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The Corning Museum of Glass NewGlass Review 15

The Corning Museum of Glass Corning, New York 1994 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, daB sie inner- the 1993 calendar year. halb des Kalenderjahres 1993 entworfen und gefertigt wurden.

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The Corning Museum of Glass Sales Department One Museum Way Corning, New York 14830-2253 Telephone: (607) 937-5371 Fax: (607) 937-3352

Printed in Frechen, Germany Gedruckt in Frechen, Bundesrepublik Deutschland

Standard Book Number 0-87290-133-5 ISSN: 0275-469X

Library of Congress Catalog Card Number Aufgefuhrt im Katalog der Library of Congress 81-641214 unter der Nummer 81 -641214 Table of Contents/lnhalt

Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstlerlnnen und Objekte 10 Bibliography/Bibliographie 30 A Selective Index of Proper Names and Places/ Ausgewahltes Register von Eigennamen und Orten 58 etztes Jahr an dieser Stelle beklagte ich, daB sehr viele Glaskunst- Jury Statements Ller aufgehort haben, uns Dias zu schicken - odervon vorneherein nie Zeit gefunden haben, welche zu schicken. Ich erklarte, daB auch wenn die Juroren ein bestimmtes Dia nicht fur die Veroffentlichung auswahlen, alle Dias sorgfaltig katalogisiert werden und ihnen ein fester Platz in der Forschungsbibliothek des Museums zugewiesen ast year in this space, I complained that a large number of glass wird. Wir haben eine auBerst positive Reaktion erhalten und von einer Lartists had stopped sending us slides - or had never gotten around Menge Kunstler beeindruckende neueste Daten. Ein alter Freund aus to sending them in the first place. I explained that even if the jurors did Europa hat die Frage aufgeworfen: „Wenn das Corning Museum ein hi- not select a particular slide for publication, all of the slides were care storisches Verzeichnis Qber Glaskunst in unserer Zeit aufbauen fully catalogued and assigned a permanent place in the Museum's mochte, wozu braucht es einen Wettbewerb, in dem es Kriterien wie research library. We have had a most positive reaction, and we have herausragende Leistung oder Funktion oder Asthetik oderTechnik received impressive updates from a variety of artists. One old friend gibt. Fur eine historische Dokumentation braucht man die Kunstler nur from Europe raised an important question: "If the Corning Museum zu bitten, ihre Dias zu schicken und euch zu informieren." Er pladiert wants a historical record of the art of glassmaking in our time, why do weiter fur einen „wirklichen" Wettbewerb mit „genauen" Kriterien. they need a competition in which there are criteria such as excellence Zufallig liebe ich Kritik nur etwas weniger als mir einen Irrtum nach- or function or esthetics or technique? For a historical record, you only weisen zu lassen, trotzdem brauche ich vor dem Eingestandnis einer have to ask the artists to send their slides and to inform you." He went so fundamentalen Schwache der New Glass Review die Antwort auf on to opt for a "real" competition with "straight" criteria. drei Fragen. Erstens, welche Kunstler laden wir ein? Zweitens, wie fin- Now, I happen to love criticism only slightly less than I love being den wir die neuen? Drittens, wie legen wir uberhaupt „genaue" Krite proven wrong, but I need the answers to three questions before ac rien fur Kunst fest, ein Verfahren, das Definition herausfordert - auch knowledging so fundamental a weakness in the New Glass Review. im Glas? First, which artists do we invite? Second, how do we find the new Unsere Antworten sind gewesen: Erstens, alle einzuladen; zweitens, ones? Third, how do we establish any kind of "straight" criteria for art, alle einzuladen; und drittens, die Jury zu variieren, um so viele Blick- an activity that defies definition — even in glass? winkel wie moglich einzuschlieBen. Das einzige festgelegte Kriterium Our answers have been: first, invite them all; second, invite them all; ist „Neuheit", das genauso undefinierbar ist wie „Kunst" und genauso and, third, vary the jury to include as many points of view as possible. subjektiv. The only stated criterion is "newness," which is almost as undefinable Mein Freund hat auf eine Anzahl wunder Punkte hingewiesen: Unser as "art" and just about as subjective. Diabestand ist nicht so umfassend wie er sein sollte, und unsere Krite My friend has hit upon a number of tender spots: our slide holdings rien sind vermutlich weniger durchsichtig, als sie es vor 18 Jahren wa- are not as comprehensive as they should be, and our criteria are prob ren. Vielleicht sollten wir eine Einladungsliste fur Kunstler aufstellen, ably less clear than they were 18 years ago. Perhaps we should draw die einen gewissen Grad an Anerkennung erreicht haben, und einfach up an invitation list for artists who have received some degree of rec veroffentlichen, was sie uns senden; vielleicht sollten wir straffe Richtli- ognition and simply publish what they send us; perhaps we should nien fur die Bewerber und Juroren aufstellen, unter besonderer draw up tight guidelines for entrants and jurors, with special rec Berucksichtigung derer, die am besten sind. Es ist wert daruber nach- ognition for those who do best. It is worth thinking about, and we zudenken, und wir wurden es begruBen, wenn Sie sich dazu auBern. would welcome your thoughts. Es gibt viel Kritik an der New Glass Review, und jedes Jahr scheine There is plenty to criticize about the New Glass Review, and every ich auf neue Problemgebiete zu stoBen. In diesem Jahr war ich mir be- year I seem to find a new problem area. This year, I was particularly sonders daruber bewuBt, wie verschieden unsere personlichen Krite conscious of how different our personal criteria as jurors seemed in rien als Juroren von den Kriterien oder Zielen vieler Bewerber schei- comparison with the criteria or goals of many of the entrants. We are nen. Wir sind ein iibersattigter Haufen; wir sehen das Beste, und wir a jaded lot; we see the best, and we see it internationally and con sehen es international und kontinuierlich. Die Dias, die wir uns anse- tinuously. The slides we look at are often of work done in relatively hen, zeigen oft Arbeiten, die unter ziemlich beschrankten Umstanden parochial situations by young people with limited access to what is von jungen Leuten gemacht wurden, mit begrenztem Zugang zu dem, going on elsewhere. In some cases, photographic techniques are was anderswo vor sich geht. In einigen Fallen sind die photographi- primitive and to make glass at all is a heroic achievement. Is it fair to schen Techniken primitiv und ist Glasmachen uberhaupt eine heroi- judge a struggling student from, say, Albania with the same sophisti sche Leistung. Ist es fair, einen sich abmiihenden Studenten aus sa- cated rigor as the head of the glass department at, say, the Rhode gen wir Albanien, mit der gleichen anspruchsvollen Harte zu beurteilen Island School of Design? They certainly have different aspirations. The wie den Leiter der Glasabteilung, sagen wir, der Rhode Island School cultures in which they live have different tastes and standards. At the of Design? Sie haben sicherlich verschiedene Bestrebungen. Die Kul- top of the heap, things come together: artists, collectors, dealers, and turen, in denen sie leben, haben unterschiedliche Geschmacker und museum people travel extensively and know one another. The glass Standards. Oben an der Spitze kommen die Dinge zusammen: Kunst medium is singular in this respect. But what of the base on which it all ler, Sammler, Handler und Museumsleute reisen extensiv und kennen rests: the new people, the countries in which the medium itself is new? sich untereinander. Das Glasmilieu ist in dieser Hinsicht einzigartig. If, as Ruskin believed, the success of an artist depends on the realiza Aber was ist mit der Basis, auf der alles ruht: den neuen Leuten, den tion of his or her goals, not society's, we are doing something wrong. Landern, in denen das Medium selbst neu ist? Wenn, wie Ruskin Let me tell you about someone who is doing something right in my glaubte, der Erfolg eines Kunstlers oder einer Kunstlerin von der Ver- view — Gerhard Ribka (no. 75). His creature comes out of a stark, wirklichung seiner oder ihrer Ziele abhangt und nicht von denen der calligraphic abstraction, an arrangement of space so extraordinarily Gesellschaft, dann machen wir etwas falsch. dynamic that it seems a language all its own, like a capital in an Ich mochte Ihnen gern etwas von jemand erzahlen, der aus meiner illuminated manuscript that somehow got squeezed. The person that Sicht etwas Echtes tut - Gerhard Ribka (Nr. 75). Sein Geschopf ent- emerges is pure creation, and yet is as convincingly real as if painted springt einer reinen, kalligraphischen Abstraktion, einem so auBeror- from life. What is more, he demands attention — like a character in a dentlich dynamischen Arrangement von Raum, daB es wie eine Spra- Dostoyevsky novel. There is a comic sense of the absurd, but the che an und fur sich erscheint, wie eine Majuskel in einer illustrierten expression on the face and the stance of the body are disquieting. It Handschrift, die abgedruckt wird. Die Person, die auftaucht, ist reine looks like a maze of spontaneous accidents, except that Mr. Ribka Schopfung und trotzdem so uberzeugend real, als ware sie nach ei does it again and again, and nothing is wasted. nem Modell gemalt. Und was noch wichtiger ist, sie verlangt nach Auf- Stained glass is a tough medium in that all the colors depend on merksamkeit - wie ein Charakter aus einem Roman von Dostojewski. transmitted light, which often results in a cloying, crowding-together Es gibt ein komisches Gefuhl fur das Absurde, denn gerade der Ge- brightness that diminishes serious content. (In painting, the contrast sichtsausdruck und die Haltung des Korpers sind beunruhigend. Es between transparent and opaque color is inherent.) Mr. Ribka is such sieht aus wie ein Gewirr aus zufalligen Ereignissen, abgesehen davon, a master of this medium that it is hard to imagine his little person in daB Herr Ribka es standig wiederholt und nichts verschwendet ist. 4 anything but glass. The artist uses black in mass, in line (to suggest Stained Glass ist ein schwieriges Medium, weil die Farben von der leading?), and as texture to press into the transparent areas so that the Lichtdurchlassigkeit abhangen, die oft zu einem widerlichen, uber- light appears to bulge toward us as if through a gate. It is a haunting frachteten Glanz fuhrt, der seriose Inhalte herabsetzt. (In der Malerei image. ist der Kontrast zwischen transparenter und opaker Farbe von Natur Although I do enjoy coming out of retirement each year to take part aus da.) Herr Ribka ist solch ein Meister dieses Mediums, daB seine in the Review, there is little pleasure in being responsible for disap kleine Person kaum in etwas anderem als Glas vorzustellen ist. Der pointing so many people. The greatest joy, the pleasure that keeps me Kunstler verwendet ausgiebig Schwarz, als Linie (um auf Bleiruten zu coming back, is knowing that I will see wonderful new work. verweisen?) und als Struktur, die transparente Flachen betont, so da(B Thomas S. Buechner (TSB) das Licht uns wie durch ein Tor entgegenzuquellen scheint. Es ist ein Founding Director unvergeBliches Bild. The Corning Museum of Glass Obwohl es mir SpaB macht, aus der Privatheit aufzutauchen und jedes Jahr an der Review teilzunehmen, ist es wenig angenehm fur die Enttauschung so vieler Leute verantwortlich zu sein. Die groBte Freude, das Vergnugen, das der Motor fur meine erneute Teilnahme ist, besteht in dem Wissen, daB ich wunderbare, neue Arbeiten sehen werde. Thomas S. Buechner (TSB) Grundungsdirektor The Corning Museum of Glas

y three colleagues have provided insightful summaries of what eine drei Kollegen haben einsichtsvolle Zusammenfassungen Mwe saw over the course of jurying New Glass Review 15. There Mdessen vorgelegt, was wir im Verlauf der Jurierung fur die New fore, I would like to limit my contribution to brief observations on Glass Review 15 gesehen haben. Deshalb mochte ich meinen Beitrag several pieces. auf kurze Betrachtungen uber einige Stucke begrenzen. For the second time in New Glass Review, Alessandro Diaz de San- Zum zweiten Mai hat Alessandro Diaz de Santillana in der New Glass tillana has demonstrated that glassblowing has the potential to produce Review vorgefuhrt, daB dem Glasblasen das Potential innewohnt, wirk- truly thoughtful (as well as attractive) sculpture. For some reason, lich gedankenvolle (und ebenso ansprechende) Skulpturen hervorzu- many individuals striving to make art from blown glass rely on demon bringen. Aus verschiedenen Grunden verlassen sich viele Personen, die strations of technical finesse and mistake hackneyed symbolism for in sich bemuhen mit geblasenem Glas Kunst zu machen, auf das Demon- tellectual content. This is not the case in De Santillana's Custode di strieren von technischen Finessen und verwechseln einen abgedro- Sabbia. It is indeed well crafted and takes advantage of the most be schenen Formalismus mit intellektuellen Inhalten. Das ist bei De Santilla- loved qualities of inflated glass — sensuous organic form and vibrant nas Custode di Sabbia nicht der Fall. Es ist in der Tat hervorragend color — to produce a visually stunning object. However, the teetering handwerklich ausgefuhrt und nutzt die am meisten geliebten Eigen- and slightly suggestive shape and the deeply ringed surface require schaften von uberbewertetem Glas - sinnliche organische Form und the viewer's genuine consideration; questions are raised that prevent schwingende Farbe -, um ein visuell uberwaltigendes Objektzu produ- the object from lapsing into the predictability of ornament. zieren. Dennoch erfordern die schwankende und leicht suggestive Form I have mentioned Anna Skibska and her intricate flameworked glass und die Oberflache mit ihren tiefen Ringen die ungeteilte Aufmerksam- sculptures in past issues of New Glass Review. Again this year, artists keit des Betrachters. Fragen werden aufgeworfen, die verhindern, daB from Poland have entered fascinating work made from rods of glass das Objekt in die Berechenbarkeit des Ornaments abgleitet. manipulated over a flame. Over the past decade, the potential of this Ich habe Anna Skibska und ihre komplizierten Lampenglasskulptu- technique for sculpture has been developed by such artists as Ginny ren in der letzten Ausgabe der New Glass Review erwahnt. Auch die Ruffner and Susan Plum. The pieces from Poland represent a sensi ses Jahr wieder haben polnische Kunstler fesselnde Arbeiten aus bility more aligned with the intricate style of Kari Russell-Pool (Dancing Glasstangen eingereicht, die uber einer Flamme bearbeitet wurden. In Pear Bottle). Seemingly absurd fragility and human scale impart an den vergangenen zehn Jahren sind die Moglichkeiten dieserTechnik appealing sense of ephemerality to the Polish sculptures. fur den Bereich der Skulptur von Kunstlern wie Ginny Ruffner und Su The peplos-clad Nike by Barbara Idzikowska evokes obvious ref san Plum weiterentwickelt worden. Die Arbeiten aus Polen verkorpern erences to antiquity and myth. The figure can also be read as an empty eine Empfindsamkeit, die eher dem komplizierten Stil von Kari Russell- dress defined by intertwined lines reminiscent of the circulatory system Pool (Dancing Pear Bottle) verbunden ist. Eine scheinbare absurde or undecipherable script. The broken and painted sheet glass wings Zerbrechlichkeit und ein menschliches MaB verleihen den polnischen invite further feminine metaphors and comparisons. Paulina Komorow- Skulpturen ein reizvolles Gefuhl von Fluchtigkeit. ska-Birger's almost invisible glass drawing, Sled for Ann on Grass in Die schwunglos gekleidete Nike von Barbara Idzikowaska be- Rain, hangs in the air by threads. Its minimal cartoonish lines come schwort augenfallige Verweise auf Altertum und Mythen. Die Figur together as an ironic temporary landscape without sentimentality. kann auch als eine leere Kleidungshulle gelesen werden, die durch Outside of high-tech applications of industrial materials and stained verflochtene Linien, die an den Kreislauf oder eine unentzifferbare glass, true incorporation of glass in architecture remains an unusual Schrift erinnern, gekennzeichnet ist. Die gebrochenen und bemalten phenomenon. In collaboration with associates from the field of ce Flachglasflugel ermutigen zu weiteren weiblichen Metaphern und Ver- ramics, Endre Gaal of Hungary has produced an impressive building gleichen. Paulina Komorowaska-Birgers fast unsichtbare Glaszeich- facade from kiln-formed glass and clay. Arguments pro and con can be nung Sled for Ann on Grass in Rain hangt an Faden in der Luft. Ihre made regarding the appropriateness of classical elements attached to feinen karikierenden Linien kommen zu einer ironischen temporaren a modern building. However, Gaal's broken columns and capitals, en Landschaft ohne Sentimentalitat zusammen. tablature, and pediment remain admirable in their successful combi Mit Ausnahme der High-Tech-Verwendung industrieller Materialien nation of materials as well as their monumental ambition. und der Bleiverglasung bleibt die wirkliche Eingliederung von Glas in Ar- One of the greatest long-term values of New Glass Review is the chitektur ein ungewohnliches Phanomen. In Zusammenarbeit mit Kolle documentation of recent works by established artists. Like all of the gen aus dem Gebiet der Keramik hat Endre Gaal aus Ungarn eine be- other jurors, I struggle to decide whether or not to vote for outstanding eindruckende Gebaudefassade aus ofengeformtem Glas und Ton fertig- objects that just do not seem new. This year's most difficult predica gestellt. Hinsichtlich der Verwendung von klassischen Elementen bei ei ment was presented by Erwin Eisch (I am glad to say that Eisch is rep nem modernen Gebaude kann man Pro-und-contra-Argumente finden. resented in New Glass Review 15 thanks to the opinion of a co-juror). Gleichwohl bleiben Gaals gebrochene Saulen und Kapitelle, bildhafte Eisch is one of the most creative and sophisticated artists using glass Darstellungen und Giebel in ihrer erfolgreichen Verbindung der Materia today, and his "Picasso Head" series gets richer as it matures. lien genauso bewunderungswiirdig wie ihr ungeheuerer Ehrgeiz. However, I could not call it new. That decision might not make sense to Einer der groBten Langzeitwerte der New Glass Review ist die Doku- the reader, especially in light of my support for other entries represent mentation der jungsten Arbeiten etablierter Kunstler. Wie alle anderen ing subtle variations on continuing themes by Peter Aldridge, Dan Juroren auch, kampfe ich darum, ob ich fur herausragende Objekte Dailey, Michael Glancy, Monica Guggisberg and Philip Baldwin, Danny stimmen soli, die eben nicht neu scheinen, oder nicht. Der schwierigste Lane, Paul Marioni, Gerhard Ribka, Timo Sarpaneva, Cappy Thomp Fall kam in diesem Jahrvon Erwin Eisch. (Ich bin froh zu sagen, daB Er- son, Ann Wahlstrom, and Jack Wax. I can only say that what may ap win Eisch dank der Meinung eines Cojuroren in der New Glass Review pear as insignificant departures, to me signaled change in a direction vertreten ist.) Eisch ist einer der kreativsten und raffiniertesten Kunstler, worthy of encouragement. A particularly striking example is Peter der heute Glas verwendet, und seine „Picasso-Head "-Serie wird um so Aldridge's Portals of Illusion. Sculptures based on the effects of reicher, je reifer sie wird. Trotz alledem kann ich sie nicht neu nennen. precision-machined optical glass are too often boring technical exer Diese Entscheidung konnte dem Leser unsinnig vorkommen, beson- cises. In this new sculpture, Aldridge again demonstrates his awesome ders in Hinblick auf mein Eintreten fur andere Einsendungen, die fur craftsmanship, but in a grid of light and color that wisely returns to the subtile Veranderungen bei gleichbleibenden Themen stehen, wie bei simplicity of his earlier work. Without sacrificing his distinctive mathe Peter Aldridge, Dan Dailey, Michael Glancy, Monica Guggisberg und matical vocabulary, Aldridge's abstract passageway approaches more Philip Baldwin, Danny Lane, Paul Marioni, Gerhard Ribka, Timo Sarpa direct and lucid communication with the viewer. neva, Cappy Thompson, Ann Wahlstrom und Jack Wax. Ich kann nur sa Other artists took more evident new paths. Flo Perkins'serie gen, daB das, was wie eine unbedeutende Abweichung erscheinen Forget-me-Knots, with foliage more akin to barbed wire than to photo konnte, fur mich einen Richtungswechsel signalisiert, der eine Unter- realistic flora, was a welcome surprise. Maud Cotter, who has been stutzung wert ist. Ein besonders eindrucksvolles Beispiel ist Peter known for her stained glass constructions, showed Pool. The perfo Aldridges Portals of Illusions. Skulpturen, die auf den Effekten von pra- rated steel vortex with glass collar seems to allude to turmoil rather zise bearbeitetem optischem Glas beruhen, sind allzuoft langweilige than to reflection. Michael Schemer's Shimmer, a crushing load sup technische Pflichtiibungen. In seiner neuen Skulptur fuhrt Aldridge wie- ported and surrounded by flimsy glass fins, is an exquisite tension. der sein ungeheures handwerkliches Konnen vor, allerdings in einem Massive weight is re-emphasized by building the core of wet, and thus Gitter aus Licht und Farbe, das klugerweise zu der Einfachheit seiner considerably heavier, clay into which the glass is wedged. Over the fruhen Arbeiten zuruckkehrt. Ohne sein ausgepragtes mathematisches past several years, Danny Lane has more than adequately explored the Vokabular zu opfern, nahern sich Aldridges abstrakte Passagen einer potential of stacked glass for interior design. Now, the powerful, billow direkteren und klareren Verstandigung mit dem Betrachter. ing rhythms of his Wall of China offer a more enduring esthetic. While Andere Kunstler schlagen offensichtlicher neue Wege ein. Flo Per C. Ruth King's Built Man is an impressive example of free-blown and kins Serie Forget-me-Knot war mit einem Laubwerk, das Stacheldraht hot-worked glass, it is most compelling as a disturbing object with its mehr ahnelt als einer photorealistischen Flora, eine willkommene "Incredible Hulk" green torso perched on a pink toothpaste-like Uberraschung. Maud Cotter, die fur Stained Glass Konstruktionen be- stand/shackle/campstool. kannt ist, zeigte Pool. Der perforierte Stahlwirbel mit einem Glaskragen New Glass Review is the best place to see exciting pieces from scheint eher auf Aufruhr hinzudeuten als auf Reflexion. Michael Schei- people whose names are new. Harumi Yukutake's honeycombed Pea ners Shimmer, eine vernichtende Last, die von hauchdunnen Glasflos- Pod Cell is a delicate organism composed of unlikely materials. Linda sen gestutzt und umgeben ist, stellt eine vorziigliche Spannung dar. Zmina's Soul Sorter, like Karl-Heinz Garske's sliver of a half-sub- Ein massives Gewicht wird dadurch zuruckgenommen, daB der Kern merged leaf boat, is simply a beautiful, mysterious object. The UFO aus ungebranntem, und deshalb betrachtlich wuchtigerem Ton be- vase by Hideyuki Takahashi has a still-molten feeling and walks that en steht, in den das Glas verkeilt ist. Im Lauf der vergangenen Jahre hat dearing line between "retro- kitsch" and innovative design. Light shifts Danny Lane mehr als hinreichend die Moglichkeiten von geschichte- back and forth on the edges of the stacked circles forming Susan tem Glas fur das Interior Design erforscht. Jetzt bieten die machtigen, Holland's Velocity Surface. They are reverse-engraved with the cou wogenden Rhythmen seiner Wall of China eine dauerhaftere Asthetik. plet "This is Where the Velocity Changes/The Velocity Changes Here." Wahrend C. Ruth Kings Built Man ein beeindruckendes Beispiel fur The cantilevered wing/plane of Josef Marek's Yellow Birdie feels frei geblasenes und heiB bearbeitetes Glas ist, ist es als beunruhigen- Gothic and stark. Wedding Cake II by Robin Cass is a stitched-to- des Objekt mit seinem „unglaublich ungeschlachten" grunen Torso, gether tower with an icy iced surface. It is transformed from sardonic der auf einem pinkfarbenen, zahnpastaahnlichem Gestell/Bugel/ confection to architecture (a prison, a bunker); it is then anthropomor Caminghockerthront, am herausforderndsten. phized as protruding eyes, wire hair, and fluttering nerve endings. Die New Glass Review ist der beste Ort, um aufregende Stucke von New Glass Review 15, like its predecessors, is a strange and won Leuten zu sehen, deren Namen neu sind. Harumi Yukutakes wabenar- derful assortment. It says nothing about the state of contemporary tiger Pea Pod Cell ist ein zerbrechlicher Organismus, der aus unglei- glass, but much about the state of contemporary art, craft, and design. chen Materialien zusammengesetzt ist. Linda Zminas Soul Sorter ist, Susanne K. Frantz (SKF) wie Karl-Heinz Garskes Span eines halb untergetauchten blattartigen Curator of 20th-century Glass Bootes, ein wunderschones, geheimnisvolles Objekt. Die UFO Vase The Corning Museum of Glass von Hideyuki Takahashi, der ein Ausdruck des noch immer Schmel- zens zu eigen ist, bewegt sich auf dieser liebenswerten Grenzlinie zwischen „Retro-Kitsch" und innovativem Design. Licht flackert an den Randern des geschichteten Kreises hin und her, den Susan Hollands Velocity Surface bildet. In ihre Ruckseite ist der Reim „This is Where the Velocity Changes/The Velocity Changes here" graviert. Der freiste- hende Flugel/die freitragende Flache von Josef Mareks Yellow Birdie hat einen gotischen und starren Ausdruck. Wedding Cake II von Robin Cass ist ein zusammengesteckter Turm mit einer eisig gefrore- nen Oberflache. Er verwandelt sich von einem sardonischen Zucker- guBartikel zu Architektur (einem Gefangnis, einem Bunker); erwird dann durch hervortretende Augen, drahtiges Haar und flatternde Ner- venenden anthropomorphisiert. Die New Glass Review 15 ist wie ihre Vorganger eine merkwurdige und wunderbare Zusammenstellung. Sie sagt nichts uber den Stand des zeitgenossischen Glases, aberviel uber zeitgenossische Kunst, Kunsthandwerk und Design. Susanne K. Frantz (SFK) Kuratorin fur Glas des 20. Jahrhunderts The Corning Museum of Glass he criterion that the New Glass Review uses to select 100 pieces as Kriterium, daf3 die New Glass Review fur die Auswahl von 100 Tevery year is "newness." Without a doubt, this has enabled the DArbeiten jedes Jahr zugrunde legt, ist „Neuheit". Zweifellos hat jurors to select a much wider range of ideas and concepts than would das die Juroren in den Stand gesetzt, ein breiteres Spektrum von have been the case if they had chosen the "best hundred," and this Ideen und Konzepten zuzulassen, als es der Fall gewesen ware, wenn practice encourages younger people to expand their talents. I recon sie die „hundert Besten" ausgewahlt hatten, und dieses Verfahren er- firmed the truth of this during my experiences as one of the jurors this mutigt junge Leute, ihre Fahigkeiten auszuprobieren. Ich habe mich year. der Wahrheit dessen wahrend meiner Erfahrung als einer der Juroren The merits and demerits of constantly asking for something "new" in diesem Jahr riickversichem konnen. have been discussed repeatedly in the past. However, using this crite Die Vor- und Nachteile bestandig nach etwas „Neuem" zu fragen, sind rion is synonymous with the continual pursuit of the potential of con in der Vergangenheit wiederholt diskutiert worden. Dennoch entspricht temporary glass art. After the whole procedure of judging was finished, die Verwendung dieses Kriteriums den kontinuierlichen Weiterentwick- I thought again about this key word, "newness," and became quite lungen der Moglichkeiten von zeitgenossischer Glaskunst. Nachdem der convinced that this criterion is certainly significant in determining the gesamte Vorgang der Jurierung beendet war, dachte ich erneut uber den characteristics of the New Glass Review. Schlusselbegriff „neu" nach und kam zu der Uberzeugung, daB dieses Work that merely displays a short-term novelty or an accidentally ob Kriterium zweifellos fur die Bestimmung der Charakteristika der New tained effect cannot meet the requirements of the New Glass Review. Glass Review signifikant ist. If a work is to show this unique value of newness, namely, an outstand Arbeiten, die lediglich eine kurzfristige Neuheit entfalten oder einen zufallig entstandenen Effekt, konnen den Anspruchen der New Glass Re ing originality, its creator must have an accomplished style, without view nicht gerecht werden. Wenn eine Arbeit diese besondere Qualitat which the work cannot be persuasive enough to be accepted. des Neuen aufweisen soli, namlich hervorstechende Originalitat, ist es On the other hand, a style that distinguishes itself from others may, erforderlich, daB sich der Schopfer durch einen vollendeten Stil aus- after its unique value has been officially recognized, begin to become zeichnet, ohne den die Arbeit nicht uberzeugend genug sein kann, um repetitive in its formulations, and it can soon become tedious. akzeptiert zu werden. Among the 888 entries, 152 were from Japan, which makes it the Auf der anderen Seite kann sich eine Handschrift, die sich von ande- second largest contributor country, following the 394 entries from ren unterscheidet, in ihren Formulierungen wiederholen, nachdem ihr America. This, at a glance, seems to reflect a vitality in the Japanese einzigartiger Wert offiziell anerkannt wurde und schnell langweilig wer glass world. However, disappointingly enough, many slides were of im den. mature works, no better than trial articles with no sense of an estab Von den 888 Einsendungen kamen 152 aus Japan, wodurch es zum lished style. zweitgroBten Beitragsland wurde, gefolgt von Amerika mit 394 Einsen While looking at each slide, I felt that because of the way the New dungen. Dies scheint auf den ersten Blick die Vitalitat der japanischen Glass Review operates (that is, by examining only slides of works and Glaswelt widerzuspiegeln. Trotzdem gab es, und das ist enttauschend also by advocating a "newness" in glass art), the competition attracts genug, Dias von unausgereiften Arbeiten, nicht besser als Probestucke young artists or art students, not only from Japan but from all over the ohne Sinn fur einen festen Stil. world, who consider it a casual venue in which to test their ideas. In Wahrend ich jedes Dia betrachtete, hatte ich den Eindruck, daB auf- fact, some slides revealed the entrants' easygoing expectation that grund des Verfahrens der New Glass Review (lediglich Dias von den Ar they might be selected simply on the basis of good luck. beiten zu prufen und dazu fur „Neuheit" in der Glaskunst zu pladieren) It must also be said that the works of not a few experienced artists der Wettbewerb junge Kunstler oder Kunststudenten anzieht, nicht nur have been rejected — works that undoubtedly would be chosen for the aus Japan, sondern der ganzen Welt, die hier einen zufalligen Schau- "best hundred" if the criterion were switched from "newness" to "qual platz sehen, wo sie ihre Ideen testen konnen. Tatsachlich lieBen einige ity." In this case, these artists should acknowledge that a degree of Dias die unbeschwerte Erwartung der Einsender erkennen, sie konnten ganz schlicht auf der Basis von Gluck ausgewahlt werden. criticism has been given at the direction in which their art is going. To Es sollte auch erwahnt werden, daf3 die Arbeiten nicht weniger erfah- make a change does not necessarily mean to make progress. How rener Kunstler ausgemustert worden sind - Arbeiten, die zweifellos unter ever, it might be relevant to question whether a continuous adherence die „hundert Besten" gekommen waren, wenn das Kriterium von „Neu- to one's own established style will always help in developing artistic ex heit" auf „Qualitat" umgestellt worden ware. In diesem Fall sollten die pression or, contrariwise, whether it will lead in the wrong direction, Kunstler anerkennen, daB ein bestimmter Grad an Kritik auch in die Rich- even to mannerism. If established artists seriously develop their artistic tung zielt, in die ihre Kunst geht. talents, despite working within the same style, there is no way that their Sich zu verandern bedeutet nicht zwangslaufig Fortschritte zu ma- works will be rejected merely because they are not "new." chen. Trotzdem konnte es wichtig sein zu fragen, ob ein dauerhaftes Every year, there are many prominent artists, both experienced and Festhalten am eigenen etablierten Stil auch immer hilft, den kunstleri- new, whose absence is very much to be regretted. schen Ausdruck weiterzuentwickeln oder umgekehrt, ob das in die Make no mistake, to select "new" works by 100 people out of 888 falsche Richtung fuhrt, sogar hin zu einem Manierismus. Wenn etablierte naturally requires a choice based on "quality," and, as a matter of fact, Kunstler ernsthaft ihre kunstlerischen Talente entwickeln, auch wenn sie the "new hundred" come very close to being the "best hundred" as in der gleichen Art arbeiten, gilt es keineswegs, daB ihre Arbeiten einzig well. The selections made based on the subjective opinions of indi aus dem Grund abgelehnt werden, weil sie nicht „neu" sind. vidual jurors cannot be completely objective; thus, the 100 selected In jedem Jahr gibt es viele prominente Kunstler, sowohl erfahrene als works are not an absolute choice with which all will agree. auch neue, deren Nichtteilnahme sehrzu bedauern ist. I hope artists at various stages of artistic development will under Keine Fehler bei der Auswahl „neuer" Arbeiten von 100 Kunstlern aus stand the purpose and importance of the New Glass Review and posi 888 Einreichungen zu machen, bedarf naturlicherweise eines Verfah tively participate in it as often as possible, if not every year, in order to rens, das auf „Qualitat" basiert, und tatsachlich konnten die „hundert evaluate their own works. This will enable the New Glass Review to be Neuen" fast genauso gut die „hundert Besten" sein. Die stattgefundene a reliable document that will truly record the most valuable "new" glass Auswahl, die auf der subjektiven Meinung der einzelnen Juroren basiert, in the world every year. kann nicht vollkommen objektiv sein; folglich stellen die 100 ausgewahl- Yoriko Mizuta (YM) ten Arbeiten keine absolute Wahl dar, der alle zustimmen wurden. Ich hoffe, daB Kunstler verschiedener Stufen der kunstlerischen Ent- Associate Curator wicklung den Zweck und die Wichtigkeit der New Glass Review verste- Hokkaido Museum of Modern Art hen und tatsachlich an ihr so oft wie moglich teilnehmen, wenn nicht je Sapporo, Japan des Jahr, um ihre eigenen Arbeiten zu bewerten. Das wird es der New (Translated by Kimiko Steiner) Glass Review ermoglichen, ein zuverlassiges Dokument zu sein, das wahrheitsgemaB das am meisten geschatzte „neue" Glas in der Welt je des Jahr dokumentiert. Yoriko Mizuat (YM) Kuratorin Hokkaido Museum of Modern Art, Sapporo, Japan (aus dem Japanischen ubersetzt von Kimiko Steiner) he submissions to New Glass Review 15 ran the gamut from ie Einsendungen zur New Glass Review 15 spannten sich iiber Tsculptural and painterly fine-arts approaches to production de Ddie gesamte Skala von skulpturalen und malerisch kunstlerischen sign. There were experiments with the material, technical achieve Herangehensweisen bis zum Produktionsdesign. Es gab Experimente ments and virtuosity, figurative work, conceptual juxtaposition, com mit dem Material, technische Leistung und Virtuositat, figurative Arbei- plexity, simplicity, ambition, and ambiguity. And then there is the ten, konzeptuelle Nebeneinanderstellungen, Kompliziertes, Einfaches, criterion of "new." I think it's a given that there are no new ideas, and Ehrgeiziges und Doppeldeutiges. Und dann gibt es noch das Kriterium that developments in technology are interesting as an end in them des „Neuen". Ich denke, es ist eine feststehende Tatsache, daB es selves only for a brief period. What defines "new" becomes original keine neuen Ideen gibt und das technische Weiterentwicklungen als interpretations, novel treatments, and unexpected applications. Endpunkt in einer Reihe nur fur eine kurze Zeit interessant sind. Was Each piece we saw demanded consideration on its own terms. In „neu" definiert, erhalt originelle Interpretationen, romanhafte Entwurfe general, I was most intrigued by the objects that seemed, at least at und unerwartete Bedeutungen. first, easy to neglect. The most humble, unassuming pieces, the ones Jedes Stuck, das wir sahen, erforderte eine Betrachtung innerhalb that made me wonder just what ever led to their creation, were, for that seiner eigenen Terminologie. Im allgemeinen war ich besonders von very reason, the ones I found most compelling. den Objekten angesprochen, die wenigstens auf den ersten Blick I also find art and design peculiarly lovable when it is "esthetically leichtzu vernachlassigen schienen. Die bescheidensten, am wenig- challenged." Nothing is more persuasive and instructive to me than the sten anmaBenden Stiicke, diejenigen, die mich fragen lieBen, was ugly and proud! uberhaupt zu ihrer Entstehung gefuhrt hatte, waren aus diesem beson- Overall, what was most exciting was the vast range in the imagina deren Grund, diejenigen, die ich am herausforderndsten fand. tion of the artists who were inspired by a love of the material and a love Ich finde Kunst und Design besonders liebenswert, wenn sie „asthe- of art. So many pieces that seemed so crucial and obvious — I can't tisch herausfordernd" sind. Nichts ist fur mich mehr uberzeugend und remember a time without them. instruktiv als das HaBliche und Hervorstechende! Judith Schaechter (JS) Insgesamt war die ungeheuere Bandbreite in der Imagination bei Artist den Kunstlern am aufregensten, die durch die Liebe zum Material und Philadelphia, Pennsylvania die Liebe zur Kunst inspiriert waren. So viele Arbeiten, die wichtig und einleuchtend schienen - ich kann mich nicht mehr in eine Zeit ohne sie zuruckversetzen. Judith Schaechter (JS) Kunstlerin Philadelphia, Pennsylvania

