DOCSLIB.ORG

)Lot 100 Sin I Les Sales

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
)Lot 100 Sin I Les Sales Billboard JANUARY 17, 1998 HOT 100 A-Z Billboard. JANUARY 17, 1998 TITLE (Publisher - Licensing Org.) Sheet Music Dist. 44 2 BECOME 1 (Full Keel. ASCAP/Windswept Pacific. ASCAP/Polygram Intl. ASCAP) HUWBM 46 32 FLAVORS (Righteous Babe, BMI) 100 Air ilay.. 86 4, 3, 2,1(LL Cool 1. ASCAP/Def lam, ASCAP/Enck Sermon. Hot )lot 100 Sin I les Sales.. Compiled from d oa LUna 4,1e of auylay Suyphe: by Broadcast Data Systems' Radio Track service. ASCAP/Zomba. ASCAP/Zo So, ASCAP/Brooklyn Dust. ASCAP/Funky Compiled from a national sample of POS (point of sale) retail stores and rack which report 334 stations are electronically monitored 24 hours 3 day, 7 days a week. Songs ranked by gross impres- Noble, ASCAP/fimber Trace. ASCAP) WBM quipped outlets number This sions, computed by cross -referencing exact times of airplay with A bitron listener data. This data 28 4 SEASONS OF LONELINESS (EMI April. ASCAP/Flyte of units sold to SoundScan, Inc. data is u ecl in the Hot 100 Singles chart. SoundScanA is used in the Hot 100 Singles chart. Tyme, ASCAP) HL 80 AIN'T THAT JUST THE WAY (MCA- Duchess. Willi BMI/MCA -On Backstreet. ASCAP) HL x ó 0 x oz 3 22 ALL CRIED OUT (Careers -BMG. BMI/Mokojumbi. 3 3 TITLE TITLE BMI/Zomba, BMI) HUM/BM w TITLE r.+! Ñ TITLE 30 ALL FOR YOU (Music Corp. Of America, BMI /Cherry, x ARTIST (IMPRINT/PROMOTION LABEL) i- 5 3 ARTIST (IMPRINT /PROMOTION LABEL) 5 3 ARTIST (IMPRINT /PROMOTION LABEL) 5 3 ARTIST (IMPRINT PROMOTION LABEL) BMI /Crooked Chimney, Inc.. BMI) HL YOU W RAE MEANT FOR ME 98 ALL OF MY DAYS (Zomba, BMI/R.Kely, BMI) WBM **N0.1 ** fT) 52 60 58 3 SWIM JEWEL (ATNTIC) 48 AT THE BEGINNING (TCF. ASCAP) WBM * * NO. 1 * * ® ÑMY IWASYWEST/EEG) KISS THE RAIN 94 BARBIE GIRL (MCA. ASCAP/MCA Scandinavia AB. ASCAPNVB, BEEN AROUND THE WORLD Mg 42 5 2 7 CLARE ElAM/AWAI[A 18A98N7 BdeM No. 1 MYERS ASCAP/Warner Chappell. ASCAP/Warner Chappell Denmark. RRDRppYATHE - Id1ßI 39 32 20 BILLIE (UNIVERSAL) MI (LAF CE,ARISTA) ASCAP/Warner Chappell Denmark, KODA) HL/WBM FLY MI BUILDING A MYSTERY MY BODY 2 29 53 29 5 BEEN AROUND THE WORLD (Jones. ASCAP/RZO. 2 3 12 40 38 26 SUGAR RAY (LAVA/ATLANTIC) SARAH MCLACHLAN ( ARISTA) LSG (EASTWEST/EEG) 98 DEGREES (MOTOWN) BMI /Careers -BMG, BMI/Big Lite. PRS/BMG, PRSBIg Poppa. ON /Justin THE 3 26 WALKIN' THE SUN MI HEAVEN ASCAP Combs. ASCAP/EMI April. ASCAP) HL SOIETHING ABOUT THE WAY..,LV DU Ih MND 1991 I'M NOT A PLAYER MOUTH (INTERSCOPE) Q1 45 13 3 15 49 IO SMASH NU FLAVOR (REPRISE) 37 BREAKING ALL THE RULES (Shark Media. BMI/Warner- ELTON JOHN (ROCKET ABM) © BIG PUNISHER (LOUD/RCA) YOU MAKE ME WANNA... Tamerlane. BMI/Humassive. ASCAP) WBM 4 21 A SONG FOR MAMA TOGETHER AGAIN KISS THE RAIN 34 8 83 BRIAN WILSON (Treat Baker, SOCAN/WB, ASCAP) WBM 