Cultivating the Daughters of Bilitis Lesbian Identity, 1955-1975
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Montréal's Gay Village
Produced By: Montréal’s Gay Village Welcoming and Increasing LGBT Visitors March, 2016 Welcoming LGBT Travelers 2016 ÉTUDE SUR LE VILLAGE GAI DE MONTRÉAL Partenariat entre la SDC du Village, la Ville de Montréal et le gouvernement du Québec › La Société de développement commercial du Village et ses fiers partenaires financiers, que sont la Ville de Montréal et le gouvernement du Québec, sont heureux de présenter cette étude réalisée par la firme Community Marketing & Insights. › Ce rapport présente les résultats d’un sondage réalisé auprès de la communauté LGBT du nord‐est des États‐ Unis (Maine, Vermont, New Hampshire, État de New York, Massachusetts, Rhode Island, Connecticut, Pennsylvanie, New Jersey, Delaware, Maryland, Virginie, Ohio, Michigan, Illinois), du Canada (Ontario et Colombie‐Britannique) et de l’Europe francophone (France, Belgique, Suisse). Il dresse un portrait des intérêts des touristes LGBT et de leurs appréciations et perceptions du Village gai de Montréal. › La première section fait ressortir certaines constatations clés alors que la suite présente les données recueillies et offre une analyse plus en détail. Entre autres, l’appréciation des touristes qui ont visité Montréal et la perception de ceux qui n’en n’ont pas eu l’occasion. › L’objectif de ce sondage est de mieux outiller la SDC du Village dans ses démarches de promotion auprès des touristes LGBT. 2 Welcoming LGBT Travelers 2016 ABOUT CMI OVER 20 YEARS OF LGBT INSIGHTS › Community Marketing & Insights (CMI) has been conducting LGBT consumer research for over 20 years. Our practice includes online surveys, in‐depth interviews, intercepts, focus groups (on‐site and online), and advisory boards in North America and Europe. -
A Study of Feminine and Feminist Subjectivity in the Poetry of Sylvia Plath, Anne Sexton, Margaret Atwood and Adrienne Rich, 1950-1980 Little, Philippa Susan
Images of Self: A Study of Feminine and Feminist Subjectivity in the Poetry of Sylvia Plath, Anne Sexton, Margaret Atwood and Adrienne Rich, 1950-1980 Little, Philippa Susan The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author For additional information about this publication click this link. http://qmro.qmul.ac.uk/jspui/handle/123456789/1501 Information about this research object was correct at the time of download; we occasionally make corrections to records, please therefore check the published record when citing. For more information contact [email protected] Images of Self: A Study of Feminine and Feminist Subjectivity in the Poetry of Sylvia Plath, Anne Sexton, Margaret Atwood and Adrienne Rich, 1950-1980. A thesis supervised by Dr. Isobel Grundy and submitted at Queen Mary and Westfield College, in fulfilment of the requirements for the degree of Ph. D. by Philippa Susan Little June 1990. The thesis explores the poetry (and some prose) of Plath, Sexton, Atwood and Rich in terms of the changing constructions of self-image predicated upon the female role between approx. 1950-1980.1 am particularly concerned with the question of how the discourses of femininity and feminism contribute to the scope of the images of the self which are presented. The period was chosen because it involved significant upheaval and change in terms of women's role and gender identity. The four poets' work spans this period of change and appears to some extent generally characteristic of its social, political and cultural contexts in America, Britain and Canada. -
Articulating Lesbian Human Rights: the Creation of a Convention on the Elimination of All Forms of Discrimination Against Lesbians
ESSAY ARTICULATING LESBIAN HUMAN RIGHTS: THE CREATION OF A CONVENTION ON THE ELIMINATION OF ALL FORMS OF DISCRIMINATION AGAINST LESBIANS Nadine Gartner, "As lesbians, we are both outside the law and within it. And yet, we are always under it. Sometimes under it in the sense of being beneath notice, not deserving of legal recognition. And at other times, under it in the sense of being under a system2 that dominates, being under its power." - Ruthann Robson "Lesbians have a radical social vision - we are the bearers of a truly new world order, not the stench of the same old world 3 odor." - Urvashi Vaid I. INTRODUCTION Lesbians 4 around the world suffer from a variety of human rights violations based upon their sexual orientation. FannyAnn 1. A.B., 2001, Bryn Mawr College; J.D. candidate, University of Michigan Law School, 2006. I thank Christine Chinkin and Catharine MacKinnon for teaching the course that inspired this project. Special thanks to Jay Surdukowski for reviewing an early draft. 2. RUTHANN ROBSON, LESBIAN (OuT)LAw 11 (1992). 3. Urvashi Vaid, Let's Put Our Own House in Order, in LESBIANS, GAY MEN, AND THE LAW, 566, 568 (William B. Rubenstein ed., 1993). 4. I use the term "lesbian" to connote women-identified individuals who en- gage in romantic and/or sexual relationships with other women-identified persons for any duration at any time of their lives. This is meant to be the broadest and most-inclusive definition so that women who identify as lesbian, bisexual, trans- gender or transsexual, heterosexual, or asexual may be considered, so long as they identify themselves as women and have been, are currently, or desire to be romanti- cally and/or sexually engaged with other women. -
