Music by Women TABLE of CONTENTS
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The Parish Magazine for the Presteigne Group of Parishes Has Continued to Appear – Either Online Or in Print
Your Parish Magazine Throughout the Covid-19 pandemic crisis, the Parish Magazine for the Presteigne Group of Parishes has continued to appear – either online or in print. The parish magazine Deadline dates for Copy and Artwork For as at 28th April 2021 Presteigne With th Wednesday 19 May June issue Discoed, Kinsham, Lingen and Knill rd Wednesday 23 June July/August issue Wednesday 18th August September issue Here Is your socially-distanced but Colourful We are particularly grateful to the Town Council, our friends in Lingen, our gardener, our new weather reporter and our occasional nature-noter. We include requests for support from community groups and charities. We hope to inform and Online MERRY MONTH OF may 2021 Issue, Fa La perhaps entertain you. The Editor welcomes announcements (remember them?) and appreciates contributions from anyone and everyone from our churches and parishes, groups, schools etc. Artwork (logos, etc) should be not too complicated (one day we will be printing again in black only on a photocopier so please keep designs simple). Articles as well as artwork must be set to fit an A5 page with narrow margins. The editor reserves the right to select and edit down items for which there is insufficient space. While you may be reading this issue on screen, you can print the whole issue, or selected pages, on A4 paper in landscape to both sides (Duplex). We suggest you select ‘short-side stapling’. Note: The ‘inside’ pages have been consecutively numbered on each sheet - unlike the pages which normally make up a magazine. You are encouraged to forward this magazine to others by email or as hard copy, as above – on condition that it is neither added to, nor the text altered, in any way. -
)Lot 100 Sin I Les Sales
Billboard JANUARY 17, 1998 HOT 100 A-Z Billboard. JANUARY 17, 1998 TITLE (Publisher - Licensing Org.) Sheet Music Dist. 44 2 BECOME 1 (Full Keel. ASCAP/Windswept Pacific. ASCAP/Polygram Intl. ASCAP) HUWBM 46 32 FLAVORS (Righteous Babe, BMI) 100 Air ilay.. 86 4, 3, 2,1(LL Cool 1. ASCAP/Def lam, ASCAP/Enck Sermon. Hot )lot 100 Sin I les Sales.. Compiled from d oa LUna 4,1e of auylay Suyphe: by Broadcast Data Systems' Radio Track service. ASCAP/Zomba. ASCAP/Zo So, ASCAP/Brooklyn Dust. ASCAP/Funky Compiled from a national sample of POS (point of sale) retail stores and rack which report 334 stations are electronically monitored 24 hours 3 day, 7 days a week. Songs ranked by gross impres- Noble, ASCAP/fimber Trace. ASCAP) WBM quipped outlets number This sions, computed by cross -referencing exact times of airplay with A bitron listener data. This data 28 4 SEASONS OF LONELINESS (EMI April. ASCAP/Flyte of units sold to SoundScan, Inc. data is u ecl in the Hot 100 Singles chart. SoundScanA is used in the Hot 100 Singles chart. Tyme, ASCAP) HL 80 AIN'T THAT JUST THE WAY (MCA- Duchess. Willi BMI/MCA -On Backstreet. ASCAP) HL x ó 0 x oz 3 22 ALL CRIED OUT (Careers -BMG. BMI/Mokojumbi. 3 3 TITLE TITLE BMI/Zomba, BMI) HUM/BM w TITLE r.+! Ñ TITLE 30 ALL FOR YOU (Music Corp. Of America, BMI /Cherry, x ARTIST (IMPRINT/PROMOTION LABEL) i- 5 3 ARTIST (IMPRINT /PROMOTION LABEL) 5 3 ARTIST (IMPRINT /PROMOTION LABEL) 5 3 ARTIST (IMPRINT PROMOTION LABEL) BMI /Crooked Chimney, Inc. -
Sinister Wisdom 70.Pdf
Sinister Sinister Wisdom 70 Wisdom 70 30th Anniversary Celebration Spring 2007 $6$6 US US Publisher: Sinister Wisdom, Inc. Sinister Wisdom 70 Spring 2007 Submission Guidelines Editor: Fran Day Layout and Design: Kim P. Fusch Submissions: See page 152. Check our website at Production Assistant: Jan Shade www.sinisterwisdom.org for updates on upcoming issues. Please read the Board of Directors: Judith K. Witherow, Rose Provenzano, Joan Nestle, submission guidelines below before sending material. Susan Levinkind, Fran Day, Shaba Barnes. Submissions should be sent to the editor or guest editor of the issue. Every- Coordinator: