Dale Spender - Woman of Ideas Alix Dobkin - Loving Lesbians Uzzle Political Controversial Uncompromising

Total Page:16

File Type:pdf, Size:1020Kb

Dale Spender - Woman of Ideas Alix Dobkin - Loving Lesbians Uzzle Political Controversial Uncompromising RINGING UP KIDS-REPORT, A WOMAN’S LIFE DALE SPENDER - WOMAN OF IDEAS ALIX DOBKIN - LOVING LESBIANS UZZLE POLITICAL CONTROVERSIAL UNCOMPROMISING BROADSHEET ♦C*0*N^T*E^N*T ♦ S ♦ MAY ISSUE 158 1988 FEATURES 17 Love Women or Die Interview with Alix Dobkin Pat Rosier 21 Is There Sex After Childbirth? Post-natal libido Reprint 24 Dale Spender - Woman of Ideas The woman and her work Alison Jones 28 The Rape of Tibet Genocide in Asia Dianne Cadwallader 34 Bringing Up the Kids A report and a woman’s story Pat Rosier!Anonymous 38 Policing Pornography Not the way to go All a nah Ryan REGULARS 2 Herspective 3 Letters and Fronting Up 5 Broadcast Judge Sinclair Your Prejudice is Showing 0 The Modern Witch­ hunt 0 Women's Health Survey 0 Wanted - Women. Women, Women 0 Poverty is Global 0 Unbalanced Banking 0 Women in Eritrea 8 In Brief 33 What’s New 36 On The Shelf 47 The Gripes of Roth 48 Classified 40 ARTS Mary Kay, review and interview 0 Barbara Kruger, review and interview THE PROBLEM OF PORNOGRAPHY 32 BROADSHEET BROADSHEET is published by Broadsheet Magazine Ltd, P O Box 56-147, Dominion Rd, Auckland. Registered Office: 228 Dominion Rd, Auckland. Editorial, Office and Bookshop phone (09) 608535 Advertising and Art department (09) 607162 y mother used to buy Broadsheet feminism, as a woman of Indian descent when I was a child, and I remember bom in Aotearoa, will differ from the femi­ M nisms of Maori women, and from the femi­ BROADSHEET COLLECTIVE Sharon Alston, looking through it avidly, cutting up ar­ Jan Cowan, Edith Gorringe, Tanya Hopman, ticles and pictures to use in school projects. nisms of Pakeha women. Caro! Jillsun, Claire-Louise McCurdy, We lived in a South Auckland suburb To me feminism is an ideology that has Pat Rosier, Lisa Sabbage, Shirley Tamihana, and like most of the other women on our its roots in a woman and her experience, an Athina Tsoulis. street, my mother had four children by the ideology that continues to gather strength time she was 25. Like them, she stayed at and be informed by that experience. Editorial and policy decisions are made by the home in an unpaid, demanding job while Young women who see feminism as an collective. Main areas of responsibility are: her husband worked in a paid job. anachronism have taken for granted the Bookshop, Lisa Sabbage; Design and Buying Broadsheet was a luxury, like gains that women working for social change Layout, Sharon Alston; Editorial, Pat when we were allowed fish and chips for have won for them. They’ve been blinkered Rosier; Finances, subscriptions, Carol by the media, by the politicians, and the Jillsun; Resource Collection, tea. A luxury like talking guiltily about her Claire-Louise McCurdy; grievances with some of the friends she capitalists,the very same estates of power Advertising and Promotion, shared coffee with before the kids got home who construct and perpetuate an image of Tanya Hopman. from school, as if they were conspiring to feminists as butch, embittered women un­ commit the great crime of the century. able to get a man. But even more insidious Those cups of coffee and discussions, is the message they broadcast to women Cover Painting by Claudia Pond Eyley. which says, “you’ve got equality, you can Design: Sharon Alston grumbles and gripes, kept my mother sane and probably still keep women who face vote, you can work, you can go to univer­ similar forms of isolation, as close to sanity sity, you can buy our products, what more These women helped around Broadsheet as possible. Sharing cups of coffee and do you want? There is no more.” this month: Barbara Mundt, Diane Bush. food, talking and listening, is still a valu­ The truth is that there is a lot more, but it Kirsty Fathers, Sue Freeman, Linda Ceato, is disconcerting to admit it, disconcerting to Diane Calder. able tool women use to make connections with each other. discover that yes, your life has been limited Yet it took my mother a long time before without your knowledge. Betty Friedan Printed by Rodney and Waitemata Times, she admitted she had “feminist” ideas, and talked about this in The Feminine Mystique Mill Lane, Warkworth. Electronic Pagination by very few of those friends she had then when, after surveying housewives in Amer­ Laser Type & Design Studio. Typeset bromides by ica during the sixties, the majority of whom Times Laserset. Photoprints by Monoset, would ever have used the word, and proba­ separations by Star Graphics. bly still cringe at it now. were middle-class, educated, with all the In those days, she says she was an in­ things they’d always dreamed of, a home, stinctive or intuitive feminist, without facts husband and children, she found them to be