4 5 63 4 USHER ILAFACEARISTAI BOYZ II MEN (MOTOWN) JANET (VIRGIN) ® BILLIE MYERS (UNIVERSAL) 39 BUILDING A MYSTERY (Sony /ATV Songs. BMI/Tyde. I DON'T WANT TO WAIT SEX AND CANDY TRULY MADLY DEEPLY LIGHT MY 6 25 41 10 BMI/Studio Nomade, SOCAN) HL 9 43 30 19 UP LIFE PAULA COLE (IMAGO/WARNER BROS.) MARCY PLAYGROUND IMAMMOTH/CAPITOL) © SAVAGE GARDEN (COLUMBIA) YOU 74 BURN (Chop -Shop. BMI/AA, BMI /Can 1 Kick lt. ASCAP) 3 AM BRICK 27 BUTTA LOVE (Honey Jars And Diapers. ASCAP/Uh. Oh. HOW DO I LIVE 5 13 50 6 6 8 31 NOT TONIGHT MATCHBOX 20 (LAVNATLANTIC) BEN FOLDS FIVE LEANN RIMES 44 42 28 (550 MUSIC) ASCAP/Sah Yah. ASCAP/Do What I Gotta. ASCAP/WB, (CURB) LIL KIM (UNDEAS'ATLANTIC/TOMMY BOY) ASCAP/EMI April. ASCAP) HL/WBM HOW DO I LIVE GETTIN' JIGGY WIT IT FEEL SO GOOD GETS MEEEVERY TIME 7 25 40 7 34 CRIMINAL (FHW, ASCAP) 5 12 45 35 15 LOAVE LEANN RIMES (CURB) WILL SMITH (COLUMBIA) MASE )BAD BOY /ARISTA) TWAIN (MRY) 18 DANGEROUS (T'Ziah's. BMI/Zadiyah's, TRULY MADLY DEEPLY I DON'T EVER WANT TO SEE YOU AGAIN WE'RE NOT MAKING LOVE NO MORE 8 10 33 7 BMI /Longitude. BMI( 8 10 6 WLOSIIDK TNNNECTION'PACDAYTFRRISUND SAVAGE GARDEN (COLUMBIA) UNCLE SAM (STONECREEK/EPIC) DRU HILL (LAFACE/ARISTA) L4§^ 46 6 12 DEJA VU [UPTOWN BABY] (MCA. BMI) HL HTFFROM AS LONG AS YOU LOVE ME MY BODY 100 DID I SHAVE MY LEGS FOR THIS? (Polygram Int'I. A SONG FOR MAMA 10 12 38 7 9 6 6 41 40 23 2 BECOME 1 BACKSTREET BOYS (JIVE) LSG IEASTWEST /EEG) ASCAP /Door Number Two. ASCAP/Millermoo, BM)) HL BOYZ II MEN (MOTOWN' SPICE GIRLS (VIRGIN) 87 DOIN' TIME (WB. ASCAP /George Gershwm. ASCAP/Ira Gershwin. SHOW ME LOVE io BACK TO YOU I DON'T EVER WANT TO SEE YOU AGAIN SAY YOU'LL 9 17 56 4 ASCAP/Dorothy Hayward. ASCAP/Def Tunes. ASCAP/Brooklyn 15 10 61 3 STAY ROBYN (RCA) BRYAN ADAMS (MM) ® UNCLE SAM (STONECREEWEPIC) ® KAI (TIDAL WAVE/GEFFEN) Dust. ASCAP/Polygram Intl, ASCAP/MCA, ASCAP) HL/WBM PUSH NICE & SLOW I WILL COME TO YOU 12 33 46 5 49 DON'T BE STUPID (YOU KNOW I LOVE YOU) (Songs 01 11 8 STILL WATERS MATCHBOX 20 (LAVA/ATLANTIC) USHER (LAFACEARISTA) HANSON (MERCURY) 57 5 PolyGram Int'I, BMI/Loon Echo. BMI/Zomba. ASCAP) WBM GEES (LYOAA&M SEMI -CHARMED LIFE ALL MY LIFE 84 DON'T GO (Edition Beam. BMI /Neue Welt. DANGEROUS 15 42 I 43 5 48 20 NO TENGO DINERO THIRD EYE BLIND (ELEKTRNEEG) BMI/Warner- Tamerlane. BM)) WBM BUSTA RHYMES (ELEKTRNEEG) la LOS UMBRELLOS (FLEX/EMINIRGINI 73 DON'T STOP THE MUSIC (Virginia Beach. IF YOU COULD ONLY SEE G 14 37 EVERYTHING TO EVERYONE SPICE UP YOUR LIFE UP JUMPS DA BOOGIE TONIC IPOLYDOR/A&MI la 554 18 ASCAPBIazdicious, ASCAP /Herblllcious. ASCAP /Cavilicious, 13 12 11 51 44 27 OL) SPICE GIRLS (VIRGIN) MA000 AND TIMBALAND IBLACKGRC _ '._ 4.ANTIC ASCAP/Taking Care Of Business. BMI) ALL CRIED OUT IIIM WOULD HAPPEN THE ONE I MY 11 21 57 6 WHAT 52 EVERYTHING (EMI April. ASCAP /Flyte Tyme. 14 11 16 