Susan Levinkind thing else should be sent to Sinister Wisdom, POB 3252, Berkeley, CA 94703. Proofreaders: Fran Day and Sandy Tate. Web Design: Sue Lenaerts Submission Guidelines: Please read carefully. Mailing Crew for #68/69: Linda Bacci, Fran Day, Roxanna Fiamma, Submission may be in any style or form, or combination of forms. Casey Fisher, Susan Levinkind, Moire Martin, Stacee Shade, and Maximum submission: five poems, two short stories or essays, or one Sandy Tate. longer piece of up to 2500 words. We prefer that you send your work by Special thanks to: Roxanna Fiamma, Rose Provenzano, Chris Roerden, email in Word. If sent by mail, submissions must be mailed flat (not folded) Jan Shade and Jean Sirius. with your name and address on each page. We prefer you type your work Front Cover Art: “Sinister Wisdom” Photo by Tee A. Corinne (From but short legible handwritten pieces will be considered; tapes accepted the cover of Sinister Wisdom #3, 1977.) from print-impaired women. All work must be on white paper. -
MIAMI UNIVERSITY the Graduate School
MIAMI UNIVERSITY The Graduate School Certificate for Approving the Dissertation We hereby approve the Dissertation of Bridget Christine Gelms Candidate for the Degree Doctor of Philosophy ______________________________________ Dr. Jason Palmeri, Director ______________________________________ Dr. Tim Lockridge, Reader ______________________________________ Dr. Michele Simmons, Reader ______________________________________ Dr. Lisa Weems, Graduate School Representative ABSTRACT VOLATILE VISIBILITY: THE EFFECTS OF ONLINE HARASSMENT ON FEMINIST CIRCULATION AND PUBLIC DISCOURSE by Bridget C. Gelms As our digital environments—in their inhabitants, communities, and cultures—have evolved, harassment, unfortunately, has become the status quo on the internet (Duggan, 2014 & 2017; Jane, 2014b). Harassment is an issue that disproportionately affects women, particularly women of color (Citron, 2014; Mantilla, 2015), LGBTQIA+ women (Herring et al., 2002; Warzel, 2016), and women who engage in social justice, civil rights, and feminist discourses (Cole, 2015; Davies, 2015; Jane, 2014a). Whitney Phillips (2015) notes that it’s politically significant to pay attention to issues of online harassment because this kind of invective calls “attention to dominant cultural mores” (p. 7). Keeping our finger on the pulse of such attitudes is imperative to understand who is excluded from digital publics and how these exclusions perpetuate racism and sexism to “preserve the internet as a space free of politics and thus free of challenge to white masculine heterosexual hegemony” (Higgin, 2013, n.p.). While rhetoric and writing as a field has a long history of examining myriad exclusionary practices that occur in public discourses, we still have much work to do in understanding how online harassment, particularly that which is gendered, manifests in digital publics and to what rhetorical effect. -
Downbeat.Com March 2014 U.K. £3.50
£3.50 £3.50 U.K. DOWNBEAT.COM MARCH 2014 D O W N B E AT DIANNE REEVES /// LOU DONALDSON /// GEORGE COLLIGAN /// CRAIG HANDY /// JAZZ CAMP GUIDE MARCH 2014 March 2014 VOLUME 81 / NUMBER 3 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes Editorial Intern Kathleen Costanza Design Intern LoriAnne Nelson ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene -
Les Sirènes Female Chamber Choir There Is No Rose
Les Sirènes Female Chamber Choir There is No Rose NI6249 Les Sirènes Royal Conservatoire of Scotland At the Royal Conservatoire we are creating the Female Chamber Choir future for performance. There is No Rose We provide vocational education at the highest professional level in dance, drama, music, production, and screen. We offer an extraordinary blend of intensive BENJAMIN BRITTEN (1913-1976) TARIK O’REGAN (b.1978) tuition, world-class facilities, a full performance A Ceremony of Carols, Op.28 (23:25) 16. Bring Rest, Sweet Dreaming Child (4:25) schedule, the space to collaborate across the disciplines, 1. Procession (1:51) teaching from renowned staff and industry practitioners, 2. Wolcum Yole! (1:21) TRADITIONAL arranged LIONEL SALTER (1914-2000) and unrivalled professional partnerships. 