NewGlass

The Corning Museum of Glass NewGlass Review 17

The Corning Museum of Glass Corning, New York 1996 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, dal3 sie inner- the 1995 calendar year. halb des Kalenderjahres 1995 entworfen und gefertigt wurden.

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The Corning Museum of Glass Sales Department One Museum Way Corning, New York 14830-2253 Telephone: (607) 937-5371 Fax: (607) 937-3352

All rights reserved, 1996 Alle Rechte vorbehalten, 1996 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253

Printed in Frechen, Germany Gedruckt in Frechen, Bundesrepublik Deutschland

Standard Book Number 0-i 1-137-8 ISSN: 0275-469X

Library of Congress Catalog Card Number Aufgefuhrt im Katalog der Library of Congress 81-641214 unter der Nummer 81-641214 Table of Contents/lnhalt

Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstlerlnnen und Objekte 12 Some of the Best in Recent Glass 32 Bibliography/Bibliographie 40 A Selective Index of Proper Names and Places/ Ausgewahltes Register von Eigennamen und Orten 71 Jury Statements

lthough Vermeer still outdraws Mondrian, it seems to me that many uch wenn Vermeer noch immer Mondrian aussticht, scheint mir, Amore people have come to enjoy both. In this particular age of AdaB es immer mehr Leute gibt, denen beide gefallen. In dieser enlightenment, art defies definition more than ever, but there is a besonderen Zeit der Aufklarung entzieht sich Kunst mehr denn je der certain joy in carrying around conflicting notions. Like adversarial Definition, gleichwohl gibt es eine gewisse Freude, sich widerspre- siblings, they are part of the family. The question itself — "What is art?" chende Vorstellungen weiterzutragen. Gegensatzlichen Geschwistern — seems to have shrunk away, and many of us are quite happily ahnlich sind sie Teil der Familie. Die Frage selbst - „Was ist Kunst" - resigned to the diversity that remains. scheint geschrumpft zu sein, und viele von uns uberlassen sich ziem- New Glass Review reflects even greater diversity, with entries lich gliicklich der Vielfalt, die ubrig bleibt. ranging from the functional to the furious — and everything in between. Die New Glass Review spiegelt eine noch groBere Vielfalt wider, mit Statistically, the numbers are too small and the boundaries too vague Beitragen, die vom Funktionalen bis zum Furiosen reichen - und allem to warrant classification. My temple choice may belong in your toy box. was dazwischen ist. Statistisch gesehen, sind die Anzahl zu gering und It is better not to classify at all; instead, we should be content with die Grenzen zu verschwommen, um eine Klassifikation zu rechtferti- simply seeing. gen. Meine tolpelhafte Wahl gehort vielleicht in Ihre Spielkiste. Es ist But choices always have to be made: for an exhibition, a collection, besser, uberhaupt nicht zu klassifizieren; stattdessen sollten wir mit a gift, a line — even for this article — and so criteria remain necessary einfachem Sehen zufrieden sein. despite the breadth of our new-found tolerance. When confronted by Aber eine Auswahl muB trotzdem immer getroffen werden: fur eine totally dissimilar objects, I choose on the basis of what I perceive to be Ausstellung, eine Sammlung, ein Geschenk, eine Linie - selbst fur the relative stature of the maker as reflected in the work or, worse, a diesen Aufsatz - und so bleiben Kriterien, trotz der Breite unserer neu picture of the work. By stature I mean the combined weight of intellect, gefundenen Toleranz, notwendig. Wenn ich mit vollig unahnlichen imagination, skill, and taste (sense of design). This system depends on Objekten konfrontiert bin, wahle ich auf der Basis dessen, was ich als being able to make a lot of comparisons, having seen a great deal, but das Format des Herstellers auf der Basis seiner Arbeit wahrnehme it has the remarkable feature of allowing one to compare the incompa­ oder schlimmer in einem Abbild. Mit Format meine ich eine Kombina- rable (very subjectively). For example, I think that Marcel Duchamp has tion aus Intellekt, Imagination, handwerklichen Fahigkeiten und Ge- more stature than, say, Norman Rockwell. I get much more pleasure schmack (Gefuhl fur Design). Dieses System hangt davon ab, viele out of Rockwell, and I am confused by Duchamp, but there is no Vergleiche machen zu konnen, davon, eine Menge gesehen zu haben, question in my mind: Marcel is bigger than Norman. hat aber den bemerkenswerten Vorteil, das Unvergleichbare (sehr Bringing all this to New Glass Review raises the question of the subjektives) zu vergleichen. Beispielsweise glaube ich, daB Marcel relative weight of the four components — intellect, imagination, skill, Duchamp mehr Format hat als sagen wir Norman Rockwell. Ich habe and taste — and their interaction. This is a complicated question be­ viel groBeren SpaB an Rockwell und werde durch Duchamp verwirrt, cause the balance shifts from generation to generation. Skill was very trotzdem gibt es keine Frage in meinem Kopf: Marcel ist groBer als important at the turn of the last century. It gave way to taste (in the Norman. sense of proportion rather than richness) as the ornate was replaced Berucksichtigt man all dies fur die New Glass Review, erhebt sich with minimal modern, and now we are in something of a World Series die Frage nach dem relativen Gewicht der vier Komponenten - Intel­ between intellect and imagination. (Judging from the Whitney Biennial, lekt, Imagination, handwerkliche Fahigkeiten und Geschmack - und taste and skill are out.) ihres Zusammenspiels. Dies ist eine schwierige Frage, weil sich die In glass, Littleton's "Technique is cheap" heralded the imaginative Balance von Generation zu Generation verschiebt. Handwerkliche outpouring that characterizes the Studio Glass Movement. The intellec­ Fahigkeiten waren um die Jahrhundertwende sehr bedeutend. Sie tual element may be just around the corner. wurden ersetzt durch Geschmack (mehr im Sinne von Proportion als Although the stature of the maker is all-important, the work itself Fulle) indem an die Stelle des Uberladenen minimal Modernes trat, defines the field of operation, and these fields differ widely. We expect und jetzt befinden wir uns in so etwas wie einer Welt-Reihe zwischen the design of a functional bowl to be less challenging than the design Intellekt und Imagination. (Urteilt man von der Whitney Biennale aus, of, say, a cathedral window. The delightful tableware conceived by the so sind Geschmack und technische Fertigkeiten out.) Libenskys in the 1950s reflects a different order of stature than their Im Glas leitete Littletons „Technik ist billig" den imaginativen ErguB great sculptures of the 1980s and 1990s. ein, der die Studioglasbewegung charakterisiert. Das intellektuelle Here are four entries that I found stunning because they seem (from Element befindet sich vielleicht gerade um die Ecke. the slides I saw projected) to reflect significant, though quiet, stature: Obwohl das Kaliber des Herstellers auBerst wichtig ist, definiert die Akihiro Isogai's Earth Cradle (37) is high on my list. Its perfection is Arbeit selbst das Feld der Wirkung, und diese Felder gehen weit humanized by irregularities in all its elements: the vertical lines, the auseinander. Wir erwarten von dem Design einer funktionalen Schale, horizontal waves, even the asymmetry of the silhouette itself. The form daB es weniger herausfordernd ist als sagen wir der Entwurf eines is both familiar and foreign, ancient and modern, unpretentious yet Kirchenfensters. Die wunderbaren Geschirrteile, die von den Libens­ monumental. I chose this piece before I knew the title. It seems to me kys in den 50er Jahren entworfen wurden, spiegeln ein anderes appropriate. Kaliber wider als ihre groBartigen Skulpturen aus den 80er und 90er The untitled bowl by Kathy Elliott and Ben Edols (19) is one I wish I Jahren. could hold. This inverted dome, with its trembling ribs resting on so Hier sind vier Beitrage, die ich erstaunlich gefunden habe weil sie small a base, suggests a vulnerability, an instability in paradoxical (von den Diaprojektionen, die ich gesehen habe) eine bedeutende, contrast with the solid Roman bowls it resembles. wenn auch ruhige, GroBe widerspiegeln: Stephen Procter's Night Horizon (66) is an amazing accomplish­ Akihiro Isogais Earth Cradle (37) steht oben auf meiner Liste. Seine ment. He seems to be able to realize precisely his original intentions. Perfektion wird durch die UnregelmaBigkeiten seiner Elemente Most of us are waylaid by technical difficulties, new ideas, or simple menschlich: die vertikalen Linien, die horizontalen Wellen, sogar die discoveries. He goes on like a mathematician proving an elegant theo­ Asymmetrie der Silhouette selbst. Die Form ist zugleich vertraut und rem. Even the wavering black edge does not impair the machined fremd, alt und modern, unpratentios und doch monumental. Ich habe Bakelite look of this bowl. If a profile drawing were available, I would das Stuck ausgewahlt bevor ich seinen Titel kannte. Er scheint mir expect the horizontal ribbing to be a miniature reflection of the rim itself. passend. 4 In the bowl Warm Time, Warm Space by Youko Sano (74), two Die titellose Schale von Kathy Elliott und Ben Edols (19) wunschte surface textures are held apart by the solid space of transparent glass. ich halten zu konnen. Diese umgekehrte Kuppel mit ihren zitternden The racing horizontals of the inner bowl are framed by the massive Rippen, die auf so einem schmalen Sockel ruhen, suggerieren eine glitter of the exterior diagonals, which come together like giant herring­ Verletzlichkeit, eine Instability, die in einem paradoxen Kontrast zu bones. Nothing appears still — even the center of gravity. den soliden romischen Schalen stehen, denen sie ahnelt. Coming up with four bowls was not deliberate, initially, but I do admit Stephen Procters Night Horizon (66) ist verbluffend vollendet. Er to a prejudice in favor of those who have the courage to compete with scheint in der Lage zu sein, ganz prazise seine ursprunglichen Absich- history. Bowls have been a staple of glassmaking since the beginning. ten realisieren zu konnen. Die meisten von uns werden von techni- To take on this modest vessel, made by virtually every society in every schen Problemen, neuen Ideen oder einfachen Entdeckungen in age, and to make a contribution to its evolution without some man­ einen Hinterhalt gelockt. Er verfahrt wie ein Mathematiker, der ein nerist look-at-me device is accomplishment indeed. Skill and taste are elegantes Theorem beweist. Sogar der wellige schwarze Rand beein- certainly evident, but so are intellect and imagination, and it is these trachtigt das maschinelle Bakelit-Aussehen dieser Schale nicht. Wenn aspects that bring these four works into the era of glass art. es eine Profilzeichnung gabe, wurde ich erwarten, daB die horizonta- len Rippen eine Miniaturreflektion des Randes selbst sind. Thomas S. Buechner (TSB) Bei der Schale Warm Time, Warm Space von Youko Sano (74) Founding Director werden zwei Oberflachentexturen durch einen soliden Raum aus The Corning Museum of Glass transparentem Glas getrennt. Die rasenden Horizontalen des Schalen- inneren werden durch das massive Glitzern der auBeren Diagonalen gerahmt, die wie gigantische Fischgraten zusammenlaufen. Nichts erscheint ruhig - noch nicht einmal das Zentrum der Schwerkraft. Eigentlich war es kein Vorsatz, mit vier Schalen anzukommen, aber ich muB ein Vorurteil zugeben zugunsten derjenigen, die den Mut haben, sich mit der Geschichte zu messen. Seit den Anfangen sind Schalen ein Haupterzeugnis der Glasmacherei. Es mit diesem be- scheidenen GefaB aufzunehmen, das im Grunde von jeder Gesell- schaft zu jeder Zeit gemacht wurde und ohne eine manieristische „schau-mich-an" Manipulation zu seiner Evolution beizutragen, ist in meiner Auffassung in der Tat eine Leistung. Handwerkliche Fahigkeit und Geschmack sind sicherlich sichtbar, aber ebenso Intellekt und Imagination, und es sind diese Aspekte, die diese vier Arbeiten in die Ara der Glaskunst eingliedern.

Thomas S. Buechner (TSB) Grundungsdirektor The Corning Museum of Glass

am too distant from the world of glass art to know enough of its ch bin von der Welt der Glaskunst zu weit entfernt, um genug uber recent history to judge works in terms of marking new developments, die jiingste Geschichte zu wissen; um Arbeiten danach zu beurteilen, and insufficiently familiar with most glass artists as individuals to be ob sie neue Entwicklungen markieren und mit den meisten Glaskunst- able to identify works as derivative or imitative of established personal lern als Individuum unzureichend vertraut, um ihre Arbeiten als Ab- styles. In compensation, perhaps, I bring to the juror's task very little kommlinge oder Nachahmungen etablierter personlicher Handschrif- by way of esthetic ideology. I have the sense that the kinds of contro­ ten zu identifizieren. Vielleicht bringe ich als Kompensation zur Auf- versies, not seen in the art world for perhaps three decades, as to gabe des Jurors ein wenig aus der Sicht der asthetischen Ideologie. what art can and cannot be, have migrated to the craft worlds: artists Ich habe den Eindruck, daB die Kontroversen, die in der Kunstwelt seit are praised or condemned for their compliance with one or another vielleicht drei Dekaden nicht auftauchen, was Kunst kann und was lingering imperative governing the proper ends of materials and the nicht, sich in die kunsthandwerklichen Welten verlagert haben: Kunst- techniques of working them — whereas, in my view, the line between ler werden fur ihre Befolgung des einen oder anderen zuruckbleiben- craft and art will fade only when these contentions themselves lose den Gebots, die Vorherrschaft des Materials und ihre Techniken es zu their urgency. Still, at a more primitive level of meaning and allusion, I bearbeiten, gelobt oder verdammt - wahrend aus meiner Sicht die have no doubt that I carry within me certain feelings about glass and its Grenze zwischen Kunsthandwerk und Kunst nur verschwinden wird, uses, and that these inevitably make certain works more attractive to wenn dieser Streit selbst seine Dringlichkeit verliert. Dennoch habe ich me than others. Because these feelings must belong to what I sup­ auf einem eher primitiven Level von Bedeutung und Andeutung keinen pose is our common culture, and perhaps underlie what makes this Zweifel, daB ich in mir gewisse Gefuhle fur Glas und seinen Gebrauch medium seductive to artists in the first place, the choices cannot be habe und daB diese fur mich unvermeidlich gewisse Arbeiten attrakti- altogether personal and eccentric. Even so, I was impressed by the ver machen als andere. Weil diese Gefuhle wohl zu etwas gehoren, number of entries I was alone in favoring. von dem ich annehme, daB es unser Kulturgut ist und vielleicht dem It is the glass slipper of Cinderella with which, I think, every child in unterliegen, was dieses Medium fur Kunstler auf vorderstem Platz so the culture first thinks of glass in terms of a magical substance — verfuhrerisch macht, kann die Auswahl nicht nur personlich und ausge- something as fragile and iridescent as the ornaments on the Christmas fallen sein. Nichtsdestotrotz war ich beeindruckt von derAnzahl der tree, pressed into romantic but stressful service as celebratory foot­ Eingange, die ich allein favorisiert habe. - wear, where by all rights it should shatter into dangerous shards the Es ist der Glasschuh von Aschenputtel mit dem, glaube ich, jedes moment the young lady takes her first step. Andre Breton cherished a Kind in dieser Kultur an Glas in der Begrifflichkeit einer magischen glass ashtray in the form of a slipper, which he found at the flea mar­ Substanz denkt - etwas das fragil und irisierend ist wie der Schmuck ket, because of the wordplay, lost in English, between cendrier (ash­ eines Weihnachtsbaums, gepreBt in einen romantischen aber gefahr- tray) and Cendrillon (Cinderella). The "Cinderella ashtray" (le cendrier vollen Dienst als feierliche FuBbekleidung, wahrend es scheint, daB er Cendrillon) was for him the paradigm Surrealist object, and while I am in dem Moment in gefahrliche Scherben zerbricht, in dem die junge as outside Surrealist practices as I am those of the professional glass Frau ihren ersten Schritt macht. Andre Breton schatzte einen Glas- artist, I have a soft spot for anything that fuses the delicacy of glass aschenbecher in Form eines Schuhs, den er auf einem Flohmarkt with the utility of objects commonly made of more stolid stuff. So I fand, wegen des Wortspiels zwischen cendrier (Aschenbecher) und particularly liked a woman's purse in the medium of glass, plain in form Cendrillon (Aschenputtel), das im Englischen verloren geht. Der but transfigured through the connotations of the unaccustomed sub­ "Aschenputtel Aschenbecher" (le cendrier Cendrillon) war fur ihn ein stance. paradigmatischer surrealistischer Gegenstand, und wahrend ich I did not, by contrast, at all like a model ship someone turned in, genauso wie der professionelle Glaskunstler jenseits surrealistischer glass from stem to stern, though nothing could be more magical than Praktiken stehe, habe ich eine Schwache fur alles, was die Zartheit the image of a ship made of glass. "One day, not long after they were von Glas mit dem Gebrauchswert von Gegenstanden mischt, die fur married, Cinderella and the Prince saw, from the wall of their palace, gewohnlich aus einem solideren Material hergestellt werden. So something glittering on the horizon. It was a ship made all of glass, and mochte ich besonders eine Handtasche aus Glas, einfach in der it sparkled like a tree after an icestorm, when all its branches have Form, aber verklart durch die Konnotation der ungewohnlichen Sub- been transformed into jewels." The artist here did not present a ship so stanz. much as the model of one, which had been routinely translated into Im Gegensatz dazu mochte ich ein Modellschiff, Glas vom Bug bis glass, without any clear sense that the change of substance con­ zum Heck, das jemand eingereicht hatte, uberhaupt nicht, obwohl tributed much to its meaning (it probably subtracted from the meaning, nichts magischer sein kann als das Bild eines Schiffes aus Glas. inasmuch as scale models of ships succeed through being uncannily "Eines Tages, nicht lange nachdem sie geheiratet hatten, sahen like their originals). It is always a fair critical question to ask what Aschenputtel und der Prinz von den Zinnen ihres Schlosses etwas difference its being in glass makes to a work. The human figure, done Glitzerndes am Horizont. Es war ein Schiff, das ganz aus Glas be- in glass, had better show the viewer why it is in glass, and if the artist stand, und es funkelte wie ein Baum nach einem Eisregen, wenn all responds with "Why not?" the glass immediately drops out of rele­ seine Zweige in Juwelen verwandelt sind." Der Kunstler hier stellte vance. nicht ein Schiff dar sondern mehr ein Modell, das routiniert in Glas I was struck, looking over my selections, by how frequently they ubersetzt worden war ohne ein wirkliches Gespur, daB der Wechsel were embodiments of commonplace objects. I liked some rather der Materie sehr seiner Aussage verpflichtet ist (es schmalert vielleicht massive objects in the form of pushpins, but monumentalized. Here die Bedeutung insofern, als maBstabsgetreue Modelle von Schiffen the massiveness of the glass employed was accentuated by the way dadurch Erfolg haben, daB sie ihren Originalen unheimlich ahnlich pushpins themselves are ordinarily quite small — and indeed, it would sind). Es ist immer fair kritisch zu fragen, welchen Unterschied es violate the entire point of the pushpin to require two strong men to lift macht wenn eine Arbeit in Glas ausgefuhrt wird. Die menschliche it. (One of my colleagues confessed to not even noticing that these Figur, aus Glas, sollte dem Betrachter besser klarmachen warum sie were in the form of pushpins, just liking the form, whatever it was.) A aus Glas ist, und wenn der Kunstler antwortet „Warum nicht?", fallt das glass Kleenex box (with, I guess, a furl of glass Kleenex sticking out) Glas sofort auBerhalb jeder Bedeutung. was impressive because of its being a piece of glass that massive, Als ich einen Uberblick uber meine Auswahl hatte, war ich betroffen, but it did not awaken my enthusiasm because all that matter and all wie oft es um Verkorperungen allgemein gebrauchlicher Gegenstande that skill — think of the sharp corners — seemed to have been put to ging. Ich mag einige ziemlich massive Objekte in Form von ReiB- fairly trivial ends. On the other hand, I admired the two ketchup zwecken, aber monumentalisiert. Hier wurde die Massivitat des einge- bottles joined mouth-to-mouth to form a rather marvelously useless setzten Glases dadurch akzentuiert, daB ReiBzwecke selbst normaler- hourglass. Not just useless but futile, given the perverse viscosities weise ziemlich klein sind - und in der Tat, es wurde den Gesamtein- of ketchup as a substance, and its reluctance to leave the bottle: if druck eines ReiBzweckes verletzen, wenn zwei starke Manner notig your shrink used this hourglass, you would talk yourself blue in the waren, ihn zu heben. (Einer meiner Kollegen bekannte, noch nicht face before your hour was up. And, given the meaning of bouteille in einmal die Form eines ReiBzweckes bemerkt zu haben, ihm gefiel French — bottled and bottled up — the ketchup-bottle hourglass einfach die Form, egal was sie darstellt.) Eine glaserne Kleenexbox is nearly as good a Surrealist object as the Cinderella ashtray. (mit, wie ich annehme, einem herausquellenden, sich kringelnden Moreover, one need not know a lot about the history of studio glass glasernen Stuck Kleenex), war beeindruckend, weil es sich um eine to respond to this as a work of glass art. If everything were like it in Arbeit aus massivem Glas handelte, aber sie erweckte meine Begei- this respect, the craft-art boundary would be erased, and the critical sterung nicht deswegen und wegen all dieser handwerklichen Fahig- questions about glass would all reduce to the one that has run keiten - denke man nur an die scharfen Kanten - die scheinbar bis zu through this statement, viz., what meaning is contributed by the fact ihren endgultigen trivialen Endpunkten getrieben sind. Auf der anderen that glass is used? Seite habe ich zwei Ketchupflaschen bewundert, die, Offnung an I don't see this erasure in the immediate future. But transforming Offnung verbunden, eine ziemlich wunderbare nutzlose Sanduhr means into meaning is the way to go if you are interested in seeing it ergeben. Nicht einfach nur nutzlos, sondern jenseits von Zweck, mit happen. Anyway, that was what was in my mind as I participated in the der perversen Viskositat von Ketchup und seinem Widerstreben, die jurying of this show. Flasche zu verlassen: Wenn Ihr Psychiater diese Sanduhr benutzen wurde, konnten Sie reden, bis Sie im Gesicht blau werden, bevor Ihre Arthur C. Danto (AD) Stunde zu Ende ist. Und, die franzosische Bedeutung von bouteille Art Critic and zugrundegelegt - abfullen und (Gefuhle) unterdrucken - ist die Ket- Johnsonian Professor Emeritus of Philosophy chupflaschen-Sanduhr ein genauso gutes surrealistisches Objekt, wie at Columbia University der Aschenputtel-Aschenbecher. Uberdies muB man nicht eine Menge New York, New York uber die Geschichte des Studioglases wissen, um einen Bezug zu dieser Arbeit als Glaskunst zu finden. Wenn alles unter diesem Aspekt diesem Werk ahnlich ware, waren die Kunsthandwerk-Kunstgrenzen ausradiert, und die kritischen Fragen in Bezug auf Glas wurden sich alle auf die eine reduzieren, die dieses Statement durchzieht; d.h. welche Bedeutung kommt der Tatsache zu, daB Glas benutzt wird? Ich sehe diese Auflosung nicht in der nahen Zukunft. Aber Material in Bedeutung zu verwandeln, ist der Weg, den man gehen muB, wenn man sehen will, daB es vorangeht. Irgendwie war es genau das, was ich im Kopf hatte, als ich an der Jurierung dieser Auswahl teilnahm.

Arthur C. Danto (AD) Kunstkritiker und emeritierter Johnsonian Professor der Philosophie an der Columbia Universitat, New York, New York nstead of attempting to draw a conclusion regarding the state of tatt des Versuchs einer Zusammenfassung in bezug auf den Status contemporary glass art as evinced by New Glass Review 17, I offer Sder zeitgenossischen Glaskunst, so wie er in der New Glass comments regarding specific works: Review 17 unternommen wurde, biete ich Kommentare in Bezug auf The influence of 20th-century Murano continues to loom large over besondere Arbeiten: a good deal of today's blown glass, especially in the United States. All Der EinfluB aus Murano des 20. Jahrhunderts ist weiterhin fur einen in all, it has been a positive force both esthetically and technically. bedeutenden Teil des heutigen geblasenen Glases sehr groB, beson- Carlo Scarpa's designs for Venini during the late 1940s have been a ders in den Vereinigten Staaten. Alles in allem ist er eine positive Kraft particularly well mined (and usually acknowledged) source of inspira­ gewesen, sowohl asthetisch als auch technisch. Carlo Scarpas Ent- tion. Monica Guggisberg and Philip Baldwin's cased and carved wurfe fur Venini Ende der 40er Jahre waren eine besonders ergiebige vase Spinning Top is a striking and fresh reinterpretation of the earlier (und allgemein anerkannte) Inspirationsquelle. Monica Guggisberg works. In the past, Kathy Elliott and Ben Edols have trod closely to und Philip Baldwins uberfangene und geschliffene Vase Spinning Top what appear to be their models: Paolo Venini and Tobia Scarpa's ist eine eindrucksvolle und frische Reinterpretation der fruheren Arbei­ "Inciso" vessels from the 1950s and early 1960s. While still indebted ten. In der Vergangenheit sind Kathy Elliott und Ben Edols sehr eng to the Italian originals, this year the pair's work displays a more per­ ihren scheinbaren Vorbildern gefolgt: Paolo Venini und Tobia Scarpas sonal statement. Dorothy Hafner, in collaboration with Lino Tagliapie- Jnciso" GefaBe aus den 50er und fruhen 60er Jahren. Noch immer tra, updates Ercole Barovierand Fulvio Bianconi's "Intarsio" and den italienischen Originalen verpflichtet, zeigt die Arbeit des Paares "Pezzati" series. Hafner's loose, buoyant patterning adds a playfulness dieses Jahr eine personlichere Handschrift. Dorothy Hafner, in Zusam- to the exuberance of the originals. Thin pastel-colored 1920s Italian menarbeit mit Lino Tagliapietra, laBt Ercole Barovier und Fulvio Bian- glass and the Renaissance precursors it emulated are a distant but conis Jntarsio" und „Pezzati" Serien wieder aufleben. Hafners lockere, faithful presence in Benjamin Moore's vessels. The timeless visual schwungvolle Muster fiigen dem Uberschwang des Originals eine quality so often attributed to good modern design is a combination of spielerische Ebene hinzu. Dunnes, pastellfarbiges italienisches Glas references to the past and features identifiable with the period in which aus den 20er Jahren und die Renaissance-Vorlaufer, denen sie nach- the object was made. The difficult task facing the designer is arriving at eifern, sind entfernt abertreu in Benjamin Moores GefaBen gegen- a successful correlation between the two in producing an object that wartig. Die zeitlose optische Qualitat, die so oft gutem modernem functions. Design zugeschrieben wird, ist eine Kombination aus Referenzen an die Despite what one might deduce from perusing the international Vergangenheit und stellt erkennbar die Epoche dar, in der ein Objekt trade publications, industry is still capable of producing intelligent gemacht wurde. Die schwierige Aufgabe, der sich der Designer ge- contemporary tableware, as proven by Anna Carlgren and Vratislav genubersieht, ist es, zu einer erfolgreichen Korrelation zwischen beiden Sotola. Each design — Carlgren's for a carafe and glass "tumble-up" zu kommen, wenn er einen Gegenstand produziert, der funktioniert. and Sotola's for a covered server — is composed of simple paired Im Gegensatz zu dem, was man schluBfolgern konnte wenn man die shapes devoid of gimmickry and clearly able to perform its job. The internationalen Handelspublikationen durchgeht, ist die Industrie noch unpretentious beauty of the drinking set stems from its balanced immer in der Lage, intelligentes zeitgenossisches Tischgeschirr herzu- proportions and just slightly waisted neck, which mirrors the curve of stellen, wie durch Anna Carlgren und Vratislav Sotola unter Beweis the cup. Sotola's server harks back to the colorful and engaging "Pop" gestellt wird. Jeder Entwurf - Carlgren fur eine Karaffe und „aufeinan- plastics of the 1960s. The designs share two important pragmatic dergestulptes" Glas und Sotola mit einem Tablett mit Deckel - setzt qualities: they can be produced economically by a factory, and they sich einfach aus paarweisen Formen zusammen, die frei von jeder are likely to have a wide appeal without slavishly pandering to test- Masche und in der Lage sind, ihrer Funktion nachzukommen. Die market results. unpratentiose Schonheit des Trinkglases stammt aus den ausgewoge- Linda MacNeil can unhesitatingly be relied upon to create elegant, nen Proportionen und dem leicht geschwungenen taillierten Hals, der refined glass and metal jewelry qualifying as "new classics." More den Schwung des Kelches widerspiegelt. Sotolas Tablett greift auf die recently, Julie Ann Mihalisin has also become a prominent figure in farbigen und einnehmenden „Pop" Kunststoffe der 60er Jahre zuruck. the field. Both MacNeil and Mihalisin know the indispensability of Den Entwurfen sind zwei wichtige pragmatische Eigenschaften ge- superior craftsmanship refined to such a high degree that it seems to meinsam: sie konnen okonomisch industriell hergestellt werden und disappear. Since the earliest days of glassmaking, the material has sie haben wahrscheinlich eine breite Wirkung ohne sklawisch den been used to make important adornments for the body. It is sad that for Ergebnissen des groBen Markts Vorschub zu leisten. today's buying public, handcrafted glass jewelry most often appears as Linda MacNeil kann sich zweifellos darauf verlassen, elegantes bits of flat glass fused together into an unwieldy mass. Mihalisin uses veredeltes Glas und Metallschmuck zu kreieren, die sich als „neue kiln forming to make her work; however, the technique is carefully Klassiker" qualifizieren. Vor kurzem erst ist Julie Ann Mihalisin zu controlled and selected for effect, not expediency. Both artists honor einer prominenten Figur auf diesem Gebiet geworden. Beide, MacNeil the tradition of treating glass with a regard equal to that shown to more und Mihalisin, wissen um die UnerlaBlichkeit einer herausragenden precious substances. handwerklichen Meisterschaft, die auf ein solch hohes Niveau getrie- Jin Harcuba's entry this year was created as a commission for The ben ist, daB sie zu verschwinden scheint. Seit der fruhesten Zeit des Corning Museum of Glass. It is a good example of how seemingly Glasmachens ist das Material benutzt worden, um bedeutenden small developments can rank as significant. The piece consists of Schmuck fur den Korper herzustellen. Es ist traurig, daB fur die heuti­ studies (rather than likenesses) of two artists whom Harcuba admires: gen Kaufer handgearbeiteter Glasschmuck meistens nur eine plumpe writer and Czech Republic President Vaclav Havel and sculptor/painter Masse zusammengeschmolzenes Glas ist. Mihalisin benutzt, um ihre Vladimir Kopecky. Contrasting styles of drawing, cutting, and engrav­ Arbeiten zu fertigen, die Arbeit am Ofen; gleichwohl ist die Technik ing provide the means for comparison. Havel, shown in profile within a sorgfaltig kontrolliert und nach Effekten, nicht nach Nutzlichkeit, aus- square, is stable and clear — rendered in Harcuba's immediately gewahlt. Beide Kunstler ehren die Tradition, Glas ebenso wie kost- recognizable abbreviated stylization. Kopecky's clouded face, which is barere Substanzen zu behandeln. unforgettable to anyone he has met, comes crashing in at an angle on Jin Harcubas diesjahriger Beitrag ist eine Auftragsarbeit fur das glass that has been gouged (more than engraved) in broad strokes as Corning Museum of Glass. Sie ist ein gutes Beispiel dafur, daB schein- volumetric as any impasto. Admirers of Harcuba's work are reminded bar kleine Entwicklungen bedeutend sein konnen. Das Stuck besteht of his powerful graphic abilities and psychological insights — talents aus Studien (weniger Ahnlichkeiten) uberzwei Kunstler, die Harcuba that tend to be overlooked when an approach is perceived as bewundert: Vaclav Havel, Autor und President der Tschechischen formulaic. Republik, und Vladimir Kopecky, Bildhauer/Maler. Entgegengesetzte Unconventional and intriguing work continues to emerge from Stile der Zeichnung, des Schliffs und des Schnitts machen einen Poland. The simple metal and crumpled glass form by Bozena Dwor- Vergleich moglich. Havel, innerhalb eines Quadrats im Profit gezeigt, nik-Czok appears broken-down and contorted, conveying defeat ist stabil und klar - interpretiert in Harcubas sofort erkennbarer redu- without sentimentality. Paulina Komorowska-Birger also explores zierter Stilisierung. Kopeckys umwolktes Gesicht, das jedem unver- themes of vulnerability. Her sculpture becomes, rather than portrays, geBlich ist, der ihn getroffen hat, platzt in einen Glaswinkel herein, der an invitation to destruction. It is not unusual to see thin glass rods in breiten Strichen so volumetrisch wie irgend ein Impasto herausge- manipulated to create elaborate curiosities. Komorowska-Birger, like a meiBelt (mehr als graviert) wurde. Harcubas Arbeit bleibt in Erinnerung number of her Polish colleagues, circumvents such a stigma by taking wegen seiner ausdrucksstarken graphischen Fahigkeiten und seines the transparent lengths significantly beyond tabletop size. This daring psychologischen Einfuhlungsvermogens - Talente, die leicht uberse- is emphasized by pairing the triangle of glass filaments with an equal hen werden wenn eine Annaherung formal erfolgt. volume of stone. The extremity of the contrast forces the viewer to Unkonventionelle und faszinierende Arbeiten tauchen weiterhin aus cease marveling at the technical virtuosity and, instead, to consider the Polen auf. Die einfachen Metall- und zerknitterten Glasformen von message of the sculpture — be it a simple abstraction of a rainstorm or Bozena Dwornik-Czok scheinen zerbrochen und verzerrt und ohne a meditation on the duality of the universe. Sentimentalitat Niederlagen zu ubermitteln. Auch Paulina Komo- Other pieces of particular interest include Harumi Yukutake's rowska-Birger erforscht Themen der Verletzlichkeit. Ihre Skulpturen architectonic pods; the fleshy candy-colored tips of Metamorphosis werden weniger zu Portrats als zu Einladungen zur Zerstorung. Es ist XXV, by Natascha Wahl; the black graphic Potstrad, pivoting on an nicht ungewohnlich, dunne Glasrohren zu sehen, die so manipuliert invisible fulcrum, by Kotaro Hamada; and Neil Wilkin's mob of sind, daB kunstvolle Kuriositaten entstehen. Komorowska-Birger, wie kicking tendrils that catch and reflect light in chandelier style. At times, viele ihrer polnischen Kollegen, uberlistet solch ein Stigma indem sie the painter Rene Magritte used wine bottles as three-dimensional die transparenten Langen merklich jenseits der TischplattengroBe canvases for his Surrealist imagery. In that spirit, Ruth King puts a wahlt. Dieses Wagnis wird durch die Paarung von dem Dreieck aus pointed counter-spin on the ever-popular "female body as vessel" Glasfaden mit einem ebensolchen Volumen aus Stein betont. Die metaphor with her Burley Girl Brew: Careful! I'll Put Hair on Your auBerste Grenze dieses Kontrastes zwingt den Betrachter dazu damit Breasts! Klaus Zimmer's Orange Anchor illustrates how dense aufzuhoren, die technische Virtuositat zu bewundern und statt dessen encrustation can be employed to convey a sense of time, mystery, and die Botschaft der Skulptur in Betracht zu Ziehen - sei es eine einfache introspection without imitating — and ultimately devaluing — ancient or Abstraktion eines heftigen Regengusses oder eine Meditation uber die ethnic artifacts. Dualitat des Universums. Zu anderen Stucken von besonderem Interesse gehoren Harumi Susanne K. Frantz (SKF) Yukutakes architektonische Hulsen; die fleischigen bonbonfarbenen Curator of 20th-century Glass Spitzen von Metamorphosis XXV von Natascha Wahl; das schwarze The Corning Museum of Glass graphische Potstrad, das sich um eine unsichtbare Achse dreht, von Kotaro Hamada; und Neil Wilkins Haufen aus verschlungenen Ranken, die das Licht in Manier eines Kronleuchters auffangen und reflektieren. Manchmal hat der Maler Rene Magritte Weinflaschen als dreidimensionale Leinwand fur seine surrealistischen Bildwelten benutzt. Im gleichen Sinn setzt Ruth King bei ihrem Burley Girl Brew: Careful! I'll Put Hair on Your Breasts! eine zugespitzte Umkehrung auf die ewig populare Metapher eines „weiblichen Korpers als GefaB". Klaus Zimmers Orange Anchor illustriert, wie eine dichte Kruste aus reichen Verzierungen benutzt werden kann, um ein Gefuhl von Zeit zu vermitteln, von Geheimnis und Selbstbeobachtung, ohne antike oder ethnische Artifakte zu imitieren - und endgultig abzuwerten.

Susanne K. Frantz (SKF) Kuratorin fur Glas des 20. Jahrhunderts The Corning Museum of Glass

mong the 2,328 slides we reviewed, there were some wonderful nter den 2.328 Dias, die wir angesehen haben, gab es einige Apieces. As always, when I see Pike Powers's sculptures, I want to Uwunderbare Arbeiten. Wie immer, wenn ich die Skulpturen von take all of them home. I consider her to be the most gifted young artist Pike Powers sehe, mochte ich alle mit nach Hause nehmen. Ich halte working with glass today. This statement may seem contradictory, sie fur die begabteste junge Kunstlerin, die heute mit Glas arbeitet. considering that her work is not included in this year's New Glass Diese Behauptung scheint widerspruchlich zu sein, angesichts des­ Review. sen, daB ihre Arbeit in die diesjahrige New Glass Review nicht aufge- The entry from Paulina Komorowska-Birger — half massive stone, nommen wurde. half ethereal lampworked colorless glass — was one of the few exam­ Der Beitrag von Paulina Komorowska-Birger - halb massiver Stein, ples that both displayed ingenious inventiveness with the material and halb atherisches lampengearbeitetes farbloses Glas - war eines der resulted in a marvelous piece of sculpture that addressed both formal wenigen Beispiele, das beides vorfuhrt, einen unbefangenen Einfalls- and conceptual problems. reichtum in Bezug auf das Material und als Ergebnis eine wunderbare There were many reminders that one of the most truly dangerous skulpturale Arbeit, die sowohl formale als auch konzeptuelle Probleme aspects of glass is its capacity to lend itself to the cute and the berucksichtigt. fatuous. Considering our extraordinarily rich world cultural heritage, Es gab viele Beispiele, die einen daran erinnerten, daB einer der there was, for the most part, an amazing lack of that potential nourish­ wirklich gefahrlichsten Aspekte von Glas seine Moglichkeit ist, sich ment in what we had before our eyes. This was indeed a strong dem SuBen und Albernen zuzuneigen. Wenn man das kulturelle Erbe reminder that we all need to look more, learn more, listen more, do unserer ausgesprochen reichen Welt in Betracht zieht, wurde, zum more, and edit more. In short, we need to force ourselves to experi­ groBten Teil, das Potential dieser Nahrung wenig berucksichtigt. Es ence more. war in der Tat eine starke Mahnung, daB wir es alle notig haben, mehr There were, at the same time, constant reminders (surprises) that hinzusehen, mehrzu lernen, mehr zuzuhoren und die Dinge mehrzu whatever it is that evokes a positive response to a work of art from its bearbeiten. Kurz gesagt, wir miissen uns dazu zwingen, mehr Erfah- viewer is often inexplicable — defying logic and, moreover, preconcep­ rungen zu machen. tion. The work of Jamex De La Torre and Dan Dailey's marvelous Gleichzeitig gab es immer wieder Hinweise (Uberraschungen) daB elephant vase are two examples. das, was eine positive Resonanz beim Betrachter einer kunstlerischen The idea of the "new" has always been problematic. In addition, the Arbeit hervorruft, oft unerklarbar ist - sich Liber Logik und mehr noch broad range of work — from production design to decorative objects to uber vorgefaBte Meinungen hinwegsetzt. Die Arbeit von Jamex De La raw, gutsy sculpture — had to be, in a sense, weighed equally and Torre und Dan Daileys wunderbare Elefantenvase sind zwei Beispiele. considered at once categorically and as part of a whole (in this case, Die Idee des „Neuen" ist immer problematisch gewesen. Gleichzei- "glass"). tig muB die groBe Bandbreite der Arbeiten - vom Produktdesign uber Jurying a competition full of friends, colleagues, acquaintances, and dekorative Objekte bis zu rohen, mutigen Skulpturen - in gewissem young, hopeful artists is not easy. What one jury chooses, another Sinn gleich gewogen werden und sowohl kategorisch gesehen wer- might reject. But whether our work is chosen or not, we all need to dig den als auch als Teil eines Ganzen (in diesem Fall „Glas"). deeper, try harder, go further, and realize our responsibilities as artists Bei einem Wettbewerb zu jurieren, an dem viele Freunde teilneh- and/or designers. men, Kollegen, Bekannte und junge hoffnungsvolle Kunstler, ist nicht leicht. Was eine Jury auswahlt, weist eine andere vielleicht zuruck. Toots Zynsky (TZ) Aber egal ob unsere Arbeit ausgewahlt wurde oder nicht, wir alle Artist mussen tiefer graben, uns starker muhen, weitergehen und uns unse- Amsterdam, the Netherlands rer Verantwortung als Kunstler und/oder Designer bewuBt sein.

Toots Zynsky (TZ) Kunstlerin Amsterdam, Niederlande

Note SchluBbemerkung

n 1995, more than 5,500 copies of the New Glass Review 17 1995 sind mehr als 5500 Einladungen fur die New Glass Review 17 prospectus were mailed. Each entrant could submit a maximum of versandt worden. Jeder Teilnehmer konnte bis zu drei Dias einreichen. three slides. A total of 853 individuals and companies representing Insgesamt schickten 853 Einzelpersonen und Firmen aus 39 Landern 39 countries submitted 2,328 slides. The 100 objects illustrated in 2328 Dias. Die 100 Arbeiten, die in dieser Review abgebildet sind, this Review were selected by four jurors, whose initials follow the wurden von vier Juroren ausgewahlt, deren Initialen den ausgesuchten descriptions of the objects they chose. Objekten beigefugt sind. All slides submitted to New Glass Review are retained in the Rakow Alle fur die New Glass Review eingereichten Dias werden in der Library of The Corning Museum of Glass, where they may be viewed Rakow-Bibliothek des Corning Museums of Glass gesammelt, wo sie by the public. Copies of slides published in any of the past Reviews der Offentlichkeit zur Ansicht zuganglich sind. Kopien von Dias, die in may be purchased by special order from the Museum's Sales Depart­ den vergangenen Reviews erschienen sind, konnen durch Sonder- ment. Copies of New Glass Review 3 (1982), 13 (1992), 15 (1994), bestellung bei der Verkaufsabteilung des Museums erworben werden. and 16 (1995) are still available from the Sales Department, which can Ausgaben der New Glass Review 3 (1982), 73(1992), 15 (1994) und also supply all back issues of the Review in black-and-white micro­ 16 (1995) sind noch lieferbar. Alle alten Ausgaben der Review konnen fiche. auch auf SchwarzweiB-Mikrofiche geliefert werden. The Corning Museum of Glass would like to thank all of the artists Das Corning Museum of Glass mochte sich bei alien Kunstlern und and designers who submitted their slides to New Glass Review for Designern bedanken, die ihre Dias zum Wettbewerb eingereicht ha- consideration. Special thanks are due to those who made this publi­ ben. Besonderer Dank gilt jenen, die diese Ausgabe ermoglicht ha- cation possible: Louise Bush, Charlene Holland, Ernestine Kyles, ben: Louise Bush, Charlene Holland, Ernestine Kyles, Barbara Miller, Barbara Miller, Richard Price, Joan Romano, Jacolyn Saunders, and Richard Price, Joan Romano, Jacolyn Saunders und Violet Wilson. Violet Wilson.

