Vol. II No. 2, March 1935

Total Page:16

File Type:pdf, Size:1020Kb

Vol. II No. 2, March 1935 ~-k*~""'",---;,..cc'::~~~2-.'_--4;_;,; ... ~ :"",~ i~ I, THE NEW~INTERNATIONAL (With which is merged Labor Action) A MONTHLY ORGA.N OF REVOLUTIONARY MARXISM OFFICIAL THEORETICAL ORGAN OF THE WORKERS PARTY OF THE UNITED STATES Published once a month by the New International Publishing Company, 2 ,West 15th Street, New York, N. Y. Subscription rates: $1.50 per year; $1.00 for se~en months. Canada and Abroad: $1.75 per year. Entered as Second Class matter January 26, 1935, at the Post' Office at New York, N. Y., under the Act of March 3, 1879. VOLUME II Editors: 'NUMBER 2 MAX SHACHTMAN MARCH 1935 JOHN WEST TABLE OF CONTENTS The Problem of the Labor Party, by M. S. .......... 33 The Abolition of the Bread Cards in the Soviet Union, ,Where Is, Stalinism Leading Russia? .. , ............... 37 by Erich W ol'lenberg ........................ 73 The Roosevelt "Security" Program, by John West..... 40 Stalin the Theoretician, by John G. Wright .......... 74 Lessons of the Paris Commune, by Leon Trotsky...... 43 BOOKS: The Housing Question in America: I. What the P~oblem Looks Like, by Henry' Stone. .. 47 \Vells' Autobiography, by John Hart .............. 75 2. How the Problem Is"Solved", by Paul V. McBride 5J Labor Historian, by Dennis Brown ................ 76 The Political Situation in Spain, by L. Fer sen . .....,: ~ 52 To Make a Revolution, by J. W. .................. 77 Strikes on the 1935 Horizon, by A. J. Muste ....... , .. 57 Problems of the Pacific, by Jack Weber ............ 77 Lenin and Rosa Luxemburg, by Max Shachtman . ..... 60 Neurotic Society, by Bernard Wolfe ................ 78 American Trade Union Problems-II, by Arne Swabeck 64 Briefer Mention, by Florence Becker ................ 79 ,Why the Saar Was Lost, by Oskar Fischer . ......... 67 A Picture of the Socialist Party .................... 80 In a Billion Dollar Industry, by Jack Wilson .......... 69 A Note to the Reader ................. ~. 'J' ......... 80 Marxism: Science or Method? by Rubin Gotesky. .. 71 Back Cover: The Press. At Home. You can have anyone of the followhig books in combination with THE NEW New Militant) official weekly organ INTERN ATION AL as follows: NEW INTERN ATION AL for I year .... 1.50 of the Workers Party, for I year .. 1.00 Fontamara, by Ignazio Silone ...... 2.50 NEW INTERNATIONAL for I year .... $1.50 Both for $2.00 Both for $3.25 The Decline of American Capitalism, by Lewis Corey .............. 4.00 NEW INTERNATIONAL for 1 year .... 1.50 FREE - The suppressed Testament of Both for $4.50 Man's Fate, b3' Andre Malroux. A Lenin (a pamphlet) or "Left Wing" novel about Chinese Revolution 2.50 NEW INTERNATIONAL for 1 year .... 1.50 Both for $3.25 Communism, by V. Lenin with every My Life, by Leon Trotsky . ....... 5.00 yearly subscription to the Both for $3.50 'NEW INTERNATIONAL for 1 year .... 1.50 Babouk, by Guy Endore) a story NEW INTERNATIONAL for 1 year .... 1.50 about Negro slavery ........... 2.00 Correspondence of Karl Marx and NE\V INTERNATIONAL Both for $3.00 Friedrich Engels ............... 2.75 2 :West 15th Street Both for $3.75 New York City THE NEW INTERNATIONAL A MONTHLY ORGAN OF REVOLUTIONAR Y MARXISM VOLUME II MARCH 1935 NUMBER 2 The Problem of the Labor Party A. GREAT CHANGE has come over the policies of the com- instant in the equally merciless grip of a Labor party upsurge. munist party in the United States, in consonance with the Bursting with the new knowledge, he rushed home with such an Rightward swing of the whole Third International. Where, only effervesceing anxiety to impart it to the masses that he felt it would yesterday, the party elders thundered against the blasphemous be unjust to keep it from them long enough to consult with the suggestion that the united front should be made from organization presumable leadership of the party, the Central Committee, or the to organization, that the leadership of the socialist party and other membership, much less to wait for their decision. The first revela­ labor organizations should be directly and formally approached­ tion of the fact that the "party" had changed "its" policy and now they