'New Glass Review 10J

iGl eview 10

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The Corning Museum of Glass NewG lass Review 10

The Corning Museum of Glass Corning, New York 1989 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, dal3 sie the 1988 calendar year. innerhalb des Kalenderjahres 1988 entworfen und gefertigt wurden.

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All rights reserved, 1989 Alle Rechtevorbehalten, 1989 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253

Printed in Dusseldorf FRG Gedruckt in Dusseldorf, Bundesrepublik Deutschland

Standard Book Number 0-87290-119-X ISSN: 0275-469X

Library of Congress Catalog Card Number Aufgefuhrt im Katalog der KongreB-Bucherei 81-641214 unter der Nummer 81-641214 Table of Contents/lnhalt

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Jury Statements/Statements der Jury 4 Artists and Objects/Kunstler und Objekte 10 Bibliography/Bibliographie 30 A Selective Index of Proper Names and Places/ Verzeichnis der Eigennamen und Orte 53 er Wunsch zu verallgemeinern scheint fast ebenso stark ausgepragt Jury Statements Dzu sein wie der Wunsch sich fortzupflanzen. Jeder mochte wissen, welchen Weg zeitgenossisches Glas geht, wie es in der Kunstwelt bewer- tet wird und welche Stile, Techniken und Lander maBgeblich oder im Ruckgang begriffen sind. Jedesmal, wenn ich mich hinsetze und einen Jurybericht fur New Glass Review schreibe (dies ist mein 13.), winden he desire to generalize must be almost as strong as the desire to und krummen sich meine Gedanken, um aus den tausend und mehr Dias, Tprocreate. Everyone wants to know where contemporary glass is die die Arbeit von so vielen Mitmenschen darstellen, Richtungen und going, how it is being treated by the art world, and what styles, techniques, Wahrheiten herauszufiltern. (In einem Jahr schien es mir wie das Auswik- and countries are predominating - or declining. Every time I sit down to keln von Weihnachtsgeschenken, ein anderes Mai war es mir, als hatte ich write a juror's statement for the New Glass Review (this is my 13th), my Gras wachsen sehen.) mind struggles to find trends and truths from the thousands of slides - Ich nehme an, da8 der einzige Weg, komplexe Phanomene zu verste- representing the work of hundreds of fellow humans - that I have just seen. hen, das Finden von gemeinsamen Attributen ist, falls es solche gibt; und (One year, it seemed like opening Christmas presents; another, like wenn nicht, das Festlegen eines Mittelwertes, etwas, mit dem wir bald fur watching grass grow.) 1990 den MaBstab setzen werden. Ich wehre mich gegen beide Konzepte, I suppose that the only way to comprehend complex phenomena is to besonders da, wo sie Kunstler betreffen. Die Idee, einen Prozentsatz der find the common attributes, if there are any, and if not, to start averaging - Bevolkerung als winzige Figuren mit Baskenmutzen und Kitteln auf einem a process we will soon be part of with the 1990 census. I bridle at both Schaubild wiederzufinden, erscheint mirgrotesk. Ich kann nicht einmal mit thoughts, particularly when they are applied to artists. The idea of a derVorstellung fertig werden, Hunderte von Glasblasern mit Glaserpfeifen percentage of the population represented on graphs as tiny figures in uber die Schulter geschwungen im Stechschritt maschieren zu sehen, so smocks and berets seems ludicrous. I cannot even deal with the notion of etwa wie es in den „Meistersingern von Nurnberg" dargestellt wird. Wenn hundreds of glassmakers walking by in lock step, blowpipes on their New Glass Review einen gemeinsamen Nenner hat, einen Faktor, der all shoulders, as suggested by the arrival of the guilds in the Nuremberg of dieTausend und mehr, dieseit 1975teilgenommen haben, verbindet, dann Die Meistersinger. If the New Glass Review has any common denomina­ ist es das Chaos der Vielfalt, die Tatsache, daB jeder Teilnehmer sich von tor, any factor linking all the thousands who have participated since 1975, it alien anderen unterscheidet. Und so sollte es auch sein. Individualist und is the chaos of variety, the fact that each contributor is different from all the Kreativitat sind unzertrennlich. Wenn ein Kunstler nicht auf seine Einzigar- others. And that is as it should be. Individuality and creativity are insepara­ tigkeit angewiesen ist, wer ist es dann? ble. If the artist is not dependent on his or her uniqueness, who is? Also wollen wir New Glass Review als eine Darstellung von Fotografien So let us look on the New Glass Review as presenting photographs of mit Arbeiten einer Gruppe von Menschen betrachten, die eigentlich nichts the work of a bunch of unrelated people, each of whom one juror or another miteinander zu tun haben, und wo jeder von einem oder mehreren Jurymit- or several thought worthy of your attention. If there is any generalizing to gliedern der Aufmerksamkeit fur wurdig befunden wurde. Wenn verallge- be done, it is better focused on the taste (or prejudices) of the jurors than meinert werden muB, dann sollten wir uns auf den Geschmack (oder die on the juried. For example, I tend to choose more pieces than my collea­ Voreingenommenheit) der Jurymitglieder und nicht der zu Beurteilenden gues; they usually attribute this to an indiscriminate, somewhat conten­ konzentrieren. So wahle ich zum Beispiel mehr Arbeiten aus als meine tious disposition, whereas I know it to be the result of vast experience and Kollegen. Sie schreiben dies einer unuberlegten, leicht widerspruchlichen a generous nature. My choices are also characterized by the belief that the Natur zu. Ich aber weiB, daB es das Resultat umfassender Erfahrungen execution of an idea is more important than the idea itself - even as und einer groBzugigen Veranlagung ist. Meine Wahl wird auch von der represented by a slide. By execution, I mean the result of all the decision Uberzeugung bestimmt, daB die Ausfuhrung einer Idee wichtiger ist als die making, conscious and subconscious, that goes on in the making of the Idee selbst, auch wenn es nur die Darstellung auf einem Dia betrifft. Mit piece: scale, color, proportion, technique, etc. For example, the idea of Ausfuhrung meine ich das Resultat aller getroffenen Entscheidungen, supporting a cup within an openwork basket (cage cup) is old and not very bewuBt und unbewuBt, die bei der Gestaltung einer Arbeit erforderlich interesting; the execution of this idea by Etsuko Nishi is fascinating and sind: MaBstab, Farbe, Proportionen, Technik, etc. So ist zum Beispiel die delightful. Vorstellung eines Diatretbechers alt und uninteressant; die Ausfuhrung This favoring of means over concept tends to exclude the world of dieser Idee durch Esuko Nishi hingegen faszinierend und reizvoll. "found" objects and of pieces that deny the value of any talent, sensitivity, Diese Bevorzugung von Mitteln gegenuber dem Konzept schlieBen die or skill in order to make the intellectual point that talent, sensitivity, and skill Welt von „gefundenen" Objekten und Arbeiten, die den Wert von Talent, are not necessary. As these ideas have been around - and accepted - for Empfindsamkeit und Fertigkeit nicht anerkennen, um auf der Basis des some time, you can see why my prejudice against them leads to conflict on Intellekts den Beweis zu erbringen, daB Talent, Empfindsamkeit und the jury. Fertigkeit nicht notwendig sind, aus. Da diese Auffassung jedoch seit The emphasis on New in the New Glass Review complicates the issue. einiger Zeit besteht und akzeptiert wurde, leuchtet es ein, warum meine New ideas (in terms of glass history) are not unusual these days, but as Voreingenommenheit zu Konflikten mit der Jury gefuhrt hat. their execution is rarely of interest, I tend to exclude them. This leaves me Die Betonung von neu in New Glass Review kompliziert das Verfahren. with the recognition of new talent and the improvement of already known Soweit es die Entwicklung von Glas betrifft, sind neue Ideen zur Zeit nicht talent. The untitled head by Ann Gardner strikes me as a powerful arrange­ ungewohnlich, aber da die Ausfuhrung nur in wenigen Fallen interessant ment of elements supported by an almost magical, concealing surface. I ist, neige ich dazu, sie auszuschlieBen. Damit bleibt fur mich die Anerken- don't know what her idea is. The venerable Venetian firm of Barovier & Toso nung von neuenTalenten und die Verbesserung von schon bekannten entered a series of vases traditional in their use of metal foil - simple Talenten. Der Kopf ohneTitel von Ann Gardner hat mich als kraftvolle round-edged forms with applied bits - but new and striking to me in the Anordnung von Elementen, die von einer fast magischen, verhullenden arrangement of those elements. Oberflache getragen werden, beeindruckt. Ich weiB nicht, mit welcher Idee The question of newness is probably the most divisive among those of sie spielt. Die ehrwurdige venezianische Firma Barovier & Toso stellt eine us who have been looking at contemporary glass for some time. "How can Serie von Vasen vor. Es wurde die traditionalle Metallfolie verwendet, you call that new?" we ask each other with honest astonishment. I think it einfache, abgerundete Formen mit aufgetragenen Stuckchen, aber die depends on how you see the work. Robert Carlson's Progeney is certainly Anordnung dieser Elemente ist neu und beeindruckend. not new in technique or even in concept, but the painting of glass elements Die Frage nach dem Neuen schafft wahrscheinlich bei denen unter uns, as entities separate from the structure itself - the figure and the fruit - is. I die seit einiger Zeit zeitgenossisches Glas betrachten, die groBte Uneinig- am impressed both by the development of his skills and by the expansion keit. „Wie konnen Sie das als neu bezeichnen?" fragen wir einander mit of his repertoire. echter Verwunderung. Ich glaube, es kommt darauf an, wie man die Arbeit Tom Patti's piece is similar in scale and technique (I think) to previous sieht. Robert Carsons Progeny weist sicherlich keine neuen Aspekte in work. The change to a red color would not in itself be enough to constitute derTechnik und im Konzept auf, aber das Bemalen von Glaselementen als newness, but coupled with the ominous expansion of the rising form von der Struktur unabhangigen Einheiten - die Figur und die Frucht - tut within, the piece takes on an emotional aspect quite different from that es. Ich bin von der Entwicklung seiner Fertigkeiten und auch der Erweite- evoked by other works familiar to me. rung seines Repertoires beeindruckt. I do have a generality to add to the fact that I am always struck by the Ich muB derTatsache, daB ich mich immer wieder von der Individualist individuality of the New Glass Review participants, and it is this: The in New Glass Review getroffen fuhle, folgende Verallgemeinerung maturing of contemporary glass as we see it through this process suggests hinzufugen: das Ausreifen von zeitgenossischem Glas, wie wir es durch that radical change diminishes as quality of execution improves. diesen ProzeB sehen, deutet darauf hin, da(3 radikale Veranderungen in dem MaBe nachlassen, wie sich die Qualitatder Ausfuhrung verbessert.

Thomas S. Buechner (TSB) Thomas S. Buechner (TSB) Founding Director Grundungsdirektor The Corning Museum of Glass The Corning Museum of Glass

he guest jurors of the New Glass Review always ask, "Why new?" ie Gastjuroren von New Glass Review fragen immer wieder „Warum TThe ensuing discussion usually progresses circularly until they agree Dneu?". Die daran anschlieBende Diskussion dreht sich meistens im that, although subjective and inconsistent, the idea of newness (qualified Kreis, bis man sich darauf einigt, daB, obwohl subjektiv und widerspruch- by a perception of quality) remains an interesting guideline for this particu­ lich, die Idee des Neuen (bestatigt durch die Wahrnehmung von Qualitat) lar publication. During the final selection, the jurors make the compromises eine interessante Richtlinie fur diese Ausgabe bleibt. Im Rahmen der they can live with, and stand alone when they cannot. Each year, I see endgultigen Auswahl schlieBen die Mitglieder der Jury Kompromisse, die objects that I admire but do not vote to include. Always, the stumbling block sie vertreten konnen, und stehen allein, wenn ihnen dies nicht gelingt. In is newness. jedem Jahr sehe ich Arbeiten, die ich bewundere, aber nicht akzeptiere. This year, the jury was hard on abstract optical pieces. Little fault can Und immer ist das Hindernis „Neuheit". usually be found with the craftsmanship of this kind of work. However, In diesem Jahr ging die Jury mit abstrakten, optischen Objekten streng beyond demonstrating the technical proficiency of the maker and the um. An der handwerklichen Fertigkeit ist bei diesen Arbeiten gewohnlich always intriguing properties of glass, it is often difficult to understand the nur wenig auszusetzen. Trotzdem ist es oft schwierig, die Absicht hinter purpose of such objects. Obviously, they are not intended to be utilitarian, diesen Objekten uber den Beweis der technischen Fertigkeit des Kunstlers and as they seldom communicate in a literal manner, I can only assume und den immer faszinierenden Eigenschaften des Glases hinaus zu that they are meant to stand alone, as sculpture. When choosing glass as erkennen. Offensichtlich werden sie nicht unter dem Aspekt der Nutzlich- a medium, it is tempting to rely too heavily on its refractory and prismatic keit geschaffen, und da sie uns nur selten etwas sagen, kann ich nur features, or on the intrinsic fascination of looking into cast glass at bubbles annehmen, daB sie fur sich stehen sollen, als Skulptur. Wenn Glas als or other entrapments. As beautiful as works relying on these characteri­ Medium gewahlt wird, verfuhrt es dazu, sich gar zu sehr auf seine Lichtbre- stics may appear at first glance, a lack of consideration of their pure form in chung und seine prismatischen Eigenheiten zu verlassen, oder auf die ihm space causes many of them to fail as sculpture. It is interesting that the innewohnende Faszination, die sich einstellt, wenn man in gegossenem Czechs, who pioneered this approach to glass, are now moving away from Glas Blasen oder andere Einschlusse wahrnimmt. So schon Arbeiten mit its most mechanical interpretation, while artists in other countries have diesen Eigenschaften auf den ersten Blick auch scheinen mogen, man- adopted that approach with much less success. Concurrently, much literal gelnde Berucksichtigung der puren Form im Raum verdammt viele work submitted to the New Glass Review also falls short as sculpture. Arbeiten dazu, als Skulptur zu scheitern. Interessant ist, daB dieTsche- Even a tiny glass room or a pilsner glass exists as an object in space and chen, Pioniere dieser Bearbeitung von Glas, sich jetzt von der hochst cannot avoid formal issues. Fine workmanship, charming detail, and a mechanischen Interpretation entfernen, wahrend Kunstler aus anderen novel subject are not enough to insure the success of an object. Stronger Landern dieses Konzept mit sehr viel weniger Erfolg aufgegriffen haben. schooling in three-dimensional design is needed. Gleichzeitig entsprechen viele fur New Glass Review eingereichte I felt very positive about many of the pieces entered in this year's Arbeiten ebenfalls nicht den Anforderungen an eine Skulptur. Sogar ein Review, although newness was not the primary basis of my admiration. winziger Glasraum oder ein Pilsener Glas existiert als Objekt und kann Engraving is underutilized, if not ignored, by most artists today because sich formalen Fragen nicht entziehen. Ausgezeichnete handwerkliche they lack proficiency in the technique; sandblasting, used as a substitute, Fertigkeit, charmante Details und ein neuesThema reichen nicht aus, um is inadequate. I found Freia Schulze's application of finely detailed engra­ den Erfolg eines Objekts zu gewahrleisten. Eine ausgepragtere Schulung ved and enameled fish heads to subtly carved vessels a welcome change. in dreidimensionalem Entwurf ist erforderlich. Alexander Ivanov'sThe Russian Forest of blown trees with engraved Bei vielen in diesem Jahr fur das Review eingereichten Arbeiten hatte arboreal creatures successfully integrates engraving with sculptural forms ich ein positives Gefuhl, obwohl Neuheit bei meiner Bewunderung keine (a task many engravers struggle with). His forest is simple and unpreten­ vorrangige Rolle spielt. Gravuren werden von vielen Kunstlern nicht nur tious. It also fits within, rather than fights against, decorative glass tradition. selten eingesetzt, sondern sogar weitgehend ignoriert, und zwar aus Many of us first saw Lubov Savelieva's paintings 10 years ago in the Mangel an technischer Fertigkeit; die Sandstrahlbearbeitung ist nur ein exhibition "New Glass." Although she has worked steadily in her Moscow durftiger Ersatz. Daher habe ich Freia Schulzes Applikationen von fein studio since that time, her work has only recently reappeared to us in detaillierten, gravierten und emaillierten Fischkopfen auf raffiniert geschlif- Family. The figures, which previously were general representations, now fenen GefaBen als willkommene Abwechslung begruBt. Alexander Ivanovs crystallize as intimate portraits. Their flatness, when applied to blown The Russian Forest mit windbewegten Baumen und eingravierten chairs, solves the problem of successfully combining two- and three-di­ Baummotiven verbindet erfolgreich Gravur mit skulpturalen Formen (eine mensional work in a way similar to Ivanov's. Again, the messages, while Aufgabe, die von vielen nicht gemeistert wird). Sein Wald wirkt einfach und distinctly individual, are clear and comprehensible. Savelieva's painting bescheiden. Er paBt auch in die dekorative Glastradition und lehnt sich style appears at first to be nai ve and in the tradition of miniature painting on nicht dagegen auf. lacquer or even icon painting. These styles may indeed be distantly Viele von uns sahen Lubov Savelievas Bilder zum ersten Mai vor 10 related, but the link is deliberate, enhancing the feeling of an intimate, Jahren in der Ausstellung „Neues Glas". Obwohl sie seit dieser Zeit secluded world. standig in ihrem Moskauer Studio gearbeitet hat, sind uns ihre Arbeiten Giselle Courtney's flameworked necklace is an elegant and logical use erst wieder in Familiy vorgestellt worden. Die Figuren, bei denen es sich of glass to adorn the figure. Rene Lalique, who demonstrated the undeni­ vormals um allgemeine Darstellungen handelte, sind jetzt zu individuellen able potential of glass in jewelry, remains the great role model to be studied Portraits geworden. Auf den Stuhlen aus geblasenem Glas plaziert, lost by today's artists. Wendy Ramshaw in England, Donald Friedlich and ihre Flachigkeit das Problem der erfolgreichen Verbindung von zwei- und Linda MacNeil in the United States, Jacqueline Lillie in Austria, and Kirstie dreidimensionalen Arbeiten auf ahnliche Art und Weise wie bei Ivanov. Rea in Australia are a few of the contemporary artists who are imagina­ Auch hier sind die Aussagen zwar ausgesprochen individuell, aber klar tively incorporating glass in jewelry.This is an area in which we can expect und verstandlich. Auf den ersten Blick erscheint Savelievas Malstil naiv to see interesting developments. und unscheinbar, der Tradition von Miniaturmalerei oder Ikonenmalerei One can see that Barovier &Toso's I Profeti vessel was evolved from the verpflichtet. Die Stile mogen tatsachlich in Beziehung zueinander stehen, designs of Ercole Barovier and other Muranese glassmakers of the 1930s, aber der Bezug ist gewollt und unterstreicht den Eindruck einer vertrauten, and it is encouraging to see exciting work continuing in one of the great old in sich geschlossenen Welt. factories. The new design features hallmarks of the earlier works - deep Giselle Courtneys vor der Lampe gearbeitete Halskette demonstriert colors, luxurious gold inclusions, freely formed shapes - and then elegant und uberzeugend den Gebrauch von Glas als Schmuck fur die reinterprets them. It sounds like a simple formula for success, but the state menschliche Gestalt. Rene Lalique, der auf das unbestreitbare Potential of international functional tableware design, with a few notable exceptions von Glas im Schmuck aufmerksam gemacht hat, bleibt in diesem Bereich demonstrates again how difficult simplicity can be. Established factories weiterhin das groBe Vorbild, mit dem sich unsere modernen Kunstler look for outstanding designers, and they must continue their search for auseinandersetzen mussen. Die Kunstler, die dieser Richtung mit phanta- those who can work effectively with glass. Who are the young Edvard sievollen Arbeiten folgen, sind Wendy Ramshaw in England, Donald Halds, Simon Gates, Sydney Waughs,TapioWirkkalas, Gunnel Nymans, Friedlich und Linda Mac Neil in den Vereinigten Staaten, Jacqueline Lillie Gio Pontis, Carlo Scarpas, Wilhelm Wagenfelds, Andries Copiers, Kozo in Osterreich und Kirstie Rea in Australien. Hier konnen wir interessante Kagamis and Ludvika Smrckovas of today? Will the factories return to Entwicklungen erwarten. recruiting architects to find more designers capable of dealing with light Es ist offensichtlich, daB Barovier & Tosos GefaB I Profeti sich aus den and form, as well as function, in new ways? Entwurfen von Ercole Barovier und anderen Glaskunstlern der dreiBiger The final piece I would like to mention is Shadow by Naoto Yokoyama. Jahre aus Murano heraus entwickelt hat, und es ist ermutigend, die Every year, Mr. Yokoyama comes up with something wonderful that renews Fortfuhrung von beeindruckenden Arbeiten in einer der groBen alten my own enthusiasm for glass. You can see that I was the only juror to vote Manufakturen zu sehen. Die neuen Entwurfe weisen Merkmale von for this entry, with its funny cast shadow (I was not successful in urging my fruheren Arbeiten auf: tiefe, satte Farben, luxuriose Goldeinschlusse, frei colleagues to join me). When I attempt to define the reasons for my gestaltete Formen, die neu interpretiert werden. Dies ist scheinbar eine affection, the lack of a proper art-historical methodology for discussion of einfache Erfolgsformel, aber am Beispiel von internationalemTafelgeschirr the sculptural vessel is most obvious, but here is my impression: Mr. wird einmal mehr verdeutlicht - mit einigen bemerkenswerten Ausnahmen Yokoyama's work feels very Japanese to me, not precious or contempla­ -wie schwierig Einfachheit sein kann. Etablierte Hersteller suchen nach tive, but startling, like some aspects of Japanese culture that Westerners hervorragenden Designern, und sie mussen ihre Suche nach den Kunst- find so incongruous with our ideas of Oriental esthetics. Like most art that I lern, die erfolgreich mit Glas arbeiten konnen, fortsetzen. Wer sind heute can say I love, it holds my attention and makes me return to it with pleasure, die Nachfolger der Edward Halds, Simon Gates, Sydney Waughs,Tapio sincerely appreciative that someone invested time in its production. Mr. Wirkkalas, Gunnel Nymans, Gio Pontis, Carlo Scarpas, Wilhelm Wagen­ Yokoyama proves that it is acceptable not to strive always to make the big felds, Andries Copiers, Kozo Kagamis und Ludvika Smrckovas? Werden statement about beauty, life, death, time, or "save the whales." I can enjoy sich die Hersteller wieder an Architekten wenden, um mehr fahige Desig­ this work for what it is for me: a decorative object designed with a thoughtful ner zu finden, die mit Licht und Form, aber auch Funktion neue Wunder consideration of surrounding space. Perhaps Mr. Yokoyama's intentions wirken konnen? are more profound than I have perceived, and I may have done him a Die letzte Arbeit die ich erwahnen mochte, ist Shadow von Naoto disservice. Nevertheless, his vases and containers succeed for me, along Yokoyama. In jedem Jahr stellt Yokoyama eine neue, wundervolle Arbeit with the other works I have mentioned, simply because they do not attempt vor, die meinem eigenen Enthusiasmus fur Glas einen neuen Aufschwung more than they can masterfully accomplish. gibt. Wie man sieht, war ich das einzige Jurymitglied, das fur diese Arbeit mit dem seltsam geworfenem Schatten gestimmt hat (ich war in meinem Susanne K. Frantz (SKF) Versuch, meine Kollegen davon zu uberzeugen, nicht erfolgreich). Bei Curator of 20th-century Glass dem Versuch, diese Vorliebe zu erklaren, wird der Mangel einer konse- The Corning Museum of Glass quenten kunsthistorischen Methodik als Basis fur die Diskussion uber skulpturale GefaBe offensichtlich, aber dies ist mein Eindruck: Yokoyamas Arbeiten wirken sehr japanisch, nicht kostbar oder besinnlich, sondern uberraschend, wie einige Aspekte in der japanischen Kultur, die dem Beobachter aus dem Westen irgendwie nicht in sein vorgefasstes Bild von ostlicher Asthetik passen. Wie jede Art von Kunst, die ich liebe, erregt sie meine Aufmerksamkeit und ich kehre freudig zu ihr zuruck mit der Anerken- nung, daB sich jemand die Zeit genommen hat, dieses Werk entstehen zu lassen. Yokoyama beweist, daB es durchaus akzeptabel ist, nicht immer tiefgrundige Aussagen uber Schonheit, Leben, Tod, Zeit oder „Rettet die Wale" machen zu wollen. Mich erfreut an diesen Arbeiten, was sie mir personlich sagen: ein dekoratives Objekt, das unter wohluberlegter Einbeziehung des ihn umgebenden Raums entworfen wurde. Vielleicht sind Yokoyamas Intentionen tiefgrundiger als ich sie wahrnehme, und ich habe ihm Unrecht getan. Und dennoch, seine Vasen und Behalter und die anderen von mir erwahnten Arbeiten, sind aus meiner Sicht erfolgreich, weil sie nicht versuchen, mehr darzustellen als ihre meisterhafte Ausfuh- rung.

Susanne K. Frantz (SKF) Kustodin fur Glas des 20. Jahrhunderts The Corning Museum of Glass n the past few years, I haven't paid much attention to what has been ahrend der letzten Jahre habe ich mich nur wenig um die Entwicklun- Igoing on in glass. This past year, I have helped jury the "Young Ameri­ Wgen im Bereich Glas gekummert. Im letzten Jahr war ich Mitglied cans" show at the American Craft Museum, the National Endowment for der Jury fur die „Young Americans" Ausstellung im American Craft Mu­ the Arts craft grants section, and now this Corning New Glass Review. I seum, der nationalen Stiftung zur Forderung von Kunst und Handwerk und had to look at a lot of slides, and believe me, I took along a lunch. Now you jetzt von Corning New Glass Review. Ich habe mir viele Dias ansehen can't judge something you can't see, and it's hard to generalize about why mussen, und glauben Sie mir, ich habe mir Pausenbrote mitgenommen. certain people don't apply for certain things - a prestigious exhibition, Was man nicht sieht, kann man nicht beurteilen, und es ist schwierig, money or the New Glass Review - but the situation always differs from allgemeine Schlusse zu Ziehen, warum gewisse Leute sich nicht fur your expectations. gewisse Dinge bewerben, eine Ausstellung miteinem hohen Prestigewert, As many people have said before, this particular deal is about new Geld Oder New Glass Review, aber die Situation weicht immer von den glass, and while it doesn't come out and say so, it is also about good glass. Erwartungen ab. There is a lot of great stuff out there and I've seen enough of it so that I don't Wie schon oft gesagt wurde, handelt es sich hier um neues Glas, und consider it new. There is also a lot of new stuff that looks bad. What are you obwohl es nie direkt erwahnt wird, auch um gutes Glas. Es gibt eine going to do? Menge guter Arbeiten, und ich habe einiges so oft gesehen, dafB ich es The only trend I can discern is that more and more people out there are nicht mehr als neu bezeichnen kann. Es gibt auch viele neue Arbeiten, die making things.The "cut and polish" folks seem to be on the wane.The glue schlecht sind. Was kann man tun? monsters are regrouping. Fussy and sometimes sensitive pate de verre Der einzige fur mich erkennbare Trend ist die Tatsache, daf3 mehr und bowls are on the rise. Pseudo-architectonic tchotchkes are holding mehr Menschen sich kreativ betatigen. Die „Schleif- und Polierkunstler" steady. Some young blowers are working hard. Some factories are scheinen nach und nach zu verschwinden. Die Klebemonster sind im producing good designs, while others are screwing up nice, old, refined Vormarsch. Verspielte und manchmal sensible Pate de Verre Schalen ones. Often, the people "pushing the envelope" have little sense. scheinen sich zu mehren. Pseudoarchitektonische Gebilde versuchen Sometimes, a New Glass Review entrant accomplished what she or he sich zu behaupten. Manch junger Blaser leistet harte Arbeit, und einige set out to do, and it was a worthwhile thing to do in the first place. Form, Fabriken zeigen gute Entwurfe, wahrend andere ausgezeichnete, schone color, and decoration were put together in ways that looked good. Barovier alte Entwurfe verschandeln. Oft sind die, die das Sagen haben, ohne & Toso's cone-shaped and gold-leaf form was handled so beautifully. Page groBe Aussage. Hazlegrove's Container/Contained incorporated blown and cast glass Manchmal erreicht ein New Glass Review Kunstler, was sie Oder er sich and provided new information on the always difficult job of dealing with vorgenommen hat, und die Anstrengung hat sich gelohnt. Form, Farbe stupid bottle shapes. I liked Ulrica Hydman-Vallien's painted chunk of und Dekoration wurden wirkungsvoll zusammengestellt. Die Ausfuhrung cullet, Shimmerly Landscape, partly because the artist is someone who der kegelformigen Goldblattform von Barovier & Toso ist wunderschon. has access to great master blowers and realizes it's not necessarily a good Page Hazlegroves geblasene und gegossene Glasarbeit Container/Con­ idea to use them, but mostly because it is a beautiful object. tained lieferte neue Informationen zu dem schwierigenThema uber den Tom Kreager's painted, truncated, open vase has an eloquence that Umgang mit langweiligen Flaschenformen. Mir gefiel Ulrica Hydman-Val- works for me because the form, the painting style, and the image are all liens bemalter Klotz, Shimmerly Landscapes, einmal, weil die Kunstlerin deceptively simple and well done. Lubov Savelieva's figures reclining in Zugang zu Meisterglasblasern hat, sie aber nicht einsetzt, da ihr dies nicht chairs are impressive because a simple technique was used so powerfully. unbedingt als gute Idee erscheint, aber hauptsachlich, weil es ein wunder- The piece that made me think the most is the bowl of glass fruit by Flora schones Objekt ist. Mace and Joey Kirkpatrick. It's such a weird thing to want to make, let alone Tom Kreagers bemalte, abgestumpfte, offene Vase strahlt eine Eloquenz make so well. There's something going on there, but I'm not sure what it is. aus, die mich beeindruckt, weil die Form, die Bemalung und das Motiv Carry on. trugerisch einfach wirken und vorzuglich ausgefuhrt sind. Lubov Savelievas in Stuhlen liegende Figuren sind beeindruckend, weil eine einfache Richard Marquis (RM) Technik so kraftvoll eingesetzt wurde. Die Arbeit, die mir am meisten zu Artist denken gab, ist die Schale mit Glasfruchten von Flora Mace und Joey Freeland, Washington Kirkpatrick. Es scheint seltsam, so etwas gestalten zu wollen, und dann so auf3ergewohnlich gut. Irgendetwas scheint sich zu tun, aber ich weif3 nicht, was. Weiter so.

Richard Marquis Glaskunstler Freeland, Washington

here is one piece that stands out from all the others submitted to the ine Arbeit ragt deutlich aus alien anderen Objekten in New Glass TNew Glass Review. It is what I think of as a sculpture for life: EReview heraus. Fur mich ist es eine Skulptur zum Thema Leben. Greenhouse by Robin Stanaway. This circular room, built of glass boxes Greenhouse von Robin Stanaway. Dieser kreisformige Raum, gebaut aus containing growing grass, is not only very lovely as an installation but also mit Gras bepflanzten Glaskasten, ist nicht nur als blofBe Installation especially appropriate as a symbol when we consider the current state of wunderschon, sondern hat auch als Symbol fur den augenblicklichen the earth's environment. Although I do not know if this was intended by the Zustand unserer Umwelt Gultigkeit. Obwohl ich nicht weiB, ob dies der artist, the work is an appealing combination of ideas on many levels, and I Intention des Kunstlers entspricht, so stellt die Arbeit eine ansprechende am happy it was made by a young person. Kombination von Ideen auf vielen Ebenen dar, und ich freue mich, dafB sie There are so many aspects to Greenhouse. It is simultaneously practi­ von einem jungen Menschen geschaffen wurde. cal and sculptural. Assembled in February, the cubes defy winter's harsh­ Greenhouse hat viele Aspekte. Es ist gleichzeitig praktisch und skulp- ness by transmitting sunlight and creating miniature hothouses that have tural. Im Februar gebaut, trotzen die Wurfel der Harte des Winters, indem the potential to grow grass, flowers, and salads. In these small, practical sie Sonnenlicht weitergeben und damit winzige Gewachshauser schaffen, modules, nature and glass have made a bit of living art. I like the fresh, pure in denen Gras, Blumen und Salat wachsen konnen. In diesen kleinen, color of the grass and the fact that the piece changes all the time - from praktischen Modulen haben Natur und Glas ein Stuck Kunst ins Leben inside to outside. gerufen. Mir gefallt die frische, saubere Farbe des Grases und die Tatsa­ The idea of Ms. Stanaway's room is very simple, and this simplicity che, daR das Objekt sich dauernd verandert, von innen nach auflen. appeals to me. Sometimes, I thought, the New Glass Review entrants Stanaways Idee zu diesem Raum ist absolut einfach, und es ist diese mistook complexity for newness. I missed seeing well-designed tableware Einfachheit, die mich anspricht. Manchmal, dachte ich, verwechseln die made with beautiful color and imagination. Greenhouse embodies the Teilnehmer von New Glass Review Komplexitat mit Neuheit. Leider sah features I found lacking elsewhere - and if you feel very hungry, you can ich keine guten Entwurfe furTafelgeschirr, mit schonen Farben und even eat it! Phantasie. Greenhouse enthalt alle Merkmale, die ich sonst vermiBt habe, und wenn man hungrig ist, kann man es sogar essen. Timo Sarpaneva (TS) Timo Sarpaneva Artist and designer for littala Glassworks Kunstler und Designer fur die littala Glaswerke Finland Finnland

Note SchluBbemerkung

n 1988, nearly 6,000 copies of the New Glass Review 10 prospectus nnahernd 6000 Exemplare der Bewerbungsunterlagen fur New Glass Iwere mailed. Each entrant could submit a maximum of three slides. A AReview 10 sind 1988 versandt worden. Jeder, der sich bewarb, total of 894 individuals and companies representing 40 countries submit­ konnte maximal 3 Dias einreichen. Insgesamt erhielten wir von 894 ted 2,437 slides. The 100 objects illustrated in this Review were selected Personen und Firmen aus 40 Landern 2437 Dias. Die 100 Objekte, die in by the four jurors, whose initials follow the descriptions of the objects they diesem Review abgebildet sind, wurden von 4 Juroren ausgewahlt, deren chose. Initialen hinter der Beschreibung der Objekte, die sie auswahlten, stehen. Alle Dias, die fur New Glass Review eingereicht wurden, werden in All slides submitted to New Glass Review are retained in the archives of den Archiven des Corning Museum of Glass aufbewahrt, wo sie von The Corning Museum of Glass, where they may be viewed by those denjenigen eingesehen werden konnen, die sich fur zeitgenossische interested in contemporary work in glass. Copies of slides published in any Glaskunst interessieren. Kopien der Dias, die in einem der vorangegange- of the past Reviews may be purchased by special order from the Museum's nen Reviews erschienen sind, konnen gesondert bei der Verkaufsabtei- Sales Department. Copies of New Glass Review 3 (1982), 7 (1986), lung des Museums bestellt werden. Exemplare des New Glass Review 3 8 (1987), and 9 (1988) are still available from the Sales Department, which (1982), 7 (1986), 8 (1987) und 9 (1988) sind noch in derVerkaufsabteilung can also supply all back issues of the Review in black-and-white erhaltlich, die daruber hinaus alle Ausgaben des Review auf schwarz-weiB microfiche. Microfiche liefern kann. The coordinator of the New Glass Review competition at The Corning Der Koordinator des New Glass Review Wettbewerbs am Corning Museum of Glass would like to thank all of the artists and designers who Museum of Glass mochte all den Kunstlern und Designern danken, die submitted their slides for consideration. Special thanks are due to those ihre Dias zur Jurierung eingereicht haben. Besonderer Dank geht auch an who made this publication possible: Louise Bush, Charlene Holland, diejenigen, die diese Publikation ermoglicht haben: Louise Bush, Charlene Ernestine Kyles, Barbara Miller, Richard Price, and Violet Wilson. Holland, Ernestine Kyles, Barbara Miller, Richard Price und Violet Wilson.