Visiting Jurors for the New Glass Review Competitions*

1977: Paul Smith, director, Museum of Contemporary Crafts of the 1981: Andrew Magdanz, artist, assistant professor, Rochester American Crafts Council, New York, New York. Institute of Technology, Rochester, New York; William S. Lieberman, chairman, Department of Twentieth-Century Art, The Metropolitan 1978: Paul Smith, director, Museum of Contemporary Crafts of the Museum of Art, New York, New York. American Crafts Council, New York, New York. 1982: Dale Chihuly, artist in residence, Rhode Island School of Design, Providence, Rhode Island; Henry Geldzahler, curator, 1979: James Carpenter, artist, New York, New York; Paul Smith, commissioner of cultural affairs of the city of New York, New York. director, Museum of Contemporary Crafts of the American Crafts Council, New York, New York. 1983: Robert Kehlmann, artist, critic, and editor of The Glass Art Society Journal, Berkeley, California; Clement Greenberg, critic, 1980: Dan Dailey, artist, head of the Glass Department, New York, New York. Massachusetts College of Art, Boston, Massachusetts; J. Stewart Johnson, curator, Department of Architecture and Design, The 1984: Susan Stinsmuehlen, artist, Austin, Texas; Ronald D. Museum of Modern Art, New York, New York. Abramson, collector, Washington, D.C. 1985: Thomas Patti, artist, Plainfield, Massachusetts; David Revere 1992: Douglas Heller, director, Heller Gallery, New York, New York; McFadden, curator, Cooper-Hewitt Museum, New York, New York; Elmerina and Paul Parkmartrfcollectors, craft historians, Kensington, Dr. Helmut Ricke, curator, Kunstmuseum Dusseldorf, Germany. Maryland.

1986: Bertil Vallien, artist, Kosta Boda Glassworks, Afors, Sweden; 1993: Erwin and Gretel Eisch, artists, Frauenau, Germany; Paul Abram Lerner, founding director, Hirshhorn Museum and Sculpture J. Smith, director emeritus, American Craft Museum, New York, Garden, Smithsonian Institution, Washington, D.C. New York.

1987: Stanislav Libensky, artist, former professor, Academy of 1994: Judith Schaechter, artist, Philadelphia, Pennsylvania; Yoriko Applied Arts, Prague, Czechoslovakia; Lloyd E. Herman, independent Mizuta, associate curator, Hokkaido Museum of Modern Art, Sapporo, curator, founding director of the Renwick Gallery of the National Japan. Museum of American Art, Smithsonian Institution, Washington, D.C. 1995: Donald Kuspit, critic, professor of art history and philosophy, 1988: Wayne Higby, artist, professor of ceramics, Alfred University, State University of New York, Stony Brook, New York. Alfred, New York; Jean-Luc Olivie, curator, Centre du Verre, Musee des Arts Decoratifs, Paris, France. 1996: Dr. Arthur C. Danto, art critic and Johnsonian Professor Emeritus of Philosophy at Columbia University, New York, New York; 1989: Richard Marquis, artist, Freeland, Washington; Timo Toots Zynsky, artist, Amsterdam, the Netherlands. Sarpaneva, artist, littala Glassworks, Nuutajarvi, Finland.

1990: Ginny Ruffner, artist, Seattle, Washington; Michael W. Monroe, curator in charge, Renwick Gallery of the National Museum * Jurors are listed according to the years in which the competitions were held and the of American Art, Smithsonian Institution, Washington, D.C. results of those competitions were published. In each case, the glass selected by the jurors was made one year earlier. 1991: Bruce Chao, artist, head of the Glass Department, Rhode * Die Juroren sind nach den Jahren aufgefuhrt, in denen der Wettbewerb stattfand und Island School of Design, Providence, Rhode Island; Janet Kardon, die Ergebnisse veroffentlicht wurden. In jedem Fall wurde das von den Juroren ausge- director, American Craft Museum, New York, New York. wahlte Glas ein Jahr fruher gefertigt. Countries Represented/Vertretene Lander

Australia Isogai, Akihiro Calderon, Mark Bettison, Giles Kasahara, Shoko Cali, Barbara Murray, Shaelene Kita, Yasuko Cunningham, Paul Procter, Stephen Kiyoi, Junichi Dailey, Dan Zimmer, Klaus Matsuura, Akane De La Torre, Jamex Minami, Kaori Elliott, Kathy and Ben Edols (19) Canada Momozuka, Yumiko Fox, Michael Ferley, Somani Morihiro, Nobue Fritzsche, Katja Rankin, Susan Muro, Shinichi Glancy, Michael Reusch, Astri Nakada, Reiko Hafner, Dorothy Nakao, Yuko Hamada, Kotaro Czech Republic Noda, Osamu Haskins, Molly Vaughan Harcuba, Jiri Nomiyama, Mayumi Hazlegrove, Page Klein, Vladimir Sano, Youko Holahan, Timothy Rozsypal, Ivo Shioya, Naomi Housberg, Paul Sotola, Vratislav Takeuchi, Ayane Hude, Katrina Vlcek, Petr Tsuji, Kazumi Ichikawa, Etsuko Vlckova, Eva Watanabe, Satomi King, Ruth Watase, Kazue Knowles, Sabrina and Jenny Pohlman (44) Denmark Yokoyama, Naoto MacNeil, Linda Karlslund, Micha Maria Yukutake, Harumi Marquis, Richard Mihalisin, Julie Ann Germany The Netherlands Moore, Benjamin Bartels, Horst Carlgren, Anna Mullaney, Mary and Ralph Mossman (56) Fisar, Jan Groot, Mieke Robinson, Ann Ribka, Gerhard Meitner, Richard Craig Rogers, Sally Steffen, Stephan Quappe Rosol, Martin Werchan, Elke New Zealand Schaechter, Judith A. Angus, Mandy Scheiner, Michael Great Britain Schmuck, Johnathon Clegg, Tessa Poland Sudduth, Mark J. Maurer, Helen Dwornik-Czok, Bozena Weber, Stefan J. Nishi, Etsuko Komorowska-Birger, Paulina Weiss, Dick Solven, Pauline Yamasawa, Wilfred Stern, Patrick Slovak Republic Zed, Dana Wahl, Natascha Pal ova, Zora Wilkin, Neil Sweden Italy Papadopoulou, Maro Bubacco, Lucio Warff, Goran

Japan Switzerland Ando, Hikari Baldwin, Philip and Monica Guggisberg (5) Arai, Mariko Asai, Yoshiko U.S.A. Hayazaki, Shi ho Benefield, Scott Inoue, Tsuyoshi Bruce, Jane 1. Hikari Ando 4. Yoshiko Asai Artists and Objects* 2-7-21 Minamidaira 54 Hasuike Tamanoi Kunstler und Objekte* Hino, Tokyo 191, Japan Kisogawa-cho Himawari (Sunflower) Haguri-gun, Aichi 493, Japan Descriptive information has been provided by the entrants. Pate de verre Tree Die Objektbeschreibungen sind von den Teilnehmerinnen und Pate de verre Blown glass, pate de verre Teilnehmern geliefert worden. H. 20 cm, W. 40 cm, D. 40 cm mosaic TSB, SKF Geblasenes Glas, Pate de verre Mosaik 2. Mandy Angus H. 38 cm, W. 13 cm, D. 13 cm 181 Devon Street West SKF New Plymouth, New Zealand 5. Philip Baldwin and Remains of the Day Monica Guggisberg Blown glass Geblasenes Glas 1417 Nonfoux, Switzerland Tallest/Hochstes: H. 17 cm, Spinning Top W. 5.5 cm, D. 5 cm Blown glass; stone-wheel cut TSB, AD Geblasenes Glas; steinrad- graviert 3. Mariko Arai H. 27 cm, W. 21 cm, D. 21 cm 309-18 Takayashiki TSB, SKF, TZ Toyama-shi Toyama-ken 939, Japan A Bud Pate de verre, copper; assem­ bled Pate de verre, Kupfer; verklebt H. 56 cm, W. 26 cm, D. 13 cm TSB, SKF

1

2 6. Horst Bartels H. 12 cm, W. 11.5 cm, Rastal GmbH & Co. KG D. 11.5 cm Lindenstrasse 18 TSB D-56194 Hohr-Grenzhausen, Germany 9. Jane Bruce Drinking glasses: Space, Galaxy, c/o Ruth Summers Sonic 13428 Maxella Avenue, #388 Flameworked and enameled Marina Del Rey, California glass 90292 Lampengearbeitetes und email- Object: Red liertes Glas Kiln-formed and blown glass; H. 24 cm, W. 11 cm, D. 7.4 cm lathe-cut, hand-finished TSB Ofengeformtes und geblasenes Glas; drehbankgeschliffen, hand- 7. Scott Benefield endverarbeitet 3000 Royal Street H. 17 cm, W. 26 cm, D. 14 cm New Orleans, Louisiana 70117 SKF Tutu 10. Lucio Bubacco Stained glass; assembled Farbiges Glas; verklebt S. Polo, 1077/A H. 64 cm, W. 44 cm 30125 Venice, Italy SKF In the Garden of the Damned Cast and flameworked glass; 8. Giles Bettison assembled 18 Baker Gardens Gegossenes und heiB bearbeite- Ainslie ACT, Australia tes Glas; verklebt H. 55 cm, W. 27 cm, D. 14 cm Untitled 3 TSB Blown ground murrine cane Geblasenes, verdrehtes murrine Rohr 11. MarkCalderon Water Carafe and Glass 924 26th Avenue Blown glass Seattle, Washington 98122 Geblasenes Glas H. 25 cm, W. 10.5 cm, Corpus D. 10.5 cm Cast glass TSB, SKF, TZ Gegossenes Glas H. 17 cm, W. 14 cm, D. 14 cm 14. Tessa Clegg TSB, SKF 13B Stock Orchard Crescent 12. Barbara Cali London N7 9SL, England 910 Dolphin Drive Bottle: Dream Stone Series Malvern, Pennsylvania 19355 Cast glass Gegossenes Glas Bound Growth H. 19.5 cm, W. 15 cm, Blown glass, rubber, twine; D. 5.5 cm assembled with metal rod AD, SKF, TZ Geblasenes Glas, Gummi, Schnur; mit Metallstab verklebt H. 40 cm, W. 52 cm, D. 20 cm 15. Paul Cunningham SKF, TZ 7350 16th Avenue Northwest Seattle, Washington 98117 13. Anna Carlgren Coinware Bottles Royal Leerdam Kristal Blown and acid-etched glass P.O. Box 8 Geblasenes und sauregeatztes 4140 AA Leerdam, the Nether­ Glas lands Each/Je: H. 52 cm, W. 20 cm TZ

11 16. Dan Dailey Bearbeitetes, geschliffenes und 2 North Road emailliertes Glas; Kupfer Kensington, New Hampshire H. 106 cm, W. 123 cm, 03833 D. 2.5 cm SKF, TZ AV 33-95 Elephant Blown and hot-worked glass 19. Kathy Elliott and Geblasenes und hei(3 bearbeite- Ben Edols tes Glas H. 49.5 cm, W. 27 cm, De Vesa Gallery D. 35.5 cm 334 Gough Street TSB, TZ San Francisco, California 94102 Untitled green bowl 17. Jamex De La Torre Blown and cut glass 1010 University Avenue, #172 Geblasenes und geschliffenes San Diego, California 92103 Glas H. 26 cm, W. 27 cm, D. 27 cm Cyclops TSB, AD, TZ Hot-worked glass, paint, papier- mache, tile, silicone; assembled 20. Somani Ferley HeiB bearbeitetes Glas, Farbe, Papiermache, Fliesen, Silikon; 601 Clinton Street verklebt Toronto, Ontario M6G 2Z8, H. 75 cm, W. 60 cm, D. 20 cm Canada TZ Flora Kiln-formed glass, sand; assem­ 18. Bozena Dwornik-Czok bled Al. Jaworowa 40A/3 Ofengeformtes Glas, Sand; 53-123 Breslau, Poland verklebt H. 46 cm, W. 21 cm, D. 21 cm In die Lebensdauer Verlieren I TZ Manipulated, cut, and enameled glass; copper 21. Jan Fisar Gegossenes Glas, Stahl; Glasgalerie Hittfeld verklebt Kirchstrasse 1 H. 160 cm, W. 130 cm, D-21218 Seevetal/Hittfeld, D. 30 cm Germany AD, TZ Squabblers (two parts) 24. Michael Glancy Slumped glass; cut, polished Abgesenktes Glas; geschliffen, Heller Gallery poliert 71 Greene Street OH. 63 cm, W. 63 cm, New York, New York 10012 D. 37 cm Ruby Node TSB Blown glass, electroformed copper 22. Michael Fox Geblasenes Glas, elektrogeform- Refusalon Gallery tes Kupfer 630 Natoma H. 25 cm, W. 17.5 cm, D. 15 cm San Francisco, California 94103 TSB, TZ Sac de nuit 25. Mieke Groot Blown and hot-worked glass Geblasenes und heiB bearbeite- Bellamystraat 91 -93 tc»c nine 1053 BJ Amsterdam, the H. 38.1 cm, W. 30.5 cm, Netherlands D. 20.3 cm Vase with Top AD, TZ Blown and enameled glass Geblasenes und emailliertes 23. Katja Fritzsche Glas P.O. Box 245 H. 30 cm, W. 25 cm, D. 25 cm Alfred Station, New York 14803 AD, SKF, TZ Arch #121 Cast glass, steel; assembled 26. Dorothy Hafner 29. Molly Vaughan Haskins 180 Varick Street, 5th Floor 2345 Wood Street New York, New York 10014 Eureka, California 95501 Aqua Balloons, 1995 Bracelet Series: Mechanical, Blown glass Water Melon, Mechanical Geblasenes Glas Kiln-formed glass; tumble- H. 38 cm, W. 24 cm, polished, assembled D. 12.5 cm Ofengeformtes Glas; unregel- TSB, SKF maBig poliert, verklebt Largest/GroBte: H. 3.5 cm, 27. Kotaro Hamada W. 7.6 cm, D. 3.0 cm 6032 Sycamore Avenue AD Northwest Seattle, Washington 98103 30. Shiho Hayazaki Potstrad Aichi University of Education Blown glass, wood; assembled 1 Hirosawa, Igaya-cho Geblasenes Glas, Holz; verklebt Kariya, Aichi 448, Japan H. 45 cm, W. 25 cm, D. 25 cm The Kindness of Sky in a City 2 AD, SKF, TZ Blown and enameled glass, oil paint 28. Jin Harcuba Geblasenes und emailliertes Janouskova 1 Glas, Olfarbe 162 00 Prague, Czech Republic H. 27 cm, W. 15 cm, D. 15 cm TSB, SKF Two Portraits: Vaclav Havel and Vladimir Kopecky Engraved glass Graviertes Glas Taller/Hochstes: H. 27.7 cm, W. 19 cm, D. 5 cm TSB, SKF, TZ 26

28 31. Page Hazlegrove Glasscherben, Messingdraht; 17 Babcock Place verklebt Dedham, Massachusetts 02026 H. 28 cm, W. 28 cm, D. 28 cm AD, TZ Branching Cup Glass fused in a cire perdue 34. Katrina Hude mold Glas in einer cire perdue-Form 2847 Shattuck Avenue geschmolzen Berkeley, California 94705 H. 11.4 cm, W. 20.3 cm, Tact D. 20.3 cm Blown and hot-worked glass TZ Geblasenes und heiR bearbeite- tes Glas 32. Timothy Holahan Largest/GroBtes: H. 42 cm, 823 Parkside Boulevard W. 18 cm, D. 16 cm Claymont, Delaware 19703 TSB, AD, TZ Green Family 35. Etsuko Ichikawa Blown glass Geblasenes Glas 1215 Queen Anne Avenue OH. 23 cm, W. 51 cm, D. 20 cm North, #13 TZ Seattle, Washington 98109 Tower #5 33. Paul Housberg Painted glass cane, wood; 59 Tingley Street assembled Providence, Rhode Island Bemaltes Glasrohr, Holz; 02903 verklebt H. 30 cm, W. 15 cm, D. 12.5 cm Cobalt Cube TSB, SKF Glass shards, brass wire; assembled 36. Tsuyoshi Inoue 39. Shoko Kasahara Toyama-shi, Japan Kamakura, Japan Weather Vane Exhibition Study I Blown and sandblasted glass, Fused and sandblasted glass; glass rods; assembled assembled Geblasenes und sandgestrahltes Verschmolzenes und sandge­ Glas, Glasstabe; verklebt strahltes Glas; verklebt H. 39 cm, W. 20 cm, D. 12 cm H. 60 cm, W. 100 cm, D. 17 cm SKF TSB, SKF, TZ 37. Akihiro Isogai 40. Ruth King 1232-7 Tamashima Ohio State University Kurashiki 146 Hopkins Hall Okayama 713, Japan 128 North Oval Mall Earth Cradle Columbus, Ohio 43210 Blown, cut, and sandblasted Burley Girl Brew (Careful! It'll glass Put Hair on Your Breasts!) Geblasenes, geschliffenes und Blown glass, oil paint sandgestrahltes Glas Geblasenes Glas, Olfarbe H. 16 cm, W. 34 cm, D. 17 cm H. 30.5 cm, W. 10 cm TSB SKF 38. Micha Maria Karlslund Rosenkrantzgade 6 DK-8000 Aarhus C, Denmark Vessel in Vessel Blown glass, metal leaf Geblasenes Glas, Blattmetall Tallest/Hochstes: H. 40 cm AD, TZ 36

I * 1

mm 1

39 40 19 41. Yasuko Kita 44. Sabrina Knowles and 13-10 Yanagi-cho Kanazawa-ku Jenny Pohlman Yokohama-shi, Kanagawa-ken Seattle, Washington 236,Japan Prayer Beads The Pulse Family Blown and hot-worked glass, Pate de verre wrapped copper; assembled Pate de verre Geblasenes und heiB bearbeite- H. 6 cm, W. 29 cm, D. 6.5 cm tes Glas, gewickeltes Kupfer; SKF, TZ verklebt H. 183 cm, W. 122 cm, D. 13 cm 42. Junichi Kiyoi AD Nara-shi, Japan 45. Paulina Komorowska-Birger Money Is Paper Cast glass, glass paper Konicza 8/7 Gegossenes Glas, Glaspapier Zielona Gora 65-187, Poland H. 15 cm, W. 25 cm, D. 12 cm (Stone + Glass)2 TSB Flameworked glass, stone; assembled 43. Vladimir Klein Lampengearbeitetes Glas, Stein; Lidicka 811 verklebt 47114 Kamenicky Senov, Czech H. 120 cm, W. 120 cm, D. 60 cm Republic SKF, TZ Tear Cast, cut, ground, and polished glass Gegossenes, geschnittenes, geschliffenes und poliertes Glas H. 42 cm, W. 22 cm, D. 22 cm AD, TZ 46. Linda MacNeil Family 2 North Road Blown and hot-worked glass Kensington, New Hampshire Geblasenes und heiB bearbeite­ 03833-5605 tes Glas H. 23 cm, W. 24.5 cm, Necklace - Mesh -6-95 D. 24.5 cm Cold-worked pate de verre, mir­ TSB, AD ror, 24-karat = gold-plated brass; assembled 49. Helen Maurer Kalt bearbeitetes Pate de verre, 24 Karat vergoldetes Messing; Royal College of Art verklebt Kensington Gore H. 2 cm, Diam. 18 cm London SW7 2EU, England TSB, SKF Angel Wings II Acid-etched mirror; spotlighting 47. Richard Marquis Sauregeatzter Spiegel; Beleuch- Elliott Brown Gallery tung 619 North 35th Street, #101 OH. 43 cm, W. 18 cm; D. 3 mm Seattle, Washington 98103 (mirror/Spiegel) AD, SKF Lumpy ware Tea Service (Gun Powder) 50. Richard Craig Meitner Blown and hot-worked glass, wood, found object; assembled Bellamystraat 91-93 Geblasenes und heiB bearbeite­ 1053 BJ Amsterdam, the tes Glas, Holz, Fundstuck; verklebt Netherlands H. 28 cm, W. 43 cm, D. 20 cm Qualcosa in Argento SKF, TZ Blown glass, applied silver leaf Geblasenes Glas, appliziertes 48. Akane Matsuura Blattsilber 5076-4 MinamihotakaToyo- H. 75 cm shina-machi TSB, SKF, TZ Minamiazumi-gun, Nagano Pref. 399-82, Japan 51. Julie Ann Mihalisin Lampengearbeitetes und Riley Hawk Gallery verschmolzenes Glas, Stahl; 642 North High Street verklebt Columbus, Ohio 43215 H. 68 cm, W. 50 cm, D. 3 cm TSB, AD Brooch/Pendants Glass slumped into fabricated 54. Benjamin Moore metal In industrielles Metall abgesenk- 1213 South King Street tes Glas Seattle, Washington 98144 Largest/GroBte: H. 4.5 cm, Exterior Fold Series—1995 W. 8.25 cm Blown glass SKF Geblasenes Glas OH. 68 cm, W. 59 cm, 52. Kaori Minami D. 66 cm Himi, Japan TSB, SKF, TZ Icicle 55. Nobue Morihiro Cast glass Gegossenes Glas 8-21-2 Todoroki H. 60 cm, W. 14 cm, D. 14 cm Setagaya, Tokyo 158, Japan TZ Sea Fruit—II Pate de verre 53. Yumiko Momozuka Pate de verre Toyama, Japan H. 24.5 cm, W. 21 cm, D. 18 cm AD, TZ Pray Flameworkod and fused g»ass, steel; assembled 56. Mary Mullaney and Kalt bearbeitete Autoscheinwer- Ralph Mossman fer, puderuberzogenes Alumi­ P.O. Box 458 nium, Reifenventile, lederuberzo- Driggs, Idaho 83422 gene Federn; verklebt H. 35 cm, W. 22 cm, D. 12 cm Tall Goblets AD, SKF, TZ Blown glass with murrine deco­ ration 59. Reiko Nakada Geblasenes Glas mit murrine 1-4, Nishikawamukou, Fujikawa- Verzierung cho Each/Je: H. 28 cm, W. 10 cm, Okazaki-shi, Aichi-ken 444-35, D. 10 cm Japan TSB, SKF Swing Cups: Harvest Series 57. Shinichi Muro Blown glass, pate de verre Joetsu Crystal Glass Geblasenes Glas, Pate de verre 375-5 Machida-Machi Tallest/Hochstes: H. 18 cm, Numata-Shi, Gumma-ken 378, W. 9.5 cm, D. 10 cm Japan TSB Forest Family 60. Yuko Nakao Blown and hot-worked glass 757-37, Katakura-cho, Kana- Geblasenes und heif3 bearbeite- gawa-ku tes Glas Yokohama, Kanagawa-ken 221, Tallest/Hochstes: H. 24 cm, Japan W. 18 cm, D. 15 cm TSB, TZ Sphere Blown, fused, and slumped 58. Shaelene Murray glass; pate de verre, lusters 1/226 Enmore Road, Enmore Geblasenes, verschmolzenes Sydney NSW 2042, Australia und abgesenktes Glas, Pate de verre, Luster Handbag H. 24 cm, W. 54 cm, D. 54 cm Cold-worked automobile head­ AD (TZ abstained/enthalten) lights, powder-coated aluminum, tire valves, leather-covered springs; assembled

59 60 61. Etsuko Nishi 64. Zora Palova Flat 7, 12 Stanhope Mews West Bratislava, Slovak Republic London SW7 5RB, England Shadows: Bridges Series Flower Vessel Glass melted in a mold, cut, Pate de verre semi-polished Pate de verre In eine Form geschmolzenes H. 26 cm, W. 33 cm, D. 33 cm Glas, geschliffen, halb poliert TZ H. 15 cm, W. 64 cm, D. 12 cm SKF, TZ 62. Osamu Noda 4-1-13, Honson, Niijima mura 65. Maro Papadopoulou Tokyo 100-04, Japan Roslagsg. 29 Niijima Composition #1 S-113 55 Stockholm, Sweden Blown glass Feeding Bottles Geblasenes Glas Solid hot-worked glass; iridized H. 24 cm, W. 38 cm, D. 30 cm Massives heiB bearbeitetes Glas; SKF, TZ irisierend Tallest/Hochste: H. 25 cm 63. Mayumi Nomiyama TSB, AD 1-18-11 Izumi-cho, Kokubunji-shi Tokyo 183, Japan Move Fused glass, pate de verre, sheet glass; laminated Geschmolzenes Glas, Pate de verre, Glasscheiben, laminiert H. 9.2 cm, W. 19 cm, D. 11.5 cm SKF, TZ 66. Stephen Procter Matt geschliffenes Glas, polierte Frog Hollow, RMB 2142 Kanten; verklebt Wanna Wanna Road H. 56 cm, W. 30 cm, D. 31 cm Queanbeyan NSW 2620, TSB Australia 69. Gerhard Ribka Night Horizon Fused, blown, and cut glass Rugenerstrasse 4 Verschmolzenes, geblasenes D-63075 Offenbach am Main, und geschliffenes Glas Germany H. 11.5 cm, Diam. 18.5 cm Norden 2 TSB, TZ Painted and stained glass; as­ sembled with lead 67. Susan Rankin Bemaltes und farbiges Glas; mit P.O. Box 81, Jack Lake Road Blei verklebt Apsley, Ontario KOL 1AO, H. 58 cm, W. 58 cm Canada SKF Cymbidium 70. Ann Robinson Blown and hot-worked glass Geblasenes und heiB bearbeite- Elliott Brown Gallery tes Glas 619 North 35th Street, #101 H. 35 cm, W. 29 cm, D. 20 cm Seattle, Washington 98103 TSB, AD Yellow Pod Glass fused in a mold 68. Astri Reusch In eine Form geschmolzenes 206 Roy Est Glas Montreal, Quebec H2W 1M4, H. 23 cm, W. 34.5 cm, D. 29 cm Canada AD, SKF, TZ Cubic Transformation IX Hand-ground glass, polished bevels; assembled 71. Sally Rogers Geschliffenes und laminiertes P.O. Box 48 Glas Penland, North Carolina 28765- H. 60 cm, W. 60 cm, D. 55 cm 0048 TSB, AD Yoke 74. Youko Sano Pate de verre, steel, wood; assembled 4-11-10-303, Narashinodai Pate de verre, Stahl, Holz; Funabashi, Chiba 274, Japan verklebt Warm Time, Warm Space H. 115 cm, W. 87 cm, D. 30 cm Blown, cut, and polished glass AD Geblasenes, geschliffenes und poliertes Glas 72. Martin Rosol H. 13 cm, W. 12 cm, D. 12 cm Compositions Gallery TSB 317 Sutter Street San Francisco, California 94108 75. Judith A. Schaechter Icon Snyderman Gallery Cut, polished, laminated, and 303 Cherry Street sandblasted glass; gold leaf Philadelphia, Pennsylvania Geschliffenes, poliertes, lami- 19106 niertes und sandgestrahltes I've Trampled a Million Pretty Glas; Blattgold Flowers H. 16 cm, W. 18 cm, D. 20 cm Cut, stained, sandblasted, en­ TSB graved, and enameled glass; assembled with copper foil 73. Ivo Rozsypal Geschliffenes, farbiges, sandge­ U Studanky 679 strahltes, graviertes und email- 473 01 Novy Bor, Czech Republic liertes Glas; mit Kupferfolie ver­ klebt Thalia H. 108 cm, W. 50 cm Cut and laminated glass 71 TSB

72 73

mmm W/fotx-yx-y isms

26 74 76. Michael Scheiner 79. Pauline Solven 1C Clinton Street 31 Culver Street Central Falls, Rhode Island Newent, Gloucestershire GL18 1 02863 DB, England Exclamation Narrow Stack—Rising Sun Blown glass, copper; assembled Mold-blown glass parts; Geblasenes Glas, Kupfer; assembled verklebt Formgeblasene Glasteile; H 47 cm, W. 35.6 cm, verklebt D. 35.6 cm H. 30 cm, W. 14 cm, D. 7 cm TSB, SKF TSB, TZ 77. Johnathon Schmuck 80. Vratislav Sotola 46 Harlem Street, #1 U Studanky 1 Rochester, New York 14607 170 00 Prague 7, Czech Hourglass Republic Assembled found objects Covered Server for Pastry ^erklebte Fundstucke Mold-blown glass ri. 34 cm, W. 8 cm, D. 8 cm Formgeblasenes Glas AD H. 20.5 cm, W. 27.7 cm, D. 27.7 cm 78. Naomi Shioya TSB, SKF, TZ 024 Shiori Maihara Sakata Shiga, Japan The Boat Never Go Back Cast and blown glass; assembled Gegossenes und geblasenes Glas; verklebt H. 44 cm, W. 54 cm, D. 10 cm TZ 76

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77

79 80 27 81. Stephan Quappe Steffen Untitled Moselstrasse 3 Cast glass D-54518 Kesten, Germany Gegossenes Glas H. 12 cm, W. 30 cm, D. 3 cm Violetta TSB, AD, TZ Screen-printed, painted, and stained glass; assembled 84. Ayane Takeuchi Besiebdrucktes, bemaltes und farbiges Glas; verklebt 2514-2 Kanaya, Kanaya-cho H. 255 cm, W. 120 cm Haibara-gun, Shizuoka-ken 428, AD Japan To the Air 82. Patrick Stern Hot-worked and kiln-formed 40 Crownstone Court, Crown- glass, metal; assembled stone Road HeiB bearbeitetes und ofenge- London SW2 1LS, England formtes Glas, Metall; verklebt H. 31 cm, W. 15 cm, D. 13 cm Lenticular Lattice Mosaic Bead AD, TZ Mosaic glass; hot-worked (wound) 85. KazumiTsuji Mosaikglas; heiB bearbeitet (gewickelt) #109, 1-8-37 Tera-machi H. 2.1 cm, W. 2.4 cm Kanazawa-shi, Ishikawa-ken TSB 921, Japan Bud 83. Mark J. Sudduth Blown and hot-worked glass 3879 Mayfield Road Geblasenes und heiB bearbeite­ Cleveland Heights, Ohio 44121 tes Glas H. 42 cm, W. 37 cm, D. 21 cm AD, TZ

SMII®] 86. Petr Vlcek Three, Metamorphosis XXV Mah'kova 1/187 Glass cast and blown into sand 16200 Prague 6, Czech molds Republic Gegossenes und in Sandformen geblasenes Glas Life OH. 30 cm, W. 30 cm, D. 50 cm Mold-blown and painted glass TSB, SKF Formgeblasenes und bemaltes Glas 89. Goran Warff H. 20 cm, W. 26 cm, D. 15 cm TZ Kosta Boda Backgatan 10 87. Eva Vlckova S-36052 Kosta, Sweden Pod Kavah'rkov 8 Spirit in Bottle Prague 5, Czech Republic Hot-worked glass HeiB bearbeitetes Glas Mandorla H. 32 cm, W. 10 cm Glass rods, iron; assembled TSB, SKF Glasstabe, Eisen; verklebt H. 150 cm, W. 320 cm, 90. Satomi Watanabe D. 120 cm AD Tokyo, Japan A Little Voice 88. Natascha Wahl Cast glass, wood, plaster; 56 Weydon Hill Road assembled Farnham, Surrey GU9 8NY, Gegossenes Glas, Holz, Gips; England verklebt H. 20.5 cm, W. 31 cm, D. 3 cm TSB 91. KazueWatase Portrait of a Face II Kahoku-gun, Japan Blown and enameled glass Geblasenes und emailliertes Situated Glas Blown glass, fabricated steel; H. 60 cm, W. 36 cm, D. 11 cm assembled TSB, SKF, TZ Geblasenes Glas, Industriestahl; verklebt 94. ElkeWerchan H. 7 cm, W. 22.5 cm, D. 7 cm AD, TZ Heinzenstrasse 16 D-52064 Aachen, Germany 92. Stefan J. Weber Untitled 18 Timber Springs Cast glass and metal; wood Newfairfield, Connecticut 06812 Gegossenes Glas und Metall; Holz Tiger Striped Chair H. 20 cm, W. 120 cm, D. 80 cm Hot-worked, cut, and polished AD, TZ glass; wood; assembled HeiB bearbeitetes, geschliffenes 95. Neil Wilkin und poliertes Glas; Holz; verklebt H. 61 cm, W. 66 cm, D. 20 cm Unit 3, Wallbridge Industrial AD Estate Frome, Somerset BA11 5JY, 93. Dick Weiss England with the assistance of Dante Crystal Arrangement Marioni and Ben Moore Hot-worked glass, stainless steel 811 North 36th Street wire; assembled Seattle, Washington 98103 HeiB bearbeitetes Glas, rostfreier Stahldraht; verklebt H. 65 cm, W. 55 cm, D. 55 cm SKF, TZ

•

•MM 96. Wilfred Yamasawa Untitled P.O. Box 311 Slumped glass; assembled Holualoa, Hawaii 96725 Abgesenktes Glas; verklebt OH. 45 cm, W. 200 cm, * The Spoiled Child D. 250 cm Blown and hot-worked glass, SKF, TZ gold and silver leaf; iridized, as­ sembled 99. Dana Zed Geblasenes und heift bearbeite- tes Glas, Blattgold und -silber; 5551 Masonic Avenue irisierend, verklebt Oakland, California 94618 H. 46 cm, W. 20 cm, D. 20 cm Birth House AD, TZ Fused glass and metal; assembled 97. Naoto Yokoyama Verschmolzenes Glas und 1-25-19 Kamiyoga Metall; verklebt Setagaya-ku, Tokyo 158, Japan H. 46 cm, W. 29 cm, D. 20 cm Crab TSB Hot-worked glass; assembled HeiB bearbeitetes Glas; verklebt 100. Klaus Zimmer H. 28 cm, W. 21.5 cm, D. 10 cm TSB, TZ 19 Begonia Street, Box Hill STH 98. Harumi Yukutake Victoria 3128, Australia 58-63 Otsuka Orange Anchor Hachioji, Tokyo 192-03, Japan "Antique" glass, lead, paint Antikglas, Blei, Farbe H. 18 cm, W. 14.5 cm SKF

,'r ijjj Franz X. Holler, Germany Untitled, 1993 Cut and semipolished glass Geschliffenes und halbpoliertes Glas H. 11 cm, Diam. 40 cm

Some of the Best in Recent Glass

y its very nature, New Glass Review cannot help but present anz ihrer Natur entsprechend bleibt der New Glass Review nichts Bsomething of a dilemma. Only works that seem in some way new Ganderes ubrig, als so etwas wie ein Dilemma vorzufuhren. Nur (as well as good) to the jurors may be included; this means that other­ Arbeiten, die den Juroren auf irgendeine Art neu (zugleich gut) erschei- wise fine pieces must often be eliminated. In addition, as a competi­ nen, konnen aufgenommen werden; das bedeutet, daB andererseits tion, the Review can be only as comprehensive as its entries permit. gute Stucke oft ausscheiden mussen. AuBerdem kann die Review; als Therefore, this year, in addition to the 100 juried images, we are Wettbewerb, nur so umfassend sein, wie es die eingereichten Arbeiten presenting a group of outstanding works assembled independently of erlauben. Deshalb stellen wir in diesem Jahr zusatzlich zu den 100 the New Glass Review competition. jurierten Bildern eine Gruppe herausragender Arbeiten vor, die unab- Not surprisingly, many of the pieces are objects based on the ves­ hangig von dem New Glass Review Wettbewerb zusammengestellt sel. The container and its variations offer endless conceptual possibil­ wurden. ities, particularly for blown glass. Franz X. Holler applies his refined Keineswegs iiberraschend sind viele der Stucke Objekte, die auf cutting and engraving skills to obtain the most subtle results. The dem GefaB basieren. Das Behaltnis und seine Variationen bieten interior and exterior of his untitled bowl have been carved increasingly unendliche konzeptuelle Moglichkeiten, besonders fur geblasenes thin, then sculpted in relief so low that it first becomes apparent as Glas. Franz X. Holler setzt seine ausgefeilten Schliff- und Gravurtech- faint shadows. Three triangular feet, cut away from the base, are niken ein, um auBerst subtile Ergebnisse zu erhalten. Das Innere und reflected on the interior by what appears to be a slight pinch in the AuBere seiner titellosen Schale sind immer dunner geschliffen worden, glass — but it is, in truth, also part of the cutting. Slight ridges suggest dann im Relief so fein gestaltet, daB es erst als durchscheinende 32 Left/Links: Bert Frijns, The Netherlands Spiral Forms, 1994 Sagged glass Abgesenktes Glas H. 46 cm, Diam. 39 cm

Below/Unten: Bert Frijns, The Netherlands Exhibition installation "Bert Frijns — Glass," 1995 Haags Gemeentemuseum, The Hague

small folds in the rim, and the overall effect is of drifted sand, creased Schatten sichtbar wird. Drei winkelig angeordnete FuBe, die aus dem paper, or an ancient Persian omphalos. Holler transforms what should Sockel herausgeschnitten wurden, werden im Inneren durch etwas be a monotonous combination — a plain dish made of colorless glass, widergespiegelt, das wie eine leichte Druckstelle im Glas erscheint - altered by hours of tedious hand-shaping — into art. aber das ist in Wahrheit ebenfalls Teil des Schliffs. Leichte Furchen Bert Frijns bases his sculpture on vessels reduced to their most tauschen schmale Falten im Rand vor und der Gesamteindruck ist der elementary form. Sometimes combined with water or stone, some­ von verwehtem Sand, geknittertem Papier oder einem antiken persi- times stacked or leaned against the wall, these barely-there containers schen Schildbuckel. Holler transformiert eine scheinbar monotone are exercises in the properties of glass. For the viewer informed about Kombination - einen einfachen Teller aus farblosem Glas, der durch glassmaking methods, an undeniable part of the Dutch artist's appeal Stunden langweiliger Handbearbeitung in Kunst verwandelt wird. is his quiet unsettling of preconceptions. Although they appear to have Bert Frijns geht in seinen Skulpturen von GefaBen aus, die auf ihre been blown, the pieces are formed by the precise controlling of win­ elementarste Form reduziert sind. Manchmal mit Wasser oder Stein dow glass heated in a kiln. One of the most remarkable exhibitions of kombiniert, manchmal gestapelt oder an die Wand gelehnt, sind diese 1995 was an extensive overview of Frijns's work presented by the kaum vorhandenen Behalter Studien zu den Eigenschaften des Gla- Haags Gemeentemuseum, The Hague. The museum allocated several ses. Fur den Betrachter, der sich mit den Techniken des Glasmachens spacious light-filled galleries to the show and published a handsome, auskennt, geht ein Teil der unbestreitbaren Anziehungskraft des hollan- insightful catalog. Most of the sculptures rested on low block pallets dischen Kunstlers von seinem ruhigen Durcheinanderbringen vorge- surrounded by ample space for viewing without interference. Although faBter Meinungen aus. Obwohl sie wie geblasen aussehen, sind die the situation is improving as museums move away from crowded group Stucke aus Fensterglas geformt, das exakt kontrolliert im Ofen erhitzt exhibitions, the dignified treatment awarded to Frijns's work remains wird. Eine der bemerkenswertesten Ausstellungen 1995 war ein unusual for most studio glass-associated sculpture. umfassender Uberblick uber Frijns Arbeit im Gemeentemuseum in Den Mieke Groot develops rich surfaces that are somehow subtle and Haag. Das Museum stellte fur die Ausstellung einige geraumige helle startling at the same time. In 1993, she introduced vessels completely Raume zur Verfugung und veroffentlichte einen ansehnlichen, kennt- encased in multiple-fired layers of glass enamel. All interest is focused nisreichen Katalog. Die meisten Skulpturen ruhten auf niedrigen on the elephant = hide-like exterior. At times, the transparent color of Holzpaletten, umgeben von reichlich Raum damit die Sicht nicht the underlying blown bubble may be illuminated through the cracks in gestort wurde. Auch wenn sich die Situation verbessert, weil Museen the skin. In reply to those who think that Groot's work is not "glassy" sich von den uberfullten Gruppenausstellungen entfernen, bleibt der enough, one might ask if the passing flash of a web of colored light is wurdevolle Umgang mit Frijns Arbeit fur die meisten Skulpturen, die not every bit as true to the nature of glass as the rainbows emitted from dem Studioglas nahestehen, ungewohnlich. a cut and polished prism. It would be better to wonder at the relevance Mieke Groot entwickelt groBartige Oberflachen, die gleichzeitig in of such debates, left over from the late 19th century and perpetuated gewisser Weise raffiniert und aufschreckend sind. 1993 hat sie Ge- by the now equally static tenets of Modernism. faBe vorgestellt, die vollstandig mit mehrfach gebrannten Schichten Left/Links: Mieke Groot, The Netherlands Untitled, 1994 Blown and enameled glass Geblasenes und emailliertes Glas Diam. 22 cm

Below/Unten: Toshio lezumi, Japan Mizuno Utsawa (Water Vessel), 1995 Cut, laminated, and polished glass Geschliffenes, laminiertes und poliertes Glas H. 9 cm, Diam. 60.9 cm

The word-playing title of Toshio lezumi's Water Vessel affirms the aus Glasemail uberzogen waren. Das gesamte Interesse wird auf das viewer's initial impression of liquidity. The matte finish of the shallow, Elefantenhaut ahnliche AuBere gelenkt. Manchmal kann es sein, daR curved wall makes the glass appear to be nearly opaque as it falls die transparente Farbe der darunter liegenden geblasenen Blase away from the glossy top — the sole window into the deep green durch Risse in der Haut hindurchscheint. Als Antwort auf die, die interior. Laminated sheet glass forms this solid pool and becomes glauben Groots Arbeit sei nicht „glasig" genug, konnte man fragen, ob evident only as concentric circles at the honed edges. What keeps the der fluchtige Blitz aus einem Gespinst von Farben nicht genauso der piece from existing as a mere lens, or as a mildly interesting example Natur von Glas entspricht wie die Regenbogen, die von geschliffenen of obsessive craftsmanship, is the distortion of the top surface. That und polierten Prismen zuruckgeworfen werden. Man sollte sich lieber bulging "imperfection" activates the sculpture and engages the viewer uber die Bedeutung solcher Debatten wundern, die aus dem spaten in much the same way as the act of skipping a stone into still water. 19. Jahrhundert ubriggeblieben sind und sich in den heute giiltigen No one can make a vessel more elegantly surreal than Richard statischen Lehrsatzen der Moderne fortsetzten. 34 Right/Rechts: Richard Meitner, The Netherlands Wisdom, 1994 Blown and flameworked glass Geblasenes und lampengearbeitetes Glas OH. 37.8 cm, W. 44.8 cm, D. 35.3 cm

Below/Unten: Alessandro Diaz de Santillana, Italy Walking Soul, 1995 Hot-worked glass, iron HeiB bearbeitetes Glas, Eisen H. 69.8 cm, W. 120.6 cm, D. 10.8 cm Photo: Fabio Zonta

Meitner. Wisdom, with its silly carrot shape leashed to a softly col­ Der wortspielerische Titel von Toshio lezumis Water Vessel be- lapsing cylinder, is as enigmatic in form as in title. It is a fitting illustra­ statigt den ursprunglichen Eindruck des Betrachters von Flussigkeit. tion of Meitner's statement from 1984: "What I am attempting to stress Die mattierte Oberflache der flach gewolbten Wand laBt das Glas fast and to manifest in my work is more the ambiguity than the meaning." opak erscheinen, indem sie von der glanzenden Spitze sanft abfallt - Alessandro Diaz de Santillana's Walking Soul has a similar eerie dem einzigen Fenster in das tiefe grune Innere. Laminierte Glasschei- ghostliness, now furtive and isolated rather than benignly puzzling. ben bilden dieses massive Becken und werden nur als konzentrische Cellular Structure II by Harumi Yukutake also seems to move as it Kreise an den feingeschliffenen Randern sichtbar. Was das Stuck backs into, then crawls up the wall. It is as complicated and light as davor bewahrt, eine reine Linse zu sein oder ein maBig interessieren- fish bones, and rendered just as flexible by its rubber cartilage. des Beispiel fur obsessive Handwerkskunst ist die Verzerrung der The elongated form by Laura de Santillana is graceful and sen­ obersten Schicht. Diese „unvollkommene" Ausbuchtung belebt die suous. Like Wisdom and Walking Soul, it captures the essence of Skulptur und zieht den Betrachter auf ahnliche Weise in den Bann wie molten glass; however, that lushness is restrained and never permitted wenn ein Stein uber unbewegtes Wasser geschnellt wird. to become the predominant reason for the work. Again, the effects of Niemand kann ein GefaB eleganter surreal gestalten als Richard the glass are subservient to the form, but critical to the message, in Meitner. Wisdom mit seiner verruckten Mohrenform, die mit einem Hank Murta Adams's blocky Bust with Locator. The mass of the icy weichen einsturzenden Zylinder gekoppelt ist, ist was die Form angeht Harumi Yukutake, Japan genauso ratselhaft wie der Titel. Es handelt sich um eine passende Cellular Structure II, 1993 Illustration von Meitners Satz von 1984. „Was ich versuche zu beto- Cut sheet glass, assembled with nen und in meiner Arbeit festzuhalten, ist eher die Zweideutigkeit als silicone die Bedeutung." Alessandro Diaz de Santillanas Walking Soul hat Geschliffene Glasscheiben, mit eine ahnlich unheimliche Geisterhaftigkeit, nun aber eher verstohlen Silikon verklebt und isoliert als milde verwirrend. Auch Cellular Structure II von H. 172.5 cm, W. 32.5 cm, Harumi Yukutake scheint sich zu bewegen; es lehnt sich gegen die D. 180 cm Wand und beginnt dann sie hinaufzukriechen. Es ist so kompliziert und leicht wie Fischgraten und scheint durch seine Gummiknorpel genauso flexibel. Right/Rechts: Laura de Santillana, Italy Untitled, 1994 Blown and engraved glass Geblasenes und graviertes Glas L. 70 cm