Publication date:l May 1988. and figures, or theoretical knowledge to ar­ desperately unhappy. Nearly all those ticulate her gut feelings of injustice, the women blamed their education for expand­ ing their intellectual horizons, opening BROADSHEET annual subscription $40 sinking feeling that her work was underval­ Overseas surface $56. Overseas airmail: ued if valued at all. Her struggle to make doors for them, challenging what they had Europe $101.65, America and Asia $85.40, ends meet, feed the family, deal with ra­ been brought up to believe was their des­ Australia and South Pacific $66.60. cism against her children, are all only parts tiny. These women had suddenly found out of the day to day battle to survive that that their lives were limited, that the ideal nuclear family wasn’t enough to fulfill their Articles and illustrations remain the property of women in Aotearoa still wage today. the contributor. Permission must be sought from So what is so frightening about the own personal needs, and they didn’t want to Broadsheet and from the contributor before any words feminism and feminist? What know. It is safer to reject things which item in reprinted. stopped my mother and the other women threaten the framework you have always like her from saying, yes we are feminists operated in. But no matter how isolated or extreme a LETTERS POLICY: The Broadsheet collective and we aren’t happy with the way things may not agree with or endorse views expressed in are? Why do so many women my age (23), woman’s experience, or conversely, no letters. Nearly all the letters we are sent get pub­ see feminism as irrelevent, redundant and a matter how “normal” or privileged, there lished. Those that are not published in full are thing of the past? can be a basic commitment to women and a considered by the whole collective and edited in I think the answer lies partly in the fact recognition that as women we share an consultation with the writer. We do not publish that “feminism” and “feminist” have been oppression, whether she chooses to use that personal attacks. Letters from men are published jargon or not. only when they correct matters of fact. We particu­ perceived too often as prescriptive, rather larly welcome letters about the content of the than descriptive terms, as a rigid definition If there were no challenges to be made to magazine. Letters that are addressed to the collec­ rather than an adjective. There are many feminism it would cease being challenging, tive or to the editor are assumed to be intended for different ways of being feminist, not just it would no longer be serving any putpose. publication. Please indicate clearly if they are not. one way. There are outlines, but they are If women did not continue to shake it up and constantly being expanded, there are con­ redefine it, offering new feminisms, it tours, but they are constantly being painted would not grow, it would die. BROADSHEET is on file at the Women’s new colours. I believe that women are keeping femi­ Collection, Special Dept, Northwestern Recently I read an article which talked nism alive and well by offering each other University Library, Evanston, about feminisms. I like this because it new challenges, and as always, listening to Illinois 60201, USA. suggests something which is open and those challenges, making it stronger mutable, rather than something closed and through diversity, and by stressing time and intransigent. It recognises that to women of time again that the fight is far from over, no Registered at the GPO as a magazine. different ages, cultures, classes, sexuality, matter what the power-brokers would have ISSN 01 10-8603 and religions, perspectives of the world us believe. , . will differ, and that values and priorities will vary accordingly. It recognises that my 2 BROADSHEET MAY 1988 E ETTERS AN OPEN LETTER TO TVNZ seems male interviewers are re­ CURRENT AFFAIRS luctant to speak to women who Kia ora Clive Litt, espouse an outspoken feminist Last weekend intemationally- viewpoint and can’t handle it renowned and leading feminist when they do. None of us have writer, Dale Spender arrived in forgotten Lindsay Perigo’s par­ Aotearoa for a week of lectures ticularly unfortunate attack-inter­ and talks around the country. Not view with Allison Webber on the unnaturally her visit created huge current affairs programme Sun­ interest as women rushed to buy day a while ago. tickets for her public lectures and While we’ve learnt not to ex­ queued to get into her other talks. pect miracles, we would like tele­ She was also interviewed by vision news and current affairs to newspaper and radio media. We give women a much better deal knew television had booked her than they do at present and more for the current affairs programme, accurately reflect our enormous, Frontline, and thought this an vital and valuable contribution to ideal opportunity for women the running of this country.