Countries Represented/Vertretene Lander

Australia/Australien Flavell, Ray The Netherlands/Niederlande Gardner, Ann Courtney, Giselle Hobson, Diana Groot, Mieke Grebe, Robin Hirst, Brian Kinsella, Stephen Meitner, Richard Hawk, Leslie Nishi, Etsuko Kirk, Christina M. Tagliapietra, Lino Hazlegrove, Page Richardson, Sarah Hilton, Eric G. Canada/Kanada Robertson, Robert New Zealand/Neu Seeland Holmes, James P. Donefer, Laura Schofield, Sandy Robinson, Ann King-Lehman, Eve Haffner, Wendy Smith, John Kramoris, Romany Taylor, David Rumania/Rumanien Krasnican, Susie Czechoslovakia/Tschechoslowakei Tootell, Jeffrey Graure Manta, Elena Kreager, Thomas Handl, Milan Williams, Christopher Leal, Paul Homolka, Pavel Spain/Spanien Mace, Flora and Joey Kirkpatrick (54) Kopecky, Vladimir Hungary/Ungarn Ignasi, Pere Marioni, Paul Vlasakova, Eva Margit, M.Toth Miller, Robert Bruce Zamecmkova, Dana Sigmond, Geza Sweden/Schweden Monk, Nancy Bartron, Paula Parriott, Charles Denmark/Danemark Hydman-Vallien, Ulrica Iceland/Island Patti, Thomas Helsinghoff, Helle Sahlin, Gunnel Johannsson, Jon Plasket, David W. Vallien, Bertil Ruffner, Ginny Germany, Federal Republic of/ Sautner, Barry Italy/ltalien U.S.A. Bundesrepublik Deutschland Schultz, Timothy D. Barovier &Toso, Aldridge, Peter S. Scoon, Thomas Hewel, Johannes Vetrerie Artistische Riunite SRL Huth, Ursula Babcock, Herb Scott, Rolanda I. Peretti, Sibylle Bortin, Bruce Simoni, Mary Kay Poensgen,Jochem Japan Carlson, Robert Spitzer, Mandy Ribka, Gerhard Egashira, Ikuko Clark, Jon Stanaway, Robin A. Schulze, Freia Ito, Kinuko Clayman, Daniel Stinsmuehlen-Amend, Susan Walther-Glas GmbH Kagami, Mitsuru Cox, Stephan Sweet, Douglas Wolf-Meyer, Barbara Kinoshita, Ryosuke Dailey, Dan Wagner, Evelyn Kuramoto, Yoko Day, Stephen Weiss, Dick Matsuura, Akane Des Jardines, Ellen Great Britain/GroBbritannien Nakano, Sumie diFrenzi, Fred U.S.S.R. Beebe, Jane Shioya, Naomi Edwards, Garth Ivanov, Alexander Dreiser, Peter Yokoyama, Naoto Fowler, Mark Savelieva, Lubov Ivanovna Artists and Objects*

* Descriptive information has been provided by the artists./ Die Beschreibungen wurden von den Kunstlern zur Verfugung gestellt. 1 Peter S. Aldridge Vase Collection: I Profeti (for Steuben Glass) Blown glass, hot-worked applica­ 42 Spencer Hill Road tions, gold inclusions/Geblasen, Corning, New York 14830 heiB gearbeitete Applikationen, Figures: Sentinel Goldeinschlusse Cast lead glass, alloy base; preci­ H. 32 cm, W. 23 cm, D. 23 cm sion-cut, polished, laminated/Ge- TSB, SKF, RM, TS gossenes Bleiglas, Metallsockel, Prazisionsschliff, poliert, laminiert H. 167 cm, W. 91.5 cm, D. 61 cm TSB 4 Paula Bartron Glas, Box 27116 10252 Stockholm, Sweden Rough Group 2 Herb Babcock Sand-cast glass/SandguB 1850 Barr L. 51-55 cm Oxford, Michigan 48051 TSB, SKF, RM, TS Shelter Cast glass, steel/Gegossenes Glas, Stahl 5 Jane Beebe H. 40.5 cm, W. 25.5 cm, D. 10 cm 116, The Philog TSB, TS Whitchurch, Cardiff, Wales Peach Asymmetric Form Mold-blown glass; cased, cut, sandblasted, polished/Modelgebla- 3 Barovier & Toso Vetrerie sen, uberfangen, geschliffen, sand- Artistiche Riunite SRL strahlbearbeitet und poliert Fondamenta Vetrai 28 H. 28 cm, W. 30 cm, D. 15 cm 30141 Murano, Venice, Italy TSB 6 Bruce Bortin 9 Daniel Clayman 1793 12th Street 217 Rochambeau Avenue Oakland, California 94607 Providence, Rhode Island 02906 Scary Plate Klack Kiln-formed "float" glass; painted/ Cast glass, copper/Gegossenes HeiB verformtes Floatglas, bemalt Glas mit Kupfer Diam. 31 cm, D. 1.5 cm H. 25.5 cm, W. 18 cm, D. 5.5 cm RM TSB, SKF, TS

7 Robert Carlson 10 Giselle Courtney P.O. Box9386 Australia Seattle, Washington 98109 c/o Foster/White Gallery Progeney 311 1/2 Occidental Avenue South Blown glass, adhesive, enamel Seattle, Washington 98104 paint/Geblasenes Glas, Klebstoff, Neckpiece Emailfarben Flameworked borosilicate glass, H. 51 cm, W. 20 cm, D. 10 cm kiln-fired luster, stainless steel wire/ TSB, TS Lampengeblasenes Borosilikat- glas, eingebrannte Lusterfarbe, rostfreier Stahldraht Diam. 23 cm, D. 5 cm 8 Jon Clark TSB, SKF 7703 Union Avenue Elkins Park, Pennsylvania 19117 Two-Sided Blues Mold-blown glass, paint/Modelge- blasen, bemalt H. 36 cm, W. 14 cm, D. 14 cm TSB, SKF, RM, TS 11 Stephan Cox Czeresko, cast stopper, enamels, Route 1, Box 102 lusters/Geblasene Glasflasche von River Falls, Wisconsin 54022 Deborah Czeresko, gegossener Mercury Bowl Stopfen, Emailfarben und Luster Blown glass; sandblasted, cut/Ge- Tallest: H. 42 cm, W. 26 cm, D. 12 blasen, sandstrahlbearbeitet, ge- cm schliffen TSB, SKF H. 9 cm, W. 20 cm, D. 20 cm TSB 14 Ellen Des Jardines 403 Virginia Avenue 12 Dan Dailey Albany, Georgia 31705 Massachusetts Her World/Difyous Esenzials c/o Kurland/Summers Gallery Cast glass, paint, mirror, sequins, 8742 A Melrose Avenue squiggly eyes, screw, soil, glitter/ Los Angeles, California 90069 Gegossenes Glas, Farbe, Spiegel, The Soldier Metallscheiben, Augen, Schraube, Blown glass, patinated copper; Erde, glitzerndes Material sandblasted, acid-polished/Gebla- H. 43 cm, W. 38 cm senes Glas, patiniertes Kupfer, RM, TS sandstrahlbearbeitet, saurepoliert H. 70.5 cm, W. 25.5 cm, D. 25.5 cm TSB, SKF, RM 15 FreddiFrenzi 11906 Wetherby Avenue Louisville, Kentucky 40243 13 Stephen Day St. Pimpe New York Reverse painting on glass, cast c/o Anne O'Brien Gallery lead crystal, gold leaf, bronze/Hin- 1701 Pennsylvania Avenue NW. terglasmalerei, gegossenes Bleikri- Washington, D.C. 20006 HH stall, Blattgold, Bronze Queen Elizabeth/Bloody Mary H. 52 cm, W. 30 cm, D. 10 cm Blown glass bottle by Deborah RM, TS 16 Laura Donefer E. Austin Senior Center, Austin, 181 Pearson Avenue Texas Toronto, Ontario M6R 1G4, Canada Cut and leaded glass/Geschliffe- La Sirene Feconde nes und verbleites Glas H. 250 cm, W. 305 cm Glass cast with glass powders and SKF frits, wire, seaweed, crustacean claws, pine cones, pebbles, beads/ Gegossenes Glas mit Glaspuder und Fritten, Draht, Seetang, Krab- benscheren, Pinienzapfen, Kiesel- 19 Ikuko Egashira steine, Perlen 4-20-21 Shimoochiai H. 30 cm, W. 15 cm, D. 6 cm Shinjuku-ku, Tokyo, Japan SKF, RM, TS Installation: WAAAA Pate de verre W. 150 cm 17 Peter Dreiser TSB, RM, TS 18 Rowland Avenue Kenton-Harrow, Middlesex, England Rainbow 20 Ray Flavell Wheel-engraved and colored glass/ West Surrey College of Art and De­ Geschnittenes und gefarbtes Glas sign Diam. 8.5 cm The Hart, Falkner Road TSB Farnham, Surrey, England Sea Form Blown and flat glass construction; cut, polished/Gestaltung aus Hohl- 18 Garth Edwards und Flachglas, geschliffen, poliert 1602 10th Avenue West H. 28 cm, W. 34 cm, D. 13 cm Seattle, Washington 98119 SKF, RM, TS 21 Mark Fowler 24 Robin Grebe P.O. Box 663 449 Lowell Avenue, #3 Urbana, Illinois 61801 Newtonville, Massachusetts 02160 Altarcation Hearts without Rest Cast glass, copper, cast iron/Ge- Pate de verre, steel/Stahl gossenes Glas, Kupfer, GuBeisen H. 35 cm, W. 62 cm, D. 18 cm H. 42 cm, W. 26 cm, D. 12 cm TSB RM,TS

25 MiekeGroot 22 Ann Gardner Bellamystraat 91-93 2225 First Avenue 1053 BJ Amsterdam, The Nether­ Seattle, Washington 98121 lands Untitled (Silver) Untitled Cast glass, copper, silver leaf/Ge- Assembled sand-cast glass ele- gossenes Glas, Kupfer, Blattsilber mentsA/erklebte SandguBele- H. 81.3 cm, W. 28 cm, D. 9 cm mente TSB, SKF, TS H. 40 cm, W. 42 cm, D. 20 cm TSB, RM, TS

23 Elena Graure Manta Str. Horia, Bl. 33B, Ap. 10 2417-Avrig, Jud. Sibiu, Rumania Medieval Knights Blown and hot-worked glass, paint/ Geblasen und heifl geformt, bemalt H. 35 cm, W. 50 cm, D. 15 cm TSB, RM, TS 26 Wendy Haffner 29 Page Hazlegrove 3617 Blackburn Road SE. 17 Babcock Place Calgary, Alberta T2G 4A3, Canada Dedham, Massachusetts 02026 Having Done So, It Exists Container/Contained Kiln-formed "float" glass and glass Blown glass cylinders, pate de bar construction/Gestaltung aus verre lids and bottles/Geblasene heiB geformtem Floatglas u. Glas- Glaszylinder, Deckel u. Flaschen barren H. 20.3 cm, W. 10 cm H. 50 cm, W. 36 cm, D. 33 cm TSB, SKF, RM TSB, RM

27 Milan Handl 30 Helle Helsinghoff Pohranicni straze 22 2300 KBH S 16000 Prague 6, Czechoslovakia Leifsgade 9, Denmark Black Architecture Container Cut glass/Geschliffen Glass, concrete/Glas und Zement H. 35 cm, W. 35 cm, D. 35 cm H. 15 cm, W. 30 cm SKF, RM, TS SKF

28 Leslie Hawk Box 112 Marine on St. Croix, Minnesota 55047 Big & Little Matriarchs Pate de verre, painted steel/bemal- ter Stahl H. 225 cm, W. 180 cm, D. 75 cm TSB, RM, TS 31 Johannes Hewel 34 Diana Hobson Burggrabengasse 1 7 Church Crescent 7185 Rot am See, Federal Republic London E9 7DH, England of Germany Reclining Form No. 2 (Hollow Ves­ AMR 76 sel) Stained glass/Bemaltes Glas Pate de verre, stone, shingle, sand, H. 60 cm, W. 50 cm earth, metal, enamel/Stein, Schin- SKF del, Sand, Erde, Metall, Email L. 22 cm, W. 17 cm, D. 11 cm TSB, SKF, RM, TS 32 Eric G. Hilton 3740 Newtown Road Odessa, New York 14869 Between the Tides 35 James P. Holmes Plate glass and lead crystal, Box 522 aluminum base; sandblasted, cut, North Chatham, Massachusetts polished/Flachglas und Bleikristall, 02650 Aluminiumsockel, sandstrahlbear- Primary Apple Vase beitet, geschliffen und poliert Blown glass/Geblasen H. 91.4 cm, W. 66.8 cm, D. 25.4 cm H. 37 cm, W. 22 cm, D. 22 cm TSB TSB, SKF, RM

33 Brian Hirst 5 Trafalgar Lane Annandale 2038 N.S.W., Australia Cycladic Series: Script & Figure Blown and cast glass, gold leaf; engraved/Geblasen und gegossen, Blattgold, graviert 31 H. 45 cm, W. 114 cm, D. 5 cm SKF, RM

33

32 Pavel Homolka 38 Ulrica Hydman-Vallien Ul. Stanko Vodicky 24 Kosta Boda AB Rumburk2408 01, Czechoslovakia Afors, Broms Vag 8 Geology of the Earth 36104 Eriksmala, Sweden Cast glass, foamed silicate mold/ Shimmerly Landscape Gegossen, ausgeschaumte Silikat- Solid crystal glass block; painted/ form Massiver Kristallglasblock; bemalt H. 32 cm, W. 14 cm, D. 14 cm H. 29 cm, W. 23 cm, D. 21 cm TSB, TS TSB, SKF, RM

37 Ursula Huth 39 Perelgnasi Jagerstrasse 5 Puig de La Mola, 28 7039 Weil im Schonbuch, Federal S'Hostalot Republic of Germany 07198 Son Ferriol (Majorca), Spain History of Communication Deportista (Sportsman) (Door panels for the Telecommuni­ Hot-formed glass/HeiB verformt cation Building) H. 18 cm, W. 10 cm, D. 13 cm Three layers of sheet and wire TSB glass; sandblasted, painted, silk- screened/Drei Lagen von Flach- glas und Drahtglas, sandstrahlbe- arbeitet und bemalt, mit Siebdruck 40 Kinukolto gestaltet 201 Nomura Apartment H. 65 cm, W. 65 cm, D. 4 cm 5-15-7 Sakurajosui, Setagaya TSB, SKF, RM Tokyo 156, Japan Yours Sincerely Pate de verre H. 14 cm, W. 18 cm, D. 18 cm TSB, RM

C\nrx 41 Alexander Ivanov 44 Eve King-Lehman Simonjka n3 fn39 21680 Summit Road Leningrad 198261, U.S.S.R. Los Gatos, California 95030 The Russian Forest Ricochet Blown and engraved glass/Gebla- Glass beads, wire, copper tubing, sen und graviert foam insulation, plexiglass/Glas- Overall: H. 70 cm, W. 60 cm, D. 60 perlen, Draht, Kupferrohre, cm Schaumisolation, Plexiglas TSB, SKF H. 82.3 cm, W. 103 cm, D. 6.3 cm TSB, RM, TS

42 Jon Johannsson Dalsgardi 45 Ryosuke Kinoshita Mosfellssveit, Iceland 2-4-9 Midorigaoka Whales Meguro-ku Cast glass/Gegossen Tokyo, Japan Overall: H. 25 cm, W. 30 cm, D. 15 Moon Object 2 cm Pate de verre, silica sand; laminat­ TSB, SKF, FtM ed/Sand; laminiert H. 11 cm, W. 33 cm, D. 8 cm TSB, RM, TS 43 Mitsuru Kagami Kagami Crystal Glass Works Ltd. 12-23 1-Chome, Nishirokugo Ota-ku, Tokyo, Japan Flower Vase Blown lead glass/Geblasenes Blei- glas H. 13 cm, W. 11 cm, D. 14 cm TSB 46 Stephen Kinsella 49 Romany Kramoris 18 Park Place East P.O. Box 2664, Main Street Hendon, Sunderland, Tyne & Wear, Sag Harbor, New York 11963 England Sag Harbor Salt Box The Conversation "Antique" flashed glass, antique Mirror, cast lead frame; engraved/ frame; sandblasted, painted, lead- Spiegel, gegossener Bleirahmen, ed/UberfangenesAntikglas, antiker graviert Rahmen, sandstrahlbearbeitet, be­ H. 32 cm, W. 58 cm, D. 10 cm malt, verbleit TSB H. 45.8 cm, W. 35.5 cm TSB, RM 48 Vladimir Kopecky Nadlouhem lanu 4 Prague 6, Czechoslovakia 50 Susie Krasnican Painting with Countryside & Moon 7202 Quincy Avenue Glass, metal; painted/Glas, Metall, Falls Church, Virginia 22042 bemalt The Conference Table H. 36 cm, W. 50 cm, D. 42 cm Enameled plate glass, sandblasted RM, TS Formica, painted plywood/Emailbe- maltes Flachglas, sandstrahlbear- beitetes Formika, bemaltes Sperr- 47 Christina M. Kirk holz c/o Royal College of Art Overall: H. 210 cm, W. 225 cm, D. Glass Department 6.4 cm Kensington Gore TSB, RM London SW7 2EU, England Rose Garden, Oxford Pate de verre, cast glass, glass enamels/Gegossenes Glas, Email H. 35 cm, W. 38 cm, D. 15-18 cm TS 51 Thomas Kreager 54 Flora Mace and 34 East California Joey Kirkpatrick Columbus, Ohio 43202 2107 North 34th Street Safety of Tears Seattle, Washington 98103 Blown glass; sandblasted, enam- Fruit Still Life eled/Geblasen, sandstrahlbearbei- Blown glass, wood bowl/Geblase- tet, emailbemalt nes Glas, Holzschale H. 58 cm, W. 34 cm, D. 18 cm H. 18 cm, W. 36 cm RM TSB, SKF, RM

52 Yoko Kuramoto 55 M.TothMargit c/o Ito Glass Studio Csobanka 3305 Shibokusa Oshinomura Mi- Kossuth L.u.7, Hungary namtsurugun Yamanashi 401 -05, Japan Frog and Crocodile Blown and cast glass/Geblasenes Applique with Glass Threads und gegossenes Glas Blown and fused glass;kiln-formed/ H. 8 cm Geblasen und verschmolzen, hei(3 TSB verformt H. 6.5 cm, W. 59 cm, D. 39 cm SKF

53 Paul Leal 1616 Venice Boulevard, #104 Venice, California 90291 Self-Portrait Cast glass/Gegossen H. 31 cm, W. 80 cm, D. 13 cm RM, TS

51 56 Paul Marioni 58 Richard Meitner 4136 Meridian Avenue North Bellamystraat91-93 Seattle, Washington 98103 1053 BJ Amsterdam, The Nether­ Hiroshima lands Cast glass, glass enamels, glass Untitled eyes/Gegossenes Glas, GlasfluG, Blown glass; enameled/Geblasen, Glasaugen emailbemalt H. 29 cm, W. 23 cm, D. 5 cm H. 36 cm, W. 34 cm, D. 12 cm TSB, RM TSB, RM, TS

59 Robert Bruce Miller 57 Akane Matsuura 505 West Third Avenue 5076-17 MinamihodakaToyoshina- Columbus, Ohio 43201 machi Minamiazumi-gun The Lure Nagano Pref. 399-82, Japan Fuse-cast glass/Gegossen und verschmolzen Calm Scene H. 43 cm, W. 29 cm, D. 13 cm Blown glass, hot-worked applica- SKF, TS tions/Geblasen mit heiB gearbeite- ten Applikationen H. 20 cm, W. 21 cm, D. 11 cm TSB, RM 60 Nancy Monk 444 South Euclid, #9 Pasadena, California 91101 Two Twins Blown glass, Polyform, acrylic paint/Geblasenes Glas, Polyform, Acrylfarbe H. 15 cm, W. 10 cm, D. 5 cm TSB, SKF, RM, TS 61 Sumie Nakano 64 Thomas Patti 1-10-13-401, Miyamaedaira 89 Maple Street Miyamae-ku Plainfield, Massachusetts 01070 Kawasaki 213, Japan Split Fire Life Retro-formed glass/Retrogeform- Pate de verre; sandblasted, en­ tes Glas graved, enameled, painted, H. 14 cm, W. 10.5 cm, D. 5.7 cm laminated/sandstrahlbearbeitet, TSB, RM graviert, emailbemalt, bemalt, lami- niert H. 47 cm, W. 53 cm, D. 24 cm TSB, TS 65 Sibylle Peretti Graeffstrasse 2 62 Etsuko Nishi 5000 Cologne 30, Federal Republic 25B Northgate Gardens of Germany Forbes Street Glaskasten II Turner ACT 2601, Australia Sheet glass; painted, engraved, Lace Cage lustered, enameled, assembled/ Pate de verre, blown glass; sand- Flachglas, bemalt, graviert, luster- bemalt, emailbemalt, verklebt blasted/geblasenes Glas, sand- H. 30 cm, strahlbearbeitet W. 25 cm, D. 10 cm H. 25 cm, W. 30 cm, D. 30 cm TSB, SKF TSB, RM, TS

63 Charles Parriott 3924 Ferdinand South Seattle, Washington 98118 Red Soldier Blown glass/Geblasen H. 40 cm, W. 26 cm, D. 26 cm TSB, SKF, RM, TS

* » 66 David W. Plasket 68 Gerhard Ribka 103 11th Avenue Birkerstrasse 5 Pitman, New Jersey 08071 D-8000 Munich 19, Federal Freddy Republic of Germany Flameworked glass/Lampengebla- Untitled sen Float glass; lustered, enameled/ H. 8 cm, W. 8 cm, D. 5 cm Floatglas, Lustermalerei, Email- TSB malerei H. 50 cm, W. 41 cm TSB, SKF, RM, TS 67 Jochem Poensgen with Derix Studios 69 Sarah Richardson Poststrasse 7 The Doors, Shield Hill 4000 Dusseldorf 1, Federal Haltwhistle, Northumberland NE49 Republic of Germany 9NW, England Detail of 7 Windows, City Hall, Winter Comes Wiesbaden, West Germany Fused glassA/erschmolzen "Antique" and float glass; beveled, H. 37 cm, W. 28 cm silver-stained, gold-lustered, lead- SKF ed/Antikglas und Floatglas, ge- schliffen, gelb gebeizt, Goldluster- malerei, verbleit 70 Robert Robertson H. 83 cm, W. 53 cm 8 Amble Side Gardens TSB, SKF, RM, TS Mitcham Lane, Streatham London SW16 6LH, England Untitled Sandblasted fuse-cast glass, rub­ ber, plastic/Sandstrahlbearbeitet, Schmelzguf3, Gummi, Kunststoff H. 50 cm, W. 26 cm, D. 17 cm RM, TS 71 Ann Robinson 74 Barry Sautner Sunbeam Glassworks 123 Richardson Road 70 MacKelvie Street Lansdale, Pennsylvania 19446 Ponsonby, Auckland, New Zealand Peaceful Transition Cobalt Bowl Cased glass; sandblasted/Uber- Cire perdue cast glass/Gu(3 aus fang sandstrahlbearbeitet verlorener Form H. 22.6 cm, W. 19 cm H. 24 cm, W. 41 cm TSB, RM TSB, SKF, RM, TS 75 Lubov Ivanovna Savelieva 72 Ginny Ruffner Str. Vernadskogo 95/2, 171 84 University, #400 Moscow 117526, U.S.S.R. Seattle, Washington 98101 Family An Opinionated House Blown glass; enameled/Geblasen, Flameworked glass; sandblasted, emailbemalt painted/Lampengeblasen, sand- H. 34 cm, W. 12 cm, D. 10 cm strahlbearbeitet, bemalt TSB, SKF, RM, TS H. 48 cm, W. 79 cm, D. 38 cm TSB, RM, TS

73 Gunnel Sahlin Kosta Boda AB 36052 Kosta, Sweden Pluto Blown crystal glass, colored under- lay/Geblasenes Kristallglas, farbi- ger Unterfang H. 18.5 cm, W. 12.5 cm, D. 9 cm SKF, TS 76 Sandy Schofield 78 FreiaSchuIze Goldspink House Langer Lohberg 3 6 Goldspink Lane, Sandyford 2400 Lubeck, Federal Republic of Newcastle-upon-Tyne NE2 1NQ, Germany England Two Goblets with Fish Heads Tear Tower Blown glass; cut, sandblasted, Broken and assembled sheet enameled, engraved/Geblasen, glass/Zerbrochenes und verklebtes geschliffen, sandstrahlbearbeitet, Flachglas emailbemalt, graviert H. 170 cm, W.34 cm H. 20.5 cm SKF, RM, TS TSB, SKF, TS

79 Thomas Scoon 77 Timothy D. Schultz 55 Moseiey 3240 Lockport Olcott Road Dorchester, Massachusetts 02125 Newfane, New York 14108 Blue Hill Boy Suprematist Element Study #2 Cast glass, granite/Gegossenes Fused plate glass construction/Ver- Glas, Granit schmolzene Flachglasgestaltung H. 95 cm, W. 45 cm, D. 25 cm H. 112.5cm,W. 32.5cm, D. 32.5 cm RM, TS TSB, SKF

80 Rolanda I. Scott P.O. Box 5693 Richmond, Virginia 23220 Jacob's Collar Cast lead crystal, pate de verre/Ge- gossenes Bleikristall H. 33 cm, W. 18 cm TSB, SKF, TS 81 Naomi Shioya 84 John Smith 1 -20-8 Tamagawa Studio Design/Workshop Ohta-ku, Tokyo, Japan 147 Parkfield Road Stourbridge, West Midlands In a Dream DY8 1HL, England Blown glass;cut, kiln-formed, sand- blasted/Geblasen, geschliffen, 707Series: "TOT3"& "TOT5" heiB verformt, sandstrahlbearbeitet Fused and laminated sheet glass; H. 110 cm, W. 47 cm, D. 30 cm enameled/Verschmolzenes und TSB laminiertes Flachglas, emailbemalt Tallest: H. 25 cm, W. 14 cm, D. 10 cm 82 GezaSigmond TSB, SKF, RM, TS Galamboc U.21 H-1119 Budapest, Hungary Light Trap 85 Mandy Spitzer Fused glass/Verschmolzen 1000 Alba Road H. 18 cm, W. 20 cm, D. 4 cm Ben Lomond, California 95005 SKF Dervish Float glass, enamels, gold; fused, kiln-formed/Floatglas, Email, Gold, 83 Mary Kay Simoni geschmolzen, heiB verformt 10523 East Washington Street Diam. 30 cm, D. 4 cm Chagrin Falls, Ohio 44022 TSB Growth Cast and flameworked glass/Ge- gossen undvor der Lampe bearbei- tet H. 25 cm, W. 19 cm, D. 3 cm SKF, RM, TS 81 86 Robin A. Stanaway 88 Douglas Sweet 241 West Pacemont Route 2, Box 99-B Columbus, Ohio 43202 Lowell, Ohio 45744 Greenhouse Totem Vessel 85 glass cubes, rye grass; assem- Blown glass; sandblasted/Gebla- bled/Glaskuben, Roggenhalme, sen, sandstrahlbearbeitet verklebt H. 15 cm, W. 15 cm, D. 15 cm H. 180 cm, W. 250 cm, D. 250 cm TSB, TS TSB, RM, TS 89 LinoTagliapietra c/o Doris Kuykem Marlotlan 6 87 Susan Stinsmuehlen- The Hague, The Netherlands Amend Untitled 5911 Santa Monica Boulevard Blown glass, cane decoration, air Hollywood, California 90038 traps/Geblasen, Fadendekor, Luft- einschlusse Palais de Embryonic Arabesque H. 32 cm, W. 15 cm Laminated glass, mirror, found TSB, SKF, RM glass elements, wood; etched, painted/Laminiertes Glas, Spiegel, 90 David Taylor gefundene Glaselemente, Holz, The Glasshouse geatzt, bemalt 65 Long Acre H. 127 cm, W. 97.5 cm, D. 12.5 cm London WC2E 9JH, England SKF, RM Carved Perfume Bottle Blown lead glass; cut, carved, acid- polished/Geblasenes Bleiglas; ge- schliffen, graviert, saurepoliert H. 18 cm, W. 15 cm, D. 2.5 cm TSB, RM, TS 91 Jeffrey TootelI 94 Evelyn Wagner 7, West View, Redlam 2950B Cherry Lane Blackburn, Lancashire BB2 2SH, Walnut Creek, California 94596 England Lighthouse Crimped Crystal Sandblasted blown glass, steel, Glass blown into steel and concrete acrylic/Sandstrahlbearbeitetes framework/In Stahl- und Betonrah- Glas, Stahl, Acryl menwerk eingeblasenes Glas H. 54 cm, W. 18 cm, D. 18 cm H. 40 cm, W. 30 cm, D. 10 cm TSB RM, TS

92 Bertil Vallien 95 Walther-Glas GmbH Afors Glashuettenweg 23, Siebenstern 36104 Eriksmala, Sweden D-3490 Bad Driburg, Federal Intruder Republic of Germany Sand-cast glass, hot-worked de­ Decorative Centerpiece: Lotus tails; cut, polished/SandguB mit Blossom hei(3 gearbeiteten Details, geschlif- Pressed glass/Pressglas fen u. poliert H. 10 cm, W. 40 cm, D. 40 cm H. 15 cm, W. 20 cm, D. 11 cm TSB RM, TS

93 EvaVlasakova Jiraskovo nabrezi 712 468 22 Zelezny Brod, Czechoslova­ kia Offering Cast glass/Gegossen H. 26 cm, W. 36 cm, D. 24 cm TSB, RM, TS

93

92

28 94 96 Dick Weiss 98 Barbara Wolf-Meyer 811 North 36th Street Lutzowstrasse 26 Seattle, Washington 98103 4100 Duisburg 1, Federal Republic For A. W. of Germany (Seattle-Tacoma International Air­ Figure Divided port installation) Cut flat glass; painted, leaded/Ge- Stained glass/Farbglas schliffenes Flachglas, bemalt, ver- H. 660 cm, W. 660 cm, D. 5 cm bleit RM H. 70 cm, W. 100 cm, D. 1 cm TSB, RM

97 Christopher Williams The Glasshouse 99 Naoto Yokoyama 65 Long Acre 1-25-19 Kamiyoga, Setagaya-ku London WC2E 9JH, England Tokyo, Japan Cut Melon Shadow Mold-blown lead glass; sand­ Blown and hot-worked glass; as- blasted, polished/Modelgeblase- sembled/Geblasenes u. heiB bear- nes Bleiglas, sandstrahlbearbeitet, beitetes Glas, verklebt poliert H. 45 cm, W. 57 cm, D. 21 cm Dimensions not provided/Keine SKF GroBenangaben SKF, TS 100 Dana Zamecnfkova Stodulecka 11 158 00 Prague 5, Czechoslovakia Appeal Glass, metal, mixed media/Glas, Metall, Mixed Media H. 175 cm, W. 160 cm, D. 80 cm RM, TS

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mmmm 'aSSim Bibliography OF RECENTLY PUBLISHLED ARTICLES AND BOOKS ON GLASS Bibliographie KURZLICH ERSCHIENE NER ARTIKEL UND BUCHER UBER GLAS This list includes publications added to the Rakow Library of The Corning Diese Liste fuhrt die Publikationen auf, die im AnschluB an die Bibliographie fur Museum of Glass since the bibliography for New Glass Review 9. New Glass Review 9 in die Rakow Bibliothek des Corning Museum of Glass aufgenommen wurden.

Contemporary Glass (after 1945) Zeitgenossisches Glas (nach 1945) Flat Glass (after 1945), including Architectural, Mosaic, Painted, and Flachglas (nach 1945), einschlieBlich architekturbezogenem Glas, Stained Glass Glasmosaik, Glasmalerei und Stained Glass Technology (after 1945) Technologien (nach 1945) Films and Videotapes Filme und Videokassetten

Only substantive book reviews are listed; they may be found under the author of Nur ausfuhrliche Buchrezensionen werden aufgelistet; sie werden unter dem the work reviewed. Namen des Autoren aufgefuhrt, dessen Buch rezensiert wurde.

The following periodicals are recommended for comprehensive coverage of Fur einen umfassenden Uberblick uber zeitgenossische Glasherstellung contemporary glassmaking: konnen folgende Zeitschriften empfohlen werden:

Glass Art Japan Glass Art Japan Glass Art Magazine Glass Art Magazine Glass Art Society Journal Glass Art Society Journal Glass Review (Czechoslovakia) Glass Review (Czechoslovakia) Neues Glas/New Glass Neues Glas/New Glass New Work New Work La Revue de la Ceramique et du Verre La Revue de la Ceramique et du Verre Stained Glass Quarterly Stained Glass Quarterly

Before 1982, this bibliography appeared annually in the Journal of Glass Vor 1982 erschien diese Bibliographie jahrlich im Journal of Glass Studies, das Studies, also published by The Corning Museum of Glass. ebenfalls von The Corning Museum of Glass herausgegeben wird.

Entries beginning with a cardinal or ordinal number, expressed either as a Titel, die mit einer Kardinal- Oder Ordnungszahl beginnen, und zwar entweder numeral or spelled out, will be found after the alphabetical entries, arranged als Ziffer oder ausgeschrieben, werden im AnschluB an die alphabetisch numerically. geordneten Titel aufgefuhrt und sind nach Zahlen geordnet.

CONTEMPORARY GLASS (after 1945) / ZEITGENOSSISCHES GLAS (nach 1 945)

ANONYMOUS Feb. 1988, pp. 124-125, ill. Eka Haberling, Roberto Niederer, 1. "A Strasbourg — Un Atelier de verre" Eva Englund, Olle Alberius pieces. Monica Guggisberg/Philip Baldwin. Le Courrier des Metiers d'Art, no. 72, May 1988, p. 6. 10. "The Art of Christopher Ries" 19. "The Blue Crystal" The Cincinnati Art Museum Calendar, Schott Information, no. 4, 1987, p. 31, ill. 2. "ACC to Honor Maloof and Others at March 1988, p. 1, ill. Fountain with glass sculpture made Awards Dinner in San Diego" of dalle glass at Bad Reichenhall. The Crafts Report, v. 14, no. 148, 11. "Artists Lend Midas Touch to Glass" June 1988, p. 1+. Glass Art Magazine, v. 3, no. 3, 20. "The Calendars of Glassexport Co. John Hauberg, Fritz Dreisbach, Mark March/April 1988, pp. 24-27, ill. Ltd. for 1988 Year" Peiser. Adding decorative gold to glass pieces. Glass Review, v. 42, no. 12, 1987, pp. 7-11, ill. Bohemian engraved glass, glass in 3. "Acquisitions: Photographs" 12. "Artnews: 'Illusions in Glass"' space, and other calendars. The J. Paul Getty Museum Journal, v. Art Gallery International, v. 9, no. 15, 1987, pp. 233-234, ill. 3, March/April 1988, p 8+. 21. "California Mayor Honors Glass Man Ray photograph of Duchamp with a Christopher Ries exhibition, Artists" study for his Large Glass. Cincinnati. The Crafts Report, v. 14, no. 143, Jan. 1988, p. 48, ill. 4. "Actualite New York: Sur le sentier 13. "Ausstellungen/Exhibitions" New Smyers/Nourot Glass studios, lumineux" Neues Glas, continuing series: no. Benicia. L'Atelier, no. 127, April 1988, pp. 1, Jan./March 1988 — no. 4, Oct./Dec. 1988. 12-13. ill. 22. "Cape Cod Portfolio" Paul Seide, Forrest Myers. 14. "Bars of '1000 Flowers' Blossom in The Review, Cape Cod's Arts & Fused Glass" Antiques Magazine, no. 14, Jan./Feb. 5. "Line ame de cristal" Glass Art Magazine, v. 3, no. 2, 1988, pp. 72 and 73, ill. Vogue Decoration, no. 13, March Jan./Feb. 1988, p. 16+, ill. Blown vase by James Holmes, stained 1988, pp. 12-13, ill. Millefiori. glass panel by Bonnie Maresh. Sculpture by Claude Bromet of Saint Louis. 15. "Ben ritovati" 23. "CCAC Confers Honorary Doctor of Fine Casa Vogue, no. 203, Dec. 1988, pp. Arts to Glass Artist" 6. "American Craft Council Salutes 29 at 192-193, ill. English summary. Artists in Stained Glass Bulletin, Sept. 1988, p. 4. Awards Ceremony" Lamps and lighting by Zuccheri, Dale Chihuly. American Craft, v. 48, no. 5, Venini, Salviati. Oct./Nov. 1988, pp. 6-7. 24. "Cenedese & Albarelli, Exklusives Fritz Dreisbach, Mark Peiser. 16. "Beundrare i ko pli v&rens Murano-Glas" vernissager" Die Schaulade, v. 63, no. 1, Jan. 7. "Americans in Moscow" Glas och Porslin, v. 58, no. 3, 1988, pp. 162-163, ill. The Corning Museum of Glass 1988, pp. 21-23, ill. Newsletter, Winter 1988, pp. 1 -2, ill. Recent exhibits include work by 25. "Ceske sklo ve Finsku" Contemporary pieces on display in Ulrica Hydman-Vallien, Monica Atelier, no. 3, April 26, 1988, p. 5, ill. the home of the American ambassador Backstrom, Matz Borgstrom. Review of Czech glass exhibition at to the U.S.S.R. The Finnish Glass Museum, Riihimaki. 17. "Bijhorca, un royaume" 8. "Art by Design: Reflections of Le Courrier des Metiers d'Art, no. 26. "Charles — the 1st" Finland" 77, Nov. 1988, p. 8, ill. Glass Technology, v. 29, no. 5, Oct. 1988, Hagley Museum and Library New Glass by Saint-Louis and other pp. 165-166, ill. Newsletter, v. 17, no. 2, Summer firms. Charlie Bray. 1988, p. 2, ill. Exhibit at the Soda House, Hagley 18. "Bilanz CCS/Bilan CCS" 27. "Choice Glass" Museum. Crafts Council Glass Art Magazine, v. 3, no. 2, Schweiz/Suisse/Svizzera, no. 4, Jan./Feb. 1988, pp. 56-57, ill. 9. "Art from Orrefors" 1987, pp. 4-7, ill. Paperweights from Boston/Hyannis Tableware International, v. 18, no. 1, 1987 craft awards: Konrad Affolter, exhibition, Summer 1987. 28. "Commissions: Howard Ben Tre, Arthur and perfume flacon by Verreries du Susan Stinsmuehlen, Jane Bruce, Carol Cohen, Stern" Courval-Pochet, S.A. Christine Baukus. American Craft, v. 48, no. 1, Feb./March 1988, pp. 74-75, ill. 45. "Du nouveau chez Lalique" 62. "Gallery: Glass" Ben Tre sculpture; Stern stained Le Courrier des Metiers d'Art, no. American Craft, v. 48, no. 2, April/May 1988, glass in Colma, Cal., mausoleum. 75, Sept. 1988, p. 16, ill. pp. 80-81, ill. Coupe by Marie-Claude Lalique. T. Buechner III, Art Reed, Sharon Comfort Black, 29. "Commissions: James Carpenter" Curtiss Brock, Christopher Ries, R. Kehlmann, Sculpture, v. 7, no. 2, March/April 46. "Economic Summit Collection" Jon Wolfe, Kent Ipsen, Catherine Gillette, Richard 1988, p. 28, ill. Bulletin of the Canadian Society of Royal, Dick Weiss, Reino Bjork. For "Spectral Light Dome," Portland Decorative Arts, v. 7, no. 1, Summer Center for the Performing Arts, 1988, p. 15, ill. 63. "Gallery: Glass" Portland, Ore. Paperweights by Toan Klein. American Craft, v. 48, no. 3, June/July 1988, p. 111, ill. 30. "Contemporary and Timeless — A Tradition 47. "Ermutigende erste Will Pappenheimer, Stephen Hodder, at Orrefors" Studioglas-Auktion" John Lewis, Tony Jojola, Samuel China, Glass & Tableware, v. 106, Kunst + Handwerk, no. 4, July/Aug. 1988, p. 268. Corso, Harry Besett. no. 4, April 1988, p. 28, ill. Studio glass auction in Cologne in April. Eight Orrefors designers. 64. "Gallery: Glass" 48. "Erwin Eisch, ou le verre perverti" American Craft, v. 48, no. 5, 31. "Contemporary Approach to Hand-Made Revue des Industries d'Art Offrir, Oct./Nov. 1988, p. 78, ill. Crystal" no. 250, Sept. 1988, p. 161, ill. William Bernstein, Loretta Werner, Glass (U.K.), v. 65, no. 12, Dec. 1988, p. 484+, ill. Paris exhibition. Anna Boothe, Marie-Claude Lalique, Steven Newell, Catherine Hough, and Fred Munro, Linda Ross. Simon Moore of Glass-Works, London. 49. "Exhibit for World Expo" Pilkington News, Sept. 14, 1988, p. 5, ill. 65. "Gallery: Glass" 32. "Contemporary Glass" All-glass "Cascade" waterfall American Craft, v. 48, no. 6, The Toledo Museum of Art Calendar, sculpture designed by Sergio Dec. 1988/Jan. 1989, p. 77, ill. Jan. 1988, p. 1+, ill. Redigalli for Brisbane Expo. Work by Hydman-Vallien, Abildgaard, Exhibition "Thirty Years of New Chapman, Ruffner, O'Brien, Magyar. Glass, 1957-1987." 50. "Exhibitions" Craft Arts (Sydney), no. 10, 66. "Gallery '88" 33. "Contemporary Handmade Glass, Part IV" Oct./Dec. 1987, pp. 113-117, ill. Glassposten, no. 4, Aug. 1988, pp. 34-35, ill. Marble Mania, v. 52, Oct. 1988, u.p., ill. Work by Hopper, Dobashi, Anderson/Harmon, Orrefors work by Cyren, Englund, Glass artists who make marbles. Borowski, Pantano, Woodman, Portnoy, Lagerbielke, Nilsson, Alberius, Zamecnikova, Delaney. Borgstrom, Johansson. 34. "Craft News" Craft Work, no. 19, Spring 1988, insert pp. 1-6, ill. 51. "Exhibitions" 67. "Gift to the King of Spain" Awards to Alison Kinnaird, Jane Charles, Craft Arts (Sydney), no. 11, Feb./April 1988, Christopher Columbus Quincentenary Hazel White. pp. 107-110, ill. Jubilee Commission News (Washington, Stephen Skillitzi, Stephen Morris, D.C.), v. 2, no. 7, July 1988, p. 1, ill. 35. "Craftnotes" Toots Zynsky, Steven Weinberg, Colin Glass globe with the world map made Crafts (U.K.), no. 95, Nov./Dec. 1988, p. 15, ill. Heaney, Jan Blum, Gerry King, Isgard by Tiffany and Co. Lydia Marouf commission for Lever Moje-Wohlgemuth. Brothers window, Rachael Woodman jug 68. "Glas-Metamorphosen: Eine for Dartington Crystal. 52. "FIAM: Elogio del vetro" Corning-Ausstellung" Abitare, no. 266, July/Aug. 1988, pp. 92-93, ill. Die Schaulade, v. 63, no. 7, July 36. "Creativite: Etrangete" Tempered glass furniture by Vittorio 1988, pp. 1500-1501, ill. Table et Cadeau, no. 290, April 1988, p. 57, ill. Livi and his Italian firm FIAM. Exhibit by Corning France at Bahnhof Philippe Starck vase. Rolandseck, Bonn. 53. "Finn Lynggaard, architecte 37. "Creativite: II recidive" humoriste" 69. "Glas-Metamorphosen: Le Mecenat Table et Cadeau,, no. 288, Feb. 1988, p. 39, ill. La Revue de la Ceramique et du existe, je I'ai rencontre" Hilton Mac Connico piece. Verre, no. 40, May/June 1988, p. 58, ill. La Revue de la Ceramique et du Verre, no. 41, July/Aug. 1988, pp. 38. "Crystal Wine Cones" 54. "Fundacion Centro Nacional del Vidrio" 66-67, ill. Craft Australia, no. 1, Autumn 1988, p. 91, ill. Glas & Keramiek (Asperen, the Review of Corning France/Centre du James Dodson of Tasmanian Netherlands), no. 00, Sept./Oct. Verre exhibit at Bahnhof Rolandseck. Glassblowers. 1988, p. 43. In English. A museum and center for glass technology and 70. "Glasblaserei Schmid: Alte Tradition, 39. "Currents in Collecting: documentation being established at old La Granja neue Wege" A Touch of Glass" factory, Segovia, Spain. Die Schaulade, v. 63, no. 5, May Collector Editions, v. 16, no. 2, 1988, p. 1157, ill. Summer 1988, p. 10, ill. 55. "Fusion '88" Vases and tumblers from Schmid Lalique glass mask (reproduction of Professional Stained Glass, v. 8, glassworks. 1928); new Orrefors pieces; Libbey no. 3, April 1988, pp. 6-12, ill. Glass Co. anniversary. Fusing, slumping, and painting by Emily Brock, 71. "Glaserne Kunsthandwerke von Jim Robbins, Roger Thomas, and others. Klassisch bis Avantgarde" 40. "Dana Zamecnikova et ses theatres Porzellan + Glas, no. 2, Feb. 1988, de verre" 56. "Gala Launching of New Craft Campus" pp. 182-183, ill. La Revue de la Ceramique et du Verre, Ontario Craft, v. 13, no. 2, Summer 1988, p. 7, ill. Munich craft fair: Theodor Sellner, no. 40, May/June 1988, p. 58, ill. New glassmaking studios at Sheridan College's Erwin Eisch, Heinz Fischer/lngrid Review of Paris exhibit. School of Craft and Design. Donhauser.