Below/Unten: Hank Murta Adams, United States Bust with Locator; 1995 Cast glass, copper Gegossenes Glas, Kupfer H. 73.6 cm, W. 45.8 cm, D. 33 cm

Below, right/Unten, rechts: Susan Stinsmuehlen-Amend, United States Metamorphosis XLVII, A Life Cycle, 1994 Blown, engraved, and painted glass Geblasenes, graviertes und bemaltes Glas Tallest: H. 45.7 cm, Diam. 12.6 cm

glass perfectly matches the figure's dead-eyed stare of resignation. Die verlangerte Form von Laura de Santillana ist anmutig und Susan Stinsmuehlen-Amend's name is usually associated with sinnlich. Wie Wisdom und Walking Soul fangt sie die Essenz von iconoclastic stained glass that evolved into mixed-media assemblages. geschmolzenem Glas ein; gleichwohl ist diese Uppigkeit bezahmt und For many years, she has also designed sculptures to be made in hot darf nie ein vorherrschender Grund fur die Arbeit werden. Wiederum in glass, such as this pair of oversize nursing bottles. What appear to be Hank Murta Adams blockartigem Bust with Locator sind die Effekte comfortable, familiar objects are — upon inspection of the drawn eggs, des Glases der Form untergeordnet, aber dienen kritisch der Bot- larvae, scenes of motherhood and domesticity — not so comforting. schaft. Die Masse von eisartigem Glas verkorpert vollkommen einen Judith Schaechter's pictures are never nice. She drags us through Blick der starren Resignation. her present and past love affairs, nightmares, and neuroses in an Susan Stinsmuehlen-Amends Name wird gewohnlich mit bilder- orgy of Gothicized splendor. No medium is more appropriate to her sturmerischem farbigem Glas assoziiert, das sich zu Mixed Media imagery than dense and intricately decorated panels of stained glass. Assemblagen weiterentwickelt hat. Seit vielen Jahren hat sie Skulptu- Through her teacher, Ursula Huth, Schaechter emerged as a mutated ren entworfen, die aus heiBem Glas gefertigt werden, so wie diese American descendant of Prof. Hans von Stockhausen and the Stutt­ uberdimensionierten Sauglingsflaschen. Was behagliche vertraute gart School of expressionist stained glass. Objekte zu sein scheinen, sind - bei genauer Ansicht der gezeichne- Judith Schaechter, United States ten Eier, Larven, Szenen von Mutterschaft und Hauslichkeit - nicht so King of the Fuck-Ups, 1995 trostlich. Die Bilder von Judith Schaechter sind nie nett. Sie zerrt uns Cut, engraved, sandblasted, stained, durch ihre gegenwartigen und vergangenen Liebesaffaren, Alptraume and enameled glass, assembled und Neurosen in eine Orgie gotischer Pracht. Kein Medium ist fur ihre with copper foil Bildwelten besser geeignet als dicht und knifflig dekorierte Tafeln aus Geschliffenes, graviertes, sandge- farbigem Glas. Durch ihre Lehrerin, Ursula Huth, taucht Schaechter strahltes, farbiges und emailliertes als veranderter Nachfahre von Prof. Hans von Stockhausen und der Glas, mit Kupferfolie verklebt Stuttgarter Schule von expressionistischem Farbglas auf. H. 56 cm, W. 80 cm Im August 1995 warsechs tschechischen Kunstlern, zusammenge- faBt unter dem breit gefaBten Titel „Space, Light, Glass", ein riesiger offener Ausstellungsraum innerhalb des Prager SchloBkomplexes zur Verfugung gestellt worden. Der Ort war ein historisches Gebaude und sein Garten, von allein schon wunderschon und seit 1989 die Buhne In August 1995, grouped under the broad title of "Space, Light, zahlreicher der modernen Kunst gewidmeter Ausstellungen. Die Glass," six Czech artists were given a huge open exhibition space Kunstler Stanislav Libensky, Jaroslava Brychtova, Vaclav Cigler, Dana within the Prague Castle complex. The site was a historic building and Zamecnikova und Marian Karel waren mit groBformatigen Skulpturen its garden, beautiful in their own right and, since 1989, the setting for und raumspezifischen Installationen vertreten. Vladimir Kopecky numerous exhibitions devoted to contemporary art. The artists Stani- zeigte eine Sammlung schwarzer Gemalde und Konstruktionen, die als slav Libensky, Jaroslava Brychtova, Vaclav Cigler, Dana Zamecnikova, zusammenfassende Losung einer Dekade kunstlerischen Kampfes and Marian Karel were represented by large-scale sculptures and site- zusammengekommen sind. Er schreibt „ln meiner Arbeit, die strikt specific installations. Vladimir Kopecky showed a collection of black geometrisch und gleichermaBen spontan expressiv ist, versuche ich all paintings and constructions that came together as a cohesive resolu­ das zu suchen und zu untersuchen was mich fasziniert: eine raumliche tion to a decade of artistic struggle. He writes, "In my work, which is Endlosigkeit, Stille, Angst und Melancholie." Auf irgendeine Weise strictly geometrical, as well as spontaneously expressive, I'm trying to haben sich diese Eigenschaften in der zerklufteten StraBe aus gesta- look for and examine all that fascinates me: a spatial endlessness, peltem Glas und Bleimetall materialisiert, die in einer flachen Wieder- silence, anxiety, and melancholy." Somehow, those qualities were holung verschwindender Punkte und Horizonte endet. materialized in the jagged street of stacked glass and leaden metal, Die Arbeiten in diesem Portfolio stellen unterschiedliche Auffassun- ending in the flat repetition of vanishing points and horizons. gen von Astethik dar. Jede hat ihre eigene Art von Schonheit. Diese The works in this portfolio represent a diverse assortment of esthet­ Gruppe sollte mehr als Musterkollektion betrachtet werden denn als ics. Each has its own kind of beauty. This group should be regarded as eine alles einschlieBende Zusammenfassung des Besten im gegen­ a small sampling rather than an all-inclusive summary of the best in wartigen Glas. Was die Stucke gut macht, unterscheidet sich von Fall recent glass. What makes the pieces good varies in each instance, but zu Fall, aber was sie gemeinsam haben, lohnt einer gedankenvollen what they share is meaning worthy of thoughtful consideration. As the Betrachtung. Wahrend sich die Glaswelt zunehmend polarisiert, ste- glass world becomes increasingly polarized, such efforts stand out chen solche Versuche deutlich aus all den leeren Zurschaustellungen sharply amid the empty displays of excess. von UbermaB heraus.

Susanne K. Frantz Susanne K. Frantz 38 Above/Oben: Vladimir Kopecky, Czech Republic Exhibition installation "Space, Light, Glass," 1995 Royal Ballgame Hall, Prague Castle Photo: Josef Houdek

Right/Rechts: Vladimir Kopecky, Czech Republic Hight, 1995 Cut, painted, and assembled glass Geschliffenes, bemaltes und verklebtes Glas H. 200 cm, W. 150 cm, D. 150 cm Photo: Pavel Banka Bibliography OF RECENTLY PUBLISHED ARTICLES AND BOOKS ON GLASS Bibliographie KURZLICH VEROFFENTLICHTER ARTIKEL UND BUCHER UBER GLAS

This list includes publications added to the Rakow Library of The Corning Diese Liste enthalt Veroffentlichungen, die seit der Bibliographie in der New Museum of Glass since the bibliography for New Glass Review 16. Glass Review 16 der Rakow-Bibliothek des Corning Museums of Glass hinzugefugt worden sind. Contemporary Glass (after 1945) Flat Glass (after 1945), including Architectural, Mosaic, Painted, and Zeitgenossisches Glas (nach 1945) Stained Glass Flachglas (nach 1945), einschlieBlich architekturbezogenes Glas, Glas- Technology (after 1945) mosaik, Glasmalerei und Farbglas Films and Videotapes Technologie (nach 1945) Filme und Videobander Only substantive book reviews are listed; they may be found under the author of the work reviewed. Nur bedeutende Buchkritiken sind aufgefuhrt. Sie sind unter dem Autor des rezensierten Werkes zu finden. The following periodicals are recommended for comprehensive coverage of contemporary glassmaking: Die folgenden Zeitschriften werden fur einen umfassenden Uberblick uber die zeitgenossische Glasgestaltung empfohlen: Glass (UrbanGlass, Brooklyn, New York) Glass Art Magazine Glass (Urban Glass, Brooklyn, New York) Glass Art Society Journal Glass Art Magazine Neues Glas/New Glass (Germany) Glass Art Society Journal La Revue de la Ceramique et du Verre (France) Neues Glas/New Glass (Bundesrepublik Deutschland) Stained Glass Quarterly La Revue de la Ceramique et du Verre (Frankreich) Stained Glass Quarterly Before 1982, this bibliography appeared annually in the Journal of Glass Studies, also published by The Corning Museum of Glass. Vor 1982 erschien diese Bibliographie jahrlich im Journal of Glass Studies, das ebenfalls vom Corning Museum of Glass herausgegeben wurde. Entries beginning with a cardinal or ordinal number, expressed either as a numeral or spelled out, will be found after the alphabetical entries, arranged Titel, die mit einer Kardinal- oder Ordinalzahl anfangen und die als Zahl oder als numerically. Wort ausgedruckt sind, werden nach den alphabetischen Eintragen zahlen- maBig geordnet. Exhibition catalogs, formerly listed under the name of the city in which each exhibition was held, are now listed in the following manner: Ausstellungskataloge, die friiher unter dem Namen der Stadt, in der die Ausstellung stattgefunden hat, gefuhrt wurden, finden sich jetzt nach folgendem 1. Under the name of the author (person or organization). Schema geordnet: 2. Under the name of the city in which the exhibition was held (when the author's name is not provided). 1. Unter dem Namen des Autors (der Person oder Organisation) 3. Under the title (when neither the author's name nor the city name is 2. Unter dem Namen der Stadt, in der die Ausstellung stattgefunden hat provided). (sofern der Name des Autors nicht zur Verfugung steht) 3. Unter dem Titel (sofern der Name des Autors oder der Stadt nicht zur Verfugung steht).

CONTEMPORARY GLASS (after 1945)/ZEITGEN0SSISCHES GU\S (nach 1945)

1 Anonymous 6 "Anton Hirzinger Designer Portrait" 13 "Artist Profile: Mats Jonasson, M&leras, "Acquisitions" Swarovski Collector, v. 9, no. 1, Spring/Summer Sweden" American Craft, v. 55, no. 4, Aug./Sept. 1995, 1995, pp. 12-15, ill. Influences Newsletter (The European Influence pp. 24-25, ill. Gallery, Austin, TX), no. 23, Feb. 1995, p. 3, ill. Brooklyn Museum acquires Libensky/Brychtova 7 "Archimede Seguso, verrier de Murano" cast glass piece; Mint Museum of Art receives La Revue de la Ceramique et du Verre, no. 84, Stephen Dee Edwards piece. 14 "Artist Profile: Paul Harrie Art Glass" Sept./Oct. 1995, p. 62, ill. Mirrors & Light, v. 1, no. 3, Spring 1994, p. 7, ill.

2 "Acquisitions: John Brekke" 8 "Around the World: Italy" 15 "Artist Profile: Randall Grubb, Lampwork American Craft, v. 55, no. 1, Feb./March 1995, Swarovski Collector, no. 2, 1995, p. 26, ill. Paperweights" p. 18, ill. Exhibition in Vigevano celebrates 100 years of Influences Newsletter {The European Influence Vessel in American Craft Museum. Swarovski. Gallery, Austin, TX), no. 21, Sept. 1994, p. 3, ill.

3 "Acquisitions: Thomas Patti" 9 "Artisan Profile: Roy Cunningham" American Craft, v. 55, no. 6, Dec. 1995/Jan. Waterford Reflections, v. 1, no. 4, Summer 16 "Artist Profile: Ritama Haaga Kaleidoscopes 1996, p. 27, ill. 1995, pp. 8-9, ill. and Art Glass" Stacked and fused piece now in The Corning Mirrors & Light, v. 1, no. 3, Spring 1994, pp. 7-8, ill. Museum of Glass. 10 "Artist Earns Seat on NJ State Arts Council" Niche Magazine, Autumn 1995, p. 16, ill. 4 "Ajeto" Glass artist Don Gonzalez. 17 "Artist Profiles: Linda Spackman-Harrison" New Glass Review (Czech), v. 49, no. 12, 1994, Niche Magazine, v. 7, no. 3, Summer 1995, pp. 8-9, ill. In German and English. 11 "Artist Profile: Carolyn Bennett Kaleido­ p. 101, ill. Work by designers Borek Sipek, Petr Novotny for scopes" Glass jewelry. new glassworks of the Czech firm, Ajeto. Mirrors & Light, v. 1, no. 3, Spring 1994, p. 8, ill. 18 "Artist's Corner: Ken Rosenfeld" 5 "Andre Heller: Multi-Media Maestro" 12 "Artist Profile: Kjell Engman, Kosta Boda" The Gatherer (Wheaton Village, Millville, NJ), v. 2, Swarovski Collector, v. 9, no. 1, Spring/Summer Influences Newsletter (The European Influence no. 2, Sept. 1994, p. 1. 1995, pp. 16-18, ill. Gallery, Austin, TX), no. 18, Nov. 1993, p. 3, ill. Paperweight maker. 40 19 "Artists Sustain $120,000 Loss Following 34 '"Carte Blanche' a Bernard Dejonghe: 49 "Craft Notes: Clay and Glass Association Exhibition Vandalism" Ceramique et verre" New to Western Australia" Artweek, v. 26, no. 5, May 1995, p. 3. Verre Actualites, no. 136, April/May 1995, p. 38, Craftlink, v. 9, no. 2, March 1995, p. 8. 50 flameworked glass works by Jamex and Einar ill. de la Torre destroyed in San Jose, CA. Exhibition of sculptures in Paris. 50 "Craft Notes: New Premises for Queensland Glass Artists" 20 "Ausstellung in der Galerie Quittenbaum: 35 "Caught in Passing" Craftlink, v. 9, no. 2, March 1995, p. 9. Glaskunst im 20. Jahrhundert" Birmingham [AL] Museum of Art Newsletter, Kulturin Hamburg, v. 25, no. 11, Nov. 1995, March/April 1995, p. 3, ill. 51 "II cristallo curvato come forma suprema pp. 46-47, ill. Glass shoes, part of an installation by Jane d'arredamento: la ricerca di Fiam Italia" Hamburg gallery exhibit. Mulfinger, acquired by the museum. Ottagono, v. 30, no. 114, March/May 1995, pp. 140-143, ill. In Italian and English. Glass furniture by Fiam Italia. 21 "Bags of Choice" 36 "A Celebration of Crystal: The New Daniel Swarovski Collector, no. 2, 1995, p. 22, ill. Swarovski Collection" 52 "Crystalex Glassworks Zahn" Miniature glass handbags as jewelry by Swarovski Collector, v. 9, no. 1, Spring/Summer New Glass Review {Czech), v. 50, no. 5, 1995, Swarovski. 1995, pp. 32-35, ill. pp. 5-8, ill. In German and English. History of the firm, founded 1895, and contem­ 22 "Barrett House Shows Illuminated 37 "A Celebration of the Age of Discovery" porary designs by Nemecek and Macelova. Expressions" Swarovski Collector, v. 6, no. 1, Spring/Summer 1992, pp. 4-6, ill. Antiques and The Arts Weekly, v. 23, no. 35, 53 "Curtain Up: Presenting Crystal — Le Grand Replica of the Santa Maria. Sept. 1, 1995, p. 42, ill. Interprete" Stained glass by George Donskoj, glass sculpture Swarovski Collector, v. 6, no. 1, Spring/Summer by Sydney Cash. 38 "A Century of Crystal" 1992, pp. 19-22, ill. Home Lighting & Accessories, v. 78, no. 10, Collection of Swarovski functional items by six 23 "Barry Entner" Oct. 1995, pp. 28-34, ill. designers. American Style, v. 1, no. 2, Summer 1995, Swarovski firm, past and present. p. 73, ill. 54 "Cydonia Glass Project in Malaysia" 39 "Cestou svetla a krasy" Craft Link, v. 9, no. 3, April 1995, p. 8. 24 "Barry Entner Sculptural Glass" Pro Vas Stul, v. 2, no. 3, 1994, p. 7, ill. Glass facility and education project in Kuala Niche Magazine, v. 7, no. 2, Spring 1995, p. 85, Chandeliers of Kamenicky Senov. Lumpur. ill. 40 "Combining Utility and Aesthetics" 55 "Cydonia Malaysia" Ausglass, no. 5, 1994, p. 23, ill. 25 "A Bead Apart" Tableware International, v. 25, no. 3, April 1995, p. 39. Sydney architectural glass studio building a studio Lapidary Journal, v. 49, no. 7, Oct. 1995, Annieglass. glass facility in Kuala Lumpur. pp. 16-18, ill. Exhibit of contemporary beads and beadwork at 56 "Dale Chihuly's Fifth Avenue Showstopper" 41 "Commissions: Eric Hilton" Loveland Museum, CO. American Style, v. 2, no. 1, Fall 1995/Winter American Craft, v. 55, no. 3, June/July 1995, 1996, p. 14, ill. p. 23, ill. 26 "Bergamo: Vetrorganimalcosmocromie di Glass wall and chandelier at Liz Claiborne store. Sculptures for Rockefeller Center. Mariagrazia Rosin" CeramicAntica, v. 5, no. 1 (45), Jan. 1995, 57 "Danish Delight in Edinburgh" p. 61, ill. 42 "Commissions: Ginny Ruffner" Scottish Glass Society Newsletter, no. 53, Nov. Work by Mariagrazia Rosin in Bergamo exhibition. American Craft, v. 55, no. 2, April/May 1995, 1995, p. 5. p. 26, ill. Exhibition with blown, fused, and slumped glass School play yard project, Phoenix. 27 "Bergstrom-Mahler Museum Acquires byTchai Munch, Torben Jorgenson, Jesper 8 Works by Contemporary Artist Barry Sautner" Sodring, and others. Glass Shards, Fall 1995, p. 2, ill. 43 "Commissions in Brief" Work done between 1985 and 1986. Maquette, Oct. 1995, pp. 22-23. 58 "Dartington Crystal Launches Victoria and Commissions to Benson Shaw/Clark Wiegman Albert Crystal" (stained glass) and Harley Swedler. China, Glass & Tableware, v. 112, no. 8, Aug. 28 "Board Members Gallery: Avery Anderson, 1994, p. 5, ill. Jessy Carrara, Mary Ann Celinder, Nancy Current, New design by Rachael Woodman. Yves Trudeau" 44 "Commissions: Susan Stinsmuehlen- Common Ground: Glass, v. 2, no. 2, Summer Amend" 59 "The Design Prizes 1983-1994" 1995, pp. 32-41, ill. American Craft, v. 55, no. 2, April/May 1995, p. 27, ill. Form (Jubileumsutstallningens katalog), no. 4, Crosswalk of concrete, glass, and bronze inlay in 1995, 150th anniversary of the Swedish Society 29 "Brookfield 19th Annual Holiday Craft Los Angeles. of Crafts and Design, p. 50, ill. In Swedish and Exhibition and Sale" English. Glass Art, v. 11, no. 1, Nov./Dec. 1995, pp. 22- 45 "Commissions: The Anamorph" Swedish design prizes to Gunnar Cyren and 23, ill. Sculpture, v. 14, no. 3, May/June 1995, p. 38, Orrefors (1992); to Ingegerd Raman and Skrufs Glass at the event. ill. Glasbruk (1993). Installation with mosaic, mirrors, and fiberglass by 30 "Bruce Nauman: Theme and Meaning (and Michael Davis, Ann Preston, Richard Turner. 60 "Designer Profile: Jim O'Leary" Sleight of Hand)" Waterford Reflections, v. 1, no. 1, Fall 1994, The New Yorker, Feb. 14, 1994, u.p. pp. 4-5, ill. 46 "Commissions: William Bernstein" Master cutter at Waterford Crystal. American Craft, v. 55, no. 5, Oct./Nov. 1995, 31 "Bullseye Opens Resource Center" p. 24, ill. 61 "Designpris 1995: Glasservis for Sveriges Glass Quarterly (Ruth T. Summers), v. 3, 1995, Award made in glass by Bernstein. p. 6. Riksdag" Form (Jubileumsutstallningens katalog), no. 4, 47 "The Contract Scene" 1995, 150th anniversary of the Swedish Society 32 "Carta bianca a Bernard Dejonghe: Home Lighting & Accessories, v. 77, no. 2, Feb. of Crafts and Design, p. 56, ill. In Swedish and Ceramica e vetri" 1994, p. 74, ill. English. CeramicAntica, v. 5, no. 6 (50), June 1995, Fiber optics display at Hanover Park, IL, library. Glass service for Swedish Parliament designed by pp 20-22, ill. Ingegerd Raman and made by Skrufs Glasbruk. Paris exhibition. 48 "Corning: Spojeni spicek" Architekt (Prague), v. 40, no. 14/15, Aug. 1994, 62 "Developpement des poles d'innovation" 33 "Carte Blanche a Bernard Dejonghe" pp. 8-9, ill. Le Courrier des Metiers d'Art, no. 146, Oct. Verre & Creation, no. 1, July 1995, p. 2, ill. Corning Incorporated's new headquarters 1995, p. 20, ill. English summary. building; Czech sculpture by Libensky/Brychtova Development of an artisan's training program at Paris exhibition. and Dana Zamecnikova. CERFAV, Vannes le Chatel. 63 "Diplom" 78 "Facets: Say (Ooh) Aah" 93 "Gallery" Form (Jubileumsutstallningens katalog), no. 4, Lapidary Journal, v. 49, no. 8, Nov. 1995, p. 8, American Craft, v. 55, no. 2, April/May 1995, 1995, 150th anniversary of the Swedish Society ill. pp. 78-79, ill. of Crafts and Design, pp. 60-71, ill. In Swedish Dichroic glass jewelry by dentist. Work by Judy Bone, Richard Eckerd, Tom and English. Farbanish, Dale Chihuly. Design diplomas for lighting, wineglasses, vases, 79 "Fall Fellows Leave Wheaton Village" etc., by Anna Horling, Ann Wahlstrom, Erika The Journal, a Newsletter for Friends of 94 "Gallery" Lagerbielke, Anne Nilsson, Berit Johansson. Wheaton Cultural Alliance, v. 18, no. 1, Winter American Craft, v. 55, no. 3, June/July 1995, 1994, p. 5, ill. pp. 70-75, ill. 64 "Discovering the Fine Art of Copper Wheel Jan Adam, Ruth Allen, Susan Holland, Kazimierz Work by Kathleen Mulcahy, Richard Jolley, Engraving" Pawlak. Henner Schroder, Wes Hunting. Waterford Reflections, v. 1, no. 4, Summer 1995, pp. 10-12, ill. 80 "Featured Paperweights" 95 "Gallery" The Gatherer (Wheaton Village, Millville, NJ), v. 2, American Craft, v. 55, no. 4, Aug./Sept. 1995, 65 "'Duran'Claret Bottle" no. 2, Sept. 1994, pp. 2-5, ill. pp. 70-76, ill. Schott Information, no. 70, 1994, p. 23, ill. Paperweights by 21 makers. Glass by Dan Dailey, Dimitri Michaelides, Ed World's largest wine bottle, 2.8 meters high. Branson, Ann Robinson, Linda Fifield. 81 "Fiam Italia; Flos" 66 "Echos: Exposition des sculptures du 96 "Gallery" Ottagono, v. 30, no. 114, March/May 1995, maitre verrier Patrick Lepage au Chateau American Craft, v. 55, no. 5, Oct./Nov. 1995, p. 156, ill. In Italian and English. d'Esclimont" pp. 94-99, ill. Tango glass table by Fiam Italia; two Flos lamps by Verre Actualites, no. 135, March 1995, p. 33, ill. Hank Murta Adams, Mary Van Cline, Jeffrey Castiglioni now in The Museum of Modern Art. Spencer, Theresa Batty. 67 "Egermann-Exbor" Glas + Rahmen, v. 46, no. 20, 1995, 82 "Fiam Italia: Tecnologia e design in vetrina, 97 "Gallery" Supplement: Beilage der Zeitschrift, pp. 37-38, Palladio = Showcasing Technology and Design, American Craft, v. 55, no. 6, Dec. 1995/Jan. ill. Fiam Italia's Palladio" 1996, pp. 68-73, ill. Ottagono, v. 30, no. 116, Sept./Nov. 1995, Glass by Cappy Thompson, Debra May. 68 "Electric Sign Design 1995: Exposed pp. 134-137, ill. In Italian and English. Neon; Neon Art/Sculpture; Neon Lighting/ 98 "GAS in Beantown" Graphics" 83 "'Fire on the Mountain,' Glass Art Society's Signs of the Times, v. 217, no. 9, Sept. 1995, Glass Quarterly (Ruth T. Summers), v. 3, 1995, 25th Anniversary Conference, Asheville, NC — pp. 133-145, ill. P. 7. May 11-14, 1995" Plans for the June 1996 conference. G.A.S. News, Fall 1995, pp. 7-12, ill. 69 "An Engraving Festival" CS/4 Review (Czechoslovak Airlines), 1992, 99 "A Giant Necklace" pp. 32-35, ill. 84 "First Annual UrbanGlass Awards" New Glass Review (Czech), v. 49, no. 9/10, Symposium at Moser Glassworks; work by Glass Quarterly (Ruth T. Summers), v. 3, 1995, 1994, p. 36, ill. In German and English. Vladimir Jeh'nek, Oldrich Lipa, Ursula Merker. p. 16. Jablonec nad Nisou jewelry firms create largest necklace in world for Guinness Book of Records. 70 "Exhibitions: Timeless Classics" 85 "Flora Mace & Joey Kirkpatrick at Form-Function-Finland, no. 2, 1995, p. 64, ill. Foster/White" 100 "Glas in de Gelderse kunstuitlenen" Tapio Wirkkala retrospective at littala Glass Glass Art, v. 10, no. 6, Sept./Oct. 1995, pp. 18- Glas en Keramiek, no. 2, May/June 1995, p. 7, Museum. 19, ill. ill. Seattle exhibit. Glass by Susan Hammond, Peter Bremers. 71 "Expo: Keiko Mukaide" Revue des Industries d'Art Offrir, no. 321, Feb. 86 "Forum Exhibits: MOMA's Mutant Materials" 101 "Die Glaskunstlerin Ursula Huth. Sinnbilder 1995, pp. 50-51, ill. Interior Design, v. 66, no. 6, May 1995, p. 50, ill. der Lebensreise" Interview with Mukaide on occasion of her Karim Rashid's Aura table of glass at Museum of Glaswelt, v. 47, no. 6, June 1994, pp. 36-37, ill. exhibition at Sars-Poterie, France. Modern Art exhibition. 102 "Glass America 1995" 72 "Expositions: Bernard Dejonghe" 87 "Forum, New Voices: Alison Berger" Glass Art, v. 10, no. 3, March/April 1995, La Revue de la Ceramique et du Verre, no. 84, Interior Design, v. 66, no. 6, June 1995, p. 44, pp. 22-23, ill. Sept./Oct. 1995, p. 61, ill. ill. New York exhibit. Glass vessels made for film, commercials, videos. 73 "Expositions: Isabelle Monod" 103 "Glass Art Society Announces the Hilbert La Revue de la Ceramique et du Verre, no. 80, Sosin Fund for Professionalism in the Glass Arts" Jan./Feb. 1995, p. 59, ill. 88 "Galerie und Skulpturenpark Groeneveld" Glass Quarterly (Ruth T. Summers), v. 2, Winter Rouen exhibit. Glas + Rahmen, v. 45, no. 22, Nov. 2, 1994, 1995, p. 6. pp. 1264-1265, ill. 74 "Expositions: Jeu d'echecs en verre" Art gallery and sculpture park in the Netherlands, 104 "Glass Artist Contributes to the 1995 La Revue de la Ceramique et du Verre, no. 80, with workshops by Vladimir Kopecky and others. Canada Games" Jan./Feb. 1995, p. 60, ill. Glass Gazette, Spring 1995, p. 2, ill. Jean Premont creates oversized glass chess set. 89 "Galerien & Ausstellungen: Groningen" Geri France creates VIP gifts for winter games. ArtAurea, no. 4, 1994, pp. 86-87, ill. 75 "Expositions: Le Verre contemporain a Sculptural vase by Herbert Jakob Weinand, 1993. I'honneur au Salon des Antiquaires a Marseille" 105 "Glass Artist Gonzalez Named to NJ La Revue de la Ceramique et du Verre, no. 80, Council" 90 "Galerien & Ausstellungen: Miinchen; Jan./Feb. 1995, p. 60, ill. Art Matters (Jenkintown, PA), v. 14, no. 5, Dec. Brussel" Oct. 1994 exhibition; Antoine Leperlier piece 1994/Jan. 1995, p. 1, ill. ArtAurea, no. 4, 1994, pp. 90-91, ill. illustrated. Sand-cast glass and bronze piece by Don Ivo Lill, Eric Laurent in Munich gallery; English Gonzalez. pate de verre in Brussels gallery. 76 "Expositions: Le Verre contemporain a Vianne" 106 "Glass Artist: Jaroslav Svoboda" La Revue de la Ceramique et du Verre, no. 80, 91 "Galerien & Ausstellungen: Weisse New Glass Review (Czech), v. 50, no. 8, 1995, Jan./Feb. 1995, p. 60, ill. Schatten" pp. 13-24, ill. In German and English. Opening of new gallery in an old glass factory, ArtAurea, no. 3, 1995, p. 92, ill. Vianne. Paris exhibition of Bernard Dejonghe sculpture. 107 "Glass Arts Flying High" British Columbia Glass Arts Association 77 "Facets: Beaded Commentary" 92 "Gallery" Newsletter, v. 7, no. 7, June 1995, p. 7. Lapidary Journal, v. 47, no. 7, Oct. 1993, p. 7, American Craft, v. 55, no. 1, Feb./March 1995, Finalists for Vancouver Airport terminal ill. pp. 72-75, ill. competition: Lutz Haufschild, John Hutter, Joel Piece by Joyce Scott. Glass by Janet Berg, David Hopper, Martha Wolf. Berman, and Brian Baxter/Markian Olynyk. 42 108 "Glass House" 122 "Jin Harcuba, Czech Artist, Receives 137 "Meet the Designer: The Modest Celebrity" Glass (UrbanGlass), no. 61, Winter 1995, pp. 32- Rakow Commission" Swarovski Collector, v. 8, no. 1, Spring/Summer 37, ill. Journal of Glass Studies, v. 37, 1995, p. 154. 1994, p. 15, ill. Bruce Chao describes his research into glass Michael Stamey. structures. 123 "Josh Simpson: Experiments and Explorations" 138 "Memo: Pro Arte '95" 109 "Glass Painting, Sculpture Unveiled as The Glass Club Bulletin, no. 176, Fall 1995, Arttu (University of Art and Design, Helsinki), 1994 Rakow Commission" pp. 14-15, ill. no. 3, 1995, p. 6, ill. The Corning Museum of Glass Newsletter, Nuutajarvi collection of glass by designers Orvola, Winter 1994, p. 3, ill. 124 "Keeping It Simple" Nurminen, Nordstrom, Salo, Toikka, and two students. Ursula Huth. Swarovski Collector, v. 8, no. 2, Autumn/Winter 1994, pp. 4-5, ill. 110 "A Glass Studio in Paradise" Swarovski designs by interior designer Andree 139 "Michael Stamey, Creator of 'Care for Me' Craftlink, v. 9, no. 6, July 1995, p. 8. Putman. — the Whales" Queensland Glass Artists Association opens a Swarovski Collector, v. 6, no. 1, Spring/Summer 1992, p. 8, ill. glass access studio in Eumundi. 125 "Keiko Mukaide a Sars-Poteries" Verre (Institut du Verre-Prover, Versailles), v. 1, 111 "Hallelujah Bowl" no. 2, March/April 1995, pp. 33-34, ill. 140 "My Nephew the Artist" Fusion Magazine, v. 18, no. 1, Winter 1994, Artist-in-residence at the glass studio of the ARTnews, v. 94, no. 4, April 1995, p. 30, ill. Glass by Mundy Hepburn, nephew of Katherine back cover, ill. Musee Sars-Poteries. Piece by Ontario artist Shirley Elford. Hepburn, in NY exhibit. 126 "Keynote Address: Harvey K. Littleton" 141 "Neuer Design-Mittelpunkt in Wien: Mala 112 "Herve Leger and the Swarovski Perfume & Scent Bottle Quarterly, v. 6, no. 2, Strana" Connection" Winter 1994, insert: "1994 6th Annual ArtAurea, no. 1, 1995, pp. 16-17, ill. Swarovski Collector, v. 8, no. 2, Autumn/Winter Convention," p. 4, ill. Viennese street with design shops; Borek Sipek. 1994, pp. 12-15, ill. Littleton, a DeVilbiss perfume bottle collector. Fashion designer uses Swarovski glass. 142 "New Acquisitions" 127 "Kunst in Glas, Glas in Kunst: Art Glass The Journal, a Newsletter for Friends of 113 "Hill and Hill" Centre exposeert een extra dimensie" Ornament, v. 18, no. 3, Spring 1995, pp. 68-69, Wheaton Cultural Alliance, v. 18, no. 4, Fall Glas (Nederlandse Glasbond, Leeuwarden, the 1995, p. 3+, ill. ill. Netherlands), v. 13, no. 1/2, May 1994, pp. 6 Lampworked beads by Maryland couple. Flat glass panel of St. Elizabeth of Hungary, made and 18-19, ill. by Frances and Michael Higgins. Sculpture by Czech artist Andrej Jakabs at Art 114 "Images in Glass — The Morris/Ormbrek Glass Centre, Schalkwijk. 143 "New Acquisitions" Magic" Museum of Art and Archaeology, University of Mirrors & Light, v. 1, no. 3, Spring 1994, p. 1+, 128 "Latitudes: Portland/Canberra" Missouri-Columbia News, no. 22, Fall 1994, ill. The Bullseye Bulletin, Summer 1995, pp. 6-7. p. 7, ill. William Morris, Jon Ormbrek. Exhibition of Australian glass in Portland, OR. A Chihuly "Lip Wrap" sculpture.

115 "In Context: John Brekke" 129 "Leuchtende Feuerquallen" 144 "New and News, Miscellanea: Guzzini; Glass (UrbanGlass), no. 61, Winter 1995, pp. 46- Art (Germany), no. 1, Jan. 1995, pp. 8-9, ill. I Lirici" 49, ill. Chihuly wall installation, Brooklyn Museum. Ottagono, v. 30, no. 114, March/May 1995, pp. 8-9, ill. In Italian and English. 116 "In Context: Richard Harned with Xan 130 "Liberamente" Teapot and glasses; objects in Murano glass by Palay" Minimo (Tableware and News, Pavia, Italy), no. 3, Italian design firms. Glass (UrbanGlass), no. 58, Winter 1995, July 1995, pp. 34-35, ill. pp. 44-47, ill. Venetian glassware designed by two architects. 145 "New and News, Young Designers: Laura Installations by Harned, Palay. De Santillana, Venezia" 131 "Lighting the Ginza's Sky" Ottagono, v. 30, no. 114, March/April 1995, 117 "In Context: Ruth King" Progressive Architecture, June 1995, p. 49, ill. p. 7, ill. In Italian and English. Glass (UrbanGlass), no. 60, Fall 1995, pp. 46- The largest three-dimensional neon Coca-Cola 49, ill. sign in the world. 146 "New & Notable" I.D. (International Design), v. 42, no. 1, Jan./Feb. 118 "Ingegerd Raman, krukmakare och 1995, p. 85, ill. 132 "A Look Back at GlassWeekend '95" glasformgivare" Marco Zanini designs for Steuben. The Journal, a Newsletter for Friends of Form (Jubileumsutstallningens katalog), no. 4, Wheaton Cultural Alliance, v. 18, no. 3, Summer 1995, 150th anniversary of the Swedish Society 1995, p. 6, ill. 147 "New & Notable: Dorothy Hafner" of Crafts and Design, pp. 20-23, ill. In Swedish I.D. (International Design), v. 42, no. 6, Nov. and English. 1995, p. 78, ill. Glass and ceramics by Raman. 133 "Luce & cristallo" Vessel with color patterns. Minimo (Tableware and News, Pavia, Italy), no. 3, July 1995, pp. 30-31, ill. 119 "Innerhalb der Moderne: Zum zweiten Mai 148 "New & Notable: Milan Report" Brief article about Nachtmann glass. Glasauktion" I.D. (International Design), v. 42, no. 5, Intern (Kunsthaus am Museum, Carola van Ham), Sept./Oct. 1995, p. 84, ill. no. 6, March 1988, p. 4, ill. 134 "Luminosa idea: Lultima magia di Starck" Czech design group, Olgoj Chorchoj, introduces Contemporary glass auction: Seguso Vetri d'Arte, AD (Architectural Digest, Italian edition), no. 173, sculptural glass. Albin Schaedel, Rene Roubicek, Luciano Vistosi, Oct. 1995, pp. 52-53, ill. etc. Philippe Starck lamps. 149 "New CGCA Recipients Ready for Spring Session" 120 "Inspiration, Fire & Brilliance" 135 "I magnifici cristalli da tavola di Pietro The Journal, a Newsletter for Friends of American Style, v. 1, no. 2, Summer 1995, Cascella" Wheaton Cultural Alliance, v. 18, no. 2, Spring p. 13, ill. AD (Architectural Digest, Italian edition), no. 173, 1995, p. 4+, ill. 25th Anniversary of Pilchuck Glass School Oct. 1995, pp. 30-31, ill. Pat Owens, Kingsley Parker, Jodi Salerno, Walter founded by Dale Chihuly. Cups by designer for Colle Cristalleria. Zimmerman.