Recommended publications
  • Sinister Wisdom 70.Pdf
    Sinister Sinister Wisdom 70 Wisdom 70 30th Anniversary Celebration Spring 2007 $6$6 US US Publisher: Sinister Wisdom, Inc. Sinister Wisdom 70 Spring 2007 Submission Guidelines Editor: Fran Day Layout and Design: Kim P. Fusch Submissions: See page 152. Check our website at Production Assistant: Jan Shade www.sinisterwisdom.org for updates on upcoming issues. Please read the Board of Directors: Judith K. Witherow, Rose Provenzano, Joan Nestle, submission guidelines below before sending material. Susan Levinkind, Fran Day, Shaba Barnes. Submissions should be sent to the editor or guest editor of the issue. Every- Coordinator: Susan Levinkind thing else should be sent to Sinister Wisdom, POB 3252, Berkeley, CA 94703. Proofreaders: Fran Day and Sandy Tate. Web Design: Sue Lenaerts Submission Guidelines: Please read carefully. Mailing Crew for #68/69: Linda Bacci, Fran Day, Roxanna Fiamma, Submission may be in any style or form, or combination of forms. Casey Fisher, Susan Levinkind, Moire Martin, Stacee Shade, and Maximum submission: five poems, two short stories or essays, or one Sandy Tate. longer piece of up to 2500 words. We prefer that you send your work by Special thanks to: Roxanna Fiamma, Rose Provenzano, Chris Roerden, email in Word. If sent by mail, submissions must be mailed flat (not folded) Jan Shade and Jean Sirius. with your name and address on each page. We prefer you type your work Front Cover Art: “Sinister Wisdom” Photo by Tee A. Corinne (From but short legible handwritten pieces will be considered; tapes accepted the cover of Sinister Wisdom #3, 1977.) from print-impaired women. All work must be on white paper.
    [Show full text]
  • Convenient Fictions
    CONVENIENT FICTIONS: THE SCRIPT OF LESBIAN DESIRE IN THE POST-ELLEN ERA. A NEW ZEALAND PERSPECTIVE By Alison Julie Hopkins A thesis submitted to Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy Victoria University of Wellington 2009 Acknowledgements I would like to acknowledge those people who have supported me in my endeavour to complete this thesis. In particular, I would like to thank Dr Alison Laurie and Dr Lesley Hall, for their guidance and expertise, and Dr Tony Schirato for his insights, all of which were instrumental in the completion of my study. I would also like to express my gratitude to all of those people who participated in the research, in particular Mark Pope, facilitator of the ‘School’s Out’ programme, the staff at LAGANZ, and the staff at the photographic archive of The Alexander Turnbull Library. I would also like to acknowledge the support of The Chief Censor, Bill Hastings, and The Office of Film and Literature Classification, throughout this study. Finally, I would like to thank my most ardent supporters, Virginia, Darcy, and Mo. ii Abstract Little has been published about the ascending trajectory of lesbian characters in prime-time television texts. Rarer still are analyses of lesbian fictions on New Zealand television. This study offers a robust and critical interrogation of Sapphic expression found in the New Zealand television landscape. More specifically, this thesis analyses fictional lesbian representation found in New Zealand’s prime-time, free-to-air television environment. It argues that television’s script of lesbian desire is more about illusion than inclusion, and that lesbian representation is a misnomer, both qualitatively and quantitively.