GAVE HEART TO EVERYTHING ALLURE FEAT 112 (TRACK MASTERS/CRAVE) MEREDITH BROOKS AALIYAH (BLACKGROUND /ATLANTIC) 52 47 17 (CAPITOL) ASCAP/Warner- Tamerlane. BMI/Dynatone. MARY J. BLIGE (MCA) TOGETHER AGAIN ABOUT US BMIBeechwood. BMI) HUWBM NO, NO, NO 13 12 48 14 WHAT 21 8 BUILDING A MYSTERY JANET (VIRGIN) TOTAL SO GOOD DESTINY'S CHILD 53 56 20 0 (LAFACE/ARISTA) 10 FEEL (Second Decade. BMI/Warner- (COLUMBIA) ( SARAH MCLACHLAN ARISTA) Tamerlane. BMI/Foreign Imported, BMI) WBM IDO GIVEN TO FLY SHOW ME LOVE 16 11 59 3 25 FOOLISH GAMES/YOU WERE MEANT FOR ME (Wiggty Tooth. 16 16 10 54 43 20 YOU SHOULD BE MINE (DONT WASTE YOUR TIME) LISA LOEB (GEFFEN) PEARL JAM (EPIC) ROBYN )RCA) BRIAN MCKNIGHT FEAT. MASE )MERCURY'. ASCAP/Polio Boy. BMI/Third Story. BMIN/B, ASCAP) WBM FOOLISH GAMES NO TENGO DINERO 38 GOING BACK TO (Big Poppa. ASCAP BUTTA LOVE 17 26 55 7 CALI /Justin Combs. 17 13 20 JEWEL (ATLANTIC) NEXT ( ARISTA) 62 12 LOS UMBRELLOS (FLEX/EMINIRGIN) ASCAP/EMI April, ASCAP/B Mo El. ASCAP/Saja. BMI/Songs © SO GO(LOUD/RCA) MY HEART WILL GO ON Of Lastrada. BMI/Rubber Band, BMI) HL/WBM MY LOVE IS THE SHHH! 39 5 51 12 ........ .,.. 18 14 21 DON'T STOP THE MUSIC DION MUSIC) FOR L 'RHARR 60 11 CELINE (550 uK51ITM2:ME 33 HEAVEN (O.C.D., BMI) souricK REOP,E ,TA' V AARNER BRC_ © PLAYA (DEF JAM /MERCURY) 40 HONEY (Sony /AN Songs. BMI/Rye. BMVJustin Combs. QUIT PLAYING GAMES (WITH MY HEART) PLR YWR HANDS WHERE MY EYES COULD SEE GOING BACK TO CALI 1; TOO GONE, TOO LONG 19 35 61 20 ASCAP/MI Apnl, ASCAP/Zomba, ASCAP/lau Merchant, 19 19 7 57 59 5 BACKSTREET BOYS (JIVE) BUSTAL RHYMES ( ELEKT RN EEG) THE NOTORIOUS B.I.G (BAD BOY / ARISTA) EN VOGUE (EASTWEST /EEG) ASCAP/Steven A. Jordan. ASCAP/Bobby Robinson, NO HL/WBM TIME OF YOUR LIFE (GOOD RIDDANCE) 32 FLAVORS 4 HOW DO I LIVE (Realsongs. ASCAP) WBM LOLLIPOP (CANDYMAN) 20 7 10 66 3 20 18 6 52 16 LAST NIGHT'S LETTER GREEN DAY (REPRISE) ( AQUA 58 ALANA DAVIS ELEKTRNEEG) 16 HOW'S IT GOING TO BE (3 EB. BMI/Cappagh. (MCA) SOMETHING ABOUT THE WAY YOU LOOK TONIGHT HONEY BMI/EMI Blackwood, BMI) HL HOW'S IT GOING TO BE 22 20 CD 72 21 25 7 BOOGIE Et' 'OHN(ROCKET/A&M) MARIAN CAREY (COLUMBIA) 14 I DON'T EVER WANT TO SEE YOU AGAIN THIRD EYE BLIND (ELEKTRNEEG) 59 51 21 BACKYARDw (Vanderpool, BMI/Ensign, BMI) HL ALL FOR YOU TOUCH, PEEL AND STAND SOCK IT 2 ME 21 36 60 10 11 I DON'T WANT TO WAIT ( Hinglace, BMI/Ensign. BM)) HL 22 20 14 MOGRN YOU iL (UNIVERSAL) MISSY 'MISDEMEANOR' FIAT DA 64 10 DAYS OF THE NEW (OUTPOST /GEFFEN) ELLIOTT BRAT (ERSTWEST EEC ® NATUREI JOIN YOU ) 19 I DO (Furious Rose, BMI/Music Corp. Of America. BMI) HL MY LOVE IS 26 THE SHHH! 11 2 BECOME 1 47 IF I COULD TEACH THE WORLD (Ruthless Attack, YOU MAKE ME WANNA... IF I SAID 18 15 23 17 22 MI 69 2 WHAT A: >N;BA05 - ERI 4 SPICE GIRLS (VIRGIN) USHER (LAFACE/ARISTA) J. - -- WAWA ASCAP/Mo Thug, ASCAP/Keenu.