now pant pathetically at the heels of the National Executive favored the formation of a Labor party, was made at a public Committee of the S. P. Whereas the C. P. convention as late as gathering in Washington on January 6. The Central Committee the spring of 1934 set itself the task of building up the "revolu­ of the party, subsequently convened, put its predestined stamp of tionary T.U.U.L." and of establishing the "Independent Federation approval on the new line about two weeks later. Whether the of Labor", it now hastens to dissolve every non-A. F. of L. union formal detail of discussion and approval by the membership was it ever had its hands on. But nowhere is the change as startling, attended .to in the hustle and bustle has not yet been fully estab­ both for completeness and abruptness, as in its policy with regard lished-in any case, it could not have been considered very impor­ to a Labor party. tant. Only an incorrigible petty bourgeois democrat, we are now Best evidence on this score is offered by examining its old policy. taught, wants to discuss a policy before executing it; your modem In 1928, the prevailing line of advocating a labor party was laid revolutionist carries it out first and then discusses it, if at all. on the table. By 1930, that is, at the height of the now totally "We must change our negative position towards the Labor party ignored but unforgettable "third period", it was taken off the table question," Browder explains, "which was determined by the ab­ and slashed to ribbons. In the theses and resolutions presented by sence of a practical mass movement which made it a practical the March-April 1930 Plenum for the 7th national convention, we problem." (Daily Worker, Jan. 19, 1935.) But it was determined were told that the results of the economic crisis "destroy the re­ by exactly opposite considerations in 1930; the mass movement formist illusions with which the bourgeoisie attempted to deceive was indeed there, but the Labor party then could have as its base and pacify the workers [and] continually accelerates the narrow­ merely the A. F. of L., which was "outright Fascist", the trade iug of tbe very social basis of reformism" (p. 8). Reformism and unions, which had been turned ,into "Fascist troops" and the "social its illusions are not only dying of social inanition, but "a revolu­ Fascist" S. P. Trusting to short memories, Browder ,continues to tionafyupsurge grips the working masses" (p. 9). There is pre­ point out that "Now there is a mass movement and it is a ques­ cious little difference among the tottering "reformist organizations tion of our party's participation among these masses and influenc­ and elements, some of which (A. F. of L.) are outright Fascist,· ing their course". while others (socialist party, Muste group [!]) cover their Fascist With that gift of contempt for consistency which elevates Brow­ activities with pseudo-radical phrases" (p. II). The reactionaries der above the common run of· men, be nonchalantly denies the have turned "the labor unions from instruments of struggle on above assertion a few weeks later, and points out: "There doe. beh~lf of the workers into instruments against the working masses not yet ezut a clearly-defined Labor party movement. There ia and into Ftucist troops of capitaU.sm" (p. II). If the C. P. bas only the begillning mass break-away, within which, a struggle ia been at fault at all in this situation, then only because "it has been going on between two main class forces." (Daily Worker, Feb. a mistake on our part that we did not sOoner clearly analyze and 14, 1935.) c:har~terize tbe open Ftucism of the A. F. of L'." (p. 33)· But regardless for the moment of whether the mass movemeat ConcJellion: " Any Labor party crystallization at this moment for the Labor party does or does not yet exist, the new policy of could have only [oilly!] the A. F. of L. unions, the socialist party the C. P. most certainly does. It merits an examination which we aDd other social reformist organizations as a basis, or would be think will not prove fruitless. compoeecl only of those already in sympathy with the communist * • • • party. A Labor party made up of soeial~Fasclst· organizations One need not go far afield to study the background of the ques­ would not mean poUtical separation of the workers from the capi­ tion: what is the relationship between a revolutionary Marxian talists .