms. Suzanne F. Cohen Mr. and Mrs. Hervey S. P. Stockman Mrs. John D. Gregory Mrs. W. H. Holden Gibbs Mr. and Mrs. Mark McC. Collins, Jr. The Wieler Family Foundation Ms. Patricia A. Harcarik Mr. and Mrs. Michael B. Glick Mr. and Mrs. Stephen Conard Mr. and Mrs. Jay M. Wilson Mr. and Mrs. Carl E. Hecht Dr. Roland R. Griffiths Mr. Sylvan L. Cornblatt Anonymous (1) Miss Amanda W. Hopkins Mr. and Mrs. Donald B. Hebb, Jr. Mr. and Mrs. William H. Cowie, Jr. Ms. Toney Hopkins The Hecht-Levi Foundation, Inc. Margaret O. Cromwell Family Fund William Walters Circle Mr. and Mrs. A.C. Hubbard, Jr. Mr. and Mrs. Richard E. Hug Ms. Anne Derbes George C. and Julianne E. Alderman Mr. and Mrs. Joseph Jay Katz Captain and Mrs. Daniel Hunt Mr. C. Franklin Eck, Jr. Mr. and Mrs. Peter L. Bain The Ensign C. Markland Kelly, Jr. Mr. and Mrs. Benno Hurwitz Mr. and Mrs. William A. Fisher III Mr. and Mrs. Neal D. Borden Memorial Foundation Mr. and Mrs. Mark K. Joseph Mr. and Mrs. Jonathan M. Fishman Dr. and Mrs. William R. Brody Mr. Nizam Peter Kettaneh Mrs. Harry E. Karr Ms. Lauren Adams Fortmiller The Bunting Family Foundation Irving Kohn Foundation, Inc. Mr. and Mrs. James Kennedy Mr. and Mrs. J. Jeffrey Fox France, France, Ms.M.638, recto folio 15 (detail), “The Story of Samson and Delilah,” The Pierpont Morgan Library, New York annual report 2003 | the walters art museum • 15 Mr. and Mrs. Gregory Tice Mr. and Mrs. Louis G. Hecht Mr. and Mrs. David J. Wallack Mr. and Mrs. John H. Heller Dr. and Mrs. Patrick C. Walsh The Henfield Foundation Mr. and Mrs. John M. Waltersdorf Mr. and Mrs. Thomas B. Hess Mr. Joseph P. Wetherington Drs. Terry H. and Dana C. Hilt Witt/Hoey Foundation Mr. Alan P. Hoblitzell, Jr. Mrs. Susan A. Wolman Mr. and Mrs. LeRoy E. Hoffberger Mr. and Mrs. M. Richard Wyman Mr. and Mrs. John S. Holman The Zamoiski, Barber, Segal Family Mr. A. Michael Jackson and Ms. Foundation, Inc. Laura R. Burrows-Jackson Anonymous (1) Mrs. Diana F. Jacquot Dr. and Mrs. Walter E. James Patron Mr. and Mrs. Roger J. Johnson Mrs. Lolly Adler Miss Evelyn A. Karas Ms. Jean Armiger Mr. and Mrs. Sheldon T. Katz Mrs. Alexander Armstrong Mrs. Leah E. Kemper Mr. H. Furlong Baldwin Mr. Frederick Singley Koontz William and Dale E. Balfour Mr. and Mrs. Albert W. Laisy Ms. Maria Luisa Barata Mr. George Lambillotte Mr. and Mrs. David W. Barton, Jr. Mrs. J. Elliot Levi Mr. and Mrs. Stephen J. Baxter Mr. and Mrs. William M. Levy Mr. and Mrs. David Booth Beers Mr. and Mrs. Keith W. Lewis Mr. and Mrs. Brian W. H. Berghuis Dr. and Mrs. Edward F. Lewison Mrs. Arlene S. Berkis Paul and Martha M. Lohmeyer Mr. and Mrs. John J. Boland Ethel M. Looram Foundation, Inc. Ms. Darlene Bookoff Mr. Charles M. Lott Mrs. John W. Born Dr. Aurelia Loveman Mr. and Mrs. James T. Brady Dr. August R. Machen Mrs. Garnette Brant Mr. and Mrs. Richard P. Manekin Dr. and Mrs. Rudiger Breitenecker Dr. David H. Marlowe Mr. and Mrs. William M. Brewster Mr. Philip R. Mayhew H. Barksdale Brown Charitable Trust Mr. and Mrs. Michael J. McCarthy Ms. Mary R. Brush Mr. and Mrs. Gregory A. McCrickard Ms. Pamela Buell Mr. and Mrs. James M. 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Colhoun Mr. and Mrs. Brian Hoen O'Neil Mr. and Mrs. Douglas S. Goodwin Mr. and Mrs. William P. Murphy Mrs. Roy G. Corbett Mrs. Donald F. Obrecht Mr. David B. Gorzsas and Myerberg Foundation, Inc. Mr. and Mrs. David S. Cordish Mrs. Marjorie W. Ottenheimer Ms. Laura Robertson Mr. Charles J. Nabit Dr. and Mrs. Anthony Courpas Dr. and Mrs. Lawrence C. Pakula Mr. and Mrs. Edward A. Halle Mr. and Mrs. John M. Nehra Mr. and Mrs. Pierre R. Crosson Dr. and Mrs. Gary R. Pasternack Mr. and Mrs. Joseph R. Hardiman Mr. and Mrs. Charles W. Newhall III Dr. Cornelius P. Darcy Mr. and Mrs. Richard M. Patterson Mr. * and Mrs. E. Phillips Hathaway Ms. Anne O'Brien and Mr. David Mrs. Alonzo G. Decker, Jr. Mr. Malcolm D. Perkins, Jr. and Mr. and Mrs. Robert W. Helm Fleck Mr. and Mrs. L. Patrick Deering Ms. Ruth Brinton Mr. and Mrs. George B. Hess, Jr. Mr. and Mrs. Thomas F. O'Neil III Mr. and Mrs. David DiPietro Ms. Martha Ann Peters Mr. and Mrs. Samuel K. Himmelrich, Sr. Mr. and Mrs. Edward C. 