3. There is no rose (2:44) 17. The Coventry Carol (2:44) 4. That yongë child (1:43) World premiere recording We have over 900 students from around the world 5. Balulalow (1:28) studying on our specialist undergraduate and postgraduate degree programmes. Alongside, we offer 6. As dew in Aprille (1:01) GUSTAV HOLST (1874-1934) evening and weekend classes, short courses, summer 7. This little babe (1:30) 18. Jesu, thou the Virgin-born (2:56) schools, and a programme of continuing professional 8. Interlude (3:46) development. Our Junior Conservatoire for 7-18 year 9. In freezing winter night (3:38) SIR PHILIP LEDGER (1937-2012) olds nurtures young musical talent and we also organise 10. Spring carol (1:14) 19. Matthew, Mark, Luke and John (2:46) the Royal Conservatoire Music Centres programme, 11. -
The Donation Dedicated to Jerry and Karen's Parents Various The
The Donation Dedicated To Jerry and Karen's Parents Various The Golden Greats CPS 291 Columbia VG/ Easy Special VG+ Listening Products Andy Williams The Great Songs LE Columbia F+/ Easy From My Fair 10097 G- Listening Lady Andy Williams Moon River And CS 8609 Columbia F+/ ft. The Williams Easy G- Brothers, Claudine Listening Other Great Movie Williams And The Themes Entire Williams Family Andy Williams The Wonderful CS 8937 Columbia VG-/ Easy World Of VG Listening Andy Williams Solitaire KC Columbia VG/ Easy 32383 VG+ Listening Barry Manilow Greatest Hits A2L Arista VG/ Double Easy 8601 VG+ Album/ Listening Gatefold Barry Manilow This One's For You AL 4090 Arista VG/ Easy VG+ Listening Barry Manilow Even Now AB 4164 Arista VG/ Easy VG+ Listening Robert Goulet Always You CS 8476 Columbia VG/ music by De Vo Easy VG+ Listening Robert Goulet Sincerely Yours... CL 1931 Columbia VG/ Easy VG+ Listening Robert Goulet In Person CL 2088 Columbia VG/ recorded live in Easy VG+ concert Listening Englebert Live At The XPAS Parrot VG/ Gatefold Easy Humperdinck Riviera Hotel Las 71051 (London) VG+ Listening Vegas Englebert The Last Waltz PAS- Parrot VG Easy Humperdinck 71015 (London) Listening Eddie Fisher When I Was Young DLP DOT G-/G Easy 3648 Listening Eddie Fisher Games That Lovers LPS RCA Victor VG/ Arr. & Cond. By Easy Play 3726 VG+ Nelson Riddle Listening Mantovani And ...Memories PS 542 London VG Easy His Orchestra Listening Bobby Vinton Ballads Of Love H-1029 Heartland G+/ Easy VG- Listening 1 The Donation Dedicated To Jerry and Karen's Parents Kate Smith The Fabulous CAS- RCA VG/ Easy 2439 (Camden) VG+ Listening Johnny Mathis More Johnny's CL 1344 Columbia VG/ Easy Greatest Hits VG+ Listening Jane Olivor The Best Side Of JC Columbia G+/ Easy Goodbye 36335 VG- Listening Don Ho 30 Hawaiian SMI-1- Suffolk G+/ Easy Favorites 17G Marketing VG- Listening Inc. -
Nr Kat Artysta Tytuł Title Supplement Nośnik Liczba Nośników Data
nr kat artysta tytuł title nośnik liczba data supplement nośników premiery 9985841 '77 Nothing's Gonna Stop Us black LP+CD LP / Longplay 2 2015-10-30 9985848 '77 Nothing's Gonna Stop Us Ltd. Edition CD / Longplay 1 2015-10-30 88697636262 *NSYNC The Collection CD / Longplay 1 2010-02-01 88875025882 *NSYNC The Essential *NSYNC Essential Rebrand CD / Longplay 2 2014-11-11 88875143462 12 Cellisten der Hora Cero CD / Longplay 1 2016-06-10 88697919802 2CELLOSBerliner Phil 2CELLOS Three Language CD / Longplay 1 2011-07-04 88843087812 2CELLOS Celloverse Booklet Version CD / Longplay 1 2015-01-27 88875052342 2CELLOS Celloverse Deluxe Version CD / Longplay 2 2015-01-27 88725409442 2CELLOS In2ition CD / Longplay 1 2013-01-08 88883745419 2CELLOS Live at Arena Zagreb DVD-V / Video 1 2013-11-05 88985349122 2CELLOS Score CD / Longplay 1 2017-03-17 0506582 65daysofstatic Wild Light CD / Longplay 1 2013-09-13 0506588 65daysofstatic Wild Light Ltd. Edition CD / Longplay 1 2013-09-13 88985330932 9ELECTRIC The Damaged Ones CD Digipak CD / Longplay 1 2016-07-15 82876535732 A Flock Of Seagulls The Best Of CD / Longplay 1 2003-08-18 