41. "Daum, le cristal en majeste" 57. "Galerie Orrefors 88" 72. "Glasinitiative in Meisenthal" Vogue Decoration, no. 13, March Revue des Industries d'Art Offrir, Glasforum, v. 38, no. 2, 1988, pp. 12-13, ill. 1988, pp. 77-78, ill. no. 250, Sept. 1988, pp. 133-134, ill. Site of new glass center in Lorraine.

42. '"De main de maTtre': Les Metiers 58. "Galeries — expositions" 73. "Glass and Water" d'Art au Grand Palais" Revue des Industries d'Art Offrir, Schott Information, no. 45, 1988, p. 23, ill. Metiers d'Art, no. 34, June 1988, pp. 40-47, ill. no. 244, Feb. 1988, pp. 45-47, ill. Ornamental fountain by Florian Exposition of French crafts, Recent exhibitions of Baccarat, Lechner in Munich. furniture, tableware included glass Lalique, Orrefors pieces. by Daum, Lalique, Jean-Claude 74. "Glass Auction Benefits CGCA Novaro, Josette Rispal, and others. 59. "Galleries & Exhibitors" Fellowships" Craft Australia, no. 1, Autumn 1988, pp. 2-8, ill. The Crafts Report, v. 14, no. 152, Nov. 1988, p. 47. 43. "Le Deuxieme anniversaire du Centre Pauline Delaney, Gerry King, Isgard du Verre" Moje Wohlgemuth, Stephen Morris, 75. "Glass Bead Sculptures" Revue des Industries d'Art Offrir, Stephen Skillitzi. Schott Information,, no. 2, 1987, p. 27, ill. no. 244, Feb. 1988, pp. 96-97, ill. Work by Helga Oexle. Glass section of the Musee des Arts 60. "Galleries & Exhibitors" Decoratifs. Craft Australia, no. 3, Spring 1988, p. 104, ill. 76. "Glass Bells Are Ringing for Chris Pantano, Colin Heaney, Ruth Benson. Washington's Birthday" 44. "Discovery Awards Honor Best in Glass The Crafts Report, v. 14, no. 153, & Ceramics" 61. "Gallery: Glass" Dec. 1988, p. 51. China, Glass & Tableware, v. 106, American Craft, v. 48, no. 1, Feb./March 1988, p. Very large glass bell blown by Bill no. 4, April 1988, p. 12 ill. 80, ill. Morris and assistants at Pilchuck Correia Art Glass Co. paperweight Work by Stephen J. Clements, Ann Gardner, for Washington State's Centennial. 77. "The Glass Circle 50th Anniversary Dec. 1988, pp. 38-39, ill. June 1988, pp. 4-5, ill. Exhibition 1937-1987: 'Strange and Rare'" Exhibition at Montreal's Botanical Garden. Vase by Begou. Glass Technology, v. 28, no. 6, Dec. 1987, pp. 215-216. 97. "Jean-Noel Bouillet" 117. "Mona Morales-Schildt" Revue des Industries d'Art Offrir, Glas och Porslin, v. 58, no. 3, 1988, pp. 24-25, ill. 78. "Glass Glows Abroad" no. 243, Jan. 1988, pp. 244-246, ill. Kosta glass designer, 1958-1970. Ontario Craft, v. 13, no. 4, Dec. 1988, p. 7, ill. "Glass in Sculpture by Canadians" 98. "Karl Hofbauer, Neustadt: Autos aus 118. "Murano: Vasi communicanti" exhibit in the Koffler Gallery, Bleikristall erobern die Weltmarkte" Abitare, no. 262, March 1988, p. subsequently to go overseas. Die Schaulade, v. 63, no. 1, Jan. 108, ill. English summary. 1988, pp. 158-159, ill. Exhibit of student-designed work 79. "Glass Lover's Weekend '87" Collectible glass cars. made in Murano's glass factories. The Journal, A Newsletter for Friends of Wheaton Village, v. 11, 99. "Kaspar — Bleikristall. Fantasie in Glas" 119. "Neilepsi vyrobky ministerstva no. 1, Jan./Feb./March 1988, p. 2, ill. Die Schaulade, v. 63, no. 11, Nov. 1988, prumyslu CSR roku 1987" Review of Nov. 1987 event. p. 2642, ill. Sklar a Keramik, v. 38, no. 8, 1988, Work by Peter Kaspar. inside covers and insert pp. 29-32, ill. 80. "Glass Sculpture by Tom Patti Is Featured Object" 100. "The Kent Conference" 120. "Neue Variationen" Renwick Quarterly, Sept./Oct./Nov. GAS Newsletter, v. 1, no. 1, Summer 1988, p. 1. Antiquitaten Zeitung, no. 10, May 6, 1988, p. 4, ill. 1988, p. 286, ill. 101. "Kjell Engman i Australien" Auctions of studio glass. 81. "Glass Sellers Award" Glas och Porslin, v. 58, no. 2, 1988, p. 23, ill. The Glass Cone,, no. 17, Spring 1988, p. 7. 121. "New Czech Glass at the Finnish Glass Alison Kinnaird and Amanda Brisbane. 102. "Kjell Engmans arbetsgladje..." Museum" Glas och Porslin, v. 58, no. 5, 1988, p. 34, ill. Form-Function-Finland, no. 3, 1988, p. 59, ill. 82. "Glass Sellers' Award" Exhibition of Engman's work in Stockholm. Glass Technology, v. 29, no. 1, Feb. 1988, pp. 4-5, 122. "New Directions in Glass" ill. 103. "Eine kreative Hutte auf dem Weg zum Collector Editions, v. 16, no. 4, Sculptures by Alison Kinnaird, weltweiten Begriff" Winter 1988, p. 60, ill. Amanda Brisbane. Porzellan + Glas, no. 9, Sept. 1988, Mark Haller designing at L. E. Smith pp. 112-113, ill. Glass Co., Mt. Pleasant, Pa. 83. "Glass Works" Orrefors designer Edvin Ohrstrom. USAir Magazine, v. 10, no. 5, May 1988, p. 11, ill. 123. "New One-Off Pieces of Glassware" Steuben artists' show (David Dowler 104. "Kunsthandwerker der jungen Generation" Form-Function-Finland, no. 2,1988, piece illustrated). Porzellan + Glas, no. 1, Jan. 1988, p. 61, ill. p. 59, ill. Keith Leadbetter of Jerpoint Glass Pauli Partanen of Helsinki. 84. "Glass-Craft System" Studio, Kilkenny, Ireland. Glass Age, v. 31, no. 7, July 1988, p. 69, ill. 124. "New York Awards $100,000 in 17 Craft Laminated bowls by Estie Engel. 105. "Kurzubersicht/VITAE" Fellowships" Neues Glas, continuing series: no. 1, The Craft Report, v. 14, no. 148, June 1988, p. 47. 85. "Glasstadt-Zwiesel" Jan./March 1988 — no. 4, Oct./Dec. 1988. Sydney Cash. Die Schaulade, v. 62, no. 12, Dec. Biographies of artists whose work is 1988, p. 2800+, ill. presented in each issue. 125. "News: Bottiglie eteree; Munich exhibition of Zwiesel glass, Trasparenze multicolori; Vasi preziosi; including pieces by Alois Wudy. 106. "Labinos'Important Gift" Vetri classici" The Toledo Museum of Art 1987 Annual Domus, no. 697, Sept. 1988, u.p. (2 pp.), ill. 86. "A Gold Metal for Fragility and Beauty" Report,, 1988, p. 12, ill. New work by Venini, Salviati, Nason For You from Czechoslovakia, no 1, 89 Labino pieces given to The Toledo Museum. & C., etc. March 1988, p. 85, ill. Czech glassware at Brno fair. 107. "Lalique: A Shop of Its Own in the 126. "News: Fontana di vetri" Heart of Manhattan" Domus, no. 697, Sept. 1988, u.p., ill. 87. "Goran Warff — 25 &r pS Kosta" Continental Homewares, Fall 1988, pp. 121-122. Glass fountain by Bruno Munari. Glas och Porslin, v. 58, no. 5, 1988, pp. 5-8, ill. 108. "Lamp-Art" 127. "News: Vasi profetici" Casa Vogue, no. 195, April 1988, p. 223, Domus, no. 693, April 1988, u.p., ill. 88. "Les Grands Prix de la SEMA" ill. English summary. Vases by Renato Toso and Toti Massari. Le Courrier des Metiers d'Art, no. Exhibition of lighting by 23 international designers 78, Dec. 1988, pp. 1-4, ill. in Tokyo, Osaka, and Paris. 128. "NTmes: XVe Salon des Artisans d'Art" Prize for cut glass plate by Fabrice La Revue de la Ceramique et du Welsch. 109. "Laser Show Nation's First Permanent Verre, no. 38, Jan./Feb. 1988, p. 51, ill. Light Sculpture" Vessel by Regis Fievet. 89. "Hadeland hedret Willy Johansson" The Brewster Society News Scope, v. 2, Glassposten, no. 5, 1988, p. 33, ill. no. 3, Fall 1987, p. 4. 129. "Notable Works: Ronnie Wolf" Designed by Steven Correia. Professional Stained Glass, v. 8, 90. "Harrer: Le Verre souffle bouche" no. 5, June 1988, pp. 52-53, ill. Revue des Industries d'Art Offrir, 110. "Let Us First Go to the Glassworks" no. 244, Feb. 1988, pp. 71-72, ill. For You from Czechoslovakia, no. 4, 130. "Notizie" Harald Harrer. Dec. 1987, pp. 52-57, ill. Abitare, no. 263, April 1988, pp. 137-138, ill. Tableware from Chlum u Trebone. English summary. 91. "IHM: Jugend gestaltet/Munich Crafts Fair" New lines from La Vetreria De Majo, Neues Glas, no. 2, April/June 1988, 111. "Lydia Afia to Exhibit Work in Barovier & Toso, and Venini. p. 100, ill. Tiffany's Windows" Antiques & The Arts Weekly, v. 16, no. 1, 131. "Nya glaset fr£n Kosta Boda" 92. "Informationen" Jan. 1,1988, p. 14, ill. Antik etAuktion, no. 6, June 1988, p. 65, ill. Neues Glas, continuing series: no. Ulrica and Bertil Vallien. 1, Jan./March 1988 — no. 4, Oct./Dec. 1988. 112. "Made in Tasmania" News of exhibitions, conferences, new books, etc. Craft Arts (Sydney), no. 12, May/June 1988, 132. "Objekte'88" pp. 106-107, ill. Die Schaulade, v. 63, no. 8, Aug. 1988, 93. "International Exhibition of Glass Craft" Goblets by James Dodson. pp. 1812-1815+, ill. Glass Technology, v. 29, no. 3, June 1988, Pieces by Zimmermann and Molnar at p. 88, ill. 113. "Market Watch" XI Kunstausstellung, Pate de verre pieces by Karen Vincent, North Art Today (Wichita, Kan.), v. 3, no. Hohr-Grenzhausen. Staffordshire Polytechnic, included in Japanese 3, Fall 1988, pp. 18-21, ill. exhibition. Glass in two benefit auctions 133. "Orrefors Gallery '88: Konstglasets triumf" in October 1988. Glas och Porslin, v. 58, no. 2, 1988, pp. 14-15, ill. 94. "Internationales Glassymposium in Novy Bor" 114. "Meaker's Modern Venetian" 134. "Orrefors 'Gallery-Kollektion 1988'" Die Schaulade, v. 63, no. 9, Sept. 1988, p. 2065. Tableware International, v. 18, no. Die Schaulade, v. 63, no. 7, July 5, June 1988, p. 38, ill. 1988, pp. 1508-1510, ill. 95. "Italian Master Visits CGCA" Work by Englund, Borgstrom, The Journal, A Newsletter for Friends of 115. "Memorial Prize for Artists with Johansson, Hellsten. Wheaton Village, v. 11, no. 4, Oct./Nov./Dec. 1988, a Future" p. 2, ill. Schott Information, no. 3, 1986, p. 27, ill. 135. "Orrefors Introduces Signed Works" Lino Tagliapietra. Jutta Cuny-Franz award to be given in 1987. Collector Editions, v. 16, no. 1, Spring 1988, p. 12. 96. "Un Jardin de verre" 116. "Les Modes d'habiter" Limited-edition series by the Glass Art Magazine,, v. 4, no. 1, Le Courrier des Metiers d'Art, no. 73, company's designers. 136. "Paloma Picasso: Contemporary 155. "Reunited: Applied Art Buyers, Creators" 173. "Taylor Wins International Glass Craft Classics and Comprehensible Design" Art Today (Wichita, Kan.), v. 3, no. Award in Japan" Continental Homewares, Spring 1988, 2, Summer 1988, p. 20, ill. The Crafts Report, v. 14, no. 150, Sept. 1988, p. 52. pp. 80-81, ill. Fort Mason, San Francisco, crafts fair; Michael Taylor. Tableware and accessories. dichroic bowl by Steven Maslach. 174. "Three Solo Exhibits at Heller Gallery" 137. "Penland School, Blue Ridge Mountain 156. "Salone '88 e dintorni" Antiques & The Arts Weekly, v. 16, no. 17, April 22, Jewel" Casa Vogue, no. 203, Dec. 1988, pp. 134-135, 1988, p. 8. Glass Art Magazine, v. 4, no. 1, ill. English summary. Kyohei Fujita, Doug Anderson, David Dec. 1988, pp. 26-28, ill. Wall lamp by Marco Zanini. Huchthausen.

138. "Philadelphia Craft Show" 157. "I saloni della luce" 175. "Tiffany" Glass Art Magazine, v. 3, no. 6, Casa Vogue, no. 203, Dec. 1988, pp. 108-111, Home Lighting & Accessories, Sept./Oct. 1988, pp. 52-53, ill. ill. English summary. v. 71, no. 7, July 1988, pp. 28-36, ill. Work by Thomas Buechner, Richard Marquis, 164-light chandelier designed by Art glass and Tiffany-style lamps. Gary Genetti, Brent Kee Young. Luciano Vistosi for a reception hall in Bologna. 176. "Tschechische Glaskunst — ein Stuck 139. "Piccoli mostri di cristallo" 158. "Salviati" lebendige Kulture der Spitzenklasse" Casa Vogue, no. 194, March 1988, p. 214, ill. Domus, no. 699, Nov. 1988, u.p., ill. Porzellan + Glas, no. 8, Aug. 1988, p. 265, ill. English summary. English summary. Tableware designed by David Palterer. Two pages of Salviati's new 177. "Two New Glass Organizations" collection of Murano glass. Artists in Stained Glass Bulletin 140. "'Poesie in Glas' bei Witt, Bamberg" (Toronto), Dec. 1988, p. 3. Die Schaulade, v. 62, no. 12, Dec. 159. "Sammler-Einstieg" Glass associations in Saskatchewan and British 1987, pp. 2688-2690, ill. English summary. Antiquitaten Zeitung, no. 10, May 6, 1988, Columbia. Erwin Eisch exhibition. p. 289, ill. Results of studio glass auction, Cologne. 178. "USA Glass and Ceramic Decorator 141. "Poesie in Kristall von Daum: Awards" Kunstobjekte aus Pate de Verre" 160. "Scandinavian Craft Today" Glass (U.K.), v. 65, no. 4, April 1988, p. 125, ill. Die Schaulade, v. 63, no. 5, May 1988, p. 1173, ill. American Craft, v. 48, no. 2, Paperweight by Correia Art Glass Co. and April/May 1988, pp. 46-51, ill. perfume flacon by Verreries du Courval-Pochet of 142. "Portfolio" Review of exhibit; glass by T0rben Jorgensen, Senarpont, France. Crafts, no. 90, Jan./Feb. 1988, p. 48, ill. Oiva Toikka, Leifur Breidfjord, Ann Wolff. Concetta Mason piece. 179. "Various Matters of Interest" 161. "Schlange und Frosch" Bulletin of the Canadian Society of Decorative 143. "Porfolio: Damian Priour" Antiquitaten Zeitung, no. 7, March 25, 1988, p. Artsy. 7, no. 1, Summer 1988, pp. 12-13. American Craft, v. 48, no. 2, 187+, ill. Award to Lutz Haufschild and Canadian Museum April/May 1988, pp. 60-61, ill. Studio glass auction, Cologne. of Civilization sculpture commission to Brian Baxter. 144. "Portfolio: Erika Lagerbielke" 162. "Scottish Crafts Collection" Craft Arts (Sydney), no. 10, Craft Work, no. 20, Summer 1988, p. 7, ill. 180. "Venezia e I'Oriente" Oct./Dec. 1987, p. 97, ill. Jane Charles bowl. Domus, no. 690, Jan. 1988, u.p., ill. Orrefors designer. Bottles by Yoichi Ohira. 163. "Sculptor Captures Spirit of Creativity" 145. "Portfolio: Ibex Glass Studio" Glass Art Magazine, v. 3, no. 5, 181. "Le Verre de Hongrie" American Craft, v. 48, no. 1, July/Aug. 1988, pp. 58-59, ill. La Revue de la Ceramique et du Verre, Feb./March 1988, pp. 54-55, ill. Karel Mikolas. no. 42, Sept./Oct. 1988, p. 55, ill. David Levi, Sam Stang, Dimitri Michaelides. Review of exhibition in Antibes. 164. "Shop News" 146. "Portfolio no. 46: Naoto Yokoyama" Bergstom-Mahler Museum Preview, 182. "La Verrerie europeenne des annees Craft Arts (Sydney), no. 11, no. 19, June/July/Aug. 1988, p. 4, ill. cinquante" Feb./April 1988, p. 91, ill. Paperweights by Harry Besett and L'Estampille, no. 213, April 1988, p. 6, ill. Perthshire Paperweights Ltd. Exhibit of 1950s glass at Marseilles. 147. "Precious Exhibits in Glasgow Pavilion" Pilkington News, June 16, 1988, p. 7, ill. 165. "Shop News" 183. "Vetri come sculture" Hologram exhibits in a glass Bergstrom-Mahler Museum Preview, Casastile, v. 15, no. 163, Jan. 1988, p. 20, ill. pavilion at Glasgow festival. no. 21, Dec./Jan./Feb. 1988/1989, p. 3, ill. Sculptures by Laura Morandotti. Millefiori paperweights by Gary and 148. "Prospettive: Salviati" Doris Scrutton, Parabelle Glass. 184. "Vitro Disseny ou la passion du verre" Casastile, v. 14, no. 162, Dec. 1987, pp. 82-83, ill. Revue des Industries d'Art Offrir, Lamps, lighting, panel. 166. "Shop Traditions/Studio Expressions" no. 246, April 1988, u.p., ill. High Museum of Art Newsletter, French firm of tableware, giftware. 149. "II punto di vista di Casa Vogue" v. 10, no. 4, Fall 1988, p. 5, ill. Casa Vogue, no. 198, Aug. 1988, p. 41, ill. Exhibition includes Chihuly bowls. 185. "Les Volumes de Novaro" Curved glass armchair and all-glass La Revue de la Ceramique et du Verre, display cabinet by Fiam. 167. "Sotheby's Contemporary Art Exhibition no. 42, Sept./Oct. 1988, p. 62, ill. Promotes Glass" Review of exhibition at Biot. 150. "Rastal engagiert sich in der Glass (U.K.), v. 65, no. 8, Aug. 1988, p. 285, ill. Kunstlerszene" Show and sale of British crafts to be held in 186. "Vyber ze zahranicnich casopisu" Porzellan + Glas, no. 8, Aug. 1988, p. 264, ill. London and Japan. Umeni a fiemesla, Jorg Zimmermann piece. no. 2, 1988, pp. 47-48, ill. 168. "Southwest Art" Pieces by Naoto Yokoyama, Timo Sarpaneva, 151. "Recent Acquisition" Glass Line (Huntington Beach, Cal.), Ginny Ruffner. National Museum of American Art v. 2, no. 3, Oct./Nov. 1988, p. 1+, ill. Calendar, Sept. 1988, pp. 1-2, ill. Lampworker Lewis Wilson. 187. "Waterloo Gallery Update" Rudy Fernandez piece with neon. Artists in Stained Glass Bulletin 169. "Spain Revives Traditional Glassmaking (Toronto), Dec. 1988, p. 4. 152. "Recent Nederlands Glas, twee Crafts" Canadian Clay and Glass Gallery. tentoonstellingen" Glass (U.K.), v. 65, no. 4, April 1988, p. 123. Glas & Keramiek (Asperen, the Netherlands), New glass center in Barcelona with glassworking 188. "Eine Weltbuhne fur glaserne no. 00, Sept./Oct. 1988, pp. 19-21, ill. English studios, documentation center, and exhibition hall. Meisterwerke" summary. Porzellan + Glas, Two exhibitions of Dutch glassworking; work by 170. "Square Foot Club to Help New York Glass no. 3, 1988, pp. 113-115, ill. Dorothe van Driel, Workshop Finance Expansion Move" Work by Orrefors designers Matz Borgstrom, Felicitas Engels, Sien van Meurs, The Crafts Report, v. 14, no. 145, March 1988, Olle Alberius, Lars Hellsten, Anne Nilsson, and Bert van Loo illustrated. p. 18. Eva Englund, Erika Lagerbielke, New York Experimental Glass Workshop. Gunnar Cyren. 153. "Renaissance im Glas-Design/ Renaissance in Glass Design" 171. "Studio Edition" 189. "Wolf — Geschenkartikel" Die Schaulade, v. 63, no. 7, July 1988, Glassposten, no 4, Aug. 1988, pp. 36-37, ill. Die Schaulade, pp. 1494-1499+, ill. Kosta Boda work by Kjell Engman and Bertil v. 63, no. 2, Feb. 1988, p. 571, ill. Older glass of good design Vallien. Christmas ornaments and glass cars by J. Wolf (Wagenfeld) and new Schott-Zwiesel designs. GmbH. 172. "Studio Is a Microcosm of Glass 154. "Renato Santarossa: Intermezzo" Production" 190. "Zynsky: 2 Vessels Unveiled" Neues Glas, no. 1, Jan./March 1988, American Glass Review, v. 108, no. 11, May 1988, The Corning Museum of Glass Newsletter, p. 47, ill. pp. 8-9, ill. Winter 1988, p. 4, ill. Exhibition at Dusseldorf Art Museum. Robert Coleman of Mt. Vernon, Ohio. Rakow Commission, 1988. 191. "HI. Internationales Glassymposium in Novy 209. AOSTA, ITALY. TOUR FROMAGE 225. "Sculpture: Thibault d'Aucuns" Bor/Tschechoslowakei" Luciano Vistosi L'Atelier, no. 127, April 1988, pp. 20-23, ill. Die Schaulade, v. 63, no. 11, Nov. 1988, pp. 2647- (Text by Giuseppe Marchiori) 2648, ill. Aosta: Tour Fromage; Regione Valle d'Aosta, 226. BEAUMONT, THIERRY DE AND SAVE, Assessorato del Turismo, COLETTE 192. "The 3rd International Glass Symposium at Urbanstica e Beni Culturali, 1980, 36 pp., ill. "Les Gens du verre" Novy Bor" In four languages. L'Atelier, no. 129, June 1988, pp. 38-40, ill. Glass Review, v. 43, no. 5, 1988, p. 28, ill. Jean-Luc Olivie of Centre du Verre, Paris; Louis 210. ARTQUEST COMPETITIONS '85; 86; 87: Meriaux of Sars-Poteries; Didier Nick of Corning 193. "3-D Face Masks Made from THE CATALOG [3 vols.] France. Fused Glass" Los Angeles, Cal.: ArtQuest, Glass (U.K.), v. 65, no. 6, June 1988, p. 236, ill. 1985-1987, 16, 24, 24 pp. ill. 227. BEGOU: UN SOUFFLE DE PLAISIR Jim Schell. (TEXT BY JEAN-LUC OLIVlEi) 211. AUGUSTIJN, PIET Nimes: Atelier Baie, 1988, 16 pp., ill. 194. "16th Annual International Glass "Floris Meydam: Een leven tussen glas en English and German summaries. Invitational" keramiek" Alain and Marisa Begou. Glass Art Magazine, v. 3, no. 4, May/June 1988, Glas & Keramiek (Asperen, the Netherlands), pp. 4-9+, ill. no. 00, Sept./Oct. 1988, pp. 22-25, ill. English 228. BELL, MARILYNNE "Studio Glass Profile" Habatat Galleries show. summary. Craft Arts (Sydney), no. 11, Feb./April 1988, pp. Glass and ceramics designed by Meydam. 63-71, ill. 195. "85 let sklaren Bohemia zavod Nizbor" Current trends in Australia, New Zealand, and Sklar a Keramik, v. 38, no. 10, 1988, covers and 212. "Klei en glas: Materialen met verschillende Canada, and "some interesting comparisons." insert pp. 37-40, ill. mogelijkheden" Tableware designs by Dagmar Kudrova. Glas & Keramiek (Asperen, the Netherlands), 229. BELLEVUE, WASHINGTON. BELLEVUE no. 00, Sept./Oct. 1988, pp. 32-34, ill. ART MUSEUM 196. "ADAMCZEWSKI, FIONA English summary. Pilchuck School: The Great Northwest Glass "Glass Magician" Ceramist Mieke Pontier makes glass pieces at Experiment Crafts, no. 92, May/June 1988, pp. 22-25, ill. Leerdam's Glass Form Center. Bellevue: the museum, 1988, 20 pp., ill. Simon Moore. Exhibition of work of 31 Pilchuck artists. 213. BAAS, FRIEDRICH-KARL AND BINDER, 197. ADLEROVA, ALENA LEONORE 230. BENNY MOTZFELD "Shapes, Colour and Space in the Work of Oldrich "Paolo Martinuzzi — Herkunft und Werk. Katalog (Text by Anniken Thue, Fritz Reese) Pllva" zur Immenhauser Ausstellung" Oslo: Universitetsforlaget AS; Glass Review, v. 43, no. 10, 1988, pp. 24-27, ill. Glas (Richard Sussmuth e.V.), no. 6, 1988, Galleri Acanthus, 1984, 122 pp., ill. pp. 3-24, ill. In Norwegian; English summary. 198. "Sklarske vystavy v lete 1987" Martinuzzi's life and work; Umeni a Remesla, no. 1, 1988, pp. 1 -4, ill. descriptions of the pieces in his exhibit at 231. BERKOWITZ, NATALIE Prague exhibition: Glasmuseum, Immenhausen. "Delighful, Delovely Decanters" Libensky/Brychtova, Rybak, Forejtova. Town & Country, v. 142, no. 5093, Feb. 1988, pp. 214. BACKSTROM, MONICA 215-217, ill. 199. "Umbruchsjahre des "Resebrev fran USA" Tschechoslowakischen Glases 1957-1962/ Glas och Porslin, v. 58, no. 1, 1988, 232. BERLIN, GERMAN DEMOCRATIC Years of Change in Czechoslovakian pp. 28-29, ill. REPUBLIC. FERNSEHTURM BERLIN Glass 1957-1962" Author visits The Corning Museum of Glass. Sowjetisches kunstlerisches Glas und Gobelins Neues Glas, no. 1, Jan./March 1988, pp. 8-12, ill. [Berlin?]: Zentrum fur Kunstausstellungen der 215. BAHMANN, GABRIELE DDR; Neue Berliner Galerie, 1977, 20 pp., ill. 200. AINSWORTH, NIEL AND MACRIS, TONY Theodor G. Sellner: Eine Werkanalyse "Switched-on Sculpture" Grafenau: Morsak Verlag, 1987, 95 pp., ill. 233. [BERLIN, GERMAN DEMOCRATIC Craft Arts (Sydney), REPUBLIC]. no. 10, Oct./Dec. 1987, pp. 63-70, ill. 216. BAKER, PATRICIA MINISTERIUM FUR KULTUR DER DDR Martine Canneel's multimedia sculptures using "Exhibitions: British Artists in Glass" Pressglas aus der CSSR (Text by Alena Adlerova) neon, holograms, mirrors, etc. Crafts, no. 90, Jan./Feb. 1988, p. 56, ill. [s.l., Berlin?]: Ausstellungsgruppe des Review of Autumn show, London. Ministeriums fur Kultur der DDR, 1973, 40 pp., ill. 201. ALEMENOS, CHRISTOPHER "The Fusing of Inner Vessel No. 3" 217. "Overblown Glass" 234. BERNSTEIN, R. Professional Stained Glass, Crafts (U.K.), no. 95, Nov./Dec. 1988, p. 18. "Ausstellung/Exhibition: Glas Metamorphosen" v. 8, no. 3, April 1988, pp. 14-15, ill. Neues Glas, no. 3, July/Sept. 1988, p. 227, ill. Nancy Gerbasi and Sheryl Ellenwood. 218. BALATONFURED, HUNGARY. BALATONI Review of Corning France/Centre du Verre GALERIA exhibition at Rolandseck, near Bonn. 202. AMSTAD, MONIC' Orszagos uvegmuveszeti kiallitas "Parfum-Flakons als Kunst- und Sammelobjekte" (Text by Vera Varga) 235. "New Art Objects: London, Amsterdam" Du, no. 6, 1988, pp. 88-92, ill. [Balatonfured: the gallery], 1985, 15 pp., ill. Kunst + Handwerk, no. 6, Nov./Dec. 1988, Contemporary perfume flasks. Zoltan Bohus, Maria Lugossy, Laszlo Lukacsi, and pp. 392-393, ill. others. In German. Includes Richard Meitner glass. 203. ANADARKO, OKLAHOMA. SOUTHERN PLAINS INDIAN MUSEUM AND CRAFTS 219. BARCELONA. CENTRE DEL VIDRE DE 236. BIRD-JONES, CHRIS CENTER BARCELONA/FAD "Danny Lane: In Vitro-Crystallisation" Expressions in Glass by Tony Jojola Donna, Universo, Armonia d'Egidio Constantini British Artists in Glass Newsletter, Anadarko: the center, 1988, 6-p. folder, ill. Barcelona: the center, 1988, 64 pp., ill. no. 2, 1988, pp. 7-8+, ill. Exhibition of glass sculptures by Constantini with 204. ANDERLE, PETR AND CEPELKA, his Fucina degli Angeli collaboration. 237. BLENCH, BRIAN J. R. FRANTlSEK "Helen Monro Turner and the Revival of Scottish "40 let koncernoveho podniku Zeleznobrodske 220. BAUER, MICHAEL Glassmaking" sklo" "Kurt Wallstab" Scottish Glass Society Newsletter, Sklar a Keramik, v. 38, no. 5,1988, pp. 125-126 Journal fur Arzte, v. 16, no. 8, Aug. 1986, pp. 532- no. 29, Jan. 1988, pp. 2-6, ill. and insert pp. 17-20, ill. 539, ill. [Also in: The Glass Cone, no. 17, Spring 1988, pp. Development of Zeleznobrodske Sklo. 3-5, ill.] 221. BEA, JANICE 205. ANDERSON, NOLA "Neon Sculpture, an Eclectic Electric Medium" 238. "Profile: Helen Monro Turner" "Anatomy of the Vessel" Art Gallery International, v. 9, no. 2, Jan./Feb. Craft Work, no. 20, Summer 1988, pp. 20-21, ill. Craft Arts (Sydney), no. 10, Oct./Dec. 1987, pp. 1988, pp. 34-37, ill. 71-74, ill. Lili Lakich, the Museum of Neon Art, Michael 239. BLOCH-DERMANT, JANINE Vessels by Dante Marioni. Hayden. "Antoine & Etienne Leperlier. Arbeiten mit/Working with pate de verre" 206. "Kilnforming at Canberra" 222. BEAUMONT, MARY ROSE Neues Glas, no. 1, Jan./March 1988, pp. 13-17, ill. New Work, no. 35, Fall 1988, pp. 24-27, ill. "London Reviews: Clifford Rainey" Arts Review, v. 40, no. 25, Dec. 16, 1988, p. 895, ill. 240. BOCA RATON, FLORIDA. BOCA RATON 207. "Ofenglas — Philosophie seiner MUSEUM OF ART Entstehung/Kilnformed Glass — A Philosophy 223. BEAUMONT, THIERRY DE Collectors' Annual 1988: Contemporary Art Glass of Making" "La Cuisine du verre: Danny Lane" Boca Raton: the museum, 1988, 16 pp., ill. Neues Glas, no. 4, Oct./Dec. 1988, pp. 294-296, ill. L'Atelier, no. 131, Sept. 1988, pp 28-31, ill. 241. BOGLE, MICHAEL "Naughty Bits" 208. "Process and Idea: 224. "L'Europe du verre" Craft Australia, no. 4, Summer 1987, pp. 56-57, ill. Kiln Forming Techniques" L'Atelier, no. 129, June 1988, pp. 32-37, ill. Fused and lampworked sculptures by Jan Blum. Craft Australia, no. 2, Winter 1988, pp. 57-64, ill. Glass activities in Europe, 1988: Work by Willi Pistor, Antoine Leperlier, Klaus Moje, "Glass of the Caesars" exhibit, contemporary 242. BOHME, FRITZ Diana Hobson, Warren Langley, Colin Reid, glass exhibit at Bahnhof Rolandseck, Sars- "Fritz Bohme: From Hadamar to Pilchuck" Stephen Skillitzi, and others. Poteries activities. Neues Glas, no. 1, Jan./March 1988, p. 46, ill. 243. BOLLINI, CATHERINE Chihuly/Persians (Curated by Henry Geldzahler) [Toronto: Summits Management Office, 1988], 35 "Le Cirva: Centre international de recherche sur le Bridgehampton: the foundation, 1988, and 35 pp., ill. In French and English. verre a Marseille" 31 pp., ill. Craft items "used to adorn the offices of the heads Crafts Council participating in the Summit"; includes glass and Schweiz/Suisse/Svizzera Bulletin, 258. BRNO. MORAVSKA GALERIE stained glass. no. 3, Sept. 1988, p. 7. Jitka Forejtova sklo 1988-1989 Brno: the gallery, 1988, 46 pp., ill. 275. CAPPA, GIUSEPPE 244. BONN. BAHNHOF ROLANDSECK In Czech, English, German. "L'Oeuvre statuaire en cristal de Louis Leloup" [in] Glas-Metamorphosen: 40 internationale Annates du 10e Congres de /'Association Glaskunstler der G egen wart 259. Moravsky sperk (Text by Alena Krizova) Internationale pour I'Histoire du Verre Paris: Corning France and Le Centre du Verre du Brno: the gallery, 1987, 60 pp., ill. English (Madrid-Segovie, Sept. 23-28, 1985), Amsterdam: Musee des Arts summary. Association Internationale pour I'Histoire de Verre, Decoratifs with the cooperation of the Musee Includes glass jewelry. 1987, pp. 579-588, ill. Atelier du Verre de Sars Poteries, 1988, 38 pp., ill. 260. Sperky: Jaroslav Kodejs 1968-1985 276. CASPER, GERRIE 245. BORDEAUX, FRANCE. MUSEE DES ARTS (Text by Karel Holesovsky) "Studio Art Glass: A Collector's International DECORATIFS' [Brno: the gallery, 1985?], 51 pp., ill. English Survey" Objets Danese: Profit d'une production summary. Bergstrom-Mahler Museum Preview, no. 19, June/ 1957-1987 Jewelry, including glass by Kodejs. July/Aug. 1988, p. 2, ill. Bordeaux: the museum [in conjunction with four The Wiiken Collection. other museums], circulated by CIRVA in 261. Tvar: Intaglie a medaile Jiriho Harcuby Marseilles, 1988, 77 pp., ill. (Text by Karel Holesovsky) 277. LE CENTRE DU VERRE Traveling exhibition of the Danese collection of Brno: the gallery, 1988, 64 pp., ill. English Paris: Le Centre du Verre, Musee des Arts contemporary design; includes drinking glasses, summary. Decoratifs, 1988, 15 pp. and 16 postcards. vases, and lamps by Bruno Munari, Enzo Mari, Portrait intaglios by Jin Harcuba. Achille Castiglioni. 278. CENTRE INTERNATIONAL DE 262. BRONX, NEW YORK. THE BRONX RECHERCHE SUR LE VERRE CAHIERS DU 246. BOROWSKY, LAURIE WAGMAN MUSEUM OF THE ARTS CIRVA NO. 1, 1987 "Travel Notes: Soviet Glass" The Second Emerging Expression Biennial: Marseilles: CIRVA, 1987, 127 pp., ill. In French and New Work, no. 34, Summer 1988, p. 27, ill. The Artist and The Computer . English. Bronx: the museum, 1987, 85 pp., ill. The organization's activities, objectives and 247. BOSTON, MASSACHUSETTS. Includes work by Sydney Cash. programs; work of many glass artists members. SIGNATURE GALLERY The Evolving Art Object: 263. BROOKS, JOHN A. 279. CERNY, BLAHOSLAV Paperweights, Small Glass Sculpture "National Meeting: The Foundry" "Jaroslav Svoboda — Artist and Pedagogue" Hyannis, Boston, Chestnut Hill: The Glass Cone, no. 18, Summer 1988, p. 8. Glass Review, v. 43, no. 5, 1988, pp. 21-25, ill. Signature, 1988, 18 pp., ill. Arlon Bayliss demonstrates 18th-c. glassmaking techniques to the Glass Association 280. CHAMBERS, KAREN S. 248. BOTTI MONTI, ADRIANA at the studio glasshouse, Royal Brierley. "Making Its Message Clear: Enthusiasm for Art "Saloni '87: Glasnost; I nostalgici" Glass" Casa Vogue, no. 191, Dec. 1987, pp. 168-171, ill. 264. BRUSSELS. "DE TINNE POT," Art Today (Wichita, Kan.), v. 3, no. 3, Fall 1988, pp. English summary. KREDIETBANK 32-37, ill. Glass furniture, vases, lamps by Fontana Arte, Artistes verriers de Tchecoslovaquie Work by many studio glass artists. Borek Sipek, Laura de Santillana. Brussels: Kredietbank and Galerie Transparence, 1988, 59 pp., ill. 281. "A Report from Germany and Austria" 249. BOYLEN, MICHAEL New Work, no. 34, Summer 1988, pp. 35-36, ill. "Joel Philip Myers/Holsten Galleries" 265. BUCHANAN, MARK Reviews of exhibitions: Mari Meszaros, Niyoko American Craft, v. 48, no. 5, Oct./Nov. 1988, pp. "Cal Poly: 'A Good Place to Start'" Ikuta, Renato Santarossa, Jack Ink. 72-73, ill. Glass Art Magazine, v. 3, no. 6, Sept./Oct. 1988, pp. 48-50, ill. 282. "Reviews: Danny Perkins" 250. BRAND, DAVID New Work, no. 34, Summer 1988, pp. 36-37, ill. "In New Jersey: Capturing Nature in Glass" 266. BUCHANAN-DUNLOP, GRAHAM Time, v. 131, no. 6, Feb. 8, 1988, p. 12+, ill. "In Sympathy" 283. "Reviews: David R. Huchthausen, Recent Paul Stankard. Craft Work, no. 21, Autumn 1988, pp. 21 -24, ill. Sculptures" Jane Charles vase. New Work, no. 32, Winter 1988, p. 33, ill. 251. BRATISLAVA. GALERIA CYPRIANA MAJERNIKA 267. BUON COMPLEANNO: A BENEFIT 284. "Reviews: Mary Van Cline" Askold Zacko: Sklo (Text by L'udo Petransky and AUCTION FOR THE TRITON MUSEUM OF ART New Work, no. 34, Summer 1988, p. 33+. Agata Zackova) OF FINE CONTEMPORARY FURNITURE - Bratislava: the gallery, 1986, 28 pp., ill. English CERAMICS - GLASS - FIBER - WOOD — 285. CHASTAIN-CHAPMAN, TONY summary. METAL "Aspiring to History" Santa Clara, Cal.: Triton Museum, 1988, 31 pp., ill. American Craft, v. 48, no. 2, April/May 1988, pp. 252. BRATISLAVA. SLOVENSKA NARODNA Glass by John and Jan Gilmor and others. 30-37+, ill. GALERIA "The Eloquent Object" exhibition; glass by Sucasne Slovenske umelecke: Sklo a sperk (Text 268. BURR, LAWRENCE S. Lipofsky, Chihuly. by Agata Zacova) "Contemporary Glass Art in America" Bratislava: the gallery, 1987, 25 pp., ill. English The Peninsula Group Magazine (Hong Kong), no. 286. CHICAGO. NAVY PIER summary. 44, Summer 1988, pp. 44-53, ill. Chicago International New Art Forms Exposition Jewelry, sculpture, and tableware by 36 Czech 1988 artists. 269. BUSCH, AKIKO Chicago: The Lakeside Group, 1988, 143 pp., ill. "A Personal Odyssey" Galleries exhibiting glass. 253. BRAY, C. Metropolis, Jan./Feb. 1988, pp. 54-57+, ill. "Exhibitions of British Studio Glass" The Haystack Mountain School of Crafts. 287. CINCINNATI, OHIO. CINCINNATI ART Glass Technology, v. 28, no. 6, Dec. 1987, p. 216. MUSEUM Exhibitions at Fitzwilliam Museum, Cambridge, 270. BYRD, JOAN FALCONER Illusions in Glass: The Art of Christopher Ries and Asperen, the Netherlands. "Dreisbach" (Text by Anita J. Ellis) New Work, no. 33, Spring 1988, pp. 8-13, ill. Cincinnati: the museum, 1988, 55 pp., ill. 254. BREMEN. BREMER LANDESMUSEUM FUR KUNST- UND KULTURGESCHICHTE 271. CAMBRIDGE. FITZWILLIAM MUSEUM 288. CLEMENCIGH, MIRELLA Isgard Moje-Wohlgemuth: Glas (Text by Joachim Clear Through to the Wood: "Bolidi di cristallo" Kruse, Margaret Steinbiss) Contemporary Glass and Furniture Selected by Casa Vogue, no. 198, July/Aug. 1988, Bremen: Verein von Freunden des Focke- Henry W. Rothschild pp. 118-119, ill. English summary. Museums, e.V. 1987, 56 pp., ill. Cambridge: the museum, 1987, 47 pp., ill. Glass racing cars by Daum.