•ut would mean' the delivery of the workers to capitalist party and a Labor party? The American movement haa a rich politics under the gUise of a Labor party." (P. 15.) and instructive history in tbis field, and even a condensed recapi­ Neither the analysis nor the conclusion could be more sober, tulation of it bere will greatly facilitate an appraisal of the prob­ lucid or unassailable. Be that as it may, here was the C. P. policy lem as presented today. Indeed, the latter cannot be achieved on the Labor party till the end of 19J4. It was so completely without the former. interre4, that neither in his poUtical report nor his summary at In 1922, the just organized legal communist party (the Workers the April 1934 convention of the C. P., did Browder so much as party) put forward for the first time the slogan for a Labor party mention the words "Labor party" or hint that it was' or might and launched a campaign to realize it.
Recommended publications
  • The Role of Literature in the Films of Luchino Visconti
    From Page to Screen: the Role of Literature in the Films of Luchino Visconti Lucia Di Rosa A thesis submitted in confomity with the requirements for the degree of Doctor of Philosophy (Ph. D.) Graduate Department of ltalian Studies University of Toronto @ Copyright by Lucia Di Rosa 2001 National Library Biblioth ue nationale du Cana2 a AcquisitTons and Acquisitions ef Bibliographie Services services bibliographiques 395 WeOingtOn Street 305, rue Wellington Ottawa ON K1A ON4 Otiawa ON K1AW Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence ailowing the exclusive ~~mnettantà la Natiofliil Library of Canarla to Bibliothèque nation& du Canada de reprcduce, loan, disûi'bute or seil reproduire, prêter, dishibuer ou copies of this thesis in rnicroform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/nlm, de reproduction sur papier ou sur format é1ectronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation, From Page to Screen: the Role of Literatuce in the Films af Luchino Vionti By Lucia Di Rosa Ph.D., 2001 Department of Mian Studies University of Toronto Abstract This dissertation focuses on the role that literature plays in the cinema of Luchino Visconti. The Milanese director baseci nine of his fourteen feature films on literary works.
    [Show full text]
  • Italian Studies Comp Exam Reading Lists 1&2
    1 University of Texas at Austin Graduate Program in Italian Studies Reading Lists 1 and 2 for the Comprehensive Examination In addition to careful study of the required works listed below, students are expected to acquire general knowledge of all periods, genres, and major movements in Italian literature and cinema. List 1 (1200-1750) Read as widely as possible in the two-volume Poeti del Duecento, ed. G. Contini (Milan: Ricciardi, 1960). Francis of Assisi, "Cantico delle creature" Jacopone da Todi, "Que farai, fra Iacovone" (Contini #2), "Donna de Paradiso (Contini #16) Giacomo da Lentini, "Madonna, dir vo voglio" (Contini #1), "Meravigliosamente" (Contini #2), "Io m'aggio posto in core a Dio servire" (Contini #12) Guittone d'Arezzo, "Gente noiosa e villana" (Contini #3), "Tuttor ch'eo dirò 'gioi', gioiva cosa" (Contini #16) Compiuta Donzella, "A la stagion che 'l mondo foglia e fiora," "Lasciar vorria lo mondo a Dio servire" (both poems in Contini and in Natalia Costa-Zalessow, ed., Scrittrici italiane dal XII al XX secolo [Ravanna: Longo, 1982]). Cecco Angiolieri, "S'i' fosse fuoco, arderei il mondo," "Tre cose solamente m'ènno in grado" Guido Guinizzelli, "Al cor gentil rempaira sempre amore," "Vedut' ho la lucente stella Diana" Guido Cavalcanti, "Chi è questa che vèn, ch'ogn'om la mira," "Donna me prega" Dante Alighieri, Vita nuova, Divina Commedia, De vulgari eloquentia (Italian or English translation) Giovanni Boccaccio, all of Il Decameron, with emphasis on the following novelle in addition to the frame narrative: 1.1-3, 2.4-5, 3.1-2, 4.5, 4.7, 4.9, 5.8-9, 6.7-10, 7.1-2, 8.3-6, 9.2-3, 10.4-5, 10.10.
