Subject Index Aalto, Alvar, 22 Art Shed Southbank Architectural Com- bearing, solar angle diagrams, 334 Ackerman Student Union, University of petition, 2006, 383 Berkeley Art Museum and Pacific Film California at Los Angeles, Cali- Asia Society, Hong Kong Center, China, Archive, Berkeley, California, fornia, 250 410, 411 197 Adelaide University, South Australia, assembly drawing, linear perspective Bernal Heights residence, San Fran- School of Architecture, Land- drawing, 311 cisco, California, 262 scape Architecture and Urban Atocha Station, Madrid, Spain, 75 B FIVE STUDIO, 550 Design, 499 audience, portfolio, 463–64 Bilbao Effect, 120 Adelman/Liano residence, Santa Moni- August Wilson Center for African Ameri- BIM (building information modeling), ca, California, 207 can Culture, Pittsburgh, Penn- capabilities of, 93–94 Adobe Photoshop, 63 sylvania, 284 bird’s eye perspective African American Museum of Slavery, Aulenti, Gaetana, 22 linear perspective drawing, 246–47, Rockville, Maryland, 429 automobile 298–301 Aga Han Museum, Toronto, Canada, conceptual sketching, 73 one-point perspective from above, 242 representational drawing, 26–29 linear perspective drawing, Alaska, University of, Fairbanks, 198 auxiliary views, multiview-drawings, 177 248–49 alternatives, conceptual diagramming axes addition, orthographic and paraline underside perspective with, linear and sketches, 40, 44–45 drawing, 195 perspective drawing, 303 altitude, solar angle diagrams, 334 axial lines, orthographic and paraline Birkerts, Gunnar, 42, 69, 150 American Museum of Natural History, drawing, 194 Blades residence, Goleta, California, 398 Rose Center for Earth and axiometric drawing, orthographic and blocking out, representational drawing, Space, New York, New York, paraline drawing, 175 10–11 244 axon, unfolded section and, drawing block visualization sketches, ortho- Americans with Disabilities Act (ADA), exercises (level one), 491 graphic and paraline drawing, 157 axonometric drawing 169–71 Ames, Anthony, 99 applications, 192 Bogner Fashion House, Munich, Ger- analytical diagrams, 40, 56–59 circles, 193 many, 275 three-dimensional, 59–65 expanded plan oblique and, 216–17 Boston Society of Architects building, two-dimensional, 58 obliques drawings compared, 178 Andrews University, Berrien Springs, up views, exploded perspective, 220 Boston, Massachusetts, 97 Michigan, 349 axonometric projection, 174 Brandeis University, Fine Arts Building Anti-Gravity Atelier and House Meguro, azimuth, solar angle diagrams, 334 additions, Waltham, Massachu- Tokyo, Japan, 214 Azzano, San Paolo Complex, Bergamo, setts, 346 Aqua Tower, Chicago, Illinois, 58 Italy, 324 Brandenburg’s Ravenwood Studio, Ely, arcade shadows, 352, 353 Minnesota, 486 arches, linear perspective drawing,COPYRIGHTED 229 ballpoint pens, representational MATERIAL draw- Branford & Saybrook Colleges Library, architect’s scale ing, 7 Yale University, New Haven, drawing exercises (level one), 484 Baltimore, Maryland, 104–5 Connecticut, 405 tools, 541, 542 Barcelona Pavilion, Barcelona Internation- Bred, Bitter, 285 architectural journey, drawing exercises al Exposition, 1929, Spain, 349 Breuer, Marcel, 22 (level one), 482–83 Barnagat Light, New Jersey, summer The Broad, Los Angeles, California, 444 architectural wall presentations, presen- compound, 208 Brown University, Providence, Rhode tation formats, 379 Barnes House, Nanaimo, British Colum- Island, 426–27 Architecture Music Society, Baltimore, bia, Canada, 153 Brunelleschi, Filippo, 285 Maryland, 521 Barragan, Luis, 355 bubble diagrams, conceptual diagram- Arena Stage at the Mead Center for Basalt Cabin, Brazos, New Mexico, 148 ming and sketches, 48 American Theater, Washington, Bass Island Retreat, South Bass Island, Buena Vista residence, San Francisco, D. C., 153 Ohio, 390 California, 373 Armacost duplex, Los Angles, California, Bates College Social/Study Center, Lew- buildings, representational drawing, 211 iston, Maine, 221 30–31 571 118_9781118012871-bindex.indd8_9781118012871-bindex.indd 557171 66/13/12/13/12 110:380:38 AAMM 572 SUBJECT INDEX building section. See also section Chicago Inspiration, presentation for- alternatives, 40, 44–45 orthogonal terminology, 139 mats, 390 analytical, 40, 56–59 section arrows, 141 Chicago Music Pavilion, Chicago, Ilinois, three-dimensional, 59–65 Burnett House addition, Lake Oswego, 347 two-dimensional, 58 Oregon, 241 Chicago Visitor’s Center Pavilion, Chi- drawing exercises (level one) cago, Illinois, 377 freehand plan oblique, 507 Cabrillo Village, Saticoy, California, 214, Church of the Light, Ibaraki, Japan, 234 spatial design and, 504–5 222 Cincinnati Contemporary Arts Center environmental control diagrams, Calatrava, Santiago, 84–85, 345 Bookstore and Artware, Ohio, 50–51 California, University