Note SchluBbemerkung

n 1993, more than 5,500 copies of the New Glass Review 15 1993 sind mehr als 5500 Einladungen fur die New Glass Review 15 prospectus were mailed. Each entrant could submit a maximum of versandt worden. Jeder Teilnehmer konnte bis zu drei Dias einreichen. three slides. A total of 888 individuals and companies representing 34 Insgesamt schickten 888 Einzelpersonen und Firmen aus 34 Landern countries submitted 2,384 slides. The 100 objects illustrated in this 2384 Dias. Die 100 Arbeiten, die in dieser Review abgebildet sind, Review were selected by the four jurors, whose initials follow the wurden von vier Juroren ausgewahlt, deren Initialen den ausgesuchten descriptions of the objects they chose. Objekten beigefugt sind. All slides submitted to New Glass Review are retained in the Rakow Alle fur die New Glass Review eingereichten Dias werden in der Library of The Corning Museum of Glass, where they may be viewed Rakow-Bibliothek des Corning Museums of Glass gesammelt, wo sie by the public. Copies of slides published in any of the past Reviews der Offentlichkeit zur Ansicht zuganglich sind. Kopien von Dias, die in may be purchased by special order from the Museum's Sales Depart den vergangenen Reviews erschienen sind, konnen durch Sonder- ment. Copies of New Glass Review 3 (1982) and 13 (1992) are still bestellung bei der Verkaufsabteilung des Museums erworben werden. available from the Sales Department, which can also supply all back is Ausgaben der New Glass Review 3 (1982) und 13 (1992) sind noch sues of the Review in black-and-white microfiche. lieferbar. Alle alten Ausgaben der Review konnen auch auf Schwarz- The Corning Museum of Glass would like to thank all of the artists weiB-Mikrofiche geliefert werden. and designers who submitted their slides to New Glass Review for Das Corning Museum of Glass mochte sich bei alien Kunstlern und consideration. Special thanks are due to those who made this publica Designern bedanken, die ihre Dias zum Wettbewerb eingereicht ha- tion possible: Louise Bush, Charlene Holland, Ernestine Kyles, Bar ben. Besonderer Dank gilt jenen, die diese Ausgabe ermoglicht ha- bara Miller, Richard Price, Jacolyn Saunders, and Violet Wilson. ben. Louise Bush, Charlene Holland, Ernestine Kyles, Barbara Miller, Richard Price, Jacolyn Saunders und Violet Wilson. Countries Represented/Vertretene Lander

Canada Fujisaki, Kazuko Dailey, Dan Campbell, Blaise Fujita, Jun Drobny, Peter Donefer, Laura Fujiwara, Makoto Fox, Michael Isohata, Maho Glancy, Michael Czech Republic Kishi, Atsuo Grebe, Robin Cvrckova, Eva Kita, Yasuko Hamada, Kotaro Houserova, Ivana Kitazato, Yuri Hazlegrove, Page Janak, Frantisek Mikawa, Yuko Hertzson, Daniel Marek, Josef Mohri, Natsue Holland, Susan Rydlova, Lucie Muro, Shinichi James, Earl Nakada, Reiko Kakizaki, Hitoshi Finland Ogita, Katsuya King, C. Ruth Sarpaneva, Timo Takahashi, Hideyuki Koloski, Vincent C. Tsuji, Kazumi Manfredini, Elizabeth France Wax, Jack Marioni, Paul Shioya, Naomi Yamada, Teruo Matthews, Mark Miller, Robbie Germany, Federal Republic of New Zealand Monk, Nancy Bartels, Horst Camden, Emma Novotny, Lukas and Baker O'Brien (64) Eisch, Erwin Perkins, Flo Eisch, Valentin Poland Popelka, Jeremy Fritz-Lindner, Eva Idzikowska, Barbara Powers, Pike Garske, Karl-Heinz Komorowska-Birger, Paulina Quentin, Didier Isphording, Anja Rhoads, Katerine Poensgen, Jochem Russia Rothblum, Leigh Ribka, Gerhard Ibragimov, Fidail Russell-Pool, Kari Schmidt, Christian Novikova, Tatyana Nikolaevna Sautner, Barry R. Wolff, Hans Jurgen Volikova, Natalya Vadimovna Scheiner, Michael Scott, Rolanda I. Great Britain Slovakia Shatter Glass Group Autogena, Use Palova, Zora Thompson, Cappy Cotter, Maud Vanetik, Val Greisman, Ruth Kersley Sweden Walentynowicz, Janusz A. Lane, Danny Wahlstrom, Ann Weiss, Dick Papadogamvraki, Natassa Welch, Ann Woodman, Rachael Switzerland Yukutake, Harumi Guggisberg, Monica and Philip Baldwin (33) Zmina, Linda Hungary Gaal, Endre U.S.A. Polyak, Janos Aldridge, Peter Belleau, Christopher R. Italy Benefield, Scott Carlo Moretti S.R.L. Block, Mary de Santillana, Alessandro Diaz Cass, Robin Chatt, David K. Japan Clayman, Daniel G. Abekawa, Aki Cline, Jeremy R. 1. Aki Abekawa Glas in eine Cire-perdu-Form ge- Artists and Objects* 4-48-22 Wakamatsu-cyo gossen Fucyu-shi Each: H. 30 cm, W. 15 cm, Kiinstler und Objekte* Tokyo, Japan D. 15 cm TSB, YM * Descriptive information has been provided by the entrants. Abnormal Growth * Die Objektbeschreibungen sind von den Teilnehmerinnen und Blown glass; laminated Teilnehmern geliefert worden. 4. Horst Bartels Geblasenes Glas; laminiert H. 50 cm, W. 50 cm, D. 50 cm Rastal GmbH & Co. KG TSB Lindenstrasse 18 D-56203 Hohr-Grenzhausen, 2. Peter Aldridge Federal Republic of Germany 42 Spencer Hill Road Lovely Animals Drinking Horns Corning, New York 14830 Blown glass, glass enamels Geblasenes Glas, Glasemail Portals of Illusion Each: H. 22 cm, W. 8 cm, Corning Incorporated Head D. 15 cm quarters YM, JS Cut Starphire glass, dichroic coatings; assembled; metal 5. Christopher R. Belleau Geschnittenes Starphire Glas, zweifarbiger Uberzug; montiert; 69 Tingley Street Metall Providence, Rhode Island H. 3.5 m, W. 3.5 m, D. 3.5 m 02903-1072 TSB, SKF Totem Pole Sand-cast, powdered, and 3. Use Autogena cased glass Top Floor Flat, 2 Neals Yard In Sand gegossenes, rundum London WC2 H 9DP, England bestaubtes Glas H. 20 cm, W. 6 cm Silence TSB Glass cast in a cire perdue mold

10 5 6. Scott Benefield Glas in eine Cire-perdu-Form ge- 3000 Royal Street gossen, New Orleans, Louisiana 70117 H. 11.5 cm, W. 11 cm, D. 6.5 cm JS Love Sucker Stained glass 9. Blaise Campbell Bleiverglasung H. 32 cm, W. 17 cm 4-304 Roselawn Avenue TSB, SKF, YM, JS Toronto, Ontario M4R 1G1, Canada 7. Mary Block Untitled 23527 East Road Blown glass, glass enamels Forest Lake, Illinois 60047-8816 Geblasenes Glas, Glasemail Overall: H. 32.5 cm, W. 57.5 cm, Spotted Horse D. 31 cm Flameworked and kiln-fired SKF, YM, JS glass, copper Lampen- und ofenbearbeitetes 10. Carlo Moretti S.R.L. Glas, Kupfer H. 50.8 cm, W. 45.7 cm, Fondamenta Manin 3 D. 91.4 cm Murano-Venezia, Italy TSB, JS Calici collezione 1993 Blown and hot-worked glass 8. Emma Camden Geblasenes und heif3 bearbeite- 3 Richbourne Street tes Glas Kingsland, Auckland, H. 27.6 cm, Diam. 6.4 cm New Zealand TSB Master Max Glass cast in a cire perdue mold 11. Robin Cass 14. Jeremy R. Cline 17 Edgehill Road 768 Delano Street Winchester, Massachusetts San Francisco, California 94112 01890 Wrap Vase Wedding Cake II Hot-worked glass Blown and fused glass, metal, HeiB berarbeitetes Glas paint H. 40 cm, Diam. 16 cm Geblasenes und verschmolze- SKF, JS nes Glas, Metall, Farbe H. 50 cm, Diam. 90 cm 15. Maud Cotter SKF I, St. Martins Court, Ullswater Road 12. David K. Chatt West Norwood P.O. Box 113 London SE27 0AN, England Seattle, Washington 98101 Pool Ivory & Gold Vessel Kiln-formed glass, steel Glass beads, blown glass Ofengeformtes Glas, Stahl Glasperlen, geblasenes Glas H. 26 cm, W. 40 cm, D. 31 cm H. 40 cm, W. 27 cm, D. 14 cm SKF, YM TSB

13. Daniel G. Clayman 88 Catlin Avenue Rumford, Rhode Island 02916 Stilo Cast glass, copper, gold leaf Gegossenes Glas, Kupfer, Blattgold H. 3 cm, W. 29 cm, D. 7.6 cm YM Eva Cvrckova 19. Laura Donefer Pod Kavali'rkous Rural Route 3 Prague 5, Czech Republic Yarker, Ontario K0K 3N0, Wheel Canada Glass melted in a mold Pot d'epine rouge et noir Glas in eine Form geschmolzen Hot-coiled glass with glass H. 52 cm, W. 40 cm, D. 40 cm powder YM HeiB in Glaspulver gewalztes Glas Dan Dailey H. 35 cm, W. 50 cm, D. 30 cm Leo Kaplan Modern Gallery TSB, YM 965 Madison Avenue New York, New York 10021 20. Peter Drobny Rhino Animal Vase Steuben Blown glass; acid-polished 211 Chemung Street Geblasenes Glas; saurepoliert Corning, New York 14830 H. 64.7 cm, W. 38.1 cm Mobius Prism TSB, SKF, JS Sag-cast, cut, and polished glass; oak base Alessandro Diaz In eine Senkung gegossenes, geschnittenes und poliertes de Santillana Glas; Eichenstander Via Confalonieri 21 With base: H. 30 cm, W. 42 cm, 21040 Sumirago -va-, Italy D. 20 cm Custode di Sabbia TSB Blown glass; ground Geblasenes Glas; Grundflache H. 25 cm, W. 100 cm, D. 12 cm TSB, SKF, YM, JS

, f

'5** / * 21. Erwin Eisch Form- und freigeblasenes Glas, Suzel Berna Gallery Glasemail 18 rue de Tournelles H. 86.4 cm, W. 35 cm, 75004 Paris, France D. 27 cm JS France aux Frangaise Blown glass, glass enamels 24. Eva Fritz-Lindner Geblasenes Glas, Glasemail H. 49 cm, W. 32 cm, D. 28 cm Steinlesweg 3A TSB D-76227 Karlsruhe-Durlach Federal Republic of Germany 22. Valentin Eisch Der Bonbon-Fresser Moosaustrasse 9 Blown glass D-94258 Frauenau, Geblasenes Glas Federal Republic of Germany H. 22 cm, W. 19 cm, D. 8 cm TSB, JS No One Is Here Blown glass, glass enamels 25. Kazuko Fujisaki Geblasenes Glas, Glasemail H. 32 cm, W. 13 cm 5-17-68 Nango TSB, SKF Chigasaki Kanagawaken, Japan 23. Michael Fox Joyful of Rainy Day 212 Clara Sandblasted glass; assembled San Francisco, California 94107 Sandgestrahltes Glas; montiert H. 59 cm, W. 79 cm, D. 2.8 cm Concepto the Clown TSB, JS Mold- and free-blown glass, glass enamels

23 26. Jun Fujita 29. Karl-Heinz Garske 1-9-2-508 Innai Ebertsheimerstrasse 15 Funabashi D-67304 Kerzenheim, Chiba 272, Japan Federal Republic of Germany Way of Wind Glasboot I Blown glass; acid-polished Hot-worked, sandblasted, and Geblasenes Glas; saurepoliert painted glass H. 42 cm, W. 17.5 cm, D. 16 cm HeiB bearbeites, sandgestrahltes TSB, YM und bemaltes Glas H. 10 cm, W. 95 cm, D. 10 cm 27. Makoto Fujiwara SKF, YM Iwata Glass Company 4-65-4 Horikiri 30. Michael Glancy Katsushika-ku, Tokyo 124, Japan Heller Gallery Untitled #52 71 Greene Street Fused glass New York, New York 10012 Verschmolzenes Glas Lapis Nymph H. 30 cm, W. 18 cm, D. 18 cm Blown glass, engraved; copper TSB, SKF Geblasenes Glas, graviert; Kupfer 28. Endre Gaal H. 20 cm, Diam. 18 cm Szent Laszlo str. SKF Budapest 1135, Hungary Office Building Facade Kiln-formed and fused glass, clay Ofenbearbeitetes und ver schmolzenes Glas, Ton H. 1,300 cm, W. 400 cm, D. 80 cm TSB, SKF 26

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29 15 31. Robin Grebe Geblasenes Glas mit massiven 449 Lowell Avenue, #3 Stopfen Newton, Massachusetts 02160 Each: H. 48 cm, Diam. 9.5 cm TSB, YM Avian Glass melted in a mold, mixed 34. Kotaro Hamada media Glas in eine Form geschmolzen, 4128 Taylor Road Mixed Media Jamesville, New York 13078 H. 51 cm, W. 33 cm, D. 13 cm Uranium 235 TSB, SKF Assembled glass Montiertes Glas 32. Ruth Kersley Greisman H. 750 cm, W. 750 cm, 8 Elm Gardens D. 750 cm East Finchley JS London N2 0TF, England 35. Page Hazlegrove Birdman II Sandblasted, silkscreened, and 17 Babcock Place painted glass Dedham, Massachusetts 02026 Sandgestrahltes Glas, mit Contained Interior Seidensiebdruck und bemalt Glass melted in molds H. 134 cm, W. 49 cm, D. 7 cm Glas in Formen geschmolzen ' TSB, YM, JS H. 63.5 cm, Diam. 22.8 cm TSB 33. Monica Guggisberg and Philip Baldwin 1417 Nonfoux, Switzerland Stoppered Bottles Blown glass with solid stoppers 31

33 36. Daniel Hertzson Glas in eine Form geschmolzen; Caamora Glassworks geschnitten 1237 East Main Street H. 8 cm, W. 42 cm, D. 14 cm Rochester, New York 14609 SKF, YM Dawn Overhang Houda 39. Fidail Ibragimov Blown glass Geblasenes Glas Vernadskoqo 95/2 171 H. 58 cm, W. 25 cm, D. 20 cm Moscow, Russia TSB Throne Sand-cast glass, metal 37. Susan Holland Sandgegossenes Glas, Metall 30 Beachmont Avenue H. 62 cm, W. 24 cm, D. 16 cm Cranston, Rhode Island TSB, SKF 02905-2604 40. Barbara Idzikowska Velocity Surface Reverse-engraved window glass, Workshop 22 glass enamels Koreanska 49/5 Ruckseitig graviertes Fenster- Wroclaw 52-121, Poland glas, Glasemail Nike H. 47 cm, Diam. 47 cm Flameworked glass, painted SKF, JS sheet glass Lampenbearbeitetes Glas, 38. Ivana Houserova bemalte Glasscheiben Krasna 48 H. 170 cm, W. 110 cm, 468 21 Bratrikov, D. 70 cm Czech Republic TSB, SKF, YM Spike Glass melted in a mold; cut 41. Maho Isohata 44. Frantisek Janak Utatsuyama Crafts Workshop Mexicka 3 10 Utatsu-machi, Kanazawa-shi 10100 Prague, Czech Republic Ishikawa-ken 920, Japan Wing Form The Story for You Glass melted in a mold; cut Mold-blown glass; painted Glas in eine Form geschmolzen; Formgeblasenes Glas; bemalt geschnitten H. 33 cm, W. 29 cm, D. 17 cm H. 22 cm, W. 50 cm, D. 20 cm TSB TSB, YM

42. Anja Isphording 45. Hitoshi Kakizaki Am Weiher 19 2 North Road D-34431 Marsberg, Kensington, New Hampshire Federal Republic of Germany 03833 Vase Dreamer Sandblasted, engraved, and Mold-blown glass, glass enamels painted glass Formgeblasenes Glas, Glasemail Sandgestrahltes, graviertes und H. 77 cm, W. 36 cm, D. 30 cm bemaltes Glas TSB, JS H. 30 cm, Diam. 12 cm TSB, JS 43. Earl James 18410 Syracuse Avenue Cleveland, Ohio 44110 Passage Mold-blown glass Formgeblasenes Glas Overall: H. 48 cm, W. 96 cm, D. 20 cm 41 TSB 46. C. Ruth King Bonds of Affection 731 East Broad Street, rear Pate de verre Columbus, Ohio 43205 Pate de Verre H. 8 cm, W. 11 cm, D. 9 cm Built Man TSB, SKF, YM, JS Blown and hot-worked glass; acid-etched 49. Yuri Kitazato Geblasenes und heiB bearbeitetes Glas; sauregeatzt 396-1 Nakano-cho H. 35.6 cm, W. 20.3 cm, Sakaiminato-shi D. 15.2 cm Tottori 684, Japan TSB, SKF, JS For a Time Blown glass Geblasenes Glas 47. Atsuo Kishi H. 14 cm, W. 50 cm, D. 41 cm 307 Teramachi Plaza SKF 65 Teramachi, Toyamashi Toyama 930, Japan 50. Vincent C. Koloski Silhouette of the Metropolis 1044 Revere, #C88 Glass melted in a mold; polished San Francisco, California 94114 Glas in eine Form geschmolzen; Authorities Are Baffled poliert Blown glass tubing, neon H. 13 cm, W. 40 cm, D. 8 cm Geblasene Glasrohren, Neon TSB H. 15 cm, W. 35.1 m, D. 24.4 m SKF, YM 48. Yasuko Kita 13-10 Yanagi-cho Kanazawa-ku, Yokohama-city Kanagawa-ken 236, Japan 51. Paulina Komorowska- 54. Josef Marek Birger Dolni Podluzi 213 Konicza 8/7 Psc 407 55, Czech Republic 65-187 Zielona Gora, Poland Yellow Birdie Sled for Ann on Grass in Rain Assembled sheet glass, plastic Flameworked glass Montierte Glasscheiben, Plastik Lampengearbeites Glas H. 40 cm, W. 60 cm, D. 60 cm H. 2.0 m, W. 2.0 m, D. 1.0 m TSB, SKF, YM SKF 55. Paul Marioni 52. Danny Lane 4136 Meridian Avenue North 19 Hythe Road Seattle, Washington 98103 London NW10 6RT, England The Come-On Glass Wall, China Sheet glass, glass enamels, Drawn glass; cut, assembled gold leaf Gezogenes Glas; geschnitten, Glasscheiben, Glasemail, montiert Blattgold H. 2.9 m, W. 1.6 m, D. 2.0 m H. 51 cm, W. 56 cm, D. 0.5 cm TSB, SKF SKF, YM, JS

53. Elizabeth Manfredini 19333 Palatine Avenue North Seattle, Washington 98133 Bee Bowl Glass beads stitched over glass bowl Glasperlen auf eine Glasschale geheftet H. 7 cm, Diam. 8 cm TSB 56. Mark Matthews 59. Natsue Mohri State Route 2, P.O. Box 332 Kimura Glass Co. Ltd. Archbold, Ohio 43502 3-10-7, Yushima, Bunkyo-ku Tokyo, Japan Predator Spheres Graal glass Dew Graalglas Mold-blown glass Largest: Diam. 7.5 cm Formgeblasenes Glas JS H. 8.8 cm, Diam. 8.2 cm JS 57. Yuko Mikawa 122-13 Kohda, Notojima-cho 60. Nancy Monk Kashima-gun 444 South Euclid, #9 Ishikawa 926-02, Japan Pasadena, California 91101 Toward Evening Door Star Pate de verre Sheet glass, engraved; steel Pate de Verre Glasscheiben, graviert; Stahl H. 23 cm, W. 26 cm, D. 17 cm H. 15.2 cm, W. 15.2 cm, TSB D. 0.2 cm SKF, YM 58. Robbie Miller Fuel Gallery 318 Second Avenue South Seattle, Washington 98104 Three Stooges Liquor bottle, glass enamels Likorflasche, Glasemail H. 20.3 cm, Diam. 13.9 cm TSB, JS

mm|

60 21 61. Shinichi Muro 64. Lukas Novotny and Joetsu Crystal Glass Baker O'Brien 375-5 Machida-Machi 23873 West River Road Numata-Shi, Gumma-ken, Japan Grand Rapids, Ohio 43522 Mountain and Ark II Prisoner of One's Own Mind Mold- and free-blown glass Cast glass; laminated Form- und freigeblasenes Glas Gegossenes Glas; laminiert H. 55 cm, W. 35 cm, D. 18 cm H. 53 cm, W. 23 cm, D. 13 cm TSB, JS SKF

62. Reiko Nakada 65. Katsuya Ogita 157 N. C. Tatumi II Ishikawa, Japan 3 Nakamaeda, Igaya-chou Kariya-city, Aichi 448, Japan Mountain of Cloud Cast glass; sandblasted Green Family Gegossenes Glas; sandgestrahlt Blown glass H. 30 cm, W. 31 cm, D. 14 cm Geblasenes Glas TSB, SKF, YM Tallest: H. 17.5 cm, Diam. 16.5 cm TSB

63. Tatyana Nikolaevna Novikova Olympiisky 22 68 Moscow 129110, Russia A Guard Blown glass, metal Geblasenes Glas, Metall H. 52 cm, W. 49 cm, D. 15 cm TSB 66. Zora Palova 69. Jochem Poensgen Rybarska Brana 1 Heinemann-Musoge-Weg 8 81101 Bratislava, Slovakia D-59494 Soest, The Potential of Light Federal Republic of Germany Glass melted in a mold; cut Detail of One of Eight Windows Glas in eine Form geschmolzen; Saint Andreas Parish Church, geschnitten Essen, Germany H. 39 cm, W. 56 cm, D. 30 cm Triple-glazed flat glass, sand SKF, YM, JS blasted; sheet lead Dreifaches Flachglas, sand- 67. Natassa Papadogamvraki gestrahlt; Bleiblech I, Stokehills Overall: 553 sq m Farnham TSB, SKF Surrey GU9 7TE, England 70. Janos Polyak Study of a Sea Shell Sand-cast glass, glass enamels Hajos 25.I/8. Sandgegossenes Glas, Glas- 1065 Budapest, Hungary email Second Cross-Breeding H. 14 cm, W. 23 cm, D. 4.5 cm Cast glass YM Gegossenes Glas H. 11 cm, W. 23 cm, D. 8 cm 68. Flo Perkins SKF, YM, JS Santa Fe, New Mexico Forget-me-Knots Blown glass, steel Geblasenes Glas, Stahl H. 180 cm, W. 120 cm, D. 60 cm TSB, SKF, YM

. • • •• • ••• 71. Jeremy Popelka Geschnittenes Glas, Glasemail; 4372 Montgomery Street, #1 montiert Oakland, California 94611 H. 164 cm, W. 114 cm, D. 0.7 cm Medusa YM Sand-cast glass; assembled Sandgegossenes Glas; montiert 74. Katerine Rhoads H. 75 cm, Diam. 44 cm TSB, JS 300 52nd Street West Palm Beach, Florida 72. Pike Powers 33407 Pilchuck Glass School Untitled 107 South Main Street Blown glass with hot applications Seattle, Washington 98104 Geblasenes Glas mit heiBen Applikationen Two Headed Baby in a Bottle H. 17 cm, W. 10 cm, D. 7 cm Hot-worked, enameled, TSB, JS encased, and blown glass HeiB bearbeitetes, emailliertes, 75. Gerhard Ribka umfaBtes und geblasenes Glas Rugenerstrasse 4 H. 36 cm, Diam. 12 cm D-63075 Offenbach, TSB, YM, JS Federal Republic of Germany 73. Didier Quentin Wollmutze c/o Barbara Brown Painted and stained glass, 64 Jones Road assembled; copper foil Revere, Massachusetts 02157 Bemaltes und bleigefaBtes Glas, montiert; Kupferfolie Opus 18 H. 61 cm, W. 41 cm Cut glass, glass enamels; TSB, YM, JS assembled 76. Leigh Rothblum 79. Timo Sarpaneva 183 Benefit Street, #C307 Helsinki, Finland Providence, Rhode Island Marcel-pokaali 02903 Blown glass; sandblasted Sprawling Geblasenes Glas; sandgestrahlt Each: H. 22.5 cm, Diam. 9 cm Blown glass, paint TSB, SKF, YM Geblasenes Glas, Farbe H. 27 cm, W. 81 cm, D. 81 cm SKF, YM 80. Barry R. Sautner 123 Richardson Road 77. Kari Russell-Pool Lansdale, Pennsylvania Route 3, Box 164A 19446-1443 Bakersville, North Carolina Umbilical Male 28705-9525 Sandblast-carved glass Dancing Pear Bottle Sandgeschnittenes Glas Blown and flameworked glass Diam. 5 cm Geblasenes und lampenbear- TSB, SKF beitetes Glas H. 48 cm, Diam. 17 cm TSB, YM

78. Lucie Rydlova Jaromirova 81 55 101 Jaromer, Czech Republic Stela Cast glass Gegossenes Glas H. 50 cm, W. 22 cm, D. 20 cm YM 81. Michael Scheiner . Shatter Glass Group 10 Clinton Street 355 North Ashland Avenue Central Falls, Rhode Island Chicago, Illinois 60607 02863 Verre du grappe Goblet Series Shimmer Blown and hot-worked glass Sheet glass, wet clay Geblasenes und heiB bearbei- Glasscheiben, ungebrannter Ton tetes Glas H. 1.5 m,W. 3.2 m, D. 2.0 m Tallest: H. 33 cm, Diam. 12.7 cm TSB, SKF, YM, JS TSB

82. Christian Schmidt i. Naomi Shioya Au-ackerweg 5 62 rue de la Joliette D-94227 Rabenstein/Zwiesel, 13002 Marseilles, France Federal Republic of Germany Lamp Siebenbeiniger Besuch Blown glass, sandblasted; metal Graal glass Geblasenes Glas, sandgestrahlt; Graalglas Metall H. 17 cm H. 85 cm, Diam. 35 cm TSB, JS TSB

83. Rolanda I. Scott P.O. Box 5693 Richmond, Virginia 23220 Pink Trophy Cup Glass cast in a cire perdue mold, copper In eine Cire-perdu-Form gegossenes Glas, Kupfer H. 17 cm, W. 27 cm, D. 11 cm SKF

82 83 86. Hideyuki Takahashi Geblasenes Glas, Stahl Niijima Glass Art Center Each: H. 26 cm, Diam. 8 cm 122 Setoyama JS Niijimamura Tokyo, Japan 89. Val Vanetik UFO Vase P.O. Box 211 Blown glass North Pownal, Vermont Geblasenes Glas 05260-0211 H. 12 cm, W. 25 cm Torso TSB, SKF, JS Cast glass Gegossenes Glas 87. Cappy Thompson H. 54 cm, W. 20.5 cm, 707 South Snoqualmie, #4A D. 10 cm Seattle, Washington 98108- TSB, JS 1700 Lord Krishna and Me 90. Natalya Vadimovna Blown glass; reverse-enameled Volikova Geblasenes Glas; ruckseitig Marshal Grechko 13/1 63 emailliert Moscow, Russia H. 45 cm, Diam. 32 cm Big Wigs TSB, SKF, YM, JS Blown and cast glass; sand blasted 88. Kazumi Tsuji Geblasenes und gegossenes #303-4-13-35 Mitsukuchishin- Glas, sandgestrahlt machi H. 25 cm, W. 16 cm, D. 16 cm Kanazawa-city TSB, JS Ishikawa-ken 920, Japan Dots & Stripes Blown glass, steel

iB8|lgjpTv lag! 91. Ann Wahlstrom 94. Dick Weiss Kosta Boda AB 811 North 36th Street 360 52 Kosta, Sweden Seattle, Washington 98103 Sharktooth 2 Self-Portraits Blown glass Blown glass, glass enamels Geblasenes Glas Geblasenes Glas, Glasemail H. 44 cm, Diam. 22 cm H. 55 cm, Diam. 35 cm SKF JS

92. Janusz A. Walentynowicz 95. Ann Welch P.O. Box 3792 707 South Snoqualmie, 1D Bloomington, Illinois 61701 Seattle, Washington 98108 In Pierrot's Clothes Coyote, Beaver, Wolverine, and Cast glass, wood, oil paint Coati Animal Goblets Gegossenes Glas, Holz, Olfarbe Blown glass H. 86 cm, W. 67 cm Geblasenes Glas TSB Each: H. 23 cm, Diam. 8 cm TSB, YM, JS 93. Jack Wax Yoshizukuri 456-1 Toyama-shi Neo Paresu 106 Toyama-ken 930, Japan Evince Hot-worked and kiln-formed glass, steel HeiB bearbeitetes und ofengeformtes Glas, Stahl H. 19 cm, W. 30 cm, D. 14 cm TSB, SKF, YM, JS 91

92 96. Hans Jiirgen Wolff 99. Harumi Yukutake Sollner Strasse 20 88 Congdon Street D-81479 Munich, Providence, Rhode Island Federal Republic of Germany 02906 i H' SIS / * * Untitled Pea Pod Cell Flat glass; assembled Cut sheet glass and mirror, Flachglas; montiert assembled; chicken wire H. 25 cm, W. 16 cm Geschnittene Glasscheiben JS und Spiegel montiert; Draht H. 20 cm, W. 128 cm, 97. Rachael Woodman D. 20 cm 1 62 Cedric Road SKF, YM, JS Bath BA1 3PB, England ' 1 *> 1 ^"J Vase and Bowl 100. Linda Zmina Blown and cased glass with 18410 Syracuse Avenue mis . hot applications Cleveland, Ohio 44110 1 mwmm Geblasenes und ummanteltes Soul Sorter Glas mit heiBen Applikationen Cast glass Tallest: H. 30 cm, Diam. 13 cm Gegossenes Glas TSB H. 43 cm, W. 43 cm, 98. TeruoYamada D. 10 cm TSB, SKF Tokyo, Japan Bowl Blown, cut, sandblasted, and etched glass Geblasenes, geschnittenes, sandgestrahltes und geatztes Glas H. 12 cm, Diam. 27 cm TSB, JS

97 Bibliography OF RECENTLY PUBLISHED ARTICLES AND BOOKS ON GLASS

Bibliographie KURZLICH VEROFFENTLICHTER ARTIKEL UND BUCHER UBER GLAS

This list includes publications added to the Rakow Library of The Corning Diese Liste enthalt Veroffentlichungen, die seit der Bibliographie in der New Museum of Glass since the bibliography for New Glass Review 14. Glass Review 14 der Rakow-Bibliothek des Corning Museums of Glass hinzu- gefugt worden sind. Contemporary Glass (after 1945) Flat Glass (after 1945), including Architectural, Mosaic, Painted, and Zeitgenossisches Glas (nach 1945) Stained Glass Flachglas (nach 1945), einschlieBlich architekturbezogenes Glas, Glas- Technology (after 1945) mosaik, Glasmalerei und Buntglas Films and Videotapes Technologie (nach 1945) Filme und Videobander Only substantive book reviews are listed; they may be found under the author of the work reviewed. Nur bedeutende Buchkritiken sind aufgefuhrt. Sie sind unter dem Autor des rezensierten Werkes zu finden. The following periodicals are recommended for comprehensive coverage of contemporary glassmaking: Die folgenden Zeitschriften werden fur einen umfassenden Uberblick uber die zeitgenossische Glasgestaltung empfohlen: Glass Glass Art Magazine Glass Glass Art Society Journal Glass Art Magazine Neues Glas/New Glass (Germany) Glass Art Society Journal La Revue de la Ceramique et du Verre (France) Neues Glas/New Glass (Bundesrepublik Deutschland) Stained Glass Quarterly La Revue de la Ceramique et du Verre (Frankreich) Stained Glass Quarterly Before 1982, this bibliography appeared annually in the Journal of Glass Studies, also published by The Corning Museum of Glass. Vor 1982 erschien diese Bibliographie jahrlich im Journal of Glass Studies, das ebenfalls vom Corning Museum of Glass herausgegeben wurde. Entries beginning with a cardinal or ordinal number, expressed either as a numeral or spelled out, will be found after the alphabetical entries, arranged Titel, die mit einer Kardinal- oder Ordinalzahl anfangen und die als Zahl oder als numerically. Wort ausgedruckt sind, werden nach den alphabetischen Eintragen zahlen- maBig geordnet. Exhibition catalogs, formerly listed under the name of the city in which each exhibition was held, are now listed in the following manner: Ausstellungskataloge, die fruher unter dem Namen der Stadt, in der die Aus- stellung stattgefunden hatte, gefuhrt wurden, finden sich jetzt nach folgendem 1. Under the name of the author (person or organization). Schema geordnet: 2. Under the name of the city in which the exhibition was held (when the author's name is not provided). 1. Unter dem Namen des Autors (der Person oder Organisation) 3. Under the title (when neither the author's name nor the city name is 2. Unter dem Namen der Stadt, in der die Ausstellung stattgefundetn hat (so- provided). fern der Name des Autors nicht zur Verfugung steht) 3. Unter dem Titel (sofern der Name des Autors oder der Stadt nicht zur Ver fugung steht).

