March 2016 Vol 26 #1 OLOC: Gathering Across Differences
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Cultivating the Daughters of Bilitis Lesbian Identity, 1955-1975
“WHAT A GORGEOUS DYKE!”: CULTIVATING THE DAUGHTERS OF BILITIS LESBIAN IDENTITY, 1955-1975 By Mary S. DePeder A Thesis Submitted in Partial Fulfillment of the requirements for the Degree of Master of Arts in History Middle Tennessee State University December 2018 Thesis Committee: Dr. Susan Myers-Shirk, Chair Dr. Kelly A. Kolar ACKNOWLEDGMENTS I began my master’s program rigidly opposed to writing a thesis. Who in their right mind would put themselves through such insanity, I often wondered when speaking with fellow graduate students pursuing such a goal. I realize now, that to commit to such a task, is to succumb to a wild obsession. After completing the paper assignment for my Historical Research and Writing class, I was in far too deep to ever turn back. In this section, I would like to extend my deepest thanks to the following individuals who followed me through this obsession and made sure I came out on the other side. First, I need to thank fellow history graduate student, Ricky Pugh, for his remarkable sleuthing skills in tracking down invaluable issues of The Ladder and Sisters. His assistance saved this project in more ways than I can list. Thank-you to my second reader, Dr. Kelly Kolar, whose sharp humor and unyielding encouragement assisted me not only through this thesis process, but throughout my entire graduate school experience. To Dr. Susan Myers- Shirk, who painstakingly wielded this project from its earliest stage as a paper for her Historical Research and Writing class to the final product it is now, I am eternally grateful. -
Sinister Wisdom 70.Pdf
Sinister Sinister Wisdom 70 Wisdom 70 30th Anniversary Celebration Spring 2007 $6$6 US US Publisher: Sinister Wisdom, Inc. Sinister Wisdom 70 Spring 2007 Submission Guidelines Editor: Fran Day Layout and Design: Kim P. Fusch Submissions: See page 152. Check our website at Production Assistant: Jan Shade www.sinisterwisdom.org for updates on upcoming issues. Please read the Board of Directors: Judith K. Witherow, Rose Provenzano, Joan Nestle, submission guidelines below before sending material. Susan Levinkind, Fran Day, Shaba Barnes. Submissions should be sent to the editor or guest editor of the issue. Every- Coordinator: Susan Levinkind thing else should be sent to Sinister Wisdom, POB 3252, Berkeley, CA 94703. Proofreaders: Fran Day and Sandy Tate. Web Design: Sue Lenaerts Submission Guidelines: Please read carefully. Mailing Crew for #68/69: Linda Bacci, Fran Day, Roxanna Fiamma, Submission may be in any style or form, or combination of forms. Casey Fisher, Susan Levinkind, Moire Martin, Stacee Shade, and Maximum submission: five poems, two short stories or essays, or one Sandy Tate. longer piece of up to 2500 words. We prefer that you send your work by Special thanks to: Roxanna Fiamma, Rose Provenzano, Chris Roerden, email in Word. If sent by mail, submissions must be mailed flat (not folded) Jan Shade and Jean Sirius. with your name and address on each page. We prefer you type your work Front Cover Art: “Sinister Wisdom” Photo by Tee A. Corinne (From but short legible handwritten pieces will be considered; tapes accepted the cover of Sinister Wisdom #3, 1977.) from print-impaired women. All work must be on white paper. -
Queer Censorship in US LGBTQ+ Movements Since World War II
History in the Making Volume 13 Article 6 January 2020 A Different Kind of Closet: Queer Censorship in U.S. LGBTQ+ Movements since World War II James Martin CSUSB Follow this and additional works at: https://scholarworks.lib.csusb.edu/history-in-the-making Part of the Lesbian, Gay, Bisexual, and Transgender Studies Commons Recommended Citation Martin, James (2020) "A Different Kind of Closet: Queer Censorship in U.S. LGBTQ+ Movements since World War II," History in the Making: Vol. 13 , Article 6. Available at: https://scholarworks.lib.csusb.edu/history-in-the-making/vol13/iss1/6 This Article is brought to you for free and open access by the History at CSUSB ScholarWorks. It has been accepted for inclusion in History in the Making by an authorized editor of CSUSB ScholarWorks. For more information, please contact [email protected]. A Different Kind of Closet: Queer Censorship in U.S. LGBTQ+ Movements since World War II By James Martin Abstract: Since World War II, there has been an increased visibility of LGBTQ+ communities in the United States; however, this visibility has noticeably focused on “types” of queer people – mainly white, middle class, cisgender gays and lesbians. History remembers the 1969 Stonewall Inn riots as the catalyst that launched the movement for gay rights and brought forth a new fight for civil and social justice. This paper analyzes the restrictions, within LGBTQ+ communities, that have been placed on transpersons and gender nonconforming people before and after Stonewall. While the riots at the Stonewall Inn were demonstrative of a fight ready to be fought, there were many factors that contributed to the push for gay rights. -