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Siersdorfer Mrs. Seena Lubcher Dr. and Mrs. William G. Speed III Mrs. Barbara K. Halle Dr. Herbert A. Silverman and Mr. and Mrs. Samuel G. Macfarlane Ms. Rita St. Clair and Joseph Sheppard Mrs. A. McGehee Harvey Ms. Penny Pine The , Ugly Duckling © 1999 Jerry Pinkney The Dr. Frank C. Marino Foundation The Stieff Foundation Mr. and Mrs. Donald R. Heacock Dr. Mary S. Slusser Kate and Bunky Markert Dr. and Mrs. G. Thomas Strickland Mr. John D. Heasley and Mr. and Mrs. Turner B. Smith Mr. and Mrs. Alexander Mason Mrs. Frank V. Sutland Ms. Rosemary L. Shearer Mr. and Mrs. David E. Stahl Mr. and Mrs. Harold W. Stephens Jerry from Pinkney, 16 • the walters art museum | annual report 2003 Dr. John F. Strahan Mrs. H. Norman Baetjer, Jr. Mr. James P. Fabiszewski Dr. Arthur Kahn Mr. John D. Strandberg Mr. and Mrs. Thomas H. G. Bailliere, Jr. Mr. and Mrs. Chris Fallon Mrs. Pat Karzai Mr. and Mrs. Brian E. Sullam Mr. Anthony F. Barbieri, Jr. Mrs. Elizabeth Farrell Mr. and Mrs. Bradley R. Kays Louis B. Thalheimer Foundation & Mr. and Mrs. Robert M. Barroll Ms. Margaret D. Farthing and Ms. Janice Kean Juliet A. Eurich Philanthropic Fund Mrs. C. Marshall Barton, Jr. Mr. Winfield H. Farthing Mr. James S. Keat and Mr. and Mrs. Edward A. Tomlinson Mr. and Mrs. Mark Beattie Mr. and Mrs. Nathan B. Feinstein Ms. Christine L. Thompson Mr. and Mrs. Brian B. Topping Ms. Elizabeth Clagett Beck Mr. and Mrs. Edward Feltham, Jr. Ms. Patsy Gail Kennan Barbara J. Trimble Rheda Becker Mr. and Mrs. Alex G. Fisher Mr. and Mrs. E. Robert Kent, Jr. Mr. and Mrs. David F. Tufaro Mr. and Mrs. David E. Belcher Ms. Josephine E. Fiske Mr. and Mrs. Sebastian A. Kent Mr. and Mrs. James A. Ulmer III Mr. and Mrs. Herbert J. Belgrad Mr. and Mrs. James Fitzpatrick Mr. Patrick J. Kerins and Mr. and Mrs. Mark Vaselkiv Mrs. Nancy Shields Benninghoff Dr. William N. Fitzpatrick Ms. Terry H. Morgenthaler Mrs. Josep Vidal-Llecha Dr. and Mrs. C. Timothy Bessent Dr. Georgia A. Franyo Dr. Herbert L. 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Gilchrist Mr. and Mrs. Duncan H. Mackenzie Dr. Martin Abeloff Mrs. Peter D. Caloger Mr. and Mrs. Gordon Hine Glenn Ms. Lauretta Rose Maisel Ms. Susan L. Abrams Mr. and Mrs. Frank A. Cappiello, Jr. Ms. Joanna Davison Golden Mrs. Sarah W. Majoros Mr. and Mrs. Michael J. Abromaitis Mrs. Carolyn S. Carlson Dr. and Mrs. Leonard H. Golombek Mr. and Mrs. Allan J. Malester Dr. and Mrs. Brian P. Ahlstrom Miss Louise P. Cavagnaro Mr. Samuel Gompers Dr. and Mrs. Sigmund H. Manne Drs. C. Alex and Sudha T. Alexander Ms. Margaret M. Cheek The Gorfine Foundation, Inc. Dr. Medea M. Marella Dr. and Mrs. Thomas E. Allen Mr. and Mrs. Andrew J. A. Chriss Dr. John D. Gottsch and Mrs. William G. Marr Dr. Ann Hersey Allison Mr. and Mrs. Evan Alevizatos Chriss Dr. Julia Haller Gottsch Mr. Stanley Mazaroff and Mrs. Anne W. Almond Mr. and Mrs. Henry Ward Classen Mr. and Mrs. David M. Gray Ms. Nancy Dorman Mrs. William G. Anderson Mr. and Mrs. Brett D. Clifford Mr. and Mrs. Irvin Greif, Jr. Mr. and Mrs. Michael P. McCarthy Ms. Fannie Angelos Mr. A. R. Cohen and Dr. J. M. Rubin Mr. George Grose and Dr. H. Berton McCauley Dr. and Mrs. Paul M. Apostolo Mrs. Bette D. Cohen Ms. Amy Macht Mr. and Mrs. Edward P. McCracken Ms. Floraine Applefeld Mr. Stiles T. Colwill Harry S. Gruner and Mr. Gary R. McKenzie Dr. and Mrs. Thomas R. Aversano Mr. and Mrs. Beverley C. Compton, Jr. Rebecca D. Henry Ms. Eleanor McMillan Mr. John F. Cougnet Mr. and Mrs. Henry L. Gutman Mr. Andrew F. Meredith Dr. John Covington and Dr. and Mrs. W. Lehman Guyton Ms. Linda L. Miller Dr. Claire Weitz Mr. and Mrs. H. Hamilton Hackney, Jr. Mr. and Mrs. Matthew M. Miller Mr. George William Cox, Sr. Dr. and Mrs. M. Reza Hagigh Mrs. Mildred S. Miller Mr. W. Kennedy Cromwell III Mr. C. Gordon Haines Mr. and Mrs. Thomas E. D. Mr. Eric William D'Dio and Ms. Gen Haines Millspaugh Ms. Katherine Dillman Ms. K. Elise A. 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Neighoff & Sons, Inc. The Oxford Club Mr. and Mrs. Lee E. Alderdice Provident Bank of Maryland Miss Ann Callan Saul Ewing LLP Dr. and Mrs. Milton T. Edgerton Shapiro Sher & Guinot Mr. Richard Hovey Gamble Slack Cordes, LLP Captain and Mrs. Daniel Hunt Spicer Productions, Inc. Mrs. Robert D. H. Levi SunTrust Bank Mr. Harvey M. Meyerhoff Tremont Suites Hotel Mrs. Diana Edwards Murnaghan Warfield-Dorsey Company, Inc. Mr. and Mrs. Thomas S. Nichols W.R. Grace & Company Mrs. Bernard H. Ridder, Jr. Ziger/Snead Miss Dorothy McIlvain Scott Zurich North America SAFE Anonymous (1) **Denotes In-Kind Contributions