CONTEMPORARY GLASS (after 1945)/ZEITGEN0SSISCHES GLAS (nach 1945)

Anonymous Le Courrier des Metiers d'Art, no. 123, June 12 "Ausstellungen: Heidy Binder; Konrad 1993, p. 20, ill. Vetter" Large-scale glass cross, tabernacle, and chande Heimatwerk/Kunsthandwerk, v. 58, no. 1, 1993, 1 "Acquisitions, American Decorative Arts and liers by Josette Rispal. p. 37, ill. Sculpture: Howard Ben Tre, Standing Column" Swiss glass artists. Museum of Fine Arts Boston, The Museum Year 1991-1992, 1992, pp. 22-23, ill. 7 "Artist Profile: Berit Johansson, Vadstena, Sweden" 13 "Australian Craft at David Jones" 2 "Acquisitions: Klaus Moje" The European Influence (Austin, TX), no. 15, Craft Arts International (Sydney), no. 28, 1993, American Craft, v. 53, no. 2, April/May 1993, Winter 1993, p. 3, ill. p. 108, ill. p. 23, ill. Glass by Anne Dybka, Setsuko Ogishi. Bowl in The Toledo Museum of Art. 8 "Artist Profile: Bertil Vallien" The European Influence (Austin, TX), no. 12, 14 "Besok hos en glaslegend" 3 "American Craft Council Gold Medalists" Spring 1992, p. 3, ill. Form, v. 89, no. 3 (687), 1993, p. 89, American Craft, v. 53, no. 4, Aug./Sept. 1993, Edvin Ohrstrom. pp. 106-119, ill. Harvey Littleton. 9 "Artist Profile: Mark Eckstrand" The Bullseye Bulletin, Spring 1993, pp. 4-6, 15 "Des Bijoux en verre au chateau de 4 "Architektur aus Licht und Glas" Lemberk" ArtAurea, no. 4, 1992, p. 11, ill. La Revue des Industries d'Art Offrir, no. 298, Lounge bar of lighted decorative glass in the form 10 "Artist Profile: Michael Harris, Isle of Wight Jan. 1993, pp. 136-137, ill. of a ship by Renzo Piano, Leucos. Glass" Glass from the Czech International Symposia now The European Influence (Austin, TX), no. 13, on display near Jablonec. Summer 1992, p. 3, ill. 5 "Art Against AIDS" Glass Art Magazine, v. 8, no. 5, July/Aug. 1993, 16 "Bilder gegen den Hasse" pp. 30-31, ill. Art (Hamburg), no. 4, April 1993, pp. 54-63, ill Denver auction with work by Kit Karbler, James 11 "Artists Complete Fall Fellowship" Includes installation by Felix Droese and neon Van Deurzen, Barry Entner, James Nowak. The Journal, a Newsletter for Friends of Whea- ton Cultural Alliance, v. 16, no. 1, Winter 1993, installation by Alfredo Jaars. p. 5, ill. 6 "Art sacre en I'eglise Saint-Pierre du Stephen Paul Day, Katherine Gray, Sibylle Peretti, Gros-Caillou" Boyd Sugiki. 17 "Boyd Sugiki, Fellow, CGCA" Wheaton Cultural Alliance, Inc., 1992 Annual 31 "Contemporary Furniture and Glass at Leo 45 "Exhibitions: Jan Fisar" Report, 1993, p. 9, ill. Kaplan Modern" Neues Glas, no. 1, 1993, p. 55, ill. In German. Antiques and The Arts Weekly, v. 21, no. 4, Exhibit at Glasmuseum Immenhausen. Jan. 22, 1993, p. 46, ill. 18 "Buderim Glassworks" "Year of American Craft" group show. Craft Arts International (Sydney), no. 29, 1993, 46 "Expositions: Charles Bray" pp. 103-104, ill. La Revue de la Ceramique et du Verre, no. 70, Queensland, Australia, studio. 32 "Craft & Souvenir Award Winner" May/June 1993, p. 65, ill. Craft Arts International (Sydney), no. 29, 1993, Aubais exhibit. p. 103, ill. 19 "Casarini inaugura con Treccani" Chris Pantano, Queensland glass artist. Alte Vitrie, v. 5, no. 3, Dec. 1992, p. 27, ill. 47 "Expositions: Claire de Rougemont" English summary. La Revue de la Ceramique et du Verre, no. 71, Casarini Studio, Savona, Italy. 33 "Creative Glass Center of America: 4 New July/Aug. 1993, p. 62, ill. Fellows Selected" Exhibit at an Aubais gallery. The Journal, a Newsletter for Friends of Whea 20 "Celebration at a Chateau = Schlossfeier" ton Cultural Alliance, v. 16, no. 1, Winter 1993, New Glass Review (Czech), v. 48, no. 1, 1993, p. 4, ill. 48 "Expositions: Jacqueline Irene Lillie" pp. 8-10, ill. Igor Givotovsky, Garry Jacobson, Nancy La Revue de la Ceramique et du Verre, no. 69, Opening of permanent exhibition of work made at Langston, Pamela Stadus. March/April 1993, p. 68, ill. the international glass symposia, Novy Bor. Necklace of glass fibers by Rakow Commission recipient. 34 "Darmstadt Glaswelle" 21 "Centro stile Bugatti" ArtAurea, no. 1, 1993, p. 97, ill. Ottagono, v. 28, no. 106, March 1993, p. 249, Danny Lane's "Glass Wave." 49 "Expositions: Jane Waller" ill. In Italian and English. La Revue de la Ceramique et du Verre, no. 70, New decanter and drinking glass designs. May/June 1993, p. 63, ill. 35 "David Lewin, Artist, T. C. Wheaton Glass Factory" 22 "Collaborative Contemporary Artists' Wheaton Cultural Alliance, Inc., 1992 Annual 50 "Faces, Places" Weight" Report, 1993, p. 3, ill. The Crafts Report, v. 18, no. 197, Aug. 1992, Annual Bulletin of the Paperweight Collectors' p. 22, ill. Association, 1992, p. 47, ill. Josh Simpson and Glass Art Society board of Third collaborative paperweight made by 36 "Designoterat: Tidlost vackert" directors for 1993. 10 artists at Wheaton Village weekend. Form, v. 89, no. 2 (686), 1993, p. 9, ill. Ingegerd Raman glass for Skrufs Glasbruk. 51 "Fall Fellows Bring International Flavor to 23 "Color of Light" CGCA" Glass Art Magazine, v. 8, no. 2, Jan./Feb. 1993, 37 "Distinction pour un collier de verre" The Journal, a Newsletter for Friends of Whea p. 26, ill. Le Courrierdes Metiers d'Art, no. 121, April ton Cultural Alliance, v. 16, no. 3, Summer Dichroic competition; work by Cliff Henry Maier 1993, p. 23, ill. 1993, p. 4, ill. and Robert Stephan. Glass necklace by Jacqueline Lillie. Lucio Bubacco, Benjamin Edols, Kelly McLain, Leslie O'Brien. 24 "Columns of Glass at the V & A" 38 "Donationen und Neuerwerbungen 1991" The Art Newspaper, v. 4, no. 28, May 1993, Mitteilungen des stadtischen Museums des 52 "Fellows Complete Spring Session" p. 12. Kunsthandwerks zu Leipzig/Grassimuseum, The Journal, a Newsletter for Friends of Whea New installation for the glass collection designed no. 1, June 1992, p. 13, ill. ton Cultural Alliance, v. 16, no. 3, Summer by Danny Lane. Sculptural piece by Concetta Mason. 1993, p. 5, ill. Igor Givotovsky, Garry Jacobson, Nancy 25 "Commissions: Drew Smith" Langston, Pamela Stadus. American Craft, v. 53, no. 1, Feb./March 1993, 39 "Ed Francis: Glassblower" p. 23, ill. River City Works (Cincinnati, OH), v. 1, no. 1, 53 "Fellows Ready to Begin Summer Fellow Sculpture for city of Columbus, OH. Feb. 1993, p. 1+, ill. ship" The Journal, a Newsletter for Friends of Whea 26 "Commissions: Joy and Darrell Greenhalgh" 40 "En passant par le PAAS, metiers d'art et ton Cultural Alliance, v. 16, no. 2, Spring 1993, Crafts (U.K.), no. 124, Sept./Oct. 1993, p. 64, design a Paris, Septembre 1993" p. 5, ill. ill. Le Courrier des Metiers d'Art, no. 127, Nov. Robin Cass, Kathy Elliott, Rolanda Scott, Glass trophy for environmental projects. 1993, pp. 18-20, ill. Densaburou Oku, Todd Pearson. Glass by Frangois Hedon, Jonathan Andersson.

27 "Commissions: Sonja Blomdahl" 54 "Fiam Italia" American Craft, v. 53, no. 1, Feb./March 1993, 41 "ESCA Announces 1993 Grant Recipients" Ottagono, v. 27, no. 105, Dec. 1992, p. 22, ill. Inform (Empire State Crafts Alliance), v. 13, no. 4, pp. 166-169, ill. Roundels for a library window. Oct./Nov./Dec. 1993, p. 1, ill. Glass furniture by Vittorio Livi, Boeri and Kataya- Glass awards to Hank Adams, John Brekke, Hans nagi, Giugiaro Design, Starck. Frode. 28 "Commissions: Therman Statom" Sculpture, v. 12, no. 4, July/Aug. 1993, p. 41, ill. 55 "Fiam Italia: Ghost a Milanopoesia 1992" tostallation within a skylight dome, Los Angeles 42 "Excellent Swedish Design 1993" Ottagono, v. 28, no. 106, March 1993, subway station. Form-Function-Finland, no. 3, 1993, p. 79, ill. pp. 216-219, ill. In Italian and English. Glass designs by Ingegerd Raman. "Ghost" armchair of glass designed by Cini Boeri and Tomu Katayanagi. 29 "Commissions: Toan Klein" American Craft, v. 53, no. 2, April/May 1993, 43 "Exhibitions" p. 8, ill. Craft Arts International (Sydney), no. 29, 1993, 56 "Fiam Italia: Transparent Matter" Award designed by Klein for jazz pianist Oscar pp. 107-109, ill. Ottagono, v. 28, no. 108, Sept. 1993, Peterson. Glass in Australia and elsewhere by Pantano, pp. 158-161, ill. In Italian and English. Hancova, Kuhn, Simpson, Kalifa, Frolic, and Glass furniture. others. 30 "Consumer Products I.D. Award: Wobbling Vase" 57 "Five Decades: American Craft Council" I.D. (International Design), v. 40, no. 4, July/Aug. 44 "Exhibitions: David Palterer" American Craft, v. 53, no. 4, Aug./Sept. 1993, 1993, p. 58, ill. Neues Glas, no. 1, 1993, p. 55. pp. 77-97, ill. Vases designed in the Netherlands. Belgian exhibit. Maurice Heaton, Kaj Franck, Harvey Littleton, Robert Sowers, Dominick Labino, James Carpen Rouen exhibition of glass, Dec. 1991-March 84 "Inaugural Designs" ter, and others. 1992. Collector Editions, v. 21, no. 2, March/April 1993, p. 12, ill. Engraved bowls by Lenox Crystal given to 58 "Flourishing Talent at UK Glass Art 71 "Glaserne Astronauten in Theuern gelandet" President Clinton and Vice President Gore. Colleges" Glas + Rahmen, v. 44, no. 16, Aug. 1993, Glass, Monthly Journal of the European Glass pp. 923-924, ill. Industry, v. 70, no. 9, Sept. 1993, pp. 369-371, Outdoor sculpture of boat with glass "astronauts" 85 "Intervista con due artigiani incisori in ill. by Ursula Merker, Theuern. Altare" Work from West Surrey College of Art & Design, Alte Vitrie, v. 6, no. 1, April 1993, pp. 4-5, ill. Royal College of Art, Sunderland University, and Interview with two glass engravers of Altare. Middlesex University. 72 "Glaskunst aus der Sammlung Roberto Niederer" Heimatwerk/Kunsthandwerk, v. 58, no. 3, 1993, 86 "1st Jeff Koons ein wichtiger Kunstler von 59 "Formnoterat: Atta udda" pp. 37-38, ill. heute?" Form, v. 89, no. 3 (687), 1993, p. 30, ill. Contemporary international glass on display at Art (Hamburg), no. 8, Aug. 1993, pp. 44-47, ill. Vases by Atta Glas. Hergiswil, Switzerland.

87 "Jan Frydrych" 60 "Forum: Gaetano Pesce" 73 "Glass in Design 92" Umeni a Remesla, v. 35, no. 1, 1993, pp. 15-16, Interior Design, v. 64, no. 9, Sept. 1993, Glass Art Magazine, v. 8, no. 3, March/April ill. English summary. p. 54, ill. 1993, pp. 26-27, ill. New York exhibition. Art Glass Association of Southern California exhibit and awards. 88 "Jutta Cuny-Franz Competition: Wanda Bianchino" 61 "Frangois Houde Wins First Jean A. Chal Neues Glas, no. 2, 1993, pp. 42-43, ill. In Ger mers Award for Crafts" 74 "Glass Installations at American Craft man and English. Artists in Stained Glass Bulletin (Toronto), Sum Museum" mer 1993, p. 7. Antiques and The Arts Weekly, v. 21, no. 18, April 30, 1993, p. 31, ill. 89 "Kreg Kallenberger Show at Leo Kaplan Tobin, Chao, Aschenbrenner, Morris, Spera, Modern" 62 "The French Collection" Shaffer. Antiques and The Arts Weekly, v. 21, no. 19, Collector Editions, v. 21, no. 2, March/April May 7, 1993, p. 112, ill. 1993, pp. 56-57, ill. New line of paperweights and glass totems by 75 "A Glass Obsession" Saint-Louis. The Teke (Tau Kappa Epsilon, Indianapolis, IN), 90 "Kvinner skaper nytt svensk og ungdomme- v. 86, no. 3, Summer 1993, pp. 4-7, ill. lig glass" Jeff Davis studio, Waynesboro, VA. Glass & Porselen, v. 47, no. 3, 1993, pp. 20-21, 63 "Gaetano Pesce: CIRVA Glass Works" ill. Peter Joseph Gallery News, v. 3, no. 3, Fall Erika Lagerbielke and Anne Nilsson. 1993, p. 1+, ill. 76 "Glass Tops Contemporary Crafts Exhibit in Exhibit of glass sculptures in New York. Toledo" American Glass Review, v. 114, no. 3, Sept. 91 "Light and Illumination: The Work of Lee 1993, p. 9, ill. Roy Champagne" 64 "Gallery: Glass" Saxe collection. Signs of the Times, v. 215, no. 8, Aug. 1993, American Craft, v. 53, no. 2, April/May 1993, pp. 102-105, ill. p. 79, ill. Neon. Tom Farbanish, Stephen Rolfe Powell, Thomas 77 "Glassworkers Recognised" Scoon, Kathleen Mulcahy, Joel Philip Myers. Craft New Zealand, no. 45, Spring 1993, p. 19, ill. 92 "Marble Collectors Society of America: Ola and Marie Hoglund. Contemporary Handmade Glass Types, Part IV" 65 "Gallery: Glass" Marble-Mania, v. 72, Oct. 1993, insert, 10 pp., American Craft, v. 53, no. 3, June/July 1993, ill. p. 76, ill. 78 "Goblet Marks 30 Years of American Studio Amy Roberts-Chamberlain, Susan Plum, John Glass" deWit, Robert Dane, Eric Hilton. The Corning Museum of Glass Newsletter, Win 93 "Matteo Thun, Designer" ter 1993, p. 3, ill. Barovier & Toso Informa, no. 6, Feb. 1993, p. 2, 1993 Rakow Commission piece by Fritz Dreis- ill. 66 "Gallery: Glass" bach. American Craft, v. 53, no. 5, Oct./Nov. 1993, p. 75, ill. 94 "Maximizing the Minimum: Small Glass Mark Abildgaard, Bob Kliss, Chris Constantin/ 79 "Gunzburg: Figur-Grund-Prinzip" Sculpture" Kathy Young, Christoff Koon, Stephen Dale ArtAurea, no. 1, 1993, p. 102, ill. The Journal, a Newsletter for Friends of Whea- Edwards. Glass bowl by Jennifer Antonio. ton Cultural Alliance, v. 16, no. 2, Spring 1993, p. 1, ill. Exhibit at Museum of American Glass. 67 "Gallery: Glass" 80 "The Hands Behind the Magic" American Craft, v. 53, no. 6, Dec. 1993/Jan. Pilgrim Art Glass Club Notebook, v. 2, no. 1, 1994, p. 76, ill. Jan./Feb. 1993, pp. 3-4, ill. 95 "Milch-Bar" Seth Randal, Robin Grebe, Lea Bartneck, Robert Pilgrim's etched and carved (sandblasted) cameo Art (Hamburg), no. 1, Jan. 1993, pp. 8-9, ill. Hodges, Brent Kee Young. glass. 50 designers decorate milk glasses.

68 "Gallery: Glass/Mixed Media" 81 "Humanitarian Award: Josh Simpson" 96 "Mode fur Millionen" American Craft, v. 53, no. 4, Aug./Sept. 1993, Niche, v. 5, no. 2, Spring 1993, p. 25, ill. Kunsthandwerk, no. 3, May/June 1993, p. 159, ill. Craft Emergency Relief Fund. p. 50, ill. Richard Jolley, Heidi Darr-Hope, James Watkins, Heinz Oestergaard exhibition at Cologne Mark McDonnell. museum. 82 "Illuminating Exhibition of Dale Chihuly's Work" 69 "Gestalterin des Immateriellen: Ein Portrat The Toledo Museum of Art Newsletter, 97 "Mosaic Maker" der Lichtgestalterin Ulrike Brandi" April/May 1993, p. 1, ill. Craft New Zealand, no. 41, Spring 1992, p. 9, ill. ArtAurea, no. 2, 1993, pp. 24-26, ill. Margaret Coupe. Light designer Ulrike Brandi. 83 "In Context: Nicolas Africano and Amanda Pierce" 98 "Moser Glassworks: Royal Invitation" 70 "Glas partout" Glass (New York Experimental Glass Workshop), New Glass Review (Czech), v. 47, no. 11, 1992, ArtAurea, no. 2, 1992, p. 110, ill. no. 52, Summer 1993, pp. 44-47, ill. pp. 11-21, ill. Work by participants in the First International 114 "Portfolio: Kari Russell-Pool" 129 "Stankard Woos the Japanese" Engraved Glass Symposium at Moser. American Craft, v. 53, no. 2, April/May 1993, Paperweight News, v. 14, no. 1, Jan. 1993, p. 58, ill. p. 23, ill. Lampworked bowl. Botanical weights on display in Yokohama and 99 "Muh! Milchglaser fordern Elitedesigner Kanazawa. heraus" ArtAurea, no. 1, 1993, p. 14, ill. 115 "Portfolio: Michael Scheiner" Well-known designers decorate milk glasses. American Craft, v. 53, no. 5, Oct./Nov. 1993, 130 "Summer Fellows Complete 'Hot' Session" p. 61, ill. The Journal, a Newsletter for Friends of Whea- ton Cultural Alliance, v. 16, no. 4, Fall 1993, 100 "New + Notable" p. 5, ill. I.D. (International Design), v. 40, no. 2, 116 "Portfolio: Stephan J. Cox" Robin Cass, Kathy Elliott, Densaburou Oku, Todd March/April 1993, p. 77, ill. American Craft, v. 53, no. 3, June/July 1993, Pearson, Roland Scott. James Carpenter's etched glass table. p. 63, ill. 131 "Szene: Stadt aus Glas" 101 "New + Notable" Art (Hamburg), no. 4, April 1993, p. 12, ill. 117 "Portfolio: Tony Carretta" I.D. (International Design), v. 40, no. 3, Munich artist Rudiger Schottle's installation with May/June 1993, p. 79, ill. American Craft, v. 53, no. 6, Dec. 1993/Jan. 1994, p. 54, ill. glass boxes. Bowls and vases by Danish designers Darryle Glass and metal vessel. Hinz and Anja Kjaer. 132 "Tower of Glass Offers Challenges for Contractor" 102 "News: Artist Support" 118 "Presents for Jack (In the Box)" Glass Digest, v. 72, no. 4, April 15, 1993, Artweek, v. 24, no. 7, April 8, 1993, p. 2, ill. American Craft, v. 53, no. 4, Aug./Sept. 1993, pp. 50-52, ill. Ginny Ruffner. pp. 102-105, ill. 60-ft. high sculptural tower in downtown Orlando, Boxes made by 65 craftsmen as gifts to Jack FL, by Ed Carpenter. Lenor Larsen; includes Chihuly box. 103 "News: Rakow Grant and Commission" The Corning Museum of Glass Newsletter, Sum 133 "Van der Togt-museum in Amstelveen is mer 1993, pp. 4-5, ill. 119 "Produzione: Fiam Italia; Flos" verrassend particulier initiatief" Fritz Dreisbach. Ottagono, v. 28, no. 107, June 1993, Bulletin Vereniging van Vrienden van Modern pp. 126-133, ill. Glas, no. 1, 1993, pp. 17-19, ill. Glass furniture (Danny Lane, Vittorio Livi); lighting Work by Copier and others in museum in Amstel 104 "Notes: Fritz Dreisbach Receives 1993 system by Achille Castiglioni. veen. Rakow Commission" Journal of Glass Studies, v. 35, 1993, p. 156. 120 "Produzione: Flos" 134 "Verenigingsnieuws" Ottagono, v. 27, no. 104, Sept. 1992, Glasbulletin (formerly Bulletin Vereniging van 105 "Notizen: Blick auf den Meeresgrund" pp. 178-181, ill. In Italian and English. Vrienden van Modern Glas), no. 3, 1993, ArtAurea, no. 2, 1993, p. 104, ill. The Brera light by Achille Castiglioni for Flos. pp. 5-7, ill. Work by Luciano Vistosi in Gunzburg gallery. Members' work and other news.

121 "Profile: Kroma, Santa Fe, New Mexico" 106 "Openings" 135 "Le Verre, ou se reflete notre siecle" Art & Antiques, v. 15, no. 8, Oct. 1993, p. 24, ill. Professional Stained Glass, v. 13, no. 1, June/July 1993, pp. 68-70, ill. Esso Magazine (Anvers, Belgium. Pierre Christopher Wilmarth exhibit, Boston. Janssen, ed.), no. 1, 1966, pp. 30-35, ill. Designs by Meydam, Copier, Lundin, and others; engraving at Val St. Lambert. 107 "Openings: Dale Chihuly" 122 "Profile: Lundberg Studios" Art & Antiques, Jan. 1993, p. 22, ill. The European Influence (Austin, TX), no. 16, June 1993, p. 3, ill. New York gallery exhibit, "Ikebana" series. 136 "Vitreograph Prints" Steven Lundberg, Daniel Salazar. Antique Week (Eastern edition), v. 26, no. 10, May 31, 1993, p. 11. 108 "Opera Glass" Harvey Littleton and vitreography process. American Craft, v. 53, no. 3, June/July 1993, 123 "Ralph Mossman and Mary Mullaney, pp. 46-47, ill. Heron Glass" Dale Chihuly stage sets for Seattle opera. Niche, v. 5, no. 3, Summer 1993, p. 49, ill. 137 "Wertheim: Glaserne Gartenidylle" ArtAurea, no. 3, 1993, p. 86, ill. Glass sculpture by Jan Adam. 109 "Opera Glasses" 124 "Reinventez la gravure" Stained Glass Quarterly, v. 88, no. 2, Summer Le Courrierdes Metiers d'Art, no. 121, April 1993, pp. 96-97+, ill. 1993, p. 22, ill. 138 "Wien: 'Zehn kleine Negerlein'" Dale Chihuly opera sets. Vase by Frangois Gilles Ricard for Cristalleries ArtAurea, no. 1, 1993, p. 100, ill. Royales de Champagne, Bayel. Vienna exhibit with bead necklace by Marianne Schliwinski. 110 "Le Parfum Lalique" Lalique Magazine, v. 4, no. 4, Winter 1993, 125 "Robert Stephan, His Glassworks" pp. 7-9, ill. Niche, v. 5, no. 1, Winter 1993, p. 59, ill. 139 "William Morris: Primal Instincts" New flacon designed by Marie-Claude Lalique. The World & I, v. 8, no. 1, Jan. 1993, pp. 212-221, ill. 126 "Roger and Genevieve Vines: Vines Art 111 "Past Massachusetts Button Makers" Glass" The National Button Bulletin, v. 52, no. 3, July 140 " 'Zomer aan de Linge' met veel glas" Niche, v. 5, no. 4, Autumn 1993, p. 53, ill. 1993, pp. 152-155, ill. Bulletin Vereniging van Vrienden van Modern Paperweight buttons by Charles Kaziun, Francis Glas, no. 2, 1993, pp. 9-11, ill. Weinman, Thure Erickson; current stained glass Summer glass exhibits in Leerdam. 127 "Site Specific: Glass" buttons by Donna Amero. RISD Views (Rhode Island School of Design), March/April 1993, pp. 14-15, ill. 141 "The 1993 May Show" 112 "Patrick Wadley, 1950-1992" Work by graduate and undergraduate glass The Bulletin of The Cleveland Museum of Art, American Craft, v. 53, no. 1, Feb./March 1993, students. v. 80, no. 5, June 1993, pp. 191-211, ill. p. 17, ill. Glass entries by Brent Marshall, Brent Kee Young (award), and Linda Zmina. 128 "Spectrum" 113 "Portfolio: Julie Anne Mihalisin" Neues Glas, continuing series: no. 1, 1993 - American Craft, v. 53, no. 1, Feb./March 1993, no. 4, 1993. 142 "20,000 Pounds of Ice on Show" p. 53, ill. Auctions, competitions, and other news. Flash Art, v. 26, no. 168, Jan./Feb. 1993, p. 113. Neon tubing frozen into blocks of ice accompanies The Glass Art Society Journal 1992, pp. 35-36, 167 "Seattle Opera: Debussy 'Pelleas and Chihuly exhibition in Cincinnati, OH. ill. Melisande'" American Record Guide, v. 56, no. 4, July/Aug. 1993, p. 39, ill. 143 Aarhus. Aarhus Kunstmuseum 156 Andrews, Richard Dale Chihuly"s sets. 50'erne — Danmark og Dansk Kunst (Allis James Turrell: Sensing Space (Essay by Richard Helleand, ed.) Andrews. Interviews by Richard Andrews and Aarhus: the museum, 1992, 99 pp., ill. English Chris Bruce) 168 Barnard, Charles F. and German summaries. Seattle: Henry Art Gallery, University of Washing The Magic Sign: The Electric Art/Architecture of Denmark in the 1950s; includes glass by Peter ton, 1992, 64 pp., ill. Las Vegas and Per Lutken. Includes light installations. Cincinnati, OH: ST Publications, 1993, 228 pp., ill. Neon. 144 Adachi, Fumio 157 Antonelli, Paola "The 5th Niijima International Glass Art Festival" "Achille Castiglioni: Illumination" Glasswork (Kyoto), no. 14, Feb. 1993, p. 49, ill. Metropolis, v. 12, no. 8, April 1993, pp. 41-50, In Japanese, English summary. 169 "Viva Las Vegas, Land of the Magic Sign" ill. Signs of the Times, v. 215, no. 4, April 1993, pp. 80-83, ill. Post-World War II neon signs. 145 Aldersey-Williams, Hugh 158 Art & Science Collaborations "Gaetano Pesce Loses Control" Spring Works: The Pull of Kinetics II Glass (New York Experimental Glass Workshop), (Text: Jenifer P. Borum) 170 Barovier, Angelo no. 52, Summer 1993, pp. 30-37, ill. Staten Island, NY: the organization, 1993, "Angelo Barovier, un artista prestato al design" [10] pp., ill. Barovier & Toso Informa, no. 5, July 1992, p. 2, Includes work by Nancy Meli Walker, Sydney 146 "Weil Joins Pentagram" ill. I.D. (International Design), v. 40, no. 2, Cash. March/April 1993, p. 22, ill. Walter vase by Daniel Weil. 159 Artfile: Artists and Designer/Makers of 171 Barovier Mentasti, Rosa Australia. A Sourcebook of Australian Contem "In forma di vetro" Ottagono, v. 27, no. 104, Sept. 1992, 147 Alexander, Bill porary Artists pp. 126-135, ill. In Italian and English. "Reviews: Donna Pickens" Sydney: Craft Arts International, 1992, 463 pp., Work by Yoichi Ohira, Laura de Santillana, Alfredo Art Papers (Atlanta, GA), v. 17, no. 3, May/June ill. Barlini, Lino Tagliapietra, and others in Venice 1993, pp. 50-51, ill. Glass and stained glass throughout. exhibition. Site-specific installations with fluorescent lighting. 160 Artistes verriers d'U.R.S.S. (Text: Eugene 148 Alhadeff, Gini Moureau, Joseph Philippe, Monette Moureau) 172 Barr, Vilma "The Designer and the Readymade" [S.I.: Generate de Banque, 1990?], [18] pp., ill. The Best of Neon: Architecture, Interiors, Signs I.D. (International Design), v. 40, no. 3, Andrei Bokatei, Fidail Ibragimov, Olga Pobedova, Rockport, MA: Rockport Publishers; New York: May/June 1993, pp. 58-63, ill. Luba Savelieva. Allworth Press, 1992, 256 pp., ill. Lighting design by Achille Castiglioni.

161 Asheville. Blue Spiral 1 173 Barre, Frangois 149 Allan, Lois North Carolina Glass Reunion (Text: Joan Passage to Marseilles [Gaetano Pesce] Kathleen Mulcahy: Vapors and Spinners Falconer Byrd) New York: Peter Joseph Gallery, 1993, [4] pp., ill. Beaverton, OR: the author, unpublished type Asheville, NC: the gallery, 1993, [6] pp., ill. Translation of Barre's French text for the exhibit script, 1993, 3 pp. 32 artists. catalog of Pesce's show of work made at Review of Portland, OR, exhibition. C.I.R.V.A., Marseilles.