Convenient Fictions
CONVENIENT FICTIONS: THE SCRIPT OF LESBIAN DESIRE IN THE POST-ELLEN ERA. A NEW ZEALAND PERSPECTIVE By Alison Julie Hopkins A thesis submitted to Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy Victoria University of Wellington 2009 Acknowledgements I would like to acknowledge those people who have supported me in my endeavour to complete this thesis. In particular, I would like to thank Dr Alison Laurie and Dr Lesley Hall, for their guidance and expertise, and Dr Tony Schirato for his insights, all of which were instrumental in the completion of my study. I would also like to express my gratitude to all of those people who participated in the research, in particular Mark Pope, facilitator of the ‘School’s Out’ programme, the staff at LAGANZ, and the staff at the photographic archive of The Alexander Turnbull Library. I would also like to acknowledge the support of The Chief Censor, Bill Hastings, and The Office of Film and Literature Classification, throughout this study. Finally, I would like to thank my most ardent supporters, Virginia, Darcy, and Mo. ii Abstract Little has been published about the ascending trajectory of lesbian characters in prime-time television texts. Rarer still are analyses of lesbian fictions on New Zealand television. This study offers a robust and critical interrogation of Sapphic expression found in the New Zealand television landscape. More specifically, this thesis analyses fictional lesbian representation found in New Zealand’s prime-time, free-to-air television environment. It argues that television’s script of lesbian desire is more about illusion than inclusion, and that lesbian representation is a misnomer, both qualitatively and quantitively. -
Barbara Grier--Naiad Press Collection
BARBARA GRIER—NAIAD PRESS COLLECTION 1956-1999 Collection number: GLC 30 The James C. Hormel Gay and Lesbian Center San Francisco Public Library 2003 Barbara Grier—Naiad Press Collection GLC 30 p. 2 Gay and Lesbian Center, San Francisco Public Library TABLE OF CONTENTS Introduction p. 3-4 Biography and Corporate History p. 5-6 Scope and Content p. 6 Series Descriptions p. 7-10 Container Listing p. 11-64 Series 1: Naiad Press Correspondence, 1971-1994 p. 11-19 Series 2: Naiad Press Author Files, 1972-1999 p. 20-30 Series 3: Naiad Press Publications, 1975-1994 p. 31-32 Series 4: Naiad Press Subject Files, 1973-1994 p. 33-34 Series 5: Grier Correspondence, 1956-1992 p. 35-39 Series 6: Grier Manuscripts, 1958-1989 p. 40 Series 7: Grier Subject Files, 1965-1990 p. 41-42 Series 8: Works by Others, 1930s-1990s p. 43-46 a. Printed Works by Others, 1930s-1990s p. 43 b. Manuscripts by Others, 1960-1991 p. 43-46 Series 9: Audio-Visual Material, 1983-1990 p. 47-53 Series 10: Memorabilia p. 54-64 Barbara Grier—Naiad Press Collection GLC 30 p. 3 Gay and Lesbian Center, San Francisco Public Library INTRODUCTION Provenance The Barbara Grier—Naiad Press Collection was donated to the San Francisco Public Library by the Library Foundation of San Francisco in June 1992. Funding Funding for the processing was provided by a grant from the Library Foundation of San Francisco. Access The collection is open for research and available in the San Francisco History Center on the 6th Floor of the Main Library. -
“A Fully Formed Blast from Abroad?”: Australasian Lesbian Circuits of Mobility and the Transnational Exchange of Ideas in the 1960S and 1970S
“A fully formed blast from abroad?”: Australasian lesbian circuits of mobility and the transnational exchange of ideas in the 1960s and 1970s In 1973, three Australian women – Kerryn Higgs, Robina Courtin and Jenny Pausacker – returned to Melbourne having spent two years in London. Later the same year, New Zealander Alison Laurie arrived home after a nine-year stint overseas, which included periods of time living in England, Scandinavia and the USA. The return of all four had a catalytic effect on lesbian politics in their home communities. Pausacker, Higgs and Courtin were credited with precipitating a physical and ideological shift away from mixed gay politics toward a feminist perspective on lesbianism. With Laurie’s arrival it appeared that “lesbian feminism hit Aotearoa New Zealand as a fully formed blast from abroad, but fell on fertile ground, among many of the lesbians from gay liberation for starters.”1 Contemporary accounts certainly present the return of all four women as agents of change. To a certain extent their impact can be explained by the personalities of the women themselves. All were intelligent, creative women who continued to shape ideas throughout their lives. As Jenny Pausacker noted: “Kerryn published the first lesbian novel for adults in Australia. I published the first lesbian novel for young adults in Australia, and Robina’s the venerable Robina [a Buddhist nun]. So we were all quite strong personalities, with quite a public focus.”2 Laurie co-founded Sisters for Homophile Equality (SHE) which was the first lesbian organization in Aotearoa New Zealand, pioneered the Lesbian Community Radio Programme on Wellington Access Radio, and brought lesbian studies into the Women’s Studies program at Victoria University in Wellington.3 However, the impact the four women had can also be traced to their respective experiences of travel. -