121 "Ivo Lill" [in] 136 "Marcel Duchamp's 'Green Box' on View at 150 "New Fall Fellows Will Arrive in September" The Right to Hope — Global Problems, Global Williams College" The Journal, a Newsletter for Friends of Visions, London: Earthscan Publications Ltd., Antiques and The Arts Weekly, v. 22, no. 51, Wheaton Cultural Alliance, v. 18, no. 3, Summer 1995, 86 pp., ill. Dec. 23, 1994, p. 10. 1995, p. 4, ill. Piece of glass sculpture with commentary by the Duchamp's "Green Box" made as a guide to Carol Cohen, Anja Isphording, Josiah McElheny, Estonian artist. accompany "The Large Glass" sculpture. David Walters. 151 "New Fellows Selected for Winter Session" 167 "Portfolio: Jodi Salerno" 182 "Saxe Contemporary Craft Collection at The Journal, a Newsletter for Friends of American Craft, v. 55, no. 3, June/July 1995, Renwick Gallery" Wheaton Cultural Alliance, v. 18, no. 1, Winter p. 61, ill. Antiques and The Arts Weekly, v. 22, no. 50, 1994, p. 4+, ill. Dec. 16, 1994, p. 28. Robyn Campbell, Evan Snyderman, Daniel 168 "Portfolio: Judy Onofrio" Spitzer, Pamina Traylor. Metalsmith 1995 Exhibition in Print, 1995, 183 "Scoops on Scopes" pp. 28-29, ill. The Brewster Society News Scope, v. 10, no. 3, 152 "New Glass: Vetri d'artista in sette gallerie New and antique Czech beads and peyote stitch Fall 1995, pp. 3-5, ill. veneziane" jewelry. New kaleidoscopes by many designers. CeramicAntica, v. 5, no. 9 (53), Oct. 1995, pp 58-59, ill. 169 "Portfolio: Sally Rogers" 184 "Shortform: Christopher Williams" Exhibit of glass in seven Venetian galleries. American Craft, v. 55, no. 1, Feb./March 1995, Crafts (U.K.), no. 133, March/April 1995, p. 12, p. 54, ill. ill. 153 "News: Bruce Nauman Retrospective" Pate de verre and steel sculpture. Christopher Williams trophy made for Blackpool Flash Art, v. 28, no. 182, May/June 1995, p. 55, theater. ill. 170 "Portfolio: Shane Fero" American Craft, v. 55, no. 6, Dec. 1995/Jan. 185 "Shortform: Dartington Crystal Attachment 154 "News: Rakow Grant and Commission" 1996, p. 57, ill. Award" The Corning Museum of Glass Newsletter, Flameworked glass and mixed-media pieces. Crafts (U.K.), no. 135, July/Aug. 1995, p. 10, ill. Summer 1995, p. 5. Asymmetric vase by Belinda Hornsey. Czech artist Jin Harcuba receives Rakow 171 "Prairie Boy's Dream" Commission; Henri Reiling of the Netherlands Glass Gazette, Summer 1995, p. 10, ill. 186 "Shortform: Leading Lights" receives Rakow Grant for research. 35-ft. high sculpture at Winnipeg office by Warren Crafts (U.K.), no. 132, Jan./Feb. 1995, p. 9, ill. Carther. Neon by Peter Freeman. 155 "Noterat: Design" Form, v. 91, no. 5(701), 1995, pp. 16-18, ill. 172 "Pratt to Honor Chihuly in 106th Com­ 187 "Signs of Your Times: CESA-Sponsored Lighting by Hans Holleins, Johanna Grawunder; mencement" 'Night of Neon'" vases by Martti Rytkonens; candlesticks by Bertil Antiques and The Arts Weekly, v. 23, no. 22, Signs of the Times, v. 217, no. 4, April 1995, Vallien. June 2, 1995, p. 82. p. 20B, ill. California Electric Sign Association neon 156 "Notizen: Junges skandinavisches Design 173 "Presentation of Honorary Life competition. tourt durch Europa" Membership Awards to Henry Halem, Joel Philip ArtAurea, no. 3, 1995, p. 90, ill. Myers, and Sylvia Vigiletti" 188 "Soaring with the Eagles" Scandinavian design; pate de verre bowl by Raija The Glass Art Society Journal, 1993, p. 140. Swarovski Collector, v. 9, no. 1, Spring/Summer Siikamaki. 1995, pp. 28-29, ill. 174 "Pro Arte'95" Eagle sculpture designed by Adi Stocker. 157 "La Nouvelle generation des stylistes en Arttu (University of Art and Design, Helsinki), bijouterie interprete le New Glamour" no. 3, 1995, p. 6, ill. In English. 189 "Spannungsreich: Glasschmuck von Revue des Industries d'Art Offrir, no. 325, June Nuutajarvi collection of glass, result of an invita­ Marianne Schliwinski" 1995, p. 31, ill. tional commission to seven designers. Gold + Silber, Uhren + Schmuck, v. 48, no. 3, Swarovski competition for new cut glass jewelry March 1995, pp. 20-21, ill. designs. 175 "Progetti e prodotti: Storia, Memo History" Glass jewelry by Schliwinski. Stileindustria, no. 3, Sept. 1995, pp. 42-47, ill. 158 "OivaToikka" Includes glass designed by Ambrogio Pozzi, Luigi 190 "Spring Fellows Reveal Future Plans" Magazine Premier for Tableware, no. 44, Aug. Massoni. The Journal, a Newsletter for Friends of 1995, pp. 44-45, ill. In Italian. Wheaton Cultural Alliance, v. 18, no. 3, Summer 176 "Robinson Glass Company and Fritz Glass 1995, p. 5, ill. 159 "Olympic Medal at The Corning Museum" Company" Kingsley Parker, Walter Zimmerman, Jodi Salerno, Lalique Notebook, June 1995, p. 6, ill. The Marble Connection Newsletter, v. 3, no. 3, Pat Owens. Lalique medal for Albertville Olympics of 1992. July 1994, pp. 1-2, ill. Marble makers Christopher Robinson, Chicago, 191 "Strattman on Display" 160 "Paint and Glass: The Expressive and Fritz Lauenstein, Cape Cod. Signs of the Times, v. 217, no. 11, Nov. 1995, Connection" p. 6, ill. Glass Art, v. 10, no. 5, July/Aug. 1995, pp. 22- 177 "Royal Leerdam poetst aan ambachtelijk Wayne Strattman light pieces. 23, ill. glasmaken" Tucson gallery invitational exhibit. Glasbulletin, Vereniging van Vrienden van 192 "Studio: Fellows'Choice" Modern Glas, v. 9, no. 1, 1995, p. 11, ill. American Craft, v. 55, no. 3, June/July 1995, 161 "Penland School of Crafts Builds New Pieces by Siem van der Marel. pp. 48-51, ill. Glass Facility" Work by James Nadal, Tommie Pratt Rush, Glass Quarterly (Ruth T. Summers), v. 2, Winter 178 "Saga of a Giant" George Bucquet, and Robert Levin at ACC Craft 1995, p. 5. Soda Net (Newsletter of the Painted Soda Bottle Fair Baltimore. Collectors Association), May/June 1994, pp. 7-9, 162 "Pilchuck After 25 Years" ill. 193 "Studio Glass Movement Charted in New Stained Glass Quarterly, v. 90, no. 2, Summer History of "Vegas Vic," neon cowboy sign of Las York" 1995, pp. 128-129, ill. Vegas, 1951. Antiques and The Arts Weekly, v. 23, no. 4, Jan. 27, 1995, p. 46, ill. 163 "Pilchuck Celebrates 25 Years of 179 "Saint-Louis Super Magnum Piedouche" "Form and Light" exhibition at the American Craft Inspiration, Fire and Brilliance" Paperweight News, v. 9, no. 2, July 1991, p. 1, Museum. Niche Magazine, Autumn 1995, p. 12, ill. ill. 1991 limited edition paperweight. 194 "Svensk Form: Bertil Vallien" 164 "Pilchuck Celebrates 25 Years with Class Form, v. 91, no. 5(701), 1995, p. 93, ill. Reunion" 180 "Saran Carved Glass and Sculptured Award from UrbanGlass. American Glass Review, v. 115, no. 8, Marble" March/April 1995, p. 6, ill. Glass Art, v. 11, no. 1, Nov./Dec. 1995, pp. 34- 195 "Swarovski Designer Adi Stocker" 37, ill. Swarovski Collector, v. 9, no. 1, Spring/Summer 165 "Portfolio: David Lewin" Stan Saran's carved and sandblasted sculptures. 1995, p. 5, ill. American Craft, v. 55, no. 4, Aug./Sept. 1995, p. 60, ill. 181 "Sars-Poteries: Le Verre integral" 196 "Swarovski Jewellery: Inspiration Africa" Verre & Creation, no. 1, July 1995, pp. 4-5, ill. Swarovski Collector, v. 7, no. 1, Spring/Summer 166 "Portfolio: Geoff Isles" English summary. 1993, pp. 8-15, ill. American Craft, v. 55, no. 2, April/May 1995, Artists-in-residence program at the Musee-Atelier Swarovski glass elephant designed by Martin p. 66, ill. du Verre. Zendron. 44 197 "Sztuka Szkla" 213 "Waterford and Disney a Magical Duo" Richard Marquis teapot goblets, Therman Statom Format (Wroclaw), no. 10/11 (1-2), 1993, Waterford Reflections, v. 1, no. 4, Summer construction, blown glass fruit by Joey Kirkpatrick pp. 32-33 and 36-37, ill. 1995, p. 14, ill. and Flora Mace. Glass by Kazimierz Pawlak, Matgorzata Dajewska, Glass apple and slipper. and others. 228 "Recent Gifts to the Renwick Gallery" 214 "White House Traveling Collection Honors Renwick Quarterly, June/July/Aug. 1995, p. 5, 198 "Tasicka hut jakub v soukromych rukou" the Year of American Craft" ill. Pro Vas Stul (Prague), no. 3, 1993, pp. 5-6, ill. Antiques and The Arts Weekly, v. 23, no. 33, Glass sculpture by Michael Taylor. Tableware made at Tasicich glassworks. Aug. 18, 1995, pp. 58-59, ill. Includes works by Chihuly, Michaelides, Levi, 229 Adlerova, Alena 199 "Three Studios: Mary Schaffer" Dante Marioni. "Aktualne o ceskem sklarskem designu" Maquette, Dec. 1995, pp. 24-25, ill. Umenia Remesla, no. 1, 1995, pp. 25-31, ill. 215 "Winter Session Ends for Fellows" English summary. Current developments in Czech glass design; 200 "Thumbing Her Nose at the Dark" The Journal, a Newsletter for Friends of work by Jin Suhajek, Jiri Vosmik, Borek Sipek, Design in Finland (special issue of Finnish Trade Wheaton Cultural Alliance, v. 18, no. 2, Spring and others. Review), 1994, pp. 52-53, ill. In German, 1995, p. 5, ill. Japanese, English. Robyn Campbell, Evan Snyderman, Dan Spitzer, 230 "Moderni sklo pardubickeho muzea" Brita Flander, Finnish designer. Pamina Traylor. Umeni a Remesla, no. 4, 1994, pp. 39-45, ill. English and German summaries. 216 "World of Difference" 201 "A Tombstone of Glass" Important collection of Czech glass from 1920 to Swarovski Collector, no. 2, 1995, pp. 24-25, ill. New Glass Review (Czech), no. 2, 1995, pp. 30- present in the Pardubice Museum. 31, ill. In English and German. The Swarovski World of Crystal opens in Wattens. English architects Boyarsky and Murphy design 231 Adorno, Zoe glass tombstone to be made at Beranek 217 "Yan Zoritchak: Art, verre, aventure" "Centro de Arte Vitro: Glass Workshops in Glassworks, Czech Republic, for London Verre & Creation, no. 1, July 1995, p. 2, ill. Mexico" cemetery. English summary. Glass Art, v. 9, no. 6, Sept./Oct. 1994, pp. 18- Exhibit at Troyes. 19, ill. 202 "Top RSA Award" The Gift Buyer International, v. 31, no. 10, June 218 "13 After Memphis: Design Exhibition at 232 Alexander, Bill 1995, p. 20, ill. Frankfurt am Main" "Reviews: Clearly Art, Pilchuck's Glass Legacy" Dartington Crystal award to Belinda Hornsey. Kulturchronik, no. 3, 1995, p. 44, ill. Art Papers, v. 19, no. 2, March/April 1995, Borek Sipek, Philippe Starck, and others. p. 60, ill. 203 "Treasured Memories" Swarovski Collector, v. 5, no. 2, Autumn/Winter 219 "The 120th Anniversary of the Glassworks 233 "Reviews: Generations — Harvey Littleton, 1991, pp. 16-17, ill. at Vcelnicka" John Littleton, Kate Vogel" Paperweight mementos made of Swarovski glass. New Glass Review (Czech), v. 50, no. 1, 1995, Art Papers, v. 19, no. 5, Sept./Oct. 1995, p. 66, pp. 13-14, ill. In English and German. ill. 204 "Umelec i podnikatel" Asheville, NC, exhibition. Pro Vas Stul, v. 2, no. 2, 1994, pp. 4-5, ill. 220 "1993 Rakow Commission, The Corning Glass by Jaroslav Svoboda. Museum of Glass" 234 Aloi, Roberto The Glass Art Society Journal, 1993, p. 131, ill. L'arredamento moderno, quinta serie 205 "UrbanGlass News" Fritz Dreisbach's Pokal. Milano: Ulrico Hoepli Editore, 1952, 410 pp., ill. Glass (UrbanGlass), continuing series: no. 58, English and French summaries. Winter 1995-no. 61, Fall 1995. 221 "1994 AIA Religious Art Award: Harley Early 1950s European furnishings, including glass Swedler" and lamps (especially Scandinavian, Italian). 206 "The B Team Scores a Solid Success" Faith & Form, Journal of the Interfaith Forum on Glass (UrbanGlass), no. 59, Spring 1995, p. 62, Religion, Art and Architecture, v. 28, Spring 235 Ambasz, Emilio ill. 1995, p. 24, ill. "Angels of History: Chimerical Milanese Faxes" Sabbath candlelamp. Neos (Denver Art Museum), v. 4, no. 1, 1994, 207 "Vandal Destroys Glassblowers' Work in pp. 10-14. Series of faxes by author to editor of Terrazzo on San Jose Center for Latino Arts" 222 "1995 American Craft Council Awards, Italian design, from the 1960s to 1980s. The Crafts Report, September 1995, p. 6. Award of Distinction: Pilchuck Glass School [and] Glass Art Society" 236 Andreani, Carole 208 "A Venetian Love Affaire" American Craft, v. 55, no. 5, Oct./Nov. 1995, "La Biennale de Limoges" CeramicAntica, v. 5, no. 9 (53), Oct. 1995, pp. 54-55, ill. La Revue de la Ceramique et du Verre, no. 79, pp. 6-9, ill. In Italian. Nov./Dec. 1994, p. 58, ill. Venice exhibition with work by Tagliapietra and his 223 "1995 American Craft Council Awards, Includes glass by Dominique and Michele Gilbert. friends Chihuly, Dailey, Guggisberg, and Baldwin. Fellows: Richard Marquis" American Craft, v. 55, no. 5, Oct./Nov. 1995, 237 "Le Verre a boire, un theme simple et p. 58, ill. 209 "Le Verre au zenith: Galerie Internationale stimulant" du Verre a la Verrerie de Biot" [in] La Revue de la Ceramique et du Verre, no. 82, L'Art Contemporain du Verre, Biot, France: the 224 "1995 Conference, Special Awards" May/June 1995, pp. 46-47, ill. gallery, 1993, insert in folder, 2 pp., ill. G.A.S. News, Spring 1995, p. 2. Paris exhibit with sculptural vessels by Yamo, Jack Schmidt, Erwin Eisch. Riberolles, Oliver Juteau, and others. 210 "Vianne's Old World Technique Creates Fashion-Forward Glassware" 225 Aarhus. Aarhus Kunstmuseum 238 Andres, Zdenek Home Lighting & Accessories, v. 77, no. 4, April Starlight: James Turrell, Maurizio Nannucci, "V Orlickych horach jsme tavili sklo drevem" 1994, pp. 120-124, ill. Bruce Nauman (Jens Erik S0rensen, ed.) Umenia Remesla, no. 4, 1994, pp. 72-73, ill. Glass shades and other items by the French firm. Aarhus, Denmark: the museum, 1994, 111 pp., Outdoor hot glass furnace set up in Destnem, ill. In Danish and English. Orlicky mountains. 211 "Walter Schwarz: Beruf als Hobby und Neon and other light installations. Hobby als Beruf" 239 Andrews, Sarah Glas + Rahmen, v. 45, no. 24, Dec. 2, 1994, 226 Abrink, Pernilla "A Glass Furnace Comes to Hiram, Ohio" p. 1369, ill. "Noterat: Gunnel Sahlin" Hiram Magazine (Hiram College), v. 67, no. 3, Lampworker. Form, v. 91, no. 5 (701), 1995, p. 8, ill. Spring 1995, pp. 14-17, ill. New colored flask forms. Fritz Dreisbach teaches a workshop at Hiram 212 "Waterford Adds Sparkle to Miss America College. Pageant" 227 Adamson, Jeremy Waterford Reflections, v. 1, no. 2, Winter 1995, "Recent Acquisitions" 240 Anstead, Michael p. 15, ill. Renwick Quarterly, June/July/Aug. 1995, "World According to Studer" Waterford glass scepter. pp. 2-3, ill. British Columbia Glass Arts Association Newsletter, v. 7, no. 7, June 1995, p. 3, ill. Also Sept./Oct. 1995, pp. 26-30, ill. 267 Bernard, Elodie in Glass Gazette, Summer 1995, p. 19. Czech glass: Palova, Pala, Tomecko, Mytny, "Expositions: Matei Negreanu" Robert Studer sculpture in Vancouver gallery. Macho, and others. La Revue de la Ceramique et du Verre, no. 84, Sept./Oct. 1995, p. 59, ill. 241 Anthony, Joseph 254 Baker, Cozy "Transparent Treasures" Kaleidoscopia: A Calendar for the Last 5 Years 268 Berndt, Louise Nation's Business, no. 76, Jan. 1988, p. 41, ill. of the 1900s, 1995-1999 "Reviews: Edward Leibovitz, 1975-1994" Riley-Hawk Galleries, Ohio. Bethesda, MD: Beechcliff Books, 1994, 80 pp., Glass (UrbanGlass), no. 59, Spring 1995, p. 50, ill. ill. 242 Antonelli, Paola "The Manufacture of Ideas" 255 Banas Pawel 269 Berry, Heidi L. Metropolis, April 1995, pp. 62-65+, ill. "Przeciw utartym konwencjom (fragmenty "The White House Crafts Collection" Italian lighting firm Luceplan. rozmowy ze Stanistawem Borowskim)" American Style, v. 2, no. 1, Fall 1995/Winter Format (Wroclaw), no. 10/11 (1-2), 1993, 1996, pp. 40-47, ill. 243 Mutant Materials in Contemporary pp. 25-27, ill. Design Interview with Stanislaw Borowski. 270 Bester, J. C. New York: The Museum of Modern Art, 1995, "Toots Zynsky: Sous la signe de I'Afrique" 128 pp., ill. 256 "Szkto — inaczej" La Revue de la Ceramique et du Verre, no. 80, Exhibition included glass, pp. 86-95. Format (Wroclaw), no. 10/11 (1-2), 1993, Jan./Feb. 1995, pp. 32-39, ill. pp. 13-23, ill. 244 Arie, Laura Glass by Witold Turkiewicz, Ludwik Kiczura, and 271 Blauer, Ettagale "Heart of Glass" others. House & Garden (British edition), v. 50, no. 11, "Glassy Lady" Lapidary Journal, v. 49, no. 7, Oct. 1995, Nov. 1995, pp. 134-139, ill. 257 Barovier Mentasti, Rosa pp. 24-28, ill. Drinking glasses by Baccarat, Lalique, etc. "II bianco e il nero" CeramicAntica, v. 5, no. 4 (48), April 1995, Jacqueline Lillie's beaded jewelry. 245 Art Topographie 95: Dokumentation, pp. 28-43, ill. 14 Bildhauer auf dem Weinberg in Eining (Text: Exhibit of Cristiano Bianchin collection with black 272 Blazek, Michael Gabriele Scholtz) and white vessels designed by Carlo Scarpa and "Australia's Fire and Light Exhibition: Neon Art Neustadt/Donau: Bildungskreis, 1995, 13 post­ made by master glassblowers in Venice. Goes Over Well Down Under" cards in a folder, ill. Signs of the Times, v. 217, no. 5, May 1995, Glass sculpture/installation at vineyard by Ursula 258 "Reviews: Massimo Nordio" pp. 182-187, ill. Merker. Glass (UrbanGlass), no. 59, Spring 1995, pp. 50-51, ill. 273 Blonston, Gary 246 Asheville. Asheville Art Museum "Fire, Gravity, Chance" The Littleton Collection (Text: Harvey K. Littleton 259 "Reviews: Monica Guggisberg, Philip American Way (American Airlines/American and Frank E. Thomson III) Baldwin and Lino Tagliapietra" Eagle), v. 28, no. 5, March 1, 1995, pp. 62-69, Asheville, NC: the museum, 1995, 8 pp., ill. Glass (UrbanGlass), no. 59, Spring 1995, ill. Teaching collection with pieces by Jean Sala, pp. 48-49, ill. Seattle glass scene and Dale Chihuly, William Raoul Goldoni, A. D. Copier, Sybren Valkema. Zurich exhibit. Morris.

247 S.E. Glass: A Regional Survey from 260 Barovier Mentasti, Rosa, ed. 274 Bloom, Murray Maryland to Louisiana. 1995 Guide (Text: Frank New Glass a Venezia: Vetri d'artista in sette "The Genesis of a Glass Sculptor: Scott Summey" E. Thomson III) gallerie veneziane (Text: Rosa Barovier Mentasti Glass Line, v. 9, no. 2, Aug./Sept. 1995, p. 1 +, Asheville, NC: the museum, 1995, 1 leaf, folded, and Dan Klein) ill. ill. [Venezia: the galleries, 1995]; (Venezia: Grafica & Includes biographical information about the artists Stampa), [22] pp., ill. English and German 275 Boca Raton. Habatat Galleries and illustrations of their work. summaries. Jon Kuhn (Text: Joan Falconer Byrd) New Venetian glass on exhibit at seven Venetian Boca Raton, FL: the galleries, 1995, 16 pp., ill. 248 Augustijn, Piet galleries. "Alex Luigjes: Zestig jaar glazeniers in Amersfoort" 276 Bock, Paula Glasbulletin, Vereniging van Vrienden van 261 Beaumont, Mary Rose "Mind Over Matter" "The Art of the Absolut" Modern Glas, v. 9, no. 1, 1995, pp. 26-27, ill. Pacific Magazine (The Seattle Times), July 16, Art Review, v. 46, Dec. 1994/Jan. 1995, p. 11, 1995, u.p. [6 pp.], ill. ill. 249 "Uitbundige decors van vliegtuigen, vogels Ginny Ruffner. en vissen" Commissions and exhibitions sponsored by Glasbulletin, Vereniging van Vrienden van Absolut Vodka. 277 Bohemia Crystal: Les collections et les Modern Glas, v. 9, no. 1, 1995, pp. 19-21, ill. ensembles de verrerie; les plus reussis et leurs Olaf Stevens. 262 Becker, Vivienne createurs (Text: Antonin Langhamer; Jana "Jewels of Fantasy: A Comprehensive Costume Dolezelova, ed.) 250 "25 jaar zoeken naar het volmaakte Jewellery Exhibition" Liberec: Glassexport, 1989(Decin: Grafiatisk), kristallen relatiegeschenk" Swarovski Collector, v. 5, no. 2, Autumn/Winter 55 pp., ill. Glasbulletin, Vereniging van Vrienden van 1991, pp. 4-6, ill. Modern Glas, v. 9, no. 1, 1995, pp. 12-13, ill. Circulating exhibit of 20th-c. costume jewelry. Siem van der Marel. 278 Boltz, Klaus 263 Swarovski: The Magic of Crystal "Villa Lenbach Municipal Gallery, Munich" 251 Axelband, Harriet New York: Harry N. Abrams, 1995, 158 pp., ill. International Lighting Review, no. 1, 1995, "Glass Act" Family history, designs and designers. pp. 30-31, ill. China, Glass & Tableware, v. 111, no. 8, Aug. Fluorescent lamp installations by Dan Flavin. 1993, pp. 18-21, ill. 264 Benjamin, Andrew Simon Pearce glassware. Object — Painting 279 Boman, Monica London: Academy Group, 1994, 128 pp., ill. "Solen och harden" 252 Baatz, Willfried Philosophical essays on contemporary art; Form, v. 91, no. 5 (701), 1995, pp. 54-57, ill. "Licht, Korper und Raum: Neue Leuchten in includes installations with glass by Langlands & English summary. zauberhaftem Licht" Bell, Jenny Holzer light works. Lamps and lighting by Brita Flander. ArtAurea, no. 4, 1994, pp. 30-45, ill. English summary. 265 Bern. Kornhaus Bern 280 Bonami, Francesco "Light, Bodies and Space," new lamps and Kunstwochen '92 (Text: Max Warren) "Spotlight: Felix Gonzalez-Torres and Ross lighting. Bern: the gallery, 1992, 44 pp., ill. Bleckner" Includes glass by Eka Haberling. Flash Art, v. 28, no. 182, May/June 1995, 253 Bajcurova, Katarina p. 108, ill. "Le Verre slovaque: Perspective et realite" 266 Bernard Dejonghe Glass by Gonzalez-Torres in Guggenheim La Revue de la Ceramique et du Verre, no. 84, Nerac: Editions Vers les Arts, 1994, [16] pp., ill. Museum exhibit. 46 281 Borgward, Monica English summary. (1 folded leaf), ill. "Notizen: Das glaserne Herz des Bayernwaldes" Ceramics and glass sculpture by Helly Brochure showing the workshop, list of ArtAurea, no. 3, 1995, p. 88. Oestreicher. showrooms, the glass. Frauenau: the glass museum, symposiums, etc. 294 Brzezinski, Jamey 307 Chambers, Karen S. 282 Bormioli, Constantino "Reviews: Kenneth Matsumoto at Carnegie Arts "Art & Auction: The Second Time Around" "II taglio deN'opaco" Center" American Style, v. 2, no. 1, Fall 1995/Winter Alte Vitrie, v. 7, no. 2/3, Dec. 1994, pp. 12-14, Artweek, v. 26, no. 1, Jan. 1995, p. 30, ill. 1996, pp. 74-78, ill. ill. English summary. Sculptures with glass in California show. Auctions and gallery resales of studio glass and Glass sculptures and installations by Oki Izumi. clay. 295 Buck, Alex and Vogt, Matthias, ed. 283 "Vetro News: Donazione de Silvia Michael Graves (Text: Janet Abrams and others) 308 "David Reekie's Contemporary Levenson" Berlin: Verlag fur Architektur und Technische Commentary" Alte Vitrie, v. 7, no. 2/3, Dec. 1994, pp. 27-28, Wissenschaften, 1994 (Designermonographien; Neues Glas, no. 3, 1995, pp. 28-37, ill. In ill. 3), 144 pp., ill. In German. German and English. Work by Levenson donated to Museo del Vetro, Includes some glassware and lighting by the Altare. designer. 309 "Dorothy Hafner Updates Tradition with Blown Mosaic Vessels" 284 Bossi, Gabriella 296 Bucknell, Carol Glass (UrbanGlass), no. 60, Fall 1995, p. 62, ill. "Luciano Vistosi" "Large-Scale Glass" Rassegna, Modi di Abitare Oggi, v. 5, Craft Arts International, no. 33, 1995, pp. 48-51, no. 24/25, Sept./Dec. 1972, pp. 74-85, ill. ill. 310 "Every Glass Picture Tells a Story" Garry Nash blown glass. Glass Artist (formerly Professional Stained 285 Boulenger, Odette Glass), no. 4, June/July 1995, pp. 12-15+, ill. "Golden Memories of 50 Years with Lalique" 297 Budapest. Iparmuveszeti Muzeum The narrative in contemporary glass. Lalique Magazine, v. 5, no. 4, Winter 1994, Paradoxon - Oveg - Muveszet = Paradoxon - pp. 8-11, ill. Glass - Art (Text: Vera Varga) 311 "Going, Going, Gone or Coming, Coming, Author's reminiscences as a company employee Budapest, Hungary: the museum, 1995, ill. In Coming?" through three generations of Laliques. Hungarian. Neues Glas, no. 4, 1995, pp. 42-49, ill. In 41 Hungarian glass and stained glass artists in German and English. 286 Brandt, Beverly K. summer exhibit. A look at the glass secondary market (studio glass "Focus: Richard Royal" at auction). American Craft, v. 55, no. 2, April/May 1995, 298 Byrd, Joan Falconer p. 75, ill. "Jon Kuhn: Radiant Vision" 312 "Reviews: Bertil Vallien" Exhibit in Scottsdale, AZ. American Craft, v. 55, no. 5, Oct./Nov. 1995, Glass (UrbanGlass), no. 58, Winter 1995, p. 52, pp. 70-73, ill. ill. 287 Braun, Astrid Chicago exhibit. "Glas, Raum, Farbe: Eine Ausstellung mit Vladimir 299 "Southern Arts Federation, 1995 Crafts Kopecky" Fellowships: Robert Levin" Glaswelt, v. 47, no. 12, Dec. 1994, p. 29, ill. 313 "Reviews: Robert Carlson" American Craft, v. 55, no. 6, Dec. 1995/Jan. Exhibition of Kopecky's sculpture in Almelo, the Glass (UrbanGlass), no. 61, Winter 1995, p. 50, 1996, Supplement, u.p., ill. Netherlands. ill. 300 Cahill, Maureen 288 Britton, Alison 314 Chandler, Mary Voelz "RFC Glass Art Award" "The Four Tops. Glass: Emma Woffenden" "Art's Bumpy Flight into Denver International Craft Arts International, no. 33, 1995, p. 114. Art Review, v. 46, Dec. 1994/Jan. 1995, p. 28, Airport" Annual prize for contemporary Australian glass. ill. Maquette, July/Aug. 1995, pp. 13-17, ill. Author chooses four "museum pieces of the Sculpture with neon glass "beads" by Alice future," including one in glass. 301 Camera, Giovanna and Giarratana, Adams. Rossella "Bijoux: Una cascata di cristalli" 289 Broska, Magdalena 315 Charleroi. Musee des Beaux Arts Antiquariato, no. 171, June 1995, pp. 74-81, ill. Adolf Luther und seine Sammlung. Eine Kunst Quatrieme biennale des jeunes talents 1950s-1980 glass jewelry by Coppola e Toppo auBerhalb des Bildes... = Adolf Luther and his [Charleroi, Belgium: the museum, 1994], 117 pp., firm. Collection. An Art Outside the Picture... ill. Krefeld: Adolf-Luther-Stiftung Krefeld, Stiftung fur Includes glass by Isabel Almeida, Joost Bicker konkrete Kunst, 1993, 143 pp., ill. In German and 302 Carlson, Robert Caarten, and Koen Vanderstukken. English. "Letter from the President" Luther's mirror and lens sculptures, and his G.A.S. News, Fall 1995, p. 1. Value of Glass Art Society conferences. 316 Chartreux, Annie personal collection of avant-garde artwork from "Expositions: Maomi Shioya" 1960 to 1990. La Revue de la Ceramique et du Verre, no. 82, 303 Casimo, Marianne May/June 1995, p. 58, ill. "Visite a Nonfoux du maestro de Murano Lino 290 Bruce, Jane Marseilles exhibit. "Letter from Oz: September 1995" Tagliapietra" Glass Quarterly (Ruth T. Summers), v. 3, 1995, Crafts Council Schweiz, no. 4, 1994, cover and pp. 9-10. p. 10, ill. In French and German. 317 Chase, Cathy News from the glass scene in Australia. Monica Guggisberg/Philip Baldwin and Lino "A West Coast Debut" Tagliapietra collaboration exhibit. The Glass Art Society Journal, 1993, pp. 100- 103, ill. 291 Brunhammer, Yvonne 12 younger West Coast artists say what inspires "Bernard Dejonghe, une oeuvre minerale au 304 Cassady, Dorothea and motivates them. Musee des Arts Decoratifs" "May Program: Modern Glass Beadmaking" Connaissance des Arts, no. 519, July/Aug. The Bead Society Newsletter (Los Angeles), 1995, pp. 50-55, ill. v. 11, no. 3, Aug./Sept./Oct. 1995, pp. 3-4, ill. 318 Chester-Levy, Catherine Exhibition at Pavilion de Marsan, Paris. Talk by Will Stokes, Blue Flame Studio. "Alighting on Glass" Sotheby's Preview, v. 6, no. 5, Oct. 1994, 292 "Dix objets, dix createurs" 305 Celant, Germano and Eccher, Danilo pp. 12-14, ill. Connaissance des Arts, no. 513, Jan. 1995, Tony Cragg Danny Lane's glass balustrade for the Victoria & pp. 86-95, ill. Milano: Edizioni Charta, 1994, 303 pp., ill. Albert Museum and other works by Lane. Lamps and other furnishings by Starck, Sottsass, Trento exhibition included glass sculpture. Pesce, Mari, and others. 319 Chiarione, LoRenzo 306 Cenedese, Gino, Murano "Uno zoo di cristallo" 293 Brust, Gerda Cenedese Murano: Fornace ed Esposizione Alte Vitrie, v. 6, no. 2, Aug. 1993, pp. 11-12, ill. "Vrolijke conclusies van een gouden tijd" Murano... English summary. Vormen uit Vuur, no. 155, 1995, pp. 24-30, ill. Murano, Venezia: the company, [195-], [8] pp. Austrian firm Swarovski. 320 Chicago. Spertus Museum 334 "Signs of Your Times: Prague Plugs into 349 Deamicis, Ralph Mark The Hanukkah Menorah: Philip and Sylvia New Neon Era" "The Master's Role in a Sculptor's Metamor­ Spertus Judaica Prize Signs of the Times, v. 217, no. 6, June 1995, phosis" Chicago: Spertus Institute of Jewish Studies, pp. 102-105, ill. Maquette, May/June 1995, pp. 22-24, ill. 1994, 40 pp., ill. Includes Dale Chihuly. Includes glass oil lamp by Janet Berg, pp. 20-28. 335 Crawford, Val and Pirsig, Ted "Neon Means New in Greece" 350 DeGraaf, Marti 321 Clark, Vicky A. Signs of the Times, v. 217, no. 8, Aug. 1995, "Collectors' Choice Award 1994" "Kathleen Mulcahy's Unheard of Songs" p. 117, ill. Perfume Bottle Quarterly (formerly Perfume and Glass (UrbanGlass), no. 58, Winter 1995, Neon lighting, Athens. Scent Bottle Quarterly), v. 6, no. 4, Summer pp. 36-43, ill. 1994, p. 16, ill. 336 Crestou, Nicole 1994 Lalique bottle, Le Parfum Lalique. 322 Clifton, Leigh Ann "Armande" La Revue de la Ceramique et du Verre, no. 83, "Artists & Technology: Some Issues of Individual 351 Diehl, Carol July/Aug. 1995, pp. 54-55, ill. Application" "Reviews: Dan Flavin" Ceramic and mosaic artists, and glassworkers Artweek, v. 26, no. 2, Feb. 1995, pp. 22-23, ill. ARTnews, v. 94, no. 1, Jan. 1995, p. 160, ill. (Georges Stahl, Monica Damian), join in Includes light sculptures by Milton Komisar. New York exhibit. association called Armande in Mende, France. 323 Cohen, Carol 352 Dodson, Ricky Charles "To the Editor" 337 Croze, Anselm "Lampworker's Fuel of the Future" G.A.S. News, Spring 1995, pp. 5-6. "Kitengela Glass" Glass Art, v. 11, no. 1, Nov./Dec. 1995, pp. 10- Response to Susanne Frantz article, "Should The Independent Glassblower, no. 38, 11, ill. Making Art Be a Career?" July/Aug. 1995, pp. 6-7, ill. Kenya glass studio. Author's work using new gas. 324 Cohen, Michael "Neon: Argon to Xenon" 338 Cruwell, Konstanze 353 Donefer, Laura Lighting Design and Application, v. 25, no. 3, "Frankfurt: Luciano Fabro" "lo sono nato per il vetro" March 1995, pp. 22-27, ill. Art (Germany), no. 1, Jan. 1995, p. 78, ill. Glass Gazette, Summer 1995, pp. 11-12. In Installation with glass by Fabro. English. "Born for glass": Pino Signoretto. 325 Colacello, Bob 339 Culling, Jan "A Touch of Glass" "Howard Ben Tre Lecture at Habatat Gallery" Vanity Fair, no. 424, Dec. 1995, p. 210, ill. 354 Doubet, Ward Michigan Glass Guild Newsletter, April 1995, Chihuly. "Southern Arts Federation, 1995 Crafts p. 3. Fellowships: Rick Beck" 326 Conroy, Sarah Booth American Craft, v. 55, no. 6, Dec. 1995/Jan. 340 Currie, Bettie "Glass Master Dale Chihuly Breathes Life Into 1996, Supplement, u.p., ill. "Craft Event in 17th Year" Fabled Forms" Craft Arts International, no. 35, 1995-1996, Washington Home (The Washington Post), April 355 Douglas, Mary pp. 96-97, ill. 14, 1994, pp. 14-15+, ill. The Craftsman as Yeoman: Myth and Cultural Glass by Australians Susannah Quirk, Amanda Identity in American Craft Robbins. 327 Conseil des Metiers d'Art du Quebec Deer Isle, ME: Haystack Mountain School of Les Artisans et artisanes professionneis en Crafts, 1995, 16 pp., ill. 341 Danto, Arthur C. The glassblower as "Pan," p. 8. metiers d'art du Quebec: Repertoire "Lamps and Vessels: Some Thoughts on the Montreal and Quebec: the council, 1994, 190, Critical Language of Glass" 15 pp., ill. American Ceramics, v. 11, no. 4, 1995, pp. 12- 356 Dreisbach, Fritz Quebec artists listing, including glassmakers. 13. "Presentation of Lifetime Achievement Awards to Dominick Labino and Harvey K. Littleton" 328 Contemporary Glass: Vaclav Cigler, 342 Darts, Jo The Glass Art Society Journal, 1993, pp. 138- Marian Karel, Vladimir Kopecky, Stanislav "Too Hot 2 Handle" 139, ill. Libensky, Jaroslava Brychtova, Dana Glass Gazette, Summer 1995, p. 7. Zamecnikova (Text: Sylva Petrova, Atsushi Review of an exhibit at the Canadian Craft 357 Dreisbach, Fritz and others Takeda, and Masae Nakama) Museum, Vancouver. "Panel: Where Were You in '62?" Tokyo: Yokohama Museum of Art; [s.l.]: Galerie The Glass Art Society Journal, 1993, pp. 16-18, Nakama; Prague: Umeleckoprumyslove Muzeum, 343 "V6" ill. 1991, 19 pp., ill. In Japanese and Czech. Glass Gazette, Summer 1995, p. 6, ill. Exhibition in 1991. Collaborative of six Vancouver glassblowers. 358 Drury, Nevill, ed. New Art Eight: Profiles in Contemporary 329 Cooper, Emmanuel 344 David Palterer Riflessioni: Vetri (Text: "Reviews: Handmade, Changing Taste in the Look Australian Art Gerard-Georges Lemaire) Roseville, Australia: Craftsman House Publishers, of the Crafts" Milano: Edizione Galleria Colombari, 1993, [27] Crafts (U.K.), no. 137, Nov./Dec. 1995, pp. 54- 1993, 192 pp., ill. pp., 33 color plates, ill. In Italian, French, English. Includes kiln-formed glass by Judi Elliott, pp. 46- 55, ill. Glass by the Israeli-Italian architect and designer. Exhibit at Walker Art Gallery, Liverpool; bowl by 49. Annette Meech illustrated. 345 Davis, Paul R. 359 Dudley. Dudley Art Gallery "Signs of Your Times: The Signs of Beale St." 6 Modern Glassmakers 330 Copeland, Beverly M. Signs of the Times, v. 217, no. 5, May 1995, Dudley: the gallery, 1978, 8 pp., ill. "Interview: Janusz Walentynowicz" pp. 148-150, ill. Ray Flavell, George Elliott, Michael Brown, Karlin Glass Focus, v. 9, April/May 1995, p. 1+ . Neon signs in Memphis, TN. Rushbrooke, David Reekie, Keith Cummings. 331 "Interview: Jose Chardiet" 346 "Classic Neon Installations" Glass Focus, v. 9, June/July 1995, p. 1+. Signs of the Times, v. 217, no. 9, Sept. 1995, 360 Duits, Thimo te pp. 66-71. "Barbara Nanning: Volumes monochromes" 332 Crawford, Val La Revue de la Ceramique et du Verre, no. 84, "Neon in Egypt: A Star in the Desert" 347 "Signs of the Crescent City" Sept./Oct. 1995, pp. 12-17, ill. Signs of the Times, v. 217, no. 5, May 1995, Signs of the Times, v. 217, no. 10, Oct. 1995, Ceramics and glass by Dutch artist. pp. 170-175, ill. pp. 136-141, ill. Cairo neon. New Orleans' neon signage. 361 "Een bokaal van Floris Meydam en Willem Heesen" 333 "The Neon Lights of Budapest" 348 Dawes, Nicholas M. Vormen uit Vuur, no. 153, 1994, pp. 38-39, ill. Signs of the Times, v. 217, no. 7, July 1995, "Nordic Exposure: The Glass of Orrefors and English summary. pp. 148-151, ill. Kosta Boda" Pokal by Meydam and decorated by Heesen, a Neon signs in Budapest. Cigar Aficionado, [n.d., 1994?], p. 193+, ill. recent acquisition of the National Glass Museum. 48 362 "Reviews: Bert Frijns" 377 Ernould-Gandouet, Marielle 390 Firth, Mike Glass (UrbanGlass), no. 60, Fall 1995, p. 51, ill. "Sculpter le verre" "Fire on the Mountain" Two exhibits in The Hague. L'Oeil, no. 475, Oct. 1995, pp. 54-59, ill. Hot Bits, no. 25, April 3 - May 31, 1995, Exhibition at Sevres museum: Danny Lane, pp. 4-10. 363 "Reviews: Mieke Groot, Richard Meitner" Libensky/Brychtova, Sabokova, Karel, Mansau, Author's report on Glass Art Society Conference: Glass (UrbanGlass), no. 59, Spring 1995, p. 49, Zoritchak, Van Lith, Negreanu, etc. studio visits, meetings, Penland, etc. ill. 378 "Zurich: Gerard Koch, 'Rondo et 391 Fordham-Edwards, Ric 364 Dyett, Linda Continuo'" "A Ruling Passion" "The Language of Luminosity" L'Oeil, no. 464, Sept. 1994, p. 24, ill. Craft Arts International, no. 33, 1995, pp. 60- House Beautiful, March 1995, p. 102+, ill. Review of exhibits at Museum Bellerive and at 63, ill. Darryle Hinz and Anja Kjaer, Danish/American Paris gallery. Glass by B. Jane Cowie. glass artists. 379 Ettore Sottsass (Text: Frangois Barre and 392 Form Island II: Islandskt Konsthantverk 365 Dziewior, Yilmaz others) och Design, Vandringsutstallning i Norden "Reviews: Jorge Pardo" Paris: Editions du Centre Pompidou, 1994, 1992-1993 (Text: Hrafnhildur Schram) Artforum, v. 34, no. 3, Nov. 1995, p. 100, ill. 143 pp., ill. [S.I.: Form Island; Reyjavik: Nordens Hus; Cologne exhibit with glass "lamp objects." Paris exhibition. Helsingfors: Konstindustrimuseet, 1993], 32 pp., ill. 366 Ebeltoft. Glasmuseum 380 Les Extremes de Jean-Claude Novaro Glass by Sigrun Einarsdottir, Pi'a Sverrisdottir, Glass From North Carolina Biot, France: Galerie Jean-Claude Novaro and Soren Staunsager Larsen in exhibition. Ebeltoft, Denmark: the museum, 1995, 57 pp., Galerie Internationale du Verre a la Verrerie de ill. Biot, 1995, 31 pp., ill. 393 Foulds, Diane Exhibit of work by 22 Penland area artists. "Survival of the Fittest in the Czech Glass 381 Fabel, Karel and Sekora, Ondrej J. Industry" 367 Yan Zoritchak (Charlotte Sahl-Madsen and "Jsem realista: S Jirim Ermlem rozmlouvali" Glass Collector's Digest, v. 9, no. 4, Dec. Sandra Blach, ed.) Umeni a Remesla, no. 3, 1995, pp. 22-27, ill. 1995/Jan. 1996, pp. 39-44, ill. Ebeltoft, Denmark: the museum, 1995, 123 pp., English summary. ill. In Danish, French, English. Interview with Jin Erml, photographer of contem­ 394 Frantz, Susanne K. porary glass (Steve Tobin, Tom Patti, Venini firm). "Cane and Murrine Decoration in 20th-century 368 Eberle, Ambros Glass" "Glasblaserei: Zerbrechliche Blutenpracht" 382 Faulkner, Norman and Smith, Ginger Glass (UrbanGlass), no. 59, Spring 1995, Heimatwerk/Kunsthandwerk, v. 60, no. 2, 1995, "In Review at C2G2: A Survey of Calgary Area pp. 18-25, ill. pp. 36-39, ill. Glass Art" Glass flowers by Swiss artists Rene and Ursula Artists in Stained Glass Bulletin, July/Aug. 395 "Museum Strikes Gold with Medal Made by Burri. 1995, p. 1. Lalique for '92 Olympics" Brief review of exhibit at Canadian Clay & Glass The Corning Museum of Glass Newsletter, 369 Edelman, Robert G. Gallery, Waterloo. Autumn 1995, pp. 1-2, ill. "Review: Christopher Wilmarth at Sidney Janis" Art in America, v. 83, no. 6, June 1995, p. 103, 383 Fay-Halle, Antoinette 396 "New Installation Features Works by Czech ill. "Couleurs et Transparence" Artists" Neues Glas, no. 4, 1995, pp. 10-19, ill. In The Corning Museum of Glass Newsletter, 370 Edgerley, Susan German and English. Summer 1995, p. 3, ill. "Studio Profile: Michel Leclerc — Feu verre" Comments on the glass exhibition at the Musee Glass Gazette, Summer 1995, pp. 5-6, ill. National de la Ceramique, Sevres. 397 "Should Making Art Be a Career?" G.A.S. News, Winter 1994, pp. 1-6. 384 "Expositions: Couleurs et transparence, 371 Edwards, Geoffrey Reprinted from Glass Art Society Journal 1991. Klaus Moje: Glass = Glas: A Retrospective chefs-d'oeuvre du verre contemporain" Exhibition = Eine Retrospektive (Essay: Rudiger L'Objet d'Art/L'Estampille, no. 295, Oct. 1995, 398 "Should Making Art Be a Career?" Joppien) pp. 10-11, ill. The Palette (Pikes Peak Arts Council, CO), Dec. Melbourne: National Gallery of Victoria, 1995, Exhibition at Sevres museum; work by Toots 1995, pp. 4-5. 64 pp., ill. In English and German. Zynsky, David Taylor, Jean-Pierre Umbdenstock Reprinted from G.AS. News, Winter 1994. Exhibition circulating in Australia and Hamburg, illustrated. Germany. 385 Feaver, William 399 "1995 Rakow Commission Salutes Two 372 "Recent Glass in Australia and New "Reviews: Kiki Smith" Czech Artists" Zealand" ARTnews, v. 94, no. 5, May 1995, p. 161, ill. The Corning Museum of Glass Newsletter, The Glass Art Society Journal 1994, 1994, London exhibit. Winter 1995, p. 6, ill. pp. 24-30, ill. Jin Harcuba engraved sculpture honors Vaclav Havel and Vladimir Kopecky. 386 Fecit, Steppen 373 "A Sea-Change into Something Rich and "The Sculptural Lampwork of Loren Stump, Strange" a Natural" 400 Frauenau. Glasmuseum Frauenau Craft Arts International, no. 34, 1995, pp. 47-51, Glass Line, v. 9, no. 3, Oct./Nov. 1995, p. 1+, V. Internationales Glassymposium 1995. ill. ill. 20 Jahre Glasmuseum Frauenau (Catalog: Glass by Klaus Moje. Barbara von Malotki) 387 Felshin, Nina Frauenau: the museum, 1995, 65 pp., ill. Work by 28 artists. 374 Elson, J. E. "Clothing as Subject" "Studio Profile: Bloomfield Glassworks" Art Journal (College Art Association), v. 54, no. 1, Glass Gazette, Spring 1995, pp. 4-5, ill. Spring 1995, pp. 20-29, ill. 401 Freeman, Allen Studio of Ian Forbes and Mark Armstrong in Includes Duchamp's "The Large Glass" sculpture. "The Road More Traveled" Prince Edward County, Canada. Historic Preservation, May/June 1995, p. 14, ill. 388 Fiell, Charlotte and Fiell, Peter Las Vegas neon. 375 Enbom, Carla Modern Chairs "Nuutajarvi: A Glassworks with Opportunities" Koln: Benedikt Taschen, 1993, 160 pp., ill. 402 Fridl, Frantisek Form-Function-Finland, no. 2, 1995, pp. 4-13, ill. Includes fiberglass, plexiglass, and glass chairs "Malovane novinky" Glass by Kaj Franck, Gunnel Nyman, Heikki (Danny Lane). Pro Vas Stul, v. 2, no. 4, 1994, pp. 3-4, ill. Orvola, Oiva Toikka, Markku Salo, and others. Glass by Eva Svestkova and others. 389 Filer, Mary 376 Englander, Lisa "Naoko's Twig Vases" 403 "Women Designers at the Vrbno "New Trends in Craft at the SOFA Exposition" British Columbia Glass Arts Association Glassworks" The Crafts Report, v. 21, no. 225, Jan. 1995, Newsletter, v. 7, no. 8, Aug. 1995, pp. 5-6, ill. New Glass Review (Czech), v. 49, no. 9/10, pp. 28-29, ill. Review of Vancouver show by Naoko Takenouchi. 1994, pp. 22-25, ill. In German and English. 404 "200 Years of the Glassworks at Kvetna" 418 Germaine, Max 433 Gott, Allan New Glass Review (Czech), v. 49, no. 11, 1994, Artists & Galleries of Australia (3rd ed., 2 vols.) "Gibeau Leads Pilchuck Centrepiece Team" pp. 6-14, ill. In German and English. Roseville, Australia: Craftsman House Publishers, Glass Gazette, Summer 1995, pp. 18-19, ill. 1990, 832 pp., ill. Mark Gibeau and team of southern Alberta glass 405 Fritt Fram: Lars Hellsten, Orrefors; Mona artists create the centerpieces for Pilchuck Bjork, Boras Cotton (Text: Erik Broman and 419 Giarratana, Rossella auction. Mikael Parr) [S.I.: s.n., 1993], 16 pp., ill. "Bijoux: Lalbero degli strass" Antiquariato, no. 165, Dec. 1994, pp. 96-99, ill. 434 Grabner, Michelle Christmas tree pins with glass "gems," 1940s- "Reviews: The Fragile Self — Glass Sculpture by 406 Frolic, Irene 1950s.. Judy Hill" "The Seeds of Peace Award" Glass (UrbanGlass), no. 60, Fall 1995, pp. 52- Glass Gazette, Summer 1995, p. 12, ill. 420 Gimenez Raurell, Cristina 53, ill. Commission to Frolic, Toronto glass artist. "Modern Glass Sculpture in Spain" [in] Wisconsin museum exhibit. Annates du 12e Congres de I'Association 407 Frost, Jim Internationale pour I'Histoire du Verre (Vienna, 435 Gramigna, Giuliana "Striking Effects from Young Designers" Aug. 26-31, 1991), Amsterdam: A.I.H.V., 1993, "Focus on the Object" Glass, Monthly Journal of the European Glass pp. 565-566. Ottagono, v. 30, no. 114, March/May 1995, Industry, v. 72, no. 8, Aug. 1995, pp. 323-324, pp. 65-77, ill. In Italian and English. ill. 421 Girard, Sylvie includes glass designs by Werther Toffoloni, Joe Year-end design shows at UK colleges. "Couleurs et transparences" Colombo, Achille Castiglioni of 1970-1971 and La Revue de la Ceramique et du Verre, no. 84, Angelo Mangiarotti, 1990. 408 Fundacio Centre del Vidre de Barcelona Sept./Oct. 1995, pp. 38-39, ill. Transparencies: El Teatre dels Signes Exhibition of work by 40 European glass artists at 436 Grand Prix des Metiers d'Art 1987 Barcelona: the center, 1995, 136 pp., ill. English Sevres museum. New York/Montreal summary. [S.I.: the prize, Banque d'Epargne], 1987, Barcelona exhibition of work by 22 glass artists. 422 "Expositions: Michel Delcey" 96 pp., ill. In French and English. La Revue de la Ceramique et du Verre, no. 81, Glass by Frangois Houde, Jean Vallieres, James 409 Galerie B March/April 1995, p. 62, ill. Harmon, Mark Peiser, Michael Taylor. Christian Schmidt (Text: Katharina Eisch) Sinzheim/Baden-Baden: the gallery, 1995, [12] 423 "Expositions: Yan Zoritchak" 437 Grand Prix des Metiers d'Art 1988 pp., ill. La Revue de la Ceramique et du Verre, no. 83, Objets de magie July/Aug. 1995, p. 60. [Quebec: the prize, Banque Laurentienne du Three summer exhibitions. 410 Galerie Internationale du Verre Canada], 1988, 80 pp., ill. In French and English. Sculptures (Text: Serge Lechaczynski) Elisabeth Marier, LucTaillon, Laura Donefer, 424 Glasgow Museums Biot, France: the gallery, 1995 (Verriales 95), Randy Strong, Etienne Leperlier, Toots Zynsky, Modern Scottish Glass: On Tour (traveling 68 pp., ill. Daniel Crichton. exhibition: Pilkington Glass Museum, St. Helens, Work by 27 artists. June-July 1993) 438 Grand Prix des Metiers d'Art 1991 Glasgow: the museums, [1993], 2 pp. Formes et contrastes 411 Gallo, Giampaolo, ed. Checklist for 40 pieces. IVV [Industria Vetraria Valdarnese] 1952-92: Per Quebec: the prize, 1991, 80 pp., ill. In French and English. una storia del vetro nel Valdarno (Text: Enrica 425 Glaskunst Beurs 1995: Catalogus Glass by Denis Gagnon, Maurice Gareau, Ronald Boldrini and others) (Cultureel Centrum Het Dak, Leerdam, 8-10 Sept. Labelle, LucTaillon, Elisabeth Marier, Frangois Firenze: Ponte alle Grazie, 1994, 187 pp., ill. 1995) Turbide, Jean Vallieres. Glass production (tableware) in Valdarno. Leerdam: Cultureel Centrum Het Dak, 1995, 80 pp., ill. 439 Grand Prix des Metiers d'Art 1993 412 Gann, John L., Jr. Auction catalog with articles about various "Les Ameriques" "Celebrating 20th Century Signs" glassmakers. Signs of the Times, v. 217, no. 7, July 1995, [Montreal and Quebec]: Conseil des Metiers d'Art du Quebec, 1993, 51 pp., ill. In French and pp. 142-145, ill. 426 Glass Now 17th [1995]: World Studio English. Neon signs, mostly 1950s. Glass Exhibition Includes glass by Luc Taillon, Jean-Marie [Hamatsu, Japan]: Yamaha Livingtec Corporation, Giguere, Ronald Labelle, Irene Frolic. 413 Gareau, Maurice 1995, 70 pp., ill. In Japanese and English. "In Review at C2G2: Verre du Quebec" 440 Grande, John K. Artists in Stained Glass Bulletin, July/Aug. 427 Glowen, Ron "Expositions: Retrospective — Operations on 1995, p. 2, ill. "The David Jacob Chodorkoff Collection, Detroit Nature" Work of 40 Quebecois artists at Canadian Clay & Institute of the Arts" Vie des Arts, no. 160, Autumn 1995, pp. 65-66, Glass Gallery, Waterloo. The Glass Art Society Journal, 1993, pp. 127- 128, ill. ill. Robert Smithson, Toronto exhibit. 414 "Verre du Quebec = Glasswork from 428 "Eccentric Bullseye" Quebec at the Canadian Clay and Glass Gallery" 441 Greben, Deidre Stein Glass Gazette, Summer 1995, pp. 15-17, ill. Glass (UrbanGlass), no. 61, Winter 1995, pp. 20- 25, ill. "Christopher Wilmarth" Review of exhibit. ARTnews, v. 94, no. 6, Summer 1995, p. 123, ill. 429 "Hollow Men: Robbie Miller" 415 Gaudet, Mitchell Glass (UrbanGlass), no. 58, Winter 1995, 442 Grenon, Ariane "In Context: Mitchell Gaudet" pp. 22-29, ill. "A la recherche des metiers d'art: Maison et Glass (UrbanGlass), no. 59, Spring 1995, Robbie Miller paints on bottles. Objet" pp. 42-45, ill. Le Courrier des Metiers d'Art, no. 148, Dec. Cast glass sculptures. 430 "Reviews. 'Breaking Barriers: Recent 1995, pp. 12-15, ill. American Craft' at the Portland Art Museum" Salon included glass items by Nad Vallee, Martine 416 Gaudibert, Pierre Artweek, v. 26, no. 5, May 1995, p. 36, ill. Durand-Gasselin. L'art africain contemporain Paris: Diagonales; Editions Cercle d'Art, 1991, 431 "Reviews: Pike Powers — 10,000 Paintings 443 "LArt, le verre . . . et Zoritchak" 184 pp., ill. and Some Glass" Le Courrier des Metiers d'Art, no. 144, July/Aug. Includes beaded work and reverse paintings on Glass (UrbanGlass), no. 58, Winter 1995, p. 51, 1995, p. 11, ill. glass. ill. Yan Zoritchak's glass at museums in Troyes and Seattle exhibit. Nancy. 417 Gebhard, Zofia "Wspomnienie o Witoldzie Turkiewiczu" 432 "Reviews: Vesa Varrela" 444 "Arts de la table et creation, 8e Festival a Format (Wroclaw), no. 10/11 (1-2), 1993, p. 38, Glass (UrbanGlass), no. 58, Winter 1995, Roanne" ill. pp. 52-53, ill. Le Courrier des Metiers d'Art, no. 138, Dec. Glass by Witold Turkiewicz. Seattle exhibit. 1994, pp. 11-13, ill. 50 445 "Bernard Dejonghe, ceramique et verre" 458 Guinness, Elizabeth 472 "Thinking With the Hands — and Machines" Le Courrier des Metiers d'Art, no. 144, July/Aug. '"A Journey through Glass' by Roisin de Buitlear" Form-Function-Finland, no. 1, 1995, pp. 60-61, 1995, p. 6, ill. The Glass Society of Ireland Newsletter, no. 8, ill. Exhibit at Musee des Arts Decoratifs, Paris. April 1995, p. 6. Glass by Raino Ranto and pate de verre by Paivi Review of a talk by the artist on her work. Kekalainen. 446 "Les Couples de la creation: Emmerique- Baquere, deux artistes, une oeuvre triple" 459 Gumpert, Lynn 473 Henderson, Justin Le Courrier des Metiers d'Art, no. 147, Nov. "Yukinori Yanagi" "Hauberg House" 1995, pp. 3-6, ill. ARTnews, v. 94, no. 9, Nov. 1995, p. 226, ill. Interiors, v. 154, no. 4, 1995, pp. 66-71, ill. Glass by Jean-Pierre Baquere. Installation with neon by Yanagi. Seattle art patron and collector's home; glass by Douglas Hanson and others.