162 Atkinson, Jane and Palmer, Stuart 150 "Reviews: Kathleen Mulcahy" "Craft Connections" 174 Barry, Aveen Art Papers (Atlanta, GA), v. 17, no. 4, July/Aug. The Glass Engraver, no. 71, Summer 1993, "Lectures: Miroslav Havel on Waterford Glass" 1993, pp. 68-69, ill. pp. 15-25, ill. The Glass Society of Ireland Newsletter, no. 3, Portland, OR, exhibit. Reviews of the Guild of Glass Engravers' exhibit at Aug. 1993, p. 3. Wimborne, Dorset. Revived Waterford Glass firm from 1947. 151 Allen, Patricia "Review: Founding Father in Sex Scandal" 163 Augustijn, Piet 175 Bartolucci, Marisa Ausglass Magazine, Autumn 1993, p. 21. "Het plein" "Alchemist of Light and Glass" Humorous account of Nick Mount exhibit. Glas & Keramiek, v. 5, no. 14, 1993, p. 27, ill. Metropolis, v. 12, no. 8, April 1993, pp. 54-55, Neon by Marijke de Goey. ill. 152 Ames. Brunnier Gallery and Museum Development of new glasses and processes by Kirkpatrick/Mace (Text: Patterson Sims) 164 Banas, Pawel James Carpenter. Ames, IA: Iowa State University Museum, 1993, "New Departures in the East" [6] pp., ill. Neues Glas, no. 4, 1993, pp. 28-33, ill. Joey Kirkpatrick and Flora Mace. In German and English. 176 Bate, Ulrich Polish glass artists. "AustroGlas '93 Salzburg: Osterreichs Glaser gaben sich die Ehre" 153 Amsterdam. Galerie Inart Glaswelt, v. 46, no. 9, Sept. 1993, p. 14+, ill. Kollektie 1993 165 Barban, Jean-Pierre and Roussel, Glass by Ragan Arnold, Kristian Klepsch, Isgard Amsterdam: the gallery, 1993, [10] pp., ill. Dominique Moje-Wohlgemuth, and others. In Dutch and English. "Le Plein et le vide: La Transparence dans I'art Exhibition of work by 16 artists of the Nether contemporain a Soissons" lands. Le Courrierdes Metiers d'Art, no. 125, Sept. 177 "Glasdesign von Rosenthal" 1993, pp. 6-7, ill. Glaswelt, v. 46, no. 4, April 1993, pp. 102-107 154 Amsterdam. Stedelijk Muzeum Exhibit of 20 artists working in different materials ill. Jeff Koons (Text: Gudrun Inboden; organizer: exploring the theme of transparency. Designs by Michael Boehm, Nanny Still McKin- Wim Beeren) ney, Arlon Bayliss, Laura de Santillana, Monica Amsterdam: the museum, 1992, 104 pp., ill. In Guggisberg, and others. Dutch, German, English. 166 Bargreen, Melinda "A Glass Pelleas" The World & I, v. 8, no. 6, June 1993, 178 "Internationale Mobelmesse '93 in Koln" 155 Andersson, J. W. M. Willy pp. 109-113, ill. Glaswelt, v. 46, no. 5, May 1993, p. 68+, ill. "Swedish Glass" Chihuly opera sets. Glass furniture. 34 179 "Kunstobjekt 'Kranichflug' im Flughafen 191 Billo, Ferruccio p. 1 +, ill. Munchen" "La scuola per maestri vetrai ad Altare" German lampworkers demonstrate in U.S. stores. Glaswelt, v. 46, no. 4, April 1993, pp. 112-115, Alte Vitrie, v. 5, no. 3, Dec. 1992, pp. 4-5, ill. ill. English summary. "Flying Crane" glass sculpture in Munich airport Altare glassmaking school and five women who 204 Bohemen, Petravan by Renato Santarossa. completed training in 1992. "Recente aanwinsten, Museum Boymans-van Beuningen" Glas & Keramiek, v. 5, no. 14, 1993, pp. 16-19, 180 Beckman, Ulf 192 Biot. Galerie Internationale du Verre, ill. "Glasklart" La Verrerie de Biot Acquisitions by the Rotterdam museum: Dale Form, v. 89, no. 3 (687), 1993, pp. 64-69, ill. Thomas Patti: AzurIites 1991-1993 Chihuly cylinder, Richard Meitnervase. English summary. Biot, France: the gallery, 1993, [18] pp., ill. Ingegerd Raman of Skrufs Glasbruk, Sweden. 1993 exhibit. 205 Bolt, Gary and Dart, Jo "Reviews: Glass Art IV" 193 Verriales 92: "Azur" (Text: Serge 181 "Utmarkt Svensk Form 1993" Glass Gazette, Fall 1992, pp. 8-9. Lechaczynski) Form, v. 89, no. 3 (687), 1993, pp. 1-23, ill. Two reviews of British Columbia Glass Arts Biot, France: the gallery, 1992, 63 pp., ill. Prize-winning glass designs by Ingegerd Raman, Association exhibition in Vancouver, Sept. 1992. Anne Nilsson, Cilia Persson, Gunnel Sahlin. 194 Verriales 93: Autrement (Text: Serge Lechaczynski) 206 Borek Sipek: Blfzkost dalky — Architek- 182 Beckman, Ulf; Jonson, Lotta; and Wick- Biot, France: the gallery, 1993, 68 pp., ill. tura a design = The Nearness of Far — Architec man, Kerstin Work by 23 artists. ture and Design "Konstfack 93" Amsterdam: Steltman Galerie & Editions, 1993, Form, v. 89, no. 4 (688), 1993, pp. 30-49, ill. 190 pp., ill. In English, Czech, Japanese. English summary. 195 Birch, Randy Exhibition at the Museum of Decorative Arts in Design school graduates Karin Karlsson (con "Artist Profile: Mark Gibeau" Prague, 1993. struction with glass stars and fiberglas wool) and Glass Gazette, Spring 1993, p. 3, ill. Asa Mansson, fluted glass plates. 207 Borgward, Monica 196 Birkhill, Frederick "Neon" 183 Beilmann, Mechthild and Kovacek, "A Critique of Dale Chihuly, 'Installations: Neues Glas, no. 4, 1993, pp. 42-49, ill. In Michael 1964-1992'at the D.I.A." German and English. "Dem Glas verschrieben" Michigan Glass Guild Newsletter, Aug./Sept. Work by Carlo Kroon, Mary van Cline, Hans Kunst und Antiquitaten, no. 9, 1993, pp. 10-12, 1993, p. 3+. Frode, Brian Coleman. ill. Exhibit at Detroit Institute of Arts. Interview with Kovacek regarding his new glass gallery in Vienna. 208 Borka, Max 197 Blake, Peter "Antwerp: Jan Vercruysse" "Forum: The Stealth Factor" ARTnews, v. 92, no. 9, Nov. 1993, p. 128, ill. 184 Beller, Miles Interior Design, v. 64, no. 5, May 1993, p. 54, Artist uses glass in installations. "The Overhuman Gods: Donald Lipski" ill. Artweek, v. 24, no. 21, Nov. 4, 1993, p. 22, ill. The "Ghost" chair by Boeri and Katayanagi. Review of San Francisco exhibit. 209 Borowsky, Irvin J., ed. 198 Blench, Brian Artists Confronting the Inconceivable: Award Winning Glass Sculpture 185 Ben Tre, Howard "Review of 'Northern Light' Exhibition, Scotland" Philadelphia: American Interfaith Institute, 1992, "Mayan Architectural Influences in the Sculpture" The Glass Engraver, no. 71, Summer 1993, 133 pp., ill. The Glass Art Society Journal 1992, pp. 61-62, pp. 29-31. Reviewed by Ron Glowen in The Glass Art ill. Guild of Glass Engravers' show held at Caithness Glass, Autumn 1992. Society Journal 1992, p. 122.

186 Bengt Edenfalk (Text: Susanne Gersten- berg; English text: John Amott) 199 Bloemink, Barbara 210 Bossaglia, Rossana [S.I.: s.n., 1991], 32 pp., ill. In Swedish, German, "Reviews: Sherry Markovitz" "Ritorno a Fulvio Bianconi" English. New Art Examiner, v. 20, no. 5, Jan. 1993, CeramicAntica, v. 3, no. 4 (26), April 1993, Published in connection with 1991 exhibitions in pp. 31-32, ill. pp. 16-26, ill. Stockholm, Orebro, and Bastad. Beaded sculptures in North Carolina show. Bianconi's glass, especially from the 1950s.

200 Blomberg, Katja 187 Berkum, Ans van 211 Bossaglia, Rossana, ed. "Glas der funfziger Jahre" "De oogst in keramiek en glas" I vetri di Fulvio Bianconi Kunst und Antiquitaten, no. 7/8, 1993, Glas & Keramiek, v. 5, no. 15, 1993, pp. 17-19, Torino: Umberto Allemandi &Cie, 1993, pp. 26-30, ill. ill. 142 pp., ill. Glass of the 1950s in Die Neue Sammlung, Exhibit in Amsterdam with glass by Anneke Teijink. Munich, and a private collection in Cologne. 212 Bostrom, Ulla and Arroyo, Daniel "Swedish Glass in Ontario" 188 Bernhoff, Goran 201 Blomberg, Katja; Maenz, Paul; and Raap, Glass Gazette, Fall 1992, pp. 10-11, ill. "Olle Alberius in memoriam" Jurgen Authors' hot glass studio in Thornbury, Ontario. Glas och Porslin, v. 63, no. 4, 1993, p. 50, ill. Glas der 50er Jahre: Sammlung Inge Prokot Aachen: Suermondt-Ludwig-Museum, 1993, 57 pp., ill. 189 Berting, Jacqueline 213 Boym, Constantin Collection of 1950s glass. "Bringing a Bit of the Prairies to Vancouver" "Between Woodgrain and Glass" Glass Gazette, Summer 1993, p. 11. Glass (New York Experimental Glass Workshop), Author travels with her 8,000-piece "Glass Wheat- 202 Blonston, Gary no. 50, Winter 1993, pp. 36-43, ill. field" sculpture. "Through a Glass, Artfully" Overview of the design of commercial products Art & Antiques, v. 15, no. 10, Dec. 1993, since World War II. pp. 58-63, ill. 190 Besten, Liesbeth den Dale Chihuly and William Morris. "Ruim 10 jaar Rietveld glas-kunstenaars" 214 Branch, MarkAlden Glas & Keramiek, v. 5, no. 15, 1993, pp. 26-32, "Convention Inspires Wealth of Exhibits" ill. 203 Bloom, Murray Progressive Architecture, Aug. 1993, p. 25, ill. Glass by van Ginneke, Fokkelman, Mowes, Price, "The Delicate Art of Glassblowing" Installation at American Institute of Architects con Willebrands, Poschl, Teijink, and others. Glass Line, v. 6, no. 5, Feb./March 1993, vention, "The Glass Block Ceiling." 215 Brandon. Art Gallery of Southwestern New York: Midmarch Arts Press, 1993, 190 pp., pp. 140-141, ill. Manitoba ill. Sao Paolo sculptor uses glass. lone Thorkelsson "Translucent and Opaque: Women and Glass," by Brandon, Manitoba, Canada: the gallery, 1993, Margery Aronson, pp. 47-58: Blomdahl, Ruffner, 16 pp., ill. Mace/Kirkpatrick, etc. 239 Chambers, Karen S. "The Art of Repetition: Contemporary Craft Studio Production" 216 Brandon, Laura 227 Buchanan, lain The World & I, v. 8, no. 4, April 1993, "Glassblowing & Pat Stanley — Minus the "Garry Nash: Processes and Materials" pp. 132-137, ill. Variables" Craft New Zealand, no. 41, Spring 1992, p. 36, Exhibit, "More than One: Contemporary Studio Arts Atlantic, v. 5, no. 3 (19), 1984, pp. 28-29, ill. Production." ill. Review of exhibit at Dowse Art Museum. Glassblower on Prince Edward Island. 240 "Exhibitions: Peter Fletcher" 228 Buffalo. Burchfield Art Center Glass (New York Experimental Glass Workshop), 217 Bremen. Galerie Monica Borgward Craft Art 1988: Western New York no. 50, Winter 1993, pp. 48-49, ill. Neon und anderes: Kunst aus Glas und Licht. Buffalo, NY: the center, Buffalo State College, 25 Kunstler aus den USA, Niederlanden, Irland, 1988, [38] pp., ill. Italien, Ungarn und Deutschland Includes Yoko Hirosawa, Michael Taylor, and 241 "Exhibitions: Robert Palusky" Bremen: the gallery, 1993, [55] pp., ill. In Hiroshi Yamano. Glass (New York Experimental Glass Workshop), German and English. no. 50, Winter 1993, pp. 52-53, ill. 25 artists in exhibit of glass and light. 229 Busch, Akiko "Ann Gardner: Reinterpreting Domesticity" 242 "The Incredible Lightness of Huth" 218 Brill, Louis M. Glass (New York Experimental Glass Workshop), Glass (New York Experimental Glass Workshop), "Karl X. Hauser's Wearable Neon" no. 52, Summer 1993, pp. 18-23, ill. no. 50, Winter 1993, pp. 18-27, ill. Signs of the Times, v. 215, no. 5, May 1993, Ursula Huth. pp. 110-115, ill. 230 Busse, V. "Flughafen Munchen" 219 Brno. Dum Umeni Mesta Brna Glasforum, v. 42, no. 6, 1992, pp. 13-28, ill. 243 "New York Letter" Souvztaznosti: sklenena plastika a vitraze 1992 Dichroic glass sculpture in airport area by James Glasswork (Kyoto), no. 14, Feb. 1993, (Text: Jirina Medkova and Jitka Vitaskova) Carpenter, p. 28. pp. 30-37, ill. In Japanese and English. Brno: [the gallery?], 1992; (HFV Presspo Exhibit reviews: Palusky, Pavlik, Grebe, Dailey, Pozorice), 99 pp., ill. German and English Kahl, Huth, Peretti, Edgerly, Robertson, Fletcher, summaries. 231 Bussel, Abby Matous, Etsuko. Exhibition of glass sculptures and stained glass, "Album: Barclay Simpson Sculpture Studio" mostly by Czech artists. Progressive Architecture, Aug. 1993, pp. 86-87, ill. 244 "New York Letter" Addition to metal foundry and glassblowing work Glasswork (Kyoto), no. 15, July 1993, pp. 38-41, 220 Brno. Moravske Galerie v Brne, shop at California College of Arts & Crafts, San ill. In Japanese and English. Umeleckoprumyslove Oddeleni Francisco. Reviews: "Glass America" show, Machatand Prfrustky soudobeho uziteho: Umeni' z let Velisek, Reekie, Blondel, Iburi, Handl, Fisar, 1981-1992 Clark, Jensen, and others. Brno: the museum, 1993, 152 pp., ill. English 232 Butterfield, Jan and German summaries. The Art of Light and Space New acquisitions in the arts and crafts department New York: Abbeville Press, 1993, 271 pp., ill. 245 "Reviews: Densaburo Oku" of the Moravian Gallery; glass, pp. 16-43. Light installations and neon sculptures by James Glass (New York Experimental Glass Workshop), Turrell, Bruce Nauman, Larry Bell, DeWain Valen no. 51, Spring 1993, p. 48, ill. tine, and others. 221 Broadrup, Elizabeth "Re-envisioning Craft" 246 "Reviews: Judy Jensen" Maquette, Nov. 1993, pp. 12-14, ill. 233 "Art without Objects: Shaping Light and Glass (New York Experimental Glass Workshop), Conversation with Ginny Ruffner, Mary Shaffer, Space" no. 51, Spring 1993, p. 51, ill. Steve Tobin, and others. Sculpture, v. 12, no. 5, Sept./Oct. 1993, Reverse paintings on glass. pp. 24-29, ill. Larry Bell, James Turrell, and others. 222 Brooks, Rosetta 247 "Reviews: Susan Edgerly and Donald "From the Middle of Nowhere: Terry Allen's Robertson at Miller Gallery, New York" Badlands" 234 Carboni, Massimo Glass Gazette, Fall 1992, p. 9, ill. Artforum, v. 31, no. 8, April 1993, pp. 84-89, ill. "Reviews: Anne Marie Jugnet" Neon. Artforum, v. 31, no. 8, April 1993, pp. 104-105, ill. 248 Chapman, Liese Neon. "Getting to Pilchuck" 223 Brown, Joan British Columbia Glass Arts Association News "A Touch of Glass" letter, v. 6, no. 4, Sept. 1993, pp. 12-13. USAir Magazine, v. 15, no. 9, Sept. 1993, 235 Carder, Ken pp. 40-45, ill. "Personal Mythologies: Veil of Illusion" Dale Chihuly. The Glass Art Society Journal 1992, p. 63, ill. 249 "Review: 'Dream Window,' Naoko Takenouchi" 224 Brown, Phillip 236 Cargin, Brian and Loveridge, Basil British Columbia Glass Arts Association News "Following the Light" "Geoffrey P. Baxter, Glass Designer" letter, v. 6, no. 4, Sept. 1993, p. 4. Craft Arts International {Sydney), no. 28, 1993, The Journal of The Glass Association, v. 4, Exhibit at the Crafthouse, Vancouver. pp. 58-61, ill. 1992, pp. 39-45, ill. Australian glass artist Jennifer Farley. Baxter's designs for James Powell and Sons 250 Cheb. Galerie Vytvarneho Umeni (Whitefriars) from 1954 to 1980. Jiri Suhajek (Text: Milena Lamarova and Stanislav 225 Brunsman, Laura A. Libensky) "Exhibitions: Therman Statom" 237 Carther, Warren Cheb, Czech Republic: the gallery, 1989, Glass (New York Experimental Glass Workshop), "Artist Profile: Warren Carther" [23] pp., ill. no. 50, Winter 1993, p. 55, ill. Glass Gazette, Spring 1993, p. 11, ill.

251 Chicago International New Art Forms 226 Brunsman, Laura and Askey, Ruth, eds. 238 Cembalest, Robin Exposition 1993 Modernism & Beyond: Women Artists of the "Critics' Choice: Brazil, Jac Leirner" Chicago: the exposition, 1993, 167, [48] pp., ill. Pacific Northwest ARTnews, v. 92, no. 6, Summer 1993, Galleries showing glass throughout. 252 Chihuly: Forms from Fire (Text: Walter 264 Contemporary Art Collections French and English. Darby Bannard and Henry Geldzahler) Table of Honor: An Exhibition of Place Settings Exhibit at Geneva, Switzerland, and Annecy, Daytona Beach, FL: The Museum of Arts and and Goblets Created Especially for Government France. Sciences; Seattle: University of Washington House, Victoria, by Ceramic and Glass Artists of Press, 1993, 142 pp., ill. British Columbia Exhibition in Florida and other sites. [S.I.: s.n.], 1991, [16] pp., ill. 277 Dale Chihuly: Virtuose Spiele in Glas Exhibit at Canadian Craft Museum included (Text: Mary Ann Sanske and Dan Klein) goblets by Ted Jolda, Robert Held, Naoko [Sarnen, Switzerland: Sarner Cristal?, 1993], 253 Cibot, Elisabeth Takenouchi, Jeff Bernette. [15] pp., ill. In German and English. "Le Verre en Finlande: littala et Nuutajarvi" La Revue de la Ceramique et du Verre, no. 72, Sept./Oct. 1993, pp. 28-39, ill. 265 Contemporary KiInformed Glass: An In 278 Dana, Antom'n Franck, Sarpaneva, Wirkkala, Nyman, Toikka, ternational Exhibition (Text: Keith Cummings, "The Commercially Most Successful in 1992" Salo, Nurminen. Lani McGregor, Daniel Schwoererand Geoffrey New Glass Review (Czech), v. 48, no. 5/6, Wichert) 1993, pp. 34-38, ill. In English and German. Portland, OR: Bullseye Glass, 1992, 103 pp., ill. Designer Eva Svestkova of Crystalex, and others. 254 "Verrier, musee et entreprise: Une Nou- Exhibit at Contemporary Crafts Gallery, Portland, velle forme de partenariat" OR. 279 Daniel, Paige La Revue de la Ceramique et du Verre, no. 73, "Artist Profile: Robert Studer" Nov./Dec. 1993, pp. 22-25, ill. Glass Gazette, Spring 1993, cover and pp. 6-7, Exhibition of ancient glass in Guiry-en-Vexin; 266 Cooke, Lynne ill. glassmaker Bill Gudenrath demonstrates the tech "Rebecca Horn: Missing Full Moon" niques used in the past in videotape. Flash Art, v. 26, no. 173, Nov./Dec. 1993, pp. 74-77, ill. 280 Danner Preis '93: Ein Wettbewerb fur das Artist uses glass in installations. bayerische Kunsthandwerk 255 Clark, Vicky Munchen: Benno und Therese Danner'sche "The Fertile Danger of Michele Blondel" 267 Copeland, Beverly M. Kunstgewerbestiftung, 1993, 208 pp., ill. Glass (New York Experimental Glass Workshop), "G/ass Focus Interviews Collectors Donald & Danner Prize competition; includes glass artists no. 51, Spring 1993, pp. 30-37, ill. Carol Wiiken" Adam, Berg, Lechner, Merker, Schagemann, Glass Focus, Feb./March 1993, pp. 12-17. Schmidt, and others. 256 Claude, Herve; Narran, Dominique; and Ricke, Helmut 268 "Glass Focus Interviews Irene Frolic" 281 Danto, Arthur C. Matei Negreanu (Preface: Jean-Luc Olivie) Glass Focus, June/July 1993, pp. 12-15. "Fine Art and the Functional Object" Nerac, France: Editions Vers les Arts, 1993, Glass (New York Experimental Glass Workshop), 150 pp., ill. no. 51, Spring 1993, pp. 24-29, ill. 269 "G/ass Focus Interviews Michael O. Meilahn" 257 Clifton, Leigh Ann Glass Focus, April/May 1993, pp. 13-16. 282 Darmon, Frangoise "In the Bay Area Galleries . . Du sens dans I'utile: 9 entreprises, 9 createurs Artweek, v. 24, no. 1, Jan. 7, 1993, p. 17, ill. [S.I.]: Chene, 1992, 200 pp., ill. Includes a mixed-media/glass work by Dana Zed. 270 Corcoran Gallery of Art, Gallery One Glass by Val Saint-Lambert and Borek Sipek, The Body Electric: Zizi Raymond and Kiki Smith pp. 149-167. (Text: Terrie Sultan) 258 "News: Unusual Funding for SJMA" Washington, DC: the gallery, 1991, [16] pp., ill. Artweek, v. 24, no. 17, Sept. 9, 1993, p. 5, ill. Kiki Smith works with glass. 283 Darmstadt. Museum Kunstlerkolonie San Jose Museum of Art will receive funds for a Sand + Licht: Danny Lane (Text: Renate Ulmer; 1995 Chihuly exhibition and a new wing for glass catalog: Howard Brown) art. 271 Crafts Council of the ACT Darmstadt: Museum Kunstlerkolonie; Institut Directions: Glass Jewellery 1993 (Text: Susan Mathildenhohe, 1993, [30] pp., ill. In German and Cohn; Curator: Helen Aitken-Kuhnen) English. 259 Coast Paper Watson, ACT, Australia: the council, 1993, 50 Years: A Tradition of Service, 1991 [20] pp., ill. [S.I.: the company, 1991], [18] pp., ill. 10 artists in exhibit coinciding with Ausglass 284 Darts, Jo Documents the process of making a com Conference, 1993. "Artist Profile: Brock Craig" missioned glass work produced by Ted Jolda of Glass Gazette, Summer 1993, p. 4, ill. Andrighetti Glassworks for the paper company. Vancouver artist. 272 Csaszar, Tom "Reviews: Michele Blondel" 260 Cochrane, Grace Sculpture, v. 12, no. 2, March/April 1993, 285 "Artist Profile: Lisa Samphire" "Collecting Our Thoughts" p. 79, ill. Glass Gazette, Spring 1993, p. 12, ill. Art Monthly Australia, no. 60, June 1993, pp. 4-6, ill. 273 Cullowhee. Chelsea Gallery 286 "Review: Goblets by Jeff Burnette" Glass artists and the collecting market today. John Nygren: 25 Years in Glass (Text: Paul British Columbia Glass Arts Association News Stankard and Joan Byrd) letter, v. 6, no. 4, Sept. 1993, pp. 4-6. Exhibit in Vancouver. 261 The Crafts Movement in Australia: Cullowhee, NC: Chelsea Gallery, Western A History Carolina University, 1993, [20] pp., ill. Kensington, NSW: New South Wales University 287 Davis, Randal Press, 1992, 434, [14] pp., ill. 274 Currie, Debbie "Strange Fruit" Glass especially since 1940s; hot glass move "Vision to Reality: The Canadian Clay and Glass Artweek, v. 24, no. 19, Oct. 7, 1993, p. 24, ill. ment and artists of the 1980s. Gallery" Rob Craigie exhibit with specimen bottles, San Glass Gazette, Summer 1993, p. 12, ill. Francisco. New Waterloo gallery. 262 Coleman, Katharine "The Chiltern Branch Exhibition, April 1993" 288 Dayton. Dayton Art Institute The Glass Engraver, no. 71, Summer 1993, 275 Cutler, Dick Eyes on Fire: The Rhythm and Spirit of pp. 31-33. "Judy Jensen: Tableaux in Reverse" African-American Artists of Ohio Review of a Guild of Glass Engravers' exhibit. American Craft, v. 53, no. 5, Oct./Nov. 1993, Dayton, OH: the institute, 1993, 27 pp., ill. pp. 42-45, ill. Sculpture with glass by James Kwame Clay.

263 "Reviews: The Opus 1 International Glass Invitational" 276 Czeslaw Zuber: La Soif du precieux = 289 De Falkensteen, Frangois The Glass Engraver, no. 69, Winter 1992/1993, Hunger for Value (Text: Elhanan Motzkin) "The Metamorphosis Game = Le Jue [sic] de la pp. 29-31. Annecy: Galerie Nadir, 1992, [14] pp., ill. In Metamorphose" Glass Gazette, Fall 1992, pp. 2-3, ill. 302 Diehl, Carol Metropolis, v. 13, no. 4, Nov. 1993, Quebec artist Carole Pilon. "Reviews: Michele Blondel" pp. 38-43+, ill. ARTnews, v. 92, no. 3, March 1993, p. 115, ill.

290 De Oude Horn 316 Ebeltoft. Glasmuseum Ebeltoft Werken uit Willem Heesen (Text: Use Nelis, Cees 303 Dinnes, Manfred G. Dansk Glas 94 Straus, Klaas Laansma) "Die Verantwortung liegt bei den Kunstlern" Ebeltoft, Denmark: the museum, 1993, 97 pp., Acquoy, the Netherlands: De Oude Horn, 1993, Kulturpolitik, v. 22, no. 1, March 1993, ill. In Danish and English. 72 pp., ill. pp. 6-8, ill. Exhibit of work by contemporary Danish glass Erwin Eisch. artists.

291 Deblander, Robert; Sarver, Daniel; and Sarver, Michele 304 Dodds, Jane 317 Joel Philip Myers: Exhibition "Begou, Alain et Marisa" "Reviews: 'Glass Installations'" Ebeltoft, Denmark: the museum, 1993, 78 pp., La Revue de la Ceramique et du Verre, no. 73, Glass (New York Experimental Glass Workshop), ill. In German, Danish, English. Nov./Dec. 1993, pp. 30-37, ill. no. 52, Summer 1993, p. 49, ill. Exhibition at Ebeltoft, then traveling to Frankfurt, Interview with the French glassmakers. Six artists at the American Craft Museum. Zurich, Coburg, and Berlin.

305 Donefer, Laura 318 Edwards, Geoffrey 292 Decter, Joshua "Louis Sclafani" Chihuly in Australia: Glass and Works on Paper "Reviews: Matt Mullican" Glass Gazette, Fall 1992, p. 7, ill. [S.I.]: Portland Press, 1993, 31 pp., ill. Artforum, v. 31, no. 6, Feb. 1993, p. 97, ill. Etched-glass panels. 306 Donovan, Sharon 319 "Painted Glass Vessels by Elizabeth "Buying in the Big Easy" McClure" 293 Deland. Duncan Gallery of Art, Stetson Art & Antiques, v. 15, no. 10, Dec. 1993, Neues Glas, no. 1, 1993, pp. 22-29, ill. In Ger University pp. 89-91, ill. man and English. Catherine Rahn: Recent Works Goblets from the New Orleans School of Glass Deland, FL: the gallery, 1992, [8] pp., ill. Works. 320 "Skillitzi and Santos: An Unholy Alliance?" Craft Arts International (Sydney), no. 27, 1993, 294 DeLouche, Danielle 307 Donselaar, Kees van pp. 107-109, ill. "Exhibitions: Marian Karel" "Jan Keuken glasblazer in hart en nieren" Stephen Skillitzi and Julio Santos collaborate. Glass (New York Experimental Glass Workshop), Bulletin Vereniging van Vrienden van Modern no. 50, Winter 1993, p. 50, ill. Glas, no. 1, 1993, pp. 4-7, ill. 321 Edwards, Sybil "Reviews: The Southwest England Branch Ex 295 "Reviews: 'French Glass Sculpture since 308 Dormer, Peter hibition" 1985'" "Magnifying the Debate" The Glass Engraver, no. 69, Winter 1992/1993, Glass (New York Experimental Glass Workshop), Crafts (U.K.), no. 123, July/Aug. 1993, pp. 28-29. no. 52, Summer 1993, pp. 48-49, ill. pp. 44-47, ill. Glass engraving by Jill Chaplin and others. Exhibit at Marcq-en-Baroeul, France. Studio glass in Great Britain today. 322 Eliska Rozatova: Hledanf radu 296 Denizeau, Gerard 309 "Reviews. The Glass Show: Studio Glass in (Text: Vaclav Erben) "Frangois Morellet" Great Britain over the Last 25 Years" Lomnice n.P.: Studio JB, 1993, 15 pp., ill. In L'Oeil, no. 448, Jan./Feb. 1993, pp. 70-77, ill. Glass (New York Experimental Glass Workshop), Czech and English. Neon art. no. 51, Spring 1993, p. 50, ill. "Searching for Order:" Prague exhibition of glass by Rozatova.

297 Derflingher, Felipe 310 Doty, Robert "The Magic Land of Colored Glass" Light: Object and Image 323 Elsa Freund: Modern Pioneer (Text: Alan The Glass Art Society Journal 1992, p. 12. New York: Whitney Museum of American Art, DuBois and others) Mexico. 1968, [26] pp., ill. [St. Petersburg, FL: Florida Craftsmen Gallery], Light and neon installations by Antonakos, Flavin, 1993, [18] pp., ill. Jones, Landsman, McClanahan, Mefferd in Exhibition of Freund's jewelry with glass. 298 Design Visions: International Directions Whitney exhibition. in Glass, American Jewellery and Metalwork, Australia — New Design Visions (Catalog: Robert 324 Enbom, Carla 311 Dougherty, Linda Johnson Bell) "A Master Appears" "Reviews: Joyce J. Scott" Perth: Art Gallery of Western Australia, 1992, Form-Function-Finland, no. 2, 1993, pp. 58-60, Art Papers (Atlanta, GA), v. 17, no. 5, Sept./Oct. 179 pp., ill. ill. 1993, p. 56, ill. Published on occasion of the exhibition "Design Timo Sarpaneva. Visions, the Australian International Crafts Trien Raleigh, NC, exhibit. nial," 1992. 325 Engblom, Soren 312 Douglas, Mary "Kiki Smith's Bodywork" "Chihuly Sweepstakes" 299 Dewald, Gabi Nationalmuseum Bulletin (Stockholm), v. 17, Art Papers (Atlanta, GA), v. 16, no. 6, Nov./Dec. "Feuer Pfeife Staatspreis" no. 1, 1993, pp. 78-79, ill. 1992, pp. 6-9, ill. Kunsthandwerk & Design, no. 6, 1993, Exhibition at Stockholm's Museum of Modern Art. pp. 16-19, ill. Glassware by Sabine Matejka and Uschi Ullmann. 313 "Reviews: Tom Farbanish" Glass (New York Experimental Glass Workshop), 326 Englund, Eva no. 51, Spring 1993, pp. 48-49, ill. Eva Englund (English text: Peter Birney; Inter 300 "Insel oder Suppentopf" view: Marianne Thorsell) Kunsthandwerk & Design, no. 6, 1993, Stockholm: Muraya, 1992; (Boras, Sweden: pp. 4-11, ill. 314 Drysdale, Rowley Centraltryckeriet), 119 pp., ill. In Swedish, Includes glass sculpture by Jens Gussek. "Transitions in Glass" Japanese, English. Craft Arts International (Sydney), no. 29, 1993, pp. 51-54, ill. 301 Diamonstein-Spielvogel, Barbaralee Glass by Australian Marc Kalifa. "Fluid Thought" 327 Erickson, Dorothy House & Garden, v. 165, no. 7, July 1993, "Review: Design Visions, Art Gallery of Western pp. 30-32, ill. 315 Duncan, Sarah Australia" Chihuiys studio and work. "Gaetano Pesce" Craft Victoria, no. 5, Oct./Nov. 1992, u.p., ill. 328 Ernould-Gandouet, Marielle I'lmprimerie L. Maugein), 51 pp., ill. La Revue de la Ceramique et du Verre, no. 72, "Serge Mansau ou la quete de beaute" Reverse paintings on glass. Sept./Oct. 1993, p. 5, ill. L'Oeil, no. 452, June 1993, pp. 50-51, ill. Reopening of a museum of ceramics and glass in Paris exhibit. Geneva. 341 Freiman, Ziva "The Sorrow and the Pity" 329 Faenza. Circolo degli Artisti Progressive Architecture, no. 2, Feb. 1993, 353 Gjessing, Tove M. Un caso di trasparenza: Alessandro Diaz de p. 78, ill. "Kosta Bodas Vivianne Sjolin: Med nasa for tidens Santillana (Text: Cesare Cunaccia and others) Holocaust memorials of glass by Louis Kahn and ogon" Faenza: the association, 1992, [18] pp., ill. Stanley Saitowitz. Glas och Porslin, v. 63, no. 4, 1993, pp. 16-18, In Italian and English. ill. Designs by de Santillana, executed by Lino Designer Sjolin's glassware for Kosta Boda. Tagliapietra. 342 Fridl, Frantisek "Modern Design at Glassworks" For You from Czechoslovakia, no. 4, Dec. 1992, 354 Glasgow. Glasgow Museums and Art 330 Failing, Patricia pp. 30-34, ill. Galleries "William Morris: Glass Remains" Crystalex lines. Alison Geissler: Glass Engraver American Craft, v. 53, no. 1, Feb./March 1993, Glasgow: the museum, 1983, [8] pp., ill. pp. 48-51, ill. 343 "State Lemberk Chateau = Das staatliche Schloss Lemberk" 355 Glasobjecten: Cees van Olst; Gedichten: New Glass Review (Czech), v. 48, no. 1, 1993, 331 Fait, Vaclav Mariet Lems pp. 11-17, ill. "The New Generation = Eine neue Generation" Diever, the Netherlands: Glasmuseum De Spiraal, Site of newly installed permanent exhibit of work New Glass Review (Czech), no. 4, 1993, 1989, 14 leaves. made at the international glass symposia, Novy pp. 23-26, ill. Glass sculpture by van Olst, poetry text by Lems. Work by Martin Fait and Zdenek Kunst. Bor.

356 Glass Now, 15th [1993] 332 Farmington Hills. Habatat Galleries 344 "A Young Artist at an Old Glassworks" New Glass Review (Czech), v. 48, no. 3, 1993, [Hamamatsu: Yamaha Livingtec Corporation], Mary Schaffer 1993, 72 pp., ill. In Japanese and English. Farmington Hills, Ml: the gallery, 1990, [12] pp., pp. 18-20, ill. Zdena Jobova at Chribska glassworks. Exhibition with work by about 70 international ill. artists.

345 Gallery Association of New York State 333 The 21st Annual International Glass Stephen Antonakos: Six Corner Neons 357 Glasschmuck = Glass Jewelry (Text: Invitational Monica Borgward, Birgit Mockel, Margaret Farmington Hills, Ml: the gallery, 1993, 72 pp., ill. [Hamilton, NY: the association, 1973], [12] pp., ill. Steinbiss, Christianne Weber) Circulating exhibit, 1973-1974. Hanau: Deutsche Goldschmiedehaus; [s.l.]: Gesellschaft fur Goldschmiedekunst; Bremen: 334 Farr, Sheila Galerie Borgward, 1992, 96 pp., ill. "Ritual Heads: Sherry Markovitz at the Whatcom 346 Gardner, Carl Jewelry by 43 artists in circulating exhibition. Museum of History & Art" "Can Finland Come In from the Cold?" Artweek, v. 24, no. 12, June 17, 1993, p. 24, ill. Design (London), no. 530, Feb. 1993, Beadwork in Markovitz's mixed-media sculpture. pp. 32-36, ill. 358 Glassworks, Korea Brita Flander. Seoul, Korea: Hanglas, 1993, [12] pp., ill. In 335 Fecit, Steppen Korean, English captions. Exhibition by 12 glass artists, Seoul, May 1993. "From Garage to Glory" 347 Gareau, Maurice Glass Line, v. 7, no. 2, Aug./Sept. 1993, p. 5+. "Artist Profile: Maurice Gareau" Lampworking events at the Glass Art Society Glass Gazette, Spring 1993, pp. 8-10, ill. In 359 Glowen, Ron conference in Toledo. French and English. "Italy's Laura de Santillana" Glass (New York Experimental Glass Workshop), no. 50, Winter 1993, pp. 28-35, ill. 336 Felt, Tom 348 Garza Salinas, Eliseo "Heisey's Designing Women — Part 2" "Mexican Glass Art and Industry" Glass Collector's Digest, v. 6, no. 5, Feb./March The Glass Art Society Journal 1992, pp. 37-38. 1993, pp. 43-47, ill. 360 "Reviews: Joyce J. Scott" Dorothy Thorpe and Eva Zeisel. Glass (New York Experimental Glass Workshop), 349 Gayot, Martine no. 52, Summer 1993, p. 52, ill. "Expositions: Francis Begou et Elisabeth Beadwork sculpture. 337 Fort Lauderdale. Museum of Art Decobert" Contemporary Glass from South Florida La Revue de la Ceramique et du Verre, no. 72, 361 "Role of the Artist in a Post-Dictatorship Collections Sept./Oct. 1993, p. 61, ill. Fort Lauderdale, FL: the museum, 1993, 11 pp., Society" ill. The Glass Art Society Journal 1992, p. 53. 350 Gibbs, Peter, ed. "Featured Craftspeople" 338 Fox, Dennis R. Craft New Zealand (Issue title: The First Craft 362 Golub, Adrienne M. "Living in Two Worlds: Native American Artists" New Zealand Yearbook), no. 42, Summer 1992, "Reviews — Robin Winters: Body Politic" The Crafts Report, v. 19, no. 210, Sept. 1993, pp. 24, 39, 49, 86, 91, ill. Art Papers (Atlanta, GA), v. 17, no. 6, Nov./Dec. pp. 4-5, ill. Rena Jarosewitsch, Ola and Marie Hoglund, 1993, pp. 39-40, ill. Native American glass artist Larry Ahvakana. Lyndsey Handy, Garry Nash, Ann Robinson. Tampa, FL, exhibit.