    [Show full text]
  • Exhibit Entry Information
    Exhibit Entry Information Title: Woman vs Woman Name(s): McKayla Howerton and Alexa Delgado Division: Junior (Junior/Senior) Individual/ Group Group: Number of Student Composed Words on 497 words Exhibit: (Optional) Link to Any Audio or Video [Type Here] on Exhibit (no more than 3 minutes total): Picture of Entire Exhibit Thesis Statement Thesis Statement After decades of participation in the Feminist Movement, members of the lesbian community were asked to “step back” out of public view in 1970. As a result, the Lavender Menace organized in protest, forcing the National Organization for Women (NOW) to rethink their position. Within a year, members of the lesbian community had formed numerous consciousness-raising organizations to promote women’s issues and were no longer asked to hide in the shadows. Today, women of all walks of life continue to rally against the barriers of gender equality. Picture of Left Panel Picture & Text on Left Panel: Top Early Feminism “Feminism, really, is the social awakening of the women of all the world.” Charlotte Perkins Gilman The First Wave: 1848-1920 First-wave feminism refers to the first sustained political movement dedicated to achieving political equality for women: the suffragettes of the late 19th and early 20th centuries. “The world has never yet seen a truly great and virtuous nation because in the degradation of woman the very fountains of life are poisoned at their source.” Lucretia Mott Equal Rights Amendment “There is nothing complicated about ordinary equality.” Alice Paul, author of the ERA Following the passage of the 19th amendment granting women the right to vote, Alice Paul introduced the first Equal Rights Amendment in 1923.
    [Show full text]
  • Transfeminism: a Collection • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
    • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • transfeminism: a collection • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • Featuring: The Transfeminist Manifesto An Open Letter to Alix Dobkin Whose Feminism is it Anyway? • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • Written & Compiled by Emi Koyama <[email protected]> http://eminism.org/ * Putting the Emi back in Feminism since 1975. The Feminist Conspiracy Press, PO Box 40570, Portland OR 97240 Index The Transfeminist Manifesto 3 Reprinted from The Transfeminist Manifesto and Other Essays on Transfeminism, March 2000. An Open Letter to Alix Dobkin 12 Reprinted from An Open Letter to Alix Dobkin, April 2000. Whose Feminism is it Anyway? The Unspoken Racism of the Trans Inclusion Debate 19 Reprinted from Whose Feminism is it Anyway?, October 2000. About Eminism.org 27 © 2000-2001 Emi Koyama / The Feminist Conspiracy Press PO Box 40570, Portland OR 97240 Get more of Emi – visit www.eminism.org email: [email protected] 2 By Emi Koyama [email protected] Originally Published: October 1999 The Last Edited: July 2001 Transfeminist Manifesto Introduction less as women despite their birth sex assignment to the contrary. “Trans men,” likewise, is used to The latter half of the twentieth century describe those who identify, present, or live as witnessed an unprecedented broadening of men despite the fact that they were perceived American feminist movement as a result of otherwise at birth. While this
    [Show full text]
  • Ladyslipper Tenth Anniversary
    Ladyslipper Tenth Anniversary Resource Guide apes by Women T 1986 About Ladyslipper Ladyslipper is a North Carolina non-profit, tax- 1982 brought the first release on the Ladys­ exempt organization which has been involved lipper label: Marie Rhines/Tartans & Sagebrush, in many facets of women's music since 1976. originally released on the Biscuit City label. In Our basic purpose has consistently been to 1984 we produced our first album, Kay Gard­ heighten public awareness of the achievements ner/A Rainbow Path. In 1985 we released the of women artists and musicians and to expand first new wave/techno-pop women's music al­ the scope and availability of musical and liter­ bum, Sue Fink/Big Promise; put the new age ary recordings by women. album Beth York/Transformations onto vinyl; and released another new age instrumental al­ One of the unique aspects of our work has bum, Debbie Tier/Firelight Our purpose as a been the annual publication of the world's most label is to further new musical and artistic direc­ comprehensive Catalog and Resource Guide of tions for women artists. Records and Tapes by Women—the one you now hold in your hands. This grows yearly as Our name comes from an exquisite flower the number of recordings by women continues which is one of the few wild orchids native to to develop in geometric proportions. This anno­ North America and is currently an endangered tated catalog has given thousands of people in­ species. formation about and access to recordings by an expansive variety of female musicians, writers, Donations are tax-deductible, and we do need comics, and composers.