447 "Courbes et textures du verre: LUnivers 460 Gustafson, Paula 474 Henkin, Stephen paradoxal de Keiko Mukaide" "Robert Held: Looking Back, Looking Forward" "A Crafty White House" Le Courrier des Metiers d'Art, no. 140, March Glass Gazette, Spring 1995, pp. 6-7. The World & I, v. 10, no. 9, Sept. 1995, pp. 87- 1995, pp. 10-11, ill. 93, ill. 461 "V6: Too Hot 2 Handle" The White House collection of American crafts. 448 "Les Decouvertes de Clara" Ontario Craft, v. 20, no. 2, Summer 1995, p. 20, ill. Le Courrier des Metiers d'Art, no. 144, July/Aug. 475 Hergiswil. Glasi Museum, Hergiswiler Glas Exhibit with Vancouver glass artists Andrighetti, 1995, p. 8, ill. Glasi Museum Bolt, Burnette, Tudor, Samphire, Takenouchi. Glass by Jens Gussek at Scremini Galerie, Paris. Hergiswil, Switzerland: the company, [1995?], [16] pp., ill. 449 "La Demarche du design" 462 Hadge, Evelyn Description of the new glass museum. Le Courrier des Metiers d'Art, no. 142, May "La Table venitienne. Roanne: 9e festival des arts 1995, pp. 10-11, ill. de la table" 476 Phanomenales Glas Drinking glasses designed by Jean-Baptiste Le Courrier des Metiers d'Art, no. 145, Sept. [Hergiswil, Switzerland: the company, 1994], Sibertin-Blanc and executed by Alain Guillot. 1995, pp. 20-21, ill. 72 pp., ill. Exhibits of unusual musical instruments, optical 450 "Entre musique et verre: Metiers d'Art a la 463 The Hague. Haags Gemeentemuseum glass constructions, games, etc., showing the Grange-au-Lac d'Evian" Bert Frijns: Glas = Glass (Text: Marjan Boot) properties of glass. Le Courrier des Metiers d'Art, no. 144, July/Aug. The Hague: the museum, 1995, 87 pp., ill. In 1995, p. 10, ill. Dutch and English. 477 Hermans, Gerie Yvon Chiampo, Frederique Fandre-Chiampo, "The Hermans Tapes: An Interview with David Catherine and Yan Zoritchak in exhibition at 464 Halem, Henry Wright" concert park in Evian. "Glass Education?" Ausglass, no. 5, 1994, pp. 14-19, ill. The Glass Art Society Journal, 1993, pp. 30-34. 451 "Isabelle Monod et le rapport au temps" 478 "Interview with Linda Fraser" Ausglass, Spring 1995, pp. 8-10, ill. Le Courrier des Metiers d'Art, no. 148, Dec. 465 Halkovova, Ludmila and Rathanova, Tereza 1995, pp. 3-5, ill. "Glassworks Poltar in the Sign of Changes" Exhibition at contemporary museum in Nice. New Glass Revie w (Czech), v. 50, no. 5, 1995, 479 "Interview with Pauline Mount" pp. 21-23, ill. In German and English. Ausglass, Spring 1995, pp. 4-7, ill. 452 "Novaro et verriales a Biot; un message de 480 Hewitt, Ed verre a la galerie Sordello" 466 Hammerling, Nina K. "Hearts of Glass: Suzanne Reese Horvitz" Le Courrier des Metiers d'Art, no. 144, July/Aug. "Glass Act" Art Matters (Jenkintown, PA), v. 14, no. 5, Dec. 1995, p. 9, ill. Lapidary Journal, v. 49, no. 7, Oct. 1995, 1994/Jan. 1995, p. 15, ill. Jean-Claude Novaro, Matei Negreanu, and others pp. 60-64, ill. in exhibitions. Jewelry and beads by Rick Bernstein and Elizabeth Cary. 481 Heyd, Eva "Reviews: Marian Karel" 453 "Le Verre japonais dans le nord de la Glass (UrbanGlass), no. 58, Winter 1995, p. 49, France: Makoto Ito et Yoko Kuramoto a Sars- 467 Hamon, Richard E. ill. Poteries" "The Hamon Brothers" Prague exhibit. Le Courrier des Metiers d'Art, no. 145, Sept. Glass Collector's Digest, v. 9, no. 2, Aug./Sept. 1995, p. 9, ill. 1995, pp. 37-44, ill. Robert and Donald Hamon, contemporary marble 482 "Reviews: Space, Light, Glass" makers of West Virginia. Glass (UrbanGlass), no. 61, Winter 1995, p. 51, 454 "De vitrique et d'ailleurs: Verre contem- ill. porain au musee de Sevres" Prague exhibition with six Czech artists: Le Courrier des Metiers d'Art, no. 146, Oct. 468 Harris, Patricia and Lyon, David Libensky/Brychtova, Cigler, Zamecknikova, Karel, 1995, pp. 12-13, ill. "Focus: Josh Simpson" Kopecky. Work by 38 European glass artists in Sevres American Craft, v. 55, no. 5, Oct./Nov. 1995, museum exhibit. p. 93, ill. 483 Hiesinger, Kathryn B. and Fischer, Felice, Massachusetts exhibition. ed. 455 Grunseit, Marc Japanese Design: A Survey Since 1950 "The Tao of Glass" 469 Harrod, Tanya Philadelphia: Philadelphia Museum of Art, 1994, Ausglass, Spring 1995, p. 3. "In Memoriam: David Kindersley" 236 pp., ill. Crafts (U.K.), no. 134, May/June 1995, pp. 38- Exhibition included glass by Hoya and other firms. 456 The Guild 41, ill. 1980s engraved glass by the calligrapher Contemporary Crafts: The Sourcebook of Craft 484 Hift, Fred Artists (Gallery edition 2) Kindersley. "Swarovski Crystal, Austria's Clear-Cut Success" Madison, Wl: The Guild, Kraus Sikes, 1995, Europe, no. 349, Sept. 1995, pp. 20-21, ill. 141 pp., ill. 470 Heartney, Eleanor Includes glass, lamps, glass furniture, jewelry, "Review of Exhibitions: Nam June Paik at Holly 485 Higuchi, Shinichi and Higuchi, Kimiake etc. Solomon" "Pate de verre" Art in America, v. 83, no. 7, July 1995, p. 81, ill. The Glass Art Society Journal 1994, 1994, Installations with neon. 457 The Guild of Glass Engravers pp. 20-23, ill. Art on Glass: An Exhibition by The Guild of Glass Engravers, Including Work by Leading 471 Helkama, Iris 486 Hirsch, Faye Glass Sculptors from the Czech Republic "Exhibitions: Fragile Memories" "Reviews: Kiki Smith" London: the guild, 1994, [22] pp., ill. Form-Function-Finland, no. 4, 1994, p. 61, ill. Artforum, v. 34, no. 4, Dec. 1995, p. 87, ill. 1994 exhibit held at the Economist, London. Raija Siikamaki glass in Stockholm gallery. New York exhibit. 487 Hlavacek, Josef and others 501 "Narcissen laten naar zich kijken" Jablonec nad Nisou: the museum, 1994, 28 pp., "Skola dnes" Glasbulletin, Vereniging van Vrienden van ill. Umenf a Remesla, v. 37, no. 2, 1995, pp. 9-33, Modern Glas, v. 9, no. 1, 1995, pp. 8-9, ill. Painted glass by 23 Czech artists. ill. English summary. Vases by Yvon Trossel, Vincent van Ginneke, 21 studios that comprise the College of Applied Winnie Teschmacher. 514 Jacksonville. Jacksonville Art Museum Arts, Prague; includes Glass in Architecture, 42nd Florida Craftsmen Exhibition and Crafts Medals and Glyptics Studio, and the Glass 502 Hulet, Patty Invitational Studio. "Contemporary Glass Beadmakers 1995 Jacksonville: the museum, 1994, 16 pp., ill. Questionnaire" Includes glass by Owen Pach and others. 488 Hoekstra, Frans Henk Glass Art, v. 11, no. 1, Nov./Dec. 1995, pp. 14- "Recente aanwinsten: Moderne Keramiek in het 15, ill. 515 Japan Glass Art Society Frans Halsmuseum" Responses to questionnaire. Nihon Gendai Garasu Ten 1994 = Japanese Vormen uit Vuur, no. 151, 1994, pp. 15-23, ill. Contemporary Glass Exhibit 1994 (Tokyo Glass Clay and glass sculpture by Jan Snoeck. 503 llstedt, Sara Technology Laboratory, Kawasaki, ed.) "Hart arbete" [S.I.: the society, 1994], 82 pp., ill. In Japanese. Work by over 60 Japanese glass artists. 489 Hoffmann, Heinz Form, v. 91, no. 4 (700), 1995, pp. 110-111 and "Der Kunstdienst — eine eigene Geschichte" 126, ill. English summary. 516 Japenga, Ann Kunst und Kirche, no. 3, 1995, p. 184, ill. Student graduation projects by Pan Toivanen and "The Lost Art of Ginny Ruffner" Neon cross in Erfurt church by Ulrich Precht. Peter Gibson-Lundberg. Health, March/April 1995, pp. 65-70, ill. 504 Immenhausen. Glasmuseum The artist's recovery. 490 Hoffmann, Ute Gabriele Kustner: Flakons und Schalen in "Check the Glass" Mosaiktechnik 517 Jenkins, Nicholas Schott Information, no. 71, 1994, pp. 20-21, ill. Immenhausen: the museum, 1994, 15 pp., ill. "Reviews: Bruce Nauman" Two glass chess sets. ARTnews, v. 94, no. 5, May 1995, p. 145, ill. 505 International Blown Glass Symposium, Lviv, 491 "Conflicting Existence" 1992 = Mizhnarodnii Simpozium z Gutnogo Shkla 518 Jennings, Jim; Morris, Pam; and Riley, Schott Information, no. 70, 1994, pp. 20-21, ill. Katalog vistavki tvoriv: Simpoziumu I Gutnogo Cheryl Lubomir Hora, Czech glass artist, living in Munich. Shkla = Catalogue of the Exhibition of Works "Designers Using Glass" Produced in the Course of the I Blown Glass The Glass Art Society Journal 1994, 1994, 492 "Decorative Refinement" Symposium 1989 pp. 97-98, ill. Schott Information, no. 73, March 1995, pp. 12- Lviv, Ukraine: the symposium, 1992, 76 pp., ill. Panel moderated by Mark McDonnell on glass in 13, ill. Majority of work illustrated is by Russian and furniture, lighting, architecture. Firm of Vera Walther uses borosilicate glass in Ukrainian artists. giftware, tables, shelving. 519 Jirasek, Ivana 506 International Design Yearbook 1995 "Celebrating the Ordinary" Craft Arts International, no. 34, 1995, pp. 60- 493 "Harmonious Contrast" (Jean Nouvel, ed.) Schott Information, no. 65, 1993, pp. 20-21, ill. New York, London, Paris: Abbeville Press, 1995, 63, ill. Glass by Deborah Cocks. Glass and metal sculptures by Heide-Astrid Betz- 240 pp., ill. Schlierer. Lamps and lighting, tableware. 520 Johnson, Don "Christmas Pins Bring Joy to Every Collector's 507 International Exhibition of Glass 494 "Inspiration and Technique" World" Kanazawa 95 Schott Information, no. 69, 1994, pp. 19-21, ill. Antique Week (Eastern edition), v. 28, no. 39, Kanazawa: The Executive Committee of the Cees van Olst, Dutch glass artist. Dec. 18, 1995, p. 1-B+, ill. International Exhibition of Glass Kanazawa, 1995, 1940s-1970s jewelry. 91 pp., ill. 495 "Moving Inner Life" Schott Information, no. 68, 1993, pp. 20-21, ill. 521 Johnson, Ken 508 loannou, Noris Sculptures by Willi Pistor. "Review of Exhibitions: Suzan Etkin" Australian Studio Glass: The Movement, Its Art in America, v. 83, no. 4, April 1995, pp. 103- Makers and Their Art 104, ill. 496 Hoggard, Liz Roseville East, NSW: Craftsman House, 1995, "Shortform: Flower Power" 240 pp., ill. 522 Jones, Ronald Crafts (U.K.), no. 132, Jan./Feb. 1995, p. 12, ill. Reviewed by Ivana Jirasek in Craft Arts Inter­ "Opera for Ten Voices" Chihuly installation at Brooklyn Museum. national, no. 35, 1995-1996, pp. 109-111, and The Glass Art Society Journal, 1993, pp. 35-40, by Jennifer Opie in Crafts (U.K.), no. 136, ill. 497 Hradec Kralove. Krajska Galerie Hradec Sept./Oct. 1995, pp. 61-62, ill. Petr Rydlo: Obrazy/sklo (Text: J. Suva) The studio glass movement and its relationship to other art media in the 1960s. Hradec Kralove, Czechoslovakia: the gallery, 509 "The Cutting Edge: 1994 Glass Triennial. 1979, [16] pp., ill. Attitude and Metaphor" 523 Jonson, Lotta Ausglass, no. 5, 1994, pp. 2-6, ill. "Hejdlost bildflode med humor" 498 Huber, Rene Review of Wagga Wagga exhibition. Form, v. 91, no. 4 (700), 1995, p. 84, ill. "Contemporary Signature Perfumes" Glass by Martti Rytkonen, Orrefors. Perfume Bottle Quarterly (formerly Perfume & 510 Irace, Fulvio Scent Bottle Quarterly), v. 7, no. 2, Winter 1995, "Complexities and Contradictions: Italian Design 524 Jorgensen, Patricia pp. 20-21, ill. after 1985" "The Creativity of Contemporary Irish Crafts" Perfume bottles by John Gilvey, Stephen Jon Neos (Denver Art Museum), v. 4, no. 1, 1994, Irish Arts Review Yearbook, v. 11, 1995, pp. 216- Clements, Lundberg Studios, Tony DePalmer. pp. 15-17, ill. 224, ill. Glass by Killian Schurmann and Salah Kawala. 499 Huebner, Jeff 511 Ito, Makoto "Holding Pattern" "Japan and the Arts of the Pacific Rim" 525 Jungelson, Frangois The New Art Examiner, v. 22, no. 10, Summer The Glass Art Society Journal 1994, 1994, "Brigitte Sillard, artiste du verre, artisan de la 1995, pp. 24-29, ill. pp. 33-34, ill. lumiere" Includes Alice Adams's sculpture, a glass and Verre (Institut du Verre-Prover, Versailles), no. 5, metal canopy, Denver International Airport. 512 Iwata, Rury 1995, pp. 14-16, ill. "Glass and Art" Glass artist from Boulogne-Billancourt. 500 Huisman, Geertje The Glass Art Society Journal 1994, 1994, "Glas toert langs negen Gelderse steden" pp. 31-32, ill. 526 Kalha, Harri Glasbulletin, Vereniging van Vrienden van "Modern Eclecticism or Aesthetic Kinship?" Modern Glas, v. 9, no. 1, 1995, pp. 30-32, ill. 513 Jablonec nad Nisou. Muzeum Skla a Scandinavian Journal of Design History, v. 4, "Glass from Gelderland," touring exhibition; Bizuterie 1994, pp. 15-26, ill. multiples by Susan Hammond, Vincent van Soucasne ceske malovane sklo (Text: Antonin Japanese influences in the work of Kaj Franck, Ginneke. Langhamer) pp. 23-24. 52 527 Kallmeyer, Lothar 541 20th Century Stained Glass: A New 555 "Jean-Paul van Lith: Poesie and "Glas, Stahl und Stein" Definition Provocation" Kunst und Kirche, no. 4, 1994, p. 261, ill. Kyoto: Kyoto Shoin, 1992. Neues Glas, no. 3, 1995, pp. 18-27, ill. In Stone and cast glass altar by author. Reviewed by Patrick Reyntiens in Craft Arts German and English. International, no. 33, 1995, pp. 112-113. 528 Kangas, Matthew 556 "The Poetry of the Fragment" "Contemporary Glass: Seduction vs. Intellect" 542 Kerkvliet, Brian Neues Glas, no. 2, 1995, pp. 38-45, ill. In American Craft, v. 55, no. 5, Oct./Nov. 1995, "Bead Basics, Part 1" German and English. p. 10+, ill. The Bead Release, v. 1, no. 4, Oct. 20, 1994, Mari Meszaros glass torsos. Review of Seattle Art Museum symposium: critic pp. 8-9. David Hickey and a panel of six glass artists. Excerpt from article about Kerkvliet in Glass Art 557 "Princess Sissi at the Glass Symposium in Magazine, July/Aug. 1994. Frauenau" 529 "Glass Art" Neues Glas, no. 3, 1995, pp. 46-49, ill. In ARTnews, v. 94, no. 1, Jan. 1995, pp. 49-78, ill. 543 "The Bead Gets Bigger" German and English. A survey of galleries and glass artists. Glass Art, v. 10, no. 6, Sept./Oct. 1995, pp. 66- 71, ill. 558 Knapp, Rebecca 530 "Reviews: Flora C. Mace and Joey Making core vessels by flameworking technique. "November Looks Awash in Color" Kirkpatrick" Art & Antiques, v. 18, no. 10, Nov. 1995, p. 35, ill. Glass (UrbanGlass), no. 61, Winter 1995, p. 53, 544 "Finding Your Style" Includes Richard Jolley sculpture. ill. Glass Art, v. 10, no. 4, May/June 1995, pp. 66- 69, ill. 531 "Reviews: Gary Andolina; Alessandro Diaz Beads by Michael Max, Patricia Sage, Kristina 559 Knowles, Susan W. de Santillana" Logan, Patricia Frantz. "Reviews: Les Christiensen" Glass (UrbanGlass), no. 60, Fall 1995, pp. 50- Art Papers, v. 19, no. 5, Sept./Oct. 1995, p. 68, 51, ill. ill. 545 "The Flame Grew Brighter" Sculptural pieces include glass panes. Seattle exhibits. Glass Art, v. 10, no. 5, July/Aug. 1995, pp. 26- 29, ill. 560 Koen Vanderstukken: Skulpturen (Text: 532 "Reviews: Miyuki Shinkai" New interest in lampworking and beadmaking Jan J. Walgrave) Glass (UrbanGlass), no. 61, Winter 1995, p. 55, seen at Glass Art Society conference in Asheville, Antwerpen-Borgerhout: Genootschap voor ill. NC. Geschiedenis en Volkskunde, 1994, 65 pp., ill. In Seattle exhibit. Dutch, French, English. 546 "The Twist and Shout of Lampworking" 533 "Reviews: Pamela Gazale" The Bead Release, v. 2, no. 2, May 1995, pp. 6- 561 Koivisto, Kaisa Glass (UrbanGlass), no. 60, Fall 1995, p. 52, ill. 8, ill. "Reviews: Timo Sarpaneva" Seattle exhibit. Making twisted latticino canes. Glass (UrbanGlass), no. 61, Winter 1995, pp. 54- 55, ill. 534 "Reviews: Seattle. Vesa Varrela; Gary 547 Keyworth, Gretchen Andolina" "Reviews: Vidrio Contemporaneo" 562 Koplos, Janet Sculpture, v. 14, no. 2, March/April 1995, Glass (UrbanGlass), no. 58, Winter 1995, p. 53, "Matters of Mood: The Glass of Sonja Blomdahl" pp. 45-46, ill. ill. Glass (UrbanGlass), no. 59, Spring 1995, Exhibition of work by Mexican glass artists in San pp. 34-41, ill. 535 Kapitanoff, Nancy Miguel de Allende. "Collector Interview: Francine and Benson Pilloff" 563 "Nancy Bowen: An Inside View" Glass Quarterly {Ruth T. Summers), v. 3, 1995, 548 Kiczura, Ludwik Glass (UrbanGlass), no. 61, Winter 1995, pp. 26- pp. 4-5. "Polish Glass Art and Education Since 1950" 31, ill. The Glass Art Society Journal, 1993, pp. 43-45. 536 Kaponya, Judy 564 Kostowski, Jakub "Scoops on Scopes" 549 Kim, Ki-Ra Glass Show "Z innej bajki" The Brewster Society News Scope, v. 10, no. 2, [S.I.: s.n., 1989], [14] pp., ill. In Korean. Format (Wroclaw), no. 10/11 (1-2), 1993, Summer 1995, pp. 4-6, ill. pp. 34-36, ill. New kaleidoscope designs. Anna Skibska and her pupils. 550 King, Gerry "Review: Heart of Glass" 537 Karcher, Eva Craft Arts International, no. 33, 1995, p. 104. 565 Kozioi, Elzbieta "Jorge Pardo: Das Umfeld bestimmt die Ausglass conference, Jan. 1995. "Szkfo artystyczne w fotografii" Erwartung" Szklo i Ceramika, no. 2, 1995, pp. 15-18, ill. Art (Germany), no. 10, Oct. 1995, p. 73, ill. Photographs of glass in Krakow display. Glass lamp. 551 Klein, Dan "Ray Flavell" 566 Kuckuk, Alexander Neues Glas, no. 4, 1995, pp. 20-27, ill. In 538 Karmel, Pepe "Green Glass. Recycling: Mehr als nur ein Wort" German and English. "Robert Morris: Formal Disclosures" ArtAurea, no. 1, 1995, p. 22, ill. Art in America, v. 83, no. 6, June 1995, pp. 88- Examples of recycled glass drinking glasses. 95+, ill. 552 Kley-Blekxtoon, Annet van der and Duits, Includes sculpture with fiberglass. Thimo te 567 "Die italienische Metamorphose" "De Vrijheidsbokaal: Vriheyt en is om gheen ghelt ArtAurea, no. 3, 1995, pp. 10-11, ill. te coop" 539 Keefe, John W. Three decades of Italian design; includes glass of Antiek, v. 29, no. 10, May 1995, pp. 2-10, ill. "Artistry in Glass: Cameo Glass by Kelsey the 1940s by Gio Ponti, Paolo Venini, Carlo English summary. Murphy" Scarpa. Commemorative post-World War II cup with motto Arts Quarterly (New Orleans Museum of Art), designed by A. D. Copier. v. 17, no. 4, Oct./Nov./Dec. 1995, p. 14, ill. 568 "Murano-Nonfoux: Eine kreative Fusion" Exhibit of cameo glass produced by Murphy and ArtAurea, no. 1, 1995, p. 88, ill. Pilgrim Glass Corporation. 553 Klotz, UtaM. Zurich exhibition of work by Monica Guggisberg, "Daniel Clement in Wonderland" Philip Baldwin, and Lino Tagliapietra. 540 Kehlmann, Robert Neues Glas, no. 3, 1995, pp. 10-17, ill. In "A Few Bay Area Artists Working in Glass: German and English. 569 Kummer, Raimund, ed. A Critical Overview" Furniture covered with mirror and glass mosaics. Via vetro verde: Museo delle Navi Romane - The Glass Art Society Journal 1994, 1994, Nemi 1993 (Text: Jurgen Schilling and Peter pp. 44-46, ill. 554 "Jean-Paul Raymond: Le Passeur de Friese) Therese Lahaie, Jeremy Popelka, Carl Powell, frontieres" Nemi, Italy: Museo delle Navi Romane; Michael Cohn, Mary B. White, Peter Mollica, La Revue de la Ceramique et du Verre, no. 83, Accademia Tedesca-Villa Massimo ROM, 1993, David Ruth, N. Quagliata. July/Aug. 1995, pp. 26-29, ill. 32 pp., ill. In German, Italian, English. "Street of Green Glass," a project by Raimund 583 Leighton, John and Weiner, Rod 598 Lippuner, Rosemarie Kummer at the Museum of Roman Ships, Nemi "Glass Ambitions '94: Czech Symposium" "Expositions: Murano-Nonfoux une fusion (near Rome). G.A.S. News, Spring 1995, pp. 7-11. creatrice" Reports on the 1994 Novy Bor Symposium. La Revue de la Ceramique et du Verre, no. 80, 570 Kuspit, Donald Jan./Feb. 1995, p. 60, ill. "Reviews: Christopher Wilmarth" 584 Leighton, John and White, Mary B. Monica Guggisberg/Philip Baldwin and Lino Artforum, v. 33, no. 9, May 1995, p. 98, ill. "Introductory Remarks" Tagliapietra exhibit in Nonfoux and Zurich. New York exhibition. The Glass Art Society Journal 1994, 1994, p. 8, ill. 599 Littleton, Harvey K. 571 Lahaie, Therese "Glass: A Potential for Prints" "Bay Area Emerging and Diverging Artists Using 585 Leipzig. Museum des Kunsthandwerks The Glass Art Society Journal, 1993, pp. 78-80, Glass" (Grassimuseum) ill. The Glass Art Society Journal 1994, 1994, pp. Karin Korn: Leuchten, Glaser, Objekte Vitreographs. 50-53, ill. [Leipzig]: the museum, 1991, 60 pp., ill. 600 Littleton Studios 572 Lahner, Jul Bruno 586 Leon, Dennis Luminous Impressions: Vitreographs from Hans Pohlin: Objekte aus Glas 93-94 "Thoughts of an Object Maker" Littleton Studios (Text: Marthe Le Van) [Bruneck, Italy: the artist]; Bruneck: Urbis Design The Glass Art Society Journal 1994, 1994, pp. Spruce Pine, NC: the studios, [1995?], 20 plates, Italy, [1994], [14] leaves, ill. In German, English, 15-18, ill. ill. Italian. Keynote address at conference. Prints on glass by many artists and glass artists: Eisch, Littleton, Chihuly, Libensky, Ann Wolff, etc. 573 Lampert-Greaux, Ellen 587 Letaw, Sarah E. "Born on the Bayou" "Glass Elite — Art, Vision and Effort" 601 Lockau, Kevin Lighting Dimensions, v. 19, no. 1, Jan./Feb. Glass Collector's Digest, v. 9, no. 4, Dec. "Gesture of Grace: Susan Rankin" 1995, pp. 60-64, ill. 1995/Jan. 1996, pp. 50-55, ill. Glass Gazette, Summer 1995, pp. 3-4, ill. Light artist Keith Sonnier. Williamsburg, VA, shop and studio: demonstrations by Emilio Santini, Banks Helms, 602 Lockwood, Howard J. and others. 574 Langhamer, Antonin "Fulvio Bianconi: The Pezzati Vases" "Gizela Sabokova" Vetri: Italian Glass News, v. 1, no. 2, April 1995, New Glass Review (Czech), v. 50, no. 6-7, 588 Lewis, Keith pp. 8-9+, ill. 1995, pp. 12-14, ill. In German and English. "Some Objects Worth Listening To" Exhibition at the museum at Jablonec nad Nisou. Artweek, v. 26, no. 11, Nov. 1995, p. 14, ill. 603 "Sales History: Venini's Occhi Series" Beadwork by Joyce Scott. Vetri: Italian Glass News, v. 1, no. 1, Jan. 1995, 575 Lapointe, Michele p. 12, ill. "Exposition: La Pate de verre au Quebec" 589 Lewis, Peter N. 1960s series created by Tobia Scarpa. Glass Gazette, Summer 1995, pp. 13-14, ill. In "The Origins of Dartington Crystal" French. Scottish Glass Society Newsletter, no. 50, Feb. 1995, insert, 5 pp. 604 Lockwood, Ken "Review: Sculpture, Objects of Functional Art 576 Lars Hellsten Retrospektivt (Text: Ake North Devon firm established in 1967. Expo" Livstedt and Lars Hellsten) Craft Arts International, no. 33, 1995, pp. 83- [Orrefors, Sweden: Orrefors, 1992?]; (Borgholm: 590 Lhote, J. M. 87, ill. Olandstryckarna AB), 50 pp., ill. "Les Bijoux de Baccarat" Glass by John Lewis, Kirstie Rea, Dan Dailey, La Revue de la Ceramique et du Verre, no. 80, Latchezar Boyadjiev, Makoto Ito, Warren Langley, Jan./Feb. 1995, p. 50, ill. 577 Larson, Kay Toots Zynsky, and others. "From Sand and Glass Emerge Air and Earth, Fire Baccarat jewelry. and Water" 605 London. Royal College of Art Center, the Magazine of Rockefeller Center, 591 Licht-Raume (Catalog: Gerhard Finckh) The 1993 Royal College of Art Degree Show May/June 1994, pp. 12-15, ill. Essen: Museum Folkwang, 1993, 120 pp., ill. Catalogue Eric Hilton sculptures for Rockefeller Center. Exhibition of neon and other light sculpture by Bruce Nauman, Patrick Reynaud, and many other London: the college, 1993; (s.l.: Paperback Ltd.), artists. 48 pp., ill. 578 Laurencin, Andre Glass by three students, p. 28. Xavier Froissart: Peintures et cristaux Chalon-sur-Saone: Musee Denon, 1995, 23 pp., 592 Liedel, Karl Heinz ill. "Kunstglasblaser aus Lauscha" 606 Lonsway, Brian and others Exhibition at Musee Denon. Glaswelt, v. 48, no. 9, Sept. 1995, pp. 23-24, ill. "Panel: Contemporary Toledo Glass Artists" Work by Ulrich and Volkhard Precht, Hubert The Glass Art Society Journal, 1993, pp. 86-91, ill. 579 Le Maquet, Jocelyne and others Koch, Hartmut Bechmann, and others. Sous le signe du parfum: Edmond Roudnitska, compositeur - parfumeur 593 "Schlesische Glashutten" 607 Lovato, Rita Thonon-les-Bains: Editions de I'Albaron, Societe Glaswelt, v. 46, no. 11, Nov. 1993, p. 74+, ill. "Frozen Fire: Looking through the Glass" Presence du Livre, 1991, 141 pp., ill. Visit to the Julia and Sudety factories, Polish Center (Arvada Center for the Arts and Includes perfume bottles, 1950s-1980s. glassworks. Humanities, Arvada, CO), v. 15, no. 4, Fall 1995, p. 7, ill. 580 Ein Leben fur das Glas: Albin 594 Lingemann, Susanne Kit Karblerand Michael David glass in exhibition. Schaedel... zum 85. Geburtstag (Text: Albin "Ausstellungs-Kritik: Bis an die Schmerzgrenze" Schaedel, Fritz Kampfer, and others. Erika Art (Germany), no. 5, 1995, p. 106, ill. 608 Lovelace, Joyce Schaedel, ed.) Review of Bruce Nauman exhibit, New York. '"I Don't Really Collect [S.I.: s.n., 1987]; (Kranichfeld: Hahndruck), American Craft, v. 55, no. 6, Dec. 1995/Jan. 38 pp., ill. 595 "Sieben starke Frauen in New York" 1966, pp. 40-45+, ill. Art (Germany), no. 12, Dec. 1994, pp. 16-37, ill. Artists' possessions, including collections of Dale 581 Leddy, Pat Includes Kiki Smith and Lorna Simpson. Chihuly, Richard Marquis, Dante Marioni, Andrew "Reviews: Michael Aschenbrenner at Pepperdine Magdanz, and others. University" 596 Lipofsky, Marvin Artweek, v. 26, no. 12, Dec. 1995, p. 20, ill. "From the Beginning: A Brief History of the Bay 609 Loveland. Loveland Museum/Gallery Area Glass Movement" Contemporary Beads & Beadwork: Innovative 582 Leerdam Glas = Glass: 1995 Kalender = The Glass Art Society Journal 1994, 1994, Directions Calendar (Floris Meydam, compiler) pp. 38-39, ill. Loveland, CO: the museum, 1995, 48 pp., ill. Leerdam: Druckkerij den Dunnen, 1994, [26] pp., ill. In Dutch and English. 597 "Lifetime Achievement Award Presentation 610 Lucie-Smith, Edward Objects from the Nationaal Glasmuseum Leerdam to Sybren Valkema" "Critic's Diary" by Frank Lloyd Wright, Meydam, Lipofsky, Copier, The Glass Art Society Journal 1994, 1994, Art Review, v. 47, March 1995, p. 14, ill. K. de Bazel, C. Lanooy. p. 10, ill. Dan Flavin exhibit. 54 611 Lueg, Gabriele, ed. 624 Marks, Ben 638 McEvilley, Thomas Made in Holland: Design aus den Niederlanden "A Few Observations About Bay Area Glass" "Bringing Postmodernism Up to Date" Koln: Museum fur Angewandte Kunst; Tubingen The Glass Art Society Journal 1994, 1994, The Glass Art Society Journal, 1993, pp. 20-29, and Berlin: Ernst Wasmuth Verlag, 1994, 156 pp. 47-49, ill. ill. pp., ill. Exhibition included glass and ceramics. 625 "Review: Therman Statom at Dorothy 639 McGreevy, Linda Weiss" "Reviews: Peter Paul Connolly's 'Cabin Fever"' 612 Lynggaard, Finn Art in America, v. 83, no. 6, June 1995, p. 111, Art Papers, v. 19, no. 2, March/April 1995, "Glasmuseum Ebeltoft Denmark — Your Own ill. pp. 61-62, ill. Museum" Glass paintings by Connolly in Virginia exhibition. The Glass Art Society Journal, 1993, pp. 41-42. 626 Marquand, Barbara "Collaborating Arizona Artists Learn from One 640 McLaurin, Tim 613 Lynn, Martha Drexler Another" "A Vision of Paradise in Georgia" "Greenberg & Steinhauser Donate Major Carlson The Crafts Report, v. 21, no. 234, Oct. 1995, The New York Times Magazine, May 19, 1991, Work to LACMA" p. 12, ill. p. 47+, ill. Glass Quarterly (Ruth T. Summers), v. 2, Winter Tim Lewis. Howard Finster. 1995, pp. 1-2, ill. 627 Marquis, Richard Ritual vessel by Robert Carlson. 641 McNeill, David "Slides and Edicts" "Review: New Glass by Scott Chaseling" The Glass Art Society Journal 1994, 1994, 614 Lynn, Martha Drexler and others Craft Arts International, no. 33, 1995, p. 101, ill. pp. 57-58, ill. "Panel: Gallery Dealers in Glass" The Glass Art Society Journal, 1993, pp. 51-54, 642 Meinhardt, Nan C. ill. 628 Marsh, Ann "Louis Comfort Tiffany, Meet Dale Chihuly" "Creativity" Forbes Magazine, v. 155, no. 13, June 19, Bead & Button, no. 11, Oct. 1995, pp. 33-35, ill. 615 Macleod, Murdo 1995, pp. 268-269, ill. Author's beadwork. "Essential Elements: The Glass Art of Keiko Mukaide" 629 Martin, Richard and Koda, Harold 643 Melrod, George Crafts, no. 135, July/Aug. 1995, pp. 30-33, ill. Orientalism: Visions of the East in Western "Openings: Future History" Dress Art & Antiques, v. 18, no. 5, May 1995, p. 31, ill. 616 Madison. Elvehjem Museum of Art New York: The Metropolitan Museum of Art, Includes Seattle exhibit of glass by Josiah University of Wisconsin-Madison, Department of 1994, 96 pp., ill. McElheny. Art, Faculty Exhibition Ensemble with Venetian glass tunic, 1990; sarong Madison: the museum, University of Wisconsin- ensemble with glass-beaded silk satin. 644 Meneguzzo, Marco Madison, 1994, 88 pp., ill. "Reviews: Mario Merz" Includes glass by Steve Feren, vitreographs by 630 Martin Bradley: La scacchiera a Palazzo Artforum, v. 34, no. 1, Sept. 1995, p. 98, ill. Harvey K. Littleton. Ducale, Venezia, 1993 = My Chess-set in the Work includes glass, neon tubes. Doge's Palace, Venice, 1993 (Adriano Berengo, 617 Magon, Birgit ed.) 645 Merker, Gemot "Hommage an Pele: Zeitgenossisches Venezia: il Cardo; Murano: Marco Polo Glass "Glasveredlung: Glasgravurin Europa" Kunsthandwerk auf Hawaii" Gallery and Studio, 1993, 47 pp., ill. Glaswelt, v. 48, no. 2, Feb. 1995, pp. 40-44, ill. Kunsthandwerk & Design, no. 1, Jan./Feb. Engraved glasses by Peter Dreiser, Josef 1995, pp. 35-39, ill. 631 Matynia, Andrzej Palecek, Erwin Eisch, Alison Kinnaird, Gunnar Paperweight by Winfred Yamazawa. "Szklani ludzie" Cyren, David Prytherch. Success Magazine (Warsaw), April 1995, 618 Major, Michael pp. 52-53, ill. 646 Meyer, James "Earthly Elements and the Remnants of Time" Stanistaw Borowski. "Reviews: Dan Flavin" Glass Craftsman (formerly Professional Stained Artforum, v. 34, no. 4, Dec. 1995, p. 86, ill. Glass, then Glass Artist), no. 5, Oct./Nov. 1995, 632 Maunsell, Claire "A Studio of One's Own" pp. 50-53, ill. 647 Meyers, Zesty The Glass Art Society Journal, 1993, pp. 92-95, Kiln-formed glass by Tim O'Neill. "Artists on the Edge of Glass" ill. The Glass Art Society Journal, 1993, pp. 46-47, 619 Manfredi, Elisabetta ill. "Una scultura in vetro a Grizedale" 633 Mazza, Deanna Directions explored by new generation of glass Alte Vitrie, v. 7, no. 2/3, Dec. 1994, p. 31. "The Many Facets of the Crystal Component artists. Charles Bray "column of light" in the Lake District, Market" England. Home Lighting & Accessories, v. 78, no. 10, Oct. 1995, pp. 108-118, ill. 648 Michaelis, Andreas Lighting designs. DDR Souvenirs... und sie nannten es 620 Margetts, Martina "Sonderinventar" = GDR Souvenirs: And It Was "Exhibition Review: Japanese Studio Crafts — Called "Special Inventory" = RDA souvenirs... 634 McCarthy, Cathleen Tradition and the Avant-Garde" Koln: Benedikt Taschen, 1994, 260 pp., ill. In "A World Bead" Crafts (U.K.), no. 136, Sept./Oct. 1995, pp. 52- German, French, English. Lapidary Journal, v. 49, no. 7, Oct. 1995, 53, ill. Collection of gifts to the East German Communist pp. 30-34, ill. government, including glass, now in the Berlin Joyce Scott's jewelry and beaded sculpture. 621 Mario Merz at MOCA (Organized by Mary history museum. Jane Jacob; Los Angeles Museum of Contem­ 635 McClintic, Miranda porary Art; Incontri Internazionali d'Arte, Rome) "Dossier: Venice" 649 Mickelsen, Robert Milan: Fabbri Editori, Gruppo Editoriale, 1989, Sculpture, v. 14, no. 5, Sept./Oct. 1995, pp. 16- "Art Is about More Than Just the Object" 126 pp., ill. In Italian and English. 17, ill. Common Ground: Glass, v. 1, no. 3, Winter Installations with glass and neon in Los Angeles Glass globe sculpture by Brigitte Nahon at the 1994, p. 15, ill. exhibit. Venice Biennale. 650 "At the Lamp" 622 Marioni, Dante 636 McCoy, Mary Common Ground: Glass, v. 2, no. 3, Fall 1995, "An Extended Glass Family" "Focus: Concetta Mason" pp. 7-10. Also in Glass Line, v. 9, no. 3, The Glass Art Society Journal 1994, 1994, American Craft, v. 55, no. 1, Feb./March 1995, Oct./Nov. 1995, pp. 8-13. pp. 72-73, ill. p. 76, ill. Lampworking demonstrations at GAS conference, Asheville, NC. 623 Marioni, Marina 637 McElheny, Josiah "The BTeam: Past, Present, Our Futures" "Hired Hands, Itinerant Glassworkers, Artists" 651 "Lampworking: The New Hot Glass" The Glass Art Society Journal, 1993, pp. 104- The Glass Art Society Journal, 1993, pp. 106- Common Ground: Glass, v. 1, no. 3, Winter 105. 108, ill. 1994, pp. 4-5, ill. 652 Miller, Bonnie J. 666 Nanny Still: 45 Years of Design = 45 ans 679 Nick, Helene and Nick, Didier "Studio: Michael Jaross, Pacifica Glassworks" de design "Une Histoire de metissage" American Craft, v. 55, no. 1, Feb./March 1995, Charleroi, Belgium: Musee du Verre; Riihimaki, Le Courrier des Metiers d'Art, no. 138, Dec. pp. 60-61, ill. Finland: Suomen Lasimuseo, 1995, 150 pp., ill. 1994, pp. 14-15, ill. In French and English. Exhibition of ceramics and glass at the authors' 653 Miller, Randy Glass by the Finnish designer Nanny Still gallery in Aubais. "Reviews: The Belgian Accident" McKinney. Art Papers, v. 19, no. 1, Jan./Feb. 1995, pp. 41- 680 Nickl, Peter 42, ill. 667 Nara. Gallery Avant-Garde "Kunsthandwerk heute" Orlando, FL, exhibit with work by Leo Copers. L. Leloup ArtAurea, no. 3, 1995, pp. 75-78, ill. In German Nara, Japan: the gallery, [1992?], 14 pp., ill. and English. 654 Miller, R. Craig Article illustrated with work by students of the "Masterworks: Italian Design 1960-1994" 668 Nassau, Kurt Glasfachschule Zwiesel. Neos (Denver Art Museum), v. 4, no. 1, 1994, "Glass at a Glance" pp. 2 and 18-19. Lapidary Journal, v. 45, no. 5, Aug. 1991, pp. 681 Norgart, Carrie; Ramsey, Blake; and Checklist for 1994 exhibition at the Denver Art 26-31, ill. Emanuel, John Museum. "Glasses serve many functions in the field of "The 2nd International 'Hot Glass Horizons'" jewelry." Glass Art, v. 10, no. 2, Jan./Feb. 1995, pp. 18- 655 Miller, Zanne 20, ill. "Lucartha Kohler: Contemporary Glass Work 669 National Association for the Visual Arts, Portland, OR, conference on hot glass and Inspired by Ancient Culture" Australia kilnforming techniques. Art Matters (Jenkintown, PA), v. 14, no. 5, Dec. Money for Visual Artists: NAVA's Guide to 1994/Jan. 1995, p. 16, ill. Awards, Prizes and Professional Development 682 Norrie, Jane Opportunities for Visual Artists and Crafts­ "Keiko Mukaide: Glass at Edinburgh College of people 656 Milne, Victoria Art Goes International" Woolloomooloo, NSW: the association, 1994, Neues Glas, no. 4, 1995, pp. 28-33, ill. In "Women of New York" 76 pp. German and English. Glass (UrbanGlass), no. 61, Winter 1995, pp. 38- 45, ill. Includes list of annual exhibitions. Glass by Karen LaMonte, Deborah Czeresko, 683 North Carolina Glass: The Next Gen­ Tina Aufiero. 670 National Lifestyle Crafts Buyers' eration (Text: Joan Falconer Byrd) Resource Directory, July 1995 (Featuring the Cullowhee, NC: Western Carolina University, 1995-96 Kentucky Crafted Directory) 1995, 28 pp., ill. 657 Monroe, Michael W. Columbus, OH: ODC Enterprises, 1995, 64 pp., 12 artists in 1995 exhibition in Cullowhee and "Capital Crafts" ill. Asheville. Sky (Delta Air Lines), Aug. 1995, pp. 124-127, ill. White House craft collection. 671 Naumann, Francis M. 684 O'Connor, D. Thomas "Precise and Not So Controlled: The Bride "Art for Art's Sake: The Evolving Career of 658 The White House Collection of American Stripped Bare by Her Bachelors, Even' and Glassmaker Arthur Reed" Crafts (Essay: Barbaralee Diamonstein) Related Works on Glass by Marcel Duchamp" Glass Collector's Digest, v. 9, no. 3, Oct./Nov. New York: Harry N. Abrams, 1995, 128 pp., ill. Glass (UrbanGlass), no. 60, Fall 1995, pp. 34- 1995, pp. 10-15, ill. Includes glass by 18 glass artists. 41, ill. Sweetwater Glass of DeLancey, NY.