339 Frankfurt am Main. Stadtische Galerie im 351 Gillissen-Papousek, Joyce 363 Goodenow, George Stadel "Vrienden op excursie naar Roermond, Lerop, "European Neon Gets a Face-Lift" Dan Flavin: Installationen in fluoreszierendem Maastricht en Achel" Signs of the Times, v. 215, no. 4, April 1993, Licht 1989-1993 (Text: Klaus Gallwitz; Beatrice Glasbulletin (formerly Bulletin Vereniging van pp. 125-131, ill. von Bismarck; and Dan Flavin) Vrienden van Modern Glas), no. 3, 1993, Frankfurt am Main: the gallery, 1993, 81 pp., ill. pp. 29-31, ill. In German and English. Stained glass window by Joep Nicolas, vase by 364 Goodman, Wendy Installations with fluorescent light. Precht family. "Living with Style" House & Garden, v. 165, no. 1, Jan. 1993, p. 38, ill. 340 Fred Bourguignon — Autoportrait(s) 352 Girard, Sylvie Glass plates, goblets, beads designed by [S.I.: Les Poetes de la Tour], 1991; (Libos: "Le Reveil de I'Ariana" Dominique Aurientis. 365 Gottingen. Stadtisches Museum 378 Gunn, Margaret 390 Heissenbuttel, Orva Walker Skulpturen in Glas: Ulrike & Thomas Oelzner, "A Visit with Chris Buzzini" "The Art of Fire" Leipzig (Text: Fritz Kampfer) Paperweight News, v. 14, no. 1, Jan. 1993, Glass Collector's Digest, v. 7, no. 1, June/July Gottingen: the museum, 1993, 42 pp., ill. pp. 4-5, ill. 1993, pp. 50-54, ill. Glassblowers Theda Hansen and Foster Holcombe, Historic Savage Mill. 366 Grabner, Michelle 379 Gustafson, Paula "Reviews: From Tiffany to Ben Tre" "Review: Environmental Glass" Glass (New York Experimental Glass Workshop), Glass Gazette, Summer 1993, pp. 6-7. 391 Helsinki. Kaupungin Taidemuseo = no. 52, Summer 1993, p. 48, ill. British Columbia Glass Arts Association members' Stadens Konstmuseum Exhibit at Milwaukee Art Museum. work at Langley Centennial Museum, British Timo Sarpaneva Columbia. Helsinki: the museum, 1993, 136 pp., ill. In Finnish and English. 367 Graham, Dan Ma position: Ecrits sur mes oeuvre 380 "Review: Environmental Glass" Villeurbanne, France: Le Nouveau Musee/lnstitut British Columbia Glass Arts Association News 392 Helsinki. Taideteollisuusmuseo (Museum of d'Art Contemporain; Presses du Reel, 1992, letter, v. 6, no. 2, April 1993, pp. 2-4. Applied Arts) 254 pp., ill. Members' show at the Langley Museum, Kay Franck: Designer Artist Graham writes about his installations and Vancouver. Helsinki: the museum, 1991, [6] pp., ill. sculpture; includes mirror and flat glass.

381 Gustafson, Paula; Tudor, Morna; and 393 Hendriks, Pauline Jansen 368 Gray, Katherine Anstead, Michael "An Encounter with New Zealand Craft" "Artist Profile: Blaise Campbell" "Reviews: Glass Art V' Craft New Zealand, no. 43, Autumn 1993, Glass Gazette, Summer 1993, p. 10, ill. British Columbia Glass Arts Association News pp. 11-13, ill. letter, v. 6, no. 4, Sept. 1993, pp. 6-12. Glass by Ann Robinson. B.C. Glass Arts Association members' exhibition 369 Greenstein, M. A. at Hongkong Bank of Canada, Vancouver. "Conversation with Kiki Smith" 394 Hensler, Kate Artweek, v. 24, no. 1, Jan. 7, 1993, pp. 23-24, "Commissions: Cork Marcheschi" ill. 382 Hadge, Evelyn Sculpture, v. 12, no. 6, Nov./Dec. 1993, p. 37, "En pays de Bitche, pays du verre et du cristal" ill. Le Courrier des Metiers d'Art, no. 119, Outdoor neon sculpture at Wichita State 370 Gregg, Dianne Jan./Feb. 1993, pp. 16-17, ill. University. "The Harrtil Glass Mystery" Lorraine glassmaking, past and present. Glass Collector's Digest, v. 6, no. 5, Feb./March 1993, pp. 39-42, ill. 395 "Commissions: Sally Weber" Vases or scent bottles with white looped latticino 383 Hague. Galerie Rob van den Doel Sculpture, v. 12, no. 3, May/June 1993, p. 52, pattern developed by Milan Metelak at Harrachov, Galerie Rob van den Doel, Internationaal ill. 1955. Glascentrum, The Hague/Prague Pool sculpture with holographic tiles. The Hague: the gallery, 1993, [38] pp., ill. 371 Grenon, Ariane Booklet with exhibit schedule for 1993; work by many Czech and European glass artists carried by 396 Henwood, Esther "LException et la regie" the gallery. "Crystal Cheer" Le Courrier des Metiers d'Art, no. 124, July/Aug. Vogue Decoration, no. 41, Dec. 1992/Jan. 1993, p. 13, ill. 1993, pp. 90-93, ill. "Autrement" exhibition with work by 30 artists at 384 Hall, Charles Brandy glasses by Daum, Lalique, Baccarat. Galerie Internationale du Verre, Biot. "Starck Staring" Art Review (London, formerly Arts Review), v. 45, 397 Herman, Lloyd E. 372 "Une Lumiere qui tressaille: Matei Sept. 1993, pp. 19-21, ill. Clearly Art: Pilchuck's Glass Legacy Negreanu, sculpteur" Interview with Philippe Starck. Bellingham, WA: Whatcom Museum of History Le Courrier des Metiers d'Art, no. 119, and Art, 1992, 84 pp., ill. Jan./Feb. 1993, pp. 3-5, ill. 385 Hamburg. Deichtorhallen Catalog for the exhibition. Ettore Sottsass: Adesso perd. Der Katalog 373 "Objet de I'art, art de I'objet" Hamburg: the museum, 1993, [28] pp., ill. 398 Herman, Lloyd and Kangas, Matthew Le Courrier des Metiers d'Art, no. 120, March Drawings of the furniture, lamps, vessels by the Tales and Traditions: Storytelling in 1993, pp. 5-9, ill. designer. Twentieth-Century American Craft Ob'Art Salon includes glass by Bruno Revault, St. Louis, MO: Craft Alliance, 1993, 94 pp., ill. Denis Bracke, Chantal Royant; mosaics. 386 Hanau. Museum Hanau Exhibit at Washington University Gallery of Art; Wilhelm Wagenfeld: Ausstellung included Ricky Bernstein, Joyce Scott, Judy 374 "Le Verre et le vin" Hanau: the museum; Stadt Hanau, 1993, 72 pp., Jensen, Paul Marioni. Le Courrier des Metiers d'Art, no. 123, June ill. 1993, p. 7, ill. Jean-Paul van Lith work in Pauillac exhibition. 399 Hermans, Gerie 387 Handy, Lyndsey "The Hermans Tapes: An Interview with James "Ausglass Conference 1993" Thompson" 375 Griffin, Tom Craft Context (Craft New Zealand), no. 2, July Ausglass Magazine, Autumn 1993, pp. 11-14, ill. "Spontaneous Combustions: The Glass Art of 1993, pp. 13-14. Discussion on originality of Australian glass; the Alumnus-of-the-Year Dale Chihuly" Pilchuck experience. Columns (The University of Washington Alumni Magazine), June 1993, pp. 24-29, ill. 388 Hansen, Sally "Australian Presence at the 'Glass Weekend'" 400 "Sybren Valkema: Promoter of 'Free Craft Arts International (Sydney), no. 29, 1993, Glass'" 376 The Guild 8: The Architect's Source of pp. 95-96, ill. Ausglass Magazine, Summer 1992/1993, Artists and Artisans Work by Brian Hirst, Rob Knottenbelt at the p. 12+. Madison, Wl: Kraus Sikes, 1993, 312 pp., ill. Millville, NJ, event. Translation of Henk Hollaar's article in Bulletin Includes architectural glass, sculptural glass, Vereniging van Vrienden van Modern Glas, neon, etc. no. 3, 1991. 389 Heartney, Eleanor "Reviews: Stanislav Libensky, Jaroslava 377 Gumpert, Lynn Brychtova" 401 Hersey, Jan "Tokyo: Yukinori Yanagi" Glass (New York Experimental Glass Workshop), "When Artistry Marries High-Tech" ARTnews, v. 92, no. 9, Nov. 1993, p. 133, ill. no. 52, Summer 1993, p. 50, ill. The Crafts Report, v. 19, no. 204, March 1993, Artist uses neon. New York exhibit. pp. 45-46, ill. Holograms, neon, high-tech grinding machines, 416 Holmer, Gunnel 428 Jackson, Lesley etc. "Ett glasrike i Bohmen" "A Positive Influence: The Impact of Scandinavian I Varend och Sunnerbo, v. 33, no. 4, 1992, Design in Britain during the 1950s" pp. 26-27, ill. Scandinavian Journal of Design History, v. 3, 402 Hickey, Gloria Overview of Czech glassmaking. 1993, pp. 41-60, ill. "Exhibitions: Damian Priour" Includes glassware. Glass (New York Experimental Glass Workshop), no. 50, Winter 1993, pp. 54-55, ill. 417 Hong Kong. Grand Hyatt Hong Kong "A Touch of Glass:" Sculptures in Glass and 429 " 'Synchronising with Contemporary Taste' Lead Crystal by Ramon G. Orlina (Text: Rod. - the British Glass Industry in the 1950s" 403 "Exhibitions: Jon Kuhn" Paras-Perez) The Journal of The Glass Association, v. 4, Glass (New York Experimental Glass Workshop), [Hong Kong: the hotel, 1993], 16 pp., ill. 1992, pp. 26-38, ill. no. 50, Winter 1993, pp. 50-51, ill.

418 Hopper, Julie 430 James, Curtia 404 "Exhibitions: Mark Peiser" "Laminated Glass Sculpture Is Focal Point of "Reviews. Joyce J. Scott: Generic Interference/ Glass (New York Experimental Glass Workshop), Monsanto World Headquarters" Genetic Engineering" no. 50, Winter 1993, p. 53, ill. U.S. Glass, Metal and Glazing, v. 24, no. 6, Art Papers (Atlanta, GA), v. 17, no. 5, Sept./Oct. June 19, 1993, pp. 70-71, ill. 1993, p. 66, ill. 15-foot outdoor sculpture near St. Louis, MO, by Performance piece by Scott. 405 "Reviews: Irene Frolic" Edwina Sandys. Glass (New York Experimental Glass Workshop), no. 51, Spring 1993, p. 49, ill. 431 Janak, Frantisek 419 Huisman, Geertje "Tallin: Mesto s budoucnosti" "Dorothe van Driel: Deinende kunst" Umenia Remesla, no. 3, 1993, pp. 12-15, ill. 406 "When the Going Gets Tough: Canadian Bulletin Vereniging van Vrienden van Modern English summary. Glass Now" Glas, no. 2, 1993, pp. 2-3, ill. Czech glassware designer visits Tallin, meets Ivo Neues Glas, no. 1, 1993, pp. 38-47, ill. Lill. In German and English. 420 Hydman-Vallien, Ulrica "In Context: Poems and Paintings by Ulrica Hyd- 432 Jansen-Schulz, Renee 407 Hilton, Eric man-Vallien" "Perfectie en functionaliteit" "Pathways" Glass (New York Experimental Glass Workshop), Glasbulletin (formerly Bulletin Vereniging van The Glass Art Society Journal 1992, pp. 64-65, no. 51, Spring 1993, pp. 44-47, ill. Vrienden van Modern Glas), no. 3, 1993, p. 35. ill. Mieke Groot and Richard Meitner.

421 Imwinkelried, Rita 433 Japan Glass Artcrafts Association 408 Hinz, Phyllis "Ein magischer Garten der Mutter-Gottin" '93 Nihon no Garasuten = Glass '93 in Japan: "The Canadian Clay and Glass Gallery: Vision to Art (Hamburg), no. 6, June 1993, pp. 36-44, ill. The 20th Anniversary (Shintaro Shibasaki, ed.) Reality" English summary. Tokyo: the association, 1993, 178, [14] pp., ill. Artists in Stained Glass Bulletin, Summer 1993, Niki de Saint Phalle's Tuscan sculpture garden In Japanese and English. p. 1. with figures sheathed in mirrors and Murano Exhibition of recent Japanese glass at Odakyu glass. Museum, Tokyo; includes section on the 20-year 409 Hoffmann, Ute history of the association. "Beyond the Bounds" 422 International Design Yearbook 8 (Borek Schott Information, no. 63, 1993, pp. 18-19, ill. Sipek, ed.) 434 Jaunin, Frangoise Public sculptures by Florian Lechner. London, Paris and New York: Abbeville Press, "Les Verriers de Nonfoux" 1993, 240 pp., ill. La Revue de la Ceramique et du Verre, no. 72, Lighting, pp. 90-121; tableware, pp. 122-155. Sept./Oct. 1993, pp. 24-27, ill. 410 "Hot Challenge" Monica Guggisberg and Philip Baldwin. Schott Information, no. 64, 1993, pp. 18-19, ill. Lampworked vessels by Kurt Wallstab. 423 International Exhibition of Glass Kanazawa '92 435 Jekyll, Robert [Kanazawa: the exhibition, 1992], 207 pp., ill. "Design Zeitgeist" 411 Holesovsky, Karel 5th anniversary biennial exhibition. Leadline Magazine 1992 (Artists in Stained "Hommage a Mozart — Hommage a Harcuba" Glass, Toronto), pp. 37-38. In French and Bulletin Moravske Galerie v Brne, no. 47, 1991, English. 424 Italo Scanga (Text: Ron Glowen) pp. 15-16, ill. In Czech, English summary. Design issues and programs in Canada. Portrayals of Mozart by engraver Jin Harcuba in Seattle: Portland Press; William Traver Gallery, 1970s and 1980s. 1993, 63 pp., ill. 436 Jirasek, Ivana "Czech Glass Artists" 412 "Umeleckoprumyslove prirustky" 425 Ithaca. Andrew Dickson White Museum Craft Arts International (Sydney), no. 27, 1993, Bulletin Moravske Galerie v Brne, no. 46, 1990, of Art pp. 30-35, ill. pp. 9-10, ill. Colin Greenly: Intangible Sculpture Includes engraving of Dante and Beatrice by Jin Ithaca, NY: Cornell University, 1972, 20 pp., ill. Harcuba. Includes sculpture with glass. 437 "Reviews: Second International Directions in Glass" Glass (New York Experimental Glass Workshop), 413 Holkers, Marta 426 Jablonec nad Nisou. Muzeum Skla a no. 51, Spring 1993, pp. 50-51, ill. "Monica Backstrom: Glas med mycket gladje" Bizuterie Australian exhibit, Canberra. Antik & Auktion, no. 6, June 1993, pp. 21-27, ill. Hana Hancova, Zdenek Lhotsky, Oto Macek, Michal Machat, Ivana Masitova, Jiff Nekovar, Jaroslav Rona, Ivana Sramkova, roz. Solcova, 438 Jones, Harvey 414 Holkers, Marta and Holmer, Folke Krystof Trubacek, Martin Velisek "Drew Ebelhare's Millefiori" Edvin Ohrstrom: Skulptor i glas Jablonec nad Nisou: the museum, 1991, [6] pp. Glass Collector's Digest, v. 6, no. 5, Feb./March Stockholm: Carlssons Bokforlag; Vaxjo: 1991 exhibition. 1993, pp. 31-35, ill. Glasmuseet, 1991, ill. Paperweights by Texas maker.

427 Miloslav Klinger: A zeleznobrodske sklo 415 Hollister, Paul (Text: Antonin Langhamer) 439 Jonsson, Tomas "Remembering Charles Kaziun and Paul Ysart" Jablonec nad Nisou: the museum; Zelezny Brod: "Glasets temperament" Paperweight News, v. 14, no. 1, Jan. 1993, Zeleznobrodske Sklo, 1992, [20] pp., ill. Form, v. 89, no. 1 (685), 1993, pp. 27-30, ill. pp. 15-16+, ill. Exhibit of Klinger's vessels and sculptural pieces. Oiva Toikka designs for Nuutajarvi. 440 Jorg F. Zimmermann: Glass Artist — Verre 453 Klein, Robin 466 Liege. Galerie Liehrmann contemporain (Text: Wolfgang Kermer, Heike "Captured in Glass" Louis Leloup/Ger Maas (Text: Giuseppe Cappa Heimann, Wolfgang Schneider, Peter Schmitt, Collector Editions, v. 21, no. 5, Sept./Oct. and Blanche Weicherding-Goergen) Wolfgang Berger) 1993, pp. 89-90+, ill. Liege, Belgium: the gallery, 1993, [10] pp., ill. Stuttgart: Arnoldsche, 1993, 160 pp., ill. In Mats Jonasson. Exhibition of Leloup's glass with paintings by German, French, English. Maas.

454 Klok, Cees 441 Kaj Franck: Muotoilija = Formgivare = "Europese triennale van glas- en kristalsculptuur" 467 Lines-Kelly, Rebecca Designer (Text: Ulf Hard af Segerstad and others) Glas & Keramiek, v. 5, no. 14, 1993, pp. 12-14, "Crucibles of Form" Porvoo, Helsinki, and Juva: Werner Soderstrom ill. Craft Arts International {Sydney), no. 29, 1993, Osakeyhtio; Helsinki: Taideteollisuusmuseo, Exhibition of European glass sculpture held in pp. 72-74, ill. 1992, 311 pp., ill. In Finnish, Swedish, English. Liege and Luxembourg. Stephen Morris, Australian glassmaker. Franck's glass designs and products.

455 Klotz, UtaM. 468 Linou, Marie^Josee 442 Kamenicky Senov. [Sklarske Muzeum] "Glass Lovers Weekend" "Expositions: Elisabeth Garouste et Mattia Vladimir Klein (Text: Antonin Langhamer) Neues Glas, no. 3, 1993, p. 49. In German and Bonetti" Liberec, Czech Republic: Skloexport, 1990, English. La Revue de la Ceramique et du Verre, no. 72, [14] pp., ill. English text laid in. Wheaton Village. Sept./Oct. 1993, p. 61, ill. Designers.

443 Kangas, Matthew 456 "Glass Sculpture in Liege: Proportional "Review of Exhibitions: Sherry Markovitz" Representation Is No Guideline" 469 Lipschultz, Claudia Art in America, v. 81, no. 3, March 1993, p. 119, Neues Glas, no. 1, 1993, pp. 48-53, ill. In "Review: Laura Donefer and Irene Frolic" ill. German and English. Glass Gazette, Summer 1993, p. 7, ill. Beaded sculpture. Review of the survey exhibition held in Liege and Exhibit at Bethesda, MD, gallery. Luxembourg.

444 "Reviews: Chris Tedesco" 470 Liu, Robert K. "Bead Pendant Design" Glass (New York Experimental Glass Workshop), 457 "Nothing New Under the Earth" no. 51, Spring 1993, p. 53, ill. Neues Glas, no. 4, 1993, pp. 18-27, ill. In Ornament, v. 17, no. 1, Autumn 1993, German and English. pp. 104-105, ill. Glass beadmakers Phyllis Clarke and Molly Steve Tobin. 445 Karasova, Daniela Haskins. "Reviews: Borek Sipek" Glass (New York Experimental Glass Workshop), 458 Koplos, Janet 471 London. Crafts Council no. 52, Summer 1993, pp. 52-53, ill. "Rockets and Refrigerators" Contemporary British Glass (Text: Dan Klein, Ray Prague exhibit. Art in America, v. 81, no. 7, July 1993, Flavell, Penny Sparke, Paul Greenhalgh) pp. 66-73, ill. London: the council, 1993, 103 pp., ill. Steel and neon work by Yanagi. 446 Karlsruhe. Badisches Landesmuseum Publication to accompany the exhibition "The Florian Merz: Keramische Objekte und Glass Show, Part 1." Gefassobjekte 459 Kosmidou, Zoe Karlsruhe: the museum, 1993, 59 pp., ill. "Dossier: Athens, Greece" 472 Los Angeles, del Mano Gallery Sculpture, v. 12, no. 3, May/June 1993, Yaffa Sikorsky-Todd & Jeffrey M. Todd pp. 22-23, ill. Los Angeles: the gallery, 1993, [24] pp., ill. 447 Kazumi, Tsuji and Tomoko, Aoki Glass and iron work by Costas Varotsos. "Interview with Ulrica Hydman-Vallien" Glasswork (Kyoto), no. 15, July 1993, pp. 10-17, 473 Los Angeles. The Municipal Art Gallery ill. In Japanese and English. 460 Kozo, Hatakeyama Engaging Materials: Inside/Out (Text: Lizzetta "Utatsuyama Glass Studio" LeFalle-Collins) Glasswork (Kyoto), no. 15, July 1993, p. 45, ill. Los Angeles: the museum; City of Los Angeles 448 Kehlmann, Robert In Japanese and English. Cultural Affairs Department, 1993, [10] pp., ill. "Honorary Life Membership Award to Susan Studio in Kanazawa, Japan. Includes work by Therman Statom. Stinsmuehlen-Amend" The Glass Art Society Journal 1992, pp. 114-115, ill. 461 Kuroki, Rika 474 Lubin. Galeria Zamkowa Lubin "Ann Wolff: In Search of Truth" 22 Pracownia. Prezentacja wybranych prac Glasswork (Kyoto), no. 14, Feb. 1993, studenckich z Pracowni Witrazu prowadzonej 449 Kermer, France and Kermer, Wolfgang pp. 12-17, ill. In Japanese and English. przez Anns Skibskq we wroctawskiej PWSSP Claude Morin: Merrier de Dieulefit = Glas- Lubin, Poland: Osrodek Kultury Wzgorze gestalter aus Frankreich Zamkowe, 1993, [10] pp., ill. Stuttgart: Arnoldsche, 1993, 104 pp., ill. 462 Kuspit, Donald Exhibition of student work from Workshop of Exhibition at Glasmuseum Frauenau. "Bruce Chao's Arc from Purity to the Uncanny" Stained Glass (Academy of Art in Wroclaw), Glass (New York Experimental Glass Workshop), conducted by Anna Skibska. no. 51, Spring 1993, pp. 16-23, ill. 450 Kicherer, Sibylle Michele de Lucchi (Silvio San Pietro, ed.) 475 Ludwig, Reinhold Milano: Edizioni I'Archivolto, 1992, 189 pp., ill. 463 La Neuveville. Galerie Noella "Tafel freuden" In Italian and English. Bernard Dejonghe ArtAurea, no. 3, 1993, pp. 24-31, ill. English Includes glass lighting, furniture, vases (Memphis) La Neuveville, Switzerland: the gallery, 1992, summary. by the architect/designer. 16 pp., ill. In French. Glass designs by Borek Sipek, Venini and Memphis firms. 451 Kiddy, Christopher and Elliott, Judi 464 Lechaczynski, Serge "Art Meets Psychology" "Gisele et Regis Fievet: Naitre au verre" 476 Lundberg, Steven S. Craft Arts International {Sydney), no. 29, 1993, La Revue de la Ceramique et du Verre, no. 71, "Lundberg Studios: 20 Years of Paperweight pp. 94-95, ill. July/Aug. 1993, p. 50, ill. Magic" Annual Bulletin of the Paperweight Collectors' Association, 1992, pp. 32-36, ill. 452 Klausner, Betty 465 Leerdam. Kunststation Leerdam "Review of Exhibitions: Italo Scanga" Too Hot to Handle Art in America, v. 81, no. 3, March 1993, Leerdam, the Netherlands: the gallery, 1993, 477 MacAvoy, Judy pp. 118-119, ill. 93 pp., ill. In Dutch. "The Gallery at Wheaton Village" Santa Barbara exhibit incorporating glass. Work by 33 glass and ceramic artists. The Journal, a Newsletter for Friends of Wheaton Cultural Alliance, v. 16, no. 2, Summer Nerac, France: Editions Vers lesArts, 1993, 502 Miller, Bonnie J. 1993, p. 7. 150 pp., ill. In French and English. "Exhibitions: Nancy Mee" Glass engraver Desmond McHugh. Glass (New York Experimental Glass Workshop), no. 50, Winter 1993, p. 51, ill. 490 Mauries, Patrick 478 Makela, Anja Fornasetti: La follia pratica "Oiva Toikka, First Winner of the Kaj Franck Torino: Umberto Allemandi, 1992, 288 pp., ill. 503 "Exhibitions: William Morris" Design Prize" Includes glassware by the designer. Glass (New York Experimental Glass Workshop), Form-Function-Finland, no. 1, 1993, pp. 30-31, no. 50, Winter 1993, p. 52, ill. ill. 491 McDonough, Michael 504 "Glass Schools: Pratt Fine Arts Center" "In Context: Making the Difficult Connections" Glasswork (Kyoto), no. 14, Feb. 1993, 479 Makoto, Tomana Glass (New York Experimental Glass Workshop), pp. 38-40, ill. In Japanese and English. "Reviews: Yonehara Shinji Solo Exhibition" no. 50, Winter 1993, pp. 44-47, ill. Glasswork (Kyoto), no. 15, July 1993, p. 48, ill. "Gulf between the way contemporary architecture In Japanese and English. and other design arts are taught, critiqued, and 505 "A Matter of Scale: Innovations in American practiced." Glass Jewelry" 480 Malarcher, Patricia Glasswork (Kyoto), no. 15, July 1993, pp. 18-25, "Studio Glass: An Ever-Expanding Universe" ill. In Japanese and English. 492 McElheny, Josiah The World & I, v. 8, no. 10, Oct. 1993, Linda MacNeil, James Minson, Dan and Daniela History of Glassblowing in English, Volume 1: pp. 124-129, ill. Imre, Joyce Scott. "Forest Histories" Work from exhibition, "Glass, From Ancient Craft [S.I.: the author], 1991, [40] pp., ill. to Contemporary Art: 1962-1992 and Beyond." Artist's book, a humorous collection of drawings. 506 "Reviews: Dick Weiss" Glasswork (Kyoto), np. 15, July 1993, p. 47, ill. 481 Maleski, Stash In Japanese and Engiish. "Signs of the Times" 493 McLaren, Graham Seattle exhibit. Artweek, v. 24, no. 3, Feb. 4, 1993, back cover, "Reviews: British Artists in Glass" ill. Crafts (U.K.), no. 124, Sept./Oct. 1993, p. 55. 507 "Reviews: Judith La Scola" Conversation with the director of the Museum of Exhibit in Truro, Cornwall. Glass (New York Experimental Glass Workshop), Neon Art, Los Angeles. no. 51, Spring 1993, pp. 52-53, ill. 494 McLure, Elizabeth "Art of Glassmaking" 482 Marangoni, Federica 508 Millville. Museum of American Glass at Craft Arts International (Sydney), no. 29, 1993, La trampa de la memoria: Una fuente para Wheaton Village pp. 62-63, ill. Sevilla = The Trap of Memory: A Fountain for Maximizing the Minimum: Small Glass Sculp Benjamin Edols, Australian glass artist. Seville ture (Text: Gay LeCleire Taylor) Sevilla: Guadalquivir, [1992?], 77 pp., ill. Millville, NJ: Wheaton Cultural Alliance, 1993, 495 McNeill, David 32 pp., ill. 483 Marcus, Adrianne "Ausglass '93" Work by 28 artists. "The Lure of Hornsgatan" Glasswork (Kyoto), no. 15, July 1993, pp. 32-35, EX Magazine (U.K.), Sept./Oct. 1991, ill. In Japanese and English. 509 Milne, Victoria pp. 47-53, ill. Review of the Australian conference. "Conversation: Patterson Sims" Stockholm area with galleries and glass and Glass (New York Experimental Glass Workshop), ceramic artists. no. 52, Summer 1993, pp. 12-15, ill. 496 McPherson, Anne and Patkau, John Curator of modern art and associate director of "Victory at Waterloo" the Seattle Art Museum. 484 Marks, Ben Ontario Craft, v. 18, no. 2, Summer 1993, "Reviews: Mark McDonnell" pp. 8-12, ill. Glass (New York Experimental Glass Workshop), New Canadian Clay and Glass Gallery. 510 "Reviews: Nancy Monk" no. 52, Summer 1993, pp. 50-51, ill. Glass (New York Experimental Glass Workshop), no. 52, Summer 1993, p. 51, ill. 497 Medkova, Jirina 485 Martin, Pat, comp. "Na tema Trienale rezaneho skla = The Triennial "Vernon Brejcha, Artist in Glass" [in] of Cut Glass" 511 Milwaukee. Milwaukee Art Museum Czechoslovak Culture, Iowa City, IA: Penfield Bulletin Moravske Galerie v Brne, no. 47, 1991, Tiffany to Ben Tre: A Century of Glass Press, 1989, pp. 79-80, ill. pp. 46-48, ill. Milwaukee, Wl: the museum, 1993, 32 pp., ill. Exhibition held at the Moravian Gallery in Brno. 1993 exhibition, primarily contemporary studio glass. 486 Martin, Philippa "Exhibition: The Glass Show" 498 Meitner, Richard Stained Glass, the Magazine of the British "Obituary: Tatiana Best-Devereux" 512 Minson, James Society of Master Glass-Painters, Spring/ Crafts (U.K.), no. 124, Sept./Oct. 1993, p. 62, "Fragile Enhancements" Summer 1993, p. 21, ill. ill. Glass (New York Experimental Glass Workshop), Review of the Crafts Council exhibit. no. 52, Summer 1993, pp. 38-43, ill. Glass jewelry by Kuramoto, Mihalisin, Lillie, MacNeil, the author, and others. 487 Masae, Nakama 499 Melendez, Xavier "Windows in Horsovsky Tyn" "Cultural Identity" The Glass Art Society Journal 1992, pp. 66-67, Glasswork (Kyoto), no. 10, Oct. 1991, p. 57, ill. 513 Mitsukoshi Nihombashi, Main Store In Japanese and English. ill. Iwata Hisatoshi Ten = Hisatoshi Iwata 1993 Libensky and Brychtova windows for an old castle Tokyo: the department store, 1993; (Tokyo: Domi chapel in western Bohemia. Insatsu), [31] leaves, ill. 500 Melrod, George New work by Hisatoshi Iwata. "Reviews: New York, NY' 488 Matano, Koji Sculpture, v. 12, no. 5, Sept./Oct. 1993, p. 52, "Reviews: Kuramoto Yoko" ill. 514 Moglia, Michel Glasswork (Kyoto), no. 14, Feb. 1993, p. 46, ill. Howard Ben Tre. "Bernard Dejonghe" In Japanese, English summary. La Revue de la Ceramique et du Verre, no. 70, Exhibit in Kyoto. May/June 1993, pp. 47-55, ill. 501 Mifflin, Margot "What Do Artists Dream?" 489 Matei Negreanu (Text: Herve Claude, ARTnews, v. 92, no. 8, Oct. 1993, pp. 144-149, 515 Moller, Susann Dominique Narran, Helmut Ricke. Preface: ill. "Fairs: New Art Forms" Jean-Luc Olivie) Includes Donald Lipski. Neues Glas, no. 4, 1993, p. 58. Review of the glass displays at New Art Forms Munchen: the museum, 1992, (Schriftenreihe 541 New York. American Craft Museum Exposition, Chicago. des Bayerischen Kunstgewerbe Vereins; 3), Glass Installations: Michael Aschenbrenner, 46 pp., ill. Bruce Chao, William Morris, Mary Shaffer, 41 artists in exhibit in the Galerie fur Angewandte Carmen Spera, Steve Tobin (Text: Janet Kardon 516 "From Garage to Glory" Kunst. and Nancy Princenthal) Neues Glas, no. 3, 1993, pp. 46-47. In German New York: the museum, 1993, 64 pp., ill. and English. Review of Glass Art Society conference, Toledo. 529 Kunsthandwerk aus Halle und Lauscha Munchen: the museum, 1992, (Schriftenreihe 542 New York. Artwear des Bayerischen Kunstgewerbe Vereins; 2), Robert Ebendorf: Cross Reference (Text: Mark 517 Monica Backstrom: Speglingar 48 pp., ill. Richard Leach) 1963-1993 Glass by Hubert Koch, Volkhard Precht and Ulrich New York: the gallery, 1993, [22] pp., ill. Stockholm: Carlsson Bokforlag; Vaxjo: Smalands Precht in exhibit in the Galerie fur Angewandte Glass used in Ebendorfs jewelry. Museum, 1993, 108 pp., ill. Kunst. In Swedish and English. 543 New York. Galerie Denise Rene 530 Murphy, Mary Chryssa (Text: Vivian Campbell) 518 Monica Backstrom: Speglingar "Reviews: Andrew Topolski" New York: the gallery, [n.d.], [20] pp., ill. [S.I.: s.n.], 1993, [23] leaves, ill. Sculptures with neon. Work by the Swedish artist, 1960s-1990s. New Art Examiner, v. 20, no. 6, Feb. 1993, pp. 31-32, ill. Philadelphia exhibit includes sculpture with glass. 544 New York. Heller Gallery 519 Monterrey. Centro de Arte Vitro Bertil Vallien: From Past to Future Cristalomancia: Arte contemporaneo en vidrio = New York: the gallery, 1993, [8] pp., ill. Contemporary Art in Glass 531 Muzzy, Shelley Monterrey, Mexico: the center, 1992, 214 pp., ill. "Glass Beadmaking. The Ring of Fire" International exhibition held at the Tamayo Ornament, v. 16, no. 4, Summer 1993, 545 Paul Stankard Museum and at the Monterrey Museum during pp. 56-59, ill. New York: the gallery, 1993, [14] pp., ill. Glass Art Society conference. Brian Kerkvliet, William Stokes, Julie Clinton, Patricia Sage. 546 New York. Leo Kaplan Modern 520 Moorman, Margaret Seth Randal "Dale Chihuly: Venetians, Persians, and Niijima 532 Nelis, Use New York: the gallery, 1993, 28 pp., ill. Floats" "Talentenjacht: Yvon Trossel" ARTnews, v. 92, no. 4, April 1993, pp. 110-115, Glas & Keramiek, v. 5, no. 15, 1993, pp. 23-24, ill. ill. 547 New York. Turbulence [Gallery] Art and Application (Text: Arthur C. Danto) New York: Turbulence, 1993, 80 pp., ill. 521 Morrison, Rosalyn 533 Netzer, Sylvia Includes Howard Ben Tre, Dale Chihuly, Carmen "Frangois Houde, Recipient of the 1993 Jean A. "Exhibitions: Fred Kahl" Spera. Chalmers Award for Crafts" Glass (New York Experimental Glass Workshop), CraftNews (Ontario Crafts Council), v. 18, no. 3, no. 50, Winter 1993, p. 48, ill. July/Aug. 1993, p. 1, ill. 548 New-Small, David "Reason-Being" 534 "Exhibitions: Robin Grebe" British Columbia Glass Arts Association News 522 "In Review: Irene Frolic, the Glass Art Glass (New York Experimental Glass Workshop), letter, v. 6, no. 1, Feb. 1993, p. 5. Gallery" no. 50, Winter 1993, p. 49, ill. Review of Rob Studer exhibit in Burnaby, British Ontario Craft, v. 18, no. 1, Spring 1993, Columbia. pp. 16-17, ill. 535 "Janusz A. Walentynowicz" Neues Glas, no. 4, 1993, pp. 8-17, ill. In 549 Nicola, Karl-Gunter 523 "On the Leading Edge" German and English. "Kunst auf der Messe: Handwerksmesse Ontario Craft, v. 18, no. 3, Fall 1993, pp. 6-8, ill. Munchen" Chalmers Award winner Frangois Houde. Kunsthandwerk, no. 3, May/June 1993, 536 "William Morris" pp. 4-15, ill. Neues Glas, no. 3, 1993, pp. 10-21, ill. In Prizes to Anja Isphording and Hubert Koch. 524 Morriss, Shirley German and English. "In Review: Illuminations" Ontario Craft, v. 17, no. 4, Winter 1992, p. 16, 550 De Nieuwe vrijheid van de ambachts- ill. 537 Neuenburger Kunstwoche: Glas = kunsten Lamp by Andrew Kuntz. Neuenburg Arts Week: Glass Venlo, the Netherlands: Uitgeverij van Spijk B.V.; [Neuenburg, Federal Republic of Germany]: Delft: Stichting COSA, 1981, 153 pp., ill. German and "The New Freedom in Crafts:" Includes glass by 525 Mortimer, Martin "Die Bahner," 1993, 38 pp., ill. In English. 16 Dutch artists, pp. 11-31. "Obituary: John Hutton 1911-1992" 15 European glass artists participate in workshop The Glass Cone, nos. 34/35, Summer/Autumn in Neuenburg. 1992, p. 7. 551 Noda, Osamu and Noda, Yumiko "Niijima, Island of Glass" 538 Neunkirchen. Stadtische Galerie im Glasswork (Kyoto), no. 15, July 1993, pp. 26-31, 526 Moyer, Kathleen M. ill. In Japanese and English. "Evolution of an Art Form: Lampwork and Burgerhaus Torchwork Paperweights" Gunter Wagner (Text: Nicole Nix) Annual Bulletin of the Paperweight Collectors' Neunkirchen, Federal Republic of Germany: the 552 Norrie, Jane Association, 1992, pp. 37-43, ill. gallery, 1993, [10] pp., ill. "Anna Dickinson" Paperweights by Steve Lundberg, Bobby Metal and glass sculptures. Neues Glas, no. 3, 1993, pp. 22-29, ill. Banford, and others. In German and English. 539 New Glass Review 14 527 Mual, Makiri Corning, NY: The Corning Museum of Glass, 553 Notojima. Notojima Glass Art Museum "De vijzel van Merlijn" 1993, 60 pp., ill. Exhibition of Glass Craft in Notojima Glas & Keramiek, v. 5, no. 14, 1993, pp. 20-23, [S.I.: s.n., 1992?], 71 pp., ill. In Japanese only. ill. Sculptural pieces, vessels, stained glass. Glass by Peter Bremers. 540 New Orleans. New Orleans Museum of Art Contemporary Crafts in the Urban Environment (Text: John Perreault) 554 Novakova, Milada 528 Munich. Bayerischer Kunstgewerbe Verein New Orleans: the museum, 1993, 12 pp., ill. "9. trienale skla a keramiky 1991" Glas International Gefass-Beispiele (Catalog: Includes Louisiana glass artists Gene Koss, Bulletin Moravske Galerie v Brne, no. 48, 1992, Clementine Schack von Wittenau) Nancy Amdal, Nancy Stapleton, Scott Benefield. p. 49, ill. 555 Nuxoll, Susan 568 Stanislav Libensky, Jaroslava Brychtova German and English. "Reviews: Dale Chihuly" (Text: Ludmila Vachtova, Ivo Koran; Catalog: Clara Czech artists living near Novy Bor. New Art Examiner, v. 20, no. 9, May 1993, Scremini & Milena Klasova) p. 47, ill. Paris: the gallery, 1992, 65 pp., ill. In French and Cincinnati exhibit. English. 581 Philippe, Joseph Sculptures contemporaines en crista! et en verre des pays de la Communaute europeenne 556 Oakville. Oakville Galleries 569 Paul Ysart = Contemporary Sculptures in Crystal and Evolutionary Acts: Twenty-five Years of Sheridan Kingswinford, East Midlands, England: Broadfield Glass from the Countries of the European College School of Crafts and Design (Text: Alan House Glass Museum, 1992, 4 pp., ill. Community C. Elder and Virginia Wright) Exhibition brochure, Autumn 1992. Liege: Generale de Banque; Luxembourg: Oakville, Ontario, Canada: the galleries, 1992, Banque Generale, 1992, 332 pp., ill. 22 pp., ill. 3rd Trienniale of European glass sculpture. Glass by Jeff Goodman, Ed Roman, Frangois 570 Paulos, Stephen Houde, Claire Maunsell. "The Australian Craft Show: An Expanding Vision" Craft Arts International (Sydney), no. 28, 1993, 582 Pilchuck Glass School pp. 108-109, ill. Long-range Plan 1992-93 (and Beyond), 557 Obaldia, Isabel de Jane Cowie goblets. July 1993 "Panama: A New Democracy" [Seattle and Stanwood, WA: the school, 1993], The Glass Art Society Journal 1992, pp. 56-57, 34, 23 leaves. ill. 571 Pavey, Ruth Includes "Pilchuck Essay" by Chihuly, "History: "Exhibitions: New Faces '93" Pilchuck School" by C. David Hughbanks. Crafts (U.K.), no. 125, Nov./Dec. 1993, 558 Of Tops and Bottoms: Tables and Chairs pp. 56-57, ill. Columbus, OH: Ohio Designer Craftsmen; Glass by Bob Crooks. Sauder Woodworking, 1993, 39 pp., ill. 583 Pilkington Presents: New Glass, a Includes all-glass table by Marc Konys. Worldwide Survey. Exhibition Guide 572 Pavlik, Michael [S.I.: s.n., 1983?], 48 pp. "Czechoslovakia: Over the Hurdles (Development Checklist of an exhibit at the Victoria & Albert 559 Ohio Designer Craftsmen of the Glass Artist)" Museum, London, organized by The Corning 1993 Ohio Designer Craftsmen Buyers Guide The Glass Art Society Journal 1992, pp. 58-59, Museum of Glass. Columbus, OH: Ohio Designer Craftsmen, 1993, ill. 17 pp., ill. Includes glass artists. 584 Pina, Leslie 573 Pearson, Ian Fifties Glass "The First Time Is Always the Best: Personal Atglen, PA: Schiffer Publishing, 1993, 208 pp., 560 Olds, Susan Reflections on the SGS Annual Exhibition" ill. "Sublimity" Scottish Glass Society Newsletter, no. 44, Artweek, v. 24, no. 13, July 8, 1993, p. 17, ill. Summer 1993, pp. 7-10, ill. Craig Howell exhibit, Seattle. Exhibit in Perth, Scotland. 585 Polledri, Paolo "Shiro Kuramata: A Design Poet Appraised" I.D. (International Design), v. 40, no. 2, 561 Olivie, Jean-Luc 574 Pellarin, Janene March/April 1993, pp. 44-53, ill. "Message in the Bottle" "Glass by Clare Belfrage" Glass chairs. The Glass Art Society Journal 1992, pp. 44-47, Craft Arts International {Sydney), no. 29, 1993, ill. p. 88, ill. 586 Porges, Maria 562 Om Konsthantverkare 180-Talet "Art of Glass: Looking through History" 575 Pelleas + Melisande + Chihuly (Text: Stockholm: Carlssons, 1989, 172 pp., ill. Sculpture, v. 12, no. 1, Jan./Feb. 1993, Speight Jenkins) Swedish crafts in the 1980s. "80-talets Glas- pp. 42-47, ill. Seattle, WA: Seattle Opera; University of boom," by Kerstin Wickman, pp. 100-131. Glass in new position in sculptural world; Donald Washington Press, 1993, 88 pp., ill. Lipski, Mario Merz, Kiki Smith, Leo Copers, Chihuiys opera sets, accompanied by videotape. Luciano Fabro. 563 Oosthoek, Jeannet [See Films and Videotapes.] "Atelierbezoek Sien van Meurs" Bulletin Vereniging van Vrienden van Modern 587 Posner, Richard Glas, no. 2, 1993, p. 16, ill. 576 Pensa, Anita "Stained Grass: Hope Diamond" "A Visit with Paul Stankard" Glasswork (Kyoto), no. 14, Feb. 1993, The Gatherer (Wheaton Village), v. 1, no. 1, Oct. pp. 26-29, ill. In Japanese and English. 564 The Ornamo Book of Finnish Design 1993, p. 2, ill. Posner and students at University of Southern CA (Armi Ratia, ed.) design an earthwork, a "Hope Diamond stained Helsinki: Ornamo [Finnish Society of Crafts and grass window." Design], 1963, 136 pp., ill. 577 Periainen, Tapio Includes glass by Wirkkala, Sarpaneva, and Soul in Design: Finland as an Example Helsinki: Kirjayhtyma, 1990, 125 pp., ill. others. 588 Powers, Alan Includes glass by many Finnish designers. "Reviews: Tender Is the North, The Festival of Scandinavian Crafts" 565 Osaka. Yamaki Art Gallery Crafts (U.K.), no. 121, March/April 1993, Contemporary Works by Japanese Masters: 578 Petkanas, Christopher p. 56, ill. Tsuneo Yoshimizu, Royoji Koie, Isaburo Kado "Van DayTruex: Master of Understatement" London exhibit includes glass by Ulla Forsell. Osaka: the gallery, 1993, 77 pp., ill. House & Garden, v. 165, no. 1, Jan. 1993, Exhibition catalog with glass by Yoshimizu. pp. 72-75+, ill. Decanters designed for Tiffany's, 1974. 589 Powning, Peter 566 Palmer, Stuart "Artist Profile: Peter Powning" "Reviews: Exhibition of Engraved Glass by David 579 Petrova, Sylva Glass Gazette, Summer 1993, pp. 8-9, ill. Pilkington" "Galerie Nakama, znama — neznama" Pottery, glass, and bronze artist. The Glass Engraver, no. 69, Winter 1992/1993, Umenf a Remesla, v. 35, no. 1, 1993, pp. 31-32. pp. 35-40, ill. English summary. Japanese glass by Yamano, Masuda, Ogita, 590 Prague. Belveder Ikemoto, and others. Magdalena Jetelova (Text: Ivona Raimanova; 567 Paris. Clara Scremini Gallery Pavel Liska; Magdalena Jetelova) Serge Mansau: Pecheur d'eau 1993 (Text: [S.I.]: Pavel Liska, 1993, 43 pp., ill. In Czech and Serge Mansau and Danielle Delouche) 580 "Three from Polevsko: llja Bi'lek, Jan Fisar, English. Paris: the gallery, 1993, 65 pp., ill. In French and and Milan Handl" Czech artist living in Iceland does installations with English. Neues Glas, no. 2, 1993, pp. 12-23, ill. In neon at Prague's Castle in the Belvedere. 591 Prescott. The Bead Museum 604 Reykjavik. Listasafn Reykjavikur 617 Rivers, Victoria Z. Contemporary Glass Beadmakers Brynhildur Thorgeirsdottir "Indian Mirror Embroidery from Gujarat" Prescott, AZ: the museum, 1993, 15 pp., ill. Reykjavik, Iceland: Listasafn Reykjavikur = Ornament, v. 16, no. 3, Spring 1993, pp. 66-69, Exhibition with work by 32 beadmakers. Municipal Art Museum, [1990], 61 pp., ill. ill. In Icelandic and English. Glassworkers coat blown glass globes with lead mixture, break them into chunks, trim them into 592 Prevost, Jean-Marc circles. "Acquisitions: Tony Cragg, 'Eroded Landscape"' 605 Rhebergen, Robi Revue du Louvre, v. 42, no. 5/6, Dec. 1992, "Gaetano Pesce au CIRVA" p. 120, ill. La Revue de la Cerami que et du Verre, 618 Robert Scherer: Objekte aus Glas (Text: Cragg piece acquired by a contemporary no. 69, March/April 1993, p. 67, ill. Bruno Hosp and others) museum in Rochechouart. Bozen, Italien: Raetia, 1992, [78] pp., ill. German edition. 606 Ricciardiello, Anna 593 Princenthal, Nancy "Fire & Ice, an Exhibition of Glass and Metal" "Review of Exhibitions: Matt Mullican" Craft Arts International (Sydney), no. 29, 1993, 619 Robert Scherer: Opere in vetro (Text: Art in America, v. 81, no. 5, May 1993, p. 119, pp. 85-86, ill. Bruno Hosp and others) ill. Exhibit in Sydney, Australia. Bolzano, Italia: Raetia, 1992, [78] pp., ill. Italian Installations with etched glass panels. edition.