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ART BLOOMS 2003 Benefactors Mr. and Mrs. John M. Bond, Jr. Mr. and Mrs. Michael A. Meredith Mr. and Mrs. George J. Pedersen Mr. and Mrs. George A. Roche Miss Dorothy McIlvain Scott Dr. and Mrs. J. Thayer Simmons Mr. and Mrs. Peter Van Dyke Sponsors Millicent and Peter Bain Lisa and Gregory Barnhill Wendy and Bill Brody Mr. and Mrs. Andrew J. A. Chriss Mr. and Mrs. Randal B. Etheridge Dr. and Mrs. Robert S. Feinberg Mr. and Mrs. William A. Fisher III Berthe and John Ford Mr. and Mrs. Bruce C. Foster Ms. Norma Jean Geesey Mr. and Mrs. Edward G. Hart III Mr. and Mrs. Samuel K. Philip Morris Matching Gift Program Education Art Shipment Himmelrich, Sr. T. Rowe Price Associates Mrs. Harry E. Karr Mummies, Manuscripts and Myths Foundation for Southeast Asian Art Foundation, Inc. Lilli and Haig Kazazian* DeutscheBank and Culture The St. Paul Companies Mrs. Robert D. H. Levi Deutsche Banc Alex. Brown Temple-Inland Foundation Mrs. Isaac C. Lycett, Jr. Education Programs The Vanguard Group, Inc. 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Canzoniero Wyeth Endowment for American Art JoAnn and Jack Fruchtman Kramon and Graham Mr. and Mrs. Deepak Chowdhury to research three George Inness Charitable Fund of the Mr. and Mrs. Benjamin R. Civiletti paintings Baltimore Community Lockheed Martin Nancy and Fred Cohen Golden Cloud , 1918, oil on glass, The State Russian Museum, St. Petersburg Foundation Mr. and Mrs. Nicholas Mangione Mr. and Mrs. Corky Crozier Mr. and Mrs. Vernon A. Reid Dr. and Mrs. David F. Dalury The Rouse Company Dr. and Mrs. Walter E. Dandy, Jr. Wassily Kandinsky, Kandinsky, Wassily annual report 2003 | the walters art museum • 19 Mrs. Sidney E. Daniels Mr. and Mrs. Charles M. Pecot Dr. and Mrs. Worth B. Daniels, Jr. Kathy and David Phillips Rosalee and Richard Davison Tammie Plant Mr. and Mrs. William J. Donohue Mr. Alexander Matthew Polsky and Mr. and Mrs. A. Eric Dott Ms. Joan Rambo Mrs. Herman A. Feldmann* Mr. and Mrs. Peter St. John Reid Mr. and Mrs. Alex G. Fisher Jennifer and George Reynolds Mr. and Mrs. R. Hugh Kathryn Coke Rienhoff Allen Fitzpatrick Mr. and Mrs. James Merrill Riordan Dr. and Mrs. Dennis Foster, Jr. Dr. and Mrs. Charles A. Rohde Laura L. Freedlander Ms. Wendy S. Rosen Mrs. Charlton Friedberg Mrs. James W. Rouse Mrs. Donald T. Fritz Dr. and Mrs. Neal Salomon Mr. and Mrs. Charles Richard Mr. and Mrs. C. Alan Schroeder Gamper, Jr. Dr. and Mrs. Thomas E. Schwark Dr. and Mrs. Kenneth C. Gertsen Mrs. Christopher R. Sheehan Mrs. Sherlock S. Gillet Ms. Ellen Sherwin Ms. Joanna Davison Golden Mr. and Mrs. Sidney Silber Mrs. Betsy Matthai Gorman Romaine Stec Somerville Mr. and Mrs. Joseph C. Haberman Mr. William O. Steinmetz and Mr. and Mrs. Douglas W. Hamilton, Jr. Ms. Betty Cooke Mr. Michael Harrison Mrs. Harry S. Stevens Mr. and Mrs. Robert D. H. Harvey Mr. and Mrs. M. Barry Strudwick Mr. and Mrs. E. Phillips Hathaway Mrs. R. Carmichael Tilghman Mr. and Mrs. Melvin Hecht Mr. and Mrs. David F. Tufaro Ms. Ingrid M. Herrera Mr. and Mrs. James A. Ulmer III Mr. and Mrs. John H. Highby Mr. William J. Walker Mr. and Mrs. James P. Hill, Jr. Mr. and Mrs. Stephen B. Waters Mr. and Mrs. David S. Hilliard Mr. and Mrs. George S. Wills Mr. and Mrs. C. Peter Hoffberger Mr. and Mrs. Bruce P. Wilson Mr. and Mrs. Patrick D. Jarosinski Mrs. Diana Wimberley Mr. and Mrs. Peter Thomas Kandel Anne and Hiram Woodward Mr. Tylden Westcott Streett DONORS TO THE Mary Ellen and Leon Kaplan* Mr. and Mrs. Thomas G. Young III Mrs. Frank V. Sutland EDUCATION Mrs. Elizabeth S. Kiersarsky Mr. and Mrs. Richard C. Tilghman, Jr. ENDOWMENT FUND Mr. and Mrs. John I. Leahy, Jr. Friends Susan and Hutch Vernon Dr. and Mrs. Frederick A. Lenz Mrs. Daniel Baker Nell V. Weidenhammer Miss Margaret Hammond Cooke Harry L. Lundy, Jr. Anand and Ranjana Bhasin Dr. and Mrs. M. Lee Williams Ms. Dorothy B. Krug Ann H. Maddox Ms. Mary R. Brush Mrs. Elmer G. Worthley Mrs. Isaac C. Lycett, Jr. Mr. and Mrs. Allan J. Malester Drs. Alan and Miriam Cohen* Drs. J. B. and Annelies S. Zachary Mr. and Mrs. Richard Ottenheimer David D. McNally & Michelle Nilssen Ms. Katherine Singley Dannenberg Anonymous (2) Mr. and Mrs. Russell R. Reno, Jr. Ms. Patricia D. McPhail Ms. Joan Weiskittel Denny* * In Honor of Dorothy McIlvain Scott Mr. and Mrs. T. Ridgeway Trimble Mr. and Mrs. Thomas E. D. Mr. and Mrs. Austin H. George Millspaugh Mr. Randall Hagner Greenlee* The Women’s Committee of the DONORS TO THE Mr. and Mrs. Hugh Mohler Mr. and Mrs. Henry G. Hagan Walters Art Museum Education Mr. and Mrs. James H. Moshovitis Mr. Charles C. Holman and FRIENDS OF THE ASIAN Endowment Fund COLLECTION ACQUISI- Mr. and Mrs. William P. Murphy Ms. Elizabeth Wright Mrs. K. Coke Rienhoff Dr. and Mrs. Pumphrey Nes Mrs. T. Brannon Hubbard* TION FUND The Women’s Committee of the Mrs. Janette L. Nyce Dr. and Mrs. Robert D. Jeffs Dr. Ann Hersey Allison Walters Art Museum Dr. and Mrs. Thomas P. O’Brien Ms. Marilyn Koch Mr. and Mrs. Ralph L. Brockway Mr. and Mrs. Jeffrey C. Palkovitz Mrs. Louis B. Kohn II* Miss Louise P. Cavagnaro Anna Z. and Harry P. Pappas RESTRICTED GIFTS Dr. and Mrs. Edward F. Lewison* Mr. and Mrs. David Duberman . C . Mrs. Georgia L. Linthicum Mr. Stephen W. Fisher We are especially grateful to the fol- B Mr. and Mrs. Benjamin F. Lucas II Mr. and Mrs. John Gilmore Ford lowing donors who gave generously .–600 C