    [Show full text]
  • Tomo Ii Corretto
    «GIÀ TROPPE VOLTE ESULI» LETTERATURA DI FRONTIERA E DI ESILIO a cura di Novella di Nunzio e Francesco Ragni Tomo II Università degli studi di Perugia Culture Territori Linguaggi – 3 2014 «GIÀ TROPPE VOLTE ESULI» LETTERATURA DI FRONTIERA E DI ESILIO a cura di Novella di Nunzio e Francesco Ragni Tomo II Università degli Studi di Perugia Indice del tomo II TESTIMONIANZE D’AUTORE DIEGO ZANDEL La mia frontiera…………………………………………………………………...p. 7 IN FUGA DA… ESILIO VOLONTARIO ELISABETH KERTESZ-VIAL Luigi Pirandello dal 1929 al 1935: un improbabile esiliato volontario…...….p. 15 ILARIA DE SETA Autoesilio americano e World Republic nei diari inediti di Giuseppe Antonio Borgese……………………………………………………………………..……..p. 23 ANDREA PAGANINI La letteratura italiana in Svizzera durante la seconda guerra mondia- le………………………………………………………………………...................p. 39 CRISTINA TERRILE Il «dispatrio» di Luigi Meneghello: la polarità come fondamento di poeti- ca……………………………………………………………...……………….…..p. 53 ERRANTI NOVELLA DI NUNZIO La funzione letteraria dell’ebreo errante e l’ebraismo come dispositivo narra- tivo e critico………………………………………………………...…………….p. 65 VALENTINA SARDELLI «La vera patria è la lingua». Gli intellettuali ebreo-tedeschi da minoranza pra- ghese a comunità esule…………….……………………………………………p. 89 MARTA MĘDRZAK-CONWAY New York Exiles, Triestine Exiles: Affinities Between American-Jewish and Svevian Protagonists.……………………………….……………….……….….p. 97 FORME DI ESILIO, MIGRAZIONE, FRONTIERA: TEATRO PAOLO PUPPA La grazia/disgrazia di essere straniero a teatro……………………………...p. 107 MARTINA DAMIANI – FABRIZIO FIORETTI L’esilio degli intellettuali italiani dai territori asburgici: il percorso di Nanni Mocenigo……………………………………………………………………...…p. 123 ANNE-MARIE LIEVENS L’arcangelo dall’ala spezzata: l’esilio di Alberti in Noche de guerra en el Museo del Prado ……………………………………………………………………….….p. 131 MARIA ESTER BADIN Migrazione e teatro……………………………………………………………..p.