659 Morgan, Anne Barclay 672 Nelis, Use 685 Ohio Designer Craftsmen "Maze & Labyrinth" "Venus, Rising Flower-Like from a Delicate Water 1995 Ohio Designer Craftsmen Buyers Guide Sculpture, July/Aug. 1995, pp. 28-33, ill. Ballet" Columbus, OH: the craftsmen, 1995, 56 pp., ill. Includes "Maze Table" in glass by Vito Acconci. Neues Glas, no. 2, 1995, pp. 30-37, ill. In Ger­ man and English. 686 Ohtsuka, Shigeki and Sakakibara, Yasuhiro 660 Mornement, Caroline, ed. Bert Frijns. "Glass Goddess" Craft Galleries: A Directory of British Galleries Schott Information, no. 67, 1993, pp. 20-21, ill. and Their Craftspeople (Text: Michael Casson, 673 Netzer, Sylvia Making of a 2.5-meter-high statue, Lady Buddha, Richard Quinnell and GuyTaplin) "3 New York Artists Use Glass" with optical glass. Taunton, Somerset: Tony Williams Publications, Neues Glas, no. 2, 1995, pp. 18-29, ill. In [1994?], 264 pp., ill. German and English. 687 Oliva, Achille Bonito, ed. Judy Pfaff, Kiki Smith, and Nancy Bowen. "Preferirei di no": Cinque stanze tra arte e 661 Morris, Griff depressione "The Acid Test" 674 Neuman, Lydia Milano: Electa, 1994, 150 pp., ill. The New Art Examiner, v. 23, no. 2, Oct. 1995, "Reviews: Raimund Kummer" Glass by Alessandro Diaz de Santillana, p. 51. p. 56, ill. Glass (UrbanGlass), no. 60, Fall 1995, p. 53, ill. Public reaction to a sculpture with glass bottles by 688 Olivie, Jean-Luc Gregory Green, Chicago. 675 New Glass Review 16 "Arts plastiques: Le Verre contemporain" [in] Corning, NY: The Corning Museum of Glass, Larousse Annuel 95. Le Livre de I'Annee du ler 662 Mounier, J. and Monod, E. 1995, 64 pp., ill. Janvier au 31 Decembre, 1994, [Paris: "La Verrerie de Biot" Larousse], 1995, pp. 210-212, ill. Bibliotheque de Travail, no. 526, June 10, 1962, 676 New York. Alternative Museum Encyclopedia article on contemporary glass. pp. 1-32, ill. Maureen Connor: Discreet Objects New York: the museum, 1994, 16 pp., ill. 689 Olsson, Lillemor 663 Murphey, Debra Zimmerman Mixed-media sculpture, including glass. "Hertha Bengtson: Hennes bla eld brinner an" "A Passion for Paperweights" Antik & Auktion, no. 12, Dec. 1993, pp. 34-39, American Style, v. 2, no. 1, Fall 1995/Winter 677 Nice. Musee d'Art Moderne et d'Art ill. 1996, pp. 3 and 56-57, ill. Contemporain Nice Ceramics and glass by Bengtson. Paperweights by Simpson, Karg, Buzzini, Howard Ben Tre, Bernard Dejonghe, Costas Parabelle Glass, the Tarsitanos, Grubb, Salazar. Varotsos: Sculptures de Verre 690 Opie, Jennifer Nice: the museum, 1994, 89 pp., ill. "Danny Lane" 664 Musler, Jay Exhibition at the museum in 1994. Vormen uit Vuur, no. 149, 1993, pp. 32-39, ill. "Matter" English summary. The Glass Art Society Journal 1994, 1994, 678 Nichols, Sarah pp. 59-60, ill. Formed by Fire 691 "Review, Exhibitions: Hot Glass — Cold Pittsburgh, PA: The Carnegie Museum of Art, Glass" 665 Nancy. Musee des Beaux-Arts 1993, 5 pp. (folded poster), ill. Crafts (U.K.), no. 134, May/June 1995, pp. 51- Yan Zoritchak: Hommage a Brancusi, Science Exhibition of glass and metal; includes Joey 52, ill. et Poesie du verre Kirkpatrick, Flora Mace, Dante Marioni, William British glassmakers; piece by Keiko Mukaide Nancy: the museum, 1995, 79 pp., ill. Morris. (Edinburgh College of Art) illustrated. 56 692 Oriel, Andy CeramicAntica, v. 5, no. 6 (50), June 1995, Auction program; includes brief artists' "Mistress of the Mountain Bead" pp. 62-63, ill. biographies. Lapidary Journal, v. 49, no. 7, Oct. 1995, Bohemian and Venini glass in Sotheby sale. pp. 50-54+, ill. 719 25 Years: Artists' Open Studios, July 23, Beads by Pati Walton. 705 Pawlak, Kazimierz 1995 "Marvin Lipofsky w Polsce" Seattle, WA: the school, 1995, [23] pp., ill. 693 Padon, Thomas Format (Wroclaw), no. 10/11 (1-2), 1993, pp. Published on the occasion of the 25th "Reviews: Michele Blondel" 40-41, ill. Anniversary Alumni Reunion; addresses and maps Sculpture, v. 14, no. 1, Jan./Feb. 1995, p. 42, Lipofsky's visit to Poland. for Seattle area studios. ill. 706 "Young Polish Glass" 720 Pitches, Grant, ed. The Glass Art Society Journal, 1993, pp. 48-50. 694 Pagano, Penny George Pickard, 1929-1993: Monograph "Exploring the Glass Frontier" [Rearsby, Leicestershire]: The George Picard Washington Home (The Washington Post), Sept. 707 Pearson, Ian Estate, 1994 (Wigston Magna, Leicester: Allsop 16, 1993, pp. 8-9+, ill. "Art on Glass: An Exhibition by the Guild of Glass Printers), 60 pp., ill. Chihuly, Morris, Patti, Mace and Kirkpatrick, Engravers" Sculptures using flat glass by the British architect Stankard. British Society of Scientific Glassblowers and artist. Journal, v. 33, no. 1, Jan. 1995, pp. 38-41. 695 Page, Amy Review of 1994 London exhibit. 721 Plagens, Peter "Miami Modernism Fair" "Exhibitions: Baskin Case" The Antique Collector, v. 66, no. 1, Dec. 708 "Where Art Meets Science" Artforum, v. 34, no. 4, Dec. 1995, p. 57, ill. 1994/Jan. 1995, p. 27, ill. Scottish Glass Society Newsletter, no. 51, April Kiki Smith. Venini "Spicchi" vase by Fulvio Bianconi, about 1995, pp. 12-14, ill. 1952. Author's lampworked piece commissioned by a nuclear fuel reprocessing plant. 722 Plum, Susan "Artist Presentation" 696 Pall, Ellen The Glass Art Society Journal, 1993, pp. 98-99, "Starting from Scratch" 709 Pecinkova, Pavla ill. The New York Times Magazine, Sept. 24, 1995, "Z atelieru VSUP" pp. 39-43, ill. Umeni a Remesla, v. 37, no. 2, 1995, pp. 40- Ginny Ruffner. 47, ill. English summary. 723 Pocock, Kate Glass by Josef Marek and others at the College of "All Fired Up" Applied Arts, Prague. 697 Palterer, David City and Country (Toronto?), Aug./Sept. 1993, Chimere di David Palterer. Animali fantastici in u.p., ill. cristallo proposti da Vilca raccontati da Anna 710 Perreault, John Canadian Clay & Glass Gallery, Waterloo, Ontario. Gazzi "The B Team on the A List" Firenze: Morgana Edizioni, 1992, 46 pp., ill. Glass (UrbanGlass), no. 58, Winter 1995, 724 Pokorny, Petr pp. 60-61, ill. Record of the collaboration between David "Eva Svestkova's Two Anniversaries" The five B Team members come to New York for Palterer and Cristalleria Vilca of Colle Val d'Elsa. New Glass Review (Czech), v. 50, no. 3-4, demonstrations, performances, and exhibition at 1995, pp. 14-17, ill. In English and German. UrbanGlass. 698 Pannell, Elizabeth and Watkins, James Interview with the glass designer. "Pean Doublyu Glass" 711 "Mirror, Mirror: Tina Aufiero's'Uncondi­ The Glass Art Society Journal, 1993, pp. 96-97, tional Love"' 725 "The Unique Glass Collection in Chateau ill. Glass (UrbanGlass), no. 59, Spring 1995, Lemberk" Authors' studio, Rl. pp. 58-61, ill. New Glass Review (Czech), v. 50, no. 6-7, Review of UrbanGlass exhibition. 1995, p. 22, ill. In German and English. 699 Pappenheimer, Will Collection of sculpture, decorative objects, and stained glass from last four Novy Bor "Reviews: Jodi Salerno, Cup Impact" 712 "Reviews: Italian Metamorphosis, 1943- Glass (UrbanGlass), no. 58, Winter 1995, symposiums. 1968" pp. 48-49, ill. Glass (UrbanGlass), no. 59, Spring 1995, pp. 46-47, ill. 726 Porcelli, Joe 700 Pardubice. Vychodoceska Galerie Guggenheim Museum exhibit. "Christopher Ries" Pardubice Glass Artist (formerly Professional Stained Zaslouzily umelec Petr Rydlo: Obrazy — sklo 713 Pesta, Abigail Glass), no. 3, April/May 1995, pp. 6-11+, ill. (Tomas Rybicka, ed. Text: Josef Suva) "Electric Art" Pardubice, Czechoslovakia: the gallery, 1988, Lighting Dimensions, v. 18, no. 3, April 1994, 727 "Dave Archer to Boldly Go" [21] pp., ill. pp. 66-69, ill. Glass Artist (formerly Professional Stained Jane Haskell's neon. Glass), no. 1, Dec. 1994/Jan. 1905, pp. 6-11+, 701 Paris. Galerie D. M. Sarver ill. Bernard Dejonghe 714 Petrova, Sylva Reverse glass painting and electric painting on Paris: the gallery, [1992], 16 pp., ill. "Edward Leibovitz — Nezbeda svetoveho skla? = glass by Archer. The Enfant Terrible of World Glass?" 702 Paris. Galerie Sordello, Verre Contem- Umeni a Remesla, no. 4, 1994, pp. 35-39, ill. 728 "Divas Glass Art" porain English and German summary. Glass Artist (formerly Professional Stained Millenaire d'espoir (Text: Meg and Marc Sordello) Glass), no. 2, Feb./March 1995, pp. 58-60, ill. Paris: the gallery, 1995, [28] pp., ill. In French 715 "Leibovitz: La Retrospective de Prague" Texas studio. and English. La Revue de la Ceramique et du Verre, no. 80, "Millenium of Hope" exhibit; work by 11 French Jan./Feb. 1995, pp. 26-28, ill. glass artists. 729 Porges, Maria "Richard Marquis: Material Culture" 716 "The World and Glass: Gizela Sabokova" American Craft, v. 55, no. 6, Dec. 1995/Jan. 703 Paris. Musee des Arts Decoratifs, Centre Neues Glas, no. 2, 1995, pp. 10-17, ill. In 1996, pp. 36-39+, ill. du Verre German and English. Bernard Dejonghe: Ceramique et verre (Text: Pierre Arizzoli-Clementel, Gerard Guillot-Chene, 717 Piersol, Daniel 730 "Therman Statom: Northern Tide" and Jean-Luc Olivie) "Transparent Motives: Prints from Glass Plates" American Craft, v. 55, no. 3, June/July 1995, Paris: the museum, 1995, 32 pp., ill. In French New Orleans Museum of Art Quarterly, v. 17, pp. 39-41, ill. and English. no. 2, April/May/June 1995, p. 8, ill. Installation in San Francisco gallery. Exhibition held in Paris and at the Ancien Eveche, Vitreographs at the Littleton Studios. Evreux. 731 Posner, Richard 718 Pilchuck Glass School "Hope Diamond: Public Art Made in Response to 704 Pasini Bragliani, Laura 17th Annual Auction (The Westin Hotel, Seattle, Civil Unrest" "Vetri, maioliche del Settecento e porcellane Fri., Oct. 27, 1995) The Glass Art Society Journal 1994, 1994, orientali a cifre piu abbordabili" Seattle: the school, 1995, 63 pp., ill. pp. 61-62, ill. 732 Powers, Alan 746 Rainbird, Sean 759 Reidelglas "Out of This World: The Influence of Nature in "Rebecca Horn: Kinetic Installations" Reidel for Connoisseurs with Highest Craft and Design 1880-1995" Craft Arts International, no. 33, 1995, pp. 39- Expectations: Sommeliers... Crafts (U.K.), no. 136, Sept./Oct. 1995, p. 52, 43, ill. Kufstein, Austria: the company, [1991?], 34 pp., ill. Tate Gallery exhibition. ill. Review of exhibition at Cardiff, Wales. Vase by Reprints of columnists' comments, 1990-1991. Bob Crooks illustrated. 747 Ramljak, Suzanne "Joseph Kosuth" 760 Reitberger, Diana 733 "Reviews: Guild of Glass Engravers' Sculpture, v. 14, no. 3, May/June 1995, pp. 18- "Cleto Munari Collection" National Exhibition" 19, ill. Ontario Craft, v. 20, no. 2, Summer 1995, p. 7+, Crafts (U.K.), no. 132, Jan./Feb. 1995, pp. 55- ill. Exhibition with glass in Toronto. 56, ill. 748 Ramsey, Blake "More Hot Glass on the Horizon" 734 "Sources of Inspiration" Glass Art, v. 11, no. 1, Nov./Dec. 1995, pp. 38- 761 Relyea, Lane and Plagens, Peter Crafts, no. 133, March/April 1995, pp. 44-47, ill. 39, ill. "Head Trips: Bruce Nauman" Work of Catherine Cobb includes glass necklace. Hot Glass Horizon '95, Portland, OR. Artforum, v. 33, no. 8, April 1995, pp. 62-69+, • ill. 735 Prague. Galerie Nova Sin 749 Ramshaw, Wendy 762 Ricke, Helmut Dana Zamecnikova: Through the Looking Glass, "An Artist's Diary" "Jutta Cuny-Franz Memorial Award" za Zrcadlem (Text: Vlasta Cihakova-Noshiro) Art Review, v. 46, Dec. 1994/Jan. 1995, pp. 52- Neues Glas, no. 1, 1995, pp. 44-49, ill. In Prague: the gallery, 1994, [8] pp., ill. English 53, ill. German and English. summary. Author's jewelry. 1995 award winners: Isabel Marques de Almeida, Installation in Prague. Anja Isphording, Anna Skibska. 750 Rancho Cucamonga. Wignall Museum 736 Prague. Galerie Rob van den Doel Gallery, Chaffey College 763 Riihimaki. Suomen Lasimuseo Jaroslava & Antonin Votrubovi Breaking Tradition: The Fine Art of Glass Europejskie szklo uzytkowe Prague and The Hague: the gallery, 1995, [16] (Curator: David Svenson) Warszawie: Instytucie Wzomictwa pp., ill. In Czech and English. Rancho Cucamonga, CA: the museum, 1995, 15 pp., ill. Przemystowego, 1995, [32] pp., ill. In Polish. Exhibition with work by Susan Stinsmuehlen- Catalog for a Warsaw exhibit, "European Glass in 737 Princenthal, Nancy Amend, Michael Aschenbrenner, Richard Use," organized and first shown in Finland. "Review of Exhibitions: John Newman" Marquis, and others. Art in America, v. 83, no. 9, Sept. 1995, p. 107, 764 Riley, Tom ill. "Light, Beauty, and Spirituality, an Expose" 751 Rankin, Mary Sue Sculpture with glass. What's New with Christopher Ries (Duryea, PA), "In Review: Laura Donefer, Earthangels and Witch no. 3, Oct. 19, 1995, p. 3, ill. Pots" Christopher Ries sculpture. 738 Procykova, Jana Ontario Craft, v. 20, no. 3, Fall 1995, pp. 20-21, "Craft and Art in Glass: Novy Bor 1994" ill. New Glass Review (Czech), v. 49, no. 12, 1995, 765 Riolfo Marengo, Silvio pp. 27-29, ill. In German and English. "982. Trasparenze d'arte a Venezia" 752 Ratajczak, Mirostaw Alte Vitrie, v. 7, no. 1, Oct. 1994, pp. 16-17, ill. "Szklane rzez by Czestawa Zubera" English summary. 739 "Daniel Swarovski Prize" Format (Wroclaw), no. 10/11 (1-2), 1993, Exhibition in Venice, May 1994. Work by Gianni New Glass Review (Czech), v. 50, no. 6-7, pp. 24-25, ill. Celano Giannici illustrated. 1995, pp. 10-11, ill. In German and English. Czestaw Zuber. Applied arts award presented to Ivana Houserova and Marek Josef for glass. 766 Roberts, Diana 753 Ratajczak, Ryszard "Brooklyn Museum Boasts Glass Installation by "Szklana alchemia" Dale Chihuly" 740 "Women Artists from Jihlava" Format (Wroclaw), no. 10/11 (1-2), 1993, p. 39, New Glass Review (Czech), v. 50, no. 8, 1995, Art Matters (Jenkintown, PA), v. 14, no. 5, Dec. ill. 1994/Jan. 1995, p. 4, ill. pp. 25-28, ill. In German and English. Glass by Przestaw Kornacki and others. Jana Valkova, Dana Novakova. 767 Roberts, Nora 754 Rathanova, Tereza Born in Fire 741 Prostor, Svetlo, Sklo = Space, Light, "Three Questions for. . New York: Jove Books, 1994, 405 pp., ill. Glass (Concept: Marian Karel; text: Josef New Glass Review (Czech), v. 50, no. 1, 1995, Romantic fiction about a glass artist. Hlavacek and Jin Setlik) pp. 2-6, ill. In English and German. Prague: VSUP, 1995, 84 pp., ill. In Czech and Sklarny Kavalier glassworks. English. 768 Roberts Galleries Sculpture/installations by Brychtova/Libensky, Delli-Bovi/Roberts Collection 1995 755 Raue, Arjen Vaclav Cigler, Marian Karel, Vladimir Kopecky, Ridgefield, CT: the galleries, 1995, "The Laaven Pavilion, Delft" Dana Zamecnikova at Prague site. 21 photographs in a folder, ill. International Lighting Review, no. 1, 1995, Glass and ceramic sculptures made at Benjamin pp. 32-33, ill. Moore studios in Seattle. 742 Pythoud, Laurence Neon tube columns. "Clin d'oeil: David Palterer" L'Oeil, no. 472, June 1995, p. 14, ill. 769 Rockford. Rockford Art Museum 756 Rawsthorn, Alice A Passionate Perspective: Francis and June "Borrowed Form, Stolen Object" Spiezer Collection of Art 743 Racekova, Jarmila I.D. (International Design), v. 42, no. 2, Rockford, IL: the museum, 1994, [6] pp., ill. "The International Glass Symposium: Lednicke March/April 1995, pp. 40-47, ill. Exhibition included many contemporary glass Rovne 1994" Green bottles by designer Jasper Morrison. artists' works. New Glass Review (Czech), v. 49, no. 11, 1994, pp. 28-30, ill. In German and English. 757 Rea, Kirstie 770 Roermond. Gemeentemuseum "Latitudes" Jo-Jo: Beelden in Beweging, Jan Doms & 744 Racine, Elin Ausglass, Spring 1995, p. 17. JanHein van Stiphout (Text: Harrie Tillie and "Artist Profile: Paulus Tjiang" Portland, OR, exhibition with work by 10 artists. others) Glass Gazette, Spring 1995, pp. 8-10, ill. Part 2 to be shown in Sydney, Australia. [S.I.]: De Maatschap, 1993, 12 pp., ill. "Images in Motion," installations with glass by 745 Raimonova, Ivona 758 Reid, Neil Doms and van Stiphout. "Reviews: Prague. Marian Karel; Dana "Exhibition of Glass by Dale Chihuly, Solomon Zamecnikova" Gallery, Dublin" 771 Koudvuur: Produktie De Maatschap. Sculpture, v. 14, no. 2, March/April 1995, The Glass Society of Ireland Newsletter, no. 10, Beelden in Bewegning: Jan Doms & JanHein pp. 52-53, ill. Dec. 1995, pp. 6-7. van Stiphout (Text: PietJan Dusee) 58 Roermond, the Netherlands: the museum, 1990, Sars-Poteries, France: the museum, 1995, 797 Schutze, Carolin 27 pp., ill. [12] pp., ill. In French. "Glasgalerie Hittfeld: Kunst-glasklar" Installation with glass by Doms and van Stiphout. Exhibition catalog. Kultur in Hamburg, v. 25, no. 11, Nov. 1995, pp. 64-65, ill. 772 R0nnest, J0rgen F. 786 Sartti, Seija Glass gallery near Hamburg. "Glasudstilling med Michael Bang" "Nature Is a Paradise for Thieves" Glasnyt, v. 10, no. 18, May 1994, pp. 3-4, ill. Form-Function-Finland, no. 4, 1994, pp. 12-17, 798 Schwendenwien, Jude Exhibit of 25 years of Bang's work. ill. "Reviews: Joy Wulke" "Chanterelle" vase by Wirkkala, bird by Oiva Sculpture, v. 14, no. 1, Jan./Feb. 1995, p. 46, 773 Rosenkrantz, Linda Toikka. ill. "Contemporary Collectibles: Viva Venini!" Antiques & Collecting Magazine, v. 99, no. 12, 787 Save, Colette 799 "Reviews: Timo Sarpaneva" Feb. 1995, p. 14, ill. "Le Second souffle de Sars-Poteries" Sculpture, v. 14, no. 2, March/April 1995, p. 45, Postwar Venini glass. Verre & Creation, no. 1, July 1995, p. 3, ill. ill. English summary. Retrospective at Pacific Design Center. 774 Rowe, Keith Plans for the Museum-Workshop of Sars-Poteries. "Blow Out in Blackheath" Ausglass, Spring 1995, pp. 20-21. 800 Scott, Joyce J. 788 Save, Colette and Beaumont, Thierry de Workshop at author's studio, Australia. Fearless Beadwork: Handwriting + Drawings "Bernard Dejonghe, disciple de la fusion" from Hell by Joyce Scott. Improvisational Verre (Institut du Verre-Prover, Versailles), v. 1, 775 Rubin, Birgitta Peyote Stitch no. 3, 1995, pp. 34-38, ill. "I all enkelhet" Rochester, NY: Visual Studies Workshop Press, Antik et Auktion, no. 12, Dec. 1994, pp. 46-51, 1994, [28] pp., ill. ill. 789 Schaechter, Judith Ceramics and glass by Ingegerd Raman. "About My Work" 801 Scott, Sue The Glass Art Society Journal 1994, 1994, In Reflection. Art Scene: An Installation by David 776 Rudge, Geraldine pp. 63-64, ill. Teeple (Sponsored by the Union-News and "Conversation with Oliver Watson" Sunday Republican) Glass (UrbanGlass), no. 58, Winter 1995, pp. 12- 790 Schalkwijk. Art Glass Centre International [Springfield, MA: Museum of Fine Arts, 1995], 15, ill. Four Glass Schools (Text: Milena Klasova; [6] pp., ill. Keeper of glass and ceramics at the Victoria and catalog: Marcela Slivova) Installation with glass tanks at Springfield, MA, art Albert Museum. Schalkwijk, the Netherlands: the center, 1995, museum. 39 pp., ill. 777 Rumble, Janet L. Four Czech professors: Stanislav Libensky, Vaclav 802 "Reviews: Melissa Kretschmer" "Universal Homework" Cigler, Vladimir Kopecky, Marian Karel, and their Glass (UrbanGlass), no. 59, Spring 1995, p. 47, Metropolis, v. 14, no. 7, March 1995, p. 41, ill. students, at the Academy of Applied Arts in ill. Ginny Ruffner advises Parsons School of Design Prague. New York exhibit. students on products for those with physical limitations. 791 Schell, James 803 Searle, Jack "Glass in Paradise" "A Visit to Alison Kinnaird" 778 Sadinsky, Rachael Glass Artist (formerly Professional Stained Scottish Glass Society Newsletter, no. 51, April Thomas S. Buechner Glass), no. 1, Dec. 1994/Jan. 1995, pp. 12-15, 1995, pp. 7-8, ill. Elmira, NY: Arnot Art Museum, 1995, 56 pp., ill. ill. Buechner's glass, pp. 44-47. Hawaiian artists Mary Kennedy, Tracy and Denise Jacob, CharVowell. 804 Searle, Jack and Searle, Joyce 779 Saltz, Jerry "The American North West, Part 2" "More Life: The Work of Damien Hirst" Scottish Glass Society Newsletter, no. 50, Feb. 792 Schiess, Christian 1995, pp. 3-8. Art in America, v. 83, no. 6, June 1995, pp. 82- "Evolution of a Neon Artist: The Light and Times of Visit to Seattle galleries, Pilchuck, etc. 87, ill. Michael Flechtner" Signs of the Times, v. 217, no. 3, March 1995, 780 Sanders, Beverly pp. 124-129, ill. 805 Seattle. Elliott Brown Gallery "Fire on the Mountain: GAS in North Carolina" Stanislav Libensky and Jaroslava Brychtova: American Craft, v. 55, no. 4, Aug./Sept. 1995, Paintings, Drawings and Sculpture 793 Schmidt, Jack and Stolarski-Assael, p. 8, ill. Seattle, WA: the gallery, 1995, 32 pp., ill. Raquel Glass Art Society conference. Exhibition catalog. "Discussion Groups" The Glass Art Society Journal 1994, 1994, 781 Sanders, Erica pp. 101-109, ill. 806 Seguin, Virginie "Reviews: Warren Langley, Maps and Various topics: casting, mold-making, "Des celebres createurs des annees 60 a Mapmakers" sandblasting, fusing, beadmaking, glass in aujourd'hui" Craft Victoria Magazine, v. 25, no. 227, Autumn architecture, women glass artists, etc. Le Courrier des Metiers d'Art, no. 143, June 1995, pp. 19-20, ill. 1995, pp. 11-12, ill. Exhibit of Finnish design at Nice; Timo Sarpaneva, 794 Schneider, Susi 782 Sarnowicz, Ariadna Kaj Franck. "Szkto Horbowego" "Kiki Kogelnik, a Visual Poet" Format (Wroclaw), no. 10/11 (1-2), 1993, pp. 28 Austria Kultur, v. 5, no. 1, Jan./Feb. 1995, 807 "A Fecamp: Zoom sur la transparence du and 31, ill. pp. 12-13, ill. verre" Glass by Zbigniew Horbowy. Biography includes one piece in the Venetian head series (illustrated). Le Courrier des Metiers d'Art, no. 143, June 1995, p. 16, ill. 783 "Zastygty ruch (o sztuce Tasiosa Kiriazo- Monica Damian, Antoine and Etienne Leperlier. poulosa)" 795 Schone, Sally Format (Wroclaw), no. 10/11 (1-2), 1993, pp. 28 "Keramik und Glas auf der 6. Triennale and 30, ill. 'Zeitgenossisches Deutsches Kunsthandwerk.' 808 "Les Salons version 95" Glass byTasios Kiriazopoulos. Ein Ruckblick" Le Courrier des Metiers d'Art, no. 140, March Keramos, no. 148, April 1995, pp. 135-142, ill. 1995, pp. 14-17, ill. 784 Sarpellon, Giovanni Glass by Sabine Matejka/Uschi Ullmann, Franz Sandblasted sculpture by Philippe Merloz; lamp Lino Tagliapietra: Vetri = Glass = Verres = Glas Xaver Holler, Kayoko Shimizu, Jennifer Antonio, by designer Ugo la Pietra. Venice: Arsenale Editrice, 1994, 159 pp., ill. and others. Reviewed by William Warmus in Glass 809 Seigel, Jerrold (UrbanGlass), no. 61, Winter 1995, pp. 12-13, ill. 796 Schubert, Jaromir The Private Worlds of Marcel Duchamp: Desire, "Bohemian Branded Fashion Jewellery" Liberation, and the Self in Modern Culture 785 Sars-Poteries. Musee-Atelier du Verre, New Glass Review (Czech), v. 49, no. 9/10, Berkeley: University of California Press, 1995, Musee Departemental 1994, pp. 20-21, ill. In German and English. 291 pp., ill. Kei'ko Mukaide New private firm in Jablonec nad Nisou. Interpretations of "The Large Glass." 810 Seince, Frangoise 823 Sharpe, Lora 835 Smith, Mark A. "Archimede Seguso: Fractures" "Still Moving: Rufus Seder" "Egg-Shaped Paperweights, Part 2" Le Courrierdes Metiers d'Art, no. 148, Dec. Glass (UrbanGlass), no. 58, Winter 1995, pp. 30- Glass Collector's Digest, v. 9, no. 3, Oct./Nov. 1995, pp. 8-9, ill. 35, ill. 1995, pp. 66-75, ill. Paris exhibition. Inventor/film maker/artist gives glass a new Paperweights by contemporary glassmakers. image. 836 Smyers, Steve 811 "Cap plein sud: La Vie en bleus a Phare "Bay Area Hot Shops" Sud" 824 Sieger, Christian The Glass Art Society Journal 1994, 1994, Le Courrier des Metiers d'Art, no. 145, Sept. "Designer-Wettbewerb fur Milchglaser" pp. 54-55, ill. 1995, p. 13, ill. Glaswelt, v. 46, no. 11, Nov. 1993, pp. 40-41, ill. Gruissan exhibit with work by 20 artists on the Ritzenhoff glassworks competition for designer- theme of blue. decorated milk glasses. 837 Society of Glass Beadmakers The Gathering 2 San Rafael, CA: Society of Glass Beadmakers, 812 "Llnvitation, un rendez-vous de prestige" 825 Signoretto, Pino 1994, 52 pp., ill. Le Courrier des Metiers d'Art, no. 147, Nov. "Sculpture in Glass" Catalog for exhibit of 48 beadmakers in San 1995, pp. 12-13, ill. The Glass Art Society Journal 1994, 1994, Anselmo, in conjunction with convention in San Glass by Verrerie de Biot and Mathias in a salon pp. 70-71, ill. Francisco. for arts of the table. 826 Simpson, Josh 838 Soldatis, Christy 813 "Le Prix Art sur Table" "Lifetime Achievement Award Presentation to Mrs. "Kim Jung Hoo: Lasting Impressions" Le Courrier des Metiers d'Art, no. 147, Nov. Itoko Iwata" Arirang (Seoul), Winter 1993, pp. 32-36, ill. 1995, p. 11, ill. The Glass Art Society Journal 1994, 1994, p. 9, Korean jeweler/sculptor utilizes glass in her work. Prize to Baccarat in glassware category. ill. 839 Sottsass, Ettore "Vague Notes on Italian Design at Mid-Century" 814 "Tentations: Antonio Cagianelli" 827 Sims, Donna Neos (Denver Art Museum), v. 4, no. 1, 1994, Le Courrierdes Metiers d'Art, no. 148, Dec. "A Perfume Bottle Befitting a First Lady" pp. 4-8. 1995, p. 16, ill. Perfume Bottle Quarterly (formerly Perfume & Scent Bottle Quarterly), v. 6, no. 4, Summer Paris exhibit of sculpture by young Italian 840 Sour, Annemarie 1994, p. 17, ill. architect. "Jan van der Vaart: 'Glas bubbelt maar door"' Commissioned bottle by Heather and Chris Glasbulletin, Vereniging van Vrienden van Heimerl of Santa Fe Glassworks. 815 "La Transparente apparence: Serge Modern Glas, v. 9, no. 1, 1995, pp. 14-15, ill. Mansau presente cent masques" Vases by van der Vaart. Le Courrierdes Metiers d'Art, no. 145, Sept. 828 Sklo architektury zftrka = Glass in the 1995, pp. 10-11, ill. Architecture of Tomorrow, 1993 [calendar] 841 "Gedraaid hout en ongenaakbaar glas" Paris exhibit of Mansau's masks. (Text: Sylva Petrova) Glasbulletin, Vereniging van Vrienden van Teplice, Czechoslovakia: Glavunion, 1993, 14 Modern Glas, v. 9, no. 1, 1995, pp. 17-18, ill. leaves, ill. Maria van Kesteren. 816 Sekora, Ondrej J. Glass sculpture by Marian Karel. "O Dominiku Bimanovi a jeho nasledovnicich" 842 Speights, M. W. Umeni a Remesla, no. 3, 1995, pp. 17-21, ill. "Studio Artists of the Pacific Northwest" English summary. 829 Sklo v Troji 95 (Sympozium sklenene tyce, The National Button Bulletin, v. 54, no. 2, May Interview with Jin Harcuba about glass engraving Trojsky Zamek, July 2-18, 1995. Text: Jiri 1995, pp. 65-70, ill. since Dominik Biemann, including many contem­ Machalicky, Nova Spolecnost Skla) Glass buttons for collectors by Will Stokes and porary engravers. [Praha: Galeri hlavniho Mesta Prahy, 1995], [22] pp., ill. In Czech and English. Julie Clinton of Blue Flame Studios. Installations by eight artists: Matouskova, Vlcek, 817 Selbert, Pamela Cvrckova, Frommel, Larva, Stacho, Kato, 843 Stamets, Bill "The Birds and the Beads" Rozatova, at Prague castle. "Cheap Art: Betty Rymer Gallery" Lapidary Journal, v. 49, no. 8, Nov. 1995, pp. 34- New Art Examiner, v. 22, no. 8, April 1995, 38, ill. p. 40, ill. Beads by Denise Lanuti. 830 Sleph, Bev and Sleph, Jerry 'Zayde' Student art show of works executed with "It's an Art Glass Crossroads" inexpensive media, including glass shards. Common Ground: Glass, v. 2, no. 2, Summer 818 Sersiron, Nicolas 1995, pp. 4-6. 844 Stara, Eva "Keiko Mukaide: Kilt et kimono" Seattle area galleries, studios, Pilchuck, etc. La Revue de la Ceramique et du Verre, no. 80, "Changes and Comebacks of Jan Fisar" New Glass Review (Czech), v. 50, no. 6-7, Jan./Feb. 1995, pp. 29-31, ill. 831 Slonim, Jeffrey 1995, pp. 15-17, ill. In German and English. "Q & A: Jeffrey Slonim's Whitney Watch. In with 819 "Le Printemps japonais du verre a Sars- the Out Crowd" 845 "Vaclav Platek, 1917-1994" Poteries: Makoto Ito et Yoko Kuramoto" Artforum, v. 33, no. 7, March 1995, pp. 12-14, New Glass Review (Czech), v. 49, no. 12, 1995, La Revue de la Ceramique et du Verre, no. 83, ill. pp. 30-31, ill. In German and English. July/Aug. 1995, pp. 38-41, ill. Includes Dale Chihuly, Izhar Patkin. Glass engraver. Exhibit of work by Ito and Kuramoto at Sars- Poteries museum. 832 Smaalders, Karen 846 Stavis, Amy "Beaded Self Expression" "At Your Service" 820 "Zoritchak: Une autre vision de la conquete Bead & Button, no. 11, Oct. 1995, pp. 11-13, ill. China, Glass & Tableware, v. 113, no. 4, April spatiale" Beaded sculptures by Mimi Holmes. 1995, pp. 82-85, ill. La Revue de la Ceramique et du Verre, no. 84, New directions for Schott Zwiesel Company. Sept./Oct. 1995, pp. 31-37, ill. 833 Smith, Drew 847 "Designer Spotlight: Adi Stocker" "Ohio Glass Artists" China, Glass & Tableware, v. 111, no. 9, Sept. 821 Setlik, Jiri The Glass Art Society Journal, 1993, pp. 109- 1993, pp. 12-13, ill. "Umeleckoprumyslova skola v Praze 1885-1995" 110, ill. Swarovski designer. Umeni a Remesla, v. 37, no. 2, 1995, pp. 2-8, ill. English summary. 834 Smith, Jan 848 "Designer Spotlight: Anna Ehrner" College of Applied Arts in Prague. "Pulling Cane: Millefiori, an Ancient Art in Contem­ China, Glass & Tableware, v. 113, no. 3, March porary Form" 1995, pp. 8-9, ill. 822 Shaffer, Mary The Glass Art Society Journal, 1993, pp. 81-84, "Artist Commentary" ill. 849 "Designer Spotlight: Bill Hoffer" The Value of Glass, no. 4, March 1995, pp. 4-6, Marquis, Ritter, Beecham, Steven Powell, and China, Glass & Tableware, v. 111, no. 4, April ill. others. 1993, pp. 22-23, ill. 850 "Designer Spotlight: Dan Reiser" 865 Takashimaya Department Store Gallery 879 Venerable Beadle, The China, Glass & Tableware, v. 113, no. 4, April Kyohei Fujita's Free Blown Glassware (15th "The Bead Column" 1995, p. 18+, ill. exhibition) Glass Line, continuing series: v. 8, no. 4, Dec. Tokyo: the gallery, 1975, 42 pp., ill. 1994/Jan. 1995 — v. 9, no. 3, Oct./Nov. 1995, ill. 851 "Designer Spotlight: GuyCorrie" Tools and techniques. China, Glass & Tableware, v. 112, no. 11, Nov. 866 Yoshiko Takikawa: Sculptures (Text: 1994, pp. 18-19, ill. Helmut Ricke and Shunsuke Kijima) 880 Venice. Galleria Marina Barovier Tokyo: Takashimaya, 1995, 45 pp., ill. A Venetian Love Affaire (Text: Dan Klein) 852 "Designer Spotlight: John Hardy" Exhibit at New York and Tokyo. Venezia: the gallery, 1995, [14] pp., ill. In Italian. China, Glass & Tableware, v. 113, no. 1, Jan. Exhibition of Lino Tagliapietra, Dale Chihuly, Dan 1995, pp. 8-9, ill. 867 Takeda, Atsushi Dailey, Dorothy Hafner, Monica Guggisberg and Silver designer combines silver and glass in home "Expanded Glass" Philip Baldwin. accessories. Neues Glas, no. 2, 1995, pp. 46-49, ill. In German and English. 881 Vigiletti, Sylvia Yokohama exhibition "Expanded Glass: Traditional 853 "Designer Spotlight: Stephen Schlanser" "Honorary Life Membership Award Presentation and Contemporary" with Littleton, Eisch, China, Glass & Tableware, v. 111, no. 11, Nov. to Audrey Handler" Libensky/Brychtova, Fujita. 1993, pp. 12-13, ill. The Glass Art Society Journal 1994, 1994, Pasadena designer. pp. 11-12, ill. 868 "The International Exhibition of Glass '95, Kanazawa" 854 "Designer Spotlight: Timo Sarpaneva, a Neues Glas, no. 4, 1995, pp. 34-41, ill. In 882 Vine, Richard Glass Act" German and English. "Review of Exhibitions: David Shaw" China, Glass & Tableware, v. 111, no. 5, May Art in America, v. 83, no. 4, April 1995, p. 103, 1993, pp. 46-47, ill. 869 Talpaert, Beatrice ill. "Cristal magie et secrets . . 855 "Designer Spotlight: Will Prindle" L'Oeil, no. 475, Oct. 1995, pp. 72-77, ill. 883 Virginia Beach. Virginia Beach Center for China, Glass & Tableware, v. 112, no. 4, April Drinking glasses, decanters from Saint-Louis, the Arts 1994, p. 14+, ill. Baccarat, Lalique, and other French firms. Dancing in a Sea of Light: Contemporary Glass from the Collection of Isaac & Sonia Luski (Text: 856 Stershic, K. 870 Tanguy, Sarah Frank Thomson and Jan Riley) "Schools and Workshops for the Inspired and "Reviews: Bruce Nauman" Virginia Beach, VA: the center, 1995, 16 pp., ill. Aspiring" Glass (UrbanGlass), no. 59, Spring 1995, p. 48, Glass by 23 artists. Mirrors & Light, v. 1, no. 3, Spring 1994, pp. 4-5, ill. ill. Exhibit at the Hirshhorn Museum. 884 Volfova, Jana Pilchuck, Penland, Haystack, etc. "Exhibition of Glass in Bern" 871 Taragin, Davira New Glass Review (Czech), v. 50, no. 3-4, 857 Stinsmuehlen-Amend, Susan "Selections from the George and Dorothy Saxe 1995, p. 28, ill. In English and German. "Honorary Life Membership Award Presentation Collection at the Toledo Museum of Art" Glass by Jin Suhajek. to Robert Kehlmann" The Glass Art Society Journal, 1993, pp. 129- The Glass Art Society Journal 1994, 1994, 130, ill. 885 Volk, Gregory pp. 13-14, ill. "Reviews: Josiah McElheny and Dan Peterman" 872 Teeple, David ARTnews, v. 94, no. 5, May 1995, p. 152, ill. 858 Stone, Graham In Reflection: A Project by David Teeple for the New York exhibit. "Exhibitions in Melbourne" Springfield Museum of Fine Arts Ausglass, Spring 1995, pp. 11-13, ill. Holyoke, MA: the artist, 1995, [23] pp., ill. 886 Waggoner, Shawn Klaus Moje, Mary Van Cline, John Brekke, Robert An installation with water-filled glass tanks planned "The Flame Grew Brighter: A Lampworking Wynne, and others. for Summer 1995. Overview" Glass Art, v. 10, no. 6, Sept./Oct. 1995, pp. 78- 873 Thompson, Sharon Elaine 859 "Glass of the Fourth Dimension" 83, ill. "Extraordinary Glass" Craft Arts International, no. 35, 1995-1996, Ruffner, Mickelsen, Fero, Minson, Kerkvliet, Lapidary Journal, v. 49, no. 7, Oct. 1995, pp. 24-28, ill. Birkhill, Dunham, Prash, Santini. Glass by Richard Morrell of Melbourne. pp. 36-40, ill. Pilchuck Glass School in Stanwood, Washington. 887 "Josh Simpson's Glass: Earth and Space 860 Straus, Cees 874 Thor, Lars as Inspiration" "Ontwikkeling in de beelden van Bert Frijns" "Glaset den roda traden" Glass Art, v. 9, no. 6, Sept./Oct. 1994, pp. 70- Glas en Keramiek, no. 2, May/June 1995, Kultur Spridaren, v. 7, no. 3/4, Oct./Dec. 1993, 76, ill. pp. 20-23, ill. p. 3, ill. "Glasgladje" exhibition at the Smalands Museum, 888 "Kliszewski Shard Vessels" 861 Summers, Ruth T. Vaxjo. Glass Art, v. 10, no. 4, May/June 1995, pp. 4-8, "Brillson Collection Donated to Wustum Museum" ill. Glass Quarterly {Ruth T. Summers), v. 3, 1995, 875 Tognon, Caterina Work by Bob Kliss. pp. 1-3, ill. "Toots' Zynsky: Fusioni in filo di vetro colorato" 28 glass pieces donated to the Racine, Wl, CeramicAntica, v. 5, no. 2 (46), Feb. 1995, museum. 889 "Musculatures: Recent Glass Sculpture by pp. 51-53, ill. Ruth King" Glass Art, v. 11, no. 1, Nov./Dec. 1995, pp. 40- 862 Suomen lasi elaa = Finnish Glass Lives 3 876 Torcello, Alessandro 44, ill. (Kaisa Koivisto, ed.) "Vetro al piombo: Le sculture di Matei Negreanu" Riihimaki: Suomen Lasimuseo, 1995, 88 pp., ill. Alte Vitrie, v. 7, no. 1, Oct. 1994, pp. 22-24, ill. 890 "Royal Glass" In Finnish and English. English summary. Glass Art, v. 10, no. 3, March/April 1995, pp. 4- Work by 49 Finnish artists at a Finnish glass Sculptures by Negreanu. museum exhibit. 10, ill. Interview with Richard Royal. 877 Turner, Jonathan 863 Swan, Mark "Reviews: Paliano, Italy" "Five Who've Thrived: Josh Simpson, Glass Artist, ARTnews, v. 94, no. 9, Nov. 1995, pp. 254+, ill. 891 "Sculptured Rainbows: Kevin O'Grady's Massachusetts" Exhibition with Mario Merz's plate glass table Pyrex® Bracelets" The Crafts Report, April 1995, p. 25, ill. extending through four rooms. Glass Art, v. 10, no. 2, Jan./Feb. 1995, pp. 10- 15, ill. 864 Tagliapietra, Lino 878 van Maanen, James "When There Is an Artist between the Glass and "Crystal Clear Creativity" 892 "Throwing Your Hat into the Public Art Me" Collector Editions, v. 23, no. 4, July/Aug. 1995, Arena: Jim Bowman's Sculpture" The Glass Art Society Journal 1994, 1994, pp. 132-134, ill. Glass Art, v. 10, no. 4, May/June 1995, pp. 70- pp. 65-69, ill. Swarovski designers. 74, ill. 893 Wallerius, Inga The Glass Club Bulletin, no. 174, Fall/Winter 919 Willenbrink, Karen "Glasdebutant" 1994, pp. 30-31, ill. "About My Work" Form, v. 91, no. 4 (700), 1995, p. 88, ill. Exhibition review. Work by Stephen Dale The Glass Art Society Journal 1994, 1994, Olle Anderson. Edwards, Dale Chihuly illustrated. p. 56.