Bernard Manekin in fiscal year 2003 for gifts to sup- .

Mr. and Mrs. Austin H. George B Ms. Kate Markert* Mr. and Mrs. Sachinder N. Gupta port endowment, art acquisition, and Mary-jo Mather and Mr. and Mrs. Robert E. Hall other special funds. , 900 Richard T. Sherry III Mr. and Mrs. Douglas W. Hamilton, Jr. Charlotte and Michael McCarthy Dr. Joseph S. Handler Apgar Fund for Excellence in Mrs. Cynthia R. Mead Drs. Terry H. and Dana C. Hilt Technology

Mr. and Mrs. J. Jefferson Miller II* Kneeling Figure Mrs. Anna Y. Kovasznay Mr. and Mrs. Mahlon Apgar IV Ms. Jean-Barry Molz Dr. Sandra R. Leichtman and James and Dessie Moxley Dr. Jeffrey Froehlich Eddie and Sylvia Brown Fund for Mr. and Mrs. Daniel C. North Mr. and Mrs. Harry P. Pappas African American Art Amy Huntoon and Will Perkins Mr. and Mrs. William M. Passano, Jr. Mr. and Mrs. Eddie C. Brown Mrs. Walter D. Pinkard, Sr.* Mrs. Laurance P. Roberts Dr. and Mrs. Robert S. Feinberg Mrs. Laurance P. Roberts* Dr. Ronald Rosenberg Mr. and Mrs. Robert E. Hall Mr. and Mrs. John R. Rockwell Mr. and Mrs. Cecil A. Rush Mr. Vernon A. Reid Eugene and Alice Schreiber Miss Carolyn L. Smith The Women’s Committee of the Dr. and Mrs. Thomas E. Schwark Mr. and Mrs. Gerald W. von Mayer Walters Art Museum Mr. and Mrs. Donald J. Shepard Mr. and Mrs. Alvin E. Wagenheim Mrs. T. Rowland Slingluff, Jr.* Dr. and Mrs. Philip D. Zieve Sara Finnigan Lycett

Margaret B. Turner-Speed , Knockdown 2000; bottom: Mexico (Olmec), Harold W. Stephens Publishing Endowment Mrs. Harry S. Stevens Mrs. Isaac C. Lycett Top: Joseph Sheppard, 20 • the walters art museum | annual report 2003 The Andrew W. Mellon Foundation Fund for Scholarly Research and Publications In 1985, the Andrew W. Mellon Foundation established a fund to support research and publications at the Walters. The Andrew W. Mellon Foundation Curatorial Chair for The position of Curator of Ancient Art is named in honor of The Andrew W. Mellon Foundation, which, through a challenge grant awarded in 1996, helped to endow two senior curatorial positions. James A. Murnaghan Renovation of the Charles Street BEQUESTS RECEIVED NAMED ENDOWMENT Curatorial Chair in Renaissance and Baroque Art Building (as of June 30, 2003) Miss Carol L. Bates FUNDS James A. Murnaghan, the distin- The Richard C. von Hess Foundation Mrs. Gertrude Michel Brown The following named funds are guished Irish jurist and art collector, Dr. and Mrs. Thomas Pozefsky Mr. E. Alexander Dietrich, Jr. part of the Walters’ permanent was the uncle of the Hon. Francis D. Anonymous (1) Mrs. Ina P. Farber endowment and were established Murnaghan, Jr., Chairman Emeritus Ms. Ouida Street Kallmyer with gifts of $250,000 or more. of the Walters’ Board of Trustees. The Jennie Walters Delano Fund Mr. Randolph S. Rothschild income from this fund supports the Mrs. Warren Delano The Jacob and Hilda Blaustein position of Curator of Renaissance Sylvie R. Griffiths GIFTS RECEIVED IN Endowment Fund and the Louis and and Baroque Art. Mrs. Cynthia R. Mead HONOR OF Henrietta Blaustein Endowment Fund The Perlman Memorial Fund Ted Low Lecture Fund Mrs. Joanne Belgrad In 1989, the Trustees of the Jacob and Philip B. Perlman was one of the orig- Mrs. E. Robert Newton Mr. Neal Borden Hilda Blaustein Foundation and of the Mr. and Mrs. Samuel K. Himmelrich, Sr. Louis and Henrietta Blaustein Founda- inal members of the Walters’ Board The Renée May Lecture Fund Mrs. Joseph M. Levi tion established these funds at the of Trustees, which he established in Walters to provide support for essen- 1932 following Henry Walters’ bequest Mr. and Mrs. A. Thomas Carozza II Mrs. Charlotte R. Miller tial programmatic activities, such as to the City of Baltimore in 1931. He Ms. Jean Holzhueter Mary Ellen Reno permanent and temporary exhibi- became President of the Board of Ms. Rosemary Martin Miss Dorothy McIlvain Scott tions, publications, education pro- Trustees in 1955 and remained in that Mr. David R. Spivock Mrs. Adena W. Testa grams, and visiting specialists. position until his in 1960. His Colonel Herman G. Tillman bequest, and a generous donation by GIFTS RECEIVED IN The Laura F. Delano Fund an anonymous donor, funded the Other Restricted Gifts MEMORY OF Miss Delano, niece of Henry Walters, Perlman Memorial Fund, with Austen-Stokes Ancient Americas Mrs. Betty Lee Bittel served as a trustee of the Walters for income unrestricted. Foundation Anne Mae Brown 28 years and took particular interest The Associated: Jewish Community Mr. and Mrs. Thomas Quincy Scott Mr. Harold Feinberg in the collections of jewelry and Federation of Baltimore The Honorable Francis D. portrait miniatures. Upon her death Curatorial Chair for Asian Art Baltimore Community Foundation Murnaghan, Jr. in 1972, she left a significant bequest This fund was established in 1997, in The Kendall Berry Charitable Trust Mr. Sigmund M. Hyman to the museum’s endowment, with response to a challenge from The EXXONMOBIL Foundation Ouida Street Kallmyer income unrestricted. Andrew W. Mellon Foundation, with Dr. and Mrs. Robert S. Feinberg Renée Ann May income restricted to support of the The Harry L. Gladding Foundation Mrs. Samuel McLanahan Alexander Brown Griswold Fund position of Curator of Asian Art. Mr. and Mrs. Willard Hackerman Ms. Dorothy Miner Middendorf Foundation Alexander Brown Griswold, an Mr. Laurance P. Roberts The Loretta Lee Ver Valen Fund Mr. and Mrs. Stanford Rothschild, Jr. eminent scholar of , greatly Mr. John J. Shields, Sr. This fund was established in 2001 Mr. and Mrs. Herbert Scher enriched the Walters’ collection of with a bequest from the estate of Mr. Christopher G. Townsend Asian art with the gift of his large Mrs. Loretta Lee Ver Valen. It was The University of Vermont DONORS TO THE ASIAN and important collection of Thai and given to honor the memory of Mrs. Mr. and Mrs. Scott Alan Wieler ART ACQUISITION FUND other Asian sculpture. In addition, Ver Valen’s mother. The income from Anonymous (1) he established this endowment fund, Mr. and Mrs. Gilbert H. Kinney with income unrestricted. this fund is to be used to support the acquisition of works of art. GIFTS RECEIVED FOR In Memory of Laurance P. Roberts W. Alton Jones Acquisition Fund FUTURE EXHIBITIONS received between July 1, 2002– In 1983, the W. Alton Jones The Jay M. Wilson AND ACTIVITIES June 30, 2003 Foundation made a major gift to the Endowment Fund Eternal Egypt Audio Tour Mr. Frederick Singley Koontz Walters to establish an endowment Jay M. Wilson was President of the The Women’s Committee of the Mr. Henry Millon fund whose income would be used Walters’ Board of Trustees from 1979 Walters Art Museum Ms. Sherry Thompson to purchase works of art. to 1985, Chairman from 1985 to 1988, Mr. and Mrs. James A. Ulmer III and President again from 1991 to 1994. Dr. and Mrs. Hiram W. Woodward, Jr. The Mellon Conservation Established in 2000 by his family, this Installation of the John & Berthe Ford Fellowship Fund Collection The Mary C. Rockefeller Charitable fund is designated for endowment,

Sam and the , Tigers © 1996 Jerry Pinkney E. Rhodes and Leona B. Carpenter Fund of the Philanthropic Established in 1982 by the Andrew with income unrestricted. Collaborative W. Mellon Foundation, this fund Foundation While every effort has been made to provides annual income to support list donors accurately, should you notice the Walters’ program that trains an error, please accept our apologies. post-graduate fellows in conservation. Please notify us at 410-547-9000, ext. 295, with the correction. Top: Jerry from Pinkney, annual report 2003 | the walters art museum • 21 VOLUNTEERS The Walters relies on the dedication and commitment of volunteers to help sustain the museum in a multitude of ways. A special thanks go to these individuals who contributed their time and energy in fiscal year 2003.