    [Show full text]
  • “I Am Afraid Americans Cannot Understand” the Congress for Cultural Freedom in France and Italy, 1950–1957
    “I Am Afraid Americans Cannot Understand” The Congress for Cultural Freedom in France and Italy, 1950–1957 ✣ Andrea Scionti Culture was a crucial yet elusive battlefield of the Cold War. Both superpowers tried to promote their way of life and values to the world but had to do so care- fully. The means adopted by the United States included not only propaganda and the use of mass media such as cinema and television but also efforts to help shape the world of highbrow culture and the arts. The Congress for Cultural Freedom (CCF), an organization sponsored by the U.S. Central Intelligence Agency (CIA), offered U.S. policymakers and intellectuals the opportunity to provide indirect support for anti-Communist intellectuals without being openly associated with their activities. Although the CCF represented one of the main instruments for the United States to try to win the hearts and minds of postwar Europe, it also created new challenges for U.S. Cold War- riors. By tying themselves to the European intelligentsia, they were forced to mediate between different societies, cultures, and intellectual traditions. This article looks at the contexts of France and Italy to highlight this interplay of competing notions of anti-Communism and cultural freedom and how the local actors involved helped redefine the character and limits of U.S. cultural diplomacy. Although scholars have looked at the CCF and its significance, es- pecially in the Anglo-Saxon world, a focus on French and Italian intellectuals can offer fresh insights into this subject. The Congress for Cultural Freedom was the product of a convergence of interests between the CIA’s recently established Office of Policy Coordination (OPC) and a small number of American and European intellectuals, many of them former Communists, concerned about the perceived success of the Soviet cultural offensive in Western Europe.
    [Show full text]
  • Narrative and Nothing: the Enterprise of Italian American Writing
    Differentia: Review of Italian Thought Number 6 Combined Issue 6-7 Spring/Autumn Article 8 1994 Narrative and Nothing: The Enterprise of Italian American Writing Robert Viscusi Follow this and additional works at: https://commons.library.stonybrook.edu/differentia Recommended Citation Viscusi, Robert (1994) "Narrative and Nothing: The Enterprise of Italian American Writing," Differentia: Review of Italian Thought: Vol. 6 , Article 8. Available at: https://commons.library.stonybrook.edu/differentia/vol6/iss1/8 This document is brought to you for free and open access by Academic Commons. It has been accepted for inclusion in Differentia: Review of Italian Thought by an authorized editor of Academic Commons. For more information, please contact [email protected], [email protected]. Narrative and Nothing: The Enterprise of Italian American Writing Robert Viscusi Early in 1990,1 at a reception for a group of Italian American educators, I overheard a high-school principal boasting to a jour­ nalist, "We are the heirs of the Renaissance." "No," I thought, "we are the orphans of the Renaissance." I kept this wisecrack to myself, but the actual question it implied has continued to trouble me: what can we say about the relationship of Italian Americans to the glorious Italian past? Seeking an ans~er, I looked where a literary historian would look-in that art which a people uses to connect its present to its past: the art of narrative. l. NARRATIVE Narrative art serves a people in many ways. Above all, it models social structure, making it possible for ordinary persons to see themselves in relation to other persons, as well as to other DIFFERENTIA 6fT (Spring/Autumn 1994) 78 DIFFERENT/A places and times.
    [Show full text]
  • Ignazio Silone's the Story of a Humble Christian
    religions Article Redeeming the Age in Which We Live: Ignazio Silone’s The Story of a Humble Christian Kimberly Rae Connor School of Management, University of San Francisco, 2130 Fulton Street, San Francisco, CA 94117, USA; [email protected] Received: 15 July 2019; Accepted: 20 August 2019; Published: 22 August 2019 Abstract: This essay explores Ignazio Silone’s seldom considered book, “The Story of a Humble Christian.” Part memoir, history, and theatre, this book tells the story of Pope Celestine V, the first, and until Benedict XVI, the only pope to resign. The book lends itself to an interpretation that applies a consideration of Silone’s recently revealed and complicated biography with a reflection on the current occupant of the papacy, Pope Francis, as a way to articulate how flawed humans can experience transcendent and transformative possibilities when they lead with humility. Keywords: Ignazio Silone; humility; Celestine V; Pope Francis; leadership; organizational behavior; transcendence; identity “I would have liked to spend my life writing and rewriting the same story, in the hope of understanding it at least, and of making it understood by others” —Ignacio Silone The Story of a Humble Christian The story Ignacio Silone tried to understand and to have understood was “the fate of a certain type of man, how a certain type of Christian fits into the machinery of the world” (Silone 1970, p. 12). Although needing to rewrite implies failure, in Silone’s formulation, the failure, while his, is not his alone. Failing to fit a humble Christian in to the machinery of the world is characteristic of human organizations built by flawed individuals.