“The State of Lesbian Organising and the Lived Realities of Lesbians in the EU and the Accession Countries” ABRIDGED REPORT - June 2020
“The State of Lesbian Organising and the Lived Realities of Lesbians in the EU and the Accession Countries” ABRIDGED REPORT - June 2020 Table of Contents About EL*C 2 Reasoning behind this study 2 The missing history of the lesbian movement 3 Origin & usage of the term lesbian 3 Lesbian mobilizations in the early days 4 Escaping the police raids or the founding of Daughters of Bilitis 5 Emergence & development of political lesbianism 5 The rise of national and international lesbian organising 7 Current State of Lesbian Organising in the EU & Accession Countries 9 Introduction 9 Summary 9 Leadership and Governance 10 Human Resources 11 Technical and Financial Resources 12 Outreach and Visibility 16 Monitoring and Evaluation 17 Programmatic Areas of Work 18 Data on Lived Lesbians in EU & Accession countries 20 Aim 20 Methodology 20 Results of the content analysis of the representation of lesbian women in health-related research 21 Results of the Literature Review on lesbian lived realities 22 Conclusions 28 Recommendations 30 The missing history of the lesbian movement prior to the early 2000’s 30 Current State of Lesbian Organising in the EU and Accession Countries 30 Data collection and research recommendations based on the data analysis 30 Policy recommendations based on the data analysis 31 Annex 1 : Research Gaps 33 About EL*C The EL*C - EuroCentralAsian Lesbian Community is a collective of lesbian, queer, bi and trans women formally established in 2017 as a non-governmental organisation in Vienna, Austria. EL*C aims to advocate for lesbian rights in Europe and Central Asia. -
MARCIA M. GALLO, Different Daughters
322 Archivaria 68 Different Daughters: A History of the Daughters of Bilitis and the Rise of the Lesbian Rights Movement. MARCIA M. GALLO. New York: Carroll & Graf, 2006. 274 p. ISBN 13: 978-0-78671-634-0. Different Daughters: A History of the Daughters of Bilitis and the Rise of the Lesbian Rights Movement, which won the 2006 Lambda Book Award, is the first book-length exploration of the history, achievements, and underlying tensions of one of North America’s most influential lesbian organizations. Marcia M. Gallo’s interviews with former group members and extensive use of archival records provide a fascinating portrait of the group’s rise and fall. Formed in San Francisco in 1955, the Daughters of Bilitis (pronounced “Bill-EE-tis”) (DOB) became an internationally renowned lesbian rights organ ization in the pre-Stonewall era. The group’s name was a sly reference to the eponymous lesbian poet in Pierre Louÿ’s Songs of Bilitis, and was chosen on the assumption that only other lesbians would understand it. The DOB was created as a social club by four couples; the organization was intended to provide a safe space for women who were tired of both police harassment and the scrutiny of tourists found in San Francisco’s bar scene. However, in a move that would create the first of many internal schisms, founders Del Martin and Phyllis Lyon pushed the DOB to become a politically oriented “homophile” organization in 1956. The group grew slowly but steadily, thanks largely to the newsletter The Ladder; within two years there were local chap ters in New York, Los Angeles, and other urban centres. -
Exhibit Entry Information
Exhibit Entry Information Title: Woman vs Woman Name(s): McKayla Howerton and Alexa Delgado Division: Junior (Junior/Senior) Individual/ Group Group: Number of Student Composed Words on 497 words Exhibit: (Optional) Link to Any Audio or Video [Type Here] on Exhibit (no more than 3 minutes total): Picture of Entire Exhibit Thesis Statement Thesis Statement After decades of participation in the Feminist Movement, members of the lesbian community were asked to “step back” out of public view in 1970. As a result, the Lavender Menace organized in protest, forcing the National Organization for Women (NOW) to rethink their position. Within a year, members of the lesbian community had formed numerous consciousness-raising organizations to promote women’s issues and were no longer asked to hide in the shadows. Today, women of all walks of life continue to rally against the barriers of gender equality. Picture of Left Panel Picture & Text on Left Panel: Top Early Feminism “Feminism, really, is the social awakening of the women of all the world.” Charlotte Perkins Gilman The First Wave: 1848-1920 First-wave feminism refers to the first sustained political movement dedicated to achieving political equality for women: the suffragettes of the late 19th and early 20th centuries. “The world has never yet seen a truly great and virtuous nation because in the degradation of woman the very fountains of life are poisoned at their source.” Lucretia Mott Equal Rights Amendment “There is nothing complicated about ordinary equality.” Alice Paul, author of the ERA Following the passage of the 19th amendment granting women the right to vote, Alice Paul introduced the first Equal Rights Amendment in 1923. -