88883770552 A Great Big World Is There Anybody Out There? CD / Longplay 1 2014-01-28 88875138782 A Great Big World When the Morning Comes CD / Longplay 1 2015-11-13 82876535502 A Tribe Called Quest Midnight Marauders CD / Longplay 1 2003-08-18 82876535512 A Tribe Called Quest People's Instinctive Travels And CD / Longplay 1 2003-08-18 88875157852 A Tribe Called Quest People'sThe Paths Instinctive Of Rhythm Travels and the CD / Longplay 1 2015-11-20 82876535492 A Tribe Called Quest ThePaths Low of RhythmEnd Theory (25th Anniversary CD / Longplay 1 2003-08-18 88985377872 A Tribe Called Quest We got it from Here.. -
Convenient Fictions
CONVENIENT FICTIONS: THE SCRIPT OF LESBIAN DESIRE IN THE POST-ELLEN ERA. A NEW ZEALAND PERSPECTIVE By Alison Julie Hopkins A thesis submitted to Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy Victoria University of Wellington 2009 Acknowledgements I would like to acknowledge those people who have supported me in my endeavour to complete this thesis. In particular, I would like to thank Dr Alison Laurie and Dr Lesley Hall, for their guidance and expertise, and Dr Tony Schirato for his insights, all of which were instrumental in the completion of my study. I would also like to express my gratitude to all of those people who participated in the research, in particular Mark Pope, facilitator of the ‘School’s Out’ programme, the staff at LAGANZ, and the staff at the photographic archive of The Alexander Turnbull Library. I would also like to acknowledge the support of The Chief Censor, Bill Hastings, and The Office of Film and Literature Classification, throughout this study. Finally, I would like to thank my most ardent supporters, Virginia, Darcy, and Mo. ii Abstract Little has been published about the ascending trajectory of lesbian characters in prime-time television texts. Rarer still are analyses of lesbian fictions on New Zealand television. This study offers a robust and critical interrogation of Sapphic expression found in the New Zealand television landscape. More specifically, this thesis analyses fictional lesbian representation found in New Zealand’s prime-time, free-to-air television environment. It argues that television’s script of lesbian desire is more about illusion than inclusion, and that lesbian representation is a misnomer, both qualitatively and quantitively. -
Words and Guitar
# 2021/24 dschungel https://jungle.world/artikel/2021/24/words-and-guitar Ein Rückblick auf die Diskographie von Sleater-Kinney Words and Guitar Von Dierk Saathoff Vojin Saša Vukadinović Zehn Alben haben Sleater-Kinney in den 27 Jahren seit ihrer Gründung aufgenommen, von denen das zehnte, »Path of Wellness«, kürzlich erschienen ist. Ein Rückblick auf die Diskographie der wohl besten Band der Welt. »Sleater-Kinney« (LP: Villa Villakula, CD: Chainsaw Records, 1995) 1995 spielten die beiden Gitarristinnen Corin Tucker und Carrie Brownstein erst seit einem Jahr unter dem Namen Sleater-Kinney, waren nach Misty Farrell und Stephen O’Neil (The Cannanes) aber bereits bei der dritten Besetzung am Schlagzeug angelangt, der schottisch-australischen Indie-Musikerin Lora MacFarlane. Nach einer frechen Single und Compilation-Tracks auf Tinuviel Sampsons feministischem Label Villa Villakula erschien dort das Vinyl vom Debütalbum, die CD-Version aber auf Donna Dreschs Queercore-Label Chainsaw. Selten klang Angst durchdringender als auf diesem derben wie dunklen Erstlingswerk, das mit zehn Liedern in weniger als 23 Minuten aufwartet. Corin Tucker kreischt sich die Seele aus dem Leib und Carrie Brownsteins Schreien auf »The Last Song« stellt mit Leichtigkeit ganze Karrieren mediokrer männlicher Hardcore-Bands in den Schatten. Mit Sicherheit nicht nur das unterschätzteste Album der Bandgeschichte, sondern des Punk in den neunziger Jahren überhaupt. »Call the Doctor« (Chainsaw Records, 1996) Album Nummer zwei zeigte eine enorme musikalische Weiterentwicklung. »Call the Doctor« ist das streckenweise intelligenteste Album von Sleater-Kinney, das sich einerseits vor der avancierten Musikszene im Nordwesten der USA verneigte, in der die Band entstanden war (Olympia, Washington), zugleich aber äußerst eigenständig vorwärtspreschte und bei allem Zorn auf die Ausprägungen misogyner Kultur Anflüge von Zärtlichkeit nicht scheute: Selten wurde Unsicherheit so ehrlich vorgetragen wie auf »Heart Attack«. -
Anna Moscowitz Kross and the Home Term Part: a Second Look at the Nation’S First Criminal Domestic Violence Court