Load more

Recommended publications
  • Downbeat.Com March 2014 U.K. £3.50
    £3.50 £3.50 U.K. DOWNBEAT.COM MARCH 2014 D O W N B E AT DIANNE REEVES /// LOU DONALDSON /// GEORGE COLLIGAN /// CRAIG HANDY /// JAZZ CAMP GUIDE MARCH 2014 March 2014 VOLUME 81 / NUMBER 3 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes Editorial Intern Kathleen Costanza Design Intern LoriAnne Nelson ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene
    [Show full text]
  • Ani Difranco's Musical Structuring of Subjectivity and Pleasure in Dilate
    Dilating on Life: Ani DiFranco's Musical Structuring of Subjectivity and Pleasure in Dilate. by Adelia Honeywood Harrison B.M., The Eastman School of Music of the University of Rochester, 1993. A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (Department of Music; Historical Musicology) We accept thi^thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA April 2000 © Adelia Honeywood Harrison, 2000 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of The University of British Columbia Vancouver, Canada Date Agrii atJmn DE-6 (2/88) Abstract The experience of subjectivity provided by an art form can consist of the sense of "recognizing ourselves, our feelings, our bodies, our beliefs, or our social positions" in the art work (Middleton, 1990). For fans of guitarist-singer-songwriter Ani DiFranco, the identification with a subjective reality experienced in her music is powerful and pleasurable enough to inspire them with ardent devotion. Ani DiFranco's influence may not be simply reduced to her media image as a bisexual feminist, with fanatically obsessive and possessive fans, who has achieved stunning financial success completely independent of any major recording label.
    [Show full text]
  • Artist Creates Intricate Collage of Abraham Lincoln
    THE TM 911 Franklin Street Weekly Newspaper Michigan City, IN 46360 Volume 31, Number 24 Thursday, June 25, 2015 Keeping “Watch” Artist Creates Intricate Collage of Abraham Lincoln by Kayla Weiss When Michael Kosciel- niak was a student at the Chicago Academy for Fine Arts, a marketing director from Elgin National Watch Co. gave a lecture on the watch industry’s approach to advertising its product. WKoscielniak was fasci- nated by what he learned. “The marketing direc- tor pointed out that for photo shoots, all watch and clock hands are set at 10:10 in honor of the time of death of President Lin- coln, though people like to believe otherwise,” Kosciel- niak recalled. “This is still continued today by most watch manufacturers, in every magazine, billboard and TV commercial. The fallacy goes on. “The reason the hands are set to 10:10 is because most of the company’s logo is set in the upper middle part of the watch, and the hands would block the logo. Also, the watch looks more balanced.” Up until a few years ago, Koscielniak believed every- thing the marketing execu- tive said and began collect- ing watch ads from various magazines for their artistic Michael Koscielniak’s collage incorporates magazine watch ads to resemble Abraham Lincoln. Continued on Page 2 THE Page 2 June 25, 2015 THE 911 Franklin Street • Michigan City, IN 46360 219/879-0088 • FAX 219/879-8070 In Case Of Emergency, Dial e-mail: News/Articles - [email protected] email: Classifieds - [email protected] http://www.thebeacher.com/ PRINTED WITH Published and Printed by TM Trademark of American Soybean Association THE BEACHER BUSINESS PRINTERS Delivered weekly, free of charge to Birch Tree Farms, Duneland Beach, Grand Beach, Hidden 911 Shores, Long Beach, Michiana Shores, Michiana MI and Shoreland Hills.