255. BRENNAN, MARK 272. CAMERON, DAN 289. CLEMONS, DANIELA "Wagga Glass" "High-Tech Redux: L.A. Art of the Sixties" "Ann Fleming: Fortsetzung einer Tradition/ Craft Australia, no. 4, Summer 1987, pp. 54-55, ill. Flash Art, no. 141, Summer 1988, pp. 102-105, ill. Continuing a Tradition" Contemporary glass collection in the New South Includes work by Larry Bell. Neues Glas, no. 3, July/Sept. 1988, pp. 211 -212, Wales Regional Gallery at Wagga Wagga. ill. 273. CAMPBELL, LIZA "Thibault d'Aucuns" 256. BRICKELL, BARRY House & Garden, v. 160, no. 3, March 1988, 290. COHEN, EDIE LEE "Rainbow" "Barry Brickell in Finland" p. 40, ill. Interior Design, v. 59, no. 9, June 1988, pp. 240- New Zealand Crafts (Crafts Council of New Glass furniture. 251, ill. Zealand), no. 20, Autumn 1987, pp. 33-35, ill. Dan Dailey mural, Dale Chihuly pieces in new Author visits littala and the Finnish Glass Museum. 274. CANADIAN FINE ARTS AND CRAFTS AT Rockefeller Center complex. THE TORONTO SUMMIT/L'ART ET LARTISANAT 257. BRIDGEHAMPTON, NEW YORK. DIA ART CANADIENS AU SOMMET ECONOMIQUE DE 291. COHEN, JEAN LAWLOR FOUNDATION TORONTO "An Inside Look at Outdoor Conservation" Sculpture, v. 7, no. 6, Nov./Dec. 1988, pp. 10-15, Art Today (Wichita, Kan.), v. 2, no. 4, Winter 1987/ English summary. ill. 1988, pp. 14-19, ill. Czech, Dutch, and Hungarian glassmakers work Includes glass and steel piece by Christopher Fused glass and stoneware series by N. Skreko at Durk Valkema's studio Wilmarth. Martin. 326. DRESDEN. STAATLICHE KUNSTHANDEL 292. COHN, TERRI 310. DARMSTADT. HESSISCHES DER DDR, NEUE DRESDENER GALERIE "Moving toward the Mainstream" LANDESMUSEUM Dieter Hackebeii: Glas Artweek, v. 19, no. 1, Jan. 9, 1988, p. 5, ill. Bildwerke in Glas: 25 Jahre New Glass in America Dresden: Staatlicher Kunsthandel der DDR, Review of Therman Statom exhibition, San (Catalog by Carl Benno Heller) Neue Dresdener Galerie, Francisco. Darmstadt: Wolfgang Beeh and the Hessisches 1985, 10 pp., ill. Landesmuseum, 1987, 64 pp., ill. 293. COLLEZIONE VENEZIA E L'ORIENTE: 327. DRURY, JOHN AND EICHENBERG, BOTTIGLIE CON 'TAPPI GIOIELLO' Dl Y. OHIRA/ 311. Fifty/Fifty: For men und Far ben der 50er ROBERTA, EDS. COLLECTION VENICE AND THE ORIENT: Jahre Glass Access (Columbus, Ohio), v. 1, BOTTLES WITH "GEM-LIKE' STOPPERS BY Y. Stuttgart: Arnold'sche Verlagsanstalt GmbH, 2nd no. 1, Oct. 1987, 24 pp., ill. V. 2, OHIRA (TEXT BY ROSA BAROVIER MENTASTI) ed., 1987, 71 pp., ill. no. 1, Feb. 1988, 24 pp., ill. Murano: Vetreria de Majo, division of Mithos, 1987, Includes glassware and lamps. Periodical of artists' writings issued by 45 pp., ill. In Italian and English. Glass Axis, a nonprofit central Ohio Yoichi Ohira. 312. DAVIDSON, TERRY organization/workshop. "Reviews: Christopher Freeman" 294. COLLOQUE INTERNATIONAL VERRE ET New Work, no. 35, Fall 1988, p. 35, ill. 328. DU RUSQUEC, CLAIRE ARCHITECTURE, CONFERENCIA DE TORRES "Expositions: Giuseppe Penone" ESTEBAN, MUS£E DU VERRE, SARS-POTERIES 313. DAVIS, TOM La Revue de la Ceramique et du Verre, April 4-7, 1984, [s.l. Madrid?: Torres Esteban, "Northern Lights" no. 43, Nov./Dec. 1988, p. 60, ill. 1984], 8 pp. Wisconsin Trails, v. 29, no. 5, Sept./Oct. 1988, pp. 26-29, ill. 329. "Theodor G. Sellner" 295. COMPASSO D'ORO 1954-1984: Northern Wisconsin Neon Workshop. La Revue de la Ceramique et du Verre, no. 41, TRENTANNI Dl DESIGN ITALIANO July/Aug. 1988, p. 65, ill. Milan: Electa Editrice, 1985, 252 pp, ill. 314. DESAULNIERS, GILLES Review of Paris exhibit. Thirty years of Italian design in a circulating "L'Atelier du verre: Un Atelier jeune, des traces exhibition; includes lighting, vases, tableware. remarquables" 330. DUPERRON, CLAUDE AND La Revue de la Ceramique et du Verre, no. 39, WESTROM, LINDA 296. CONTEMPORARY AMERICAN GLASS March/April 1988, pp. 50-51, ill. "Studio Profile: Claude Duperron, Linda Westrom: FROM STEUBEN: 24 READY-TO-MAIL FULL- Work at Strasbourg by Michele Perozeni, Serge Rhythms Artglass" COLOR POSTCARDS Schultz, and others. Glass Gazette (Toronto), Fall 1988, pp. 9-10. Corning, N.Y.: The Corning Museum of Glass in association with Dover Publications, New York, 315. "Le Verre Canadien maintenant" [in] 331. DUSSELDORF. KUNSTMUSEUM 1987, 6 leaves. Annates du 10e Congres de /'Association DUSSELDORF Internationale pour I'Histoire du Verre (Madrid- Intermezzo: Renato Santarossa 297. CONTEMPORARY GLASS: A PRIVATE Segovie, Sept. 23-28, 1985), Amsterdam: Dusseldorf: the museum , 1988, 35 pp., ill. COLLECTION Association Internationale pour I'Histoire du Verre, Chicago: The Falcon Press, 1988, 104 pp., ill. 1987, pp. 589-594. 332. Jaeger's Katalog der 50er: Anonymes The Ben Heineman collection. Design eines Jahrzehnts 316. DESIGN INTERNATIONAL INDEX. AN Frankfurt am Main: Verlag Dieter Fricke, 1988, 298. CONTEMPORARY GLASS COLLECTION: INFORMATION AND BIBLIOGRAPHIC DATA 95 pp., ill. SASAKI CRYSTAL 1988 CALENDAR BASE ON COMFICHE (ED. BY MONA LLOYD Lighting, drinking glasses in metal holders Tokyo: Sasaki Glass Co., 1987, 6 leaves, ill. AND JANETTE JAGGER) included in 1950s collection of Doris and Sasche Glass by Denji Takeuchi, Nobuyasu Sato, Ken Leicester, U.K.: Leicester Polytechnic, 5th Jaeger. Ohta, Yoshio Inomata, Hiroyuki Kashiwabara. cumulated ed., 1988. Includes glass and stained glass design fields and 333. DUSSELDORF-KAISERSWERTH. 299. COOK, DIANE lists items from many international published SCHLOSS KALKUM "Collecting Contemporary Glass: A Personal View" sources. Kunst/Werk. Foto, Glas, Gerat, Keramik, Schmuck, Scottish Glass Society Newsletter, Stein, Textil. 5. Ausstellung, '86 no. 30, April 1988, pp. 2-3. 317. DETROIT, MICHIGAN. DETROIT ARTISTS [s.l.]: Gruppe Kunst/Werk, 1986, 108 pp., ill. MARKET Balazs Kardos, Matthias Klering, Vladimir 300. COPELAND, BEVERLY M. Glass: Sculpture and Mixed Media (Curated by Koudelka, Fritz Lauten, Uta Majmudar. "Interview with Jon Wolfe" Jean Sosin) Glass Focus (North Shore Studio Art Glass Group, Detroit: Detroit Artists Market, 1988, 20 pp., ill. 334. EBELTOFT, DENMARK. GLASMUSEUM Chicago), Sept./Oct. 1988, pp. 11-12. Moderne International Glaskunst 318. DICKINSON, NANCY Ebeltoft: the museum, [1988], 15 pp., ill. 301. CRAFT FOCUS 3 "David Dowler at Steuben and Alone" In Danish with German and English summaries. Toronto: Ontario Crafts Council, 1988, 14 pp., ill. New Work, no. 33, Spring 1988, pp. 21-23, ill. Brief guide to the museum, including list of artists Includes 15 glass artists. represented in the collection. 319. DICKSON, PAUL 302. CRAFTSMEN'S GUILD OF MISSISSIPPI. "Kids and Collectors Are Still Knuckling Down to 335. EDELMAN, JUDITH EXHIBITING MEMBERS DIRECTORY Business" "Exhibitions: Cathey Billian" Jackson, Miss.: the guild, 1988, 59 pp. Smithsonian, v. 19, no. 1, April 1988, pp. 94-103, Craft International, v. 6, no. 4, 1988, p. 41. Glass artists, pp. 32-35. ill. Show at New York Experimental Glass Workshop. History of marbles; contemporary marbles by Josh 303. CRAWFORD, GAIL "Surviving in Paradise" Simpson. 336. EDER, MANFRED Ontario Craft, v. 13, no. 3, Sept. 1988, pp. 14-17, ill. "Spiel um den Konig" Canadian glassmaker Jamie Sherman. 320. DISSEL, KLAUS die Kunst, no. 6, June 1988, pp. 486-490, ill. "Diatretum Glass: A Riddle Solved" Glass chess set by Marion Winkler. 304. CRUGNOLA, GILBERT Schott Information, no. 2, 1987, pp. 25-26, ill. "Gilbert Crugnola, une architecture de lumiere" Josef Welzel of Hadamar re-creates a Roman 337. EGGER, REBECCA La Revue de la Ceramique et du Verre, no 40, cage cup. "Fresh from the Studio" May/June 1988, pp. 44-45, ill. Canvas (Rhode Island School of Design), v. 5, no. 321. DODDS, JANE 9, May 1988, pp. 1-2, ill. 305. CUNNINGHAM, JACK "Portefolio: A Conversation with John Brekke" Beverly Soja. "Crafts USA — A New Focus" New Work, no. 32, Winter 1988, pp. 30-31, ill. Craft Work, no. 19, Spring 1988, pp. 18-19, ill. 338. EISCH, KATHARINA Joel Philip Myers vessel, Saxe Collection. 322. Reviews: The Art of Contemporary Die Eisch-Hutte. Portrait einer Bayerwald- Japanese Studio Glass" Glashutte im 20. Jahrhundert 306. CUTLER, DICK New Work, no. 32, Winter 1988, p. 37, ill. Grafenau: Buch- und Offsetdruckerei Morsak, "Judy Bally Jensen, Dream Spaces and Exotic 1988, 167 pp., ill. Places" 323. DOELEMAN, FRANS P. J. History and production of Glashutte Eisch. New Work, no. 34, Summer 1988, pp. 12-13+, ill. "Bert Frijns: Door zo'n prijs word je serieuzer genomen" 339. ELDIN, PIA 307. "Reviews: NEA Artists at Matrix" Glas & Keramiek (Asperen, the Netherlands), "Formrevy: Utstallningen Farger fr&n Danmark" New Work, no. 32, Winter 1988, pp. 32-33, ill. no. 00, Sept./Oct. 1988, pp. 27-29, ill. English Form, v. 84, no. 6 (660), 1988, p. 53, ill. Work by Nancy Monk and Jack Wax illustrated. summary. Anja Kjaer, Darryle Hinz in exhibition in Varberg.

308. "Reviews: Patrick Wadley: Cultural 324. DONEFER, LAURA 340. ELLIOTT, JUDI "Portfolio no. 49: Judi Elliott" Kleptomaniac" "Glass Education in Canada" Craft Arts (Sydney), no. 12, May/June 1988, p. 93, New Work, no. 34, Summer 1988, pp. 32-33, ill. Glass Gazette (Toronto), Summer 1988, pp. 7-9. ill. Texas exhibit. Slumped and fused pieces. 325. DRDACKA-ROSSINI, PAVLA 309. DAHOOD, KAREN "Mini-inter-glass-symposium" 341. ELLIS, ANITA J. "Art around America: Tucson" Umeni a Remesla, no. 4, 1987, pp. 50-51, ill. "Christopher Ries: Experience with Optics" Neues Glas, no. 1, Jan./March 1988, pp. 26-27, ill. no. 1, 1988, pp. 13-15, ill. Center for history, documentation, exhibits, and In German and English. Frances and Michael Higgins. glass school at La Granja glassworks, Segovia, Spain. 342. "The Glass Sculpture of Christopher Ries" 362. FRANCE, MADELEINE The Glass Club Bulletin, no. 154, Winter 1987/ "Marie-Claude Lalique, the Third Generation" 377. GASS, STEPHEN 1988, pp. 11-13, ill. Glass Collector's Digest, v. 2, no. 3, Oct./Nov. "The Glass Workshop Makes Its Move" 1988, pp., 74-78, ill. New Work, no. 33, Spring 1988, pp. 29-31, ill. 343. ERFURT, GERMAN DEMOCRATIC REPUBLIC. GALERIE AM FISCHMARKT 363. FRANK, PETER 378. GEDDES-BROWN, LESLIE Albin Schaedel: Glas (Text by Peter Moller, Albin "Reviews: 'Skulptur Projekte,' Munster, and "Eastbourne's Phoenix" Schaedel) 'Century '87,' Amsterdam" Country Life, v. 182, no. 45, Nov. 10, 1988, p.170, Erfurt: the gallery, 1984, 16 pp., ill. Sculpture, v. 7, no. 1, Jan./Feb. 1988, pp. 24-25, ill. ill. Catalog from "Schmuck und Glas" exhibition, Work by Mario Merz and Niek Kemps briefly Engraved bowl by Laurence Whistler 1984. mentioned. commemorating a college fire.

344. ERNOULD-GANDOUET, MARIELLE 364. FRANKFURT AM MAIN. GALERIE 379. GEVAUDAN, AUGUSTE "Bonn: Metamorphoses de verre" GOTTSCHALK-BETZ "Les Environnementologues" L'Oeil, no. 393, April 1988, pp. 78-79, ill. Ann Wolff (Text by Nina Weibull) L'Atelier, no. 131, Sept. 1988, pp. 10-11, ill. Exhibition at Rolandseck Bahnhof near Bonn. Frankfurt: the gallery, 1988, 6 pp., ill. In German. Includes glass by Le Studio Nago, Paris.

345. "Paris: Erwin Eisch" 365. Miluse Roubickova, Rene Roubicek, 380. GIANNESINI, MARIE-HELENE L'Oeil, no. 399, Oct. 1988, p. 75, ill. 1950-1987 "Anthony Guibe: Objets de verre et pastels Review of exhibition at Musee des Arts Decoratifs. (Text by Alena Adlerova, Karel Hettes, recents" Jan Kriz) La Revue de la Ceramique et du Verre, no 40, 346. "Paris: Gerard Koch" Frankfurt: the gallery, 1987, 23 pp., ill. May/June 1988, p. 55, ill. L'Oeil, no. 393, April 1988, p. 80, ill. 366. FRANKFURT AM MAIN. MUSEUM FUR 381. GIBSON, ERIC 347. "Paris: Joel Philip Myers" KUNSTHANDWERK "Christopher Wilmarth" L'Oeil, no. 395, June 1988, p. 84, ill. Zeitgenossisches deutsches Kunsthandwerk. Sculpture, v. 7, no. 3, May/June 1988, p. 35, ill. Triennale 1984 (Ed. by Hildegard Hoos) 348. "Paris: Jutta Cuny" Frankfurt: the museum, 1984, 320 pp., ill. 382. GIMELSON, DEBORAH L'Oeil, no. 398, Sept. 1988, p. 84, ill. Glass (pp. 236-261) by 12 German artists: Hora, "Banker's Choice" Review of exhibit. Lemke, Moje, Moje-Wohlgemuth, Molnar, Pistor, Art & Auction, v. 11, no. 3, Oct. 1988, p. 114+, ill. Wallstab, etc. Chihuly piece for Chase Manhattan bank. 349. "Paris: Libensky et Brychtova" L'Oeil, no. 401, Dec. 1988, p. 80, ill. 367. Zeitgenossisches deutsches und britisches 383. GIRARD, SYLVIE "Naoto Yokoyama" Kunsthandwerk (Ed. by Margit Bauer, Annaliese La Revue de la Ceramique et du Verre, no. 41, 350. "Paris: Naoto Yokoyama" Ohm) July/Aug. 1988, p. 69, ill. L'Oeil, no. 394, May 1988, pp. 78-79, ill. Frankfurt: the museum, 1978, 296 pp., ill. Review of Paris exhibit. Glass (pp. 215-224) by eight German artists: 351. "Paris: Statom" Geller, Klepsch, Molnar, Pistor, Stauber, Wallstab, 384. GIRARD, SYLVIE [AFTER DAN KLEIN] L'Oeil, no. 392, March 1988, pp. 81-82, ill. Welzel, Zimmermann. "Joel Philip Myers cultiver son jardin" Therman Statom exhibition review. La Revue de la Ceramique et du Verre, no. 41, 368. Zeitgenossisches deutsches und finnisches July/Aug. 1988, pp. 54-57, ill. 352. ESPAGNET, FRANQOISE Kunsthandwerk, 4. Triennale 1987/88 "Bernard Dejonghe: Matiere et lumiere" Frankfurt: the museum; Hannover: Kestner 385. GLASS NOW '88. 10TH ANNIVERSARY La Revue de la Ceramique et du Verre, no 40, Museum, 1987, 464 pp., ill. EXHIBITION May/June 1988, pp. 34-37, ill. Work by German and Finnish glass artists, pp. [s.l. Hamamatsu, Japan?: Takako Sano; Yamaha 255-277 and 387-405. Corporation, 1988], 58 pp., ill. In Japanese. 353. FACES OF SWEDISH DESIGN: Work of 80 artists from 12 countries. AN EXHIBITION ABOUT DESIGN 369. FRANTAL, ZDEN£K IN SWEDEN IN THE EIGHTIES "Almost Seventy and Still So Young" 386. GLASWERK HARZKRISTALL FROM INDUSTRIAL DESIGN TO For You from Czechoslovakia, no. 1, March 1988, DERENBURG, VEB, HOCHSCHULE FUR APPLIED ARTS pp. 65-67, ill. INDUSTRIELLE FORMGESTALTUNG. DESIGN (TEXT BY MONICA BOMAN AND OTHERS) Lampworked figurines at Zelezny Brod. AUS DERENBURG DDR [s.l.]: Svensk Form/Swedish Society of Crafts and Derenburg/Harz: Hochschule fur industrielle Design, 1988, 33 pp., ill. 370. FRAUENAU. GLASMUSEUM Formgestaltung, 1985, 12 pp., ill. Gunnar Cyren, Sigurd Persson, Signe Persson- Glas — Gestaltung — Glas: Tableware, vases, bowls. Melin, Bertil Vallien. Fachschule Zwiesel. Schulerarbeiten aus den Jahren 1984 bis 1988 387. GLEBE, AUSTRALIA. THE IRVING 354. FAIRLEY, JAN "The Best of Fellows" Frauenau: the Museum; Zwiesel: SCULPTURE GALLERY Craft Work, no. 21, Autumn 1988, pp. 18-20, ill. Staatliches Berufsbildungszentrum fur Glas, 1988, Profile 1988 Craft fellowship to David Kaplan and Annica 72 pp., ill. Glebe: the gallery, 1988, 22 pp., ill. Sandstrom. Neon by Clifford Frith. 371. III. Internationales Glas-Symposium 355. FELLBACH. RATHAUS Frauenau/lnternationales Glass '88 388. GORODNICHAYA, T. Maria Lugossy, Zoltan Bohus (Text by Janos Frauenau: the museum, 1988, 97 pp. Khudozhestvennoe steklo. Diat'kovo/Dyatkovo Art Frank) Symposium and exhibition participants. Glassware Fellbach: Rathaus, 1987, 22 pp., ill. Moscow: "Planeta," 1986, 18 postcards in a folder. 372. FREIBURG. AUGUSTINERMUSEUM 356. FILLER, MARTIN "Memphistopheles" Karl Wiedmann: Glastechnik und Kunsthandwerk 389. GREENHALGH, PAUL House & Garden, v. 160, no. 2, Feb. 1988, pp. 146- Freiburg: the museum, 1985, 78 pp., ill. "The Contemporary Glass Market" 153, ill. Antique Collecting, v. 23, no. 3 Ettore Sottsass. 373. Konrad Habermeier: Kunstlerische (Investment Issue), July/Aug. 1988, p. 63, ill. Glasveredelung und Design (Comp. by Maria Pieces by Ray Flavell, Christopher Williams. 357. FISH CREEK, WISCONSIN. EDGEWOOD Schuly) ORCHARD GALLERIES Freiburg: the museum, 1987, 134 pp., ill. 390. GREINER, ONNO AND GOOR, MARTIEN Summer/88 Work by the designer, 1940s-1970. VAN Fish Creek: the galleries, 1988,14 pp., ill. "Verwaltungsgebaude der V.N.U. in Amstelveen/ Includes glass exhibit and seminar. 374. FROST, ABIGAIL Niederlande" "Fifteen Years of Crafts" Glasforum, v. 38, no. 1, 1988, pp. 31-37, ill. 358. FLIzMALLE, BELGIUM. LA Crafts (U.K.), no. 91, March/April 1988, pp. 40-43, Sculpture by Renato Santarossa in a government CHATAIGNERAIE ill. building in the Netherlands. Louis Leloup (Text by Paul Caso) 1980: Glass "becomes a growth area." [s.l.: s.n.], 1988, 29 pp., ill. Work by James Roddis, Tatiana Best-Devereux, 391. GRIFFITHS, ANNA In French, Dutch, and English. Alison McConachie. "The Bowl: An Exhibition at the Meat Market Craft Centre" 359. FLORENCE. II BISONTE (ART GALLERY) 375. FROST, JIM Design Wor/d (Victoria, Australia), no. 14, 1988, pp. Luciano Vistosi: La citta immaginaria (Text by "Innovative British Glass Design" 8-11, ill. Renzo Federici) Glass (U.K.), v. 65, no. 10, Oct. 1988, p. 384. Klaus Moje, Judi Elliott. Florence: the gallery, [1987?], 32 pp., ill. Overview of the degree shows at four U.K. colleges. 392. GRUNBACHER, FRANCOIS AND 360. FLORIAN LECHNER: ARBEITEN IN GLAS BERREBY, PATRICIA 1970-1986 376. FUNDACION CENTRO NACIONAL DEL "Thomas Kovachevich au CIRVA" Nussdorf: the artist, [1986?], 70 pp., ill. VIDRIO. Cahiers du CIRVA, no. 2, 1988, pp. 3-40, ill. In REAL FABRICA DE CRISTALES DE LA GRANJA French and English. 361. FORESTER-MORGAN, TIM San lldefonso, Segovia: the foundation, [1988?], Exhibition at the Centre de la Vieille Charite, "The Higgins, a Pioneering Partnership" 9 pp. Marseilles, March-June 1988. British Artists in Glass Newsletter, 393. GUGGISBERG — BALDWIN 411. HARTMANN, ANTON'IN 428. HOLLISTER, PAUL [Pailly, Switzerland: Verrerie de Nonfoux, 1988], 16 "The Glass of Petr Hora" "Jon Kuhn & Carol Cohen: Ergrundung des pp., ill. Glass Review, v. 43, no. 9, 1988, pp. 22-25, ill. Innenraumes/Exploration of Inner Space" Neues Glas, no. 4, Oct./Dec. 1988, pp. 281-287, ill. 394. THE GUILD: A SOURCEBOOK OF 412. HAYHURST, JEANETTE AMERICAN CRAFT ARTISTS "British Contemporary Glass, a Gallery Owner's 429. "Natural Wonders: The Lampwork of New York: Kraus Sikes, 3rd ed., Observation" Paul J. Stankard" 1988, 462 pp., ill. British Artists in Glass Newsletter, Annual Bulletin of the Paperweight Collectors' no. 2, 1988, pp. 4-5. Association, 1987, pp. 37-42, ill. 395. GUNN, MARGARET M. "Low-Cost Weights" 413. HAYOT, MONELLE 430. HOLMER, GUNNEL Paperweight News, v. 10, no. 1, July 1988, pp. 7-8. "Saga 88" Frin Boda till New York: Konstnaren Erik Hoglund L'Oeil, no. 392, March 1988, pp. 68-71, ill. Vaxjo: Glasmuseum; Stockholm: Carlsson 396. GUSTAFSON, PAULA Therman Statom chair. Bokforlag, 1986, 176 pp., ill. English summary, pp. "Restless Lagacies: Contemporary Craft Practice 163-170. in Canada" 414. HEDQVIST, HEDVIG Ontario Craft, v. 13, no. 2, Summer 1988, "Formrevy: Mona Morales-Schildt" 431. HORGEN, SWITZERLAND. HEIDI pp. 24-25, ill. Form, v. 84, no. 5 (659), 1988, p. 49, ill. SCHNEIDER GALERIE Calgary exhibition. Josh Simpson: Tektites and Planets 415. HENDERSON, JUSTIN (Text by William Warmus) 397. GUTHRIE, DEREK "Lighting Design at Portland's Maple Hill Gallery" Horgen: the gallery, 1988, 12 pp., ill. "The Eloquent Object' Gagged by Kitsch" Interiors, v. 147, no. 9, April 1988, "Interiors Plus" New Art Examiner, v. 16, no. 1, Sept. 1988, pp. 26- section, p. 11, ill. 432. HORN, MIRIAM 29, ill. Work by Harry Anderson, Benjamin Moore, Louis "Handcrafted Investments" Review of the traveling crafts exhibition. Mueller, Peter Handler, Chris and Isabelle U.S. News & World Report, Jan. 18, 1988, pp. 66- Brightman. 68, ill. 398. GUTZWILLER, PETER Amy Roberts, Ginny Ruffner. "Glas — in der Schweiz noch eine Kunstgattung 416. HENSEL, KARL C. am Rande" "Fellowships Awarded in Expanded CGCA 433. HORN, RICHARD Crafts Council Programs" "Ettore Sottsass" Schweiz/Suisse/Svizzera Bulletin, The Journal, A Newsletter for Friends of Wheaton ID (International Design), v. 35, no. 1, Jan./Feb. no. 3, Sept. 1988, p. 6, ill. Village, v. 11, no. 2, April/May/June 1988, p. 2. 1988, pp. 28-33, ill. Illuminated sculpture exhibit in Zurich: Ray King, Christine Barney, Tony Jojola, Steve McCarroll, Interview with the designer. Paul Seide, George Bucquet. Bruce Smith. 434. HOUSA, JAROSLAV 399. GYURE, MICHELLE 417. "1988 CGCA 3-Month Fellowships "The 40th Anniversary of the Founding of "Discover Portland" Awarded" Glassexport" Glass Art Magazine, v. 4, no. 1, The Journal, A Newsletter for Friends of Glass Review, v. 43, no. 8, 1988, pp. 6-19, ill. Dec. 1988, pp. 54-58, ill. Wheaton Village, v. 11, no. 1, Jan./Feb./March Camp Colton, glass suppliers, galleries, etc. 1988, p. 2; v. 11, no. 2, April/May/June 1988, p. 2, 435. HOYA CRYSTAL: THE 4000 YEAR OLD ill. CULTURE 400. "Glass Art People: Rachel Woodman" Jody Bone, Ruth Brockman, Page Hazelgrove, New York: Hoya Crystal Gallery, [1987?], 14 pp., Glass Art Magazine, v. 3, no. 4, May/June 1988, Bruce Pizzichillo. ill. pp. 16-19, ill. 418. "1988 Fall Fellowship Recipients" 436. HUDRA, KLARA 401. "Horizons: The New England Craft The Journal, A Newsletter for Friends of Wheaton "Livio Seguso, a muranoi uveg szobrasza" Program" Village, v. 11, no. 4, Oct./Nov./Dec. 1988, p. 2, ill. Muveszet, no. 4, 1988, pp. 50-51, ill. Glass Art Magazine, v. 3, no. 4, May/June 1988, Christine Barney, Tony Jojola, Steve McCarroll. pp. 76-80, ill. 437. HUGHES, GRAHAM 419. HERMANS, NICOLE "Glass by Rachael Woodman" 402. "Seattle: The Hot Glass Spot" "Vincent van Ginneke: Men and Machines" Arts Review, v. 40, no. 6, March 25, 1988, pp. 204 Glass Art Magazine, v. 3, no. 6, Sept./Oct. 1988, Neues Glas, no. 1, Jan./March 1988, pp. 22-25, ill. and 205, ill. pp. 4-8, ill. In German and English. Review of Cheshire exhibit.

403. "Ye King's Glass: Jon Bush" 420. "Vincent van Ginneke, un verrier plein 438. "London Reviews: Craft Classics Since the Glass Art Magazine, v. 3, no. 6, Sept./Oct. 1988, d'avenir" 1940s" pp. 16-19, ill. La Revue de la Ceramique et du Verre, no. 40, Arts Review, v. 40, no. 25, Dec. 16, 1988, p. 902. May/June 1988, pp. 50-51, ill. Crafts Council Gallery exhibit. 404. HAGER, WILHELM "20 Jahre Meisterkurse in Hadamar: 421. HICKEY, GLORIA "Class of '88" 439. HUNTINGTON, WEST VIRGINIA. Ausbildung auf hohem Niveau" Ontario Craft, v. 13, no. 2, Summer 1988, p. 28, ill. HUNTINGTON MUSEUM OF ART Glas + Rahmen, v. 39, no. 17, Sept. 1988, pp. 782- Work of four glass students from Sheridan New American Glass: Focus West Virginia 1988 783, ill. College's School of Crafts and Design in Toronto Invitational Exhibition Catalogue: Paul Stankard, exhibit. Ginny Ruffner 405. THE HAGUE. GALERIE ROB VAN DEN Huntington: the Museum, 1988, 12 pp., ill. DOEL 422. "Hustling Hot Glass" Hedendaagse Nederlandse Glaskunst Ontario Craft, v. 13, no. 4, Dec. 1988, pp. 18-20, ill. 440. IMMENHAUSEN. GLASMUSEUM The Hague: Galerie Rob van den Doel; Michael Trimpol. Junge deutsche Glaskunst 87 Seasons Galleries, 1988, 56 pp., ill. Immenhausen: the museum and Gesellschaft der 22 glass artists of the Netherlands. 423. "Reviews: Magnificent, Magma, Freunde der Glaskunst Richard Sussmuth e.V., Magnifique" 1986, 31 pp., ill. 406. HAJDAMACH, CHARLES New Work, no. 34, Summer 1988, p. 32, ill. Work of 25 German glass artists. "Glass Chimera" Toronto exhibit: Tim Maycock, Laura Donefer, and Crafts (U.K.), no. 91, March/April 1988, pp. 16-19, others. 441. INDIANA, PA. UNIVERSITY MUSEUM, ill. INDIANA UNIVERSITY OF PENNSYLVANIA Keith Brocklehurst. 424. HIERHOLZER, MICHAEL France/USA: An Exhibition of Seven French "Ice Skates at Venice: Germans at the Biennale" Artists in America 407. HAMBURG. KUNSTHALLE Kultur Chronik, no. 5, 1988, pp. 12-15, ill. Indiana: Indiana University of Pa., 1988, 16 pp., ill. Mehr Licht/More Light: Felix Droese. Franck Hommage, oil on glass paintings. Kunstlerhologramme und Lichtobjekte Hamburg: Ernst Kabel Verlag, 1985, 252, pp., ill. 425. HILL, DAVID 442. INDIANAPOLIS, INDIANA. INDIANAPOLIS Neon, holograms, kinetic art. "Smiling Summer in Wanganui" MUSEUM OF ART Craft International, v. 6, no. 4, 1988, p. 36, ill. Outdoor Sculpture One-Person Exhibit by Sasson 408. HAMMEL, LISA Wanganui, New Zealand, glass studio. Soffer (Ed. by Stella Sands) "An Apocalyptic Art" [s.l.: s.n., 1981]; ([New York]: Sanford Graphics), 30 American Craft, v. 48, no. 5, Oct./Nov. 1988, cover 426. HILL, ROSEMARY PP., M. and pp. 26-31, ill. "The Collectors: Michael Peters" Includes glass pipe sculpture. Jay Musler. Crafts (U.K.), no. 94, Sept./Oct. 1988, pp. 34-35, ill. 443. INTERGLASS SYMPOSIUM 1988, 409. "Young Americans 1988" Glass by Simon Moore, Steven Newell, Liz Lowe. CRYSTALEX, NOVY BOR, CESKOSLOVENSKO American Craft, v. 48, no. 6, Dec. 1988/Jan. 1989, Novy Bor: Crystalex, 1988, folder with enclosures. pp. 42-49, ill. 427. HOFMANN, WOLFGANG Symposium schedule, information about Crystalex American Craft Museum competition; Marioni vase "Eine nicht alltagliche Brunnenkonstruktion and Novy Bor, biographies of Ivana Houserova, illustrated. entstand in Hadamar" Gizela Sabokova. Glas + Rahmen, v. 37, no. 1, Jan. 1986, pp. 24-25, 410. HARROD, TANYA ill. 444. [s.l.], JAPAN. ISETAN "Exhibitions: Anna Dickinson" Fountain with large polished glass sphere by Josef Mark Peiser Glass Art Crafts (U.K.), no. 91, March/April 1988, pp. 48-49. Welzel. [s.l.]: Isetan, 1987, 26 pp., ill. In Japanese. 445. JACKS, SHIRLEY 462. KENT, OHIO. SCHOOL OF ART GALLERY, New York: Facts on File Publications: 1985, "Reviews: Bruce Pizzichillo" KENT STATE UNIVERSITY 304 pp., ill. New Work, no. 35, Fall 1988, p. 36, ill. European Glass Includes galleries displaying and selling glass. Kent: the gallery, 1988, 8 pp., ill. 446. "Reviews: The Versatility of Peter Andres" Erwin Eisch, Clifford Rainey, Bert van Loo, 480. KREBS, GUDRUN New Work, no. 33, Spring 1988, pp. 40-41, ill. Libensky/Brychtova, Czeslaw Zuber, E. and A. "Spiegelndes Altmuhltal/Mirroring Altmuhl Valley" Portland, Maine, exhibition. Leperlier, Dana Zamecnikova. Neues Glas, no. 3, July/Sept. 1988, pp. 220-221, ill. 447. JACQUARD, MAX AND OTHERS 463. KERMER, FRANCE Glass boats by Ursula Merker placed in a canal "'88 Degrees" "Erwin Eisch: Le Pionnier du Studio Glass en near Essing. British Artists in Glass Newsletter, no. 3, 1988, pp. Allemagne" 16-19, ill. La Revue de la Ceramique et du Verre, no. 42, 481. KUSPIT, DONALD B. Review of student work at Buck's College, Sept./Oct. 1988, pp. 36-41, ill. "Chryssa at Castelli Greene St." Edinburgh College of Art, North Staffs Polytechnic, Art in America, v. 76, no. 9, Sept.1988, p. 189, ill- Royal College of Art, and Stourbridge College of 464. KINGSPORT, TENNESSEE. KINGSPORT Neon. Art and Technology. FINE ARTS CENTER Southern Studio Glass: New Directions 482. KUTAC, VINCENC 448. JACQUE, BERNARD Kingsport: the center, 1985, 30 pp., ill. "Bohemian Glass" "Pierre Riehl: De la terre au verre" 25 artists. For You from Czechoslovakia, no. 1, March 1988, La Revue de la Ceramique et du Verre, no. 39, pp. 58-64, ill. March/April 1988, p. 54, ill. Ceramic and glass 465. KIRKWOOD, ISABEL sculptures. "Hall Marked" 483. LAIRD, JACK Craft Work, no. 21, Autumn 1988, p. 3, ill. "Scandinavian Skills in Nelson" 449. JAULIN, ALINE Vase by David Kaplan/Annica Sandstrom. New Zealand Crafts (Crafts Council of New "Paris: Dana Zamecnikova" Zealand), no. 20, Autumn 1987, pp. 15-17, ill. L'Oeil, no. 393, April 1988, p. 79, ill. 466. KLAVOHN, JOANNE Marie and Ola Hoglund set up studio in New "Kemp Curtis an Innovator" Zealand. 450. JAUNIN, FRANQOISE Glass Line (Huntington Beach, Cal.), v. 2, no. 1, "De sable et de feu: June 1988, p. 1+, ill. 484. LAMAR, MICHAEL La Perfection transparente/ California lampworker. "Boston Diary" Sand und Feuer: Vollkommene Transparenz" New Work, no. 35, Fall 1988, pp. 8-17, ill. Crafts Council Schweiz/Suisse/Svizzera Bulletin, 467. "What Is an Artist?" 12 glass artists in the Boston area. no. 3, Sept. 1988, pp. 4-5, ill. Glass Line (Huntington Beach, Cal.) v. 2, no. 2, Monica Guggisberg/Philip Baldwin. Aug./Sept. 1988, pp. 1-2+, ill. 485. "Michael Scheiner in the Eye of the John-Paul LeJeune, lampworked sculpture. Beholder" 451. JOHNSON, PAMELA New Work, no. 33, Spring 1988, pp. 17-19, ill. "Zeitgenossisches Kunsthandwerk aus 468. KLEIN, DAN Grossbrittannien" "Pate de verre brittanique" 486. "Reviews: James Watkins" Schweizer Heimatwerk, no. 3, 1988, pp. 22-25, ill. La Revue de la Ceramique et du Verre, no. 38, Sculpture, v. 7, no. 6, Nov./Dec. 1988, pp. 30-31, Rachael Woodman bowl. Jan./Feb. 1988, pp. 40-43, ill. ill. Tessa Clegg, Keith Cummings, Diana Hobson. Washington, D.C., exhibition. 452. JONG, HENKDE "Glas & Licht" 469. KLIVAR, MIROSLAV 487. LANGHAMER, ANTONIN Glas & Keramiek (Asperen, the Netherlands), no. "Jaroslava Svarcova's Cut Glass" "Glass and Light" 00, Sept./Oct. 1988, pp. 35-36, ill. Glass Review, v. 43, no. 1, 1988, Glass Review, v. 43, no. 6, 1988, pp. 28-31, ill. English summary. pp. 10-13, ill. Oldrich Lipsky, Karel Rybacek, Vladimir Klein, Exhibition held in Nieuwegein showing results of Rene Roubicek, Frantisek Novak, and others. Stichting Kunst & Vormgeving symposium/ 470. KLOPPMANN, LORRAINE workshop. "Pate de verre" 488. "Jiri Zejmon — In Memoriam" Craft Arts (Sydney), no. 10, Oct,/Dec. 1987, pp. Glass Review, v. 43, no. 5, 1988, pp. 26-28, ill. 453. JOSEPH, NANCY 53-57, ill. "The Courage of Paul Marioni's Political Art" Work by contemporary Daum artists, including 489. "Ludvika Smrckova's Life Work" New Work, no. 34, Summer 1988, pp. 21-23, ill. Dan Dailey, in limited editions. Glass Review, v. 43, no. 2, 1988, pp. 22-27, ill.