    [Show full text]
  • The Disappearing L
    1 The Soundtrack of Our Awakening I seem to have spent my entire life listening to boys talk about music. And sometimes, no matter how smart or untrivial or mean- ingful the boy might be, the sheer aesthetic presence of a masculine voice in record talk can get on my nerves. Because there are so many males talking, all the time, about everything, on television and on the radio, that I just get sick of men. —Sarah Vowell, Radio On We were not the first feminist musicians to sing out, but this tour jump-started a cultural phenomenon that would change the lives of hundreds of thousands of women and men; it laid the ground- work so that a dozen years later, young independent women could dominate the music industry. At the same time, millions of people never even knew it happened. —Holly Near, Fire in the Rain . Singer in the Storm Not wanting to identify with women’s music is the same thing as not wanting to call yourself a feminist. —Kaia Wilson, The Butchies, Co-owner, Mr. Lady Records For more than thirty years, I’ve collected the work of feminist musicians and comedians who enjoyed cult status as lesbian stage performers in the 23 © 2016 State University of New York Press, Albany 24 The Disappearing L 1970s, ’80s, and ’90s. These groundbreaking artists, earning very little in return for what they gave to the women’s community, worked tirelessly as local and national activists. Against all odds, they made the subject of lesbian rights into dance music, whether on bass guitar, piano, banjo, drum kit, saxophone, horn, djembe, or flute.
    [Show full text]
  • Passion, Politics, and Politically Incorrect Sex: Towards a History Of
    PASSION, POLITICS, AND POLITICALLY INCORRECT SEX: TOWARDS A HISTORY OF LESBIAN SADOMASOCHISM IN THE USA 1975-1993 by Anna Robinson Submitted to the Department of Gender Studies, Central European University In partial fulfilment of the requirements for the Erasmus Mundus Master's Degree in Women's and Gender Studies CEU eTD Collection Main supervisor: Francisca de Haan (Central European University) Second reader: Anne-Marie Korte (Utrecht University) Budapest, Hungary 2015 PASSION, POLITICS, AND POLITICALLY INCORRECT SEX: TOWARDS A HISTORY OF LESBIAN SADOMASOCHISM IN THE USA 1975-1993 by Anna Robinson Submitted to the Department of Gender Studies, Central European University In partial fulfilment of the requirements for the Erasmus Mundus Master's Degree in Women's and Gender Studies Main supervisor: Francisca de Haan (Central European University) Second reader: Anne-Marie Korte (Utrecht University) CEU eTD Collection Budapest, Hungary 2015 Approved by: ________________________ Abstract This thesis is an exploration of the largely underexamined history of lesbian sadomasochism (SM) in the United States between the mid-1970s, when the first organised lesbian feminist SM groups were founded, and 1993, by which time public debates about lesbian SM were becoming less visible. I engage with feminist discourses around lesbian SM within the so- called feminist sex wars of the 1980s, tracing the sometimes dramatic rise to prominence of lesbian SM as a feminist issue. Entwined in this web of controversy, I assert, is the story of a perceived fundamental split in the feminist movement between those who believed SM was patriarchal, abusive and violent, and those who saw it as a consensual expression of sexual freedom and liberation.