    [Show full text]
  • David Ward Department of Italian Studies Wellesley College Wellesley, MA 02481 USA
    David Ward Department of Italian Studies Wellesley College Wellesley, MA 02481 USA Office Phone: (781) 283 2617/Fax: (781) 283 2876 Email: [email protected] Education 1972-75, BA (Hons) in English and American Studies, awarded by the School of English and American Studies, University of East Anglia, Norwich, Great Britain 1984-88, MA and PhD in Italian Literature, awarded by the Department of Romance Studies, Cornell University, Ithaca, NY Work Experience 1980-84, Lector, Faculty of Letters and Philosophy, University of Bologna, Bologna, Italy 1988-89, Lecturer, Department of Romance Languages and Literatures, University of Michigan, Ann Arbor, MI 1989-95, Assistant Professor, Department of Italian, Wellesley College, Wellesley, MA 1995-2002, Associate Professor, Department of Italian, Wellesley College 2002-present, Professor of Italian, Department of Italian Studies, Wellesley College Courses Taught at Wellesley College All levels of Italian language The Construction of Italy The Function of Narrative Narrative Practices (Comparative Literature Seminar) Fascism and Resistance Autobiography (Writing Seminar) Europe in the Aftermath of World War II Italy’s Other Half: The South in History and Culture Italy in the 1960s Italian Cinema The Cities of Italy Italian Mysteries Other Courses Introduction to Italian Medieval and Renaissance Culture Twentieth Century Italian Intellectual Thought David Ward/CV Publications 1984 "Translating Registers: Proletarian Language in 1984," in Quaderni di Filologia Germanica della Facoltà di Lettere e
    [Show full text]
  • Stefan Weis’ Study „Entirely Unbeknown to His Homeland- the Burgauers
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or Papa MY GRATITUDE to my girlfriend Esther, my mother, my family, my friends, my supervisor Ao. Univ.-Prof. Mag. Dr. Thomas Albrich, to the Burgauer family members, to Pierre, in particular, and everyone else who accompanied and supported me on my path and in writing this thesis. 1 Fragments from the Burgauer story Foreword by Hanno Loewy, Director of the Jewish Museum Hohenems The Burgauer family first appeared in Hohenems in 1741, when Judith Burgauer, a young widow of twenty one and mother from the Burgau region near Augsburg settled in Hohenems to marry for a second time. Jonathan Maier Uffenheimer from Innsbruck was a wealthy merchant and gave her a chance to begin a new life. At least one child died young. Their son Abraham married 15 year old Sara Brettauer from Hohenems and moved to Venice.
    [Show full text]
  • Bibliography
    BIBLIOGRAPHY Acobas, Patrizia, “Elsa Morante.” Jewish Women Archive . Web. 10 April 2015. Adler, Peter. “Beyond Cultural Identity: Refl ections on Multiculturalism.” Culture Learning . Ed. Richard Brislin. Manoa: East-West Center Press, 1977. 24–41. Print. Agamben, Giorgio. “What Is a Destituent Power?” Trans. Stephanie Wakefi eld. Environment and Planning D: Society and Space 32.1 (2010): 65–74. Print. Aiello, Lucia. “‘Looking at the ‘Crack’d Mirror’: Narratives of Restoration and Anticipation in Grazia Deledda’s La madre and Anna Banti’s Artemisia .” Journal of Narrative Theory 42.1 (2012): 21–45. Print. Aly, Gotz, and Susanne Heim. Architects of Annihilation: Auschwitz and the Logic of Distruction . London: Weidenfeld & Nicolson, 2002. Print. Amoia, Alba Della Fazia. 20th-century Italian Women Writers the Feminine Experience . Carbondale: Southern Illinois UP, 1996. Print. Antelme, Robert. The Human Race . Trans. Jeffrey Haight and Annie Mahler. Evanston: Northwestern University Press, 1998. Print. Antliff, Mark. “Fascism. Modernism, and Modernity.” Fascism: Critical Concepts in Political Science . Ed. Griffi n Roger. London: Routledge, 2004. 120–168. Print. Antonelli, Laura. Voci dalla Storia. Le donne della Resistenza in Toscana tra storie di vita e percorsi di emancipazione . Prato: Pentalinea, 2006. Print. Aristotle. Rhetoric . Trans. W. Ichys Roberts. Terre Haute: Indiana State U, 1954. Print. Armes, Roy. Patterns of Realism . New York: A. S. Barnes, 1971. Print. Augias, Corrado. I segreti di Roma . Milano: Mondadori, 2005. Print. Averill, James R. “Emotions and Anxiety: Sociocultural, Biological, and Psychological Determinants.” Explaining Emotions . Ed. Amelié Oksenberg Rorty. Berkeley: U of California P, 1980. 37–72. Print. © The Author(s) 2016 243 S. Milli Konewko, Neorealism and the “New” Italy, Italian and Italian American Studies, DOI 10.1057/978-1-137-52416-4 244 BIBLIOGRAPHY Bagnoli, Carla.