454. KALABISOVA, ZDENKA 471. KNIGHT, GWEN 490. "Our Farewell to Miroslav Platek" "Bohemia Selection" "Toward a New Perception of Art" Glass Review, v. 43, no. 9, 1988, pp. 28-29, ill. Glass Review, v. 42, no. 12, 1987, pp. 2-6, ill. Art Today (Wichita, Kan.), v. 3, no. 3, Fall 1988, pp. Jiri Suhajek. 24-31, ill. 491. "Two Glass Artists and a Jewel-Maker" Review of New Art Forms Exposition, Chicago. Glass Review, v. 42, no. 12, 1987, pp. 18-22, ill. 455. "Glass for Moscow" Vaclav Hanus, Ladislav Oliva, Jaroslav Kodejs. Glass Review, v. 43, no. 2, 1988, pp. 12-15, ill. 472. KOCH, JAN ..Scottish Glass Society's Annual Exhibition: An 492. LASSEN, ERIK AND SCHLUTER, 456. "Space and Time in Jan Mares's International View" Scottish Glass Society MOGENS Sculptures" Newsletter, no. 32, Nov. 1988, pp. 2-4. Dansk Glas 1925-1985 Glass Review, v. 43, no. 7, 1988, pp. 22-27, ill. Copenhagen: Nyt Nordisk Forlag Arnold Busck, 473. KOETHER, JUTTA 1987, 71 pp., 124 plates. 457. "Stredoslovenske Sklarne Glassworks "Reviews: Keith Sonnier" Jacob Bang, Per Lutken, and the Danish firms of Yesterday and Today" Flash Art, no. 138, Jan./Feb. 1988, pp. 130-131, ill. Kastrup and Holmegaards. Glass Review, v. 43, no. 10, 1988, pp. 2-15, ill. Cologne exhibit. Zlatno, Katarinska Huta, Malinec, and Poltar 493. LAUSITZER GLAS JOURNAL works. 474. KOPLOS, JANET Weisswasser, German Democratic Republic: "Made (and Designed) in Japan" VEB Kombinat Lausitzer Glas, n.d. [1987?], 458. KAMENICKY SENOV. SKLAGSK£ Crafts, no. 90, Jan./Feb. 1988, pp. 40-41, ill. 37 pp., ill. MUZEUM Naoto Yokoyama. Booklet on the Lausitz firms, processes, and Karel Wunsch: Glass 1959-1984 (Text by Alena products; designers Wilhelm Wagenfeld, Bernd Adlerova) 475. KOSE, YASUYUKI Schmidt. Kamenicky Senov: the glass museum, a branch of "Memory of Glass Furnace in Majorca, Spain" the Museum of Glass and Costume Jewelry at Glass (Tokyo), no. 23, March 1988, pp. 6-8, ill. In 494. LAYTON, PETER Jablonec nad Nisou, Japanese. "A Glass Education" 1985, 14 pp., ill. Crafts (U.K.), no. 95, Nov./Dec. 1988, p. 13. 476. KOSUTH, JOE Programs at Sars Poteries. 459. KASSEL. ORANGERIE "No Exit" Glas kunst 81 Artforum, v. 26, no. 7, March 1988, pp. 112-115, ill. 495. LEDNICE NA MORAVE. ZEM£D£LSK£ Kassel: Werkstatt Verlag, 1981, 240 pp., ill. Neon constructions by the author. MUZEUM Catalog for an international studio glass exhibition, Milos Balgavy: Sklo Autumn 1981. 477. KOVALCIK, DAVID [s.l.: s.n.], 1988, 15 pp. ill. "New Work Springs from NYEGW" Czech glass artist. 460. Glas preis 81 Glass Art Magazine, v. 3, no. 3, March/April 1988, Kassel: Werkstatt Verlag, 1981, 26 pp., ill. pp. 20-21, ill. 496. LEIPOLD, ELKE Competition as part of an international studio glass "Glasperlen-Mirakel als Transparente exhibition, Autumn 1981. 478. KRAL, OLDftlCH Raumformen" "V Narodni galerii o esteticke vychove" Die Schaulade, v. 63, no. 6, June 1988, pp. 1356- 461. KATONAH, NEW YORK. THE KATONAH Umeni a fiemesla, no. 2, 1988, pp. 1-2, ill. 1357, ill. GALLERY Sculptural piece by Jaroslav Svoboda. Sculpture by Helga Oexle in Stuttgart exhibit. Art by Design: Reflections of Finland Katonah: the gallery, 1988, 48 pp., ill. 479. KRANTZ, LES 497. LEMME, HELMUTH Glass by Aalto, Franck, Sarpaneva, Wirkkala, American Art Galleries: The Illustrated Guide to "Holography Causes a Sensation" Toikka. Their Art and Artists Schott Information, no. 2, 1987, pp. 2-6, ill. 498. LIERKE, ROSEMARIE 515. MAJOR ENGRAVED WORKS FROM Review of Rietveld Academy graduate exhibition; "Literature about Lampwork" STEUBEN. 24 READY-TO-MAIL FULL-COLOR includes Frans Berntsen work. Glass Line (Huntington Beach, Cal.) v. 2, no. 2, POSTCARDS Aug./Sept. 1988, p. 7+. (TEXT BY CHLOE ZERWICK) 533. MELO, ALEXANDRE Bibliography of books. Corning, N.Y.: The Corning Museum of Glass; New "Cristina Iglesias" York: Dover Publications, 1988, 6 leaves. Flash Art, no.138, Jan./Feb. 1988, pp. 91-92, ill. 499. LINCOLN, MASSACHUSETTS. Multimedia sculptures. DECORDOVA AND DANA MUSEUM AND PARK 516. MAKUS, HORST New England Now: Contemporary Art from Six "Fifty Fift" 534. MENYHART, LASZLO States. 1987 Weltkunst, v. 58, no. 11, June 1988, "A formak adottak: Horvath Marton kiallitasa" Lincoln, Mass.: the museum and five other New p. 1658, ill. Muveszet, no. 4, 1988, pp.52-54, ill. England museums, 1988, 55 pp., ill. Review of 1950s design exhibit at Hessisches Iridescent glass vessels by Marton Horvath. Circulating exhibition that includes Howard Ben Landesmuseum, Darmstadt. Tre and Mark McDonnell. 535. "Uveg — 'S:' Buczko Gyorgy munkairol" 517. MALOON, TERENCE Muveszet, no. 10, 1988, pp. 33-36, ill. 500. LIPPARD, LUCY R. "Metaphors of Natural Histor" Gyorgy Buczko, Hungarian glass artist. "Athena Tacha's Public Sculpture" Craft Arts (Sydney), no. 12, May/June 1988, pp. Arts Magazine, v. 63, no. 2, Oct. 1988, pp. 68-71, 75-80, ill. 536. MEREGALLI, MARTA ill. Robyn Gordon's marine forms of glass and other "Han kan gora dina 'klader'" Glass block sculpture for Alaskan museum. materials. Form, v. 84, no. 5 (659), 1988, pp. 57-60, ill. Matteo Thun. 501. LITTLETON, HARVEY K. 518. MARKS, BEN "Studio-Glass Movement, Yesterday-Today- "Reviews: Joel Philip Myers" 537. MEXICO CITY GALERIAS LIVERPOOL Tomorrow" New Work, no. 35, Fall 1988, pp. 38-39, ill. Ana Thiel: Movimiento y Energia Neues Glas, no. 4, Oct./Dec. 1988, pp. 260-261, ill. [s.l. Mexico City?: s.n., 1988], 4 pp., ill. From speech given by Littleton at Frauenau 519. "Reviews: William Morris" symposium, May 1988. New Work, no. 35, Fall 1988, pp. 32-33, ill. 538. MICHIE, THOMAS S. "Acquisition: Richard Marquis Teapot" 502. LOCKAU, KEVIN 520. "Therman Statom's New Paintings on Plate Rhode Island School of Design Museum Notes, v. "Design versus Art" Glass" 75, no. 2, Oct. 1988, p. 27, ill. Glass Gazette (Toronto), Fall 1988, p. 4. New Work, no. 34, Summer 1988, pp. 18-20, ill. 539. MILLER, BONNIE J. 503. LOCKWOOD, KEN 521. MARSEILLES. CENTRE DE LA VIEILLE "The Irreverent Mr. Marquis" "Rhymes in Light" CHARITfz Neues Glas, no. 2, April/June 1988, pp. 78-84, ill. Craft Arts (Sydney), no. 12, May/June 1988, La Verrerie europeenne des annees 50 In German and English. pp. 89-91, ill. Marseilles: Michel Aveline Editeur; Musees de John Gilbert Luebtow. Marseille, 1988, 159 pp., ill. 540. MILWAUKEE, WISCONSIN. D/ERLIEN Glass of the 1950s. FINE ARTS LIMITED 504. LONDON. CRAFTS COUNCIL GALLERY The Series Otaru by Marvin Lipofsky Craft Classics Since the 1940s. Exhibits List 522. MARSlKOVA, JAROM'IRA Milwaukee: the gallery, 1988, 8 pp., ill. London: the council, 1988, 8 pp. Exhibit includes "Glass Has a Place Everywhere" stained glass by Patrick Reyntiens and engraved For You from Czechoslovakia, no. 2, June 1988, 541. MINNEAPOLIS, MINNESOTA. WALKER glass by Laurence Whistler. (Not illustrated.) pp. 46-49, ill. ART CENTER The Architecture of Frank Gehry 505. L'ORSA VIGDIS "Mot ar 2000" 523. "Zlato za sklo" Minneapolis: the art center; New York: Rizzoli, Glassposten, no. 4, Aug. 1988, pp. 8-13, ill. Atelier, no. 3, April 26, 1988, p. 3, ill. 1986, 215 pp., ill. Includes work by Lars Hellsten, Riccardo Licata, Interview with Jitka Forejtova. Includes glass fish sculptures and lamps. Toots Zynsky. 524. MAXWELL, JESSICA 542. MOMIRON, CLAUDE 506. LOS ANGELES. CRAFT AND FOLK ARTS "Ruffner" "Dix ans de verre a la Galerie Momiron a Biot" MUSEUM New Work, no. 34, Summer 1988, pp. 8-11, ill. Verres Actualites, no. 81, June/July 1987, pp. 25- The New Spirit in British Craft & Design 26, ill. Los Angeles: the museum, 1988, 22 pp., ill. 525. MAYER, BARBARA Candelabras by Simon Moore; brief biographies of Contemporary American Craft: A Collector's Guide 543. MONCHENGLADBACH. STADTISCHES other British glass artists. Salt Lake City: Gibbs Smith, Peregrine Smith MUSEUM ABTEIBERG Books, 1988, 248 pp., ill. Neon-Kunst: Bruce Nauman, Richard Serra, Keith 507. LOS ANGELES. KURLAND/SUMMERS Glass by many artists, pp. 175-193 and passim. Sonnier GALLERY Monchengladbach: the museum, 1987, 24 pp., Dan Dailey 526. McCLINTIC, MIRANDA English summary, pp. 6-9. Los Angeles: the gallery, 1988, 14 pp., ill. "Chryssa: Cityscapes and Icon" Arts Magazine, v. 62, no. 10, Summer 1988, pp. 544. MONTCLAIR, NEW JERSEY. THE 508. LOSKEN, MANFRED 74-75, ill. MONTCLAIR ART MUSEUM "From Hadamar to Pilchuck" Neon artist. New Jersey Arts Annual: Clay & Glass Neues Glas, no. 1, Jan./March 1988, pp. 42-43, ill. Montclair: the museum, 1987, 24 pp., ill. 527. "Sculpture on View" Rodi Rovner, Leonard diNardo, Don Gonzalez, 509. THE LOUIS COMFORT TIFFANY Art & Auction, v. 10, no. 10, May 1988, pp. 168- David Lewin, Paul Stankard. FOUNDATION AWARDS IN PAINTING, 169, ill. SCULPTURE, PRINTMAKING, AND CRAFT Neon piece by Dan Flavin. 545. MOORE, SUSAN MEDIA "Yen for Sterling Crafts" New York: the foundation, 1988, 48 pp., ill. 528. MCDONALD, SARA Crafts (U.K.), no. 95, Nov./Dec.1988, pp.20-23, ill. Includes Dante Marioni. "Profile: 'Stepping Out' with Sara McDonald" British crafts in shows in Japan; includes Steven British Artists in Glass Newsletter, Newell and Christopher Williams pieces. 510. LUCIE-SMITH, EDWA no. 2, 1988, p. 16, ill. Sculpture Since 1945 Recently graduated glass student. 546. MORGAN, ROBERT C. New York: Universe Books, 1987,160 pp., ill. "The Making of Wit: Joseph Kosuth and the Includes work by Dan Flavin, Larry Bell, Howard 529. MCDOWELL, DANE Freudian Palimpsest" Ben Tre. "Le Moulin du bonheur" Arts Magazine, v. 62, no. 5, Jan.1988, pp. 48-51, ill. Connaissance des Arts, no. 437/438, July/Aug. Includes neon sculpture. 511. MACKE, PETR 1988, pp. 98-101, ill. "From a Design to a Concrete Product" Glassware by Jean-Paul van Lith. 547. "Michael Taylor's Metaphors of Energy and Glass Review, v. 43, no. 2, 1988, pp. 2-4, ill. Light" 530. McGREEVY, LINDA New Work, no. 33, Spring 1988, pp. 14-16, ill. 512. "Innovation — What Does It Mean?" "The Portal as Metaphor: Bonnie Biggs' Recent Glass Review, v. 43, no. 1, 1988, pp. 2-5, ill. Work" 548. MORIN, CLAUDE AND FLORENCE Tableware products from Podebrady. New Work, no. 34, Summer 1988, pp. 14-16, ill. Souffler le verre a Dieulefit [Dieulefit, France: the authors, n.d., before 1980], 513. MAGNANI, GREGORIO 531. MEDINA, DANNY 14 pp., ill. "Eau de Cologne: The Discomforts of Seduction" "Dale Chihuly, Glazier of the First Water..." Flash Art, no. 139, March/April 1988, pp. 104-105, Art Talk, Nov. 1986, p. 15, ill. 549. MORLOT, VALERIE ill. "Alain et Marisa Begou" Installation by Louise Lawler in Cologne 532. MEISSNER, YVONNE AND LANGMUUR, L'Atelier, no. 130, July/Aug. 1988, pp. 32-34, ill. exhibition. HERMAN "In de Verscheidenheid schuilt het object. 550. "Glass Angel" 514. MAHONEY, CLAUDIA Eindexamenexpositie op de Rietveld Academie L'Atelier, no. 126, March 1988, pp. 32-33, ill. In "Billie Lawless, Uncensored" 1988" French. Sculpture/furniture by Therman Statom. The Review, Cape Cod's Arts & Antiques Glas & Keramiek (Asperen, the Netherlands), no. Magazine, no. 14, Jan./Feb. 1988, pp. 32-35, ill. 00, Sept./Oct.1988, pp. 12-18, ill. English 551. "Naoto Yokoyama" Neon and multimedia sculptures. summary. L'Atelier, no. 129, June 1988, pp. 6-8, ill. 552. MORRIS, LANI 1988, 52 pp., ill. 582. NORDEN, LINDA "Index of New Zealand Craftworkers" [Also added to Neues Glas, no. 2, 1988 ] "A Rainbow in the Dark" New Zealand Crafts (Crafts Council of New New Work, no. 35, Fall 1988, pp. 20-23, ill. Zealand), no. 20, Autumn 1987, pp. 18-27, ill. 567. NEW YORK. L'ANVERRE GLASS Dan Dailey and Dale Chihuly work in the Rainbow Glass by Ann Robinson, John Croucher, James GALLERY Room. Walker, p. 26. Glass Doesn't Grow in the Forest Antwerp: L'Anverre Glasatelier, 1988, 30 pp., ill. 583. Ni6RFOLK, VIRGINIA. THE CHRYSLER 553. MORRISON, ROSALYN J. Exhibition of work by Kristian Klepsfch, Edward MUSEUM "Kevin Lockau" Leibovitz, Sem Schanzer, Erwin Eisch, Gianni Keith Sonnier: Neon Sculpture New Work, no. 32, Winter 1988, pp. 27-29, ill. Toso, Jean-Pierre Umbdenstock. Norfolk: the museum, 1988, 16 pp., ill.

554. "Vigil: New Work of Irene Frolic" 568. NEW YORK. CHARLES COWLES 584. NORRIE, JANE New Work, no. 34, Summer 1988, p. 37, ill. GALLERY Howard Ben Tre "Thinking Big" Review of Toronto exhibit. New York: the gallery, 1988, 22 pp., ill. Crafts, no. 90, Jan./Feb. 1988, pp. 22-25, ill. Amanda Brisbane. 555. MORTON, RHONDA 569. NEW YORK. COOPER-HEWITT MUSEUM "Settlers Wanted: Craftspeople Preferred" Alvar Aalto 1898-1976 585. NORWICH, NEW YORK. CHENANGO The Crafts Report, v. 14, no. 146, April 1988, pp. Helsinki: The Museum of Finnish Architecture, 2nd COUNTY COUNCIL OF THE ARTS 24-25, ill. ed„ 1978, 168 pp., ill. The Cutting Edge: Upstate Glass. An Exhibition of Corning, N.Y., crafts project; Brand & Greenberg Catalog issued in conjunction with a retrospective Contemporary Glass Work glass firm. exhibition, 1979. Norwich: the council, 1988, 18 pp., ill. Peter Andres, Richard Eckerd, Denise Stillwaggon 556. MOSCOW. VSEROSSIJSKIJ MUZEJ 570. NEW YORK. HELLER GALLERY Leone,.Robert Reichhardt, Hiroshi Yamano. DEKORATIVNO-PRIKLADNOGO I NARODNOGO Aldridge, Dowler, Hilton. The Steuben Project: ISKUSSTVA Sculptures in Crystal (Text by Henry Geldzahler) 586. NOVY BOR. SKLARSKE MUZEUM Steklo: Obraz prostranstvo New York: Steuben Glass, 1988, 39 pp., ill. Antonie Jankovcova Moscow: the museum (All-Russian Museum of Exhibit also shown at Steuben Glass, N.Y.C. Novy Bor: Sklarske Muzeum, a branch of the Decorative and Applied National Arts), 1987, 56 Muzea Skla a Bizuterie at Jablonec nad Nisou, pp., ill. 571. Stanislav Libensky, Jaroslava BrychtovA: A [1987], 6 pp., ill. Work by Russian glass artists in Dec.. 1987-Jan. 34 Year Collaboration with Glass 1988: Andre Bokotei,Fidail Ibragimov, Alexander New York: the gallery, 1988, 7 pp., ill. 587. ODDY, REVEL Ivanov, Galina Ivanova, Lubov Savelieva, Franz "Review of the 9th Annual Exhibition, Perth" Chernyak. 572. NEWCASTLE. LAING ART GALLERY Scottish Glass Society Newsletter, no. 31, Aug. 2D/3D: Art and Craft Made and Designed for the 1988, pp.<^5. 5j>7. MOSER 1857-1987, KARLOVY VARY, Twentieth Century CESKOSLOVENSKO (TEXT BY ANTONIN (Organized by Tyne and Wear Museums Service) 588. OftLSON, KARIN LANGHAMER) Sunderland Ceolfrith Press No. 77, Northern "Allkonstnaren Erik Hoglund" [Karlovy Vary: Moser; Liberec: Glassexport, 1987], Centre for Contemporary Art, 1987, 72 pp., ill. Anti^jlAirlftion, no. 1, Jan. 1988, pp. 46-51, ill. 56 pp., ill. Glass table and chairs by Danny Lane. English summary. " f i ... " .: * . • \ »U' 'V*' • ? ' 589. OLD WORLD CHRISTMAS. GLASS . 573. NEYLON, JOHN ORNAMENTS: A COLLECTORS GUIDE WITH 558. MUNICH. FORUM DER BAYERISCHEN "Chosen to Choose: Makers Choice 2" REGISTRY{sa\es catalog) VERSICHERUNGSKAMMER Craft Australia, no. 4, Summer 1987, pp. 101-103+, Spokane/Wash.: Old World Christmas, 1987, Skulpturen in Glas/Glass Sculptures HI. - 23 pp.,,ill. (Catalog by Arno Schmalreck and Christiane Rob Knottenbelt in Jam Factory galleries show, Sellner) Adelaide. 590. STERBERG, REGINA "Formrevy" Kunst + Handwerk, no. 6, Nov./Dec. 1988, pp. 358- Form, v. 84, no. 6 (660), 1988, p. 54, ill. 561. NASATIR, JUDITH 363, ill. Kristin Rapp graal piece in Borgholm exhibit. "Blown Glass Lighting" Cast glass ships by Richard Price of the Interior Design, v. 59, no. 14, Oct. 1988, pp. 124- Netherlands. 593. OTIS, LAUREN 135+, ill. "Reviews: Antoine and Etienne Leperlier" Benjamin Moore/Louis Mueller, Barovier & Toso, 577. Europaisches Kunsthandwerk '88 — Glas" New Work, ho. 33, Spring 1988, p. 40, ill. Lisa Schwartz/Kurt Swanson, Hank Adams/ Neues Glas, no. 4, Oct./Dec. 1988, p. 298, ill. Geneva exhibit. Thomas Loeser, and others. In German and English. Review of Stuttgart crafts exhibition. 594. "Reviews: Gilbert Crugnola, Glass 562. NEENAH, WISCONSIN. BERGSTROM- Engineer" MAHLER MUSEUM 578. "Mordsgaudi: Glassymposion Frauenau" New Work, no. 35, Fall 1988, pp. 36-38, ill. Studio Art Glass: A Collector's International Neues Glas, no. 3, July/Sept. 1988, pp. 216-218+, Survey. From the Collection of Don and Carol ill. 595. * PALLASMA A, ULLAMARIA Wiiken "The Fruits of Chance?" Neenah: the museum, 1988, 32 typescript leaves. 579. "Unikat Schmuck '88" Form-Function-Finland, no. 3, 1988, pp. 36-40, ill. Descriptive handout for the exhibit. Includes Kunst + Handwerk, no. 5, Sept./Oct. 1988, pp. Exhibition of work by Oiva and Inkeri Toikka in artists' biographies. 306-310, ill. Riihimaki. Includes glass jewelry by Isgard Moje- 563. NETSKY, RON Wohlgemuth and Doris Neumann. 596. PAQUETTE, ANNIE "Exhibitions: Contemporary Crafts" "Frangois Houde: In Search of Time Lost" Craft International, v. 6, no. 4, 1988, p. 41. 580. NIIJIMA GLASS ART CENTER/KOGA-SEKI Ontario Craft, v. 13, no. 3, Sept. 1988, cover and Includes work by Eric Hilton in Rochester Institute CENTER pp. 10-13, ill. of Technology show. Tokyo: the center, 1988, 8 pp., ill. Ming series. New glass art center near Tokyo for researching 564. NETZER, SYLVIA and developing uses for the island's natural 597. PARIS. CLARA SCREMINI GALLERY "Rays of Glass: Paul Seide, Radio Light Sculpture" "rough glass" resource, including the creation of Ann Wolff (Text by Martine Loeb) Neues Glas, no. 3, July/Sept. 1988, pp. 196-200, glass craft products. Paris: the gallery, 1988, 12 pp., ill. In French and ill. English. 581. NIKLAUS MANUEL DEUTSCH, NICHT "Short sketch about Ann Wolff's Faces: their land, 565. NEUWIRTH, WALTRAUD MARCEL DUCHAMP. HANNES VOGEL, their lives." Italienisches Glas/ltalien Glass/ Le verre italian/ KUNSTMUSEUM BERN, 1980-1987. Vetri italiani 1950-1960 ENTSTEHUNGSGESCHICHTE EINES 598. Joel Philip Myers: Oeuvres (Text by Dan Vienna: Waltraud Neuwirth, v. 1 of 1950-1960 OBJEKTES (Text by Hans Christoph von Tavel) Klein) series, 1987, 256 pp., ill. Bern: Bernische Kunstgesellschaft, 1987, 40 pp., Paris: the gallery, 1988, 30 pp., ill. ill. 566. New Glass Review 9 History of objects and projects created by Vogel; 599. S. Libensky, J. Brychtova (Text by Dan Corning, N.Y.: The Corning Museum of Glass, includes neon. Klein, Nane Stern, Sylva Petrova) Paris: the gallery, 1988, 43 pp., ill. 616. PHILADELPHIA. LEVY GALLERY FOR and Design In French and English. THE ARTS, MOORE COLLEGE OF ART AND Surrey: the college, 1988, 17 leaves, 15 slides. DESIGN Work of 15 students from the college's glass 600. PARIS. GALERIE NANE STERN Steve Tobin: The Glass Garden school. Gerard Koch (Text by Nathalie Maquet) Philadelphia: the gallery, 1988, 12 pp., ill. [Paris: Cimaise], 1988, 10 pp., ill. 630. PURSLEY, JOAN M. Reprint from Cimaise, no. 193, April/May/June 617. PICARD, DENIS "A New Twist for Scopes" 1988 "Sur la colline embellie" Collector Editions, v. 16, no. 1, Spring 1988, pp. Connaissance des Arts, no. 431, Jan. 1988, pp. 34-35, ill. 601. PARIS. MUSEE DES ARTS DECORATIFS, 78-81, ill. Kaleidoscopes. CENTRE DU VERRE Monumental sculptures made with ceramic and Erwin Eisch: Peintures, verres, dessins glass mirrored pieces by Niki de Saint-Phalle. 631. RACINE, WISCONSIN. CHARLES A. Paris: the museum; [s.l.]: Union des Arts WUSTUM MUSEUM OF FINE ARTS Decoratifs, 1988, 39 pp., ill. 618. PITTSBURGH, PENNSYVANIA. Wisconsin Craft Masters: An International Survey In French and German. PITTSBURGH CENTER FOR THE ARTS of Wisconsin Artists... Drawn to the Surface: Artists in Clay and Glass Racine: Racine Art Association and the museum, 602. PAROLEK, JAROSLAV Pittsburgh: the center, 1987, 24 pp., ill. 1988, 32 pp., ill. "Sklo v tvorbe Bohumila Sekaniny" Dan Dailey, Ron Desmett, Kathleen Mulcahy, Italo Includes glass by Audrey Handler, James Van Sklar a Keramik, v. 38, no. 1, 1988, inside cover Scanga, An Wolff, Therman Statom, Dana Deurzen. and insert pp. 2-4, ill. Zamecnikova. Sandblasted sculptures by Bohumil Sekanina. 632. RAKOW, LEONARD S. 619. PITTSBURGH, PENNSYLVANIA. THE "The Wedding of Wedgwood and Waterford" 603. RAVEL HLAVA: ZIVOT A PRACE (TEXT BY SOCIETY FOR ART IN CRAFTS Ars Ceramica, no. 4, 1987, p. 20, ill. ANTONIN LANGHAMER) Six Artists: Two and Three Dimensions Novy Bor: Crystalex, 1986, 35 pp., ill. Pittsburgh: the society, 1987, 16 pp., ill. 633. RAURELL, CRISTINA GIMENEZ Dale Chihuly, Mark Kobasz. "Esculturas y objetos en vidrio caliente de Pere 604. PAVESI, MILOSKA Ignasi" "Le nuove frontiere del cristallo" 620. PORTLAND, OREGON. CONTEMPORARY Sociedad Espagnola de Ceramica Boletin Casa Vogue, no. 203, Dec. 1988, pp. 154-155, ill. CRAFTS GALLERY (Madrid), v. 25, no. 1, Feb. 1986, pp. 47-48, ill. English summary. 3934 Corbett: Fifty Years at Contemporary Crafts Hot glass sculptures and objects by Pere Ignasi. Glass furniture. Portland: The Contemporary Crafts Association, 1987, 90 pp., ill. 634. REDD, ADRIENNE 605. PAVESI, MILOSKA AND ZIGHETTI, Includes work by Kirkpatrick/Mace, Ben Tre, "Reviews: Steve Tobin" ALESSANDRA Luebtow, Schwartz, Edwards, Carpenter, Posner, New Work, no. 35, Fall 1988, pp. 35-36, ill. "Sorprese di mezzanotte: Doni in anteprima" and other. Casa Vogue, no. 202, Nov.1988, pp. 220-221, ill. 635. REEKIE, DAVID New Italian and Finnish glass designs. 621. THE POST-MODERN OBJECT (Ed. BY "Dave Reekie Moves House" Andreas C. Papadakis) British Artists in Glass Newsletter, 606. PELLARIN, JANENE London: Art & Design, Academy Group Ltd., 1987, no. 1, 1988, pp. 28-29, ill. "Silver, Glass; International Master Workshop in 80 pp., ill. Glass" Essays by Peter Fuller, Michael Collins, Michael 636. "Reviews: Themes and Variations: Danny Craft Australia, no. 3, Spring 1988, pp. 69-75 and Graves, and others. Lane" 93-96, ill. Glass objects and lighting by Zanini, Sottsass. British Artists in Glass Newsletter, Review of a workshop on kilnformed glass in no. 3, 1988, pp. 15-16. Canberra: Warren Langley, Willi Pistor, Klaus 622. PRAGUE. NOVA S'lSl Moje, and others. Ivo Rozsypal: Deset let vytvarne spoluprace s 637. REFLECTIONS: CAITHNESS oborovym podnikem Crystalex Novy Bor 1973- PAPERWEIGHTS, ANNUAL REVIEW 607. PERLMAN, SANDRA 1983 (Text by Antonin Langhamer) Perth, Scotland: Caithness Collectors Club, 1985, "Kent State Glass: A Short History" Novy Bor: Crystalex, 1984, 34 pp., ill. 19 pp., ill. New Work,, no. 33, Spring 1988, pp. 24-25+, ill. Rozsypal's 10 years of collaborative design for The studios, how paperweights are made, the Crystalex. year's selections, etc. 608. PETERSON, CHRIS "Glass Artist Is Happiest When Dollars Don't Get 623. PRAGUE. UM£LECKOPR0MYSLOVE 638. REFLECTIONS II: CAITHNESS in the Way" MUZEUM PAPERWEIGHTS, ANNUAL REVIEW The Crafts Report, v. 14, no. 149, 50. leta uzite umeni a design Perth, Scotland: Caithness Collectors Club, 1986, July/Aug. 1988, p. 12, ill. (Catalog by Milena Lamarova) 19 pp., ill. Judy Gorsuch-Collins. Prague: the museum, 1988, 84 pp., ill. English Includes making millefiori canes. summary. 609. PETRIAKOVA, FAINA SERGEEVNA Exhibition of 1950s applied art and design; 639. REFLECTIONS III: CAITHNESS Sklo: Angriia Bokomeia/Steklo: Andreia Bokoteia. includes glass by Libensky, Liskova, Roubicek, PAPERWEIGHTS, ANNUAL REVIEW Katalog Hlava, and others. Perth, Scotland: Caithness Collectors Club, 1987, L'viv/L'vov: 19 pp., ill. Oblpoligrafvidav/Oblpoligrafizdat, 1988, 20 pp., ill. 624. PRAGUE. VELVYSLANECTVl Includes making pate de verre and changing pots. In Ukrainian and Russian. SPOJENYCH STATfl AMERICKYCH/EMBASSY, Work of Andre Bokotei in the 1970s-1980s. UNITED STATES OF AMERICA., 640. REHER, INGRID AND KARLHEINZ Sklarsti vytvarnici Pilchuckske Skoly z "Glassammler in Deutschland/Glass Collectors in 610. PETROVA, SYLVA Americkeho severozapadu West Germany: Ingrid & Karlheinz Reher" "Jak slo ceske sklo do Finska" (Text by Ronald Glowen) Neues Glas, no. 1, Jan./March 1988, pp. 38-40, ill. Umeni a fiemesla, no. 3, 1988, pp. 49-51, ill. Prague: Velvyslanectvi Spojenych Statu English summary. Americkych, 1988, 14 pp., ill. 641. REISER; BEVERLY AND GARDINER, New Czech glass exhibition held in Prague and "Pilchuck Glass Artists from the American SUSANNAH Riihimaki, 1985-1988. Northwest: An Exhibit of Contemporary Glass Art." "Sculpting with Light" Leonardo, v. 21, no. 2, 1988, pp. 200-203, ill. 611. "Karel Vanura: Painter, Graphic Artist, 625. PRAGUE. V$EMINA WATER RESERVOIR Nine artists in a neon, kinetic show, "Lights On: Pedagogue, Glassmaker" Prostor 3 (Text by K. Suda) Self-Illuminated Sculpture," in California. Glass Review, v. 43, no. 6, 1988, pp. 22-27, ill. [s.l.: s.n., 1986], 40 pp., ill. Exhibition of Summer 1986. 642. REUTERSWARD, ANIKA AND EINARSON, 612. "Tezitka a drobne objekty v Brne" ANNA LENA Umeni a fiemesla, no. 3, 1988, pp. 33-36, ill. 626. PRAGUE. VYSTAVN'l SINE MANES "Vaskonst" English summary. Uzite umeni. Vytvarnych umelcu do 35 let (Text by Skona Hem, no. 3, 1988, pp. 107-111, ill. English Paperweights and small objects in exhibition, Sylva Petrova) summary. Brno. Prague: Svaz ceskych vytvarnych umelcu, 1987, Vases by Matz Borgstrom and Kjell Engman. 30 pp., ill. 613. "The 8th Triennial of Engraved and Cut 1980s glass by Frantisek Janak, Jaromir Rybak, 643. RICHARDSON, SARAH Glass in Brno" Jan Mares, and others. "Charles — the First!" Glass Review, v. 43, no. 9,1988, pp. 20-21, ill. British Artists in Glass Newsletter, no. 1, 1988, pp. Exhibition of paperweights and small objects 627. PRICE, BARCLAY 22-23, ill. by Harcuba, Roubicek, Rybak, Trnka, "'New Faces' at the Crafts Council Shop" Charlie Bray, B.A.G.'s first honorary member. and others. Crafts, no. 92, May/June 1988, pp. 36-37, ill. Bowl by Morag Gordon. 644. RICKE, HELMUT 614. PFORZHEIM. SCHMUCKMUSEUM "Europa vor '62. Auf der Suche nach den Schmuck fur Kopf und Haar 628. PRINGLE, ALLAN Ursprungen/Searching for Origins" Pforzheim: the museum, 1985, 14 pp., ill. "Reviews: Lisette Lemieux" Neues Glas, no. 1, Jan./March 1988, pp. 6-7, ill. Includes glass jewelry by Wendy Ramshaw. New Work, no. 33, Spring 1988, p. 41, ill. Large-scale sculptures in Quebec exhibition. 645. "Keith Brocklehurst: Gefasse aufgeladen 615. Wendy Ramshaw, David Watkins: Schmuck, mit Bedeutung/Receptacles Charged with Jewellery 629. PROCTER, STEPHEN, ED. Meaning" Pforzheim: the museum, 1987, 60 pp., ill. Glass 1988. West Surrey College of Art Neues Glas, no. 3, July/Sept. 1988, pp. 213-215, ill. 646. "Utopoli — Einglasernes Environment von Glassworks at Sazava" April 1988, pp. 5-7, ill. Renato Santarossa" For You from Czechoslovakia, no. 4, Dec. 1987, Author re-creates ancients cage cups. Glasforum, v. 37, no. 6, 1987, cover and pp. 25-30, pp. 74-79, ill. ill. 681. SCOTT, MICHAEL 664. SADTLER, CAROL "British Crafts Cover Wide Range of Interests" 647. "World Glass Now '88: Ausstellung/ "Glass Blowing 'the Old Way' with Simon Pearce" The Crafts Report, v. 14, no. 144, Feb. 1988, pp. Exhibition in Japan" Lands' End Direct Merchants, v. 24, no. 4, April 20-22, ill. Neues Glas, no. 4, Oct./Dec. 1988, pp. 269-275, ill. 1988, pp. 154-155, ill. Annette Meech describes The Glasshouse.

648. RIIHIMAKI. SUOMEN LASIMUSEO/THE 665. SALVIONI, DANIELA 682. SEKORA, ONDftEJ J. FINNISH GLASS MUSEUM "Spotlight: Joseph Kosuth" "Bilance slovenskych sklaru" Inkeri Toikka: Teemoja lasissa/Themes in Glass Flash Art, no. 143, Nov./Dec. 1988, p. 131, ill. Umeni a fiemesla, no. 2, 1988, pp. 41-44, ill. (Catalog by Kaisa Koivisto) Conceptual artist uses plate glass, neon, glass English summary. Work by Czech glassmakers Riihimaki: the museum, 1988, 8 pp., ill. In Finnish tubing. Lubomir Blecha, Jarosloav Taraba, Vaclav Cigler, and English. Askold Zacko, and others. 666. SAN FRANCISCO. SAN FRANCISCO 649. TAPIO WIRKKALA/VENINI MUSEUM OF MODERN ART 683. "Sklenena plastika Brno 1987" Riihimaki: the museum, 1987, 40 pp., ill. In English SECA Art Award 1987: Anna Valentina Murch Umeni a ftemesla, no. 1, 1988, pp. 16-20, ill. and Italian. San Francisco: the museum, 1987, 4 pp., ill. English summary. Exhibition in Brno of sculptures Work by Wirkkala at Venini, mid-1960s to 1985. Multimedia sculpture, including glass. by Fisar, Homolka, Libensky/Brychtova, Matous, Handl, and others. 650. Uutta Tsekkitaista lasia/New Czech Glass. 667. SANO, TAKAKO Professori Stanislav Libenskyn oppilaita/Pupils of A Decade with Studio Glass 684. "Zpusobne mlade uzite umeni" Professor Stanislav Libensky [s.l.: s.n., 1988], 240 pp., ill. In Japanese. Umeni a fiemesla, no. 1, 1988, pp. 26-31„ ill. Riihimaki: the museum, 1988, 68 pp., ill. Includes English section, "A Few Special English summary. Jaromir Rybak, Ivana Solcova, Thoughts for My English-speaking Readers," by Jaroslava Votrubova in Prague exhibition. 651. RISD AT WORK [Ed. by Thomas C. Pautler) the organizer of glass exhibitions in Japan. Providence, R.I.: Rhode Island School of Design, 685. SELMAN, LAWRENCE H. 1985, 35 pp., ill. 668. SAO PAULO. MUSEU DE ARTE Artistry in Paperweights (sales catalog) Glass, pp. 14-15: Howard Ben Tre, William Dexter, Arte em vidro — Japao Santa Cruz, Cal.: L. H. Selman Ltd., 1988, 15 pp., Dale Chihuly. Sao Paulo: the museum, 1988, 121 pp., ill. Work by ill. 41 contemporary Japanese glass artists. Work of Ken Rosenfeld, David Salazar, Randall 652. RISD GLASS '74 (Providence, R.I.: Rhode Grubb, Chris Buzzini, James Shaw, David and Jon Island School of Design, 1974, 14 pp., ill.) 669. SAPPORO. HOKKAIDO MUSEUM OF Trabucco, Parabelle Glass, Michael O'Keefe. Glass produced by RISD students, faculty, and MODERN ART visiting artists. No text. World Glass Now '88 686. "Baccarat's Distinguished Oriental Sapporo: the museum and The Asahi Shimbun, Collection" 653. RODIGER-DIRUF, ERIKA 1988, 282 pp., ill. Annual Bulletin of the Paperweight Collectors' "'Zuruck zur Natur, aber wie?'" Association, 1987, pp. 43-44, ill. Du, no. 6, 1988, pp. 78-86, ill. Karlsruhe exhibit 670. SARGENT, BETTY includes neon by Felizitas Mentel. "Steuben Breaks the Mold" 687. "California Paperweight Style" Connoisseur, v. 218, no. 917, June 1988, pp. 80- Paperweight News, v. 10, no. 1, July 1988, pp. 12- 654. ROGASKA: GLASSFACTORY "BORIS 85, ill. David Dowler, Eric Hilton, Peter Aldridge. 13, ill. KIDRlC" ROGASKA SLATINA, YUGOSLAVIA Lundberg Studios. Rogaska Slatina: Steklarna "Boris Kidric," 1988, 671. SASSON SOFFER IN THE CITY OF NEW 11 pp., ill. In Czech and English. YORK 688. "Delmo Tarsitano's New Format for Beauty" History and present-day production of 60-year-old New York: [Sasson Softer], 1985, 54 pp., ill. Paperweight News, v. 10, no. 1, July 1988, p. 11, glassworks. Includes glass and neon sculptures. ill.