of, Los Angeles, 197 formal/spatial diagrams, 49 398 circle(s) mental imagery, 66–67 California Academy of Sciences, San horizontal, linear perspective draw- modeling, 86–89, 106–7 Francisco, California, 82 ing, 317 overview, 35–36 California Center for the Arts, Escon- isometric, orthographic and paraline plan diagram, 52–53 dido, California, 277 drawing, 190 plan oblique, 54–55 Canadian Museum of Human Rights, linear perspective drawing, 254–55 relationship diagrams, 48 Winnipeg, Manitoba, Canada, paraline, orthographic and paraline shadows, 345, 372–73 296 drawing, 191 site diagrams, 46–47 Candela, Felix, 97Cannizzaro residence, vertical, linear perspective drawing, sketching, 70–85 Montara, California, 395 314–16 skill development, 37 CANOPY (Competition for the new circulation analysis, symbols, conceptual symbols, 38–43 auditorium and movie theater diagramming and sketches, thumbnail sketches, 68–69 (VTHR)), Saint Cyprien, France, 39–40 types of, 38 83, 88–89, 217, 348 cityscapes, bird’s eye perspectives, cone of vision, linear perspective draw- canopy shadows, light, shade, and 300–301 ing, 232, 233 shadow, 352 cleaning aids, tools, 532 construction lines, representational cars. See automobile Click Agency, West Hollywood, Califor- drawing, 10–11 Casa Alfredo, Shinkenchiku Residential nia, 45 construction section, orthogonal termi- Design Competition 2009, 404 Click & Flick Agency, West Hollywood, nology, 140 Casa Canovelles, Granollers (Barcelona) California, 220 contour drawing, drawing exercises Spain, 203 Clybourne Lofts, Chicago, Illinois, 187 (level one), 486–87 Casa de las Estrellas, San Miguel de colonnade shadows, light, shade, and convergence Allende, Mexico, 217 shadow, 352, 353 downward, linear perspective draw- Casa Joya, San Miguel de Allende, Commerzbank, Frankfurt, Germany, 71 ing, 305 Mexico, 216 common method. See office (common) extreme, distortion, linear perspec- Casa Paloma, San Miguel de Allende, method tive drawing, 240–41 Mexico, 416 community buildings, digital-manual linear perspective drawing, 229 Casa Poli Collumo, Chile, 139 design-drawing interface, three-point perspective, 307–9 Casa Renacimiento, Atotonilco, Mexico, 104–5 upward, linear perspective drawing, 394 Compact House, Bayview, Lake Pend 304 Cathi House, Santorini, Greece, 57 Oreille, Idaho, 191 Coxe Studio, Block Island, Rhode ceiling plan (reflected) composite drawings, 382–401. See also Island, 137 elevation views, orthogonal terminol- presentation formats Creative Design Consultants, 288 ogy, 141 detailed, 394 creativity, BIM (building information mod- orthogonal terminology, 143 generally, 382–89, 400–401 eling), 92–93 Central Glade University of California, nonvertical x-axis drawings, 393 cross section, orthogonal terminology, Berkeley, 54, 55 plan, elevation, and sections, 140 Central Los Angeles High School #9 for 396–97 crystal lattice system, 116–17 the Visual and Performing Arts, plan and elevation oblique, 395 C3 cabin, Camano Island, Washington, California, 73 student portfolios, 390–91 210 Centre for Music, Art, and Design, Uni- superimposed drawings, 398 C2 architecture studio (construcTWO, versity of Manitoba, Canada, superimposed sketches, 399 PLLC), 210 218 transoblique drawings, 392 cube-judgment system, three-point per- Centre Pomidou-Metz, Metz, France, composite sections, orthogonal termi- spective, 306 120, 121–22 nology, 154–55 cue, defined, 230 Chaco Canyon project, drawing exer- composition, portfolio building, 456–59 cultural buildings, digital-manual design- cises (level one), 518–19 computer modeling. See also digital- drawing interface, 112–13, chaos, order and, drawing exercises manual design-drawing inter- 120–31 (level two), 527–28 face Curtis House, San Francisco, California, Charing Cross Station, London, Eng- conceptual sketches, 87–89 204 land, 168 residential architecture, 100 curved line Chasen residence, San Francisco, Cali- computer software, BIM (building infor- conceptual sketching, 82 fornia, 209 mation modeling), 93–94 linear perspective drawing, 318–19 Chenghua Civic Park, China, 301 conceptual diagramming and sketches, curvilinear forms Chen Residence, Ventua, California, 151 35–89 light, shade, and shadow, 339 118_9781118012871-bindex.indd8_9781118012871-bindex.indd 557272 66/13/12/13/12 110:380:38 AAMM SUBJECT INDEX 573 surfaces, 360 dimetric axes, orthographic and paraline drawing exercises (level two), 520–28 cuts study, design section, orthogonal drawing, 175 Architecture Music Society, Balti- terminology, 150 dimetric single-view drawings, 176 more, Maryland, 521 cutters, tools, 540 diminution, linear perspective drawing, chaos and order, 527–28 cylindrical forms, light, shade, and shad- 228 concrete masonry units, 524–26 ow, 358–59 direct measurement,