    [Show full text]
  • The Top 7000+ Pop Songs of All-Time 1900-2017
    The Top 7000+ Pop Songs of All-Time 1900-2017 Researched, compiled, and calculated by Lance Mangham Contents • Sources • The Top 100 of All-Time • The Top 100 of Each Year (2017-1956) • The Top 50 of 1955 • The Top 40 of 1954 • The Top 20 of Each Year (1953-1930) • The Top 10 of Each Year (1929-1900) SOURCES FOR YEARLY RANKINGS iHeart Radio Top 50 2018 AT 40 (Vince revision) 1989-1970 Billboard AC 2018 Record World/Music Vendor Billboard Adult Pop Songs 2018 (Barry Kowal) 1981-1955 AT 40 (Barry Kowal) 2018-2009 WABC 1981-1961 Hits 1 2018-2017 Randy Price (Billboard/Cashbox) 1979-1970 Billboard Pop Songs 2018-2008 Ranking the 70s 1979-1970 Billboard Radio Songs 2018-2006 Record World 1979-1970 Mediabase Hot AC 2018-2006 Billboard Top 40 (Barry Kowal) 1969-1955 Mediabase AC 2018-2006 Ranking the 60s 1969-1960 Pop Radio Top 20 HAC 2018-2005 Great American Songbook 1969-1968, Mediabase Top 40 2018-2000 1961-1940 American Top 40 2018-1998 The Elvis Era 1963-1956 Rock On The Net 2018-1980 Gilbert & Theroux 1963-1956 Pop Radio Top 20 2018-1941 Hit Parade 1955-1954 Mediabase Powerplay 2017-2016 Billboard Disc Jockey 1953-1950, Apple Top Selling Songs 2017-2016 1948-1947 Mediabase Big Picture 2017-2015 Billboard Jukebox 1953-1949 Radio & Records (Barry Kowal) 2008-1974 Billboard Sales 1953-1946 TSort 2008-1900 Cashbox (Barry Kowal) 1953-1945 Radio & Records CHR/T40/Pop 2007-2001, Hit Parade (Barry Kowal) 1953-1935 1995-1974 Billboard Disc Jockey (BK) 1949, Radio & Records Hot AC 2005-1996 1946-1945 Radio & Records AC 2005-1996 Billboard Jukebox
    [Show full text]
  • Songs by Artist
    Songs by Artist Title Title (Hed) Planet Earth 2 Live Crew Bartender We Want Some Pussy Blackout 2 Pistols Other Side She Got It +44 You Know Me When Your Heart Stops Beating 20 Fingers 10 Years Short Dick Man Beautiful 21 Demands Through The Iris Give Me A Minute Wasteland 3 Doors Down 10,000 Maniacs Away From The Sun Because The Night Be Like That Candy Everybody Wants Behind Those Eyes More Than This Better Life, The These Are The Days Citizen Soldier Trouble Me Duck & Run 100 Proof Aged In Soul Every Time You Go Somebody's Been Sleeping Here By Me 10CC Here Without You I'm Not In Love It's Not My Time Things We Do For Love, The Kryptonite 112 Landing In London Come See Me Let Me Be Myself Cupid Let Me Go Dance With Me Live For Today Hot & Wet Loser It's Over Now Road I'm On, The Na Na Na So I Need You Peaches & Cream Train Right Here For You When I'm Gone U Already Know When You're Young 12 Gauge 3 Of Hearts Dunkie Butt Arizona Rain 12 Stones Love Is Enough Far Away 30 Seconds To Mars Way I Fell, The Closer To The Edge We Are One Kill, The 1910 Fruitgum Co. Kings And Queens 1, 2, 3 Red Light This Is War Simon Says Up In The Air (Explicit) 2 Chainz Yesterday Birthday Song (Explicit) 311 I'm Different (Explicit) All Mixed Up Spend It Amber 2 Live Crew Beyond The Grey Sky Doo Wah Diddy Creatures (For A While) Me So Horny Don't Tread On Me Song List Generator® Printed 5/12/2021 Page 1 of 334 Licensed to Chris Avis Songs by Artist Title Title 311 4Him First Straw Sacred Hideaway Hey You Where There Is Faith I'll Be Here Awhile Who You Are Love Song 5 Stairsteps, The You Wouldn't Believe O-O-H Child 38 Special 50 Cent Back Where You Belong 21 Questions Caught Up In You Baby By Me Hold On Loosely Best Friend If I'd Been The One Candy Shop Rockin' Into The Night Disco Inferno Second Chance Hustler's Ambition Teacher, Teacher If I Can't Wild-Eyed Southern Boys In Da Club 3LW Just A Lil' Bit I Do (Wanna Get Close To You) Outlaw No More (Baby I'ma Do Right) Outta Control Playas Gon' Play Outta Control (Remix Version) 3OH!3 P.I.M.P.