655. R0NNEST, J0RGEN F. 672. SAVE, COLETTE 689. "Picks for the Season" "Glasudstilling af Michael Bangs Design" "Actualite verre: Des vases communicants... Paperweight News, v. 10, no. 1, July 1988, pp. 1 -2, Glasnyt, Sept. 1988, pp. 10-14. L'Atelier, no.132, Nov./Dec. 1988, p.40, ill. ill. Review of Michael Bang exhibit and check list of CIRVA competition on the theme of the vase, Weights by Chris Buzzini, the Trabuccos, David objects. Paris. Salazar, and others.

656. ROTTERDAM. MUSEUM BOYMANS-VAN 673. "Joel Philip Myers" 690. "Tradition and Individual Talent" BEUNINGEN L'Atelier, no. 128, May 1988, pp. 14-16, ill. Paperweight News, v. 10, no. 1, July 1988, p. 6+, Uit het licht van de lagune/By the Light of the ill. Lagoon: Textiel van Norelene; Glas van 674. "Starck chez Daum" David Salazar. Tagliapietra/Fabrics by Norelene; Glass by L'Atelier, no. 127, April 1988, pp. 35 and 37, ill. Tagliapietra Vase-sculptures by Philippe Starck, a collection 691. "Victor Trabucco's Creative Approach to Rotterdam: the museum, 1988, 40 pp., ill. for Daum. Paperweight Making" Annual Bulletin of the Paperweight Collectors' 657. ROUSSEAUX, GENEVIEVE 675. SCHAGEMANN, B. Association, 1987, pp. 31-35, ill. "Artistes verriers de Tchecoslovaquie" "Frauenau: Studienarbeiten Glasfachschule La Revue de la Ceramique et du Verre, no. 42, Zwiesel" 692. "Visions in Glass" Sept./Oct. 1988, pp. 58-59, ill. Kunst + Handwerk, no. 5, Sept./Oct. 1988, pp. Collector Editions, v. 16, no. 2, Summer 1988, pp. Review of exhibition in Brussels. 313-314, ill. 26-27, ill. Student work on display at Frauenau glass Paul Stankard. 658. "Gerard Kuijpers et Desiree Verstraete: Le museum. Verre dans le mobilier contemporain" 693. "What's Happening with Weights: New La Revue de la Ceramique et du Verre, no. 41, 676. SCHEPERS, WOLFGANG Glass Artists Bring Renewed Vitality to July/Aug. 1988, p. 64, ill. "Postmodernes Glasdesign" Paperweight Making" Neues Glas, no. 3, July/Sept. 1988, pp. 186-195, Collector Editions, v. 16, no. 1, Spring 1988, p. 27, 659. "!)ean Vallieres, maitre verrier quebecois" ill. ill. La Revue de la Ceramique et du Verre, no. 42, Matteo Thun, Ettore Sottsass, Borek Sipek, Marco Sept./Oct. 1988, p. 55, ill. Zanim. 694. SHAPIRO, VIVIAN Review of exhibition at Charleroi. "A Glass for Wine — and Art" 677. SCHMIDT, GERHARD Gifts & Decorative Accessories, v. 89, no. 12, Dec. 660. RUBENFELD, FLORENCE "Profile Rods: New Forms for Decorative Uses" 1988, pp. 138-140, ill. "Glass at Anne O'Brien" Schott Information, no. 1, 1987, p. 22, ill. International Glass Design Contest exhibit held at Museum & Arts Washington, [July] 1988, p. 24, ill. Lamps and lighting. the Glass Workshop, N.Y.C. Seven glass artists in the gallery's revolving summer exhibition. 678. SCHMITT, PETER 695. SIMON, JOAN "Storfaktor Zivilisation/Civilization as a Source of "Breaking the Silence: An Interview with Bruce 661. RUFFNER, GINNY Friction: Glaskulpturen von Ivo Rozsypal" Nauman" "Speaking of Glass" Neues Glas, no. 3, July/Sept. 1988, pp. 201-205, Art in America, v. 76, no. 9, Sept. 1988, pp. 140- American Craft, v. 48, no. 5, Oct./Nov. 1988, pp. ill. 148+, ill. Neon. 32-35+, ill. Discussion of the gender gap in the glass field. 679. SCOTT, DEBORAH 696. SINGAPORE. LE MERIDIEN SINGAPOUR "Interview: Jeanette Hayhurst" Ramon G. Orlina: Naesa Chiaroscuro/Glass 662. RUHRMUND, FRANK The Antique Collector, v. 59, no. 3, March 1988, p. Sculpture (Text by Emmanuel Torres) Singapore: "Craftwork, Penzance" 123, ill. Le Meridien, 1988, 18 pp., ill. Arts Review, v. 40, no. 23, Nov. 18, 1988, p. 825. Collecting and dealing in glass. Exhibit includes glass by Norman Stuart Clarke. 697. SINKOVITS, PEiTER 680. SCOTT, GEORGE "Prizes and Masters: Interview with Maria 663. RYSANEK, MUDR. J. "Diatretum Redivivum (Cage Cup Revival)" Lugossy" "The 150th Anniversary of the Kavalier Scottish Glass Society Newsletter, no. 30, Muveszet, v. 29, no. 2, Feb. 1988, pp. 12-15, ill. 698. SINZ, DAGMAR 718. STERBA, JAN Artists in Stained Glass Bulletin, "Ausstellung/Exhibition: Glass Sculptures in "Beauty and Tradition: Preconditions of the Future" June 1988, p. 7, ill. Annecy" Glass Review, v. 43, no. 8, 1988, pp. 2-5, ill. Neues Glas, no. 3, July/Sept. 1988, pp. 225-226, 735. TOGNINI, JOYCE "The Collector's Role ill. 719. STERN, PATRICK AND OTHERS Explored at Wheaton Village Gathering" "BAG 87 Workshops" American Craft, v. 48, no. 1, Feb./March 1988, 699. SKARLANTOVA, JANA British Artists in Glass Newsletter, no.1, 1988, pp. p. 6, ill. "The Applied Art of Young Artists" 5-9, ill. Art Alliance for Contemporary Glass. Glass Review, v. 43, no. 2, 1988, pp. 17-21, ill. Reviews of workshops given by Nicholas Pope, Charlie Bray, Czeslaw Zuber, Kreg Kallenberger, 736. "NEA Fellowships" 700. "Art Glass and Its Creators" Bill Gudenrath/Asa Brandt, Alison Kinnaird, Hans American Craft, v. 48, no. 6, Dec. 1988/Jan. 1989, Glass Review, v. 43, no. 4, 1988, pp. 8-29, ill. Gottfried von Stockhausen. pp. 22-33+, ill. Vladimir Zahour, Dagmar Kudrova, Jana Havlova, 1988 selection of 11 glass artists. Jiri ftepasek, and others. 720. STOCKHOLM. GALERIE DOKTOR GLAS Work by Carpenter, Stinsmuehlen-Amend, Ann Wolff (Text by Nina Weibull) Magdanz, and Marioni illustrated. 701. "Bohemia — The Mark of Quality" Stockholm: the gallery, 1987, 32 pp., ill. Glass Review, v. 43, no. 4, 1988, p. 7, ill. 737. TOKYO. FUJI TELEVISION GALLERY 721. STONER, STEVE Tadanori Yokoo 702. SMITH, ANNE DAY "Fusing Market Thrives on Education" Tokyo: the gallery, 1987, 32 pp., ill. Masters in Miniature, Vol. 1: 12 Artisans at Work Glass Art Magazine, v. 3, no. 3, March/April 1988, Paintings incorporating neon. Milwaukee, Wis.: Kalmbach Miniatures, 1987, 143 p. 23. PP., IN. 738. TOKYO. GALLERY UEDA Lampworking by Francis Whittemore, pp. 134-143. 722. STOVALL, MELINDA L. Kyoh 1985-86 "Gallery: Christopher Ries" Tokyo: the gallery, Ueda Culture Projects, Ltd., 703. SMITH, JOHN PACE (Piedmont Airlines In-Flight Magazine), v. 1986, 8 pp., ill. "Glass Mass: John Smith at Pilkingtons" 15, no. 12, Dec. 1988, pp. 17-19, ill. Yoshiko Takikawa. British Artists in Glass Newsletter, no. 1, 1988, pp. 31-32. 723. STRASBOURG. ECOLE DES ARTS 739. TOKYO. MARUZEN ART GALLERY DEiCORATIFS Graduation Works of the 6th Graduates and the 704. SNAJDR, IVAN Les Arts deco s'exhibent. Catalogue des diplomes 5th Postgraduates, Tokyo Glass Art Institute, 1988 "Crystalex Offers" de lEcole des Arts Deco Kawasaki-shi, Kanagawa: Tokyo Glass Art Glass Review, v. 43, no. 2, 1988, pp. 5-8, ill. Strasbourg: the school, 1988, 48 pp., ill. Institute, 1988, 68 pp., ill. Designs by Jiri Suhajek and others. Glass by two students. Work of 48 glass artists.

705. "The Latest Products of the Sklarny 724. STROBINO, GEORGETTE 740. TOKYO. THE SEIBU MUSEUM OF ART Bohemia Glassworks at Podebrady" "Kira Weber, compositions en verre" Neon Art from the West Coast Glass Review, v. 43, no. 1, 1988, pp. 6-9, ill. La Revue de la Ceramique et du Verre, no. 38, (Organized by the Seibu Museum in collaboration Jan./Feb. 1988, pp. 46-47, ill. with the Museum of Neon Art, Los Angeles) [s.l.]: 706. "Via Bohemia — Frankfurt" the Seibu Museum, 1984, 26 pp., ill. Glass Review, v. 43, no. 6, 1988, pp. 2-7, ill. 725. STUTTGART DESIGN CENTER DES In Japanese with English captions. LANDESGEWERBEAMTS BADEN- 707. SOEST, WILHELM-MORGNER-HAUS WURTTEMBERG 741. Scandina vian Craft Today: Paolo Martinuzzi (Text by Pete Smith and Klaus Deutsche Auswahl 1986/ 35 Artists from Denmark, Finland, Iceland, Norway, Horn) German Selection 1986 Sweden Soest: Stadt Soest, Kultur- und Verkehrsamt, 1988, Stuttgart: Design Center Stuttgart, 1986, 464 pp., Tokyo: the museum, 1987, 129 pp., ill. 32 pp., ill. ill. Includes work of eight glass artists, pp. 18-43, in Tableware designs by Peill + Putzler, Rastal, an exhibit that is circulating in Japan and the U.S., 708. SOTHEBY'S DECORATIVE ARTS AWARD Schott-Zwiesel, and others. 1987-1988. EXHIBITION 1988 London: Sotheby's, 1988, 88 pp., ill. 726. SUNDGREN, NILS PETTER 742. TOKYO: 6TH FLOOR GALLERY, Glass by Rachael Woodman, Anna Dickinson, "Lite vildsint" TAKASHIMAYA Annette Meech, Pauline Solven, Steven Newell, Skona Hem, no. 3, 1988, pp. 118-121, ill. Free Blown Glassware by Kyohei Fujita Ron Pennell, Danny Lane. English summary. Tokyo: Takashimaya, 1985, 42 pp., ill. Sculptures by Edvin Ohrstrom. 709. STARA, EVA 743. TRAPP, KENNETH R. "An Exhibition of Glass Sculptures in Vojan Park in 727. SWEDISH GLASS STOCKHOLM "The Saxe Collection" Prague" Stockholm: Svenskt Glas, 1958, 12 pp., ill. llluminotecnica, no. 327/328, March/April 1988, Glass Review, v. 43,/io. 3, 1988, pp. 18-23, ill. Engraved pieces by Ake and Nils Kjellander from pp. 380-387, ill.(Abstract from catalog of the Work by Roubicek, Suhajek, Libensky, Pliva, Vetlanda, sold by Svenskt. collection, Contemporary American and European Vachtova, Rybak, Karel, and others. Glass from the Saxe Collection.) 728. TAKEDA, ATSUSHI 710. "Jirina Pastrnkova: In Memoriam" "Makoto Itoh: Striving Towards Perfection" 744. TRONDHEIM, NORWAY Glass Review, v. 43, no. 9, 1988, Neues Glas, no. 2, April/June 1988, NORDENFJELDSKE KUNSTINDUSTRIMUSEUM p. 29, ill. pp. 85-88, ill. Nordisk Glass '88 In German and English. [s.l.]: Nordisk Kulturformidling, 1988, 19 pp., ill. 711. "The Past and the Present of the Work of 17 glass artists in circulating exhibit. Glassworks at Lednicke Rovne in Slovakia" 729. TALLEY, CHARLES Glass Review, v. 43, no. 9, 1988, pp. 2-14, ill. "A Retardative View of Crafts" 745. TRUJEN, MONICA Artweek, v. 19, no. 16, April 23, 1988, p. 1, ill. "Stanislaw Borowski: Uberfanggravuren/Overlay- 712. "Twenty-Five Years of Pedagogical Work" Review of "The Eloquent Object" exhibition; Engraving" Glass Review, v. 43, no. 5, 1988, pp. 17-20, ill. includes piece by Kreg Kallenberger. Neues Glass, no. 1, Jan./March 1988, pp. 18-21, Stanislav Libensky. ill. 730. TAYLOR, GAY LECLEIRE 713. "Vladimir Kopecky + Eight "New Addition to Contemporary Glass Collection 746. TUCSON, ARIZONA. TUCSON MUSEUM Glass Review, v. 43, no. 1, 1988, pp. 15-19^ ill. The Journal, A Newsletter for Friends of Wheaton OF ART Work by Karel, Rozatova, Rybak; Vanura, Zertova, Village, v. 11, no. 1, Jan./Feb./March 1988, p. 1, ill. Arizona Biennial 1988 Rona, Solcova. Jon Clark sculpture. Tucson: the museum, 1988, 35 pp., ill. Vessel by Michael Joplin; neon by Jon Friedman. 714. SJAUDENMEYER, PIERRE 731. TAYLOR, MICHAEL "Borek Sipek: La Grenouille, I'eglantine et "Glass Education in the USA" 747. TUDOR, ROBYN I'architecte" Neues Glas, no. 4, Oct./Dec. 1988, pp. 290-293, ill. "Makers' Mark: A Noble Decade" L'Atelier, no. 132, Nov./Dec. 1988, pp. 12-13, ill. In German and English. Craft Arts (Sydney), no. 12, May/July 1988, pp. 34- 41, ill. 715. STAVIS, AMY 732. TAYLOR, ROBYN Nick Mount, Anne Dybka, Richard Morrell at "Designer Spotlight: Michael Bang & Kirsten "Critical Eye: Alan Fox" Melbourne gallery. Langbielke" Craft Australia, no. 4, Summer 1987, p.88, ill. China, Glass & Tableware, v. 106, no. 4, April Stoppered bottles and sculptures in Western 748. UEMURA, TAKACHIYO 1988, pp. 16-17, ill. Australia exhibition. "This Man, This Time" Art Magazine (Tokyo), no. 5, 1988, pp. 62-69, ill. In 716. STENSMAN,MAILIS "Ann Wolff" 733. THINGWOLD, JAMES Japanese. Hisatoshi Iwata. Form, v. 84, no. 7 (661), 1988, p. 73, ill. "'Off Hand Glassblowing' in a Torch Flame" In Swedish. Glass Line (Huntington Beach, Cal.), v. 2, no. 4, 749. UNTRACHT, OPPI Exhibit at Karlshamns, Sweden. Dec. 1988/Jan.1989, p. 1+, ill. Saara Hopea-Untracht: Elama ja Tyd/Life and Paul Trautman, lampworker. Work 717. "Formrevy: Anna Carlgren och Durk Porvoo, Helsinki, Juva: Werner Soderstrom Valkema" 734. THORPE, DIANE Osakeyhtio, 1988, 312 pp., ill. In Finnish and Form, v. 84, no. 5 (659), 1988, pp. 50-51, ill. "A Glass Act II: Exhibition of B.C. Glass in Fort English. The designer's glass at Nuutajarvi, 1952- Review of Stockholm exhibit. Langley, British Columbia" 1959. 750. URSULA MERKER: GLASERNE pp. 4-9, ill. 24 artists, mostly Australian, in exhibition in MARCHEN Ginny Ruffner, Susan Plum, Paul Stankard, Giselle cooperation with the Canberra School of Art Glass [Kelheim: Ursula Merker, Haus Kynast], 1988, 12 Courtney, Patrick Wadley. Workshop. pp., ill. 768. "The Pate de verre Process" 784. WEDEPOHL, JORG J. 751. VARLEY, JANE Glass Art Magazine, v. 3, no. 6, Sept./Oct. 1988, "Roderich Wohlgemuth" "A Free Hand at the Powerhouse" pp. 10-15+, ill. Kunst + Handwerk", no. 6, Nov./Dec. 1988, p. 405. Craft Arts (Sydney), no. 11, Feb./April 1988, pp. Obituary of the lampworker. 51-55, ill. 769. WALKER, JAMES Australian craft exhibition includes work by Tony "Growing Pains: Evolution in Glass" 785. WEIMAR, GERMAN DEMOCRATIC Hanning/Nick Mount, Julio Santos, Richard Craft International, v. 6, no. 4, 1988, pp. 28-29, ill. REPUBLIC. KUNSTHALLE AM THEATERPLATZ Clements, Brian Hirst. New Zealand artists Gary Nash, John Croucher, Glas aus Lauscha — Historisches Schmiedeeisen Linley Adams. (Text by Rainer Krauss) 752. VENICE. GALLERIA D'ARTE MODERNA Weimar: Kunstsammlungen, 1975, 54 pp., ill. RAVAGNAN 770. WALL, C. EDWARD Work by Baz-Dolle, Greiner-Mai, Knye, Koch, V. Robert Willson: Sculture in vetro "The Birth of American Studio Glass" [in] Precht, and others. [s.l.: s.n., n.d.]; (Venice: Foligraf-stamperia), 24 pp., Book of Days 1987: An Encyclopedia of ill. Information Sources on Historical Figures and 786. WEINER, KAY Sculptures made at the Pino Signoretto Vetreria, Events, Keyed to Calendar Dates, Ann Arbor, "Camp Colton Offers Tranquil Study" Murano. Mich: The Pierian Press, 1986, pp. 132-134. Glass Art Magazine, v. 3, no. 5, July/Aug. 1988, pp. 50-51, ill. 753. VENICE: GIARDINI Dl CASTELLO 771. WALLLACE, SUE-ANNE XLIII Esposizione Internationale d'Arte, La "Critical Eye: Judi Elliott" 787. WELANDER-BERGGREN, ELSEBETH Biennale di Venezia. General Catalogue 1988 Craft Australia, no. 4, Summer 1987, p. 88, ill. "En gigant i glas: Vicke Lindstrand" Venice: Edizioni La Biennale; Milan: Fabbri Editori, Review of exhibit with slumped, pate de verre Antik etAuktion, no. 10, Oct.1988, pp. 46-52, ill. 1988, 341 pp., ill. pieces. Includes mosaics by Niki de Saint Phalle, glass by 788. WEYERS, JOHN Dana Zamecnikova, Felix Droese. 772. "Michael Keighery: Glass and Ceramic "Buns and Baps of Glass" Works and Pyrotechnic Images" Scottish Glass Society Newsletter, no. 29, Jan. 754. VENICE. VENICE DESIGN ART GALLERY Craft Australia, no. 1, Autumn 1988, p. 104. 1988, pp. 7-8. La citta di cristallo: Sculture di Luciano Vistosi Review of exhibition at Crafts Council Gallery, Paperweights, especially the Scottish firms. (Catalog by Piero Mainardis de Campo) ACT Venice: the gallery, 1986, 71 pp., ill. In Italian and 789. WICKMAN, KERSTIN English. 773. WARD, FRANK "Formrevy: Nordiskt Glas" "Swedish Masters of Crystal: Inside the House of Form, v. 84, no. 6.(660), 1988, p. 56, ill. 755. LA VERRERIE DE BIOT. LART Orrefors" Exhibit at Vaxjo glass museum. CONTEMPORAIN DU VERRE: GALERIE JEAN- Connoisseur, v. 218, no. 915, April 1988, pp. 136- CLAUDE NOVARO ET GALERIE 141, ill. 790. "Formrevy: Ulrica Hydman-Vallien" INTERNATIONALE DU VERRE Form, v. 84, no. 5 (659), 1988, p. 48, ill. Biot: La Verrerie de Biot, [1988?], 20 pp., ill. 774. WARMUS, WILLIAM Review of Stockholm exhibit. "Frantisek Vizner" 756. VESELY, PAVEL New Work, no. 33, Spring 1988, pp. 26-27, ill. 791. "Old Techniques Thriving in the Eighties" "Destiny by the Name of Chandelier" Form (Swedish Design Annual 1988), v. 84, no. 4 For You from Czechoslovakia, no. 3, Sept. 1988, 775. "The Vessel, the Jar" (658), 1988, pp. 74-77, ill. pp. 47-51, ill. New Work, no. 33, Spring 1988, p. 6. Brief Glass by Eva Englund, Matz Borgstrom, Lars Kamenicky Senov production. comments. Hellsten, Monica Backstrom.

757. VIENNA. GALERIE NACHST ST. STEPHAN 776. WARNIA, PIERRE 792. WICKMAN; KERSTIN AND OSTERBERG, Ludwig Gosewitz: Glasobjekte 1980-1987 "Lalique: Une Saga extraordinaire" REGINA Vienna: the gallery and Rosemarie Revue des Industries d'Art Offrir, no. 250, Sept. "Formrevy: Ann Wolff, Erik Hoglunds" Schwarzwalder, 1987, 12 pp., ill. 1988, pp. 99-111, ill. Form, v. 84, no. 1 (655), 1988, pp. 54-55, ill. Retrospective exhibition at Saverne: three Review of Stockholm and Kalmar exhibits. 758. VOIGT, TERRIE generations of Lalique family and their production. "George Bochnig's Studio Tour" 793. WILLSON, ROBERT Michigan Glass Guild Newsletter, 777. "Le Verre a un pays. La Tchecoslovaquie: A College-Level Art Curriculum in Glass Dec. 1988, p. 4. La Moravie" Washington, D.C.: U.S. Dept. of Health, Education, Revue des Industries d'Art Offrir, no. 243, Jan. and Welfare, Office of Education, Bureau of 759. VOLF, PETR 1988, pp. 253-271, ill. Research, 1968, 50 pp. "Forty Years of Existence of Zeleznobrodske Sklo" History and present-day production. Glass Review, v. 43, no. 3, 1988, pp. 11-14, ill. 794. WILSON, DENISE 778. WARSAW. SALE WYSTAWOWE IWP, "New York's Milon Townsend Rides the Fast Track 760. "Glass-making Festivals and the Golden WARSZAWA UL. SWIETOJERSKA in Glass World" Glassmaker's Rod" Polskie szk/o wspd/czesne The Crafts Report, v. 14, no. 149, July/Aug. 1988, Glass Review, v. 43, no. 3, 1988, pp. 5-10, ill. Warsaw: Chevalier, 1987, organized by Museum p. 27, ill. Competition between glassblowing teams from the Narodowe w Warszawie, Osrodek Wzornictwa Czech factories. Nowoczesnego, Instytut Wzornictwa 795. WILSON, RICK Przemys/owego, 80 pp., ill. "Hamon Glass" 761. "The Precondition is Cooperation" Work of 31 contemporary Polish glass artists. Glass Collector's Digest, v. 2, no. 3, Oct./Nov. Glass Review, v. 43, no. 5, 1988, pp. 2-5, ill. 1988, pp. 22-25, ill. Products of Sklarny Cesky Kristal at Chlum u 779. WASHINGTON, D.C. MAURINE LITTLE Bob Hamon, W. Virginia glassworker. Trebone. TON GALLERY Concetta Mason (Text by William Warmus) 796. WOENDEN, IAN' 762. VONDRA, VIKTOR Washington, D.C.: the gallery, 1988, 6 pp., ill. "A Touch of Glass" Crafts, no. 93, July/Aug. 1988, "Exposition in the USA" pp. 54-55, ill. Glass Review, v. 42, no. 12, 1987, pp. 23-25, ill. 780. Ginny Ruffner Rachael Woodman, Colin Reid, and others in an Dana Zamecnikova and Marian Karel. Washington, D.C.: the gallery, 1988, 5 pp. ill. exhibit at a Prestbury gallery.

763. "The New Collections of Ladislav Oliva of 781. WASHINGTON, D.C. WASHINGTON 797. WOLFF-BRANDT, CARINA Crystalex" SQUARE "Hisnande glaskonst" Glass Review, v. 43, no. 5, 1988, pp. 6-7, ill. Beyond Function: New Directions in Decorative Antik etAuktion, no. 11, Nov. 1988, p. 80, ill. Arts Oiva Toikka sculptural piece. 764. Pavel Trnka's Paris Exhibition" Washington, D.C.: Washington Square Partners, For You from Czechoslovakia, no. 3, Sept. 1988, 1988, 8 pp., ill. Mark Anderson, Curtiss Brock, 798. WOLGENSINGER, JACQUES pp. 85-86, ill. Robert Carlson, Peter Greenwood, Mark "Expositions: Salon des Artisans d'Art" McDonnell, Marilyn Nugent. La Revue de la Ceramique et du Verre, no. 43, 765. VORONOV, N. V. Nov./Dec. 1988, p. 58, ill. Sovetskoe khudozhestvennoe steklo 782. Crossroads: An Exhibition of Contemporary NTmes exhibit with Jean-Luc Garcin and other Moscow: Izdatel'stvo "Znanie," 1984, 54 pp., ill. Sculpture from the International Community in glass artists. Soviet glass, 1950-1970. Washington Washington, D.C.: Washington Square, 1988, 8-p. 799. "Paris Ateliers d'Art Show: Le PAAS 766. WAGGA WAGGA, AUSTRALIA. WAGGA folder, ill. marque le pas" CITY ART GALLERY Glass by Norma Chapman, Irene Frolic, Gary La Revue de la Ceramique et du Verre, no. 40, 4th National Studio Glass Exhibition', 1988 Nash, Jean-Claude Novaro. May/June 1988, pp.52-53, ill. Wagga Wagga: the gallery, 1988, 44 pp., ill. Review of exhibit including Baquere, Merloz, 783. WATSON, AUSTRALIAN CAPITOL Walther, Fievet, Muratore, and others. 767. WAGGONER, SHAWN TERRITORY. CRAFTS COUNCIL OF THE ACT "Lampworking" Kilnformed Glass: An International Exhibition 800. WOOD, TIMOTHY J. Glass Art Magazine, v. 4, no. 1, Dec. 1988, Watson: the council, 1988, 4 leaves in folder. "Debbie Tarsitano's Glass Gardens" The Review, Cape Cod's Arts & Antiques 803. WYKES-JOYCE, MAX 806. ZIMMER, JENNY Magazine, no. 14, Jan./Feb. 1988, pp. 36-37, ill. "Harry Gregory McKeown, Amanda Brisbane" "Glass Mind-Games" Paperweights. Arts Review, v. 40, no. 21, Oct. 21, 1988, p. 744. Craft Arts International (formerly Craft Arts Review of Brisbane's work in London gallery show. Australia), no. 13, Sept./Nov. 1988, pp. 45-49, ill. 801. WOSK, JULIE Stephen Skillitzi. "P.U.L.S.E. Exhibit, 1987" 804. YELLOW PAGES OF AMERICAN CRAFTS Leonardo, v. 21, no. 3, 1988, pp. 318-320, ill. 1988 807. ZURICH. MUSEUM BELLERIVE Fiber optics sculpture by Clyde Lynds in "People Baltimore, Md.: [Buyers Market of American Licht und Transparenz (Text by Sigrid Barten) Using Light, Sound and Energy" exhibit. Crafts], 1988, 347 pp. Zurich: the museum, 1988, 64 pp., ill. Glass listings, pp. 27-32. Neon, optical and light sculptures, etc., by Liliane 802. WROCLAW. MUZEUM NARODOWE Lijn, Federica Marangoni, Paul Seide, and others. Szk/o: Ryszard Regulinski (Catalog by Maria 805. ZIEGLER, ROSERITA Jezewska) "Art Glass — Fenton Style (1926-1988)" 808. 65 LET STFIEDNI PRQMYSLOVE $KOLY [Wroclaw: the museum], 1987, 14 pp., ill. Glass Collectors's Digest, v. 2, no. 4, Dec. 1988/ SKLAFISKE V 2ELEZN£M BRODLZ, 1920-1985 In Polish and English. Jan. 1989, pp. 40-45, ill. [2elezny Brod: the school, 1985], 66 pp., ill. Pieces designed by Dan Dailey and made by English" summary. Delmer Stowasser. 65 years of the glass school at 2elezny Brod.

FLAT GLASS (after 1945), including Architectural, Mosaic, Painted, and Stained Glass/ FLACHGLAS (nach 1945) einschlielBlich architekturbezogenes Glas, Mosaikglas, Glasmalerei und Stained Glass