Transfeminism: a Collection • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • transfeminism: a collection • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • Featuring: The Transfeminist Manifesto An Open Letter to Alix Dobkin Whose Feminism is it Anyway? • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • Written & Compiled by Emi Koyama <[email protected]> http://eminism.org/ * Putting the Emi back in Feminism since 1975. The Feminist Conspiracy Press, PO Box 40570, Portland OR 97240 Index The Transfeminist Manifesto 3 Reprinted from The Transfeminist Manifesto and Other Essays on Transfeminism, March 2000. An Open Letter to Alix Dobkin 12 Reprinted from An Open Letter to Alix Dobkin, April 2000. Whose Feminism is it Anyway? The Unspoken Racism of the Trans Inclusion Debate 19 Reprinted from Whose Feminism is it Anyway?, October 2000. About Eminism.org 27 © 2000-2001 Emi Koyama / The Feminist Conspiracy Press PO Box 40570, Portland OR 97240 Get more of Emi – visit www.eminism.org email: [email protected] 2 By Emi Koyama [email protected] Originally Published: October 1999 The Last Edited: July 2001 Transfeminist Manifesto Introduction less as women despite their birth sex assignment to the contrary. “Trans men,” likewise, is used to The latter half of the twentieth century describe those who identify, present, or live as witnessed an unprecedented broadening of men despite the fact that they were perceived American feminist movement as a result of otherwise at birth. While this -
Ladyslipper Tenth Anniversary
Ladyslipper Tenth Anniversary Resource Guide apes by Women T 1986 About Ladyslipper Ladyslipper is a North Carolina non-profit, tax- 1982 brought the first release on the Ladys exempt organization which has been involved lipper label: Marie Rhines/Tartans & Sagebrush, in many facets of women's music since 1976. originally released on the Biscuit City label. In Our basic purpose has consistently been to 1984 we produced our first album, Kay Gard heighten public awareness of the achievements ner/A Rainbow Path. In 1985 we released the of women artists and musicians and to expand first new wave/techno-pop women's music al the scope and availability of musical and liter bum, Sue Fink/Big Promise; put the new age ary recordings by women. album Beth York/Transformations onto vinyl; and released another new age instrumental al One of the unique aspects of our work has bum, Debbie Tier/Firelight Our purpose as a been the annual publication of the world's most label is to further new musical and artistic direc comprehensive Catalog and Resource Guide of tions for women artists. Records and Tapes by Women—the one you now hold in your hands. This grows yearly as Our name comes from an exquisite flower the number of recordings by women continues which is one of the few wild orchids native to to develop in geometric proportions. This anno North America and is currently an endangered tated catalog has given thousands of people in species. formation about and access to recordings by an expansive variety of female musicians, writers, Donations are tax-deductible, and we do need comics, and composers. -
The Disappearing L
1 The Soundtrack of Our Awakening I seem to have spent my entire life listening to boys talk about music. And sometimes, no matter how smart or untrivial or mean- ingful the boy might be, the sheer aesthetic presence of a masculine voice in record talk can get on my nerves. Because there are so many males talking, all the time, about everything, on television and on the radio, that I just get sick of men. —Sarah Vowell, Radio On We were not the first feminist musicians to sing out, but this tour jump-started a cultural phenomenon that would change the lives of hundreds of thousands of women and men; it laid the ground- work so that a dozen years later, young independent women could dominate the music industry. At the same time, millions of people never even knew it happened. —Holly Near, Fire in the Rain . Singer in the Storm Not wanting to identify with women’s music is the same thing as not wanting to call yourself a feminist. —Kaia Wilson, The Butchies, Co-owner, Mr. Lady Records For more than thirty years, I’ve collected the work of feminist musicians and comedians who enjoyed cult status as lesbian stage performers in the 23 © 2016 State University of New York Press, Albany 24 The Disappearing L 1970s, ’80s, and ’90s. These groundbreaking artists, earning very little in return for what they gave to the women’s community, worked tirelessly as local and national activists. Against all odds, they made the subject of lesbian rights into dance music, whether on bass guitar, piano, banjo, drum kit, saxophone, horn, djembe, or flute.