The University of Akron IdeaExchange@UAkron Akron Law Review Akron Law Journals June 2015 Anna Moscowitz Kross and The omeH Term Part: A Second Look at the Nation's First Criminal Domestic Violence Court Mae C. Quinn Please take a moment to share how this work helps you through this survey. Your feedback will be important as we plan further development of our repository. Follow this and additional works at: http://ideaexchange.uakron.edu/akronlawreview Part of the Family Law Commons, and the Law and Gender Commons Recommended Citation Quinn, Mae C. (2008) "Anna Moscowitz Kross and The omeH Term Part: A Second Look at the Nation's First Criminal Domestic Violence Court," Akron Law Review: Vol. 41 : Iss. 3 , Article 3. Available at: http://ideaexchange.uakron.edu/akronlawreview/vol41/iss3/3 This Article is brought to you for free and open access by Akron Law Journals at IdeaExchange@UAkron, the institutional repository of The nivU ersity of Akron in Akron, Ohio, USA. It has been accepted for inclusion in Akron Law Review by an authorized administrator of IdeaExchange@UAkron. For more information, please contact [email protected], [email protected]. Quinn: A Second Look at the Nation's First Domestic Violence Court QUINN_FINAL 3/23/2009 3:03 PM ANNA MOSCOWITZ KROSS AND THE HOME TERM PART: A SECOND LOOK AT THE NATION’S FIRST CRIMINAL DOMESTIC VIOLENCE COURT Mae C. Quinn∗ I. Introduction ....................................................................... 733 II. Kross’s Early Women’s Rights Work ............................... 737 III. Kross’s Court Reform and Judicial Innovation Efforts ..... 739 IV. Kross’s Home Term Part: The Nation’s First Criminal Domestic Violence Court ................................................. -
Janis Joplin, Mit Christina Jaccard
Jazz Collection: Janis Joplin, mit Christina Jaccard Dienstag, 23. Januar, 2018, 20.00 – 21.00 Uhr Samstag, 27. Januar, 2018, 17.06 – 18.30 Uhr (mit Bonustracks) Wuchtige Stimme und ein Leben auf der Achterbahn: Janis Joplin Janis Joplin? Das ist doch diese Hippie-Rock-Göre, die am Monterey Festival 1967 ihr Publikum umhaute mit ihrer ekstatischen Performance – und ein paar Jahre später als Junkie unterging? Das stimmt. Und ist doch lange nicht alles. Nur schon musikalisch gesprochen: Janis Joplin konnte viel mehr als nur Ekstase auf der Bühne. Und sie schaffte es immer wieder, ihr schwieriges und unruhiges Leben nicht einfach mit Drogen zu betäuben, sondern in umwerfende Kunst zu giessen. Die Zürcher Blues-Sängerin Christina Jaccard ist Gast von Jodok Hess in der Jazz Collection. Gast: Christina Jaccard Redaktion & Moderation: Jodok Hess Janis Joplin and Big Brother & the Holding Company: The Monterey International Pop Festival Label: Essential Track 13: Down On Me Janis Joplin and Big Brother & the Holding Company: Cheap thrills Label: Columbia Track 03: Summertime Janis Joplin: Janis (Original Soundtrack) Label: Sony Track 02: Ball and Chain Janis Joplin: The TV Collection plus NEWPORT 1968 Label: Sonic Boom Track 07: Get It While You Can Janis Joplin: Anthology. Disc Three Label: Columbia Track 04: Try (Just a little bit harder) Janis Joplin: Pearl Label: Columbia Track 07: Me and Bobby McGee Janis Joplin: The Woodstock Experience Label: Columbia Track 08: Work Me Lord Bonustracks (nur in der Samstagausgabe vom 27. Januar 2018) Janis Joplin: Pearl Label: Columbia Track 08: Mercedes Benz Track 01: Move Over Track 09: Trust Me Track 10: Get It While You Can Janis Joplin: 18 essential songs Label: Columbia Track 04: Me and Bobby McGee Janis Joplin: I Got Dem Ol' Kozmic Blues Again Mama! Label: Columbia Track 06: Kozmic Blues Track 07: Little Girl Blue .