ANONYMOUS 823. "Diverse om udstillingen" 835. "The Glaziers Lecture 1987" 809. "Amar Windows Transform Temple" Glarmestertidende, v.72, no. 9,Sept. 1988, pp. 155 Stained Glass 1987 (The Magazine of the British Ontario Craft, v. 13, no. 4, Dec. 1988, p. 6, ill. and 157, ill. Society of Master Glass-Painters), Spring, pp. 4-5. Georgia Amar designs panels for North York Stained glass panels and posters by Per Steen Summary of a talk by Lawrence Lee, "Some Sort synagogue. Hebsgaard and others for exhibit of Danish of Artist: The Making of a Glazier." glassmaking at Chartres. 810. "American Crafts Awards Inaugurate" 836. "The Guild Announces Winners in First Glass Art Magazine, v. 3, no. 3, March/April 1988, 824. "Dusseldorfer Jugend-Glas-Preis 1988" Annual Awards Competition" pp. 60-61, ill. Glas + Rahmen, v. 39, no. 21, Nov. 1988, insert pp. The Crafts Report, v. 14, no. 146, April 1988, p. 16, Kraus Sikes awards: Quagliata, Marioni, Hovey, 37-40, ill. ill. Zgoda. Stained and flat glass panels by young W. German Kenneth vonRoenn panels. artists. 811. "Architectural Art: Affirming the Design 837. "The Guild's American Crafts Awards" Relationship" 825. "Eksperimenter med glas-skulpturer" Stained Glass, v. 83, no. 1, Spring 1988, pp. 32-33, Stained Glass, v. 83, no. 1, Spring 1988, pp. 60-61, Glarmestertidende, v. 71, no. 2, Feb. 1987, p. 31, ill. ill. ill. Kraus Sikes Inc. award-winning stained glass American Craft Museum exhibition. Large glass portal for Kulturhuset in Randers, panels by vonRoenn, Quagliata, and Zgoda. Denmark, designed and built by Johanns Cramer 812. "Art at the Altar" and Per Hebsgaard. 838. "Hetley/Hartley Wood Competiton 1987" Ontario Craft, v. 13, no. 2, Summer 1988, p. 5, ill. Stained Glass 1987 (The Magazine of the British Church windows by Ernestine Tahedl, Ottawa. 826. "Encouraging Standards in Glasspainting" Society of Master Glass-Painters), Spring, p. 14, ill. Stained Glass 1988 (The Magazine of the Five wining works express twin themes of motion 813. "L'Art solaire: Entretien avec Emmanuel British Society of Master Glass-Painters), Spring, picture and moving image in panels designed for Chauche, peinture verrier" p. 10. The Museum of the Moving Image. Vitrea, Revue du Centre International du Vitrail (Chartres), no. 1, 1988, pp. 10-12. 827. "Endnu en udstilling om dansk glaskunst" 839. "John Clark, Paisley Abbey" Glarmestertidende, v. 72, no. 10, Oct 1988, p. 165, Arts Review, v. 40, no.22, Nov. 4, 1988, pp. 788- 814. "The Best of Illinois" ill. 789. Professional Stained Glass, v. 8, no. 7, Sept. 1988, Exhibit of work of three generations of L. Frese & Window by Scottish stained glass artist. pp. 6-13, ill. S0nnerfirm of Frederiksberg, Denmark. 12 stained glass artists. 840. "Un labirinto di cristallo" 828. "Exploiting Design Opportunities Casa Vogue, no, 192, Jan. 1988, p. 150, ill. English 815. "Champlain Celebration" for Decorative Flat Glass and Mirror summary. Ontario Craft,, v 13, no. 4, Dec. 1988, p. 5, ill. Products" A glass and mirror labyrinth by Federica Stephen Taylor windows designed for French Glass (U.K.), v. 65, no. 2, Feb. 1988, pp. 55-56, ill. Marangoni, Venice. church. Sekon Glassworks, London. 841. "Lever Brothers Commisson Unveiled for 816. "Cheshire Glass: Building on Colour" 829. "Les Expositions du Centre International du Royalty" Glass Age, v. 31, no. 3, March 1988, p. 25+, ill. Vitrail: Le Nouvel Art verrier de Danemark" Stained Glass, v. 83, no. 4, Winter 1988, p. 292, ill. Stained and decorative glass firm of Stockport, Vitrea, Revue du Centre International du Vitrail Lydia Marouf panel. England. (Chartres), no.2, 1988, pp. 29-30, ill. Stained glass by 20 Danish glass artists. 842. "Life through Glass: First Group Exhibition 817. "College Call" of Australian Glass Engraving" Craft Work, no. 20, Summer 1988, p. 3, ill. 830. "Expositions: L'Ecole contemporain The Glass Engraver, no. 50, Winter/Spring 1988, Commission for Kingston College, England, by Anaxagoras" pp. 10-13, ill. Jane Brodie. Vitrea, Revue du Centre International du Vitrail (Chartres), no. 2, 1988, p. 31, ill. 843. "Light Boxes Illuminate Art" 818. "Commissions" Mosaics by Riccardo Licata, Verdiano Marzi, Glass Art Magazine, v.3, no.3, March/April 1988, American Craft, v. 48, no. 5, Oct./Nov. 1988, p. 82, Giovanna Galli. p. 34. ill. Glass tile mural by Erica Karawina for a Honolulu 831. "Fenstergestaltung erfordert Stilsicherheit 844. "Lutz Haufschild Wins Saidye Bronfman college. und optimale Technik" Award" Glas + Rahmen, v. 39, no. 9, May 1988, pp. 364- Artists in Stained Glass Bulletin, June 1988, 819. "Commissions" 368, ill. pp. 5-6. Craft Work, no. 19, Spring 1988, p. 5, ill. Includes stained glass windows and doors. Stained glass by John Clark, Glasgow artist. 845. "Lydia Marouf, a Recent Commission for 832. "Forslag til udend0rs h0j glas-skulptur midt Lever Brothers" 820. "Commissions: Patrick Ross Smith" i byen" Stained Glass 1988 (The British Society of Master Craft Work, no. 20, Summer 1988, p. 4, ill. Glarmestertidende, v. 72, no. 12, Dec. 1988, p. Glass-Painters), Autumn, p. 5. Triptych for a school chapel. 213, ill. Panel by Gorm Eriksen. 846. "Magazine Award for Excellence to Ellen 821. "Da Chartres p& ny blev invaderet af Mandelbaum" danskere" 833. "Glaskunst har indviet nyt galleri" Stained Glass, v. 83, no 4, Winter 1988, p. 292, ill. Glarmestertidende, v. 72, no. 10, Oct. 1988, p. Glarmestertidende, v. 72, no. 12, Dec. 1988, p. 175+, ill. 211, ill. 847. "Masters in Glass: George Meistermann" Opening of exhibiton of contemporary Danish Lars Frese glass exhibit at two Danish towns. Artists in Stained Glass Bulletin glass at Centre International du Vitrail. (Toronto), Dec. 1988, p. 8. 834. "Glaskunst p& Glyptoteket" 822. "...de la SEMA. Pierre Millous: Des vitraux" Glarmestertidende, v. 72, no. 11, Nov. 1988, p. 848. "Matisse Window Installed at MoMA during Le Courrier des Metiers d'Art, no. 75, Sept. 1988, 187. Holidays" p. 13, ill. Danish flat glass exhibition opens in Antiques & The Arts Weekly, v. 16, no. 50, Dec. 16, Maitre verrier Millous. Copenhagen. 1988, p. 83. 1952 window designed for Rockefeller Center, 869. "Scenografie trasparenti" 888. "1988 Associates' Show Winners" N.Y.C. Casa Vogue, no. 193, Feb. 1988, pp. 136-137, ill. Stained Glass, v. 83, no. 3, Fall 1988, p. 212, ill. Sandblasted doorways and panels in a Florence Gene and Jackie Cerf, Gregory Kasza, Nancy 849. "Med glaskunst p& toppen" theater; glass "Japanese garden" installation by McGrain, Cathy Richardson. Glarmestertidende, v. 71, no. 4, April 1987, Oki Izumi in Milan. p. 65, ill. 889. ALBIG, JORG-UWE Copenhagen tower with man-sized stained glass 870. "'Seen Yet Unseen' at the Museum" "Mitterrands Prestige-Projekt verschlingt 450 top by Per Hebsgaard. Pilkington News, April 20, 1988, p. 13, ill. Millionen" Engraved flat glass sculptures by Jenny Clark. Art (Hamburg, W. Germany), no. 5, 1988, p. 22, ill. 850. "Miami Area Glass Artists Shine" Glass pyramid in the Louvre courtyard. Glass Art Magazine, v. 3, no. 5, July/Aug. 1988, pp. 871. "Showcase" 52-53, ill. Glass Art Magazine, continuing series: v. 3, no. 2, 890. AMERY, LEO Jan./Feb. 1988 — v. 4, no. 1, Dec. 1988. "Recent Commissions" 851. "Michelin House" New work submitted by readers. Stained Glass 1988 (The Magazine of the British Stained Glass 1988 (The Magazine of the British Society of Master Glass-Painters), Autumn, p. 5, ill. Society of Master Glass-Painters), Spring, p. 12 872. "Skulpturer af aim. planglas" New work by the author. and cover. Windows by Goddard & Gibbs for Glarmestertidende, v. 72, no. 7/8, July/Aug. 1988, Michelin building in Chelsea. p. 137, ill. 891. ANDERSON, NOLA Japanese artist Oki Izumi uses ordinary flat glass "A Sense of Place" 852. "Mimi Gellman Wins Skydome Competition" in sculptures. Craft International, v. 6, no. 4, 1988, p. 20, ill. Artists in Stained Glass Bulletin (Toronto), Dec. Klaus Zimmer window for Canberra parliament 1988, pp. 2 and 3, ill. 873. "Stained Glass at Port Sunlight" house. Glass Age, v. 31, no. 9, Sept. 1988, p. 18, ill. 853. "Nachtmann Bleikristallwerke: Ein glaserner Window by Lydia Marouf for Lever Brothers plant. 892. ASHWORTH, D. J. Brunnen" "Direct Marketing to Architects and Builders Pays Die Schaulade, v. 62, no. 12, Dec. 1988, p. 2732, ill. 874. "Stained Glass at The Corning Museum of Off for Glass Artist" Fountain with a lead glass panel at Nachtmann Glass" The Crafts Report, v. 14, no. 150, Sept. 1988, p. 5+. firm. Stained Glass, v. 83, no. 3, Fall 1988, p. 219, ill. Anita Schrey. Quagliata panel. 854. "New Scope for the Glass Engraver" 893. BARTOS, PATRICIA Glass Age, v. 30, no. 12, Dec. 1987, p. 38, ill. 875. "Stained Glass Renaissance" "An Artistic Interpretation" Guild of Glass Engravers' exhibition and the Glass (U.K.), v. 65, no. 10, Oct. 1988, p. 420. Stained Glass, v. 83, no. 2, Summer 1988, pp. 148- Guild's potential for commercial decorative Stained glass activity in Britain; window for Lever 149+, ill. commissions. Brothers by Lydia Marouf. Pittsburgh church windows designed by Nicholas Parrendo. 855. "News from Adam Goodyear; News from 876. "Stained Glass: Scene around the Studios" Chapel Studio" Glass Age, v. 31, no. 1, Jan. 1988, pp. 54-55, ill. 894. BASSE, ANDREA AND OBORNIK, SVEN Stained Glass 1987 (The Magazine of the British British studios. "Zeitgenossisches Kunsthandwerk aus der DDR" Society of Master Glass-Painters), Spring, Kunst + Handwerk, no. 5, Sept./Oct. 1988, pp. pp. 11-12, ill. 877. Successful Sandcarving Newsletter 315-316, ill. Commissions and restoration work by two British (Rayzist Photomask Inc., Tucson, Ariz.), v. 1, no. 1, Panel by Christiane Kalkoff. studios, 1987. [1988], 4 pp., ill. 895. BEEH-LUSTENBERGER, SUZANNE 856. "Notable Works: Alexis Hmielak" 878. "Trasparenze colorate" "Brian Clarke Glasmalerei/Glass Painting" Professional Stained Glass, v. 8, no. 9, Nov. 1988, Casa Vogue, no. 198, Aug. 1988, u.p., ill. Neues Glas, no. 4, Oct./Dec. 1988, pp. 301-302, ill. pp. 60-61, ill. Fratelli Longhi panel. Slumped masks and stained glass. 896. "Sigrid Gloggler: Vielfalt und Ordnung/ 879. "Vaeldigt opbud af dansk glaskunst" Diversity and Order" 857. "Notable Works: Allen H. Graef" Glarmestertidende, v. 72, no. 7/8, July/Aug. 1988, Neues Glas, no. 2, April/June 1988, pp. 90-93, ill. Professional Stained Glass, v. 8, no. 4, May 1988, p. 121+, ill. pp. 52-53, ill. Preparations for exhibition of contemporary 897. BEEH-LUSTENBERGER, SUZANNE AND Danish glass to be held at Chartres. OTHERS 858. "Notable Works: Antonio L. Sainz Gil" Hans Gottfried von Stockhausen: Das Glasbild Professional Stained Glass, v. 8, no. 6, July/Aug. 880. "Vie du Centre" Munich: Hirmer Verlag, 1987, 80 pp., ill. 1988, pp. 108-109, ill. Vitrea, Revue du Centre Spanish artist. International du Vitrail (Chartres), no. 1, 1988, pp. 898. BENDER, RODNEY 32-37, ill. "Entretien de Jochem Poensgen" 859. "Notable Works: Duncan Laurie" Expositions, documentation center, guided visits, Vitrea, Revue du Centre International du Vitrail Professional Stained Glass, v. 8, no. 1, Feb. 1988, etc. (Chartres), no. 2, 1988, pp. 16-17. pp. 60-61, ill. 881. "Window at Westminster Unveiled" 899. BERNSTEIN, ROSITA 860. "Notable Works: Lyn Hovey" Stained Glass, v. 83, no. 4, Winter 1988, "Glaserne Paravents/Glass Folding Screens" Professional Stained Glass, v. 8, no. 3, April 1988, p. 303, ill. Neues Glas, no. 1, Jan./March 1988, pp. 29-37, ill. pp. 60-61, ill. Francis Skeat designs commemorative window for chapel in Westminster Abbey. 900. BETTINGER, CLAUDE 861. "Notable Works: Lynda Wright" "Exposition: Bettinger '86" Professional Stained Glass, v. 8, no. 8, Oct. 1988, 882. "Windows as Works of Art" The Leadline, 1988, p. 6, ill. pp. 60-61, ill. Schott Information, no. 1, 1987, p. 23, ill. Arne Hennig panel. 901. BOWE, NICOLA GORDON 862. "Notable Works: Star Bevel Studios" "Irish Stained Glass: The Art of Cotter and Professional Stained Glass, v. 8, no. 2, March 883. "Windows Reflect Desert Colors and New Scanlon" 1988, pp. 52-53, ill. Symbols for a Catholic Community" Stained Glass, v. 83, no. 2, Summer 1988, Stained Glass, v. 83, no. 3, Fall 1988, pp. 208-209, pp. 117-122, ill. 863. "Parish Church Window Commemorates ill. Maud Cotter and James Scanlon of Cork. Men Who Died on Ferry" Las Vegas windows by Jean Myers. Glass (U.K.), v. 65, no. 4, April 1988, p. 163, ill. 902. BRADY, LEE Goddard and Gibbs window in Dover, England. 884. "Work by Members of Artists in Stained "Sun Dance Teaching" Glass" Stained Glass, v. 83, no. 4, Winter 1988, pp. 276- 864. "Pilkington Glass Aim at Designer" The Leadline, 1988, pp. 17-23, ill. 281, ill. Pilkington News, Sept. 14, 1988, p. 6, ill. Work by Gundar Robez, Lutz Haufschild, David Native American themes in author's panels. Patterned flat glass styles for interior designers. Wilde, Mimi Gellman, Robert Jekyll, and others. 903. BRANDT, ISABELLA 865. "Una piramide dai cieli bigi" 885. "'Die Zukunft liegt im Design'" "Integral Art: 36 Projects" Casa Vogue, no. 198, July/Aug. 1988, p. 76, ill. Glasforum, v. 38, no. 1, 1988, pp. 37-48, ill. American Craft, v. 48, no. 3, June/July 1988, pp. English summary. Six designers show innovative architectural uses 68-79, ill. I. M. Pei Louvre building. in VEGLA "International Glass Design Workshop", Work by Arthur Stern, Kenneth vonRoenn, Dick Munich. Weiss, Harry Anderson/James Harmon, Paul 866. "Romont: Le Vitrail en Belgique" Marioni/Anne Trautner, Cork Marcheschi, and L'Oeil, no. 398, Sept. 1988, p. 83, ill. 886. "3-D Glass Display for Chemicals Firm" others. Brief review of exhibition in Switzerland. Glass (U.K.), v. 65, no. 9, Sept. 1988, p. 368, ill. (See correction: v. 65, no. 10, Oct. 1988, p. 420.) 904. BRUNNER, ASTRID 867. "Romont: Premier Salon des verriers Panels by Goddard & Gibbs Studios. "Johannes Schreiter at the Banff Centre: suisses" Impressions of an Interpreter" L'Oeil, no. 390-391, Jan./Feb. 1988, p. 87. 887. "3-D Glass Mural from G & G" Artists in Stained Glass Bulletin, June 1988, Glass Age, v. 31, no. 9, Sept. 1988, pp. 4-5. 868. "Saint Gobain: Trasparenza e sicurezza" p. 21, ill. Domus, no. 698, Oct. 1988, u.p., ill. English Goddard & Gibbs panel for pharmaceutical 905. BUCHANAN, MARK summary. New types of architectural glass. company. "Glass Art People: Roger Nachman" Glass Art Magazine, v. 4, no. 1, Dec. 1988, 923. DURRBACH, RENE 939. "Remembering the Astronauts" pp. 18-22, ill. Projet pour la realisation des vitraux de la Metropolis, v. 7, no. 9, May 1988, pp. 32-33, ill. cathedrale de Nevers Astronaut memorial, to be built at Cape Canaveral, 906. CHAMBERS, KAREN S. Dijon: Musee Archeologique; [s.l.]: Cahiers de will use mirrors and prismatic glass. "Reviews: Robert Kehlmann" Bourgogne, 1987, 61 pp., ill. New Work, no.34, Summer 1988, p. 35. Designs by the author for a project, 1987. 940. GETLEIN, FRANK "United's Crystal Palace" 907. CHARTRES. CENTRE INTERNATIONAL 924. ERKRATH, FEDERAL REPUBLIC OF Air & Space, v. 3, no. 4, Oct./Nov. 1988, pp. 56-63, DU VITRAIL GERMANY. BUCHEREI IM BURGERHAUS ill. Les Maitres-verriers: Bourguignons Farbspielerei aus Licht und Glas: Lorraine O'Hare terminal building with curved glass roofs contemporains Rosemarie Slade (Text by Elvira Maria Slade) and neon. Chartres: the center, 1988, 4 pp. Erkrath: [s.n.], 1987, 15 pp., ill. Work of nine artists in Bourgogne. 941. GLASS PATTERNS QUARTERLY 925. ERNOULD-GANDOUET, MARIELLE (Westport, Ky.), four newsletters: v. 3, no. 4, Winter 908. Mosai'ques de Ravenne: L'Ecole "Chartres: Premiere Biennale du vitrail" 1987/1988 — v. 4, no. 4, Winter 1988/1989. contemporaine "Anaxagoras" L'Oeil, no. 390/391, Jan./Feb. 1988, pp. 89-90, ill. Chartres: the center, 1988, 10 pp., ill. Review of exhibition. 942. GOMERSALL, AMICA 30 mosaics by the group Anaxagoras: Riccardo "A Neglected Window" Licata, Verdiano Marzi, and Giovanna Galli. 926. FABEL, KAREL Stained Glass, v. 83, no. 2, Summer 1988, "Mozaika zblizka a dnes" pp. 102-108+, ill. 909. Le Nouvel Art verrier de Danemark Umeni a Remesla, no. 1, 1988, pp.12-15, ill. Second largest stained glass installation in world Chartres: the center, 1988, 12 pp., ill. English summary. Mosaics in Prague. made in 1962 by Bronislaw Bak, St John's Abbey, 20 artists' designs executed by the Copenhagen Collegeville, Minnesota. studio of Per Steen Hebsgaard. 927. FENTON, DAN "Expo Wrapup" 943. GONG, NANCY 910. COBLENZ. MITTELRHEIN-MUSEUM Professional Stained Glass, v.8, no. 8, Oct 1988, "Opportunity Knocks: A Doorway Commission" Jakob Schwarzkopf: Glas, Wande, Malerei pp.28-32. Professional Stained Glass, v.8, no. 9, Nov. 1988, Coblenz: the museum, 1988, 40 pp., ill. Review of International Glass Craft Expo, Atlanta. p. 14+, ill. Author's work 911. COLLIS, BERT 928. FERGUSON, CARY "Leighton House 1987, a Personal View" "Hand Beveling: Sacrifice and Reward" 944. GOODDEN, TED The Glass Engraver, no. 49, Autumn 1987, pp. 26- Professional Stained Glass, v. 8, no. 2, March "Thunder & Lightning" 32, ill. 1988, pp.6-8, ill. Ontario Craft, v. 13, no. 4, Dec. 1988, pp. 13-17, ill. Review of exhibition of work of the Guild of Glass The author's work. Exhibition in London, Ontario, includes stained Engravers. glass by Robert Jekyll, Stuart Reid, Doreen 929. FIGEE, THEA Balabanoff. 912. COLOGNE. KUPFERSTICHTKABINETT, "Annemie Groenen maakt een KUNSTSAMMLUNGEN DER VESTE COBURG Assepoesterverhaal glashard" 945. GRACE C. JACKSON Herbert Bessel (Text by Joachim Kruse) Glas & Keramiek (Asperen, the Netherlands), no. "Rambusch Decorating Company" Cologne: the museum, 1987, 8 pp., ill. 00, Sept./Oct.1988, pp. 30-31, ill. English Stained Glass, v. 83, no. 3, Fall 1988, pp. 181-190, Two stained glass panels. summary. ill. Utrecht artist makes sculptural pieces with flat The New York firm, 1930 to the present. 913. CRIST, PAUL glass. "A Technical Odyssey" 946. GRAEF, ALLEN H. Professional Stained Glass, v.8, no.6, July/Aug. 930. FORESTIER, SYLVIE "The Colorful Possibilities of Dichroic Glass" 1988, pp. 16-18, ill. Marc Chagall, opera monumentale: Le vetrate Professional Stained Glass, v. 8, no. 2, March Author's work. Milan: Jaca Book, 1987, 207 pp., ill. 1988, pp. 9-10, ill.

914. CUTLER, DICK 931. FRANK LLOYD WRIGHT DECORATIVE 947. GREEN, ANNA "Reviews: Gerard Perrone, Science and Vision" DESIGNS COLLECTION "Glass & the Building Industry: The Future of the New Work,, no. 35, Fall 1988, pp. 33-35, ill. Scottsdale, Ariz.: Frank Lloyd Wright Foundation, Craftsman" 1988, 24 pp., ill. Scottish Glass Society Newsletter, no.32, Nov. 915. DARZAC, NATHALIE Reproduction tableware and stained glass panels 1988, pp. 6-7. "Florent Chaboissier" made by Tiffany & Co. and Oakbrook-Esser Summary of a talk given to the society. Vitrea, Revue du Centre International du Vitrail Studios in Wisconsin. (Chartres), no.2, 1988, p. 28, ill. 948. GRENON, ARIANE 932. GABALDO, VIRGINIA "Plaidoyer pour la mosaique" 916. DECTER, JOSHUA "Designing from Nature" Le Courrier des Metiers d'Art, no. 74, July/Aug. "New York in Review: Niek Kemps" Professional Stained Glass, v. 8, no. 9, Nov. 1988, 1988, pp. 4-5, ill. Arts Magazine, v. 63, no. 4, Dec. 1988, pp. 106- pp. 31-36, ill. 107, ill. 949. "La Revolution...en 1989" Sculptor uses layered lacquered glass and mirror 933. GABRIEL LOIRE, MAlTRE VERRIER- Le Courrier des Metiers d'Art, no. 75, Sept. 1988, planes. PEINTRE: UNE SELECTION DE 175 pp.8-9, ill. REALISATIONS VITRAUX 1946-1989 EN Projects for bicentennial of the French Revolution 917. DEGEN, SUSAN R. FRANCE, AUX U.S.A., ET AUTRES PAYS includes triptych by Udo Zembok. "James Carpenter: Sculptor of Light" Leves/Mainvilliers: Gabriel Loire, 1988, 22 pp. Architectural Lighting, Feb. 1988, u.p., ill. Listing of the sites and dates of the artist's stained 950. GRENON, ARIANE; DARZAC, NATHALIE; Spectral light dome, Center for the Performing glass, dalles de verres, and mosaics. AND BARRIERE, GERARD Arts, Portland, Ore. "Chaboissier, maitre-verrier" 934. GAISER, HEIDI Le Courrier des Metiers d'Art, no. 77, Nov. 1988, 918. DESAULNIERS, GILLES "Past and Present Mix in Etched Glass" pp. 1-2, ill. "Une Annee sabbatique pour le verre" Glass Art Magazine, v. 3, no. 2, Jan./Feb. 1988, Work of Florent Chaboissier, who wins a regional The Leadline, 1988, pp. 13-14. pp. 4-5, ill. prize. Author's activities in France. Valerie Surjan collaboration with Nourot Studios. 951. GUINAN, BRIGID 919. "Glass at Trois-Rivieres" 935. GAL, REGIS "Jackson Hall: A City Artist" Glass Gazette (Toronto), Fall 1988, p. 8. "Grataloup: Vitraux et mosai'ques" Professional Stained Glass, v. 8, no. 6, July/Aug. Glass Art Association of Canada and collaboration La Revue de la Ceramique et du Verre, no. 38, 1988, pp. 6-9, ill. with Strasbourg, France. Jan./Feb. 1988, pp. 34.39, ill. G. R. Grataloup, French artist. 952. GYURE, MICHELLE 920. DIXON, JENNY "Public Domain" "Glass Art People: Dulany Lingo" American Craft, v. 48, no.3, June/July 1988, pp. 936. "Jean-Dominique Fleury, trames et Glass Art Magazine, v. 3, no. 5, July/Aug. 1988, pp. 62-67, ill. grisaille" 44-49, ill. Art-in-Architecture and percent-for-art programs: La Revue de la Ceramique et du Verre, no. 43, work by Narcissus Quagliata, Catherine Nov./Dec. 1988, pp. 48-53, ill. 953. "Light Plays Again in First Union Station" Thompson, Elizabeth Mapelli. Glass Art Magazine, v. 3, no. 3, March/April 1988, 937. "Regis Gal: Peregrinations" pp. 4.7, ill. 921. D'OOGE, CRAIG La Revue de la Ceramique et du Verre, no.40, Restoration of windows in Indianapolis railroad "Jefferson Building's Stained Glass to Glow Again" May/June 1988, pp. 46-49, ill. station of 1888. Library of Congress Information Bulletin, v. 47, no. 40, Oct. 3, 1988, pp. 395-396, ill. 938. GEIBEL, VICTORIA 954. HALL, GEORGE "Sylvan Art" Devising a lighting system for an enclosed ceiling "Architecture + Art, a Fine Romance?" Country Life, v. 182, no. 9, March 3, 1988, p. 108, with stained glass. American Craft, v. 48, no. 3, June/July 1988, pp. ill. 26-33, ill. Stained glass window by Kevin Atherton 922. DUNOYER DE SEGONZAC, A. J. Work by Dan Dailey, Ray King, Dale Chihuly, suspended in an English park. "Architecture et vitrail" Howard Ben Tre in new Rockefeller Center space; Vitrea, Revue du Centre International du Vitrail James Carpenter chapel window; Stephen 955. HARDY, JANET "News from Janet Harvey" (Chartres), no. 2, 1988, pp. 3-10, ill. Antonakos art museum neon. Stained Glass 1988 (The Magazine of the British Society of Master Glass-Painters), Spring, p. 6, ill. 972. HUGHES, JUDY A. Stained Glass 1988 (The Magazine of the British Commission for graphics firm in Luton. "Icem a ke rs" Society of Master Glass-Painters), Spring, pp.8-9, Wildlife Art News, July/Aug. 1988, pp. 36-39, ill. ill. 956. HAUFSCHILD, LUTZ Sculpture engraved with animals by Alfred "Cautiously Hopeful. Has Canadian Stained Glass Capredoni of Ontario. 989. LIEBSCHNER, INGRID a Future?" "Eine Glasmalerei wird erarbeitet" The Leadline, 1988, pp. 3-5, ill. 973. INGLEBY, ANNA Glas + Rahmen, v. 39, no. 16, Aug. 1988, insert pp. "Adventures in Stuttgart" 30-31, ill. 957. HAYWARD, JOHN British Artists in Glass Newsletter, no. 3,1988, pp. Brief article on making stained glass. "Recent Glass" 11-12, ill. Stained Glass 1987 (The Magazine of the British Studio visits to Ada Isensee, Hans Gottfried von 990. LIVINGSTON, ROBERT Society of Master Glass-Painters), Spring, p. 10. Stockhausen, and others. "In Sympathy" Commission for new work and restoration jobs by Craft Work, no. 21, Autumn 1988, pp. 21 -24, ill. the author. 974. IRWIN, JANE Stained glass panel by Christine Haliburton. "Review: Narcissus Quagliata Design Workshop" 958. HEILSGESCHICHTE IN BILDERN. DIE Artists in Stained Glass Bulletin 991. LLOYD, P. L GLASFENSTER UND WANDGEMALDE IN DER (Toronto), Dec. 1988, p. 6. "Engraved Glass in Hampshire" KATHOLISCHEN PFARRKIRCHE ST. GORDIAN The Glass Engraver, no. 50, Winter/Spring 1988, UND ST. EPIMACH IN RICKENBACH VON EMU 975. JACOBS, KARRIE pp. 18-24, ill. WACHTER "A Short Story about Glass and Beauty" Konstanz: Sudkurier, 1987, 44 pp., ill. Metropolis, v. 8, no. 2, Sept. 1988, p. 38, ill. 992. LONDON. BLACKHEATH CONCERT Wachter windows in Rickenbach parish churches. Narcissus Quagliata. HALLS Music & Glass Engraving 959. [HELSINKI], FINLAND. AMERIN 976. JONES, KATHLEEN H. London: Guild of Glass Engravers, 1988, 4 pp. KULTTUURISAATIO, GALLERIA "Glass Art People: Flo Sykes" List of participants in an exhibition of Guild work Mary Jane Gregory: Pohjoinen valo/Northern Light Glass Art Magazine, v. 3, no. 2, Jan./Feb. 1988, that also included concerts and talks on [Helsinki]: Amerin Kulttuurisaatio, Galleria, 1988, pp. 10-11+, ill, engraving. 12 pp., ill. In Finnish and English. 977. KEHLMANN, ROBERT 993. LONDON. MARLBOROUGH FINE ART 960. HICKEY, GLORIA "20th Century Stained Glass: LTD. "Public Art of Lutz Haufschild" Art and Architecture" John Piper: Georgian Arcadia. An Exhibition to Neues Glas, no. 4, Oct./Dec. 1988, pp. 276-280, ill. New Work, no. 32, Winter 1988, pp. 10-14, ill. Mark the Golden Jubilee of the Georgian Group In German and English. London: The Georgian Group and Marlborough 978. KEMP, JIM Fine Art, 1987, 31 pp., ill. 961. "Reviews: Schreiter, Poensgen, Alumni" Architectural Ornamentalism: Detailing in the Craft Exhibition did not include stained glass; biography New Work, no. 32, Winter 1988, p. 33+, ill. Tradition of the artist lists major stained glass commissions. Exhibition at Toronto's Goethe Institute showing New York: Watson-Guptill work of 20 artists. Publications, 1987, 175 pp., ill. 994. LOUVET, JACQUELINE "Detailing with Glass," pp. 70-101. "La Pyramide du Grand Louvre" 962. HOFFMANN, UTE AND HUSSMANN, La Revue de la Ceramique et du Verre, no 41, ECKART 979. KLOPPMAN, LORRAINE July/Aug. 1988, pp. 18-19, ill. "City's Stunning Symbol Shines by Day and Night" "Creative Glass-Engraving" I. M. Pei pyramid. Schott Information, no. 2, 1987, pp. 7-10, ill. Craft Arts (Sydney), no. 10, Oct./Dec. 1987, pp. Sculptor Heinz Mack creates an obelisk of 39-42, ill. 995. MANDELBAUM, ELLEN changing light for a Berlin center. Five engravers' work at Sydney Opera House: "Thirty-six Women from 12 Countries" Anne Dybka, Annette Kalnins, Patricia Robinson, Stained Glass, v. 83, no. 4, Winter 1988, pp 285- 963. HOGG, DOUGLAS Cecil Renfield, Alasdair Gordon. 290, ill. "Reviews: Quagliata Lectures, Edinburgh" International flat glass exhibition opening in British Artists in Glass Newsletter, no. 3, 1988, 980. KNODEL, LUDWIG Bremen, Federal Republic of Germany. p. 15. "Arbeiten von hohem Schwierigkeitsgrad Meisterstucke der Glaser auf hohem Niveau — 17 996. "The Vence Chapel: Matisse's Legacy in 964. HOLLAWAY, ANTONY Priifungsteilnehmer" Stained Glass" "Recent and Current Work" Glas + Rahmen, v.39, no. 3, Feb. 1988, p. 108, ill. New Work, no. 32, Winter 1988, pp. 16-18, ill. Stained Glass 1988 (The Magazine of the British Stained glass final examination panels, Vilshofen. Society of Master Glass-Painters), Spring, p. 7, ill. 997. MANNING, MARTHA LEWIS Church window, Norwich. 981. KORSAK, FLOYCE "Shutterbug Help" "A Touch of Glass" Stained Glass, v. 83, no. 2, Summer 1988, 965. HOLZER, THOMAS' Texas Highways, v. 34, no. 12, Dec. 1987, pp. 30- p. 151+. "IFRAA and the Artist's Relation to Religious Art" 35, ill. Interview with Leland Cook, photographer of Glass Art Magazine, v. 4, no. 1, Dec. 1988, p. 40. Work by John Kebrle at Texas sites. stained glass. Interfaith Forum on Religion, Art and Architecture. 982. KOVACS, ORSOLYA 998. Stained Glass at Trinity. Trinity Episcopal 966. HOOVER, RICHARD L. "Hagyomany es lelemeny" Church, Morgantown, West Virginia "Designing for Developers: In the Business Muveszet; no. 7, 1988, pp. 36-39, ill. Morgantown: the church, 1987, 38 pp., ill. Enviroment" Panels and entryways by Agnes Kerteszfi. Made by five U.S. studios. Stained Glass, v.83, no. 2, Summer 1988, pp. 128- 129, ill. 983. KRETTEK, FELIZITAS 999. MATTHEWS, JIM Naive Hinterglasmalerei. Materialien, Techniken, "Older and Weiss-er" 967. "Rock 'n' Roll Stained Glass: Windows at Bildvorlagen Professional Stained Glass, v. 8, no. 5, June 1988, the Hard Rock Cafe" Niedernhausen/Ts.: Falken-Verlag, 1985. 64 pp., pp. 6-9, ill. Stained Glass, v. 83, no. 2, Summer 1988, pp. 91- ill. Dick Weiss. 98, ill. How-to-do-it book on reverse painting on glass. John Kebrle windows, Dallas. 1000. MCCLOUD, MAC 984. KRETTEK, FELIZITAS AND BEEH- "Conceptual Jewels of Technology" 968. "Synthesis of a Contemporary Designer" LUSTENBERGER, SUZANNE Artweek, v. 19, no. 37, Nov. 5, 1988, p. 4, ill. Stained Glass, v. 83, no. 4, Winter 1988, Glasmalerei als Kunst und Hobby Fiberglass sculptures by John McCracken. pp. 270-275, ill. Niedernhausen/Ts.: Falken-Verlag, 1980, 128 pp., Work of German-born Dieterich Spahn, especially ill. 1001. MILLER, JUDY in Minnesota churches. History and how-to-do-it techniques of glass House Tours II painting. Palo Alto, Cal.: Judy Miller Publications, 1985, 80 969. HOOVER, RICHARD L. AND OLSON, pp., ill. HELEN K. 985. KRUSE, JOACHIM Stained glass design book. "Lights of the Night" "Glas in der Architektur: Congress-Center Coburg" Stained Glass, v. 83, no. 1, Spring 1988, pp. 11- Neues Glass, no. 2, April/June 1988, pp. 94-97, ill. 1002. MISA, OLDRICH 20+, ill. In German and English. "Linear Glass Engraving with a Diamond Point" Lamps and lighting from Tiffany to the present. The Glass Engraver, no. 49, Autumn 1987, 986. KYLE, CAROLYN pp. 14-20, ill. 970. HOVEY, LYN Spectrum Stained Glass Projects The author's work. "The Opportunities of Acid Etching" Woodinville, Wash.: Spectrum Glass Press, 1985, Professional Stained Glass, v. 8, no. 4, May 1988, 56 pp., ill. 1003. MOLE, SHEILA pp. 10-11, ill. "Hetley-Hartley Wood Competition" Author's work. 987. LEAP, J. KENNETH Glass Age; v. 31, no. 9, Sept. 1988, p. 16, ill. "A Painted Portal" Award-winning panel by Linda Walton. 971. HUGHES, BRONWYN Professional Stained Glass, v. 8, no. 9, Nov. 1988, "Life through Glass" pp. 10-13, ill. Author's work. 1004. "Working in Stained Glass" Craft Australia, no. 1, Autumn 1988, pp. 104-105. Glass Age, v. 31, no. 1, Jan. 1988, pp. 3 and 51+, Anne Dybka, Alasdair Gordon, and other 988. LEWIS, TIM ill. Australian glass engravers. "Stained Glass at Swansea College of Art" David Bashton, James Preece, Maria McClafferty. 1005. MOORE, P. C. London building includes decorative and stained 1040. RUSS, JOEL AND LYNN, LOU "Cathedral and Abbey Church of St. Alban" glass features. Contemporary Stained Glass: A Portfolio of Stained Glass 1988 (The British Society of Master Canadian Work Glass-Painters), Autumn, p. 9. 1023. POENSGEN, JOCHEM Garden City, N.Y.: Doubleday & Co., 1985. Mentions engraved glass doors by David Peace. "'Civil inattention.' Le Vitrail des annees 1980" Reviewed by Astrid Brunner in Vitrea, Revue du Centre International du Vitrail The Leadline (Toronto), 1988, pp. 11-12. 1006. MORSE, NATALEES. (Chartres), no. 2, 1988, pp. 11-15, ill. Glass Designs By Natalee 1041. SCHEINMAN, PAMELA Dallas, Tex.: the author, 1988, 63 pp., ill. 1024. "Civil Inattention: Stained Glass in the "Dialogue with Architecture: Ed Carpenter" Eighties" American Craft, v. 48, no. 3, June/July 1988, pp. 1007. MURPHY, JIM New Work, no. 32, Winter 1988, pp. 19-21, ill. 52-55, ill. "Portland on Stage" Progressive Architecture, no. 2, Feb. 1988, pp. 57- 1025. "Does Stained Glass Have a Future?" 1042. SCHMITT, EVA 65, ill. The Leadline, 1988, pp. 7-8, ill. "Jirl Harcuba: Portratschnitt heute/Portrait Lobby atrium dome by James Carpenter in the Engraving Today" Center for the Performing Arts, Portland, Ore. 1026. PORCELLI, JOE Neues Glas, no. 3, July/Sept. 1988, pp. 206-210, "The Art of Reproduction" ill. 1008. NETZER, SUSANNE Professional Stained Glass, v. 8, no. 6, July/Aug. "Kongresshaus Coburg — Glas & Porzellan am 1988, pp. 26-27+, ill. 1043. SCHWABSKY, BARRY Bau" Tiffany-style lamps. "Pistoletto through the Looking Glass" Kunst + Handwerk, no. 2, March/April 1988, pp. Arts Magazine, v. 63, no. 4, Dec. 1988, pp. 36-41, 97-99, ill. 1027. "Design: Autumn Landscape" ill. Coburg Congress Hall includes glass by Rene Professional Stained Glass, v. 8, no. 7, Sept. 1988, Artist uses mirrored glass. Roubicek, Renato Santarossa, Florian Lechner. pp. 40-41, ill. Part 2: v. 8, no. 8, Oct. 1988, pp. 56-58, ill. 1044. SIBBETT, ED, JR. 1009. NORRIE, JANE Tiffany window in The Metropolitan Museum Decorative Alphabets: Stained Glass Pattern Book "The Refinement of the Species" of Art. New York: Dover Publications, 1986, 64 pp., ill. Arts Review, v. 40, no. 7, April 8, 1988, p. 251, ill. Includes engraved glass by Ronald Pennell. 1028. POWELL, JENKYN 1045. Sidelights, Fanlights and Transoms "A Beastly Lamp" Stained Glass Pattern Book 1010. NORRIS, DAVIDSON Professional Stained Glass, v. 8, no. 6, July/Aug. New York: Dover Publications, 1987, 64 pp., ill. "The Mystery of Light" 1988, pp. 14-15, ill. Metropolis, v. 8, no. 2, Sept. 1988, pp. 60-65+, ill. Author's work. 1046. SIKOBE, SANDY James Carpenter: projects and exploratory work "Through a Glass Brightly" since 1970. 1029. "Facing Tracing" Msafiri (Inflight Magazine of Kenya Airways), v. 3, Glass Art Magazine, v. 4, no. 1, Dec. 1988, pp. 23- no. 1, [1988?], p. 28, ill. 1011. OTT, RICHARD 25, ill. Nairobi stained glass workshop. Oriental Design Stained Glass Pattern Book New York: Dover Publications, 1986, 47 pp. ill. 1030. PREMOLI, FRANCESCA 1047. SKREINER, WILFRIED "I. M. Pei e la piramide" "Bildhafte Exegese und zeichenhafte Meditation" 1012. PAYNE, EDWARD Casa Vogue, no. 203, Dec. 1988, pp. 206-207, ill. Kunst und Kirche (Issue title: Junge Kunst in "Learning from the Past: A New Commission for English summary. Osterreich/ll), no. 1, 1988, pp. 52-54, ill. Randwick Parish Church" Louvre glass building. Stained glass by Alois Mosbacher in church in Stained Glass 1988 (The Magazine of the British Graz-Liebenau. Society of Master Glass-Painters), Autumn, p. 8. 1031. QUAGLIATA, NARCISSUS "Design: Subject Matter" 1048. SMITH, JOHN 1013. PEACE, DAVID Professional Stained Glass, v. 8, no. 2, March "Stockhausen: Immensity in Miniature" "Trophies for the Archbishop" 1988, p. 41+, ill. British Artists in Glass Newsletter, no. 1, 1988, pp. The Glass Engraver, no. 51, Summer 1988, p. 26+, Panels by Kathie Bunnell and Susan 15-17, ill. ill. Stinsmuehlen-Amend. Engraved commissions by the author. 1049. SPADA, ISABELLA 1032. "Rachel Mesrahi: From Craft to Art" "Quadri di luce" 1014. PETERSON, CHRIS Professional Stained Glass, v. 8, no. 1, Feb. 1988, Casa Vogue, no.198, July/Aug. 1988, pp. 120-123, "Judy Gorsuch-Collins" pp. 6-8, ill. ill. English summary. Professional Stained Glass, v. 8, no. 4, May 1988, Space dividers of colored and transparent glass. pp. 6-9, ill. 1033. QUAIL, PAUL "Recent Commissions" 1050,. SPITZ, RUDI 1015. "Marie Foucault: A Mastery of the Old, a Stained Glass 1988 (The Magazine of the British Das Okumenische Gemeindezentrum St. Jakobus, Passion for the New" Society of Master Glass-Painters), Spring, p. 13. Frankenthal/Pfalz Professional Stained Glass, v. 8, no. 9, Nov. 1988, Work by the author. Munich: Schnell & Steiner, 1987, 15 pp., ill. pp 6-9, ill. Glass by Emil Wachter. 1034. REAY-YOUNG, HELGA 1016. PETIT, LOUIS-RENE "Internationales Flachglas: 36 Frauen aus 12 1051. ST. HELENS. PILKINGTON GLASS "Les Peintres-verriers et les miroitiers: Vers Landern/36 Women from 12 Countries" MUSEUM I'entente indispensable" Neues Glas, no. 3, July/Sept. 1988, pp. 222-224, Seen Yet Unseen: Sculptures for the Environment Vitrea, Revue du Centre International du Vitrail ill. by Jenny Clark (Chartres), no. 2, 1988, pp. 19-20. St. Helens: the museum, 1988, 4 pp., ill. 1035. RESTANY, PIERRE 1017. PETIT, MICHEL "Claude Marechal: Un Discours-fleuve vers le 1052. SWASH, CAROLINE "L'Oeuvre architectural: Concert de signes" fleuve" "Amid the Northern Lights" Vitrea, Revue du Centre International du Vitrail L'Oeil, no.390/391, Jan./Feb. 1988, pp. 64-69, ill. Stained Glass, v. 83, no. 1, Spring 1988, pp. 25- (Chartres), no. 2, 1988, pp. 21-25. ill. Mosaics by Marechal in the Paris subways. 30, ill. Swedish artist Bo Beskow. 1018. PIGUET, PHILIPPE 1036. RIBKA, GERHARD "Le Pantheon de Jean Bazaine: Metro Cluny — La "Distant Light" 1053. "Narcissus Quagliata at the Royal National Sorbonne" British Artists in Glass Newsletter, no. 3, 1988, pp. Hotel" L'Oeil, no. 392, March 1988, pp. 66-67, ill. 9-10, ill. Stained Glass 1988 (The Magazine of the British Mosaics in Paris metro station. Author's work. Society of Master Glass-Painters), Autumn, p. 4. Summary of a talk given in London. 1019. PINCEMIN, JEAN-PIERRE 1037. RICHARDS, LARRY "Les Chemins de la creation" "The Winning Architectural Design for the 1054. TAYLOR, JULIE D. Vitrea, Revue du Centre International du Vitrail Canadian Clay and Glass Gallery in Waterloo" "Architectural Art: Affirming the Design (Chartres), no. 1, 1988, p. 14. The Leadline, 1988, pp. 9-10, ill. Relationship" Jean-Dominique Fleury. Plan includes a glassblowing studio and a tower The Designer, v. 29, no. 372, May 1988, p. 40, ill. for displaying stained glass. American Craft Museum exhibition. 1020. PISANI, MARIO "Body Building" 1038. RICKE, HELMUT 1055. TORONTO. THE CRAFTS GALLERY, Artforum, v. 26, no. 8, April 1988, pp. 101-107, ill. Utopoli — Ein glasernes Environment von Renato ONTARIO CRAFTS COUNCIL Use of glass in the Institut du Monde Arabe, Paris. Santarossa Hallowed Objects: An Exhibition of Liturgical [s.l.: s.n., 1988], 8 pp., ill. Works 1021. PLOWMAN, ALLAN Sculpture and installations. Toronto: the council, 1988, 15 pp. "Crystal Gazing in Glasgow" Travelling exhibiton that includes stained glass by Scottish Glass Society Newsletter, no. 31, Aug. 1039. RIDDLE, MASON Lutz Haufschild, Sarah Hall, Ted Goodden. 1988, pp. 6-7, ill. "A Sense of Time, a Sense of Place: Joyce Crystal Pavilon, glass-clad building for exhibitions. Kozloff's Decorative Murals" 1056. TRASKO, MARY American Ceramics, v. 6, no. 4, Summer 1988, pp. "Unveiling the Pyramid" 1022. "Michelin House — A Glass Guide" 26-35, ill. Art in America, v. 76, no. 5, May 1988, p. 31+, ill. Glass Age, v. 31, no. 1, Jan 1988, p. 14, ill. Mosaic murals in urban transportation centers. The Louvre glass entryway. 1057. TRUJEN, MONICA TECHNOLOGY (after 1945) / Techr ogien (nach 1945) "Musik und Glas," "Meister der Gravur" und Haidelis Jacob-Kalahne Scherenschnitte Bremen: Monica Trujen, 1988, 49 pp., ill. ANONYMOUS 1095. COOMBER, ROY W. Work of 20 European engravers. 1077. "Acid Etching Safety" "Surveying for Restoration" Professional Stained Glass, v. 8, no. 4, May 1988, Stained Glass, v. 83, no. 1, Spring 1988, pp. 41 - 1058. TUDOR, ROBYN "Decorative Terrazzo" pp. 20-21. 46+, ill. Craft Arts International (formerly Craft Arts Surveying and doing estimates before beginning Australia), no. 13, Sept./Nov. 1988, pp. 55-60, ill. 1078. "Fusing: Artists Weave Hot Designs with restoration of stained glass windows. Includes glass materials. Glass Threads" Glass Art Magazine, v. 3, no. 4, May/June 1988, p. 1096. DOBBINS, NORM 1059. TUSCHER, FRANCOISE "Verdiano Marzi" 20, ill. "Three Sandblasting Systems" La Revue de la Ceramique et du Verre, no. 42, Professional Stained Glass, v. 8, no. 1, Feb. 1988, Sept./ Oct. 1988, pp. 42-45, ill. 1079. "Glass Music International" p. 27+, ill. Mosaicist. Experimental Musical Instruments, v. 3, Dec. 1987, p. 16. 1097. DOLDEN, MARY E. 1060. VAGEN, VERUSKA "The Total Picture" "Carpenter of Glass" Professional Stained Glass, v. 8, no. 5, June 1988, 1080. "Glossar, technischer Begriffe/Technical Progressive Architecture, no. 3, March 1988, pp. pp. 14-15. Terms" 112-117, ill. Neues Glas, continuing series: no. 1, Jan./March James Carpenter's use of specialized architectural 1061. VINEY, JILL 1988 — no. 4, Oct./Dec. 1988. glass treatments. "Selecting for a Corporate Collection" Sculpture, v. 7, no. 5, Sept./Oct. 1988, pp. 32-33, 1081. "Highlights from Glastec 88" 1098. DUNHAM, SCOTT ill. Glass (U.K.) v. 65, no. 11, Nov. 1988, pp. 431-432, "Mixing Color (3 Parts)" Freestanding mosaic sculptures by Ned Smyth at ill. Glass Line (Huntington Beach, Cal.), an insurance company, Newark, N.J. Exposition included new equipment for use by v. 1, no. 3, Oct. 1987 — v. 1, no. 5, studio glass artists. Feb. 1988, Addendum: "To the Editor," 1062. VITRAIL D'HIER ET D'AUJOURD'HUI. v. 1, no. 6, April 1988, p. 4+. CREATION DE VITRAIL: SCHIM HYUN-JEE 1082. "Hot Glass: Glass Adhesives Better Than In lampworking. [Paris: Schim Hyun-Jee, 1988], 51 pp., ill. Ever" Glass Art Magazine, v. 3, no. 2, Jan./Feb. 1988, 1099. "Photographing Your Work" 1063. WACHTER, EMIL pp. 27-28. Glass Line (Huntington Beach, Cal.), Die Bilderwelt der Autobahnkirche Baden-Baden v. 1, no. 6, April 1988, pp. 1 -2. Freiburg im Breisgau: Herder, 1982, 200 pp., ill. 1083. "L. E. Smith Turnaround Plays on What the Part 2: v. 2, no. 1, June 1988, pp. 9-10. Hand-Made Plant Does Best" Part 3: v. 2, no. 2, Aug./Sept. 1988, p. 5+. 1064. St. Marien — Neuss American Glass Review, v. 108, no. 12, June 1988, Geneva: Cosmopress, 1986, 6 pp., ill. pp. 8-9, ill. 1100. ELFORD, SHIRLEY "Silicosis" Mt. Pleasant, Pa., glassworks. Glass Gazette (Toronto), Summer 1988, p. 13. 1065. WAGGONER, SHAWN "Glass Art People: Peter McGrain" 1084. "The Restorationists: Radiant Windows, 1101. "Le Stress cause par la chaleur/Heat Glass Art Magazine, v. 3, no. 6, Sept./Oct. 1988, the Artistry of Cushen and Femenella" pp. 56-59, ill. Preservation News, v. 28, no. 4, April 1988, p. 7+, Glass Gazette (Toronto), Fall 1988, pp. 15-17. ill. 1066. WAGNER, DOROTHY New York studio. 1102. EVANS, JUDITH "Narcissus Quagliata Stained Glass Design "Foiling for Fun and Profit" Workshop" 1085. "A Review: Health & Safety Professional Stained Glass, v. 8, no. 7, Sept. 1988, Michigan Glass Guild Newsletter, Dec. 1988, p. 2. Considerations" pp. 21-22, ill. Glass Art Magazine, v. 3, no. 2, Jan./Feb. 1988, 1067. WARMUS, WILLIAM pp. 50-51. 1103. FENTON, DAN "The Dilemma of Flatness" "Annealing Fused Work, or How to Be Cool" New Work; no. 32, Winter 1988, pp. 24-25, ill. 1086. "Sandblasters" Professional Stained Glass, v. 8, no. 3, April 1988, Glass Line (Huntington Beach, Cal.), p. 29+. 1068. WEBER, BRUCE "Great Panes" v. 2, no. 3, Oct./Nov. 1988, p. 11. The New York Times Magazine, Nov. 13, 1988, p. Part 2: v. 2, no. 4, Dec. 1988/Jan. 1989, 1104. "Ceramic Fiber Wins Laurels as Slumping 122, ill. p. 11+, ill. Mold Material" Cleaning and repairing 100 Havard University Glass Art Magazine, v. 3, no. 2, Jan./Feb. 1988, windows by Cummings Studio. 1087. "Sandblasting: Abrasives and Nozzles" pp. 46-49+, ill. Glass Art Magazine, v. 3, no. 2, Jan./Feb. 1988, 1069. WEEDEN, C. R. pp. 34-36. 1105. "Firing Procedures" "The Glass Circle, 1937-1987" Professional Stained Glass, v. 8, no. 3, April 1988, Glass Technology, v. 29, no. 3, June 1988, 1088. "Tips and Tricks" p. 21+, ill. pp. 87-88, ill. Glass Art Magazine, continuing series: v. 3, no. 2, Presentation cup engraved by Peter Dreiser. Jan./Feb.1988 — v. 4, no. 1, Dec. 1988. 1106. "Techniques: Luscious Lusters" Professional Stained Glass, v. 8, no. 9, Nov. 1988, 1070. WEELEN, GUY "Vieira da Silva" 1089. "Understand Sandblasting Design and p. 38+, ill. La Revue de la Ceramique et du Verre, no. 42, Techniques" Sept./Oct. 1988, pp. 30-35, ill. Glass Art Magazine, v. 3, no. 5, July/Aug. 1988, pp. 1107. FENTON, DAN AND BRADFORD, KATHY 16-20, ill. "Photosensitive Resists" 1071. WEIS, HELENE "Ideas about Ideas" Professional Stained Glass, v. 8, no. 1, Feb. 1988, Stained Glass, v. 83, no. 2, Summer 1988, pp. 123- 1090. BRAY, CHARLIE pp. 12-17, ill. 126, ill. "Devitrification: A Few Thoughts on a Current Finding design resources. Vogue" 1108. FIELDER, LARRY British Artists in Glass Newsletter, no. 3, 1988, pp. "Controlling Kiln Temperature" 1072. "Messages from the Edge" 13-14. Professional Stained Glass, v. 8, no. 3, April 1988, Stained Glass, v. 83, no. 3, Fall 1988, pp. 202-204, p. 17+, ill. ill. 1091. BROWNE, MARILYN AND OTHERS For fusing, slumping. Judith Schaecter. "Lead: Safe Work Practices for the Stained Glass Artist" 1109. "Fusing and Painting Firings: Pyrometer 1073. WESSELOW, ERIC Stained Glass, v. 83, no. 4, Winter 1988, pp. 306- Calibration" "Some Notes on My Work" 312. Professional Stained Glass, v. 8, no. 4, May 1988, Stained Glass, v. 83, no. 3, Fall 1988, pp. 197-200, ill. p. 45+. 1092. BUCHANAN, MARK 1074. WILLET, E. CROSBY "Engineering Domes and Skylights" 1110. FINKENBEINER, GERHARD AND "Stained Glass in the Decade of the 90s..." Glass Art Magazine, v. 3, no. 5, July/Aug. 1988, pp. MEYER, VERA Professional Stained Glass, v. 8, no. 8, Oct. 1988, 4-8, ill. "The Glass Harmonica: A Return from Obscurity" pp. 12-14, ill. Glass Music International Journal, 1988, pp. 3-4, 1093. CAPP, ROBERTA. AND BUSH, ill. 1075. ZACHOW, BERND ROBERT G. "Glaserne Chiffren" Glass Etching: 46 Full-Size Patterns with 1111. "The Revival of the Glass Harmonica: Glas + Rahmen, v. 39, no. 18, Sept. 1988, Complete Instructions From a Scientific Glassblower's Perspective" [in] p. 918, ill. New York: Dover Publications, 1984, Proceedings of the Thirty-Second French artist Jochen Dorn working in Nuremberg. 64 pp., ill. Symposium and Exhibition on the Art of Glassblowing, Boston, Mass., July 29-Aug. 1, 1076. ZANINI, MARCO 1094. CARBERRY, EDWARD 1987, Toledo, Ohio: The American Scientific "Luci e riflessi della notte" Glassblowing: An Introduction to Artistic and Glassblowers Society, 1988, pp. 71-78, ill. Casa Vogue, no. 194, March 1988, pp. 206-209, ill. Scientific Flameworking (2nd ed.) English summary. Marshall, Minn.: MGLS Publishing, 1988 for 1989, 1112. GAISER, HEIDI Glass and acrylic bar by Shiro Kuramata, Tokyo. 230 pp., ill. "Proper Lighting Brings Glass to Life" Glass Art Magazine, v. 3, no. 2, Jan./Feb. 1988, 1130. "Non-traditional Reinforcing" 1148. SCHAEFER, KATHY pp. 6-8, ill. Professional Stained Glass, v. 8, no. 4, May 1988, "Blasting Basics" Stained glass. pp. 33-35+, ill. Professional Stained Glass, v. 8, no. 1, Feb. 1988, pp. 9-11, ill. 1113. GRUENIG, DAVID AND DUGGER, BETH 1131. MEYER, VERA The Independent Glassblower (A Hot Glass "Vera Meyer Performs in Sarrebourg, France" 1149. SELVA, GERARDO Information Exchange) (West Barnet, Vt.), five Glass Music World, July 1, 1988, p. 2. Gravity and Heat as Tools for Shaping Glass newsletters: no. 1, July 1988 — no. 5, Dec. 1988. Glass harmonica concert. M.A. thesis, Rochester Institute of Technology, Publication covering furnaces, tools, techniques, Rochester, N.Y., 1988, 31 pp., ill. melting, glass chemistry, etc. 1132. MORSE, NATALEE "Bevel Designs for Doors" 1150. SLOAN, JULIE L. 1114. GYURE, MICHELLE Professional Stained Glass,, v. 8, no. 9, Nov. 1988, "The Best Alloy for Lead Came" "Fundamentals of Window Restoration" pp. 18-21, ill. Professional Stained Glass, v. 8, no. 7, Sept. 1988, Glass Art Magazine, v. 3, no. 4, May/June 1988, pp. 23-24. pp. 72-75+, ill. Part 2: "Responses", v. 4, no. 1, 1133. "Things to Know about Leaded Glass" Dec. 1988, pp. 10-16. Glass Magazine, v. 38, no. 11, Nov. 1988, pp. 82- 1151. "Cleaning Historic Stained Glass Ethical and technical considerations of restoring 83, ill. Windows" stained glass. Types of beveling. Professional Stained Glass, v. 8, no. 6, July/Aug. 1988, pp. 43-44+. 1115. HAWK, WAYNE 1134. MUELLER, LAURA "Glass Cutting" "Finding the Ideal Bevel" 1152. "Harvard's Memorial Hall" Michigan Glass Guild Newsletter, no. 21, March Professional Stained Glass, v. 8, no. 2, March Professional Stained Glass, v. 8, no. 8, Oct. 1988, 1988, pp. 6-7. 1988, pp. 13-14, ill. pp. 6-11, ill. "Answers to questions most frequently asked The planned restoration work of more than 100 about the thickness, healing and wheel angles of 1135. PENNO, JOHN C. windows. glass." "The Design of the Small-Medium Glassblowing Workshop" [in] 1153. "Preserving Fragile Paint" 1116. HELLER, DENIS; BARNES, ROGER; AND Proceedings of the Thirty-Second Symposium and Professional Stained Glass, v. 8, no. 5, June 1988, CIBOT, ELIZABETH Exhibition on the Art of Glassblowing, Boston, pp. 24-25. Graver le verre Mass., July 29-Aug. 1, 1987, Toledo, Ohio: The Paris: Dessain etToIra, 1986, 63 pp. ill. American Scientific Glassblowers Society, 1988, 1154. "Video Review" How-to-do-it book on engraving. pp. 34-41, ill. Professional Stained Glass, v. 8, no. 4, May 1988, pp. 27-28+. 1117. JONES, KATHLEEN H. 1136. PETERSON, CHRIS Extensive critique of a video on restoring stained "Glass Art Studio or Dragon's Den?" "Sandblasting Photoresist" glass. Glass Art Magazine, v. 3, no. 2, Jan./Feb. 1988, Professional Stained Glass, v. 8, no. 1, Feb. 1988, pp. 30-32. pp. 21-23, ill. 1155. SMYLIE, THOMAS Kiln ventilation. "Technical Talk: Soldering Irons" 1137. "Sandblasting Safety" Artists in Stained Glass Bulletin 1118. KALLENBERGER, KREG Professional Stained Glass, v. 8, no. 1, Feb. 1988, (Toronto), Dec. 1988, pp. 6-7. "Hand Lapping Devices" p. 25. British Artists in Glass Newsletter, no. 1, 1988, p. 1156. TOWSE, JOHN 11, ill. 1138. PLATT, KARL "Buildings and Structures in Glass" "Glory Hole Is Heart of Glassblowing" Glass Circle News, no. 40, Jan. 1988, pp. 6-8. 1119. LAUGHLIN, R. BRUCE Glass Art Magazine, v. 3, no. 3, March/April 1988, Brief history and current architectural examples. "The Options of Glass Enamels" p. 15+, ill. Professional Stained Glass, v. 8, no. 5, June 1988, 1157. TREVIS, CAROLE pp. 21-23. 1139. "Study of Pyrometers Benefits "The Fine Edge of Engraving Safety" Troubleshooting" Professional Stained Glass, v. 8, no. 2, March 1120. LEJEUNE, ANDRE Glass Art Magazine, v. 3, no. 2, Jan./Feb. 1988, 1988, p. 22+. La Gobeleterie beige pp. 20-22, ill. Mons: Faculte Universitaire Catholique de 1158. "Safety: Cautious Cutting" Mons, academic year 1967-1968, 1140. PORCELLI, JOE Professional Stained Glass, v. 8, no. 3, April 1988, ["Memoire presente en vue de I'obtention du "The Murphy Fire Bucket" p. 55. Grade d'lngenieur Commercial"], 125 pp., ill. Professional Stained Glass, v. 8, no. 3, April 1988, Belgian tableware production, 1950s-1960s: p. 36+, ill. 1159. "Troubleshooting Bevel Problems" mechanization, financing, competition, etc. Portable glory hole developed by Gil Reynolds. Professional Stained Glass, v. 8, no. 2, March 1988, p. 16+, ill. 1121. LUNDSTROM, BOYCE 1141. "Road Test: New Colors from Bullseye" "Glass Fusing" Professional Stained Glass, v. 8, no. 3, April 1988, 1160. WAGGONER, SHAWN Glass Line (Huntington Beach, Cal.), v. 2, no. 4, p. 49+. "Overlay Engraving Cuts Beautiful Art" Dec. 1988/Jan. 1989, pp. 14-17, ill. Glass Art Magazine, v. 3, no. 5, July/Aug. 1988, pp. 1142. "Sandblasting Video Review" 10-15, ill. 1122. MADDY, DOROTHY L. Professional Stained Glass, v. 8, no. 1, Feb. 1988, Includes work by Gary Beecham, "Painting Borders, Textures and Patterns" pp. 18-19. John Brekke. Professional Stained Glass, v. 8, no. 5, June 1988, pp. 10-12, ill. 1143. POWELL, JENKYN 1161. WEINER, KAY "Glass Paint Texturing" "Designing with Color: Basic Color Strategies" 1123. MAEDA, OTAKA Glass Art Magazine, v. 3, no. 6, Sept./Oct. 1988, Glass Art Magazine, v. 3, no. 6, Sept./Oct. 1988, "Ice Glass" p. 30. pp. 24-27, ill. Glass (Tokyo), no. 23, March 1988, pp. 2-5, ill. In Stained glass painting. Japanese. 1162. "Metal and Glass Marry" 1144. RASTORFER, DARL Glass Art Magazine, v. 3, no. 3, March/April 1988, 1124. MALLARD, GENE "New Glass Technology: The Miesian Vision pp. 28-30, ill. "Kiln Considerations" Surpassed" Professional Stained Glass, v. 8, no. 5, June 1988, Architectural Record, Dec. 1986, u.p., ill. 1163. WERDIN, DON pp. 17-18. James Carpenter's special coatings for decorative "Technical Talk: Make a Clean Break" architectural glass. Glass Art Magazine, v. 3, no. 4, May/June 1988, 1125. "Painting Techniques: Mastering Matting" pp. 12-14, ill. Professional Stained Glass, v. 8, no. 5, June 1988, 1145. REHME, NORMAN L. p. 28+, ill. "Technical Topics" 1164. WINGREN, GUN AND AXELSON, OLAV Glass Music World, v. 2, no. 1, Jan. 1, 1988, p. 2, v. "Mortality in the Swedish Glassworks Industry" 1126. "Painting Techniques: Tracing Tips" 2, no. 2, April 1,1988, p. 3, ill. Scandinavian Journal of Work, Professional Stained Glass, v. 8, no. 8, Oct. 1988, Mounting, arranging, care, transport, etc., of Environment & Health, v. 13, no. 5, 1987, pp. 34-38. musical glasses. pp. 412-416. Study covering period 1950-1982. 1127. "To Etch or Not to Etch?; Acid Etching 1146. REYNOLDS, GIL Flashed Glass" The Fused Glass Handbook Professional Stained Glass, v. 8, no. 4, May 1988, Scottsdale, Ariz.: Hidden Valley Books, 1987, 80 p. 12+, ill. pp., hi.