607 Rickard, Stephen 594 Procter, Stephen "Article by a Fellow: Stephen Rickard" 620 Robinson, Joan Seeman "Review: 'Directions — Glass Jewellery 1993'" The Glass Engraver, no. 71, Summer 1993, "Reviews: Dale Chihuly" Ausglass Magazine, Autumn 1993, p. 10, ill. pp. 5-9, ill. Artforum, v. 31, no. 8, April 1993, p. 101, ill. Cincinnati exhibit.

595 Providence. David Winton Bell Gallery, 608 Ricke, Helmut Brown University "Design Visions: II. Australische Internationale 621 Rochette, Anne Howard Ben-Tre: New Work (Text: Diana L. Crafts Triennale in Perth = II Australian Inter "Review of Exhibitions: Louise Bourgeois" Johnson and Donald Kuspit) national Crafts Triennial in Perth" Art in America, v. 81, no. 5, May 1993, Providence, Rl: the gallery, 1993, 47 pp., ill. Neues Glas, no. 1, 1993, pp. 10-21, ill. In pp. 128-129, ill. German and English. Sculptures with glass in Paris exhibit. Review of the exhibition. 596 Quagliata, Narcissus "The Life and Culture of Mexico, a Personal 622 Rockford. Rockford Art Association Perspective" 609 "Europaisch ausgerichtet" Art in Other Media: Ceramic, Glass, Textile, The Glass Art Society Journal 1992, pp. 13-16, Glaswelt, v. 46, no. 6, June 1993, pp. 40-42, ill. Wood ill. Exhibition in Bonn of work by students in German Rockford, IL: the association, 1971, [46] pp., ill. glass schools. Glass by Lipofsky, Littleton, and Myers in 1970 exhibit. 597 Quincy. Quincy Art Center Of Hand, of Heart, of Mind: An Exhibition of 610 "Learning to Stand on One's Own Two Contemporary Craft (Text: Jeffrey M. Bruce) Feet: Thomas Lemke, Recent Works" 623 Ross, Helen Quincy, IL: the center, 1993, [11] pp., ill. Neues Glas, no. 3, 1993, pp. 40-45, ill. In "Design Visions" Includes glass. German and English. State of the Art (Perth?, Australia), no. 4, Nov. 1992, p. 12, ill. Review of 1992 exhibition at the Art Gallery of 598 Racekova, Jarmila 611 "Murano: Ein neuer Anfang? = A New Western Australia, Perth. "One Hundred Years of Existence of the Beginning?" Glassworks at Lednicke Rovne" Neues Glas, no. 2, 1993, pp. 36-41, ill. New Glass Review (Czech), v. 47, no. 11, 1992, In German and English. 624 Rubinstein, Meyer Raphael pp. 4-7, ill. "Reviews: Rebecca Horn" ARTnews, v. 92, no. 7, Sept. 1993, 612 Neues Glas in Japan = New Glass in pp. 167-168, ill. 599 Radice, Barbara Japan (Contributions: Yoriko Mizuta, Birgid Retrospective includes large-scale glass funnel Ettore Sottsass: A Critical Biography Schmittmann, Atsushi Takeda) sculptures. New York: Rizzoli, 1993, 261 pp., ill. Dusseldorf: Kunstmuseum Dusseldorf im Ehren- hof, Glasmuseum Hentrich, 1993, 159 pp., ill. In German and English. 625 Rule, Rosemary 600 Ramirez Vazquez, Pedro Exhibition circulating in Europe, 1993-1994. "Australian Art Focus in Sydney's Newest Hotel" "Keynote Address: Architecture and Crystal Art in Craft Arts International {Sydney), no. 27, 1993, a Multicultural Mexico" pp. 109-110, ill. The Glass Art Society Journal 1992, pp. 23-26, 613 "New Glass in Japan" Warren Langley sculptural installation. ill. Neues Glas, no. 3, 1993, pp. 30-39, ill. In German and English. 626 Rumble, Janet L. 601 Ramshaw, W. "Pitcher Perfect" "Seven Steps: Neue Arbeiten der Keramik- 614 Riley, Charles A. Metropolis, v. 13, no. 5, Dec. 1993, p. 25, ill. kunstlerin Diana Hobson" "Opera Sets Create Stir" Pitcher with ice pocket by Sugahara. ArtAurea, no. 1, 1993, pp. 86-89, ill. English Antique Monthly, v. 26, no. 5, June 1993, p. 11, insert. ill. New work in ceramic and pate de verre by Dale Chihuly. 627 Russell, Nancy Ukai Hobson. "Julie Anne Mihalisin: Luminous Renderings" Ornament, v. 17, no. 1, Autumn 1993, 615 Riolfo Marengo, Silvio pp. 50-53, ill. 602 Ranelid, Bjorn "Tema natalizio per un piatto di vetro" Jewelry of glass combined with metals. Mellan morker och ljus: Erik Hoglunds 80-tal Alte Vitrie, v. 5, no. 3, Dec. 1992, pp. 2-3, ill. Stockholm: Carlssons, 1988, 176 pp., ill. English summary. Drawings, sculpture, and glass by Hoglund in the Artists in Savona, Italy, interpret nativity theme; 628 Salisbury. Salisbury and South Wiltshire 1980s. plate by Giampaolo Parini. Museum Engraved Glass by Father and Son: Laurence Whistler [and] Simon Whistler 603 Reid, Colin and Dormer, Peter 616 Riom. Musee Mandet Salisbury: the museum, 1993, [50] pp., ill. "Letters: Glass Houses" Garouste et Bonetti Crafts (U.K.), no. 124, Sept./Oct. 1993, p. 60. Riom, France: the museum, 1993, 48 pp., ill. Comments on artists' statements that appear in Includes glass by designers Elisabeth Garouste 629 San Diego. Grove Gallery, University of exhibition catalogs. and Mattia Bonetti. California at San Diego Glass: Third Generation, Fifth Dimension zaken" Leadline Magazine 1992 (Artists in Stained (Curated by Italo Scanga) Bulletin Vereniging van Vrienden van Modern Glass, Toronto), p. 5. Seattle, WA: Robert Miller, 1992, ill. Glas, no. 1, 1993, pp. 12-13, ill. 1992 exhibition of work by 10 artists. 655 Shibuya, Ryoji 642 Schroder, Gert "Warren Langley" 630 San Francisco. San Francisco Craft & Folk "Jubilaumsmesse in Hannover-Herrenhausen" Glasswork (Kyoto), no. 14, Feb. 1993, pp. 2-11, Art Museum Kunst und Antiquitaten, no. 4, 1993, p. 18, ill. ill. In Japanese and English. Nine Decades: The Northern California Craft Isgard Moje-Wohlgemuth piece. Movement 1907 to the Present (Text: Carole Austin, Dyana Curreri-Chadwick, Ted Cohen, 656 Shinohara, Mayumi Kenneth Trapp) 643 Schwartz, Joyce Pomeroy "Glass Stage, Romantic Paradise" San Francisco: the museum, 1993, 31 pp., ill. Celebrating Art & Architecture: Creating a Place Glasswork (Kyoto), no. 14, Feb. 1993, p. 47, ill. Includes Marvin Lipofsky, Mary White, Paul for People In Japanese, English summary. Washington, DC: Federal Reserve Board; Char Marioni, and others. New work by Kazumi Tsuji, Yoko Hirosawa. lotte, NC: LaSalle Partners, 1993, [16] pp., ill. Includes Chihuly's "Niijima Floats." 631 Sano, Takako 657 Sinz, Dagmar "Reviews: Shinichi and Kimiake Higuchi "CIRVA — le verre, maniere de faire" 644 Scott, Graham Exhibition" Neues Glas, no. 4, 1993, pp. 34-41, ill. In "Review: Transmitted Light,' Mary Filer & Harold Glasswork (Kyoto), no. 14, Feb. 1993, p. 44, ill. German and English. Spence-Sales" In Japanese, English summary. Exhibition at Musee du Luxembourg, Paris. British Columbia Glass Arts Association News letter, v. 6, no. 2, April 1993, pp. 5-6. 632 "The 2nd Ukrainian International Glass 658 Skrdlovice. Arts & Crafts Center Symposium" Bohemia Glass Skrdlovice (Text: Antonin 645 Searle, Karen Glasswork (Kyoto), no. 14, Feb. 1993, Hartmann) "A Playful Palette: Heinz Brummel" pp. 48-49, ill. In Japanese, English summary. [S.I.: Ustredi Umeleckych Remesel, 1989], Ornament, v. 17, no. 1, Autumn 1993, 76 pp., ill. English summary. pp. 34-37, ill. Work by many Czech designers and glassmakers. 633 Sartorius, Joachim Jewelry with glass. "Kunst gegen Gewalt" Kulturpolitik, v. 22, no. 1, March 1993, pp. 9-11, 659 Slatin, Peter 646 Seguin, Virginie "Anna Skibska: The Force of Delicacy" ill. "Sculptures de I'ame" Glass (New York Experimental Glass Workshop), Holocaust art by Erwin Eisch. Le Courrier des Metiers d'Art, no. 123, June no. 52, Summer 1993, pp. 24-29, ill. 1993, p. 9, ill. 634 Save, Colette Maria Lugossy at Paris gallery. 660 Smith, Paul J. "Preview: Glace noire" Craft Today USA, Organized by the American LAtelier News, no. 15, April/May 1992, p. 9, ill. 647 "Le Verre dans tous ses eclats" Craft Museum, New York, New York; A Cultural Interview with Stanislav Libensky and Jaroslava Le Courrier des Metiers d'Art, no. 126, Oct. Presentation of the United States of America Brychtova at Paris opening. 1993, pp. 10-11, ill. through the United States Information Agency, CIRVA exhibition at Musee du Luxembourg, Paris, Arts America ... 635 Scevola, Annamaria with work by 35 artists. New York: The American Craft Museum, [1993], "Vivere la luce" 119 pp., ill. Press releases, reviews, etc., from the European Ottagono, v. 28, no. 107, June 1993, 648 Seidel, Miriam tour, 1989-1993. pp. 99-104, ill. "Exhibitions: Susan Plum" Achille Castiglioni lighting in Flos' Milan shop. Glass (New York Experimental Glass Workshop), no. 50, Winter 1993, p. 54, ill. 661 Sneddon, Luanne 636 Schamroth, Helen "America Under Glass: The Art of Milton Bond" Heritage, The Magazine of the New York State "John Edgar — Making Amends" 649 Selman, Marti Historical Association, v. 9, no. 2, Winter 1993, Craft New Zealand, no. 43, Autumn 1993, "Artist Profile: Johne Parsley, Vibrant at 76" pp. 18-24, ill. pp. 32-34, ill. Paperweight News, v. 14, no. 1, Jan. 1993, Folk artist uses reverse painting on glass Sculptures with glass by New Zealand artist. pp. 8-11, ill. technique.

637 Scher, Julia 650 Seraing. CAD Galerie d'Art 662 Snoep, Agnes "Reviews: Dan Graham" L. LeLoup (Text: Jose Brouwers) "Atelierbezoek Felicitas Engels" Flash Art, v. 26, no. 169, March/April 1993, Seraing, Belgium: the gallery, 1993, 28 pp., ill. Bulletin Vereniging van Vrienden van Modern pp. 81-82, ill. Louis LeLoup. Mirror installations. Glas, no. 2, 1993, p. 17, ill.

651 Sersiron, Nicolas 638 Schiess, Christian "Expositions: Une Pyramide de verre" 663 Soleau, Antje "Interview: Bill Concannon" La Revue de la Ceramique et du Verre, no. 72, "Vielfalt mit Tucken Manu factum '93" Signs of the Times, v. 215, no. 4, April 1993, Sept./Oct. 1993, p. 61, ill. Kunsthandwerk, no. 3, May/June 1993, pp. 158-163, ill. Patrick Raynaud sculpture on French highway. pp. 42-47, ill. California neon artist. Glass by Dorothee Beckersjurgen.

652 "Panoramique sur le verre hongrois" 639 "Pushing the Boundaries of Light and La Revue de la Ceramique et du Verre, no. 69, 664 Solis-Cohen, Lita Order: Bill Kane" March/April 1993, pp. 20-30, ill. "Contemporary Crafts: The Canvas Is No Longer Signs of the Times, v. 215, no. 5, May 1993, Hungarian artists Maria Lugossy, Zoltan Bohus, King'" pp. 104-109, ill. Laszlo Luckacsi, Endre Gaal, MargitToth, and Maine Antique Digest, v. 21, no. 2, Feb. 1993, Neon artist. others. pp. 13-14-E, ill. The collecting and selling market for post-World War II glass and ceramics. 640 Schlagheck, Irma 653 "Raymond Martinez: Palimpsestes "Spate Rache am Vater" et mythologie" Art (Hamburg), no. 6, June 1993, pp. 72-82, ill. La Revue de la Ceramique et du Verre, no. 71, 665 Sour, Annemarie Includes Louise Bourgeois installations with glass. July/Aug. 1993, pp. 44-45, ill. "Sprookjes, erotiek en dubbele bodems in de beelden van Simsa Cho" Glasbulletin (formerly Bulletin Vereniging van 641 Schrijvers, Dirk 654 Shadbolt, Doris Vrienden van Modern Glas), no. 3, 1993, "Koen Vanderstukken: Reflectie over essentiele "On Craft in the 20th Century" pp. 13-15, ill. 666 Spinardi, Aldo 677 Stolarski-Assael, Raquel 689 Tapert, Annette "Conclusa la mostra delle sculture in vetro di "Personal Mythologies, Inner Images" Swid Powell: Objects by Architects Riccardo Licata, Livio Seguso, Arno Arts, Espanol The Glass Art Society Journal 1992, pp. 68-69, New York: Rizzoli International, 1990, 144 pp., ill. Vinas, Martin Bradley" ill. Includes glassware. CeramicAntica, v. 3, no. 1, Jan. 1993, pp. 6-7, ill. 678 Stone, Graham Exhibition in Hong Kong of glass sculpture from 690 Taragin, Davira Spiro "Ausglass Members Show, Canberra 1993" Murano. Contemporary Crafts and the Saxe Collection Ausglass Magazine, Autumn 1993, pp. 6-9, ill. (Text: Jane Fassett Brite and others; Terry Ann R. Review of Australian Association of Glass Artists Neff, ed.) 667 Stara, Eva exhibit. New York: Hudson Hills Press; Toledo, OH: "Glass Artists at Glavunion = Glaskunstler in Toledo Museum of Art, 1993, 216 pp., ill. Glavunion" Glass, pp. 20-89. Essay by Susanne K. Frantz, New Glass Review (Czech), v. 48, no. 1, 1993, 679 Strandman, Pia "The Evolution of Studio Glass Collecting and pp. 22-23, ill. "The Ninth Finland Designs Exhibition" Documentation in the United States," pp. 21-41. Symposium at Teplice; work by Elias, Martens, Form-Function-Finland, no. 2, 1993, p. 56, ill. Meszaros, Papais. Glassware made from recycled wine bottle necks by Jukka Isotalo. 691 Tarsitano, Debbie 668 "Japanese Glass in Prague" "Paperweights: A Language of Flowers" New Glass Review (Czech), v. 47, no. 11, 1992, 680 "Two Hundred Years of Nuutajarvi Glass" Paperweight News, v. 14, no. 1, Jan. 1993, p. 27, ill. Form-Function-Finland, no. 2, 1993, pp. 72-74, pp. 2-3, ill. Exhibition of contemporary work by 19 Japanese ill. Author's work. artists. Oiva and Inkeri Toikka, Markku Salo, Heikki Orvola, Kerttu Nurminen.

669 "Via lucis" 692 Taylor, Gay LeCleire "Bobby Banford: Wedded to Her Art" New Glass Review (Czech), v. 48, no. 3, 1993, 681 Strattman, Wayne Annual Bulletin of the Paperweight Collectors' pp. 24-25, ill. "Neon: The Glass Workshop" Association, 1992, pp. 28-31, ill. Sculptures by Petr Fuchs in chapel and museum, Signs of the Times, v. 215, no. 12, Dec. 1993, Fulnek. p. 36B+, ill. The Brooklyn, NY, facility. 693 "Paperweights: A Family Affair" 670 Stavis, Amy Glass Collector's Digest, v. 7, no. 1, June/July "Irish Companies: Nicholas Mosse Pottery and 682 Studer, Robert 1993, pp. 30-34, ill. Jerpoint Glass" "Review: Morna Tudor Turning Inside Out'" Ray, Robert, and Bobby Banford. China, Glass & Tableware, v. 111, no. 10, Oct. British Columbia Glass Arts Association News 1993, pp. 100-101+, ill. letter, v. 6, no. 2, April 1993, pp. 4-5. 694 Taylor, Simon 671 "Mark Goena, Crystal Jeweler" "Review of Exhibitions: Sari Dienes" 683 Studiouveg (Text: Emoke Bodonyi) China, Glass & Tableware, v. 111, no. 2, Feb. Art in America, v. 81, no. 5, May 1993, [S.I. Szentendre?]: Soos Sandor, 1993], 62 pp., 1993, pp. 6-7, ill. pp. 121-122, ill. ill. In Hungarian and English. Designer for Iris Arc Crystal. Pioneer of assemblage and multimedia art. Work by 21 Hungarian artists in exhibit in Szentendre, Hungary.

672 Steinberg, Sheila and Dooner, Kate 695 Theophilus, Jeremy Fabulous Fifties: Designs for Modern Living 684 Svestka, Jiri, ed. "Reviews: Glass Installations, American Craft Atglen, PA: Schiffer Publishing, 1993, 224 pp., ill. James Turrell: Perceptual Cells Museum" Decorated drinking glasses, Higgens plate, [Ostfildern-Ruit bei Stuttgart]: Edition Cantz, Crafts (U.K.), no. 124, Sept./Oct. 1993, lamps, jewelry, eyeglasses, etc. 1992, 98 pp., ill. In German and English. pp. 48-49, ill. Light displays and installations. Chao, Spera, Shaffer, Morris, Aschenbrenner, 673 Steir, Pat Tobin. "Mortal Elements" Artforum, v. 31, no. 10, Summer 1993, pp. 2-3 685 Synek, Miroslav and 86-87+, ill. "Brave New World for Czech Glassmakers" 696 Thiel, Ana Interview with Louise Bourgeois; "Cell" sculptures Glass, Monthly Journal of the European Glass "Art Glass in Mexico: Exploring New Frontiers" with glass. Industry, v. 70, no. 8, Aug. 1993, pp. 327-329, The Glass Art Society Journal 1992, pp. 50-51, ill. ill.

674 Stockholm. Danmarks Hus Royal Copenhagen — Just Nu! (Text: Lis 686 Taeckens, Michel 697 "G.A.S. in Mexico: What It Meant to Us" Granlund) "Attention fragile!" The Glass Art Society Journal 1992, p. 116, ill. Stockholm: Danmarks Hus, 1992, 12 pp., ill. In Le Courrier des Metiers d'Art, no. 123, June Swedish. 1993, pp. 10-11, ill. Exhibition of Royal Copenhagen glass and Contemporary French glass in exhibition at ceramics in Stockholm. Fondation Septentrion, Marcq-en-Baroeul. 698 Thompson, John E. "A Well-Crafted Enterprise" The Crafts Report, v. 19, no. 206, May 1993, 675 Stockholm. Galerie Aix 687 Takeda, Atsushi pp. 6-7, ill. Erik Hoglund: Glas = Glass Works 1988-1991 "New Wave" Simon Pearce's glassworks in Quechee, VT. (Text: Jan Torsten Ahlstrand and Bjorn Ranelid) Neues Glas, no. 1, 1993, pp. 30-37, ill. In Stockholm: the gallery, 1991, 56 pp., ill. In German and English. Swedish and English. Views of two Japanese contemporary glass 699 Tognini, Joyce exhibitions: Kanazawa '92 and the Exhibition of "Garage to Glory: Glass Art Society Convention" Glass Craft in Notojima. 676 Stockholm. Liljevalchs Konsthall American Craft, v. 53, no. 4, Aug./Sept. 1993, Ting Ager Rum: Nutida Svenskt konsthandverk pp. 10-12+, ill. och design, textil, glas, keramik, metall och 688 Tampa. Contemporary Art Museum, mobler University of South Florida Stockholm: Stockholms Kulturforvaltning, 1988, Robin Winters: Body Politic (Text: Margaret 700 "Graphically Speaking" 96 pp., ill. In Swedish and English. Miller) American Craft, v. 53, no. 2, April/May 1993, "Things around Us," modern Swedish arts, crafts, Tampa, FL: the museum, 1993, poster with text, pp. 10-13+, ill. design; glass by Warff, Borgstrom, Johansson, ill. Graphic images used by craft retailers and glass Alberius, Cyren, etc. Exhibition includes the artist's glass. galleries. 701 Toledo. Toledo Museum of Art 713 Van Proyen, Mark 725 Vlad, Alexandru Toledo Area Artists 75th Annual Exhibition; "Puppy Love: Jeff Koons at the San Francisco "Contemporary Glass Art in Romania" Athena Art Society 90th Anniversary Museum of Modern Art" Neues Glas, no. 2, 1993, pp. 24-35, ill. Toledo, OH: the museum, 1993, 20 pp., ill. Artweek, v. 24, no. 2, Jan. 21, 1993, pp. 18-19, In German and English. Checklist includes glass by 12 artists. ill. Work by 10 artists.