    [Show full text]
  • 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27
    Case 2:16-cv-07210 Document 1 Filed 09/26/16 Page 1 of 26 Page ID #:1 1 Peter I. Ostroff, SBN 45718 [email protected] 2 Rollin A. Ransom, SBN 196126 [email protected] 3 Charlie J. Sarosy, SBN 302439 [email protected] 4 SIDLEY AUSTIN LLP 555 West Fifth Street, Suite 4000 5 Los Angeles, California 90013 Telephone: +1 213 896-6000 6 Facsimile: +1 213 896-6600 7 Attorneys for Plaintiffs 8 UNITED STATES DISTRICT COURT 9 CENTRAL DISTRICT OF CALIFORNIA 10 UMG RECORDINGS, INC.; CAPITOL ) Case No.: 2:16-CV-07210 11 RECORDS, LLC; WARNER BROS. ) RECORDS INC.; WARNER MUSIC ) 12 LATINA INC.; SONY MUSIC ) COMPLAINT FOR: ENTERTAINMENT; SONY MUSIC ) 13 ENTERTAINMENT US LATIN LLC; ) 1. DIRECT COPYRIGHT ARISTA RECORDS LLC; ATLANTIC ) INFRINGEMENT; 14 RECORDING CORPORATION; ) ELEKTRA ENTERTAINMENT ) 2. CONTRIBUTORY COPYRIGHT 15 GROUP INC.; FUELED BY RAMEN, ) INFRINGEMENT; LLC; KEMOSABE RECORDS LLC; ) 16 LAFACE RECORDS LLC; ) 3. VICARIOUS COPYRIGHT NONESUCH RECORDS INC.; WEA ) INFRINGEMENT; 17 INTERNATIONAL INC.; ZOMBA ) RECORDING LLC, ) 4. INDUCEMENT OF 18 ) COPYRIGHT INFRINGEMENT; ) AND 19 Plaintiffs, ) ) 5. CIRCUMVENTION OF 20 v. ) TECHNOLOGICAL ) MEASURES 21 PMD TECHNOLOGIE UG d/b/a ) YouTube-mp3; PHILIP MATESANZ; ) 22 and DOES 1-10, ) DEMAND FOR JURY TRIAL ) 23 Defendants. ) ) 24 ) 25 26 27 28 COMPLAINT Case 2:16-cv-07210 Document 1 Filed 09/26/16 Page 2 of 26 Page ID #:2 1 Plaintiffs UMG Recordings, Inc.; Capitol Records, LLC; Warner Bros. Records 2 Inc.; Warner Music Latina Inc.; Sony Music Entertainment; Sony Music 3 Entertainment US Latin LLC; Arista Records LLC; Atlantic Recording Corporation; 4 Elektra Entertainment Group Inc.; Fueled by Ramen, LLC; Kemosabe Records LLC; 5 LaFace Records LLC; Nonesuch Records Inc.; WEA International Inc.; and Zomba 6 Recording LLC (collectively, “Plaintiffs”), by and through their attorneys, hereby 7 allege as follows: 8 INTRODUCTION 9 1.
    [Show full text]
  • The KARAOKE Channel Song List
    11/17/2016 The KARAOKE Channel Song list Print this List ... The KARAOKE Channel Song list Show: All Genres, All Languages, All Eras Sort By: Alphabet Song Title In The Style Of Genre Year Language Dur. 1, 2, 3, 4 Plain White T's Pop 2008 English 3:14 R&B/Hip- 1, 2 Step (Duet) Ciara feat. Missy Elliott 2004 English 3:23 Hop #1 Crush Garbage Rock 1997 English 4:46 R&B/Hip- #1 (Radio Version) Nelly 2001 English 4:09 Hop 10 Days Late Third Eye Blind Rock 2000 English 3:07 100% Chance Of Rain Gary Morris Country 1986 English 4:00 R&B/Hip- 100% Pure Love Crystal Waters 1994 English 3:09 Hop 100 Years Five for Fighting Pop 2004 English 3:58 11 Cassadee Pope Country 2013 English 3:48 1-2-3 Gloria Estefan Pop 1988 English 4:20 1500 Miles Éric Lapointe Rock 2008 French 3:20 16th Avenue Lacy J. Dalton Country 1982 English 3:16 17 Cross Canadian Ragweed Country 2002 English 5:16 18 And Life Skid Row Rock 1989 English 3:47 18 Yellow Roses Bobby Darin Pop 1963 English 2:13 19 Somethin' Mark Wills Country 2003 English 3:14 1969 Keith Stegall Country 1996 English 3:22 1982 Randy Travis Country 1986 English 2:56 1985 Bowling for Soup Rock 2004 English 3:15 1999 The Wilkinsons Country 2000 English 3:25 2 Hearts Kylie Minogue Pop 2007 English 2:51 R&B/Hip- 21 Questions 50 Cent feat. Nate Dogg 2003 English 3:54 Hop 22 Taylor Swift Pop 2013 English 3:47 23 décembre Beau Dommage Holiday 1974 French 2:14 Mike WiLL Made-It feat.