1128. MAUNSELL, CLAIRE "Powders" 1147. ROBSON, MAUREEN A. Glass Gazette (Toronto), Fall 1988, pp. 11-12. "Interior Displays of Restored Glass in the City Museum and Art Gallery, 1129. MESRAHI, RACHEL Birmingham" "Copper Foil Overlays" Stained Glass 1988 (The Magazine of the British Professional Stained Glass, v. 8, no. 7, Sept. 1988, Society of Master Glass-Painters), Spring, p. 15. pp. 14-19, ill. Selecting adhesives. FILMS AND VIDEOTAPES / Filme und Videokasetten

1165. Art in the Artery 1175. Kosta Boda 1185. (Si02)2 • (NAnO)N Frangoise Yohalem and Laura Norden, 1987 ["Good Morning, America," 1988] Fransje Jepkes, 1987 30 min., sound, color. 8 min., sound, color. 12 min., sound, color.

1166. The Art of Cutting 1176. Mittelalterliches Glas 1186. Spectrum Glass Vicki and Chris Payne (Cutters Art Glass), 1988 Historisches Museum Basel, 1988 Spectrum Glass?, 198- 52 min., sound, color. 18 min., sound, color. 16 min., sound, color.

1167. The Art of Roman Glass 1177. A Notion of Motion 1187. Stained Glass Made Easy British Museum, 1987 Judy Benjamin and Vic Losick for Sydney Cash, Delphi Stained Glass, 1985 13 min., sound, color. 1987 24 min., sound, color. 5 min., sound, color. 1168. CBS Sunday Morning with Charles Kuralt 1188. Sulphide Paperweight Making April 17, 1988 1178. Nourot Glass Studio Videotec International for Cristalleries de Saint- 6 min., sound, color. Scott Gibbs Video, 1987 Louis, 198- Includes Stephen Rolfe Powell. 8 min., sound, color. 17 min., sound, color.

1169. The Chihuly Process 1179. Orient and Flume Art Glass: The Human 1189. Working with Glass the Morton Way J. Pedersen, Peter West, David Kuklish, and Dale Touch, No. 1 Morton Glass Works, 1985 Chihuly, 1987 Instructional Media Center, California State 24 min., sound, color. 13 min., sound, color. University, Chico, 1985 10 min., sound, color. 1170. The Dream of Crystal Hoya Crystal Gallery, 1987 1180. Orient and Flume Art Glass: 16 min., sound, color. The Human Touch No. 2 Instructional Media Center, California State 1171. Eye Magic University, Chico, 1985 Dusmar Video, 1988? 12 min., sound, color. 125 min., sound, color. 1181. Painting with Glass 1172. The Fine Art of Soldering Ringe Media, 1988? National Television News and Cutters Art Glass, 11 min., sound, color. 1986? 52 min., sound, color. 1182. Perceptual Motion Dekart Video for Sydney Cash, 1987 1173. The Glass Workshop 10 min., sound, color. A list of films and videotapes in the Rakow Library Behar-Sackner Communications for the New York of The Corning Museum of Glass is available from Experimental Glass Workshop, 1988 1183. Rury's Power the Sales Department. 9 min., sound, color. 1988 7 min., sound, color. 1174. John Piper: Piper's Way Eine Liste der sich in der Rakow Bucherei des Alan Benson for London Weekend Television and 1184. Silica Glass Corning Museums of Glass befindlichen Filme und RM Arts, 1983 Silica, The Glass Studio, 198- Videokassetten ist in der 55 min., sound, color. 3 min., sound, color. dortigen Verkaufsabteilung erhaltlich.

A SELECTIVE INDEX OF PROPER NAMES AND PLACES/ AUSWAHLVERZEICHNIS DER EIGENNAMEN UND ORTE

This is a subject index to the "Bibliography" of Es handelt sich im folgenden um ein Sachregister Kunstler geschrieben wurden, sollte direkt in der New Glass Review 10. The numbers following the zur "Bibliographie" des New Glass Review 9. die "Bibliographie" nachgesehen werden; die Titel names below are keyed to the numbers preceding Zahlen hinter den Namen entsprechen den sind in jedem abgeschlossenen Teil der the individual "Bibliography" entries in which these Zahlen, die den Eintragungen der einzelnen "Bibliographie" nach den Namen der Autoren in persons and places are discussed. To find a book Beitrage der "Bibliograhie" vorgestellt sind, in alphabetischer Reihenfolge geordnet. or periodical article written by an artist, consult the denen die entsprechenden Personen oder Orte "Bibliography" directly; the entries in each section behandelt werden. Um ein Buch oder eine are arranged alphabetically by author. Zeitschrift ausfindig zu machen, die von einem

Aalto, Alvar, 461, 569 Besett, Harry, 63, 164 Buzzini, Chris, 685, 689 Abildgaard, Mark, 65 Best-Devereux, Tatiana, 374 Camp Colton, 399, 786 Adams, Hank, 561 Biggs, Bonnie, 530 Carlgren, Anna, 717 Alberius, Olle, 9, 66, 188 Billian, Cathey, 335 Carlson, Robert, 781 Aldridge, Peter, 570, 670 Bjork, Reino, 62 Carpenter, Ed, 620, 1041 Anderson, Douglas, 174 Black, Sharon Comfort, 62, 484 Carpenter, James, 29, 736, 917, 938, 1007, Anderson, Harry, 50, 415, 903 Blum, Jan, 51, 241 1010,1097, 1144 Anderson, Mark, 781 Bohme, Fritz, 242 Cash, Sydney, 124, 262, 1177, 1182 Andres, Peter, 446, 585 Bohus, Zoltan, 218, 355 Castiglioni, Achille, 245 Antonakos, Stephen, 938 Bokotei, Andre, 556, 609 Chaboissier, Florent, 915, 950 Art Alliance for Contemporary Glass, 735 Bone, Jody, 417 Chapman, Norma, 65, 782 Baccarat, 58, 686 Borgstrom, Matz, 16, 66, 134, 188, 642, 791 Charles, Jane, 34, 162, 266 Backstrom, Monica, 16, 791 Borowski, Stanislaw, 50, 745 Chihuly, Dale, 23, 166, 257, 285, 290, 382, 531, Balabanoff, Doreen, 944 Brandt, Asa, 719 582, 619, 651, 938, 1169 Baldwin, Philip, 18, 393, 450 Bray, Charlie, 26, 643,719 Chryssa, 481, 526 Bang, Michael, 655, 715 Breidfjord, Leifur, 160, 741 Cigler, Vaclav, 682 Barney, Christine, 416, 418 Brekke, John, 321, 1160 CIRVA, 243, 245, 278, 392, 672 Barovier & Toso, 130, 561 Brisbane, Amanda, 81, 82, 584, 803 Clark, Jenny, 870, 1051 Baukus, Christine, 61 British Artists in Glass, 216, 643, 719 Clark, John, 819, 839 Bayliss, Arlon, 263 Brock, Curtiss, 62, 781 Clark, Jon, 730 Baz-Dolle, 785 Brock, Emily, 55 Clarke, Brian, 895 Beecham, Gary, 1160 Brocklehurst, Keith, 406, 645 Clegg, Tessa, 468 Begou, Alain, 116, 227, 549 Brockman, Ruth, 417 Clements, Richard, 751 Begou, Marisa, 227, 549 Bruce, Jane, 61 Clements, Stephen J., 61 Bell, Larry, 272,510 Brychtova, Jaroslava, 198, 349, 462, 571, 599, 683 Cohen, Carol, 61, 428, 484 Ben Tre, Howard, 28, 499, 510, 568, 620, 651, 938, Bucquet, George, 398 Constantini, Egidio, 219 1165 Buechner, Thomas, III, 62, 138 Correia, Steven, 44, 69, 178 Bernstein, William, 64 Bunnell, Kathie, 1031 Corso, Samuel, 63 Cotter, Maud, 901 Hydman-Vallien, Ulrica, 16, 65, 131, 790 Meitner, Richard, 235, 1185 Creative Glass Center of America, 74, 95, 416, Ikuta, Niyoko, 281 Merker, Ursula, 480, 750 417,418 Ink, Jack, 281 Mesrahi, Rachel, 1032 Crugnola, Gilbert, 304, 594 Ipsen, Kent, 62 Meszaros, Mari, 281 Cummings, Keith, 468 Isensee, Ada, 973 Meydam, Floris, 211 Cuny-Franz, Jutta, 115, 348 Itoh, Makoto, 728 Michaelides, Dimitri, 145 Cyren, Gunnar, 66, 188, 353 Iwata, Hisatoshi, 748 Moje, Klaus, 208, 366, 391, 606 da Silva, Vieira, 1070 Iwata, Rury, 1183 Moje-Wohlgemuth, Isgard, 51, 59, 254, 366, 579 Dailey, Dan, 290, 470, 507, 582, 618, 805, 938 Janak, Frantisek, 612, 613 , 626 Molnar, Pavel, 132, 366, 367 d'Aucuns, Thibault, 225, 273 Jekyll, Robert, 884, 944 Monk, Nancy, 307 Daum, 41, 42, 141, 288, 470, 674 Jensen, Judy Bally, 306 Moore, Benjamin, 415, 561 Delaney, Pauline, 50, 59 Johansson, Willy, 66, 89, 134 Moore, Simon, 31, 196, 426, 506 Desmett, Ron, 618 Jojola, Tony, 63, 203, 416,418 Morales-Schildt, Mona, 117, 414 Dexter, William, 651 Joplin, Michael, 746 Morrell, Richard, 747 Dickinson, Anna, 410, 708 Jorgensen, T0rben, 160, 741 Morris, Stephen, 51, 59 diNardo, Leonard, 544 Kallenberger, Kreg, 719, 729 Morris, William, 76, 519 Dodson, James, 38, 112 Kaplan, David, 354, 465, 796 Motzfeldt, Benny, 230 Donefer, Laura, 423 Kardos, Balazs, 333 Mount, Nick, 747, 751 d'Onofrio, 484 Karel, Marian, 709, 713, 762 Mueller, Louis, 415, 561 Dowler, David, 83, 318, 570, 670 Kebrle, John, 967, 981 Mulcahy, Kathleen, 618 Dreisbach, Fritz, 2, 6, 270 Kehlmann, Robert, 62, 906 Munari, Bruno, 126, 245 Dreiser, Peter, 1069 King, Gerry, 51, 59 Munro, Fred, 64 Droese, Felix, 424, 753 King, Ray, 398, 938 Muratore, 799 Dybka, Anne, 747, 971, 979 Kinnaird, Alison, 34, 81, 82, 719 Museum of Neon Art, 221, 559, 740 Eckerd, Richard, 585 Kirkpatrick, Joey, 620 Musler, Jay, 408 Eisch, Erwin, 48, 71, 140, 338, 345, 462, 463, 567, Kjaer, Anja, 339 Myers, Joel Philip, 249, 305, 347, 384, 518, 598, 601 Klein, Toan, 46 673 Elliott, Judi, 340, 391,771 Klein, Vladimir, 487 Nachman, Roger, 905 Englund, Eva, 9, 66, 134, 188, 791 Klepsch, Kristian, 367, 567 Nash, Gary, 769, 782 Engman, Kjell, 101, 102, 171, 642 Klering, Matthias, 333 Nauman, Bruce, 543, 695 Esteban, Torres, 294 Knottenbelt, Rob, 208, 573 Neumann, Doris, 579 Fievet, Regis, 128, 799 Knye, 785 New York Experimental Glass Workshop, 170, Flavell, Ray, 389 Kobasz, Mark, 619 335, 377, 477, 694, 1173 Flavin, Dan, 510, 527 Koch, Gerard, 346, 600, 785 Newell, Steven, 31, 426, 545, 708 Fleming, Ann, 289 Kodejs, Jaroslav, 260, 491 Niederer, Roberto, 18 Fleury, Jean-Dominique, 936, 1019 Kopecky, Vladimir, 709, 713 Nilsson, Anne, 66, 188 Forejtova, Jitka, 198, 258, 523, 612, 613 Kosta Boda, 87, 117, 131, 171, 430, 1175 Nourot Studios, 21, 934, 1178 Franck, Kaj, 461 Kosuth, Joseph, 546, 665 Novak, Frantisek, 487 Frauenau, 370, 371, 501, 578, 675 Kudrova, Dagmar, 195, 700 Novaro, Jean-Claude, 42, 185, 755, 782 Freeman, Christopher, 312 Kuhn, Jon, 428 Novy Bor, 94, 191,192, 443 Frijns, Bert, 323 Kurtz, Joel, 484 Nugent, Marilyn, 781 Frith, Clifford, 387 Labino, Dominick, 106 O'Brien, E. Baker, 65 Frolic, Irene, 554, 782 Lagerbielke, Erika, 66, 144, 188 Oexle, Helga, 75, 496 Fujita, Kyohei, 174, 742 Lakich, Lili, 221 Ohira, Yoichi, 180, 293 Gal, Regis, 937 Lalique, 39, 42, 45, 58, 64, 107, 362, 776 Ohrstrom, Edvin, 103, 726 Garcin, Jean-Luc, 798 Lane, Danny, 223, 236, 572, 604, 636, 708 Oliva, Ladislav, 487, 491, 763 Gardner, Ann, 61 Langley, Warren, 208, 606 Orrefors, 9, 30, 39, 57, 58, 66, 103, 133, 134, 135, Geller, 367 Lawler, Louise, 513 144, 188, 773 Gellman, Mimi, 852, 884 Lechner, Florian, 73, 360, 1008 Pantano, Chris, 50, 60 Genetti, Gary, 138 Leibovitz, Edward, 567 Pappenheimer, Will, 63, 484 Gillette, Catherine, 62 Leloup, Louis, 275, 358 Parabelle Glass, 165, 685 Gilmor, John and Jan, 267 Lemieux, Lisette, 628 Patti, Tom, 80 Ginneke, Vincent van, 419, 420 Lemke, 366 Peace, David, 1005 Glass Axis, 327 Leperlier, Antoine, 208, 239, 462, 593 Pearce, Simon, 664 Gloggler, Sigrid, 896 Leperlier, Etienne, 239, 462, 593 Peiser, Mark, 2, 6, 444 Goodden, Ted, 1055 Levi, David, 145 Penland School, 137 Gordon, Alasdair, 971, 979 Lewis, John, 63 Pennell, Ronald, 708, 1009 Gorsuch-Collins, Judy, 608, 1014 Libensky, Stanislav, 198, 349, 462, 571, 599, 623, Penone, Giuseppe, 328 Grebe, Robin, 484 650, 683, 709, 712 Perkins, Danny, 282 Greenwood, Peter, 781 Licata, Riccardo, 505, 830, 908 Perrone, Gerard, 914 Greiner-Mai, 785 Lijn, Liliane, 807 Persson, Sigurd, 353 Gudenrath, Bill, 719 Lindstrand, Vicke, 787 Persson-Melin, Signe, 353 Guggisberg, Monica, 18, 393, 450 Lipofsky, Marvin, 285, 540 Pilchuck, 76, 229, 242, 402, 508, 624 Guibe, Anthony, 380 Lipsky, Oldrich, 487 Piper, John, 993, 1174 Guild of Glass Engravers, 854, 911, 992 Lockau, Kevin, 553 Pistor, Willi, 208, 366, 367, 606 Haberling, Eka, 18 Loeser, Thomas, 561 Pizzichillo, Bruce, 417, 445 Habermeier, Konrad, 373 Loire, Gabriel, 933 Platek, Miroslav, 490 Hadamar, 242, 320, 404, 427, 508 Lowe, Liz, 426 Pliva, Oldrich, 197, 709 Hall, Sarah, 1055 Luebtow, John Gilbert, 503, 620 Poensgen, Jochem, 898, 961 Handler, Audrey, 631 Lugossy, Maria, 218, 355, 697 Posner, Richard, 620 Hanning, Tony, 751 Lukacsi, Laszlo, 218 Precht, V., 785 Hanus, Vaclav, 491 Lutken, Per, 492 Price, Richard, 576 Harcuba, Jiri, 261, 612, 613, 1042 Lynggaard, Finn, 53 Priour, Damian, 143 Harmon, James, 50, 903 Mace, Flora, 620 Quagliata, Narcissus, 810, 837, 874, 920, 963, Harrer, Harald, 90 Magdanz, Andrew, 484, 736 974, 975, 1053, 1066 Haufschild, Lutz, 179, 301, 844, 884, 960, 1055 Magyar, Michael, 65 Rainey, Clifford, 222, 462 Hayden, Michael, 221 Mandelbaum, Ellen, 846 Ramshaw, Wendy, 614, 615 Hazelgrove, Page, 417 Mapelli, Elizabeth, 620, 920 Reed, Art, 62 Heaney, Colin, 51, 60 Marangoni, Federica, 807, 840 Reekie, David, 635 Hebsgaard, Per Steen, 821, 823, 825, 849, 879, Marcheschi, Cork, 903 Reid, Colin, 208, 606, 796 909 Mares, Jan, 456, 626 Reid, Stuart, 944 Hellsten, Lars, 134, 188, 505, 791 Marioni, Dante, 205, 409, 509 Reynolds, Gil, 1140 Higgins, Frances and Michael, 361 Marioni, Paul, 453, 736, 810, 903 Reyntiens, Patrick, 504 Hilton, Eric, 563, 570, 670 Marouf, Lydia, 35, 841, 845, 873, 875 Riehl, Pierre, 448 Hinz, Darryle, 339 Marquis, Richard, 138, 538, 539 Ries, Christopher, 10, 12, 62, 287, 341, 342, 722 Hirst, Brian, 751 Martinuzzi, Paolo, 213, 707 Rispal, Josette, 42 Hlava, Pavel, 603, 623 Marzi, Verdiano, 830, 908, 1059 Roberts, Amy, 432 Hobson, Diana, 208, 468, 606 Maslach, Steven, 155 Robez, Gundar, 301, 884 Hodder, Stephen, 63 Mason, Concetta, 142, 779 Roddis, James, 374 Hoglund, Erik, 430, 588, 792 Matous, 683 Ross, Linda, 64, 484 Homolka, 612, 613, 683 Maycock, Tim, 301, 423 Roubicek, Rene, 365, 487, 612, 613, 623, 709, Hopea-Untracht, Saara, 749 McCarroll, Steve, 416, 418 1008 Hora, Petr, 366, 411 McConachie, Alison, 374 Roubickova, Miluse, 365 Houde, Francois, 596 McDonnell, Mark, 499, 781 Royal, Richard, 62 Hough, Catherine, 31 McGrain, Peter, 1065 Rozatova, 709, 713 Hovey, Lyn, 810, 860 Meaker, Charlie, 114 Rozsypal, Ivo, 622, 678 Huchthausen, David, 174, 283 Meech, Annette, 681, 708 Ruffner, Ginny, 65, 186, 432, 439, 524, 767, 780 Hutter, Sid, 484 Meistermann, George, 847 Rybacek, Karel, 487 Rybak, Jaromir, 198, 612, 613, 626, 684, 709, 713 Steuben, 83, 296, 318, 515, 570, 670 Wallstab, Kurt, 220, 366, 367 Saint-Phalle, Niki de, 617, 753 Stinsmuehlen-Amend, Susan, 61, 736, 1031 Walters, Sophia, 484 Salazar, David, 685, 689, 690 Stockhausen, Hans Gottfried von, 719, 897, 973, Warff, Goran, 87 Salviati, 15, 125, 148, 158 1048 Watkins, David, 615 Sandstrom, Annica, 354, 465, 796 Suhajek, Jiri, 454, 704, 709 Watkins, James, 486 Santarossa, Renato, 154, 281, 331, 390, 646, Svoboda, Jaroslav, 279, 478 Wax, Jack, 307 1008, 1038 Swanson, Kurt, 561 Weber, Kira, 724 Santillana, Laura de, 248 Tagliapietra, Lino, 95, 656 Weinberg, Steven, 51 Sarpaneva, Timo, 186, 461 Tahedl, Ernestine, 301, 812 Weiss, Dick, 62, 903, 999 Sars Poteries, 224, 226, 244, 494 Takikawa, Yoshiko, 738 Welzel, Josef, 320, 367, 427 Saxe Collection, 305, 743 Tarsitano, Debbie, 800 Werner, Loretta, 64 Scanga, Italo, 618 Tarsitano, Delmo, 688 Wheaton Village, 79, 95, 416, 417, 418, 730, 735 Scanlon, James, 901 Taylor, Michael, 173, 547 Whistler, Laurence, 378, 504 Schaecter, Judith, 1072 Thiel, Ana, 537 Whittemore, Francis, 702 Schaedel, Albin, 343 Thompson, Catherine, 920 Wiiken Collection, 276, 562 Schanzer, Sem, 567 Thun, Matteo, 536, 676 Williams, Christopher, 389, 545 Scheiner, Michael, 485 Tobin, Steve, 616, 634 Willson, Robert, 752 Schreiter, Johannes, 904, 961 Toikka, Inkeri, 595, 648 Wilmarth, Christopher, 291, 381 Schwartz, Lisa, 561 Toikka, Oiva, 160, 461, 595, 741, 797 Wirkkala, Tapio, 461,649 Schwarzkopf, Jakob, 910 Toso, Gianni, 567 Wolf, Ronnie, 129 Scrutton, Gary and Doris, 165, 685 Toso, Renato, 127 Wolfe, Jon, 62, 300 Seguso, Livio, 436 Trabucco, David and Jon, 685, 689 Wolff, Ann, 160, 364, 597, 618, 716, 720, 741, 792 Seide, Paul, 4, 398, 564, 807 Trabucco, Victor, 689, 691 Woodman, Rachael, 35, 50, 400, 437, 451, 708, Sellner, Theodor G„ 71, 215, 329 Trautner, Anne, 903 796 Serra, Richard, 543 Trnka, Pavel, 612, 613, 764 Wunsch, Karel, 458, 612, 613 Shapiro, 484 Umbdenstock, Jean-Pierre, 567 Yokoyama, Naoto, 146, 186, 350, 383, 474, 551 Simpson, Josh, 319, 431 Vachtova, 709 Young, Brent Kee, 138 Sipek, Borek, 248, 676, 714 Valkema, Durk, 325, 717 2acko, Askold, 251, 682 Skillitzi, Stephen, 51, 59, 208, 606, 806 Vallien, Bertil, 131, 171, 353, 741 Zamecnikova, Dana, 40, 50, 449, 462, 618, 709, Smith, Bruce, 416 Van Cline, Mary, 284 753, 762 Smrckova, Ludvika, 489 Van Deurzen, James, 631 Zanini, Marco, 156, 621, 676 Solcova, 610, 684, 713 van Lith, Jean-Paul, 529 Zelaya, Regina, 484 Solven, Pauline, 708, 796 van Loo, Bert, 152, 462 Zertova, 709, 713 Sonnier, Keith, 473, 543, 583 Vanura, Karel, 611, 709, 713 Zgoda, Larry, 810, 837 Sottsass, Ettore, 356, 433, 621, 676 Venini, 15, 125, 130, 649 Zimmer, Klaus, 891 Spahn, Dieterich, 968 Vistosi, Luciano, 157, 209, 359, 754 Zimmermann, Jorg, 132, 150, 367 Stang, Sam, 145 Vizner, Frantisek, 774 Zuber, Czeslaw, 462, 719 Stankard, Paul, 250, 429, 439, 544, 692, 767 Vogel, Hannes, 581 Zuccheri, 15 Starck, Philippe, 36, 674 vonRoenn, Kenneth, 836, 837, 903 Zwiesel, 85, 153, 370, 675, 725 Statom, Therman, 292, 351, 413, 520, 550, 618 Wachter, Emil, 958, 1050 Zynsky, Toots, 51, 190, 505 Stauber, Horst, 367, 574 Wadley, Patrick, 308, 767 Stern, Arthur, 28, 903 Wagenfeld, William, 153, 493