AFRICAN AMERICAN WILLIAM T. WALTERS Mrs. Brian P. Curry Ms. Mary-jo Mather STEERING COMMITTEE ASSOCIATION Mrs. David F. Dalury Mrs. Michael A. Meredith Mrs. Randel B. Etheridge Mrs. Jan M. Minkowski Chairperson Special thanks to the William T. Mrs. R. Hugh Fitzpatrick Mrs. R. Bentley Offutt Walters Association for their commit- The Honorable C. Yvonne Holt-Stone Mrs. Jean Geesey Mrs. Brian H. O’Neil ment and dedication in assisting the Mrs. Kenneth C. Gertsen Mrs. William M. Passano, Jr. Annual Giving campaign efforts for Vice-Chairperson Ms. Joanna D. Golden Mrs. Beth G. Pierce 2003. Mrs. Merlene E. Adair Mrs. Douglas Hamilton, Jr. Ms. Joan L. Rambo Chairperson Mrs. Brian P. Harrington Mrs. Kathryn Coke Rienhoff Members Mrs. Edward G. Hart III Mrs. Charles A. Rohde Mary Baily Wieler Ms. Saisa Amenu-El Mrs. C. Peter Hoffberger Mrs. Charles H. Salisbury, Jr. Mr. Calvin H. Baker Members Mrs. Douglas M. Hoffberger Mrs. Neal W. Salomon Mr. Micheal A. Brown Mrs. Patrick D. Jarosinski Mrs. Thomas E. Schwark Dorothy Alevizatos Ms. C. Sylvia Brown Mrs. Peter T. Kandel Mrs. Stephen T. Scott Anne Nelson Apgar Mr. Lester Buster Mrs. Leon Kaplan Mrs. Steven M. Stanley Joanne Belgrad Ms. Madelyn Clark-Robinson Mrs. John I. Leahy, Jr. Mrs. James A. Ulmer III Kenneth A. Bourne, Jr. Ms. Lorraine Cornish Mrs. Thomas E. D. Millspaugh Mrs. Douglas Warner, Jr. Frederic Grant Emry II Ms. Brenda Covington Mrs. William P. Murphy Mrs. LeBaron S. Willard, Jr. J. Jeffrey Fox (member And representing the Mrs. Paul V. Niemeyer Mrs. Jerry M. Wimberley Brenda and Michael Gisriel Honorable Joan Pratt) Mrs. Carrington C. S. North Michael B. Glick Dr. Robert Feinberg Mrs. Douglas A. Nyce Jane and Esko Korhonen FRIENDS OF THE Mr. Paul W. Garner Mrs. Thomas P. O’Brien Richard P. Manekin WALTERS 2003 Ms. Jeanette B. Garrett Mrs. Jeffrey C. Palkovitz Robert J. Mathias STEERING COMMITTEE Ms. Amsale Gelatu Mrs. David G. Phillips Charlotte McCarthy Ms. Diane Gordy Mrs. Peter St. John Reid Jennifer Vollmer, Chairperson Andrew Meredith Ms. Dannell T. Grayson Ms. Wendy S. Rosen Felicia Emry, Co-Chairperson Michael A. Meredith Ms. Harriet Griffin Mrs. Christopher R. Sheehan Jennifer Vollmer, Esq., Education Charles Morton The Honorable Helen L. Holton Mrs. J. Thayer Simmons Karen Ballet David Nichols (Ex-Officio) Mrs. M. Barry Strudwick Elise Balkin Anne O’Brien Ms. Kimberly Grey Howard Mrs. Peter Van Dyke Lee Cohen-Hare Anna Z. Pappas The Honorable Julian L. Lapides Mrs. Hiram W. Woodward, Jr. Heather Hook Stephen T. Scott Ms. Barbara J. Lee Tom Sweeting Clare Stewart Mr Marco K. Merrick Associate Members Thomas Washburne, Jr. Ms. Sally Michel Mrs. Aristides C. Alevizatos DOCENTS Mr. John H. Morris, Jr., Esq. Mrs. Christopher H. Bartlett II Mr. Ackneil M. Muldrow II THE WOMEN’S Mrs. David W. Barton, Jr. Docent Executive Committee 2003 Ms. Jai Elyn Obey COMMITTEE Mrs. David E. Belcher Elizabeth Ramsey, President Dr. Edna O’Connor Mrs. Herbert J. Belgrad The Women’s Committee furthers Barbara Simmons, Vice President Ms. Jean B. Owens Mrs. William R. Brody community interest in the museum Louise White, Secretary Ms. Aleta Parrish Mrs. Cato D. Carpenter by organizing trips and special events, Mary Ellen Bur, Treasurer Mr. William Patternotte Mrs. Andrew J. A. Chriss sponsoring public programs, and Ms. Ann Pettijohn Mrs. Benjamin R. Civiletti underwriting special exhibitions. Julianne Alderman Ms. Elizabeth M. Ramsey Ms. Sidney E. Daniels C. Alex Alexander Mr. Vernon A. Reid Chairperson Mrs. Richard S. Davison Sudha Alexander Dr. Adjai N. Robinson Mrs. Richard Eliasberg Marian Altoz Mrs. John M. Bond, Jr. Mr. Nolan V. Rollins Mrs. John G. Ford Herman Bainder Mr. Lamarr Darnell Shields Members Mrs. Donald T. Fritz Joanne Belgrad Ms. Patricia Grimmett Smith Mrs. C. Richard Gamper, Jr. Reeva Bernhardt Mrs. Wm. Ross Adams Ms. Adena Testa Mrs. Austin H. George Angela Breakey Mrs. Mahlon Apgar IV Dr. Freeda E. Thompson Mrs. Sherlock S. Gillet, Jr. Sharon Britton Mrs. Herbert P. Bangs Ms. Rita B. Turner Mrs. Joseph C. Haberman Marge Byers Mrs. John M. Black Mrs. Judy Van Dyke Mrs. Samuel K. Himmelrich Jane Calegari Mrs. R. Peter Bosworth Head of , a 1928–29, Peasant oil on The plywood, State