    [Show full text]
  • Inhaltsverzeichnis 13.10.2016
    Inhaltsverzeichnis 13.10.2016 Martin Bodmer-Stiftung für einen Gottfried Keller-Preis Utoquai 55 Lieferschein-Nr.: 9755778 Postfach 1425 Abo-Nr.: 3003568 8032 Zürich Themen-Nr.: 840.1 Ausschnitte: 12 Folgeseiten: 11 Total Seitenzahl: 23 Auflage Seite 01.10.2016 Literarischer Monat 4'500 1 Die achtzehn Köpfe der Esther M. 01.10.2016 Literarischer Monat 4'500 7 Vorrede 01.10.2016 Literarischer Monat 4'500 10 Liebe Leserinnen und Leser 01.10.2016 Literarischer Monat 4'500 11 Skizze eines Porträts von Pietro De Marchi 10.10.2016 Der Landbote 27'811 15 Zwischen Alpträumen und Lonely Planet 10.10.2016 Zürcher Unterländer / Neues Bülacher Tagblatt 17'573 16 Zwischen Alpträumen und Lonely Planet 10.10.2016 Zürcher Oberländer 21'930 17 Zwischen Alpträumen und Lonely Planet 10.10.2016 lausanne-tourisme.ch Keine Angabe 18 Carte blanche Esther Montandon à l'AJAR 09.10.2016 agendalugano.ch Keine Angabe 19 La carta delle arance 10.10.2016 Corriere del Ticino 36'108 21 La poesia di De Marchi 10.10.2016 Anzeiger von Uster 6'663 22 Zwischen Alpträumen und Lonely Planet 11.10.2016 La Rivista / Camera di Commercio Italiana 8'000 23 Il Premio Gottfried Keller 2016 assegnato a Pietro De Marchi ARGUS der Presse AG Rüdigerstrasse 15 CH-8027 Zürich Tel. +41(44) 388 82 00 Mail [email protected] www.argus.ch Datum: 01.10.2016 Literarischer Monat Medienart: Print Themen-Nr.: 840.001 8037 Zürich Medientyp: Spezial- und Hobbyzeitschriften Abo-Nr.: 3003568 044/ 361 26 06 Auflage: 4'500 Seite: 39 www.schweizermonat.ch Erscheinungsweise: 4x jährlich Fläche: 151'818 mm² Die achtzehn Köpfe der Esther M.