    [Show full text]
  • June 2015 Vol 25 #2
    OldOld LesbiansLesbians OrganizingOrganizing forfor ChangeChange A quarterly Founded publication of OLOC in 1989 June 2015 Vol 25 #2 OH, WHAT A NIGHT! Four days before Correction: In the March issue, Eunice Samuels By Alix Dobkin, 1940 and after the show, the OLOC Steering was mistakenly reported Combine a variety of sparkling Lesbian to have died. We’re happy poetry, music, wit, and consciousness with a Committee convened, to say she's alive and beautiful, colorful, and spirited audience of as we do twice a year, well in NYC. See p. 5. “Women Sweet on Women,” and you have to conduct OLOC a night to remember. And we will long remember business. This time we checked into the the night of April 25th, when, with active OLOC airport Holiday Inn North where the next support, ZAMI NOBLA Gathering will be held, (National Organization of and were joined by our Black Lesbians on three provisional Aging), in the person of members: Ali Marrero- Mary Anne Adams and Calderon (1948) of her cohorts, produced Oakland CA and such a night at the idyllic Bayamón, Puerto Rico; Agnes Scott Women's Mary Anne Adams College in Decatur GA, (1954) of Atlanta GA; where the Women’s and Paij Wadley-Bailey Studies department co- (1939) of Montpelier VT. sponsored the event and We love ZAMI NOBLA and have become provided the recital hall. Gaye (left) and Wild Rutz Theresa Davis, Deidre increasingly impressed McCalla, Gaye Adegbalola and her band, with and excited about working with them as The Wild Rutz (Tanya Cotton, Gloria partners, and we love the Lesbians we met Jackson, and Marta Fuentes), emcee Trey in Atlanta.
    [Show full text]
  • Allison-Vazquez
    Voices of Feminism Oral History Project Sophia Smith Collection, Smith College Northampton, MA DOROTHY ALLISON and CARMEN VÁZQUEZ Interviewed by KELLY ANDERSON November 19, 2007 Guerneville, CA This interview was made possible with generous support from the Ford Foundation. © Dorothy Allison and Carmen Vázquez 2008 Voices of Feminism Oral History Project Sophia Smith Collection, Smith College Narrators Dorothy Allison (b. 1949) grew up in Greenville, South Carolina, the first child of a fifteen- year-old unwed mother who worked as a waitress. Now living in Northern California with her partner Alix and her teenage son, Wolf Michael, she describes herself as a feminist, a working class story teller, a Southern expatriate, a sometime poet and a happily born-again Californian. Awarded the 2007 Robert Penn Warren Award for Fiction, Allison is a member of the Fellowship of Southern Writers. The first member of her family to graduate from high school, Allison attended Florida Presbyterian College on a National Merit Scholarship and in 1979 studied anthropology at the New School for Social Research. An award winning editor for Quest, Conditions, and Outlook—early feminist and lesbian & gay journals, Allison's chapbook of poetry, The Women Who Hate Me, was published with Long Haul Press in 1983. Her short story collection, Trash (1988) was published by Firebrand Books. Trash won two Lambda Literary Awards and the American Library Association Prize for Lesbian and Gay Writing. Allison says that the early feminist movement changed her life. "It was like opening your eyes under water. It hurt, but suddenly everything that had been dark and mysterious became visible and open to change." However, she admits, she would never have begun to publish her stories "if she hadn't gotten over her prejudices, and started talking to her mother and sisters again." Allison received mainstream recognition with her novel Bastard Out of Carolina, (1992) a finalist for the 1992 National Book Award.
    [Show full text]
  • Feeling Womens Culture, JDTC, 26.2.Dolan, 2012
    Access Provided by Princeton University at 07/17/12 10:55AM GMT Spring 2012 205 Feeling Women’s Culture: Women’s Music, Lesbian Feminism, and the Impact of Emotional Memory Jill Dolan What is women’s music? It is a song, rising from the footsteps of seven million women who were burned at the stake in the Middle Ages. Or songs that make love; oh, please do listen to the songs that make love. Maybe it is music for those who love or want to learn to love women amid misogyny. It represents our brazenness as well as our tenderness; our brilliance as well as our moments of weakness; our passion as well as our despair; our bravery as well as our fear; our desire to be mothers as well as our choice not to have children; our lesbianism as well as our heterosexuality, bisexuality, or celibacy; but especially our lesbianism, for even if we don’t actively live lesbian lives, understanding the desire to make love with a woman is divine approval of making love to ourselves.1 —Holly Near, “Fire in the Rain” This essay considers lesbian feminist cultural production in the 1970s as an activist project fueled by potent, newly expressed emotions, which has yet to be given its due in feminist or LBGTQ scholarship. As an erstwhile lesbian feminist myself, I’d like to recuperate the visionary cultural work which, I believe, was caught in the crosshairs of political and academic history, falling victim to the poststructuralist theoretical critique and becoming a scapegoat for a new academic field trying hard to establish itself as legitimate and serious.