Russian Museum, St. Petersburg Ms. Donna C. Wilson Mrs. Harris Jones, Jr. Marion Carozza Mrs. Fred M. Brosi, Jr. Mrs. Lemuel A. Lewie Dorothy Cherry Mrs. Daniel J. Canzoniero Mrs. John H. Lewin, Jr. Kazimir Malevich, 22 • the walters art museum | annual report 2003 Carrie Crosson Emeritus Docents CURATORIAL DIVERSITY IN THE ARTS Walter Dandy, Jr. Ellen Aisenberg VOLUNTEERS INTERNS Rosemary Eck Willa Banks Diane Eckholdt Lionel Katzoff Christian Daniels Mary Beere Carrie Emerson Betsy Lau Nicole Davis Marjorie Bleul Mary Eyring Elisabeth Morris Virginia Campbell Vernon Fains Kevin Nash Jane Champ-Payne LIBRARY VOLUNTEERS Betty Feinberg Gilda Sharpe-Etteh Jean Clinnin Marnie Colton Berthe Ford Morgan Solomon Rosalee Davison Loretta Taymans Gloria Free Anjanette Wiggins Carol Durr Antonieta Villalobos Irene Friedman Nancy Fox Anjanette Wiggins Carol Gertsen Janice Harwood PLANNED GIVING Marsha Golob Norma Haught ADVISORY COUNCIL Hannah Gould VISITOR SERVICES Sherri Hershfeld Mary Gray Chairperson Ro Johnson VOLUNTEERS Harriet Griffin John P. Edgar, Esq. Patricia Karey Ellen Aisenberg Barbara Guarnieri June Lawry Marian Altoz Jane Habig Members Mary Alma Lears Wallace Anderson Nancy Hall Benita Low John Arbalada Gary R. Anderson, JD, CPA Ingrid Herrera Rita Lowenstein Jean Baer David T. Askin, CPA Zelma Holzgang Louise Marburg Richard Behrens Patricia Bentz Amy Huntoon Elinor Mayer Jennifer Bonincontri Max E. Blumenthal, Esq. Carol Krisanda Charlotte Miller Cécile de Ford Neal D. Borden, Esq. Lois Kyler Barbara Olgeirson Millie Fisher David W. Britton, Jr., Esq. Christine Lambrou Sandra Rosenberg Edna Fowler John A. Cogar, Esq. Reva Lewie Joanne Rosenthal Catherine Giliberto Richard J. Dumais, Esq. Martha Lohmeyer Katherine Schwabe Anne Graeber John A. Gilpin, Esq. Sara Lycett Germaine Sharretts Conrad Graeber Sandra P. Gohn, Esq. Michael Maglia Miriam Shear Polly Gregory Rene J. Gunning, Jr. Susan Markowitz Mary Skinner Helen Hurst Marianne Schmitt Hellauer, Esq. Paul McAdam Marion Staley Carolyn Johnson Thomas R. Kelley, CPA Patricia McCall Anne Strickland Stephen Knipp Stanard T. Klinefelter, Esq. Marie-Claude McKie Anita Wagenheim Rachel Layton Arnold H. Koonin, CPA Dorrie Mednick Annelies Zachary Anne Lilly Michael I. Levine Linda Miller Nicolas Zenker Lucy McBee Alexander I. Lewis III, Esq. Francine Mittelman Mary Michels Brian Meritt, CPA Karen Motyka James Nagel Andrew G. Nichols Angela Munitz MEMBERSHIP Patricia Owens Eileen D. O'Brien, Esq. Susan Noonan VOLUNTEERS Antonia M. Powell A. MacDonough Plant, Esq. Fronda Ottenheimer Lydia Bobo Maggie Rittler Jeffrey J. Radowich, Esq. Janice Perdue Priscilla Calvert Marcia Strock George K. Reynolds III, Esq. Barbara Pour Arthur Christiansen Loretta Taymans Lynn B. Sassin, Esq. Virginia Probasco Meredith Gaigals Patricia H. Wlodarczyk William E. Scholtes, Esq. Virginia Raleigh Anne Graeber Betty Wetsel Mary Alice Smolarek, Esq. Adele-Ethel Reidy Conrad Graeber Joel Woodey S. Allen Snook Mary Ellen Reno Ingrid Herrera C. Van Leuven Stewart, Esq. Marilyn Scher Helen Hurst Shale D. Stiller, Esq. Carol Schimpff VISITOR SERVICES Marianne Jones M. Barry Strudwick Sandra Schmidt Charles Kidder STUDENT INTERNS Adena W. Testa, Esq. Susan Schuster Barbara Laukaitis Ellen Brooks Henry B. Thomas Eleanor Schwark Lucy McBee Caitlin Haberman Bonnie A. Travieso, Esq. Aaron Seiden Susan Osgood Ali Hassan William C. Trimble, Jr., Esq. Erma Sigler Barbara Reynolds Edward Heimiller James M. Webster, Jr. Herbert Silverman Diane Scharper Crystal Powell Lynn Wintriss, Esq. Martha Sinis Myra Shannonhouse Ana C. Santiago Jacqueline Slavney Dee Statham Patricia Smith Liz Stierhoff Joan Sobkov INTERNS Jerry Thomas Virginia Southard Cara Weikel Emily Blumenthal Charles Springer Lena Westre Nicole Buckingham Janet Steinberg Annemarie Catania Barbara Sterne Allison Davis Jane Stricklen MUSEUM STORE Katherine Duvall Helen Szymokwiak VOLUNTEERS Heather Egan Sara Tendler Marion Carroza Richard Grossman Freeda Thompson Marion Cohen Sara Hardy Patricia Toth Frances Fant Paige Plapas Therese Ulmer Sylvia Himmelfarb Geri Provost Joan Urbas John Larkin Samantha Raggi Françoise von Mayer Natasha Mathias Rebecca Riklin