894 "Gult som solen" 908 Weiss, Dick 920 Wilson, Lewis Form, v. 91, no. 1 (697), 1995, p. 12, ill. "The Beauty of Painted Glass: New Directions in "Venetian Paperweight Buttons" Birgitta Watz exhibit in Goteborg. the Northwest" Bead & Button, no. 3, June 1994, pp. 15-16, ill. Common Ground: Glass, v. 1, no. 3, Winter Author describes his lampworked buttons. 895 Wang, Heinrich 1994, p. 9, ill. "We Have Begun: Taiwan's Studio Glass" Exhibit in Bellevue, WA. 921 Wuohela, Lisa The Glass Art Society Journal 1994, 1994, "In Conversation with Outlaw Neon (Skunkworks)" pp. 35-37, ill. Glass Gazette, Summer 1995, pp. 8-9, ill. 909 Wellington. Museum of New Zealand = Te 896 Warmus, William Papa Tongarewa Treasures of the Underworld: The Catalogue for 922 "Refractions/Directions: Select Works "The End?" from the Membership of the Glass Art Association Glass (UrbanGlass), no. 60, Fall 1995, pp. 42- the New Zealand Tour of the Exhibition, by 14 New Zealand Ceramic and Glass Artists Which of Canada" 45, ill. Ontario Craft, v. 20, no. 1, Spring 1995, pp. 22- Status of the Studio Glass movement. Was One of the Major Highlights of the New Zealand Pavilion ... World Expo in Seville, Spain 23, ill. (Text: James Mack) Review of 1994 exhibition at Canadian Clay and 897 "The Studio Glass Collector" Glass Gallery, Waterloo. American Style, v. 1, no. 2, Summer 1995, p. 74. Wellington, New Zealand: the museum, 1993, 43 pp., ill. 923 Yacoub, Mohamed 898 The Value of Glass (Lansing, NY) Includes glass by Ann Robinson. Sadika Four newsletters: v. 1, 1994 —v. 4, 1995. [Marsa Safsaf, Tunisie: Sadika Kamoun, 199-?], The contemporary glass market. 910 Wesselhoft, Philip [29] pp., ill. In English. "Die Seele des Glases. Kunstlerportrat Jan Adam" Glass by Sadika Kamoun of Tunisia. 899 Wasserstein, Henry Decoration (Hamburg), no. 3, 1993, pp. 42-46, "Meeting of MCGG, April 30, 1995" ill. 924 Yokohama. Yokohama Museum of Art Metropolitan Contemporary Glass Group, Expanded Glass: Traditional and Contemporary Minutes, May 1995, pp. 1-6. 911 Whistler, Laurence = Kakucho Suru Garasu Report on lecture by Kenny Carder. Way — Two Affirmations by Laurence Whistler in Yokohama: the museum; Asahi Shimbun, 1995, Glass and Verse: Idea of a City [and] Triune 261 pp., ill. In Japanese and English. 900 "Minutes of the Meeting of MCGG, March Cambridge: Golden Head Press, 1969, 16 pp., International exhibition: Libensky/Brychtova, 5, 1995" ill. Fujita, Littleton, Hlava, Eisch, Elias, Vallien, Zuber. Metropolitan Contemporary Glass Group An engraved glass and two poems. Newsletter, March 1995, pp. 3-6. Panel on figurative art with Karen Chambers, 925 Yood, James Melanie Guernsey, Daniela Imre. 912 Wichert, Geoffrey "Adam Brooks: Only Words" "The Art (and Politics) of Walter Lieberman" Glass (UrbanGlass), no. 59, Spring 1995, 901 "Minutes of the Meeting of MCGG, June 4, Neues Glas, no. 1, 1995, pp. 36-43, ill. In pp. 26-33, ill. 1995" German and English. Metropolitan Contemporary Glass Group, [June] 926 "Ruffner & Kursh" 1995, pp. 2-3. 913 "In the Eye of the Storm" Glass (UrbanGlass), no. 60, Fall 1995, pp. 30- Review of a talk by Anna Ehrner. Neues Glas, no. 3, 1995, pp. 38-45, ill. In 33, ill. German and English. Ginny Ruffner, Steve Kursh. 902 "Minutes of the Meeting of MCGG, Nov. KeKe Cribbs. 20, 1994" 927 Zadrazil, Pavel Metropolitan Contemporary Glass Group, "Z nejmladsi generace" 914 "Reviews: 'Fireworks,' Neon Glass Art [November] 1994, pp. 1-5. Atelier, June 13-22, 1995, p. 5, ill. English Exhibition" Lecture by Deborah Czeresko; Chihuly wall instal­ summary. Glass (UrbanGlass), no. 61, Winter 1995, p. 54, lation at Brooklyn Museum. Review of exhibit with glass by Somma Vesela at ill. Cesky Krumlov. Portland, OR, exhibit. 903 "Report on the MCGG Boston Trip" Metropolitan Contemporary Glass Group, 928 Zanden, Joanna van der [October] 1994, pp. 1-12. 915 "Reviews: John deWit" "Het Nederlands Museum voor Glas en Visits to galleries, etc., and studios of Dan Glass (UrbanGlass), no. 61, Winter 1995, p. 52, Glastechniek" Dailey/Linda MacNeil, Sidney Hutter, Alan Klein, ill. Glas en Keramiek, no. 2, May/June 1995, Carol Cohen, Linda Lichtman, Andy Portland, OR, exhibit. pp. 30-31, ill. Magdanz/Susan Shapiro, Nancy Langston. Glass museum at Hoogeveen. 916 Wiens, Ann 904 Weathersby, William, Jr. "Reviews: John Torreano" 929 Zeitgendssisches deutsches Kunsthand- "The Light Fantastic" The New Art Examiner, v. 22, no. 4, Dec. 1994, werk 6. Triennale 1994: Schmuck/Gerat, Mobel, Lighting Dimensions, v. 19, no. 4, April 1995, p. 41, ill. Buchkunst, Keramik, Textil/Papier, Glas (Text: pp. 73-78, ill. Chicago exhibit. Sabine Runde and others) Pam Morris lamp and lighting designs. Leipzig: Museum fur Kunsthandwerk (Grassi- museum), 1994, 7 vols., ill. 917 Willem Heesen: Werken uit De Oude 905 Weaver, Cynthia Vol. 7: "Glas," 30 pp., work by 14 artists such as Horn (Text: Arjen Duinker, Use Nelis, Cees Straus, "Pictures from an Exhibition: British 20th Century Jan Adam, Jens Gussek, Ursula Huth, Gabriele Klaas Laansma) Exhibition Commemoratives" Kustner, Sibylle Peretti, and others. Antique Collecting, v. 30, no. 6, Nov. 1995, [Leerdam: De Oude Horn, 1993?], 72 pp., ill. pp. 30-35, ill. Work from Heesen's studio, De Oude Horn, at Acquoy. 930 Zimmer, Jenny includes glassware from the Festival of Britain, "Random Thoughts on Art and Craft" 1951. Craftlink, v. 9, no. 7, Aug. 1995, pp. 3-4, ill. 918 Willems, A. M. 906 Webb, Dennis Glaskunst uit Maastricht 1954-1972. De "Mark Matthews' Marbles — A Symphony in Glass" ontwerpen van Max Verboeket voor de Glass Collector's Digest, v. 9, no. 4, Dec. Kristalunie Maastricht (Text: Albert M. Willems 1995/Jan. 1996, pp. 28-34, ill. and others) Maastricht: Stichting Studio Maastricht, 1994, 907 Weis, Colleen 66 pp., ill. '"Form and Light: Contemporary Glass from the Designs by Max Verboeket at Kristalunie Permanent Collection,' American Craft Museum" Maastricht. 62 FLAT GLASS (after 1945), including Architectural, Mosaic, Painted, and Stained Glass

FLACHGLAS (nach 1945), einschlieRlich architekturbezogenes Glas, Mosaikglas, Glasmalerei und Bundglas

931 Anonymous 945 "Echos: Vitrail exposition 'Lumieres du 959 "Planglas: Konstverk - Hantverk, 17 Okt.- "All-Natural Lamps from Down Under" Nord"' 28 Nov. 1993" Stained Glass Quarterly, v. 89, no. 4, Winter Verre Actualites, no. 135, March 1995, p. 32, ill. Kultur Spridaren, v. 7, no. 3/4, Oct./Dec. 1993, 1994, pp. 266-270, ill. Scandinavian stained glass exhibit at Chartres. pp. 6-7, ill. Australian flora and fauna in lamps by Stephen Smalands Museum exhibit of flat glass work by Crisdale and Dianne Mansell (Maison Nouveau 946 "En mecenant I'oeuvre d'Alexandre Delay, Agneta Andersson and others. Studio) in Leura, Australia. Monsanto met le verre feuillete au service de Tart" Verre Actualites, no. 138, Sept. 1995, p. 47, ill. 960 "The Power of Persistence: Door and 932 "Architect Garners Grand Prize for Chapel Wall panels of glass leaves and photography by Glass Gallery by Sassin" Design" Alexandre Delay. Glass Art, v. 11, no. 1, Nov./Dec. 1995, pp. 26- American Glass Review, v. 115, no. 9, May/June 31, ill. 1995, p. 8, ill. 947 "Glashutte Lamberts — Continuing an Kevin Sassin's glass, San Antonio, TX. Libbey-Owens-Ford flat glass competition won by Ancient Tradition" Stained Glass, the Magazine of the British Pittsburgh architect. 961 "Profile: Ellen MireKJayson" Society of Master Glass Painters, Spring 1995, Glass Artist (formerly Professional Stained p. 24, ill. 933 "Artist News: James Carpenter" Glass), no. 3, April/May 1995, pp. 58-59, ill. German sheet glass firm. Peter Joseph Gallery News, v. 7, Fall 1995, p. 5. Recent commissions in Manhattan and Charlotte, 948 "Glastec 1994" 962 "Rencontres au soleil levant" NC. Glass Age & Window Construction, v. 37, Le Courrier des Metiers d'Art, no. 142, May no. 12, Dec. 1994, p. 20, ill. 1995, pp. 20-21, ill. 934 "Artist Profiles: Nancy Sledd and Mary Lu Student awards. Plans to reconstruct city of Beirut; mosaics by Winger" Licata and Vinum studios, stained glass by Thierry Niche Magazine, v. 7, no. 1, Winter 1995, p. 949 "Hartley Wood & Co. Ltd." Chevauche. 127, ill. Stained Glass, the Magazine of the British Stained glass screens. Society of Master Glass Painters, Spring 1995, 963 "Shortform: The Art of Clarke" p. 23, ill. Crafts (U.K.), no. 133, March/April 1995, p. 11, 935 "Beveling with the Flow" ill. Stained Glass Quarterly, v. 89, no. 4, Winter 950 "Haufschild Joins International Guild of New monograph on stained glass artist Brian 1994, pp. 278-279, ill. Glass Artists Board" Clarke. Virginia artist Ray Gregory. Antiques and The Arts Weekly, v. 23, no. 4, Jan. 27, 1995, p. 44. 964 "Showcase: Lee Beistle" 936 "Bravo for Glass" Glass Art, v. 10, no. 6, Sept./Oct. 1995, p. 84, Glass Art, v. 10, no. 2, Jan./Feb. 1995, pp. 34- 951 "In Review: Virginia Smith, 'Still Land Life ill. 35, ill. Shapes'" Artists in Stained Glass Bulletin (Ontario), Winter Exhibit in San Diego. 965 "A Special Honor for Ken Leap" 1994-1995, p. 3, ill. The Journal, a Newsletter for Friends of 937 "Brian Clarke at Shafrazi" Wheaton Cultural Alliance, v. 18, no. 3, Summer 952 "Jane Crawford's Signature Lamps" Artists in Stained Glass Bulletin (Ontario), Winter 1995, p. 2. Glass Art, v. 10, no. 5, July/Aug. 1995, pp. 42- 1994-1995, p. 4. Panels and skylight for State House Annex in 44, ill. Trenton, NJ. 938 "Byzantine Chapel for Houston" 953 "Lutz Haufschild, Canadian Glass Artist, Art in America, v. 83, no. 1, Jan. 1995, p. 27, ill. Joins Acting Board of International Guild of Glass 966 "Stained Glass Artist to Speak at Keneseth Plans for a glass chapel to house 13th-c. Artists" Israel" frescoes. Common Ground: Glass, Spring 1995, pp. 10- Art Matters (Jenkintown, PA), v. 14, no. 5, Dec. 11, ill. 1994/Jan. 1995, p. 1, ill. 939 "Commissions: Arthur Stern" The artist's work. Benoit Gilsoul, designer of the Keneseth Israel American Craft, v. 55, no. 1, Feb./March 1995, temple windows in Elkins Park, PA. p. 6, ill. 954 "Museum Commission" Windows for Baton Rouge courthouse. Glass, Monthly Journal of the European Glass 967 "Stained Glass Wins Flying Commission" Industry, v. 72, no. 2, Feb. 1995, p. 85, ill. Glass, Monthly Journal of the European Glass 940 "Commissions: Mirjana Ugrinov" David Prytherch engraved panel at refurbished Industry, v. 72, no. 8, Aug. 1995, p. 345, ill. American Craft, v. 55, no. 3, June/July 1995, Broadfield House Glass Museum, Kingswinford. Royal Air Force church window by Wolverhampton p. 22, ill. artist Keith Had ley. Mosaic wall for Cleveland health center. 955 "New Views on Marriage Vows" Glass, Monthly Journal of the European Glass 968 "Szene: Kleiner Mann ganz groB" 941 "Dancing in the Dark at MoMA" Industry, v. 72, no. 8, Aug. 1995, p. 345, ill. Art (Germany), no. 10, Oct. 1995, p. 9, ill. Progressive Architecture, no. 11, Nov. 1995, Registry Office window designed by John Glass vitrine by Maren Cornils on side of the p 19, ill. Patsalides, Winchester, England. Hamburg Kunstvereins. "Light Construction" exhibition at The Museum of 956 "New Wesselow Glass Commission" Modern Art. 969 "Tatra Glass" Canadian Society of Decorative Arts Bulletin, v. Stained Glass, the Magazine of the British 13, nos. 1 and 2, Winter/Spring 1995, p. 11. 942 "Decoration a chaud: Narcissus Quagliata Society of Master Glass Painters, Spring 1995, Eric Wesselow work for Toronto community et le fusing" pp. 19-20, ill. center. Verre Actualites, no. 136, April/May 1995, Polish sheet glass firm. pp. 19-20+, ill. 957 "Nicht nur beim Friihstuck 'Fenster a la Tiffany'" 970 "The Unstoppable Tiffany Tradition" 943 "Down the Drain: Ash Wall" Glas + Rahmen, v. 46, no. 21, Nov. 1, 1995, Home Lighting & Accessories, v. 78, no. 8, Aug. Art Review, v. 47, July/Aug. 1995, p. 15, ill. p. 1139, ill. 1995, pp. 32-42, ill. London glass wall sculpture by Vong Phaophanit Popularity of "Tiffany" techniques today. vandalized. 971 "Verrerie de Saint-Just" 958 "Pintando con luz: Painting with Light" Stained Glass, the Magazine of the British 944 "Dreaming in Glass: Kate Smith" Glass Art, v. 11, no. 1, Nov./Dec. 1995, p. 18, ill. Society of Master Glass Painters, Spring 1995, Common Ground: Glass, Spring 1995, pp. 6-8, 40-year retrospective of the work of Narcissus pp. 17-18, ill. ill. Quagliata in Mexico City museum. Mouth-blown flat glass firm. 972 "Westminster Celebrates History in Stained 985 Brian Clarke: Architectural Artist (Text: 999 Elskus, Albinas Glass" Martin Harrison and others) "Painting and Drawing with My Left Hand" Glass, Monthly Journal of the European Glass New York: St. Martin's Press, 1994, 128 pp., ill. Stained Glass Quarterly, v. 90, no. 3, Fall 1995, Industry, v. 72, no. 4, April 1995, p. 159, ill. pp. 188-189, ill. Window by Jane Campbell records historical 986 Brown, Robert events of the City of Westminster. "Living and Working at the Derix Studio, Germany" 1000 Ernould-Gandouet, Marielle Artists in Stained Glass Bulletin (Ontario), "Conques: Les Vitraux de Pierre Soulages" 973 "Women's International Glass Network" Nov./Dec. 1995, p. 2, ill. L'Oeil, no. 464, Sept. 1994, p. 10, ill. Artists in Stained Glass Bulletin (Ontario), Abbey windows in Conques by Soulages. Sept./Oct. 1995, p. 3, ill. 987 Butler, Simone 4th biennial exhibition by the Network, Tokyo. "Life on the Cutting Edge" On Air (KPBS, Public Radio/Television), Jan. 1001 "Gabriel Loire, ou I'Arbre de Vie" 974 "1994 AIA Religious Art Award: David 1993, pp. 4-5, ill. L'Oeil, no. 472, June 1995, p. 12, ill. Wilson Design" Leslie Perlis. Chartres exhibit of Gabriel Loire's drawings and Faith & Form, Journal of the Interfaith Forum on stained glass cartoons of trees. Religion, Art and Architecture, v. 28, Spring 988 Carpenter, Ed 1995, p. 25, ill. "Architectural Atmospherics: Collaborative 1002 Femenella, Arthur J. Window for Missouri church. Solutions" "Documentation" The Glass Art Society Journal 1994, 1994, Glass Art, v. 10, no. 4, May/June 1995, pp. 58- 975 "1994 AIA Religious Art Award: Gordon pp. 86-87, ill. 63, ill. Huether" Panel discussion at conference. Importance of documentation in stained glass Faith & Form, Journal of the Interfaith Forum on repair work. Religion, Art and Architecture, v. 28, Spring 989 Clowes, Jody 1995, p. 21, ill. "Marketing to Architects: The Guild Speaks the Freestanding leaded screen for a San Diego Language of Architects and Designers" 1003 Feunteun, Yves medical center. The Crafts Report, April 1995, p. 9, ill. "Warren Langley: Une Double reussite" Jeff Smith commission for stained glass windows. La Revue de la Ceramique et du Verre, no. 79, 976 "1994 AIA Religious Art Award: Kessler Nov./Dec. 1994, p. 56, ill. Studios" 990 Corrin, Adelle Architectural panels by the Australian artist. Faith & Form, Journal of the Interfaith Forum on "The Availability of Mouth-Blown Glass — The Religion, Art and Architecture, v. 28, Spring Consumers' Views" 1004 Filer, Mary 1995, p. 22, ill. Stained Glass, the Magazine of the British "A Reminiscence" Four stained glass windows for Cincinnati chapel. Society of Master Glass Painters, Spring 1995, Artists in Stained Glass Bulletin (Ontario), pp. 14-15. Sept./Oct. 1995, p. 2, ill. 977 "1994 Excellence in Education Awards" Development of the author's glass work. Stained Glass Quarterly, v. 89, no. 4, Winter 991 Coventry Cathedral: A Souvenir Publi­ 1994, pp. 276-277, ill. cation to Commemorate the Reconstruction Awards to Paul Dufour of Baton Rouge, LA, and and Consecration of the Cathedral Church of 1005 Fisher, Alfred Patrick Reyntiens of Somerset, England. St. Michael, Coventry (3rd ed.) "Selecting Glass for Restoration" Leamington Spa: English Counties Periodicals, Stained Glass, the Magazine of the British 978 Adducci, Reginaand Murray, Michael 1964, 56 pp., ill. Society of Master Glass Painters, Spring 1995, "Making Stained-Glass Windows: A Parish Stained glass by John Piper; engraved glass pp. 12-13. Project" screens by John Hutton. Environment & Art Letter (Archdiocese of 1006 Fisher, Thomas Chicago), June 1993, pp. 40-43, ill. 992 Cummins, Gerry "Design as a Form of Inquiry" "New Windows for Sommerville House" Progressive Architecture, no. 9, Sept. 1995, 979 Anderson, Avery Craftlink, v. 9, no. 1, Feb. 1995, pp. 3-6, ill. pp. 54-55, ill. "Kessler Studios" Author's windows for a school chapel, Brisbane. Canadian Clay and Glass Gallery designed by Common Ground: Glass, Fall 1995, pp. 14-16, Vancouver firm. ill. 993 deMenil, Frangois "Fresco Chapel" 980 Augustijn, Piet Progressive Architecture, no. 1, Jan. 1995, 1007 Fitzpatrick, Laurie "Ornamenten uit verschillende culturen onder een pp. 100-101, ill. "Judith Schaechter: Institute of Contemporary Art" dak" Byzantine fresco chapel, Houston, TX. New Art Examiner, v. 22, no. 8, April 1995, Glasbulletin, Vereniging van Vrienden van pp. 43-44, ill. Modern Glas, v. 9, no. 1, 1995, pp. 6-7, ill. 994 Dillow, Nancy E. Philadelphia exhibit. Monumental reliefs by Jens Pfeifer. "Observations on the Bata Shoe Museum" Canadian Society of Decorative Arts Bulletin, 1008 Gal, Regis 981 Bak, Henk v. 13, no. 3, Autumn 1995, pp. 4-5, ill. "Henri Guerin: Quarante annees de vitraux en "Millpark Church: Saint Francis of Assisi Window" Lutz Haufschild window in' new shoe museum, dalle de verre" Stained Glass Quarterly, v. 90, no. 3, Fall 1995, Toronto. La Revue de la Ceramique et du Verre, no. 81, pp. 202-207+, ill. March/April 1995, pp. 20-28, ill. Melbourne, Australia, window by Christopher- 995 Douglas, Mary John, 1994. "Judith Schaechter: Modern Martyrs" American Craft, v. 55, no. 4, Aug./Sept. 1995, 1009 Gass, Nabo 982 Bohuslav Simice (Text: Milena Lamarova) pp. 46-49+, ill. Nabo Gass: Bilderfinder Praha: Art Centrum, [1965?], [20] pp., ill. In Wiesbaden: Atelier Transparent, [1995], French, English, German. 996 Drahotova, Olga 2 folders; [6], [12] leaves, ill. Acid-etched panels, walls. "Zemrel Michail Ajvaz" Portfolios of work by German artist Nabo Gass, Umenfa Remesla, no. 4, 1994, pp. 71-72. primarily fused and sandblasted architectural 983 Bowe, Nicola Gordon Obituary of Czech mosaic artist. panels. "One Woman's Narrative" Craft Arts International, no. 34, 1995, pp. 32- 997 Dubuis, Samuel 1010 Geran, Monica 38, ill. Les Vitraux vaudois de Jean Prahin "Process: Historic Figures Are Imprinted onto British stained glass artist Debora Coombs. Le Mont-sur-Lausanne, Switzerland: Ouverture, Sliding Glass Doors via Modern Methods . . ." 1992, 67 pp. Interior Design, v. 66, no. 1, Jan. 1995, pp. 120- 984 Bradford, Kathy 121, ill. "Faces of the Forest — The Anatomy of a 998 Eissinger, Diane Commission" "A German Odyssey" Glass Art, v. 11, no. 1, Nov./Dec. 1995, pp. 4-9, Michigan Glass Guild Newsletter, Sept. 1995, 1011 Grand Prix des Metiers d'Art 1984 ill. pp. 4-5. Catalogue d'exposition 1984 Author's sandblasted panels for an Illinois Lutz Haufschild workshop at Derix Studios, [Quebec: the prize, 1984], 84 pp., ill. hospital. Wiesbaden. Lamp by Michel Caisse. 1012 Grunseit, Marc 1026 Hoggard, Liz profiler, no. 4, 1994/no. 1, 1995, pp. 68-75 and "Australian Glass" "Lookout: Kathy Shaw" 86-89, ill. Glass Artist (formerly Professional Stained Crafts (U.K.), no. 134, May/June 1995, pp. 27- Swedish advertising artist who has also designed Glass), no. 2, Feb./March 1995, pp. 12-16, ill. 28, ill. stained glass and mosaics for churches. Stained glass in Australia: Cedar Prest, David Wright, Klaus Zimmer, the author, and others. 1027 Hoover, Richard L. 1040 Kaspari, Brad "Behind the Scenes at Franklin Art Glass" "Creative Synergy" 1013 "German Glass Seminar" Stained Glass Quarterly, v. 90, no. 3, Fall 1995, Schott Information, no. 73, March 1995, pp. 20- Craft Arts International, no. 35, 1995-1996, pp. 194-195+, ill. 21, ill. pp. 92-94, ill. Franklin, OH, firm. Windows by Michael Pilla. Architectural glass design seminar at Wilhelm- Derix Studio, Taunusstein. 1028 Hoover, Richard L., ed. 1041 Kasrel, Deni "World Edition Showcase" "Hearts of Glass: Judith Schaechter" 1014 The Guild: The Sourcebook of Artists, Stained Glass Quarterly, v. 90, no. 1, Spring Art Matters (Jenkintown, PA), v. 14, no. 5, Dec. [vol.] 10, Architect's Edition 1995, pp. 17-64+, ill. 1994/Jan. 1995, p. 14, ill. Madison, Wl: Kraus Sikes, 1995, 313 pp., ill. Contemporary stained glass examples, with commentaries, from 20 different countries. 1042 Knapp, Stephen 1015 The Guild 9: The Architect's Source of "Architectural Art Glass" Artists and Artisans 1029 Husmann, Bernd Glass Magazine (National Glass Association), Madison, Wl: Kraus Sikes, 1994, 310 pp., ill. "Glasveredlung: Glas-Fusing in der Werkstatte von v. 45, no. 5, May 1995, pp. 40-46, ill. Werner Koch" "New directions for glass in buildings"; author's 1016 Haggerty, Sheila Glaswelt, v. 48, no. 2, Feb. 1995, p. 28, ill. exhibit at Merchandise Mart, Chicago. "Seasons in Glass" Stained Glass Quarterly, v. 89, no. 4, Winter 1030 Husted, Al 1043 Kuban-Scheel, Karin 1994, pp. 272-275, ill. "Lamps . . . One Hundred Years Later" "Praktischer Leistungswettbewerb der Architectural project in dalle de verre by Paul Glass Artist (formerly Professional Stained Handwerksjugend 1993" Housberg. Glass), no. 2, Feb./March 1995, pp. 7-11, ill. Glaswelt, v. 47, no. 3, March 1994, p. 16+, ill. Lamps by Jim Slaughter, Gregory Kauffman, Competition for young glass designers of flat Kayoko and Takashi Murakami, and others. glass, glass painting and engraving, etc. 1017 Harrod, Tanya "Sources of Inspiration: Margaret Traherne" Crafts (U.K.), no. 134, May/June 1995, pp. 46- 1031 "Savoy Studios Hits It Big . . . at the 1044 Lagier, Jean-Frangois; Rasmussen, Hans; 49, ill. Casinos" and Widman, Dag Embroiderer and stained glass artist. Glass Artist (formerly Professional Stained "Lumieres du Nord: Vitraux contemporains de Glass), no. 5, Aug./Sept. 1995, pp. 12-15+, ill. Norvege et de Suede" Casino and restaurant stained glass by Dan Verre (Institut du Verre-Prover, Versailles), v. 1, 1018 Hartlieb, Volker and Cutler, Jack Legree's studio. no. 2, March/April 1995, pp. 35-37, ill. "Continuity for a Quarter of a Millennium" Exhibition of contemporary Scandinavian stained Stained Glass, the Magazine of the British 1032 Ichino, Karen glass at Chartres. Society of Master Glass Painters, Spring 1995, Glassy Moments, Book 1: Three Dimensional pp. 21-22, ill. Figures in Stained Glass 1045 Le Louarn, Genevieve Desag, flat glass firm, now part of Schott Group. Lethbridge, Alberta, Canada: Dreamscapes, "Eglise Saint-Joseph, Pontivy, Morbihan" Original Design in Stained Glass, 1994, [19] pp., Monumental (Paris), no. 3, June 1993, pp. 58- 1019 Haufschild, Lutz ill. 61, ill. English summary. "Jochem Poensgen — The New Work: Living Competition to create windows for Pontivy church. Enlightened vs. The Ultimate Artistic Statement" 1033 Glassy Moments, Book 2: Three Glass Artist (formerly Professional Stained Dimensional Design in Stained Glass 1046 Major, Michael J. Glass), no. 5, Aug./Sept. 1995, pp. 6-11+, ill. Lethbridge, Alberta, Canada: Dreamscapes, "Jeff G. Smith, Landscaper of Light" Original Design in Stained Glass, 1994, [19] pp., Glass Artist (formerly Professional Stained 1020 "Saint Mary's Parish Church, Vancouver" ill. Glass), no. 4, June/July 1995, pp. 66-69, ill. Artists in Stained Glass Bulletin (Ontario), Nov./Dec. 1995, p. 1, ill. 1034 Immenhausen. Glasmuseum 1047 "The Play of Glass: The Art of J. Gorsuch Author's four long, curved windows. Glasbilder Ada Isensee und H. G. v. Stock- Collins" hausen Glass Artist (formerly Professional Stained 1021 Heck, Christian Immenhausen: the museum, 1993, [14] pp., ill. Glass), no. 1, Dec. 1994/Jan. 1995, pp. 66-69, Conques: Les Vitraux de Soulages (Text: ill. Christian Heck, Pierre Soulages, and others) 1035 Ingolfsson, Adalsteinn [S.I.: Editions du Seuil, 1994], 116 pp., ill. Leifur Breidfjord: Steint Gler = Stained Glass = 1048 "The Spaciousness of Glass . . . the Art of Windows for basilica in Conques. Glasbilder Barry Hood" Reykjavik, Iceland: Schanbacher Art International, Glass Artist (formerly Professional Stained 1022 Helfrich, Peter G. 1995, 68 pp., ill. In Icelandic, English, German. Glass), no. 5, Aug./Sept. 1995, pp. 50-53, ill. "Leap Year: NJ Artist Creates Windows Soon to Exhibition at new museum in Kopavogur, Iceland. Etched glass panels. Grace State House in Trenton" Art Matters (Jenkintown, PA), v. 14, no. 5, Dec. 1036 Johnson, Ken 1049 Mandelbaum, Ellen 1994/Jan. 1995, p. 3. "Review: Brian Clarke at Tony Shafrazi" "Beyond Matting and Tracing" J. Kenneth Leap. Art in America, v. 83, no. 6, June 1995, p. 109, Ausglass, Spring 1995, pp. 14-16, ill. Originally published in Professional Stained 1023 Heydt, Horst, ed. Glass, 1989. Die Schlosskirche zu Alt-Saarbrucken und die 1037 Johnson, Robert Flynn; Mills, Paul; and Glasfenster von Georg Meistermann (Text: Horst Price, Lorna 1050 McKean, John Heydt, Jiirgen Hertel, Lorenz Dittmann) Mark Adams Architecture in Detail: Leicester Engineering Saarbrucken: Landesinstitut fur Padagogik und San Francisco: Chronicle Books; John Berggruen Building Medien, 1993, 114 pp., ill. Gallery, 1985, 116 pp., ill. London: Phaidon Books, 1994, 60 pp., ill. Church windows by Meistermann. Includes stained glass. 1051 Metcalfe, Robin 1024 Hoffmann, Ute 1038 Kaiser-Schuster, Britta "Exhibitions: A Show of Hands" "The Courage to Experiment" "Bauhaus Reflections in Glass" Arts Atlantic, no. 51, Winter 1995, pp. 6-7, ill. Schott Information, no. 67, 1993, pp. 18-19, ill. Neues Glas, no. 1, 1995, pp. 28-35, ill. In Philip Doucette piece in Nova Scotia exhibit. Derix Glass Studios in Taunusstein, Germany. German and English. Windows and panels by Josef Albers. 1052 Mual, Makiri 1025 "Painting with Light" "Glasramen van Jan Dibbets voor de kathedraal Schott Information, no. 66, 1993, pp. 20-21, ill. 1039 Kail, John van Blois" Chapel windows by glass artist Gero Koellmann of "David Ralson, reklamkonstnar och kyrkomalare" Glas en Keramiek, no. 2, May/June 1995, Dortmund, Germany. / Varend och Sunnerbo [Issue title]: Sunnerbo- pp. 13-15, ill. 1053 Norrie, Jane 1066 Scott, Bill 1079 "Glass Diamonds: The Stained Glass "Beyond the Frame" "Review of Exhibitions: Judith Schaechter at the Ballparks of Terry McGee" Neues Glas, no. 1, 1995, pp. 18-27, ill. In ICA" Glass Art, v. 10, no. 3, March/April 1995, German and English. Art in America, v. 83, no. 11, Nov. 1995, p. 120, pp. 54-59, ill. Stained glass by English artists Amber Hiscott, ill. Mark Angus, Alexander Beleschenko, and others. Philadelphia exhibit. 1080 "Mark Levy: The Evolution of a Series" Glass Art, v. 10, no. 2, Jan./Feb. 1995, pp. 4-9, 1054 Oldham. Oldham Art Gallery 1067 Seguin, Virginie ill. Brian Clarke: Designs on Architecture (Text: Paul "Pleins feux sur une lumiere boreale" Beldock) Le Courrier des Metiers d'Art, no. 143, June 1081 "Provoking Thought and Challenging Oldham, England: the gallery, 1993, 44 pp., ill. 1995, pp. 12-13, ill. Tradition: David and Michelle Plachte-Zuieback" Stained glass from Norway and Sweden in Glass Art, v. 10, no. 5, July/Aug. 1995, pp. 4-9, ill. 1055 Piccottini, Hans exhibition at Chartres. "Art in the Hotel" 1082 "Sigstedt Studio: High-Tech Medicine Schott Information, no. 71, 1994, pp. 18-19, ill. 1068 Sersiron, Nicolas Meets Glass Art" Dividing wall with themes from Polish history, "Carlo Roccella: Mecanique celeste contre Glass Art, v. 9, no. 6, Sept./Oct. 1994, pp. 4-8, designed by author for Warsaw hotel. exclusion" ill. La Revue de la Ceramique et du Verre, no. 82, Stained glass ceilings and murals for medical 1056 Piguet, Philippe May/June 1995, pp. 48-50, ill. treatment center in New Haven by PA studio. "La Commande publique" Flat glass facade in Gruissan and stained glass in L'Oeil, no. 471, May 1995, pp. 40-51, ill. Montagnac chapel by Roccella. 1083 Weiner, Kay Bain Includes a church window in Herault by Frangois "The Double Life of a Fantasy Sculpture" Rouan, 1994. 1069 Sikes, Toni Fountain Glass Art, v. 10, no. 4, May/June 1995, pp. 14- "Artists' Responses to Architectural Environments" 16, ill. 1057 Pilkington, Sir Antony The Glass Art Society Journal 1994, 1994, "The History of the Flat Glass Industry Is the Story pp. 88-89. 1084 Stained Glass: A Guide to Today's of Manufacturing Processes" Tiffany Copper Foil Technique Glass Industry, v. 76, no. 8, July 10, 1995, 1070 Smith, Katie New York: Watson-Guptill, 1994, 144 pp., ill. pp. 16-21, ill. "Genesis of the Rogue Valley Guild of Glass Artists" 1085 Weis, Helene H. 1058 Porcelli, Joe Common Ground: Glass, Fall 1995, p. 2+. "Kenneth Leap: Ecologist, Photographer and "The New Glass Mosaics" Chapter of the International Guild of Glass Artists Stained Glass Artist" Glass Artist (formerly Professional Stained in Oregon. Stained Glass Quarterly, v. 90, no. 3, Fall 1995, Glass), no. 4, June/July 1995, pp. 6-11+, ill. pp. 196-199+, ill.