    [Show full text]
  • THE RED DECADE by EUGENE LYONS
    THE RED DECADE By EUGENE LYONS THE WE AND DEATH OF SACCOAND v ANZE'ITI Moscow CARRoUSEL Six Sovrsr PLAYS (ed.) WE CoVER THE WoRLn (ed.) AssIGNMENT IN UTOPIA STALIN, CZAR OF Au. THE RusSIAS \ THE RED DECADE The Stalinist Penetration of America ,/ r Eugene Lyons I<! ?~tdi 1 n. ~ ~ 11 __..._,~t..4..i THE BOBBS-MERRILL COMPANY PUBLISHERS INDIANAPOLIS NEW YORK COPYRIGHT, 1941, BY THE BOBBS-MERRILL COMPANY FIRST EDITION PRINTED AND BOUND BY THE COUNTRY LIFE PRESS CORP. G,ARDEN CITY, N. Y., U.S. A. TABLE OF CONTENTS CHAPTER PAGE INTRODUCTION: IN DEFENSE OF RED-BAITING • 9 I THE FIVE AGES OF THE COMMUNIST INTERNATIONAL. 20 II A PARTY Is BoRN • • • • • 29 III BORING FROM WITHIN • • • • 37 IV THE Moscow SoLAR SYSTEM • • 47 v THE AMERICAN PARTY Is PURGED 53 VI A Mn.QUETOAST TAKES COMMAND • 63 VII THE RED DECADE DAWNS • • • 70 VIII FASCISM HAs THE RIGHT OF WAY • 82 IX THE CULT OF RussIA-WoRSHIP. 92 x THE LmERALS INVENT A UTOPIA • • 102 XI APOLOGISTSDo THEIR STUFF • • 114 XII THE RED CULTURAL RENAISSANCE. 128 XIII MoRE PLANETS ARE LAUNCHED • • 141 XIV Moscow Aoor-rs THE TROJAN HoRSE. 158 xv COMMUNISM BECOMES AMERICANISM• 170 XVI THE INCREDIBLEREVOLUTION SPREADS 183 XVII AMERICAN LEAGUE FOR SOVIET w AR MONGERING• 195 XVIII STALIN's CHILDREN'S HoUR IN THE U.SA .. 204 XIX STALIN MUSCLES IN ON AMERICAN LlBOR. • 219 xx RussIAN PURGES AND AMERICAN LIBERALS . 235 XXI HOORAY FOR MURDER! • • • • •• • 246 XXII "FRIENDS OF THE G.P.U." • • • • • 257 XXIII CoCICTAn.s FOR SPANISH DEMOCRACY. 268 XXIV REVOLUTION COMES TO HOLLYWOODAND BROADWAY • 284 xxv AMERICA'S OWN POPULAR FRONT GOVERNMENT 298 XXVI THE TYPEWRITER FRONT • • .
    [Show full text]
  • AS.210 Modern Languages & Literature
    AS.210 Modern Languages & Literature 1 AS.210.111. Spanish Elements I. 4 Credits. AS.210 MODERN LANGUAGES This is an introductory Spanish language course. On completion of this course, the students will have acquired the basic communication & LITERATURE and grammatical skills necessary for speaking, writing, listening and reading in Spanish. Students will demonstrate these skills through AS.210.101. French Elements I. 4 Credits. their performance in class, by completing several online assignments, Provides a multi-faceted approach to teaching language and culture and by taking part in three group presentations in addition to two to the novice French student. The first semester emphasizes listening comprehensive exams which focus on the following thematic topics: and speaking, while laying the foundation in grammar structures, Greetings, University Life, Family and Leisure. Students will also be reading, and writing. This course is designed for true beginners: Students introduced to the culture, history and geography of various Spanish and with any previous background must take the placement test (http:// Latin American countries. The content covered in Spanish Elements 1 is www.advising.jhu.edu/placement_french.php) and receive below 30. May the foundation for all consecutive Spanish courses. A placement exam not be taken on a Satisfactory/Unsatisfactory basis. is required to ensure the appropriate level. Your enrollment in Spanish AS.210.102. French Elements II. 4 Credits. Elements I will not be considered for approval until you have emailed the The second semester of this intensive course for beginners provides Spanish Language Director. students with the linguistic tools to read excerpts from a play (Antigone AS.210.112.
    [Show full text]