. photo by 1000–1500, R. Asselberghs Paula Warner

D Betty Pause Anna Shaw .

A Louise White Sandy Schmidt Helen Smith Nancy Wilking Gene Sweetland Patrick Tucker , Vessel Elaine Zieve Pearl Walsh Flora Ward Yeran Wartanian Lena Westre Mexico (Mixtec), annual report 2003 | the walters art museum • 23 STAFF ADMINISTRATION Eric Gordon, Head of Paintings CURATORIAL AFFAIRS Gil Furoy, Collections Technician Conservation William Goode, Collections Technician Gary Vikan, Director Regine Schulz, Director of Curatorial Abigail Quandt, Head of Book and David Fouts, Temporary Art Handler William R. Johnston, Associate Director Affairs, Curator of Ancient Art Paper Conservation Kate Markert, Associate Director C. Griffith Mann, Assistant Director of Margaret Craft, Senior Conservator, of External Affairs and Operations Curatorial Affairs, Assistant Curator of DEVELOPMENT Objects Nancy Zinn, Assistant to the Director, Julie Lauffenburger, Senior Conservator, Bennett Samson, Director of Director of Exhibitions Sabine Albersmeier, Assistant Curator Objects Development Harold Stephens, Senior Director for of Ancient Art Elissa O’Loughlin, Senior Conservator, T. Ridgeway Trimble, Manager of Administration Morten Hansen, Assistant Curator of Paper Planned Giving Brenda Jackson, Human Resources Renaissance and Baroque Art Karen French, Associate Conservator, Genevieve Haines, Annual Giving Manager William R. Johnston, Senior Curator of Paintings Manager Rosalyn McDonald, Human Resources 18th- and 19th-Century Art Paul Hepworth, Assistant Conservator, Steven Gearhart, Annual Giving Administrator Eileen Kahng, Curator of 18th- and 19th- Paper Coordinator J. Douglas Rose, Controller Century Art Erin Loftus, Conservation Technician, Susan Sierra, Annual Giving Pamula Gordon, Accounting Assistant William Noel, Curator of Manuscripts Books and Paper Coordinator Alexis Washington, Accounting and Rare Books Betsy Lau, Administrative Assistant Bridgid Kernan, Grants Manager Assistant Lynn Ransom, Mellon Fellow, Sue Ann Chui, Mellon Fellow, Paintings Christina Miller, Grants Associate Cynthia Roberts-Cobbins, Secretary to Manuscripts and Rare Books Gillian Cook, Kress Foundation Fellow Marietta Nolley, Special Events the Director Joaneath Spicer, Curator of Renaissance Antje Neumann, Mellon Fellow, Objects Manager and Baroque Art Irina Dolgikh, Intern, Paintings Stanley Dunaj, Museum Rentals Hiram Woodward, Curator of Asian Art CONSERVATION AND Sarah Barack, Intern, Objects Phillip Scharper, Membership Manager Matthew Robb, Visiting Assistant TECHNICAL RESEARCH Batyah Shtrum, Intern, Objects Shirley Plank Thomas, Senior Curator, Art of the Ancient Americas Tina Wasson, Summer Intern, Objects Membership Assistant Terry Drayman-Weisser, Director of Cathleen Fleck, Visiting Asssitant Anya McDavis-Conway, Conservation Elissa Winer, Membership Assistant Conservation and Technical Research Curator, Manuscripts and Rare Books Volunteer Lynley Herbert, Membership Sales Simon Kelly, Mellon Fellow, 18th- and Assistant 19th-Century Art Margaret Kocis, Secretary to the Board Georgi Parpulov, Bates Fellow,

Manuscripts and Rare Books Bleaching Linen , 1908, oil on canvas, The State Russian Museum, St. Petersburg Kathleen Emerson-Dell, Project EDUCATION Coordinator, Charles Street Building Jacqueline Copeland, Director of Reinstallation Education and Public Programs Elizabeth Flood, Curatorial Division Emily Onstott, Manager of School Administrator Programs Deborah Horowitz, Editor/Manager of Amanda Kodeck, School Programs Curatorial Publications Coordinator Christianne Henry, Curatorial Marianne Laino, School Programs Publications Assistant Coordinator Kathleen Stacey, Head Librarian Megan Luther, School Programs Nancy Patterson, Assistant Librarian Assistant Susan Tobin, Head of Photography Kendra Banks, Education Division Jennifer Campbell, Photo Darkroom Administrator Technician Melinda Evasius, Manager of Adult Kate Lau, Photo Services Assistant Programs Joan Elisabeth Reid, Chief Registrar Najah Gabriel, Adult Programs Assistant Laura Graziano, Associate Registrar for Emily Blumenthal, Adult Programs Loans and Exhibitions Assistant George Chang, Assistant Registrar for Kathleen Nusbaum, Manager of Collections Management Children and Family Programs

Barbara Fegley, Associate Registrar for Kirsten Schafer, Children and Family Striding Elephant , Collection; Andre Ruzhnikov bottom: Natalia Goncharova, Loans and Traveling Exhibitions Programs Coordinator Ryan Heilman, Assistant Registrar for Jennifer Santos, Public Programs Information Management Facilitator Michael McKee, Senior Collections Technician Top: Firm of Carl Fabergé, 24 • the walters art museum | annual report 2003 Charles Barnard, Museum Store Harry Birch, Jr., Security Officer Bookkeeper Ed Brown, Security Officer Ryan Brown, Admissions Cashier Charles Bullock, Security Officer Deborah Cho, Museum Store Sales Shawnta Cunningham, Security Officer Associate Stanley Ferguson, Security Officer Danielle Fuller, Admissions Cashier Ronald Ferguson, Security Officer Jacqueline Gray, Museum Store Sales Joseph Franks, Security Officer Associate Terrence Gallagher, Security Officer Leah Shifflett, Museum Store Sales Alexander Gough, Security Officer Associate Isaac Green, Security Officer Paula Tillman, Visitor Services Associate Keith Harris, Security Officer . 200, from the , Bequest of Saidie A. May D . Patricia Toth, Museum Store Sales Johnny Harrison, Security Officer A Associate Delores Johnson, Security Officer Robert Jones, Security Officer OPERATIONS AND Patricia Lockhart, Security Officer Harry Mackey, Security Officer

, ca. Zeus-Serapis SUPPORT SERVICES Chrstina McDaniel-Santos, Security John Cougnet, Director of Operations Officer Jessica Voorheis, Operations Todd McIntyre, Security Officer Administrator John Monti, Security Officer Emily Lightner, Operations Assistant Jerry Moseley, Security Officer Eric Domineck, Mailroom/Receiving Diana Ortega, Security Officer John Shields, Docent and Internship Davi Peterson, Exhibition Production Clerk Harry Owings, Security Officer Programs Manager Assistant Deborah Swords, Receptionist Mary Page, Security Officer Cynthia Clinton, Docent and Internship Wayne Johnson, Senior Cabinetmaker Chris Kunkel, Security Manager Coleman Reichlyn, Security Officer Programs Coordinator Franz Wise, Cabinetmaker Max Gasker, Operations Manager Gina Roberts, Security Officer Molly Edgar, Speakers Bureau Emory Bowie, Maintenance Supervisor Ronald Savage, Security Officer Coordinator INFORMATION John Bixler, Maintenance Technician Wayne Smith, Security Officer Susan Scherz, Tour Scheduler TECHNOLOGY Joseph Moran, Maintenance Technician Owen Stokes, Security Officer Michelle Dunn, Teacher William Day, Maintenance Night Shift Dorothy Storrs, Security Officer Amy Charleroy, Teacher Nancy Pinn, Director of Information Manager Arnold Turner, Security Officer Sandy Gray-Murray, Teacher Technology Mark Taylor, Audio Visual Technician Robert Watson, Security Officer Alicia Kunz, Teacher Henry Alperovich, Network Rashana Rasheid-Walker, Teacher Adminstrator Maintenance/Custodial Katherine Rohe, Teacher Assistants Alonzo Bacon Regina Tumasella, Teacher MARKETING AND George Figgs, AV, Public Programs Leon Berry COMMUNICATIONS