702 Toyama. Toyama City Institute of Glass Art 714 Varga, Vera 726 Waggoner, Shawn Toyama City Institute of Glass Art Graduate "Szeressetek Stefan Lindforst: Mozaikkepek a "Aunt Gladys Goes to Town: Bill H. Boysen and Show 1993 finn designrol" SlUC's Mobile Glassblowing Unit" Toyama, Japan: the institute, 1993, 20 pp., ill. Uj Muveszet, v. 4, no. 6, June 1993, pp. 54-55, Glass Art Magazine, v. 8, no. 7, Nov./Dec. In Japanese and English. ill. 1993, pp. 22-26, ill. Sculptural work with glass by Lindforst. Boysen's rig brings glassblowing to workshops, festivals, conferences around the country. 703 Traverse City. Dennos Museum Center, Northwestern Michigan College 715 Vasicek, Ales Jon Kuhn: Glass (Text: Jacqueline Shinners and "An Interview with Stanislav Libensky and 727 "Beadmaking II: The Wound Bead Artist" Jon Kuhn) Jaroslava Brychtova" Glass Art Magazine, v. 8, no. 2, Jan./Feb. 1993, Traverse City, Ml: the museum, 1993, [15] pp., ill. Glasswork (Kyoto), no. 10, Oct. 1991, pp. 10-19, pp. 4-8, ill. ill. In Japanese and English. Beads by Brian Kerkvliet, Patricia Frantz, 704 Trencin. Oblastna Galeria M. A. Frederick Birkhill, Alice Zimmerman. Bazovskeho v Trenci'ne 716 Vaudour, Catherine Sucasna ceskoslovenska sklenena plastika: L'Art du verre contemporain 728 "Lewis C. Wilson: From Lampworking to A skleneny sperk — vyber (Text: Marian Paris: Armand Colin Editeur, 1993, 208 pp., ill. Kvasnicka and Danica Loviskova) Beadmaking" Overview of studio glass and work by several Glass Art Magazine, v. 8, no. 6, Sept./Oct. Trencin, Czech Republic: the gallery, 1987, hundred artists. 1993, pp. 4-7, ill. [33] pp., ill. Glass by Cigler, Elias, Frantisek, Jelinek, Karel, Matous, Roubicek, and others. 717 Vaxjo. Glasmuseum i Smalands Museum 729 "Magic, Mythology, and Metamorphosis: Glasgladje The Fused and Kiln Cast Work of Ruth [S.I.]: Kulturspridaren Forlag, 1992, 90 pp., ill. Brockmann" 705 Trubridge, David Exhibition with work by 80 Swedish artists. "The Way Forward" Glass Art Magazine, v. 8, no. 4, May/June Craft New Zealand, no. 43, Autumn 1993, 1993, pp. 46-51, ill. pp. 28-31, ill. 718 Venezia e I'Oriente: Due culture, vetri e Work by Steve Tobin. luce a Murano di Yoichi Ohira = Venice and the 730 "There Are No Rules: The Prolific Therman Orient: Two Cultures, Glass and Light at Murano Statom" by Yoichi Ohira (Text: Lucio de Majo and Rosa 706 Turner, Ralph Glass Art Magazine, v. 8, no. 5, July/Aug. 1993, Barovier Mentasti) "Reviews: First International Glass Invitational" pp. 4-7, ill. Padova: Interbooks, 1992, 56 pp., ill. Crafts (U.K.), no. 121, March/April 1993, Padua exhibition of work by Ohira, executed in his pp. 51-52, ill. adopted city. 1992 London exhibit with 20 artists. 731 Walker, Aidan "Perche nessuno ci pensa prima? = Why Did No One Think of This Before?" 719 Viau, Rene 707 Tymoski, John "Anne Deguelle: La Verite et son double" Ottagono, v. 28, no. 106, March 1993, p. 170, '"Big Orange' Rises to Illuminate the New Year" Vie desArts, no. 152, Autumn 1993, ill. In Italian and English. Signs of the Times, v. 215, no. 12, Dec. 1993, Philippe Starck. pp. 34-36, ill. pp. 112-115, ill. Glass "pictures." Miami neon. 732 Wallerius, Inga "Farghets" 708 Ueding, Cornelie 720 Vicente Aliaga, Juan "Reviews: Susana Solano" Form, v. 89, no. 1 (685), 1993, p. 4, ill. "Gitter im Glas: Glaskunst von Jorg Zimmermann" Vase by Berit Johansson. ArtAurea, no. 1, 1993, pp. 74-79, ill. English Artforum, v. 31, no. 8, April 1993, p. 104, ill. insert. Madrid exhibit of mixed-media sculpture. Sculpture by Zimmermann. 733 "Hertha bla" 721 Vienna. Osterreichisches Museum fur Form, v. 89, no. 1 (685), 1993, p. 4, ill. Glass by Hertha Bengtson. 709 Ulrica Hydman-Vallien (Text: Kerstin Angewandte Kunst Wickman and Mailis Stensman) Kiki Smith: Silent Work [S.I.: s.n., n.d.]; (Borgholm, Sweden: Oland- Wien: MAK, Osterreichisches Museum fur Ange 734 Warren, Julie stryckarna), [25] leaves, ill. wandte Kunst, 1992, 112 pp., ill. In German and English. "Glorious Glass" Opening exhibition of the MAK gallery. Craft New Zealand, no. 41, Spring 1992, 710 United States. General Services pp. 16-17, ill. Administration Ola and Marie Hoglund and their studio in New 1992 GSA Design Awards 722 Viesnik, Peter Zealand. [Washington, DC: GSA, 1992], [20] pp., ill. "Pilchuck Scholarship" Richard Posner's "The Consumer Lobby," Craft Context (Craft New Zealand), no. 2, July US Food and Drug 1993, p. 14. 735 Washington, DC. The Corcoran Gallery of Administration, Bothell, WA. Shona Firman, glass casting artist. Art, Gallery One Reverberations: L. C. Armstrong, Michele Blon- del, Suzan Etkin, Lisa Hoke (Text: Terrie Sultan) 711 Vacek, Milan 723 "Summer Glass" Washington, DC: the gallery, 1992, [20] pp., ill. "Reprivatization of the Glass and Ceramics Craft New Zealand, no. 41, Spring 1992, Includes glass in work by Michele Blondel, Branches" pp. 8-9, ill. mirrors by Suzan Etkin. New Glass Review (Czech), v. 47, no. 11, 1992, Author reports on Pilchuck School. pp. 2-3, ill. 736 Washington, DC. Maurine Littleton Gallery 7 24 Vito Acconci: The City Inside Us Dale Chihuly: Installations 712 Vaclav, Sedy (Text: Peter Noever and Vito Acconci) Washington, DC: the gallery, 1993, [15] pp., ill. "Recensioni: II lontano e vicino" Wien: MAK, Osterreichisches Museum fur Ange Ottagono, v. 28, no. 107, June 1993, wandte Kunst, 1993, [196] pp., ill. In German pp. 110-111, ill. English summary. and English. 737 Richard Jolley Review of Borek Sipek exhibition in Prague. Installations incorporate glass and lighting effects. Washington, DC: the gallery, 1993, [7] pp., ill. 738 Waterloo. Canadian Clay and Glass Gallery 750 Winter, Willem de 763 Zelinsky, Marilyn Vision to Reality = Vision de la realite "Een valse unica van Chris Lebeau" "Artful Interiors" 1981-1993. Inaugural Exhibitions of the Glasbulletin (formerly Bulletin Vereniging van Interiors, v. 152, no. 4, April 1993, p. 30, ill. Canadian Clay and Glass Gallery Vrienden van Modern Glas), no. 3, 1993, p. 27, Architectural sculptures by Mary Kay Simoni. Waterloo: the gallery, 1993, 40 pp., ill. In French ill. and English. Includes stained glass by Yvonne Williams, neon 764 "Starck Lite, Starck Brite" by Outlaw Neon, glass by Susan Rankin, Susan 751 Woudenberg, Bert Interiors, v. 152, no. 8, Aug. 1993, p. 70, ill. Edgerley, Irene Frolic, Frangois Houde, Kevin "Glaskunstbeurs Leerdam krijgt met bijzondere Philippe Starck lighting. Lockau. 'Glazen tuin' extra attractie" Glasbulletin (formerly Bulletin Vereniging van Vrienden van Modern Glas), no. 3, 1993, 765 Zemanek, Jin "Nove prace Vaclava Ciglera" 739 Wax, Jack pp. 18-19, ill. Umeni a Remesla, no. 3, 1993, pp. 42-47, ill. "Reviews: The International Exhibition of Glass, Philippa Edwards, Simsa Cho, and others. English summary. Kanazawa '92" Vaclav Ciglei^s new projects. Glasswork (Kyoto), no. 14, Feb. 1993, 752 "Willem Heesen en vijftig jaar glas, een pp. 42-43, ill. In Japanese and English. jubileum" 766 Zurich. Museum Bellerive Glasbulletin (formerly Bulletin Vereniging van Glas, Band 1: 1945-1991 (Text: Eva Schmitt and 740 "Two Interviews: Pino Signoretto and Vrienden van Modern Glas), no. 3, 1993, pp. 22-24, ill. others) Lucio Bubacco" Zurich: the museum, 1992, 280 pp., ill. Glasswork {Kyoto), no. 14, Feb. 1993, International selection of glass by about 90 firms pp. 18-25, ill. In Japanese and English. 753 Wratislavia Cantans '92: Koncerty- and artists. wernisaze = Concerts-vernissages Wroclaw: Osrodek Kultury i Sztuki, 1992, 741 Webb, Dennis 767 Zynsky, Mary Ann "Toots" [46] pp., ill. In Polish and English. "Reproductions and Contemporary Marbles "A Cultural Odyssey" Glass by Anna Skibska. Discussed" The Glass Art Society Journal 1992, pp. 80-81, The Marble Connection Newsletter, v. 2, no. 4, ill. Oct. 1993, p. 4. 754 Wreford, Don "Gisbourne, Glass and Chaos Theory" Ausglass Magazine, Autumn 1993, pp. 18-19, ill. 742 Weiss, Dick Author's studio experiences. "Amos Zook: Neon Artist" Glasswork (Kyoto), no. 15, July 1993, pp. 2-9, ill. In Japanese and English. 755 Wright, Laraine "Twenty Years of Glass Art" Southern Illinois University at Carbondale 743 Wellington. Wellington City Art Gallery Alumnus, April 1993, pp. 10-15, ill. Between Rocks and Glass Houses, a Project by Bill Boysen and the glass program at SIUC. Andrew Drummond, Artist; Noel Lane, Architect Wellington, New Zealand: the gallery, 1992, [15] pp., ill. 756 Wroclaw. Muzeum Narodowe Collaborative project; installations with plate Sztuka Czeska i Stowacka XX w. (Text: Mariusz glass. Hermansdorfer) Wroclaw, Poland: the museum, 1992, 68 pp., ill. Czech glass and ceramics, pp. 10-37. 744 Home Made Home 1970s-1980s work by 40 artists. Wellington, New Zealand: the gallery, 1991, 16 pp., ill. Exhibition about domestic interiors: glass by 757 Yamano, Hiroshi Giovanni Glass, Ann Robinson, Gary Nash. "Between Two Cultures" The Glass Art Society Journal 1992, pp. 76-77, ill. 745 Wickman, Kerstin "Formnoterat: Mjukt som gele" Form, v. 89, no. 4 (688), 1993, p. 7, ill. 758 Yan Zoritchak (Collection dirigee par Glassware by Ann Wahlstrom. Michele et Yves Di Folco) Niort, France: Editions "Vers lesArts", 1992, 164 pp., ill. English summary. 746 Wilbur, Terry "Due Vetro: T. C. and Lin Robertson" 759 Yood, James The Marble Connection Newsletter, v. 2, no. 3, "Reviews: Italo Scanga" July 1993, pp. 1-2, ill. Artforum, v. 31, no. 6, Feb. 1993, pp. 103-104, Bellingham, WA, studio. • ill. Chicago exhibit. 747 "Fulton Parker Glass" The Marble Connection Newsletter, v. 2, no. 1, 760 Yoriko, Mizuta Jan. 1993, p. 1, ill. "Reviews: Ito Makoto's 'Human Being' Series" Anthony Parker, Portland, OR. Glasswork (Kyoto), no. 15, July 1993, p. 46, ill. In Japanese and English. 748 "The Old Creamery . . . and Marbles" The Marble Connection Newsletter, v. 2, no. 2, 761 Young, Shylagh April 1993, p. 1, ill. "Review: Ontario/Quebec Glass" David Gruenig, glassmaker and marble maker. Glass Gazette, Summer 1993, p. 5, ill. Irene Frolic, Kevin Lockau, Carole Pilon, and others in Peterborough, Ontario, exhibit. 749 Williams, Howard S. "Between Clay and Diamond" Craft New Zealand, no. 43, Autumn 1993, 762 Zamecnikova, Dana pp. 42-43, ill. "Personal Mythologies: Notices from Prague" Review of Ann Robinson exhibit at Parnell, New The Glass Art Society Journal 1992, pp. 78-79, Zealand. ill. FLAT GLASS (after 1945), including Architectural, Mosaic, Painted, and Stained Glass

FLACHGLAS (nach 1945), einschlieBlich architekturbezogenes Glas, Mosaikglas, Glasmalerei und Bundglas

768 Anonymous Work by Brian Clarke, John Hardman Studios, 1993, pp. 58-60, ill. "Architect-Artist Collaboration Wins International and Maria McClafferty. 60 windows built by the congregation. Design Award" Artists in Stained Glass Bulletin (Toronto), April/May 1993, p. 1. 781 "Look Into It" 793 "Summer 1993 SGAA Annual Conference" Church entryway in Woodbridge, Ontario, by Stained Glass Quarterly, v. 88, no. 1, Spring Stained Glass Quarterly, v. 88, no. 3, Fall 1993, Sarah Hall. 1993, pp. 26-29, ill. pp. 192-196, ill. California library window by Pamela Mengers Work from the Associates' Show illustrated. Hodges. 769 "Arizona Art Glass '92" Glass Art Magazine, v. 8, no. 4, May/June 794 "Windows of Opportunity" 1993, pp. 42-43, ill. 782 "Making Something Special" Interiors, v. 152, no. 7, July 1993, p. 36, ill. Phoenix exhibit. Glass Age, v. 36, no. 2, Feb. 1993, p. 47, ill. Kiln-formed glass doors, panels, sculptures by Decorative glass studios at Solaglas mirrors. Stephen Knapp. 770 "Awards" 783 "Mosaicists Hold International Conference Stained Glass Quarterly, v. 88, no. 3, Fall 1993, 795 "1992 IFRAA Award Winner" in St. Petersburg" pp. 202-203, ill. Stained Glass Quarterly, v. 88, no. 1, Spring Design Matters (Newsletter of Chelsea School of William Saltzman, Elizabeth Devereaux, John W. 1993, pp. 40-41, ill. Design, The London Institute), Autumn 1992, Winterich & Associates. Set of five windows for temple in Washington, DC, p. 4. by Jeff G. Smith. 771 "Bettinger Sculpture Brings New Life to the Place des Arts" 784 "Un Mur de lumiere a Vignacourt" Artists in Stained Glass Bulletin (Toronto), Sum Le Courrier des Metiers d'Art, no. 123, June 796 Alfred Manessier: Les vitraux = Die mer 1993, p. 7, ill. 1993, p. 18, ill. Glasmalereien Sculptural skylight in Montreal quadrangle. Stained glass panels by Claude Barre for school. Romont, Switzerland: Musee Suisse du Vitrail; Chartres: Centre International du Vitrail; Bern: Benteli Verlag, 1993, 127 pp., ill. In French and 772 "Clips: Golden Doorway" 785 "New Glass Graces a Historic New York German. CraftNews (Ontario Crafts Council), v. 18, no. 3, Skyscraper" July/Aug. 1993, p. 14, ill. Stained Glass Quarterly, v. 88, no. 2, Summer Toronto artist Sarah Hall receives two awards. 1993, pp. 128-129, ill. 797 Andreani, Carole Ed Carpenter's leaded glass screens. "Bruno de Pirey. Le Vitrail sans filet" La Revue de la Ceramique et du Verre, no. 68, 773 "Cloudy Windows Cleared for Papal Visit to Jan./Feb. 1993, pp. 50-53, ill. Denver" 786 "New on Exhibit: J. Kenneth Leap, Folding Stained Glass Quarterly, v. 88, no. 3, Fall 1993, Screen" p. 168, ill. The Journal, a Newsletter for Friends of Whea- 798 Balabanoff, Doreen Restoration of the Basilica windows. ton Cultural Alliance, v. 16, no. 3, Summer "Conferences: Environmental Glass" 1993, p. 3, ill. Neues Glas, no. 3, 1993, p. 50+. Review of conference at Corning, NY. 774 "Commissions" American Craft, v. 53, no. 4, Aug./Sept. 1993, 787 "New Work" p. 28, ill. Stained Glass, the Magazine of the British 799 "In Review: Exhibition at International Trio of windows by Grant Thomas for Buckley, Society of Master Glass-Painters, Spring/ Environmental Glass Conference, Corning, NY" WA, library. Summer 1993, pp. 18-19, ill. Artists in Stained Glass Bulletin (Toronto), J. St. Clair Forde, T. Chevauche, N. Bechgaard, Summer 1993, pp. 5-6. C. Durant, J. K. Clark, F. Rapport, Bronson Shaw. 775 "Commissions: Howard and Kathleen Meehan" American Craft, v. 53, no. 6, Dec. 1993/Jan. 800 Bate, Ulrich 788 "Profile: J. Piercey Studios, Inc., Orlando, "Die Qualitat schulischer Leistungen" 1994, p. 10, ill. Florida" Sand-carved and reverse-painted lintel. Glaswelt, v. 46, no. 9, Sept. 1993, p. 64+, ill. Professional Stained Glass, no. 120, Oct./Nov. Student work in stained glass. 1993, pp. 63-66, ill. 776 "Commissions: Linda Lichtman" 801 "Schliff in der gebogenen Scheibe" American Craft, v. 53, no. 6, Dec. 1993/Jan. 789 "Showcase" Glaswelt, v. 46, no. 3, March 1993, p. 150+, ill. 1994, p. 11, ill. Glass Art Magazine, v. 8, no. 4, May/June Decorated flat glass by Glaskunst Kremer, Gevels- Panels in the Harvard Medical School Library. 1993, p. 52, ill. berg. Mosaic by G. Paul Lucas, sandblasted panel by 777 "Exhibitions: Konrad Vetter" Barry Hood. Neues Glas, no. 1, 1993, pp. 54-55. In German. 802 Beeh-Lustenberger, Suzanne 790 "Showcase" "Exhibitions: Alfred Manessier" Neues Glas, no. 1, 1993, p. 54, ill. In German. 778 "How Safe Is Stained Glass?" Glass Art Magazine, v. 8, no. 5, July/Aug. 1993, Glass Age, v. 36, no. 7, July 1993, p. 18, ill. p. 60, ill. Stained glass panels by Sarah Hall. Brian Clarke's atria and roofs in Oldham, and 803 Bettinger, Claude issue of safety of overhead glazing. "Reflections on the Work of Creation" 791 "Spain, Germany and Finland Scoop Top Leadline Magazine 1992 (Artists in Stained 779 "Interrupted Waterfall" 'Bauhaus' Prizes" Glass, Toronto), pp. 33-34, ill. In French and Stained Glass Quarterly, v. 88, no. 1, Spring Glass, Monthly Journal of the European Glass English. 1993, pp. 30-31, ill. Industry, v. 70, no. 10, Oct. 1993, p. 426. Author's work. Rochester, NY, window by Ellen Mandelbaum. Student architectural competition sponsored by Pilkington Europe. 804 Betz, Gert 780 "Look Around ... at Modern Stained "Eine Institution wachst in Dimensionen" Glass" 792 "St. Michael's Episcopal Church Windows' Glaswelt, v. 46, no. 6, June 1993, pp. 36-38, ill. Glass Circle News, no. 56, June 1993, p. 9. Glass Art Magazine, v. 8, no. 6, Sept./Oct. Centre International du Vitrail in Chartres. 805 Bishop, David H. Paris: Nouvelles Editions Mame, 1988, 93 pp., ill. 830 Graef, Allen H. "The Church of England Today: The Creative Artist Stained glass by Manessier, Chagall, and others. "Dichroics and Glass Art" and the Church, Signs and Symbols" Professional Stained Glass, v. 13, no. 1, Stained Glass, the Magazine of the British June/July 1993, pp. 12-19, ill. Society of Master Glass-Painters, Spring/ 818 Dieppe. Chateau-Musee de Dieppe Work by James Novak, Toland Sand, Manners, Summer 1993, pp. 8-9, ill. Raoul Ubac et le vitrail (Text: Pierre Bazin) Adorno, James Carpenter, Clements, and others. Reappraisal of religious iconography. Dieppe, France: the museum, 1992, [35] pp., ill.

831 Grandidier, Daniel 806 Blanco, Margarita 819 Erhard, Annegret "Acquisitions: Travaux preparatoires pour les "El Gaucho, a Mexican Restaurant with "Ausserste Freiheit" vitraux de la cathedrale de Saint-Die-des-Vosges" Argentinean Images" Antiquitaten Zeitung, v. 21, no. 23, Nov. 5, Revue du Louvre, v. 43, no. 4, Oct. 1993, Professional Stained Glass, v. 13, no. 2, 1993, p. 708, ill. pp. 92-93, ill. Aug./Sept. 1993, pp. 16-19, ill. Georg Meistermann stained glass window in Cartoons for windows in the cathedral of auction. Saint-Die-des-Vosges by Lucien Lautrec, 1986-1987. 807 Bradford, Kathy "The Music of the Spheres" 820 Femenella, Arthur J. Glass Art Magazine, v. 8, no. 7, Nov./Dec. "The Structure of Stained Glass Windows: Fins" 832 Grenon, Ariane 1993, pp. 34-36, ill. Stained Glass Quarterly, v. 88, no. 2, Summer "La Couleur du verre: Manessier — Vitraux Panel by author for Colorado home. 1993, pp. 116-121, ill. 1948-1993-Chartres" Le Courrier des Metiers d'Art, no. 119, Jan./Feb. 1993, pp. 10-11, ill. 808 Brathwaite, Stephen 821 Fenton, Dan "The Medici's Are Dead: The Democratization of Dan Fenton Workshops: Outlines and Terms for Art Selection for Public Work" Sponsors 833 "La Legende du Xle" Leadline Magazine 1992 (Artists in Stained Oakland, CA: the author, [1988], [28] pp , ill. Le Courrier des Metiers d'Art, no. 120, March Glass, Toronto), pp. 35-36. Description of classes taught by Fenton and 1993, p. 15, ill. equipment/supplies needed. Stained glass panel by Jean Villette. 809 Buckley, Christopher "She Does Windows" 822 Fernandez Castrillo, Jose Forbes FYI (Supplement to Forbes Magazine), 834 Haufschild, Lutz "Spain: Lines without Chains" May 10, 1993, pp. 178-179, ill. "Canadian Stained Glass Suspended between The Glass Art Society Journal 1992, pp. 54-55, Cynthia Becton of Richardson Glass Studio. Greatness and Mediocrity" ill. Leadline Magazine 1992 (Artists in Stained Glass, Toronto), pp. 12-15, ill. In French and 810 Buffalo. Burchfield Art Center English. Craft Art 1992: Western New York 823 FlachglasAG Buffalo, NY: the center, Buffalo State College, Glasarchitektur 1992 1992, [40] pp., ill. Gelsenkirchen, Federal Republic of Germany: the 835 "Glass and the Media: A Story of Panel by Bruce Kozma. company, 1993, 104 pp., ill. In German and Ignorance and Innuendo" English. Leadline Magazine 1992 (Artists in Stained Bundestag building in Bonn, the Munich airport, Glass, Toronto), pp. 30-32, ill. In French and 811 Carnegie Institute Galleries and other projects. English. Associated Artists of Pittsburgh: 41st Annual Exhibition Pittsburgh, PA: the galleries, 1951, 84 pp., ill. 824 Fleck, Robert 836 "Poetry, Fish and Light: The New Work of "Pieta" panel by Helen Carew, now in The "Chartres: Alfred Manessier" Ed Carpenter" Corning Museum of Glass. Art (Hamburg), no. 1, Jan. 1993, pp. 82-83, ill. Professional Stained Glass, no. 120, Oct./Nov. Exhibition of Manessier"s work at the Centre 1993, pp. 6-13, ill. International du Vitrail. 812 Castres. Musee Goya Lumiere: Vitraux et retables de Didier Gallet 837 Heme. Emschertal Museum (Catalog: Marie-Paule Romanens) 825 Fogarty, Trish Jupp Gesing: Retrospektive. Malerei und Glas- Castres, France: the museum, 1993, 47 pp., ill. "Skylight Renovation Returns Guggenheim malerei Stained glass by Gallet. Museum to Frank Lloyd Wright's Heme, Federal Republic of Germany: the Original Design" museum, 1992, 59 pp., ill. U.S. Glass, Metal & Glazing, v. 27, no. 11, 813 Une Chanson pour Marie Nov. 23, 1992, pp. 24-25, ill. Epinal, France: [s.n., n.d.], 20 slides, ill. 838 Hickey, Gloria Glass by Gabriel Loire in Epinal church. "Color, Order & Love — The Paradoxical Work of 826 Gabaldo, Virginia Lutz Haufschild" "Artistic Use of Dichroic" Professional Stained Glass, v. 12, no. 12, Dec. 814 Cotton, Belinda Professional Stained Glass, v. 13, no. 1, 1992, pp. 4-16, ill. "A Bagful of Conflicts" June/July 1993, pp. 20-24, ill. Craft Arts International (Sydney), no. 27, 1993, Author's work. pp. 112-113, ill. 839 Hinz, Phyllis Exhibit with stained glass by Jeffrey Hamilton. "Canadian Clay and Glass Gallery" 827 Gable, Cate Artists in Stained Glass Bulletin (Toronto), 815 Crisdale, Stephen and Mansell, Dianne "In Pursuit of Light: The Zen Graffiti of Robert Feb./March 1993, p. 1. "Portfolio" Kehlmann" Waterloo facility nears completion. Craft Arts International {Sydney), no. 28, 1993, American Craft, v. 53, no. 2, April/May 1993, p. 87, ill. pp. 42-45, ill. Authors' stained glass lamps, jewelry, etc. 840 Hoover, Richard "Truett George, Jr." 828 Gal, Regis Stained Glass Quarterly, v. 88, no. 3, Fall 1993, 816 de Lavergne, Sabine "Trames et grisailles: Jean Dominique Fleury" pp. 197-201, ill. "Alfred Manessier" Leadline Magazine 1992 (Artists in Stained Work by George and the Advent Glass Works, Ft. Chroniques d'Art Sacre, no. 30, Summer 1992, Glass, Toronto), pp. 18-19, ill. White, FL. pp. 2-8, ill.

829 Gomersall, Arnica 841 Husted, Al 817 Debuyst, Frederic "The Resonance of Color" "Noel and Janene Hilliard's Lamps" L'Art Chretien contemporain, de 1962 a nos Stained Glass Quarterly, v. 88, no. 3, Fall 1993, Professional Stained Glass, v. 13, no. 2, jours p. 177+, ill. Aug./Sept. 1993, pp. 6-15, ill. 52 842 "Tiffanies and Beyond" 854 "Eric Wesselow, RCA" Author's commission for church window near Home Lighting & Accessories, v. 76, no. 8, Aug. Canadian Society of Decorative Arts Bulletin, Monmouth. 1993, pp. 34-35, ill. v. 11, no. 1/2, Winter/Spring 1993, p. 11, ill. Tiffany-style lamps and newer fused glass lamps. Montreal designer and innovator in the production of stained glass. 867 Moed, Andrea "Glass Action" 843 International Conferences on Environ Metropolis, v. 13, no. 2, Sept. 1993, p. 39, ill. mental Glass [Program] (Corning, NY, May 855 Lhote, Jean-Marie Napa Valley workshop led by Johannes Schreiter 20-23, 1993) "Manessier, I'oeuvre vitrail" to design windows for San Francisco AIDS/HIV Oklahoma City, OK: the conference, 1993, La Revue de la Ceramique et du Verre, no. 69, center. 62 pp., ill. March/April 1993, pp. 31-40, ill. Includes exhibition catalog: "Light: Glass, Lead and Paint;" Corning City Hall, Corning, NY, 868 Moor, Andrew pp. 27-29 and 34-47. 856 Les Maitres contemporains du vitrail "Will the Nineties Belong to British Glass?" (Text: Joseph Pichard) Professional Stained Glass, no. 120, Oct./Nov. Chartres, France: Syndicat d'Initiative, 1968, 1993, pp. 14-18, ill. 844 Ivey, Mimi 16 pp., ill. Patrick Reyntiens, Brian Clarke, Graham Jones, "St. James Church Commission" Exhibition of contemporary French stained glass A. Beleschenko. Craft Arts International (Sydney), no. 28, 1993, artists. pp. 102-104, ill. Wall installation by David Wright in Sydney church. 869 "Will the 90's Belong to British Glass?" 857 Manessier a Fribourg Leadline Magazine 1992 (Artists in Stained Fribourg, France: Meandre Editions, 1988, Glass, Toronto), pp. 23-26, ill. In French and 845 Jujo-shoji Co 48 pp., ill. English. Stained Glass Alfred Manessier. [Moriyama, Nagoya, Japan: the company, 1992?], [6] pp., ill. In Japanese. 870 Morse, Natalee S. Catalog for a competition of stained glass, 858 Marks, Ben Leaded Glass Designs by Natalee organized by a stained glass supplier. "Reviews: Robert Kehlmann" Dallas, TX: the author, 1993, 60 pp., ill. Glass (New York Experimental Glass Workshop), no. 51, Spring 1993, p. 52, ill. 846 Kehlmann, Robert 20th Century Stained Glass 871 Muir, Jane "Transformations" Kyoto, Japan: Kyoto Shoin, 1992, ill. 859 Markus von Gosen (Text: Hubertus The Glass Engraver, no. 69, Winter 1992/1993, Reviewed by Ben Marks in Glass (New York Lossow, Michael Berg, and others) Experimental Glass Workshop), no. 52, Summer pp. 17-25, ill. Bad Windsheim, Federal Republic of Germany: Author is a British mosaic artist. 1993, p. 53; and by William Warmus in Glass Art Delp Verlag, 1988, (Silesia Folge 34), 112 pp., ill. Society Journal 1992, pp. 120-121. Stained glass and mosaics by von Gosen. 872 Mulligan, Rachel "Community Projects: Glass in Schools" 847 Keshava (Antonio L. Sainz) 860 McGrain, Peter Stained Glass, the Magazine of the British "Contemporary Spanish Glass Artists" "Composition and the Creative Process" Society of Master Glass-Painters, Spring/ The Glass Art Society Journal 1992, pp. 39-40, Glass Art Magazine, v. 8, no. 4, May/June Summer 1993, p. 14, ill. ill. 1993, pp. 38-41, ill.