    [Show full text]
  • United States District Court Southern District of Florida Miami Division
    Case 1:15-cv-21450-MGC Document 1 Entered on FLSD Docket 04/17/2015 Page 1 of 17 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF FLORIDA MIAMI DIVISION ARISTA RECORDS LLC, ATLANTIC RECORDING CORPORATION, CAPITOL RECORDS, LLC, ELEKTRA ENTERTAINMENT GROUP INC., LAFACE RECORDS LLC, SONY COMPLAINT FOR DAMAGES AND MUSIC ENTERTAINMENT, SONY MUSIC FOR DECLARATORY AND ENTERTAINMENT US LATIN LLC, UMG INJUNCTIVE RELIEF RECORDINGS, INC., WARNER BROS. RECORDS INC., WARNER MUSIC GROUP CORP., WARNER MUSIC LATINA INC., and ZOMBA RECORDING LLC, Plaintiffs, v. MONICA VASILENKO and DOES 1-10, d/b/a MP3SKULL.COM and MP3SKULL.TO, Defendants. Plaintiffs, by and through their counsel, on personal knowledge as to their own actions and on information and belief as to the actions, capabilities and motivation of others, hereby allege the following: INTRODUCTION 1. Plaintiffs are record companies that produce, manufacture, distribute, sell and license the great majority of all legitimate commercial sound recordings in this country. Defendants are the owners and operators of a website known as “MP3Skull” that, until recently, had the web address http://www.mp3skull.com and, since on or about February 24, 2015, has the web address http://www.mp3skull.to (Internet traffic to http://www.mp3skull.com is now automatically redirected to http://www.mp3skull.to). The MP3Skull website is devoted # 1720245 v1 Case 1:15-cv-21450-MGC Document 1 Entered on FLSD Docket 04/17/2015 Page 2 of 17 essentially to the piracy of Plaintiffs’ sound recordings. Defendants designed, promote, support and maintain the MP3Skull website for the well-known, express and overarching purpose of reproducing, distributing, performing and otherwise exploiting unlimited copies of Plaintiffs’ sound recordings without any authorization or license.
    [Show full text]
  • Music by Women TABLE of CONTENTS
    Music by Women TABLE OF CONTENTS Ordering Information 2 Folk/Singer-Songwriter 58 Ladyslipper On-Line! * Ladyslipper Listen Line 4 Country 64 New & Recent Additions 5 Jazz 65 Cassette Madness Sale 17 Gospel 66 Cards * Posters * Grabbags 17 Blues 67 Classical 18 R&B 67 Global 21 Cabaret 68 Celtic * British Isles 21 Soundtracks 68 European 27 Acappella 69 Latin American 28 Choral 70 Asian/Pacific 30 Dance 72 Arabic/Middle Eastern 31 "Mehn's Music" 73 Jewish 31 Comedy 76 African 32 Spoken 77 African Heritage 34 Babyslipper Catalog 77 Native American 35 Videos 79 Drumming/Percussion 37 Songbooks * T-Shirts 83 Women's Spirituality * New Age 39 Books 84 Women's Music * Feminist * Lesbian 46 Free Gifts * Credits * Mailing List * E-Mail List 85 Alternative 54 Order Blank 86 Rock/Pop 56 Artist Index 87 MAIL: Ladyslipper, 3205 Hillsborough Road. Durham NC 27705 USA PHONE ORDERS: 800-634-6044 (Mon-Fri 9-8, Sat 10-6 Eastern Time) ORDERING INFO FAX ORDERS: 800-577-7892 INFORMATION: 919-383-8773 E-MAIL: [email protected] WEB SITE: www.ladyslipper.org PAYMENT: Orders can be prepaid or charged (we BACK-ORDERS AND ALTERNATIVES: If we are FORMAT: Each description states which formats are don't bill or ship C.O.D. except to stores, libraries and temporarily out of stock on a title, we will automati­ available: CD = compact disc, CS = cassette. Some schools). Make check or money order payable to cally back-order it unless you include alternatives recordings are available only on CD or only on cassette, Ladyslipper, Inc.