    [Show full text]
  • Music by Women TABLE of CONTENTS
    Music by Women TABLE OF CONTENTS Ordering Information 2 Folk/Singer-Songwriter 58 Ladyslipper On-Line! * Ladyslipper Listen Line 4 Country 64 New & Recent Additions 5 Jazz 65 Cassette Madness Sale 17 Gospel 66 Cards * Posters * Grabbags 17 Blues 67 Classical 18 R&B 67 Global 21 Cabaret 68 Celtic * British Isles 21 Soundtracks 68 European 27 Acappella 69 Latin American 28 Choral 70 Asian/Pacific 30 Dance 72 Arabic/Middle Eastern 31 "Mehn's Music" 73 Jewish 31 Comedy 76 African 32 Spoken 77 African Heritage 34 Babyslipper Catalog 77 Native American 35 Videos 79 Drumming/Percussion 37 Songbooks * T-Shirts 83 Women's Spirituality * New Age 39 Books 84 Women's Music * Feminist * Lesbian 46 Free Gifts * Credits * Mailing List * E-Mail List 85 Alternative 54 Order Blank 86 Rock/Pop 56 Artist Index 87 MAIL: Ladyslipper, 3205 Hillsborough Road. Durham NC 27705 USA PHONE ORDERS: 800-634-6044 (Mon-Fri 9-8, Sat 10-6 Eastern Time) ORDERING INFO FAX ORDERS: 800-577-7892 INFORMATION: 919-383-8773 E-MAIL: [email protected] WEB SITE: www.ladyslipper.org PAYMENT: Orders can be prepaid or charged (we BACK-ORDERS AND ALTERNATIVES: If we are FORMAT: Each description states which formats are don't bill or ship C.O.D. except to stores, libraries and temporarily out of stock on a title, we will automati­ available: CD = compact disc, CS = cassette. Some schools). Make check or money order payable to cally back-order it unless you include alternatives recordings are available only on CD or only on cassette, Ladyslipper, Inc.
    [Show full text]
  • Queer Pop Cul Word Games
    By Chuck Stewart, Ph.D. All rights reserved©. 2004 Introduction Welcome! to the world of Up, Down, Across and Out. This series of word puzzles challenges your knowledge about the lesbian, gay, bisexual, and transgender community; while at the same time being entertaining and educational. Some clues are easy, some are difficult, and all are fun. Queer Pop Culture Word Games contains 22 Crossword puzzles, 8 Quote Falls, and 7 Anagram puzzles for a total of 37 puzzles in all. These puzzles are focused more at lesbian, gay, bisexual, and transgender pop culture. For example, do you remember the Hanky Code? or can you name 10 films that featured lesbian themes? The puzzles that list famous actors, singers, and sports personalities are always a big hit with the younger, curious crowd. Bondage, S&M, sexual practices of insects, and masturbation are some of the topics also used to make fun puzzles. And, to be on top of pop culture, current TV shows that appeal to lesbians and gays have been used. Every puzzle has a different theme with no repetition of material. Queer History and Politics Word Games is aimed to be fun and informational. Nineteen short essays, not exceeding 500 words, have been written with words to be searched or unscrambled through either a Word Find Puzzle, Anagram with Word Find Puzzle, or Word Search Puzzles. In addition, there are 10 Crossword Puzzles, 9 Quote Falls, and 1 Anagram Puzzle for a total of 39 puzzles in the book. Teachers are encouraged to use these word puzzles as supplemental activities during workshops on sexual orientation.
    [Show full text]