848 Kingsley, April 873 Pagel, Wolfgang 861 "Eliminating the Extraneous Lead Line" "Constructing in Color: Fritz Bultman's Collages "Roof of Colour and Light" Glass Art Magazine, v. 8, no. 7, Nov./Dec. and Walls" Schott Information, no. 63, 1993, p. 22, ill. 1993, pp. 14-17, ill. Arts Quarterly (New Orleans Museum of Art), Octagonal chapel roof with stained glass, v. 15, no. 3, July/Aug./Sept. 1993, pp. 8-9, ill. Rheinbach. 862 "Experiments with Dichroic Glass" Professional Stained Glass, v. 13, no. 1, 849 Klindt, Ludwig June/July 1993, pp. 6-11, ill. 874 Pew Fellowships in the Arts "Fassadenbau: Glas ist international" Author's work. Pew Fellowships in the Arts 1991-1992 Glaswelt, v. 46, no. 3, March 1993, pp. 89-96, Philadelphia, PA: the fellowships, 1993, 47 pp., ill. ill. Architectural glass uses in Australia. 863 "Maintaining a Creative Outlook" Includes Judith Schaechter. Glass Art Magazine, v. 8, no. 2, Jan./Feb. 1993, 850 Kostowski, Jakub pp. 18-23, ill. Author's work. 875 Picard, Denis "Pracownia 22" "Eglises d'antan, lumiere d'aujourd'hui" Odra (Wroclaw), no. 6, June 1993, pp. 107-108, Connaissance desArts, no. 494, April 1993, ill. 864 McGuire, Maureen p. 8, ill. Review of exhibition of student work from work "The 1992 IFRAA International Visual Arts Use of contemporary stained glass in old shop conducted by Anna Skibska. Awards" churches in French towns. Faith & Form, Journal of the Interfaith Forum on 851 Langhamer, Antom'n Religion, Art & Architecture, v. 26, Winter "Glass in Architecture = Glas in der Architektur" 1992-1993, pp. 22-33, ill. 876 Poensgen, Jochem New Glass Review (Czech), v. 48, no. 3, 1993, Stained glass by Sarah Hall, Elizabeth Devereaux, "About Transparency and Reality, and Their pp. 13-17, ill. William Saltzman, Jeff G. Smith, Brenda Belfield. Arranged Interaction in Windows" Libensky/Brychtova; Zelezny Brod glass produc Leadline Magazine 1992 (Artists in Stained tion; etched, sandblasted techniques. Glass, Toronto), pp. 27-29, ill. In French and 865 McMillan, Ailson English. "Alice in Westerland. Travelling through Glass Excerpts from lecture given at the Environmental 852 Lechuga Gil, Gerardo across Australia" Glass Conference, Montreal. "Glass in the Religious Art of Mexico. The Ausglass Magazine, Summer 1992/1993, Cosmo-Vitral in Toluca" pp. 24-25, ill. The Glass Art Society Journal 1992, pp. 41-43, Author prepares for exhibit of her stained glass. 877 "In Plain Daylight: German Sacred Glass" ill. The Glass Art Society Journal 1992, pp. 48-49, ill. 866 Meager, Mollie 853 Lesser, Gloria "New Work" "Eric Wesselow" Stained Glass, the Magazine of the British 878 Powell, Kenneth Artists in Stained Glass Bulletin (Toronto), Oct. Society of Master Glass-Painters, Spring/ "The Best of British: Nominations for the 1993 1993, p. 3, ill. Summer 1993, p. 20, ill. Turner Prize" Art Review (London, formerly Arts Review), v. 45, 890 Tavullia. Arte Design Glass Art Magazine, v. 8, no. 3, March/April May 1993, pp. 46-49, ill. Artisti alio specchio (Text: Guido Ballo) 1993, pp. 4-10, ill. Brian Clarke roof lights, Lancashire. Tavullia, Italy: the gallery, [1992], 43 pp., ill. In Italian and English. Mirror "paintings" by five artists for exhibit "Artist in 903 Walter, Joachim P. and Kallmeyer, Lothar 879 Reyntiens, Patrick the Looking Glass." "Kirche Eben-Ezer" "Organic Geometry" Kunst und Kirche, no. 2, 1993, pp. 116-120, ill. Stained Glass Quarterly, v. 88, no. 3, Fall 1993, Stained glass by Johannes Schreiter. pp. 178-181, ill. 891 Temin, Christine Work by Welsh artist Debora Coombs at a hospital "Glass Acts. The Evolution of the Art of Tiffany" 904 Wardell, Randy and Wardell, Judy chapel. Artists in Stained Glass Bulletin (Toronto), Oct. 1993, p. 1, ill. Quick Success Stained Glass: A Beginner's Review of Boston exhibit of architectural glass, Instruction Guide 880 Roby, Diane "The Glass Canvas." Ajax (Toronto), Ontario, Canada: Wardell "Scavengers: Beverly Rayner" Publications, 1992, 23 pp., ill. Artweek, v. 24, no. 21, Nov. 4, 1993, p. 14, ill. Panels by Rayner at San Francisco gallery. 892 Theophilus, Jeremy "Divine Inspiration" 905 Weis, Helene Crafts (U.K.), no. 123, July/Aug. 1993, "An Italian Stained Glass Studio" Stained Glass Quarterly, v. 88, no. 3, Fall 1993, 881 Rogers-Thomas, Vero pp. 32-35, ill. pp. 182-186, ill. "Community Projects: St. Ann's, Haringey" Stained glass panels designed by Ahmed Interview with Gianni Bracciali from a Siena Stained Glass, the Magazine of the British Moustafa. studio. Society of Master Glass-Painters, Spring/ Summer 1993, p. 15, ill. 893 Vidal, Jean^Jacques Author's work for school. "Les Vitraux de la cathedrale de Brasilia" 906 Wesselow, Eric La Revue de la Ceramique et du Verre, no. 68, "Excerpts of Keynote Address, Environmental Glass Conference in Montreal 1991" 882 Le Sanctuaire de Notre Dame de Jan./Feb. 1993, pp. 48-49, ill. Brazilian stained glass by Marianne Peretti. Leadline Magazine 1992 (Artists in Stained Consolation de Hyeres: Son passe, sa Glass, Toronto), pp. 8-9. In French and English. restauration (Text: Jean Journoud and Roger Riou) 894 Vitraux d'artistes (Text: Claude Mollard [Hyeres: s.n., n.d.], 12 pp., ill. and Bruno Loire) 907 Wilde, David Window by Gabriel Loire. Leves, France: EVTA, Ateliers Loire, 1991-1993, "Report from the Environmental Glass Conference 46 pp., ill. 1991, Montreal" Stained glass by Riccardo Licata and other Leadline Magazine 1992 (Artists in Stained 883 Schreiter, Johannes French artists. Glass, Toronto), p. 10. "Quotations by Johannes Schreiter" Leadline Magazine 1992 (Artists in Stained Glass, Toronto), p. 11. In French and English. 895 Les Vitraux de I'abbaye Sainte-Marie de la 908 Winternitz, Adolfo C. Pierre-qui-Vire "Sacred Art in Peru, a Personal Experience" Pierre-qui-Vire, France: Presses Monastiques, The Glass Art Society Journal 1992, pp. 70-75, 884 Schreiter, Johannes and Smith, Jeff G. [1969], 8 pp., ill. ill. "Windows to Life, Two Views: The Teacher, Stained glass and dalles by the friars, A Student" 1968-1969. Stained Glass Quarterly, v. 88, no. 3, Fall 1993, 909 Wright, Skip pp. 204-207+, ill. "Dancing in Glass . . . with AIDS" Collaboration between artists at the workshop to 896 Waggoner, Shawn Professional Stained Glass, no. 120, Oct./Nov. design windows for the AIDS/HIV center in San "Art Glass in Architecture: Breaking New Ground" 1993, pp. 19-24, ill. Francisco. Glass Art Magazine, v. 8, no. 7, Nov./Dec. Author's work. 1993, pp. 4-8, ill.

885 Scott, Graham 910 Zelinsky, Marilyn "Glass on the 'Wetcoast'" 897 "The Content of Creation: The Work and "Fantasy Glass" Leadline Magazine 1992 (Artists in Stained Writings of Robert Kehlmann" Interiors, v. 152, no. 8, Aug. 1993, p. 34, ill. Glass, Toronto), pp. 16-17, ill. Glass Art Magazine, v. 8, no. 2, Jan./Feb. 1993, Panels and doors with laminated photographic Architectural glass on Canada's west coast. pp. 38-42, ill. images by Claudio Cesar.

886 Seidman-Tighe, Amy 898 "The Tempting Windows of Postich Stained "Like the Phoenix" Glass Studios" The World & I, v. 8, no. 1, Jan. 1993, Glass Art Magazine, v. 8, no. 7, Nov./Dec. pp. 438-447, ill. 1993, pp. 38-41, ill. Glass etcher Maria Woodruff survives studio fire. 899 "Two Decades of Versatility: Leslie Perlis 887 Sloan, Julie L. Studio" "An American Canterbury" Glass Art Magazine, v. 8, no. 2, Jan./Feb. 1993, Stained Glass Quarterly, v. 88, no. 2, Summer pp. 10-14, ill. 1993, pp. 122-126, ill. Stained glass conservation training under Mel 900 "The Vivaciously Contemporary Art Zone" Greenland at the St. Ann Center in Brooklyn, NY. Glass Art Magazine, v. 8, no. 4, May/June 1993, pp. 4-7, ill. Jane and Kathryn Irwin and their Toronto studio. 888 Smith, Virginia and Wilde, David "The Smith & Wilde Report" Artists in Stained Glass Bulletin (Toronto), Sum 901 "Windows to Life" mer 1993, p. 2. Glass Art Magazine, v. 8, no. 6, Sept./Oct. Review of the Environmental Glass Conference 1993, pp. 62-65, ill. held in Corning in May 1993. Johannes Schreiter workshop to plan windows for new AIDS/HIV Center, San Francisco.

889 Smith-Lamothe, T. E. "Stained Glass in Atlantic Canada" 902 Waggoner, Shawn and Wichmann, Barbara Leadline Magazine 1992 (Artists in Stained "The Bold and Confrontational Windows of Glass, Toronto), pp. 39-41, ill. Johannes Schreiter" TECHNOLOGY (after 1945)/TECHNOLOGIE (nach 1945)

911 Anonymous The Crafts Report, v. 19, no. 204, March 1993, 936 Collins, Bill "Adult Lead Poisoning Data Floods In" p. 16. "Neon Training Goes to College" ACTS Facts (Arts, Crafts and Theater Safety), Signs of the Times, v. 215, no. 12, Dec. 1993, v. 7, no. 4, April 1993, pp. 2-3. pp. 118-122, ill. 925 Bartneck, Lea Northwest Technical College/Detroit Lakes, White "Painting on Hot Glass" Bear Lake, MN. 912 "Ceramic Fiber Makers Sign Testing Glass Art Magazine, v. 8, no. 7, Nov./Dec. Agreement" 1993, pp. 10-12, ill. ACTS Facts (Arts, Crafts and Theater Safety), Enamel painting techniques on hot glass. 937 Depp, Steven W. and Howard, Webster E. v. 7, no. 6, June 1993, p. 3. "Flat-Panel Displays" Warnings about ceramic fiber kilns used by Scientific American, v. 266, no. 3, March 1993, pottery, glass, and stained glass workers. 926 Bradford, Kathy pp. 90-97, ill. "Answers to Your Sandblasting Questions" Recent advances involving liquid-crystal material Glass Art Magazine, v. 8, no. 3, March/April sealed between glass plates. 913 "Decoration verre: Plusieurs entreprises la 1993, pp. 32-35. renouvelle dans des registres differents" Verre Actualites, no. 123, June/July 1993, 938 Dobbins, Norm pp. 12-27, ill. 927 "Combining Sandblasting with Kilnformed "Combining Glass Etching Techniques" Decorative treatments for flat glass. Glass" Professional Stained Glass, v. 13, no. 2, Glass Art Magazine, v. 8, no. 5, July/Aug. 1993, Aug./Sept. 1993, pp. 20-23, ill. pp. 14-20, ill. 914 "Hydrofluoric Acid/Mica Glass Embossing Includes author's work. Process" 939 Special Techniques for Glass Etching The Gilder's Tip, v. 6, no. 2, Summer 1993, (Articles by Norm Dobbins, compiled by p.16. 928 "Light Shading: Part II" Professional Stained Glass Consultants) Glass Art Magazine, v. 8, no. 2, Jan./Feb. 1993, [Santa Fe, NM: Professional Stained Glass pp. 24-25, ill. Consultants, 1992], ill. 915 "Respiratory Problems Found More Often Sandblast carving using alternative stencil Eight magazine reprints. in Glassblowers" materials. ACTS Facts (Arts, Crafts and Theater Safety), v. 7, no. 7, July 1993, p. 2. 929 "Sandblast Carving" 940 DuBoff, Leonard Glass Art Magazine, v. 8, no. 4, May/June "Copyright Protection for Glass Artists" 916 "Silicosis Still a Deadly Problem" 1993, pp. 18-21+, ill. Professional Stained Glass, v. 13, no. 1, ACTS Facts (Arts, Crafts and Theater Safety), Author's work. June/July 1993, pp. 32-33. v. 7, no. 6, June 1993, p. 2. Sandblasting dangers. 930 Brussels. 1958. Exposition Universelle et 941 Eerola, Markus Internationale "Flame Spraying Copper on Glass Artware" 917 "Soldering Tips" Catalogue general = Algemene Cataloog = American Ceramic Society Bulletin, v. 72, no. 7, Professional Stained Glass, v. 13, no. 2, General Catalogue... July 1993, pp. 48-49+, ill. Aug./Sept. 1993, p. 48. [Bruxelles: the exposition, 1958]; (Bruxelles: Llmprimerie Puvrez), 1394 pp., ill. Lists of glass industries from various countries 942 Femenella, Arthur 918 "TechNotes: Knowing Your Kiln" participating in the exposition. "Installations" The Bullseye Bulletin, Spring 1993, insert, 4 pp., Glass Art Magazine, v. 8, no. 5, July/Aug. 1993, ill. pp. 46-50, ill. 931 Button, David and others Stained glass windows. Glass in Building: A Guide to Modern Architec 919 Adorno, Zoe; LaLonde, Richard; and tural Glass Performance Luebtow, John Oxford, England: Butterworth Architecture, 1993, 943 "Putty, Caulk and Installation Details" "Fusing and Slumping Roundtable" 372 pp., ill. Glass Art Magazine, v. 8, no. 3, March/April The Glass Art Society Journal 1992, pp. 96-98, Published with the Pilkington Glass Companies. 1993, pp. 18-23, ill. ill. Cementing and setting stained glass windows.

932 Caba, Randall L. 920 American Scientific Glassblowers Society 944 "The Structure of Stained Glass Windows: Proceedings, The Thirty-sixth Symposium and Neon Principles: The Art of Shaping Light with Neon Bars" Exhibition on the Art of Scientific Glassblowing Stained Glass Quarterly, v. 88, no. 1, Spring Toledo, OH: the society, 1991, vii, 66 pp., ill. Portland, OR: The Neon Press, 1992, 227 pp., ill. 1993, pp. 32-39, ill.

921 Bailey, Jean 945 Fenton, Dan "Architectural Glass — Aesthetic Potential in New 933 The Neon Principles Workbook: A Guide "Fusing Problem Solving: Ask Yourself First" Technologies" to Shaping Light with Neon Glass Art Magazine, v. 8, no. 3, March/April Glass Technology, v. 34, no. 2, April 1993, Portland, OR: The Neon Press, 1993, 62 pp., ill. 1993, pp. 38-44, ill. pp. 81-83. Transparent reflective coatings and holography. 934 Cage, Tom "The Glassblower's Tools of the Trade" 946 "Non-Glass Inclusions for Fusing" 922 Barazani, Gail Signs of the Times, Part 1: v. 215, no. 3, March Glass Art Magazine, v. 8, no. 4, May/June "The Problem with Lead, Part 1: It's Everywhere" 1993, pp. 78-81, ill. 1993, pp. 8-13, ill. The Crafts Report, v. 19, no. 202, Jan. 1993, Part 2: v. 215, no. 4, April 1993, pp. 150-153, ill. p. 18. Part 3: v. 215, no. 5, May 1993, pp. 98-103, ill. Tube-bending equipment. 947 Frey, Thomas G. "The Chemistry of Glass for Studio Glassblowers" 923 "Lead, Part 2: Potential Health Effects" The Glass Art Society Journal 1992, pp. 83-90, The Crafts Report, v. 19, no. 203, Feb. 1993, 935 Codrington, Andrea ill. p. 16. "Gio Ponti Celebrated in Denver" I.D. (International Design), v. 40, no. 2, March/April 1993, p. 17, ill. 948 Giberson, Dudley F., Jr. 924 "The Trouble with Lead, Part 3: Future Ponti's 1971 glass tile building for the Denver Art Joppa Glassworks Catalog of Fact and Use" Museum. Knowledge (5th ed.) Warner, NH: Joppa Glassworks, 1992, [19] pp., 961 McCann, Michael 973 Stanton, David L. ill. Artist Beware "Lead-Free Colors for Decorating" Fuel economy, safety systems, etc. New York: Lyons &Burford, 1992, 564 pp., ill. Glass Industry, v. 74, no. 2, Feb. 1993, "Glass Arts," pp. 469-479. pp. 8-10.

949 Glawson, Rick "Glue Chip Process on Glass" 962 McCaughan, D. V. 974 Stone, Graham The Gilder's Tip, v. 6, no. 2, Summer 1993, "Glass Technology — 1990's Style" "Toxic Effects of Kiln & Furnace Materials" p. 14. The Glass Society of Ireland Newsletter, no. 3, Ausglass Magazine, Autumn 1993, p. 20. Aug. 1993, pp. 6-7. Transistors, optical fibers, etc. 950 Gruenig, David 975 Strattman, Wayne "Copper Ruby" "Hand Drawing Colored Tubing" The Independent Glassblower, no. 29, 963 McPheat, John Signs of the Times, v. 215, no. 4, April 1993, March/April/May 1993, pp. 1-5. "Glass from Stone" pp. 144-149, ill. Glass, Monthly Journal of the European Glass Neon tubing. Industry, v. 70, no. 5, May 1993, p. 192, ill. 951 "Excerpts from The Independent Lampworkers and glassblowers at scientific Glassblower: Molecular Weight and Conversion glassware firm in Stone, Staffordshire. 976 Umbdenstock, J. B. Factors" "Procedes de formage du verre dans leurs G.A.S. News (Glass Art Society), Fall 1993, applications plastiques. Un Panorama de la scene pp. 10-11. 964 Minne, Anne internationale du verre contemporain" [in] "Llntegration du verre dans I'architecture Technique et science: Les Arts du verre (Actes 952 "Eye Protection for Furnace Glassblowers" contemporaine. Aspects techniques" [in] du Colloque de Namur, Oct. 20-21, 1989), Na Glass Gazette, Fall 1992, pp. 4-6, ill. Technique et science: Les Arts du verre (Actes mur: Presses Universitaires, 1991, pp. 69-74, ill. Reprinted from The Independent Glassblower du Colloque de Namur, Oct. 20-21, 1989), Overview of techniques used by studio artists: (ed. by David Gruenig), no. 18, Aug./Sept. 1990. Namur: Presses Universitaires, 1991, pp. 85-95. hot-forming, cold techniques, kiln-forming, etc. Technical aspects of integrating glass in architecture. 953 "Gold Ruby Glass" 977 Viggiani, Donatella The Independent Glassblower, no. 28, Dec. Tecniche di fusione del vetro 1992/Jan.-Feb. 1993, pp. 1-5. 965 Moglia, Michel Milano: Edizioni Edarte, 1991, 46 pp., ill. "Sur la piste de I'armonica de verre" Fusing with glass. La Revue de la Ceramique et du Verre, no. 71, 954 "Iridescent Glass Technique" July/Aug. 1993, pp. 58-59, ill. The Independent Glassblower, no. 27, Glass musical instruments by Jean-Claude 978 Waggoner, Shawn Sept./Oct./Nov. 1992, pp. 1-5. Chapuis. "Metal Overlay" Also in Glass Line, v. 6, no. 6, April/May 1993, Glass Art Magazine, v. 8, no. 5, July/Aug. 1993, pp. 11-12+. pp. 54-59, ill. Fuming and spraying metal solutions. 966 Moras, Ingrid Method used to enhance linework in stained glass Beschilderd glas als sieraad: Met patronen op panels. ware grootte 955 Hoffmann, Ute De Bilt, the Netherlands: Cantecleer, 1991, "The Glass Experience" 31 pp., ill. Schott Information, no. 63, 1993, pp. 12-14, ill. Hobby book on ornamental painted glass, jewelry. Product exhibit at Schott Centrum, Mainz. Includes patterns.

956 Howard, Peter 967 Ostler, Tim "Changing for the Better: The UK Studio "Out of the Shadows" Movement" Design (U.K.), no. 537, Sept. 1993, pp. 43-45, Glass, Monthly Journal of the European Glass ill. Industry, v. 70, no. 8, Aug. 1993, p. 325. Future design possibilities with fluorescent Changes in manufacturing technology and lighting. commercial strategies since 1968.

957 Johnston, Ian W. 968 Pirsig, Ted "Making Faces in Glass" "Hot Moves with Hard Glass" Ausglass Magazine, Summer 1992/1993, Signs of the Times, v. 215, no. 7, July 1993, pp. 18-22, ill. pp. 128-133, ill. Relief-molding and casting facial forms. French techniques for borosilicate neon signage.

958 Knapp, Stephen 969 "Through the Glass Darkly - A Hard Look "Brain-Dead at Mid-Career: The Danger of Getting at Learning Neon" Too Skilled at Craft (Working with Fabricators)" Signs of the Times, v. 215, no. 3, March 1993, The Glass Art Society Journal 1992, pp. 91-93, pp. 82-91, ill. ill.

970 Rienstra, Bonnie 959 Kuhn, Jon "A Touch of Glass" "Using Glass Adhesive and Industrial Technology Photographic, July 1993, pp. 62-63, ill. to Pursue Artistic Goals" Photographing glass. The Glass Art Society Journal 1992, pp. 94-95, ill. 971 Rossol, Monona "Glassmaking Health and Safety, Update 1992" 960 Maul, David G. The Glass Art Society Journal 1992, "Construction of an Annealing Oven" [in] pp. 99-104. Proceedings of the Thirty-seventh Symposium on the Art of Scientific Glassblowing (Dearborn, Ml, June 1992), Toledo, OH: American Scientific 972 Smithells, Roger Glassblowers Society, 1992, pp. 52-57, ill. Glass in Your Home A type of studio annealing oven first used by Nick London: Pilkington Brothers, 1953, 49 pp., ill. Labino. Vitrolite, mirrors, etc. FILMS AND VIDEOTAPES/FILME UND VIDEOKASSETTEN

979 Alphabetical Poetry Series 989 Fused Glass Mask Making by 998 Kiln-Fired Glass, Updated Glass Media, 1992 James Schell Harriette Anderson, 1993 54 min., silent, color. 1993? 50 min., sound, color. Nancy Meli Walker. 5 min., sound, color.

999 Lampwork Beads I 980 Art of Jackson Hall, Part 1 990 Glass Art Association of Canada KBA Productions, 1992 Jackson Hall, 1989 Conference 1992 57 min., sound, color. 10 min., sound, color. Hungry Eye Productions, 1992 75 min., sound, color. 1000 Lampwork Beads II 981 Arte Vetraria: Josh Simpson KBA Productions, 1993 David Lazar/Video Services Group, 1993 991 Glass Art Society 1993 Conference 90 min., sound, color. 30 min., sound, color. Glass Art Society, 1993 14 hours (7 tapes), sound, color. 1001 Paul Ysart Exhibition and Paperweight 982 Bill Gudenrath Restoration 992 Glass Bead Making Glass Axis/Andy Hudson, 1992 John Simmonds, 1992 Crystal Myths, 1993 150 min., sound, color. 72 min., sound, color. 80 min., sound, color. Lewis C. Wilson. 983 Corning Museum of Glass 1993 Seminar 1002 Pel leas and Melisande Tape 5: Steuben Design, Craft, and Art, by KCTS-TV, 1993 993 Glass Blower: Matthew Buechner Christopher Hacker. 60 min., sound, color. 14 min., sound, color. Telltale Videos, 1993 Dale Chihuly. 9 min., sound, color. 984 Tape 8: The Rakow Commission Presentation, by Fritz Dreisbach. 45 min., sound, color. 994 Goblet Artistry 1003 Sari Dienes: Empress of the Sands Jerry Raphael, 1993 of Reason 985 Tape 9: Sweating with the Oldies: 9 min., sound, color. Richard Raderman, 1986 Rediscovering the Manufacturing Processes of Melanie Guernsey. 27 min., sound, color. Historic Blown Glass Drinking Vessels, by Bill Gudenrath. 60 min., sound, color. 995 Heart of Glass 1004 Stanislav Libensky 986 Tape 10: Glassblowing Demonstration, Werner Herzog, 1974 CeskaTelevisi, 1993 by Bill Gudenrath. 90 min., sound, color. 93 min., sound, color. 15 min., sound, color.

987 Expanded Introduction to Stained Glass 996 International Conference on 1005 Ursula Huth and Siby lie Peretti at the Painting, with Richard Millard Environmental Glass: Miller Gallery Vidreaux Productions, 1992 1989, no. 1010: Albinas Elskus Miller Gallery, 1992 255 min. (4 tapes), sound, color. 60 min., sound, color. 18 min., sound, color.

988 Fulton Parker Glass Marble Catalog, 997 It's Functional, It's Art 1006 Les Vitraux de Fribourg 1993 Jerry Raphael, 1993 Imasud, 1993 Anthony Parker/Fulton Parker Glass, 1993 18 min., sound, color. 26 min., sound, color. 80 min., sound, color. Dave Leppla. Alfred Manessier. A SELECTIVE INDEX OF PROPER NAMES AND PLACES

AUSGEWAHLTES REGISTER VON EIGENNAMEN UND ORTEN

This is a subject index to the "Bibliogra Es handelt sich im folgenden urn ein phy" of New Glass Review 15. The num Sachregister zur „Bibliographie" der New bers following the names below are Glass Review 15. Die Zahlen hinter den keyed to the numbers preceding the indi Namen entsprechen den Zahlen, die den vidual "Bibliography" entries in which Eintragungen der einzelnen Beitrage der these persons and places are discussed. „Bibliographie" vorangestellt sind, in denen die entsprechenden Personen oder Orte behandelt werden.

Adam, Jan, 137, 280 Campbell, Blaise, 368 Elias, Bohumil, 667, 704 Adams, Hank Murta, 41 Carder, Ken, 235 Englund, Eva, 326 Adorno, Zoe, 830, 919 Carpenter, Ed, 132, 785, 836 Farbanish, Tom, 64, 313 Africano, Nicolas, 83 Carpenter, James, 57, 100, 175, 230, Fenton, Dan, 821, 945, 946 Alberius, Olle, 188, 676 830 Fievet, Gisele and Regis, 464 Andersson, Willy, 155 Carretta, Tony, 117 Fisar, Jan, 45, 244, 580 Antonakos, Stephen, 310, 345 Carther, Warren, 237 Flavin, Dan, 310, 339 Aschenbrenner, Michael, 74, 304, 541, Cash, Sidney, 158 Fletcher, Peter, 240, 243 695 Castiglione, Achille, 119, 120, 148, Fleury, Jean Dominique, 828 Backstrom, Monica, 413, 517, 518, 676 157, 635 Forsell, Ulla, 483, 588 Baldwin, Philip, 43, 434 Chao, Bruce, 74, 304, 462, 541, 695 Franck, Kaj, 57, 253, 392, 441, 478, Banford, Bobby, 526, 692, 693 Chihuly, Dale, 57, 82, 107, 108, 109, 577 Bartneck, Lea, 67, 925 118, 142, 166, 167, 196, 202, 204, Freund, Elsa, 323 Begou, Alain and Marisa, 291 223, 252, 258, 277, 301, 312, 318, Frode, Hans, 41, 207 Begou, Francis, 349 375, 520, 547, 555, 575, 582, 614, Frolic, Irene, 43, 268, 405, 406, 469, Beleschenko, Alex, 868, 869 620, 643, 736, 1002 522, 738, 761 BenTre, Howard, 1, 57, 185, 366, Cho, Simsa, 665, 751 Frydrych, Jan, 87 500, 511, 547, 595 Cigler, Vaclav, 704, 765 Gabaldo, Virginia, 826 Bernstein, Ricky, 398 Clarke, Brian, 778, 780, 868, 869, Gardner, Ann, 229 Bettinger, Claude, 771, 803 878 Gareau, Maurice, 347 Bianchino, Wanda, 88 Coombs, Debora, 879 Gibeau, Mark, 195 Bianconi, Fulvio, 210, 211 Cox, Stephan, 116 Glass Art Society, 50, 335, 516, 697, Blomdahl, Sonja, 27, 226 Craig, Brock, 284 699, 991 Blondel, Michele, 244, 255, 272, 302, Dailey, Dan, 31, 243 Graham, Dan, 367, 637 735 Day, Stephen Paul, 11 Grebe, Robin, 67, 243, 534 Boeri and Katayanagi, 54, 55, 197 Decobert, Elisabeth, 349 Groot, Mieke, 153, 432 Bohus, Zoltan, 652 Dejonghe, Bernard, 463, 514 Gudenrath, Bill, 254, 982, 985, 986 Borgstrom, Matz, 562, 676 Dickinson, Anna, 552 Guggisberg, Monica, 43, 177, 434 Bourgeois, Louise, 621, 640, 673 Donefer, Laura, 305, 469 Hall, Sarah, 768, 772, 790, 864 Boysen, Bill, 726, 755 Dreisbach, Fritz, 78, 103, 104, 630, Handl, Milan, 244, 580 Bradford, Kathy, 807, 926, 927, 928, 984 Harcuba, Jin, 98, 411, 412 929 Ebendorf, Robert, 542 Haufschild, Lutz, 834, 835, 836, 838 Brekke, John, 41 Edenfalk, Bengt, 186 Heesen, Willem, 153, 290, 752 Brockmann, Ruth, 729 Edgerly, Susan, 243, 738 Hilton, Eric, 65, 407 Bubacco, Lucio, 51, 740 Edols, Benjamin, 51, 494 Hirosawa, Yoko, 228, 613, 656 Buzzini, Chris, 378 Eisch, Erwin, 303, 633 Hobson, Diana, 601 58 Hoglund, Erik, 602, 675 MacNeil, Linda, 505, 512 315, 605 Hoglund, Ola and Marie, 77, 350, 734 Manessier, Alfred, 796, 802, 816, 817, Pierce, Amanda, 83 Horn, Rebecca, 266, 624 824, 832, 855, 857, 1006 Pilchuck School, 248, 399, 582, 722, Houde, Frangois, 61, 521, 523, 556, Mansau, Serge, 328, 567 723 738 Marangoni, Federica, 482 Pilon, Carole, 289, 761 Huth, Ursula, 242, 243, 343, 1005 Marioni, Paul, 57, 398, 630 Plum, Susan, 65, 648 Hydman-Vallien, Ulrica, 420, 447, 709 Markovitz, Sherry, 199, 334, 443 Poensgen, Jochem, 876, 877 Isphording, Anja, 549 Mason, Concetta, 38 Posner, Richard, 587, 710 Iwata, Hisatoshi, 513, 613 Matous, Jaroslav, 243, 704 Price, Richard, 153, 190 Jensen, Judy, 244, 246, 275, 398 McClure, Elizabeth, 319 Priour, Damian, 402 Johansson, Berit, 7, 676, 732 McDonnell, Mark, 68, 484, 630 Quagliata, Narcissus, 596, 978 Jolda, Ted, 259, 264 McGrain, Peter, 860, 861, 862, 863, Raman, Ingegerd, 36, 42, 180, 181, Jolley, Richard, 68, 737 978 676 Jones, Graham, 868, 869 Mee, Nancy, 502 Randal, Seth, 67, 546 Kahl, Fred, 243, 533 Meilahn, Michael, 269 Reyntiens, Patrick, 868, 869, 879 Kalifa, Marc, 43, 314 Meistermann, Georg, 819 Rispal, Josette, 6, 295 Kallenberger, Kreg, 89 Meitner, Richard, 153, 204, 432, 498 Robertson, Donald, 243, 247 Karel, Marian, 294, 704 Merker, Ursula, 71, 98, 280 Robinson, Ann, 350, 393, 744, 749 Kehlmann, Robert, 448, 827, 846, Merz, Florian, 446 Rougemont, Claire de, 47 858,897 Meydam, Floris, 135, 200 Rozatova, Eliska, 322 Kirkpatrick, Joey, 152, 226 Mihalisin, Julie Anne, 113, 512, 627 Ruffner, Ginny, 57, 102, 221, 226 Klein, Toan, 29, 406 Minson, James, 505, 512 Russell-Pool, Kari, 114 Klepsch, Kristian, 176 Moje, Klaus, 2 Salo, Markku, 253, 577, 680 Koch, Hubert, 529, 549 Moje-Wohlgemuth, Isgard, 176, 642 Samphire, Lisa, 285 Koons, Jeff, 86, 154, 713 Monk, Nancy, 510 Santarossa, Renato, 179 Kuhn, Jon, 43, 403, 703, 959 Morin, Claude, 449 Santillana, Alessandro de, 329 Kuramoto, Yoko, 488, 512, 579 Morris, William, 74, 139, 202, 304, Santillana, Laura de, 171, 177, 359 La Scola, Judith, 507 330, 503, 536, 541, 695 Sarpaneva, Timo, 253, 324, 391, 577 Lagerbielke, Erika, 90, 676 Mulcahy, Kathleen, 64, 149, 150 Scanga, Italo, 424, 452, 629, 759 LaLonde, Richard, 919 Myers, Joel Philip, 64, 317, 622 Schaechter, Judith, 874 Lane, Danny, 24, 34, 119, 283 Nash, Garry, 227, 350 , 744 Scheiner, Michael, 115 Langley, Warren, 625, 655 Negreanu, Matei, 256, 372, 489 Scherer, Robert, 618, 619 Lechner, Florian, 280, 409 Nilsson, Anne, 90, 181 Schreiter, Johannes, 867, 883, 884, Leloup, Louis, 466, 650 Nurminen, Kerttu, 253, 577, 680 901, 902, 903 Lemke, Thomas, 610 Nygren, John, 273 Scott, Joyce, 311, 360, 398, 430, 505 Libensky, Stanislav/B rye htova, Oelzner, Ulrike and Thomas, 365 Shaffer, Mary, 74, 221, 304, 332, 541, Jaroslava, 20, 219, 389, 487, 568, Oestergaard, Heinz, 96 695 634, 715, 851, 1004 Ohira, Yoichi, 171, 718 Simpson, Josh, 50, 81, 981 Lichtman, Linda, 776 Oku, Densaburo, 53, 130, 245 Sipek, Borek, 206, 282, 422, 445, Lillie, Jacqueline, 37, 48, 512 Palterer, David, 44 475, 712 Lipofsky, Marvin, 31, 622, 630 Palusky, Robert, 241, 243 Skibska, Anna, 474, 659, 753, 850 Lipski, Donald, 184, 501, 586 Pantano, Chris, 32, 43 Skillitzi, Stephen, 320 Littleton, Harvey, 3, 57, 136, 366, 622 Patti, Tom, 192 Smith, Jeff G., 795, 864, 884 Lockau, Kevin, 406, 738, 761 Pavlik, Michael, 243, 572 Smith, Kiki, 270, 325, 369, 586, 721 Lugossy, Maria, 646, 652 Peiser, Mark, 404 Sottsass, Ettore, 385, 599 Lundberg, Steven, 122, 476, 526 Peretti, Sibylle, 11, 243, 1005 Spera, Carmen, 74, 304, 541, 547, Machat, Michel, 244, 426 Perlis, Leslie, 899 695 Mace, Flora, 152, 226 Pesce, Gaetano, 60, 63, 145, 173, Stankard, Paul, 129, 526, 545, 576 Starck, Philippe, 54, 384, 731, 764 Umbdenstock, J. B., 976 White, Mary, 630 Statom, Therman, 28, 225, 473, 730 Valkema, Sybren, 400 Wickman, Kerstin, 562, 745 Stinsmuehlen-Amend, Susan, 448 Vallien, Bertil, 8, 544, 676 Wilmarth, Christopher, 106 Stolarski-Assael, Raquel, 677 van Driel, Dorothe, 419 Winters, Robin, 362, 688 Studer, Robert, 279, 548, 682 van Ginneke, Vincent, 153, 190 Wirkkala, Tapio, 253, 577 Sugiki, Boyd, 11,17 van Lith, Jean-Paul, 374 Wolff, Ann, 461 Suhajek, Jin, 250 van Meurs, Sien, 153, 563 Yamano, Hiroshi, 228, 579, 613, 757 Tagliapietra, Lino, 171, 329 Vanderstukken, Koen, 641 Yanagi, Yukinori, 377, 458 Takenouchi, Naoko, 249, 264 Velisek, Martin, 244, 426 Yoshimizu, Tsuneo, 565 Taylor, Michael, 228 Vistosi, Luciano, 105, 200 Young, Brent Kee, 67, 141 Tedesco, Chris, 444 Wadley, Patrick, 112 Zamecnikova, Dana, 762 Thiel, Ana, 696, 697 Wagenfeld, Wilhelm, 386 Zimmermann, Jorg, 440, 708 Thorgeirsdottir, Brynhildur, 604 Wagner, Gunter, 538 Zook, Amos, 742 Tobin, Steve, 74, 221, 304, 457, 541, Walentynowicz, Janusz, 535 Zoritchak, Yan, 343, 758 695, 705 Walker, Nancy Meli, 158, 979 Zuber, Czeslaw, 276 Toikka, Oiva, 253, 439, 478, 577, 680 Weiss, Dick, 506 Zynsky, Mary Ann, 767 Trossel, Yvon, 532 Wesselow, Eric, 853, 854, 906 Turrell, James, 232, 233, 684 Whistler, Laurence and Simon, 628