    [Show full text]
  • Leading Chicago Women in the Blues
    THE TM 911 Franklin Street Weekly Newspaper Michigan City, IN 46360 Volume 31, Number 30 Thursday, August 6, 2015 Leading Chicago Women in the Blues Editor’s note — Through our partnership with iRock Jazz, this week’s two-part installment of Art + Times, written by Steen Burke, focuses on the fi rst Ship and Shore Blues Festival in New Buffalo. The members of the Chicago Women in Blues are (from right): Donna Herula, Peaches Straten, Holle Tree Maxwell, Shirley King, Liz Manderville, Dia Madden, Joan Gand and Tracee Adams. It was only supposed to be a one-time show. ing artist Demetria Taylor; international favorite Responding to the absence of female artists at Peaches Staten; Southside legend Tracee Adams; Chicago’s blues festival back in 2011, Joan Gand Ramblin Rose; Dia Madden; Keisha Dixon-Nelson and her husband, Gary, knew people were upset, so (granddaughter of Willie Dixon); Vanessa Davis; they chose to do something about it. Mz. Peachez; and Shirley Johnson. The band mem- bers often include T.K. “The Tequila Kid” on saxo- phone, Sherri Weathersby on bass, Gary Gand on Art+Times guitar, Blake Wollerman on blues harmonica and The end result gave birth to Chicago Women in Tony Dale on drums. the Blues. From there emerged a band that features With the fi rst Ship and Shore Blues Festival on some of the best female blues artists of the Chicago the horizon, Art+Times spoke with Gand about her area: Blues Hall of Fame inductees Holle Thee Max- personal music style, her infl uences and the moti- well and Liz Mandeville; Shirley King (daughter of vation behind creating the Chicago Women in the B.B.
    [Show full text]
  • Music Therapy Master Song Resource List
    University of Kansas Music Therapy Song Repertoire Resource List Spring 2021 The KU music therapy song repertoire resource list acts as a reference for music therapy students as they work to develop a diverse repertoire of songs for use in their musical, pre-clinical, and clinical work. As such, it is a both a document of important songs that have historically been used in music therapy processes, and a living, breathing document that will be updated intermittently to maintain the dynamic of new musics. Songs are categorized and divided into music genres. Genres provide some level of diversity. Current genres in the book are provided as a general list on page 2, and then each genre is presented alphabetically, with songs in each genre also presented alphabetically. This approach helps to make finding songs easier. Some songs will be cross-referenced. Each song will include either an original artist or the song’s author (or both), as well as the year the song was written. This list can help students learn more songs, not only for singing and accompaniment purposes, but also for using recordings of songs when appropriate. Students are strongly encouraged to locate and listen to original recordings of songs to help their learning processes. Original notation in lead sheets is also helpful, especially for students that excel in reading. A good ear and solid music reading skills help for music therapists to be efficient in their learning of new songs. Also, looking up the history of a song helps a clinician make important decisions on how the music may connect with a client, increasing the potential for its effective use.
    [Show full text]
  • Visits School
    • Friday Enter rtse September 27, 1985 Shreveport, La. Number 1 Volume XVI Captain Shreve High School, Bennett The merry-go-round visits Late • school aga1n • • • Although the only parts by Leslie Goldman of Shreve U.S. Secretary Page One Editor of Education William The time is 1:23. The Bennett saw when he with the visited the school in August halls are empty were the cafeteria and exception of one student auditorium and their -~ who runs through the hall­ foyers, he did recognize ' way, looking frantic, try­ and congratulate school ing desperately to find his and parish officials for the class. Another tardy to add school's Excellence in Edu­ to his list. This one will cation Award from 1983. reward him with one hour Superin­ Caddo Parish of detention hall along with tendent Walter Lee gave a phone call home. Bennett a warm welcome in the Shreve cafeteria as How many people would he introduced him to ap­ have believed that when proximately 200 area Captain Shreve first businessmen and politic­ opened there was no writ· ians. Lee said, "The great­ ten tardy policy? Teachers U.S. Secretary of Education William Bennett spoke to a group of area businessmen in the est tribute we can pay to to deal with Shreve cafeteria on a recent tour of schools that have been awarded the Excellence in Edu­ were allowed him is to say that he is a cation Award. After Bennett left Shreve, he taught a class at Middle Magnet. late students at their own teacher." descretion . When Sandra McCalla became principal of Shreve in 1979, there was still no written policy to deal with Student leaders generally agree on national issues tardies.
    [Show full text]