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Ceramics Monthly Sep92 Cei09 mm William Hunt................................ Editor Ruth C. Butler..................Associate Editor Robert L. Creager.................Art Director Kim S. Nagorski...............Assistant Editor Mary Rushley...........Circulation Manager Mary E. Beaver......... Circulation Assistant Connie Belcher..........Advertising Manager Spencer L. Davis....................... Publisher Editorial, Advertising and Circulation Offices 1609 Northwest Boulevard Box 12448, Columbus, Ohio 43212 (614) 488-8236 FAX (614) 488-4561 Ceramics Monthly (ISSN 0009-0328) is pub­ lished monthly except July and August by Profes­ sional Publications, Inc., 1609 Northwest Blvd., Columbus, Ohio 43212. Second Class postage paid at Columbus, Ohio. Subscription Rates: One year $22, two years $40, three years $55. Add $10 per year for subscriptions outside the U.S.A. Change of Address: Please give us four weeks advance notice. Send the magazine address label as well as your new address to:Ceramics Monthly, Circulation Offices, Box 12448, Columbus, Ohio 43212. Contributors: Manuscripts, photographs, color separations, color transparencies (including 35mm slides), graphic illustrations, announce­ ments and news releases about ceramics are wel­ come and will be considered for publication. Mail submissions to Ceramics Monthly, Box 12448, Columbus, Ohio 43212. We also accept unillustrated materials faxed to (614) 488-4561. Writing and Photographic Guidelines: A book­ let describing standards and procedures for sub­ mitting materials is available upon request. Indexing: An index of each year’s articles appears in the December issue. Additionally,Ceramics Monthly articles are indexed in theArt Index. Printed, on-line and CD-ROM (computer) in­ dexing is available through Wilsonline, 950 University Ave., Bronx, New York 10452; and from Information Access Co., 362 Lakeside Dr., Forest City, California 94404. These services are available through your local library. A 20-year subject index (1953-1972), coveringCeramics Monthly feature articles, and the Suggestions and Questions columns, is available for $1.50, post­ paid, from the Ceramics Monthly Book Depart­ ment, Box 12448, Columbus, Ohio 43212. Copies and Reprints: Microfiche, 16mm and 35mm microfilm copies, and xerographic re­ prints are available to subscribers from Univer­ sity Microfilms, 300 North Zeeb Road, Ann Arbor, Michigan 48106. Back Issues: When available, back issues are $4 each, postpaid. Write for a list. Postmaster: Please send address changes toCe­ ramics Monthly, Box 12448, Columbus, Ohio 43212. Form 3579 requested. Copyright © 1992 Professional Publications, Inc. All rights reserved 2 CERAMICS MONTHLY September 1992 3 4 CERAMICS MONTHLY Volume 40, Number 7 SEPTEMBER 1992 Feature Articles Furnace Metaphors by Pete Burris......................................................................................30 Collecting Teapots by Leslie Ferrin ................................................................................... 33 Portfolio: No Food, Just Art by Madeline Kaczmarczyk..................................................................... 37 Johan van Loon by GertStaal...............................................................................................45 Clay Carpentry by Peter King................................................................................................48 Soba-Choko by Karen Beall and Dale Haworth................................................................... 56 Clay Carpentry Building and installing Richard Zane Smith by Roberta Burnett ............................................................................ 58 architectural embellishments for the reno­ vation of a 1920s-era, Spanish-revival home Tatsusuke Kuriki in Florida required some of the most in­ The Invisible Mirror by Richard L. Wilson ...................................................................... 62 volved ceramic constructions Peter King had ever attempted; see page 48. From China to America by Guangzhen “Poslin”Zhou .................................................... 96 Collecting Teapots By focusing an an­ nual show on a form many potters consider the ultimate challenge, gallery owner Leslie Up Front Ferrin has piqued and nurtured the interest of collectors nationwide; page 33. F. Carlton Ball, 1911-1992 ................................................................................................... 14 Lucy Lewis, 189?—1992 ....................................................................................................... 14 Art Nelson, 1942-1992........................................................................................................... 16 Potters Hit by California Lead Law by Rick Sherman ....................................................... 16 Talc Removed from Asbestos Rule..................................................................................... 18 Women’s Visions by Kevin Hluch .......................................................................................... 20 Lynn Whitehead...................................................................................................................... 22 Larry Halvorsen ......................................................................................................................22 Kaname Takada.......................................................................................................................22 Residency Enables Career Change by Betsy Wolfiton ......................................................... 24 Video Source............................................................................................................................ 26 Jeremy Jernegan....................................................................................................................... 26 Departments Ceramics in Multimedia Exhibitions ........ 80 Richard Zane Smith Working out with Letters ....................................................... 8 Fairs, Festivals and Sales ......................... 82 weights gives this New Mexico artist the Call for Entries Workshops .............................................. 82 stamina needed to complete detailed slip International Exhibitions .......................... 70 International Events ................................ 85 decoration on the “corrugated” surfaces of National Exhibitions ................................ 70 his thinly coiled vessels; see page 58. Regional Exhibitions ................................ 72 New Books ............................................ 88 Fairs, Festivals and Sales ........................... 72 Questions ................................................ 92 The cover Modern ceramic design with a Suggestions ..............................................76 Classified Advertising .......................... 98 bit of nostalgia on the side is the house specialty in this restored 1947 diner—now Calendar Comment: A Letter of Appreciation showroom—ofMichigan artists Jerry Berta Conferences............................................. 78 by Jack Troy ....................................... 100 and Madeline Kaczmarczyk; see “No Food, Solo Exhibitions ....................................... 78 Just Art” on page 37. Photo: PhilSchaajsma. Group Ceramics Exhibitions ..................... 78 Index to Advertisers ............................ 104 September 1992 Letters black reduction smoke filled the sky. Local the “unavoidable” losses of fire, flood, earth­ raku enthusiasts arrived by the truckload, quake, tempest and time enough? gaily clad in fire-resistant boots, raincoats and As to the Whitney: I have never under­ yellow helmets. They were so prepared, they stood why institutions that never would give even brought their own water. me permission to display as much as a bud While I would have preferred a heavy vase in the ladies’ loo feel obligated to allow a Collector KO’d reduction and slower cooling, the new arriv­ famous person to do whatever slhe wants in To use a pugilistic term, the [June/July! als were intent on quenching the pots. Later the main auditorium. Is that about freedom August 1992] article by James Watkins was a discussion revealed that they attend this type of speech, or is it publicity hunger? knockout. Three hours after reading this of firing regularly, and they insisted that Ms. Ono had her moment. It will pass. I terrific article, I called Watkins and made quenching is definitely the way to go. That, cannot imagine that anyone will show up in arrangements to purchase some of his work. combined with falling structural elements of ten years to put Humpty Dumpty together CM has given collectors exposure to a won­ the “saggar,” probably accounted for the high again under her direction. derful artist. rate of breakage. Lili Krakowski, Constableville, N.Y. Tom Tumquist, Englewood, Colo. The potential for this type of firing does seem rather limited. None of the work actu­ Hooray for Yoko and the Whitney. CM Studio Saggar ally survived, and the cost of the building missed the point entirely with its narrow­ Early this summer, a day of ordinary raku may be prohibitive for some potters. Local minded and sanctimonious review of a rather evolved into a full-blown studio saggar firing. authorities also frown on the practice. Insur­ nice performance. Breakage, after all, is the However, I cannot take full credit for the ance companies are particularly unsupportive. potter’s friend. Without it there would be In fact, my insurance company is denying much less need to buy ceramic art or craft,
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