1071 Swash, Caroline 1086 Winnekes, K. and Gies, W. 1059 "Welcome Windows" "Exhibition Review: Peter Young" '"Pralinenschachteln sind nicht meine Sache'" Glass Craftsman (formerly Professional Stained Crafts (U.K.), no. 136, Sept./Oct. 1995, p. 57, Kunst und Kirche, no. 4, 1994, pp. 232-234, ill. Glass, then Glass Artist), no. 5, Oct./Nov. 1995, ill. Window by Cologne artist W. Gies. pp. 6-11 +, ill. Stained glass windows in London show. Entryways by Bill Klug, Michael Pilla, Pattie 1087 Wrigley, Lynette and Gerstein, Marc Walker, Eric Hilton, and others. 1072 "Reviews/Exhibitions: Light Constructs: Stained Glass: Get Started in a New Craft With John Patsalides and Julia St. Clair Forde" Easy-to-Follow Projects for Beginners 1060 Prina, Vittorio Crafts (U.K.), no. 133, March/April 1995, p. 56, Secaucus, NJ: Chartwell Books, 1994, 48 pp., "II tempo e i rami = Time and Branches" ill. ill. Ottagono, v. 30, no. 116, Sept./Nov. 1995, pp. 122-125, ill. In Italian and English. 1088 Wurth, Andrea 1073 Tannenbaum, Judith Wooden chapel with paintings and stained glass, "Das Spiel mit der Transparent' Heart Attacks: Judith Schaechter (Essays: Rick which can be dismantled and transported. Glaswelt, v. 47, no. 3, March 1994, pp. 46-47, Moody and Maria Porges) ill. Philadelphia: Institute of Contemporary Art, Flat glass and stained glass panels by Michael 1061 Radeschi, Loretta University of Pennsylvania, 1994, 32 pp., ill. "Vickie Payne, A Glass Industry Pioneer" Miinzer, Stuttgart. Glass Artist (formerly Professional Stained Glass), no. 5, Aug./Sept. 1995, pp. 39-40. 1074 Temko, Allan 1089 Wyckoff, Alyson Sulaski Stained glass information resources. "The Lesson of Gothic Glass" "Tiffany-Like Towns" The Glass Art Society Journal 1994, 1994, Collector Editions, v. 23, no. 4, July/Aug. 1995, p. 90. pp. 122-124, ill. 1062 Rechlik, Karel Small stained glass buildings by Forma Vitrum. "A Meeting of the Middle Ages with the Present" New Glass Revie w (Czech), v. 50, no. 5, 1995, 1075 Tofts, Shannon 1090 Ximo Roca, Vidrieras pp. 24-25, ill. In German and English. "Sources of Inspiration" Medieval Bohemian glass exhibit in Brno teamed Crafts (U.K.), no. 136, Sept./Oct. 1995, pp. 48- Ximo Roca: Vidrieras with exhibit of contemporary flat glass by the 51, ill. Alginet, Valencia, Spain: [the studio, 1995], author, Jan Jemelka, Jiri Klaska, and others. Tapestry and stained glass artist Sax Shaw. 10 leaves in a folder, ill. Stained glass by Ximo Roca.

1063 Save, Colette and Beaumont, Thierry de 1076 Turner, Elisa "Bernard Pictet: Le savoir-verre" "Bright Lights, Beach City" Verre, v. 1, no. 4, July/Aug. 1995, pp. 21-25, ill. ARTnews, v. 94, no. 8, Oct. 1995, p. 35, ill. Architectural glass designer. Christopher Janney's colored glass panels at Miami International Airport. 1064 Schmitt, Eva "Floating Blue: Renate Gross" 1077 Turner, Jonathan Neues Glas, no. 1, 1995, pp. 8-17, ill. In German "Rome: Metro Mosaics" and English. ARTnews, v. 94, no. 9, Nov. 1995, p. 77. Windows and panels by the Bavarian artist. Brief article about commission for artists to design mosaics for 24 metro stations. 1065 Schwebel, Horst "Jochem Poensgens Modell einer Integration von 1078 Waggoner, Shawn Kunst im Kirchenraum" '"Geometry Is Timeless': The Architectural Glass Kunst und Kirche, no. 4, 1994, pp. 235-239, ill. of Arthur Stern" Poensgen's stained glass in several German Glass Art, v. 10, no. 2, Jan./Feb. 1995, pp. 54- churches. 59, ill. 66 TECHNOLOGY (after 1945)/TECHNOLOGIE (nach 1945)

1091 Anonymous 1105 Andersen, Norman 1117 Chambers, Karen S. "La Corte Europea dei Diritti dell'Uomo" "Playing with Pyrophones" "Sculptor? Engineer? Architect? James Carpenter Abitare, no. 344, Oct. 1995, pp. 178-181, ill. In Experimental Musical Instruments, v. 10, no. 1, Defies Categories" Italian and English. Sept. 1994, pp. 8-10, ill. The World & I, v. 10, no. 3, 1995, pp. 105-111, Circular glass hall with circular staircase/platform Author creates a pyrophone installation (with ill. in European Court of Human Rights, Strasbourg. Pyrex® tubing) for Duluth, MN, site. 1118 Claus, Jurgen 1092 "Framing for Architectural Stained Glass" 1106 Anderson, Loren A. "Solar Art — Solar Architecture" Stained Glass Quarterly, v. 90, no. 2, Summer "A Review of Blood Lead Results from the Third Leonardo, v. 28, no. 3, 1995, pp. 231-232. 1995, pp. 140-147, ill. National Health and Nutrition Examination Survey Multifunctional walls, holography, etc. (NHANES III)" 1093 "Getting Started in Stained Glass" Stained Glass Quarterly, v. 90, no. 3, Fall 1995, 1119 Compagno, Andrea Whittemore-Durgin 1994 Catalog of Stained pp. 232-233. Intelligente Glasfassaden: Material, Glass Craft Supplies, 1994, insert, u.p. [6 pp.], Anwendung, Gestaltung = Intelligent Glass ill. 1107 Ashworth, Chris Fagades: Material, Practice, Design "C'est Just Glass" Zurich: Artemis, 1995, 128 pp., ill. In German 1094 "Glass Frit Sparks Largest Oregon OSHA Conservation News (U.K.), no. 58, Nov. 1995, and English. Fine Ever" pp. 9-10. Glass as a building material. ACTS Facts (Arts, Crafts and Theater Safety), Verrerie de Saint Just, a Saint-Gobain factory, v. 9, no. 9, Sept. 1995, p. 2. creates glazed Georgian windows for historic 1120 Conway, Judith See also note in ACTS Facts, v. 9, no. 10, Oct. house in Sussex Downs. "Beyond Basic Beads" 1995, p. 4. Glass Artist (formerly Professional Stained 1108 Babin, Angela Glass), no. 5, Aug./Sept. 1995, pp. 24-26, ill. 1095 "Health & Safety: Toxic Metals and "Lead Hazards" Making canes. Kilnformed Tableware" Art Hazards News, v. 17, no. 5, 1994, pp. 3-6. The Bullseye Bulletin, Summer 1995, pp. 8-9. 1121 Cresswell, Sonny "Electric Element Failure" 1109 Badiner, G. The Independent Glassblower, no. 38, 1096 "Das Kasseler Glas-Musik-Ensemble" "An Introduction to Dalle de Verre" July/Aug. 1995, p. 4. Intern (Kunsthaus am Museum, Carola van Ham, Michigan Glass Guild Newsletter, June 1995, Koln), no. 29, May/Aug. 1992, p. 8, ill. pp. 6-7. Glass music concert, Cologne, Sept. 1992. Information derived from a workshop. 1122 Crosbie, Michael J. "Guggenheim Skylight" 1097 "Page de la SEMA: La Region Centre Progressive Architecture, no. 3, March 1995, 1110 Bate, Richard p. 95, ill. honore les metiers d'art" Many Happy Returns: Glass Containers and the Le Courrierdes Metiers d'Art, no. 138, Dec. Restoring Frank Lloyd Wright's skylight in the Environment Guggenheim Museum. 1994, p. 21, ill. London: Friends of the Earth, 1976, vi, 82 pp., ill. Award to Bruno de Pirey for restoration of stained glass. 1123 DiDonato, Donald 1111 Beadle, The Venerable "Sandblast Etching on Glass Offers Big Opportu­ "The Bead Column" 1098 "II Parlamento Federale Tedesco" nities" Glass Line, continuing series: v. 8, no. 5, Abitare, no. 344, Oct. 1995, pp. 174-177, ill. In Glass Digest, v. 74, no. 6, June 15, 1995, Feb./March 1995-v. 9, no. 3, Oct./Nov. 1995. Italian and English. pp. 46-48, ill. Bonn parliament building has sequence of glass pavilions. 1112 "Making Chevron Beads by Lampworking" 1124 Dobbins, Norm Glass Line, v. 9, no. 3, Oct./Nov. 1995, pp. 3-7, "Basic Design for Glass Etching" 1099 "Pate de verre Health and Safety ill. Glass Artist (formerly Professional Stained Checklist" Glass), no. 3, April/May 1995, pp. 22-25+, ill. Glass Art, v. 9, no. 6, Sept./Oct. 1994, p. 56. 1113 Berlin. Aedes Galerie und Architek- turforum 1125 "Off the Wall Sandblast Etching" 1100 "Projects: Benedictus Awards for Seele: Benthem Crouwel, Brunet et Saunier, Glass Artist (formerly Professional Stained Laminated Glass Usage Named" Jourda et Perraudin, Klaus Kada, Enric Miralles, Glass), no. 1, Dec. 1994/Jan. 1995, pp. 16- Glass Digest, v. 74, no. 9, Sept. 15, 1995, Ian Ritchie (Internationaler Architekturwettbewerb 19+, ill. pp. 104-106, ill. Fabrik Seele; Neue Denkweisen im Industriebau) Work by Brock Craig, Bernice Furman, Joan Self-supporting structure, entirely of laminated [Berlin: the gallery; Gersthofen: Glasbau Seele], Irving, and others. glass, for the Broadfield House Glass Museum, 1994, [52] pp., ill. Kingswinford, England. Competition promoted by Glasbau Seele, a steel- 1126 Dodson, Ricky Charles and-glass facades company in Gersthofen. "It's Cheaper Than a New Pair of Eyes!" 1101 "Transparent Sketches" Glass Line, v. 8, no. 6, April/May 1995, p. 1. Stained Glass Quarterly, v. 90, no. 2, Summer 1114 Birkerts, Gunnar The need to wear didymium glasses. 1995, pp. 108-111+, ill. Process and Expression in Architectural Form Methods used by Charles Z. Lawrence and Norman, OK, and London: University of Okla­ 1127 Drew-Wilkinson, Kate Richard Millard. homa Press, 1994, 166 pp., ill. "Holes in Beads" Architect of The Corning Museum of Glass, Lapidary Journal, v. 49, no. 8, Nov. 1995, 1102 "The Vitrigraph Kiln: Creating a New pp. 69-73. pp. 89-92, ill. Vocabulary in Fused Glass" Drilling techniques. TechNotes, a Technical Supplement to the 1115 Botta, Mario and Baatz, Willfried Bullseye Bulletin, no. 2, July 1995, pp. 1-4, ill. "Ohne Licht, kein Raum" 1128 Dunham, Bandhu Scott ArtAurea, no. 3, 1995, pp. 36-55, ill. In German Contemporary Lampworking: A Practical Guide 1103 Allison, Art and English. to Shaping Glass in the Flame "Invested Pot Furnace & Venturi Operating Tips" Crucial role light plays as a spatial and structural Prescott, AZ: Salusa Glassworks, 1994, 243 pp., The Independent Glassblower, no. 36, Dec. element; includes projects. ill. 1994/Jan./Feb. 1995, pp. 4-5, ill. 1116 Brunner, Ruth 1129 Duthie, Louise 1104 American Scientific Glassblowers Society G/as graveren "No Need to Fear Paint" Materials and Methods Manual (New ed.) Flevolaan-Naarden: A. J. G. Strengholt's Boeken, British Columbia Glass Arts Association News­ Toledo, OH: the society, Materials & Methods 1980, 48 pp., ill. In Dutch. letter, v. 7, no. 7, June 1995, p. 6. Committee, [1995], looseleaf notebook, ill. Glass engraving techniques. Glass painting technical tips. 1130 Femenella, Arthur J. 1145 Hallberg, Douglas J. Signs of the Times, v. 217, no. 4, April 1995, "No Visible Means of Support" "Waterjet Cutting" pp. 108-111, ill. Glass Art, v. 10, no. 2, Jan./Feb. 1995, pp. 22- Stained Glass Quarterly, v. 90, no. 3, Fall 1995, Neon in Manitoba town, The Pas. 32, ill. pp. 208-211, ill. Supports for stained glass windows. 1160 Maddy, Dorothy L.; Millard, Richard; and 1146 Hillman, Henry L. and others Coomber, Roy 1131 "Restoration: When to Relead" "Panel: Casting Techniques" "Painting on Glass" Glass Art, v. 10, no. 6, Sept./Oct. 1995, pp. 4- The Glass Art Society Journal, 1993, pp. 120- Stained Glass Quarterly, v. 90, no. 2, Summer 11, ill. 125, ill. 1995, pp. 156-163, ill. Chardiet, Babcock, Peiser, Ipsen, and Halem 1132 "The Ties That Bind . . . Lead, Zinc and discuss casting. 1161 Marvel, Rebecca Copper Foil. Unraveling the Mysteries of "Sealing Techniques for Etched or Stained Glass" Matrices" 1147 Ho, Cathy Lang and Bartolucci, Marisa Common Ground: Glass, Fall 1995, p. 11. Stained Glass Quarterly, v. 90, no. 3, Fall 1995, "Here Comes the Sun" pp. 214-219, ill. Metropolis, April 1995, pp. 66-69+, ill. 1162 McCloskey, E. S. Solar cell technology is increasing the use of "Let's Make an Exhaust Hood" 1133 Fenton, Dan glass solar panels. Glass Line, v. 9, no. 1, June/July 1995, p. 1+, ill. "Kiln Firing Procedures and Annealing: Part 2" For lampworking. Glass Art, v. 10, no. 2, Jan./Feb. 1995, pp. 40- 1148 Hoover, Richard L. 45. "Teknix: Framing for Architectural Stained Glass" 1163 McGrain, Peter Stained Glass Quarterly, v. 89, no. 4, Winter "Advanced Techniques: Extending the Leadline 1134 "Lusters on Glass" 1994, pp. 303-312, ill. Aesthetic with Vitreous Paints" Glass Art, v. 10, no. 4, May/June 1995, pp. 44- Glass Art, v. 10, no. 3, March/April 1995, 53, ill. 1149 Hughes, Catherine McVayand Meyer, pp. 50-53, ill. Chris 1135 "Photo-Sensitive Resists" "Industry, Government Should Work Together in 1164 "Lead Line As Form" Stained Glass Quarterly, v. 90, no. 2, Summer Lead Crystalware Labeling" Glass Art, v. 9, no. 6, Sept./Oct. 1994, pp. 62- 1995, pp. 112-114+, ill. Glass Industry, v. 76, no. 5, April 10, 1995, 66, ill. pp. 29-30. 1136 Fenton, Dan and Bradford, Kathy 1165 "Working with Flashed Glass" 1150 Karg, Rollin "Creative Carving" Glass Art, v. 10, no. 4, May/June 1995, pp. 34- "Rollin Karg Continuous Melt Furnace" Glass Art, v. 10, no. 4, May/June 1995, pp. 28- 36, ill. Part 2: "Equipment Set-up," v. 10, no. 5, The Independent Glassblower, no. 37, 33, ill. July/Aug. 1995, p. 36+, ill. Part 3: "Basic March/April/May 1995, pp. 1-3, ill. Sandblast carving. Technique," v. 10, no. 6, Sept./Oct. 1995, pp. 74-77, ill. 1137 Finkenbeiner, Gerhard 1151 Katada, Kuniko "Rebirth of the Glass Harmonica, Part 1" Glass Fusing 1 1166 McPherson, Donald Glass Music World, v. 9, no. 2, Spring 1995, [Hatsudai: Arte K.K., 1995], 67 pp., ill. In "Applications for Post-Consumer Glass" pp. 2-3, ill. Part 2: v. 9, no. 3, Summer/Fall Japanese. The Glass Art Society Journal 1994, 1994, 1995, pp. 2-3. Part 3: v. 10, no. 1, Winter 1995, Kiln techniques, in addition to glass history and an pp. 91-92, ill. p. 2+. introduction to blowing, cutting, stained glass, Researching uses for recycled glass. Author tests types of glass to use in building his etc. first harmonicas. 1152 Kekalainen, Paivi H. 1167 Mickelsen, Robert A. "Flameworking" 1138 Firth, Mike Sintered Recycled Glass Common Ground: Glass, continuing series: "Letters: Eye Protection" Helsinki: Department of Ceramic and Glass Spring — Fall, 1995. Glass Artist (formerly Professional Stained Design, University of Art and Design Helsinki, Technical tips on lampworking. Glass), no. 3, April/May 1995, p. 3. UIAH, 1995, 8 pp.

1139 Fisher, Herve 1153 Kerkvliet, Brian 1168 "Notes on the Compatibility and Use of "LAventure electronique" "Bead Basics" Northstar Brand Borosilicate Glass" Vie desArts, no. 160, Autumn 1995, pp. 16-18, Glass Art, v. 9, no. 6, Sept./Oct. 1994, pp. 10- Glass Line, v. 8, no. 6, April/May 1995, pp. 7- ill. 14, ill. 13, ill. Using fiber optics and other technologies in art. 1154 "Bead Guru Kerkvliet Answers Letters" 1169 Miller, Vern 1140 Fulmer, Howard L., Jr. Glass Art, v. 10, no. 5, July/Aug. 1995, pp. 16- "Computer Aided Design" "Letters: Recuperation/Reclamation; Refractory 17. Stained Glass Quarterly, v. 90, no. 2, Summer Wear; Melting Furnace and Lehr" Controllers for small kilns. 1995, pp. 131-139, ill. The Independent Glassblower, no. 38, July/Aug. 1995, pp. 5-6, ill. 1155 "Magic Kiln Tactics" 1170 Neuwirth, Robert Glass Art, v. 10, no. 3, March/April 1995, pp. 14- "Made in New York: Flickinger Glassworks, Red 1141 Garland, Phil 21, ill. Hook, Brooklyn" "A Fiber Optics First" Kilns for beadworkers; annealing processes. Metropolis, v. 14, no. 9, May 1995, pp. 86-93+, Signs of the Times, v. 217, no. 4, April 1995, ill. pp. 90-93, ill. 1156 "The Twist and Shout of Lampworking" Small glass-bending firm expands in Brooklyn. 300-ft. wall graphic and fiber optic display, Cedar Glass Art, v. 10, no. 2, Jan./Feb. 1995, pp. 46- Rapids, IA. 51, ill. 1171 Nordstrom, Olof Making twisted canes. "Aren 1940-1970" 1142 Grocott, Deborah Glasteknisk Tidskrift, v. 49, no. 1, 1994, pp. 20- "Flat Glass Decoration Sees Big Changes" 1157 Kervin, James 28, ill. English summary. Glass Digest, v. 74, no. 11, Nov. 1995, pp. 58- "Beadmaking: Lampworking Hand Tools" Overview of the Swedish glass industry during 59, ill. Glass Artist (formerly Professional Stained post-war period. Changes in flat glass enamels. Glass), no. 1, Dec. 1994/Jan. 1995, pp. 25-28, ill. 1172 Nowak, James E. 1143 Gruenig, David "Survey of Dichroic Glass" "Excerpts from The Independent Glassblower: 1158 "Glass for Beadmaking" Glass Artist (formerly Professional Stained Fuzzy Glass Fusing" Glass Artist (formerly Professional Stained Glass), no. 1, Dec. 1994/Jan. 1995, pp. 20-23, G.A.S. News, Spring 1995, pp. 4-5. Glass), no. 3, April/May 1995, pp. 18-20+, ill. ill. Controllers for glass fusing kilns. 1159 Lewis, Chuck 1173 Pantano, Carlo G. 1144 "Furnace Construction IV" "The Sign The Pas Re-Built: A Small, Proud "The Surface of Glass" The Independent Glassblower, no. 36, Dec. Canadian Community Rebuilds Its Landmark The Glass Art Society Journal 1994, 1994, 1994/Jan./Feb. 1995, pp. 1-4, ill. Sign" pp. 75-83, ill. 68 1174 Pepper, Andrew 1188 Schell, James 1203 "Neon Techniques: Induction Heating" "Holography as Large-Scale Event" "Engineer Turned Glass Artist Turned Engineer" Signs of the Times, v. 217, no. 12, Dec. 1995, Leonardo, v. 28, no. 3, 1995, p. 234, ill. Glass Artist (formerly Professional Stained pp. 36B-36C, 37-39+, ill. Glass), no. 4, June/July 1995, pp. 16-17, ill. Kilns and glory holes built by glass fusing artist Bill 1204 Swormstedt, Wade 1175 Pethick, Jerry Lindsey. "A Fiber Optics Q & A: The Use of Fiber Optics in "Junk Eyes" Signage" The Glass Art Society Journal 1994, 1994, Signs of the Times, v. 217, no. 4, April 1995, pp. 93-94, ill. 1189 "Eyecare for the Hot Glass Artist" pp. 84-85, ill. Recycling and reprocessing glass and other Glass Art, v. 10, no. 2, Jan./Feb. 1995, pp. 36- materials. 37. 1205 Tosi, Bruno 1190 "Kiln Fired Glass: Paperweights, Le Vitrail, techniques et creation 1176 Porcelli, Joe Bases/Stems & Goblets" Paris: Editions Fleurus, 1994, 124 pp., ill. "Building Prairie Designs' Double Pedestal Frank Glass Artist (formerly Professional Stained Lloyd Wright Table Lamp. Part 1" Glass), no. 2, Feb./March 1995, pp. 18-23+, ill. 1206 Townsend, Milon Glass Artist (formerly Professional Stained How to make kiln-fired glass items. "Blast It All — An Introduction to Abrasive Blasting Glass), no. 2, Feb./March 1995, pp. 35-37+, ill. for the Lampworker" Part 2: no. 3, April/May 1995, pp. 34-37, ill. Part 1191 Schiess, Christian Glass Line, v. 9, no. 2, Aug./Sept. 1995, pp. 6- 3: no. 5, Aug./Sept. 1995, pp. 30-31+ , ill. "An Interview with Sweden's Mitchell Heynick" 8. Techniques. Signs of the Times, v. 217, no. 5, May 1995, Blast-etching glass sculptures. pp. 176-181, ill. 1177 Porter, F. G. Neon artist and teacher. 1207 "The Eyes Have It" "Glass Blowing in Malta" Glass Line, v. 8, no. 6, April/May 1995, p. 14. Making eyes on figurative glass sculpture. British Society of Scientific Glassblowers 1192 Schmidt, Jack Journal, v. 33, no. 3, July 1995, pp. 143-149, ill. "Casting Panel" The Glass Art Society Journal 1994, 1994, 1208 Trimpin pp. 99-100, ill. "Trimpin: Fireorgan" 1178 Pritchard, R. Charles Experimental Musical Instruments, v. 10, no. 1, "The Zephyr Fireless'Furnace" Sept. 1994, p. 7. The Independent Glassblower, no. 38, 1193 Schweitzer, Andreas Seattle-based author makes pyrophone parts at July/Aug. 1995, pp. 2-4. "Perfect Premiere" Pilchuck. Schott Information, no. 67, 1993, pp. 12-15, ill. Manufacturing 8-meter mirrors for telescopes. 1179 Prodhon, Frangoise-Claire 1209 Tymoski, John "Jean Nouvel, the Kleptomaniac Architect" "Will Fiber Optics Replace Neon?" Flash Art, v. 28, no. 183, Summer 1995, 1194 Shaw, Barry Signs of the Times, v. 217, no. 4, April 1995, pp. 101-104, ill. "Drilling Holes in Glass" pp. 94-95+, ill. Glass Gazette, Spring 1995, pp. 11-13. 1210 Vitta, Maurizio 1180 Purser, Ro 1195 Silver, Judith "La forza dell'invisibile" "Recycling Glass Using Press Molds" "A Community-Based Process for the Recycled L'Arca, no. 69, March 1993, pp. 84-91, ill. In The Glass Art Society Journal 1994, 1994, Glass Industry" Italian and English. p. 95, ill. The Glass Art Society Journal 1994, 1994, Projects by James Carpenter. p. 96. 1181 Reynolds, Gil 1211 Weiner, Kay Bain The Fused Glass Handbook (Rev. ed.) 1196 Smith, Jeff G. Brush on Color Magic: A Guide for Using Color Scottsdale, AZ: Hidden Valley Books, 1990, 80 "Shipping From Here to There" Magic Stains pp., [12] pp. plates, ill. Stained Glass Quarterly, v. 90, no. 2, Summer Roselle, NJ: Eastman Publications, 1994, 39 pp., 1995, pp. 115-119, ill. ill. Shipping stained glass panels. 1182 "In All Its Glory" 1212 Wichert, Geoff Glass Art, v. 10, no. 5, July/Aug. 1995, pp. 34- "Fusing" 35, ill. 1197 Smith, John R. and Abbott, Linda Stained Glass Quarterly, v. 90, no. 2, Summer Making a small, studio-sized glory hole and using Hot and Wired 1995, pp. 104-107+, ill. it to make canes and pattern bars. San Carlos, CA: Stained Glass Images, 1993, [23] pp., ill. Panel by Richard LaLonde illustrated. Making jewelry from fused glass pieces. 1183 Riley, Terence Light Construction 1198 Spielholz, Peregrin New York: Museum of Modern Art, 1995, 163 "Identifying and Controlling Ergonomic Risks in pp., ill. Glassblowing" 33 architectural projects using glass and other The Glass Art Society Journal, 1993, pp. 112- transparent materials. 119, ill.

1184 Rossol, Monona 1199 Stephan, Robert "Lead Test Kits Evaluated" "Grinding and Polishing Glass with Diamonds" Common Ground: Glass, Fall 1995, pp. 4-5. Stained Glass Quarterly, v. 90, no. 2, Summer 1995, pp. 123-127, ill. 1185 "Safety Facts: The Noose Tightens on Lead" 1200 Stolarski-Assael, Raquel Common Ground: Glass, v. 1, no. 3, Winter "Dibner Award 1994 Goes to 'Museo del Vidrio'" 1994, p. 8. G.A.S. News, Spring 1995, p. 11. Exhibit award to Monterrey, Mexico, museum by the Society for the History of Technology. 1186 Sadler, Mickey E. "Glass on the Internet" 1201 Strattman, Wayne Axis News (Glass Axis, Columbus, OH), v. 1, "Neon Techniques; Annealing Kilns in the Neon no. 6, Fall 1995, pp. 3-4. Shop" Development of user net glass newsgroups. Signs of the Times, v. 217, no. 4, April 1995, p. 58+, ill. 1187 Sandberg, Gerald L. "What Is Dichroic Glass?" 1202 "Neon Techniques: Crossover Bends" The Bead Release, v. 1, no. 4, Oct. 20, 1994, Signs of the Times, v. 217, no. 3, March 1995, pp. 7-8. p. 44+, ill. FILMS AND VIDEOTAPES/ FILME UND VIDEOKASSETTEN

1213 Alchemy in Light 1230 Creative Glass Center of America 1245 Lyricism of Swedish Glass Kenneth Grimes, 1995 No credits, about 1994 Pikes Peak Library District, 1994 29 min., sound, color. 8 min., sound, color. 50 min., sound, color. Nourot Glass Studio artists: Michael Nourot, Ann Corcoran, and David Lindsay. 1231 Designs in Miniature: The Canes of 1246 Manessier83 Murano, 1838-1924 Pascal Bony for Gresh Productions, n.d. [1983?] 1214 Art/new york no. 40: Kiki Smith Produced by the Association for Study and 22 min., sound, color. Inner-Tube Video, n.d. [1995?] Development of the Culture of Murano and the 28 min., sound, color. Regional Council of the Veneto, 1990; English 1247 Mark Peiser version by The Corning Museum of Glass, 1995 Kent B. Reynolds, 1994 1215 Balance 15 min., sound, color. 37 min., sound, color. No credits, 1992 5 min., sound, color. 1232 Dolly Curtis Interviews Milton Bond, 1248 Mundy Hepburn, 1995: Luminous Glass Candice Gunter. Folk Artist Sculptures Dolly Curtis, 1994 NHK, 1995 1216 Basics of Making Marbles 30 min., sound, color. 30 min., sound, color. Killer Beads, 1995 90 min., sound, color. 1249 Nourot Glass Studio 1995 1233 Fusing Overview with Gil Reynolds Power of Three for Nourot, 1995 Fusion GlassWorks, 1989 1217 Beada, Beada: An Introduction to Glass 10 min., sound, color. Bead Making with Vicki Payne and Phil Teefy 7 min., sound, color. Cutters Video Productions, 1994 1250 One World Art: Right to Hope 60 min., sound, color. 1234 Fusions blanches: Bernard Dejonghe Right to Hope, 1994 Musee d'Art Moderne et d'Art Contemporain 10 min., sound, color. 1218 Beadmaking (Nice), 1994 Ivo Lill. Modern Alchemy Glass Studio, 1994 13 min., sound, color. 55 min., sound, color. 1251 The Other Bohemia Glass 1235 Garry Nash Jiri Havrda, Ceska Televize Praha & Art Film 1219 Beads and Beyond, with LeRoy Goertz No credits, n.d. [1995?] (Zurich), 1995 Darrel Mast, 1994 8 min., sound, color. 30 min., sound, color. 90 min., sound, color. 1236 Glaskunstler 1252 Petr Novotny: A Demonstration & 1220 CBS Sunday Morning... April 30, 1995 BMS Broadcast & Medien Service Gmbh Interview at Alberta College of Art at Calgary CBS, 1995 (Munich) 1995 Norman Faulkner, 1994 30 min., sound, color. 12 min., sound, color. 30 min., sound, color. John Littleton and Kate Vogel. Hans Gottfried von Stockhausen. 1253 Sculptural Glassworking. Part I: 1221 CBS Sunday Morning... July 30, 1995 1237 Glass & Metal Introduction CBS, 1995 No credits, n.d. [1994?] Lewis Wilson/Crystal Myths, 1995 6 min., sound, color. 8 min., sound, color. 120 min., sound, color. Pilchuck Glass School. Andrew Fote. 1254 Sculptural Glassworking. Part II: 1222 CNN Style, July 23, 1995 Small, Quick Money-Making Items CNN, 1995 1238 Glass Fortress Arte Video for Chamber of Commerce of Savona Lewis Wilson/Crystal Myths, 1995 3 min., sound, color. 120 min., sound, color. Yoshiko Takikawa. (Italy), n.d. [1995?] 25 min., sound, color. 1255 Sculptural Glassworking. Part III: 1223 Contemporary Czech and Swedish Exhibition of craftsmen, artists, and firms in Fantasy Glass Art August 1991. Lewis Wilson/Crystal Myths, 1995 Glasgalerie Hittfeld, 1993 120 min., sound, color. 18 min., sound, color. 1239 Helios Todd Edwards, Anderson University, 1993 1256 Sculptural Glassworking. Part IV: 1224 Corning Museum of Glass Guides' 11 min., sound, color. Aquatic Life Lectures, 1994 Arlon Bayliss. Lewis Wilson/Crystal Myths, 1995 Tape 4: The Libenskys, by Susanne Frantz 120 min., sound, color. The Corning Museum of Glass, 1994 1240 Jean Le Moal 72 min., sound, color. Gresh Productions, 1985 1257 Sculptural Glassworking. Part V: 22 min., sound, color. Wildlife 1225 Corning Museum of Glass 1995 Seminar Lewis Wilson/Crystal Myths, 1995 Tape 9: Jin Harcuba 1241 Keiko Mukaide 120 min., sound, color. 30 min., sound, color. General Council for the North/Duplvideo Villeneux d'Ascq, 1995 1258 Venetian Glass 1226 Corning Museum of Glass 1995 Seminar 6 min., sound, color. Key Pictures, 1994 Tape 11: Making Murrini, by Richard Marquis 34 min., sound, color. 40 min., sound, color. 1242 Key Principles for Successful Firing Edward Orton Jr. Ceramic Foundation, 1227 Create with Color Magic Stains n.d. [1994?] Golden Star Video for Eastman Corporation, 1995 80 min., sound, color. 40 min., sound, color. 1243 Lampworked Beadmaking: 1228 La Creation d'un vitrail An Introduction Media 2 (Auxerre, France), n.d. [1990-1994?] Kate Fowle, 1995 11 min., sound, color. 95 min., sound, color.

1229 Creations of Fire: The Sculpture of 1244 Let's Make Lamps with Vicki Payne and Jeffrey Spencer Joe Porcelli No credits, about 1994 Cutters Video Productions, n.d. [1994?] 11 min., sound, color. 60 min., sound, color. 70 A SELECTIVE INDEX OF PROPER NAMES AND PLACES

AUSGEWAHLTES REGISTER VON EIGENNAMEN UND ORTEN

This is a subject index to the "Bibliogra­ Es handelt sich im folgenden urn ein denen die entsprechenden Personen phy" of New Glass Review 17. The num­ Sachregister zur „Bibliographie" der New oder Orte behandelt werden. bers following the names below are keyed Glass Review 17. Die Zahlen hinter den to the numbers preceding the individual Namen entsprechen den Zahlen, die den "Bibliography" entries in which these per­ Eintragungen der einzelnen Beitrage der sons and places are discussed. „Bibliographie" vorangestellt sind, in

Adam, Jan, 79, 910, 929 Cowie, B. Jane, 391 Guggisberg, Monica/Baldwin, Philip, Adams, Hank Murta, 96 Cribbs, KeKe, 913 208, 259, 303, 568, 598, 880 Adams, Mark, 1037 Czeresko, Deborah, 656, 902 Guild of Glass Engravers, 457, 707, 733 Almeida, Isabel, 315 Dailey, Dan, 95, 208, 604, 880, 903 Gussek, Jens, 448, 929 Andolina, Gary, 531, 534 Damian, Monica, 336, 807 Hafner, Dorothy, 147, 309, 880 Angus, Mark, 1053 Dejonghe, Bernard, 32, 33, 34, 72, 91, Halem, Henry, 173, 464, 1146 Aschenbrenner, Michael, 581, 750, 756 266, 291, 445, 658, 677, 701, 703, 788, Hammond, Susan, 100, 500 Aufiero, Tina, 656, 711 1234 Handler, Audrey, 881 Ausglass Association, 550 deWit, John, 915 Harcuba, Jin, 122, 154, 399, 816, 1225 Babcock, Herb, 1146 Donefer, Laura, 353, 437, 751 Harned, Richard, 116 Beleschenko, Alexander, 1053 Dreisbach, Fritz, 220, 239, 356, 357 Haufschild, Lutz, 107, 950, 953, 994, Ben Tre, Howard, 339, 677 Dreiser, Peter, 645 998, 1019, 1020 Berg, Janet, 92, 320 Dunham, Bandhu Scott, 886, 1128 Heesen, Willem, 361,917 Bicker Caarten, Joost, 315 Edwards, Stephen Dale, 907 Held, Robert, 460 Higuchi, Shinichi and Kimiake, 485 Blomdahl, Sonja, 562, 658 Ehrner, Anna, 848, 901 Blondel, Michele, 693 Hill, Judy, 434 Eisch, Erwin, 224, 600, 645, 816, 867, Bone, Judy, 93 Hilton, Eric, 41, 577, 1059 924 Borowski, Stanislaw, 255, 631 Hirst, Damien, 779 Elias, Bohumil, 924 Bowen, Nancy, 563, 673 Hiscott, Amber, 1053 Elliott, Judi, 358 Bray, Charles, 619 Holler, Franz Xaver, 795, 929 Elskus, Albinas, 999 Breidfjord, Leifur, 1035 Huth, Ursula, 101, 109, 929 Feren, Steve, 616 Brekke, John, 2, 115, 858 Isles, Geoff, 166 Fero, Shane, 170, 886 Brooks, Adam, 925 Isphording, Anja, 150, 762 Filer, Mary, 389, 1004 Carder, Ken, 899 Ito, Makoto, 453, 511, 604, 819 Fisar, Jan, 844 Carlson, Robert, 302, 313, 613 Iwata, Rury, 512 Flander, Brita, 200, 279 Carpenter, James, 933, 1117, 1210 Izumi, Oki, 282 Flavell, Ray, 359, 551 Carther, Warren, 171 Jaross, Michael, 652 Flavin, Dan, 278, 351, 610, 646 Cash, Sydney, 22 Jolley, Richard, 94, 558 Franck, Kaj, 375, 526, 806 Chao, Bruce, 108 Karel, Marian, 328, 377, 481, 482, 741, Frijns, Bert, 362, 463, 672, 860 Chardiet, Jose, 321, 1146 745, 790, 828 Chihuly, Dale, 56, 93, 120, 129, 143, Froissart, Xavier, 578 Kehlmann, Robert, 540, 541, 857 172, 208, 214, 273, 325, 326, 349, 496, Frolic, Irene, 406, 439 Kerkvliet, Brian, 542-546, 886, 1153- 600, 608, 628, 694, 758, 766, 831, 880, Fujita, Kyohei, 865, 867, 924 1156 902, 907 Gaudet, Mitchell, 415 King, Ruth, 117, 889 Cigler, Vaclav, 328, 482, 741, 790 Gazale, Pamela, 533 Kinnaird, Alison, 645, 803 Clarke, Brian, 937, 963, 985, 1036, Ginneke, Vincent van, 500, 501 Kirkpatrick, Joey/Mace, Flora, 85, 227, 1054 Glass Art Association of Canada, 922 530, 678, 694 Clement, Daniel, 553 Glass Art Society, 83, 98, 103, 222, Koch, Gerard, 378 Cocks, Deborah, 519 302, 390, 545, 650, 780 Kogelnik, Kiki, 794 Cohen, Carol, 150, 323, 903 Groot, Mieke, 363 Kopecky, Vladimir, 88, 287, 328, 399, Coombs, Debora, 983 Gross, Renate, 1064 482, 741, 790 Copier, A. D., 246, 552, 582 Grunseit, Marc, 1012, 1013 Korn, Karin, 585 Kretschmer, Melissa, 802 Mukaide, Keiko, 71, 125, 447, 615, 682, Shinkai, Miyuki, 532 Kuhn, Jon, 275, 298, 658 691, 785, 818, 1241 Shioya, Maomi, 316 Kummer, Raimurid, 674 Mulcahy, Kathleen, 94, 321 Signoretto, Pino, 353, 825 Kuramoto, Yoko, 453, 819 Musler, Jay, 664 Simpson, Josh, 123, 468, 658, 663, Kustner, Gabriele, 504, 929 Myers, Joel Philip, 173, 658 826, 863, 887 Lahaie, Therese, 540, 571 Nash, Garry, 296, 1235 Sipek, Borek, 4, 141, 218, 229 LaMonte, Karen, 656 Nauman, Bruce, 30, 153, 225, 517, Skibska, Anna, 564, 762 Lane, Danny, 318, 377, 388, 690 591, 594, 761, 870 Smith, Jeff, 989, 1046, 1196 Langley, Warren, 604, 781, 1003 Negreanu, Matei, 267, 377, 452, 702, Smith, Kiki, 385, 486, 595, 673, 721, Leap, J. Kenneth, 965, 1022, 1085 876 1214 Leibovitz, Edward, 268, 714, 715 Nordio, Massimo, 258 Sottsass, Ettore, 292, 379, 839 Leighton, John, 583, 584, 793 Novaro, Jean-Claude, 380, 452, 702 Statom, Therman, 227, 625, 730 Leperlier, Antoine, 75, 702, 807 Novotny, Petr, 4, 1252 Stern, Arthur, 939, 1078 Leperlier, Etienne, 384, 437, 807 Palterer, David, 344, 697, 742 Stinsmuehlen-Amend, Susan, 44, 750, Levi, David, 214, 658 Patti, Tom, 3, 381, 694 857 Levin, Robert, 192, 299 Pawlak, Kazimierz, 79, 197, 705, 706 Stockhausen, Hans Gottfried von, 1034, Lewin, David, 165 Peiser, Mark, 436, 1146, 1247 1236 Libensky, Stanislav/Brychtova, Pfaff, Judy, 673 Studer, Robert, 240 Jaroslava, 1, 48, 328, 377, 482, 600, Pilchuck Glass School, 120, 162, 163, Suhajek, Jiff, 229, 884 741, 790, 805, 867, 924, 1224 164, 222, 232, 433, 718, 719, 804, 830, Svoboda, Jaroslav, 106, 204 Lieberman, Walter, 912 856, 873, 1221 Tagliapietra, Lino, 208, 259, 303, 568, Lill, Ivo, 90, 121, 1250 Plum, Susan, 722 598, 784, 864, 880 Lillie, Jacqueline, 271 Poensgen, Jochem, 1019, 1065 Takenouchi, Naoko, 389, 461 Lipofsky, Marvin, 582, 596, 597, 705 Posner, Richard, 731 Takikawa, Yoshiko, 866, 1222 Littleton, Harvey, 126, 233, 246, 356, Powell, Steven, 540, 834 Taylor, David, 384 599, 600, 616, 658, 717, 867, 924 Powers, Pike, 431 Taylor, Michael, 228, 436 Littleton, John/Vogel, Kate, 233, 658, Prytherch, David, 645, 816, 954 Thompson, Cappy, 97 1220 Quagliata, Narcissus, 540, 942, 958 Tjiang, Paulus, 744 Lynggaard, Finn, 612 Raman, Ingegerd, 59, 61, 118, 775 Toikka, Oiva, 138, 158, 375, 786 Magdanz, Andrew, 608, 903 Raymond, Jean-Paul, 554 Valkema, Sybren, 246, 597 Mansau, Serge, 377, 815 Reekie, David, 308, 359 Vallien, Bertil, 155, 194, 312, 604, 924 Marel, Siem van der, 177, 250 Reyntiens, Patrick, 541, 977 Van Cline, Mary, 96, 858 Marioni, Dante, 214, 608, 622, 658, 678 Ries, Christopher, 726, 764 van Lith, Jean-Paul, 377, 384, 555 Marques de Almeida, Isabel, 762 Ritter, Richard, 658, 834 Vanderstukken, Koen, 315, 560 Marquis, Richard, 223, 227, 608, 627, Rogers, Sally, 169 Varrela, Vesa, 432, 534 729, 750, 834, 1226 Royal, Richard, 286, 890 Venini, 381, 567, 603, 773 Mason, Concetta, 636 Ruffner, Ginny, 42, 276, 516, 696, 777, Vigiletti, Sylvia, 173 Matejka, Sabine, 795, 929 886,926 Votrubovi, Jaroslava and Antonin, 736 Maunsell, Claire, 632 Sabokova, Gizela, 377, 574, 716 Walentynowicz, Janusz, 330 May, Debra, 97 Salerno, Jodi, 149, 167, 190, 699 Willenbrink, Karen, 919 McElheny, Josiah, 150, 637, 643, 885 Salo, Markku, 138, 375 Wilmarth, Christopher, 369, 441, 570 Meistermann, Georg, 1023 Santillana, Alessandro Diaz de, 531, Wirkkala, Tapio, 70, 786 Meitner, Richard, 363 687 Zamecnikova, Dana, 48, 328, 482, 735, Merker, Ursula, 69, 245 Santillana, Laura de, 145 741, 745 Merz, Mario, 621, 644, 877 Sarpaneva, Timo, 561, 799, 806, 854 Zoritchak, Yan, 217, 367, 377, 423, 443, Meszaros, Mari, 556 Schaechter, Judith, 789, 995, 1007, 450, 665, 820 Meydam, Floris, 361, 582 1041, 1066, 1073 Zuber, Czestaw, 702, 752, 924 Meyers, Zesty, 206, 623, 647, 710 Schmidt, Christian, 409, 816 Zynsky, Toots, 270, 384, 437, 604, 658, Michaelides, Dimitri, 95, 214, 658 Schmidt, Jack, 224, 793, 1192 875 Miller, Robbie, 429 Schwarz, David, 658 Moje, Klaus, 371, 373, 858 Scott, Joyce, 77, 588, 634, 800 Monod, Isabelle, 73, 451 Seguso, Archimede, 7, 810 Morrell, Richard, 859 Shaffer, Mary, 199, 822 Morris, William, 114, 273, 678, 694 Shaw, Kathy, 1026