“The Triumph of Fame,” W.755 folios 46v–47, ca. 1477–80;folios 46v–47, “Theof Fame,” bottom:Triumph W.755 Roman, Walter Cain Jemal Cherry EXHIBITIONS Ann Wilson, Director of Marketing and Communications Joseph Davenport Triumphs Nancy Zinn, Director of Exhibitions, Johanna Biehler, Senior Graphic Raymond Farmer Assistant to the Director Designer Edward Garey Elizabeth Gordon, Manager of Catherine Pierre, Manager of Public James Johnson Traveling Exhibitions Relations Melida Lane Susan Wallace, Head of Exhibition Jennifer Renard, Public Relations Timothy Mason Scheduling and Graphics Coordinator William Murray Fred Nitsch, Graphic Production Artist Wade Price, Manager of Group Sales Kenneth Oliver Paula Millet, Chief Exhibition Designer Dale Griffin, Manager of Visitor Services Susana Williams and Production Manager Alice McAuliffe, Manager of Retail Security Danielle Ayers, Exhibition Assistant Operations Linda Hanna, Supervisor William Conrow, Lighting Judith Hurlock, Assistant Manager, Rodney Brown, Supervisor Designer/Supervisor Museum Store Moses Hunter, Supervisor Darius Thomas, Lighting Technician Kevin Donnelly, Assistant Manager, Bernard Thomas, Supervisor Asa Osbourne, Manager of Exhibition Museum Store Donald Addison, Security Officer Production Gregory Rago, Publications Coordinator Natina Bennett, Security Officer Top: Monte and Gherardo di Giovanni di Miniato, Petrarch’s annual report 2003 | the walters art museum • 25 FINANCIALS Management prepared these summarized financial statements. For a copy of the audited financial report, please send a request to the Walters Art Museum, Department of Finance, 600 North Charles Street, Baltimore, Maryland 21201.

THE WALTERS ART MUSEUM

STATEMENTS OF FINANCIAL POSITION June 30, 2003 (With Comparative Totals for June 30, 2002)

2003 2002

ASSETS Cash and cash equivalents $ 489,507 $ 556,035 Accrued investment income 302,331 313,384 Grants and accounts receivable 757,193 312,655 Inventories, at lower of cost (first-in, first-out method) or market 309,521 281,343 Prepaid expenses 848,416 674,153 Investments, at fair value 66,517,404 65,526,221 Unconditional promises to give, net 3,197,635 5,308,036 Buildings and equipment, at cost, net 38,319,260 37,984,397 Total assets 110,741,267 $ 110,956,224

LIABILITIES AND NET ASSETS Liabilities Accounts payable and accrued expenses $ 3,104,213 $ 2,105,086 Note payable, bank 3,200,000 3,850,000 Long-term debt 229,543 302,696 Deposits and memberships received in advance 219,377 187,736 Annuity obligation 76,020 142,689 Total liabilities 6,829,153 6,588,207 Net Assets Unrestricted Operating (deficit) $ (360,118) (440,064) Board designated for long-term investment 16,414,335 18,656,313 Net investment in plant 34,889,717 33,831,701 Working capital reserve 2,000,000 2,000,000 Walters Art Gallery Endowment Foundation 3,758,934 3,775,998 56,702,868 57,823,948 Temporarily Restricted 9,205,390 8,239,840 Permanently Restricted 38,003,856 38,304,229 Total net assets 103,912,114 104,368,017 Total liabilities and net assets $ 110,741,267 $ 110,956,224

26 • the walters art museum | annual report 2003 THE WALTERS ART MUSEUM

STATEMENTS OF ACTIVITIES Year Ended June 30, 2003 (With Comparative Totals for the year ended June 30, 2002)

2003 2002 Revenues, gains and other support: Investment income $ 1,893,154 $ 2,107,914 Grant income Baltimore City 744,000 744,108 Other public grants 1,453,099 1,274,622 Private grants 2,204,010 1,959,092 Contributions 1,965,085 2,657,617 Change in value of annuity obligation and contribution 33,121 77,263 Realized gains (losses) (748,220) (618,335) Unrealized appreciation (depreciation) 616,839 (3,246,106) Annual giving 1,237,201 1,274,780 Membership 509,791 459,789 Museum store 700,328 756,460 Employee benefit contributions 1,653,527 1,658,724 Admissions - special exhibits 220,527 561,067 Admissions - general 153,166 50,808 Exhibit rental 515,000 307,643 Deaccessions 17,141 102,858 Other income 758,669 841,975 Total revenue, gains, and other support 13,926,438 10,970,279 Expenses Curatorial 1,922,177 1,929,233 Conservation 632,673 641,117 Exhibitions 1,426,997 1,347,153 Education 1,088,661 1,122,916 Development and membership 1,237,772 1,569,254 Marketing and communications 793,516 1,488,317 Management, building, and security 6,530,337 6,058,346 Museum store 546,863 582,187 Accessions 203,345 425,511 Total expenses 14,382,341 15,164,034 Change in net assets (455,903) (4,193,755) Net assets at beginning of year 104,368,017 108,561,772 Net assets at end of year $ 103,912,114 $ 104,368,017

annual report 2003 | the walters art museum • 27 The Walters receives major annual operating grants from the City of Baltimore, the Maryland State Arts Council, and Baltimore County, as well as additional grants from Harford, Anne Arundel, Howard, and Carroll counties. Thank you.

BOARD OF TRUSTEES Charles W. Johnson Ex-Officio Officers Andrea B. Laporte Kathleen B. Brosi Mary C. Mangione City Council President Sheila H. Dixon Adena W. Testa, Esq., Chair Wallace Mathai-Davis Dr. Robert S. Feinberg, President Margaret Z. Ferguson Sally J. Michel Bill Gilmore Neal D. Borden, Esq., Vice President Patricia B. Modell James H. DeGraffenreidt, Jr., Vice President The Honorable Martin J. O’Malley Marilyn A. Pedersen Carol Schimpff Philip D. English, Vice President William H. Perkins William L. Paternotte, Vice President The Honorable Jim Smith George A. Roche Meggan Smith Vernon A. Reid, Vice President Edward L. Rosenberg Dr. Gary K. Vikan, Secretary Nancy R. Sasser International Board Kenneth A. Bourne, Jr., Treasurer Mayo A. Shattuck III Dr. Myrna Bustani George M. Sherman Dr. David C. Driskell Members Jerome D. Smalley Sam Fogg Bruce M. Ambler Hervey (Peter) S. Stockman, Jr. Dr. James Marrow Peter L. Bain Sudhir M. Trivedi Juliane Stephan-Henze Wendyce H. Brody Judy Van Dyke John and Marisol Stokes Eddie C. Brown Mary Baily Wieler Mark M. Caplan Benjamin B. Zucker Carol N. Dupkin Emeritus MISSION John Gilmore Ford Samuel K. Himmelrich, Sr. Laura L. Freedlander Bernard Manekin The Walters Art Museum brings art and Hannah B. Gould Cynthia R. Mead people together for enjoyment, discovery, and Nancy H. Hall Jay M. Wilson learning. We strive to create a place where Douglas W. Hamilton, Jr. people of every background can be touched The Honorable by art. We are committed to exhibitions and C. Yvonne Holt-Stone programs that will strengthen and sustain our community.

600 North Charles Street Baltimore, Maryland 21201-5185 www.thewalters.org

28 • the walters art museum | annual report 2003