Notes for the Downloaders
NOTES FOR THE DOWNLOADERS: This book is made of different sources. First, we got the scanned pages from fuckyeahradicalliterature.tumblr.com. Second, we cleaned them up and scanned the missing chapters (Entering the Lives of Others and El Mundo Zurdo). Also, we replaced the images for new better ones. Unfortunately, our copy of the book has La Prieta, from El Mundo Zurdo, in a bad quality, so we got it from scribd.com. Be aware it’s the same text but from another edition of the book, so it has other pagination. Enjoy and share it everywhere! Winner0fThe 1986 BEFORECOLTJMBUS FOTJNDATION AMERICANBOOK THIS BRIDGE CALLED MY BACK WRITINGS BY RADICAL WOMEN OF COLOR EDITORS: _ CHERRIE MORAGA GLORIA ANZALDUA FOREWORD: TONI CADE BAMBARA KITCHEN TABLE: Women of Color Press a New York Copyright © 198 L 1983 by Cherrie Moraga and Gloria Anzaldua. All rights reserved. No part of this book may be reproduced without permission in writing from the publisher. Published in the United States by Kitchen Table: Women of Color Press, Post Office Box 908, Latham, New York 12110-0908. Originally published by Peresphone Press, Inc. Watertown, Massachusetts, 1981. Also by Cherrie Moraga Cuentos: Stories by Latinas, ed. with Alma Gomez and Mariana Romo-Carmona. Kitchen Table: Women of Color Press, 1983. Loving in the War Years: Lo Que Nunca Paso Por Sus Labios. South End Press, 1983. Cover and text illustrations by Johnetta Tinker. Cover design by Maria von Brincken. Text design by Pat McGloin. Typeset in Garth Graphic by Serif & Sans, Inc., Boston, Mass. Second Edition Typeset by Susan L. -
Collection Overview
Archives Collections Guide Updated March 28, 2016 Collection Overview The Gerber/Hart archives focuses its collections on gay, lesbian, bisexual, transgender, and queer life in the Chicago metropolitan area and the Midwest. It contains over 150 collections of historically significant personal manuscripts, photographs, audiovisual recordings, and organizational records. These collections include unpublished material such as letters, diaries, and scrapbooks documenting the lives of both average people and community leaders. They also include the records of many community organizations, businesses, and political campaigns. This guide is intended to serve as a preliminary research tool that provides a brief description of holdings with basic information on size, inclusive dates, types of records, and broad subject areas. Guide Contents List of Collections..............................................................................................................................................2 Collections Descriptions....................................................................................................................................6 Name Index......................................................................................................................................................26 Topical Index...................................................................................................................................................34 1 Archives Collections Guide Updated March 28, 2016 List of Collections -
The House That Jill Built: a Lesbian Nation in Formation
THE HOUSE THAT JILL was the co-founding of the lesbian Told in the context of a number of BUILT: A LESBIAN rock band Mama Quilla 11. Indeed, crucial political developments of the many of us suspected that the best time-the bust of the Body Politic for NATION IN part of lesbian organizing was-you publishing the article "Men Loving FORMATION guessed it-the dances. Boys Loving Men," the arrival of anti- Which is to say that we panelists gay activist Anita Bryant to Toronto, Be& L. Ross. Toronto: University got the lesbian-feminist part ofit, but among them-and dropping the of Toronto Press, 1995. the "ism" was far more elusive. names ofpracticallyevery activist who Here's where Becki Ross's new drew a breath inside 342 Jarvis, The book, The House That Jill Built, is House ThatJillBuilt helps to tease out extremely usehl. It will no doubt the differences between political Recently, the Toronto Historical suffer from the no-win situation syn- streams in the '70s while respecting Board was the site of a panel on les- drome that goes with producing a the commitmentandenergy ofwomen bian feminism in the '70s as part of first book on a neglected subject-it who were charting new territory. the Pass It On series of events uncov- cannot be all things to all people. But But don't for a second conhse this ering gay and lesbian history. I and it does grapple with the problem of bookwith history. Activists oftheday two other long-time activists partici- defining lesbian feminism-not as had multiple political affiliations and pated in a spirited discussion that abstract, but as a lived politic. -
Sexual Controversies in the Women's and Lesbian/Gay Liberation Movements
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses 1911 - February 2014 1985 Politics and pleasures : sexual controversies in the women's and lesbian/gay liberation movements. Lisa J. Orlando University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/theses Orlando, Lisa J., "Politics and pleasures : sexual controversies in the women's and lesbian/gay liberation movements." (1985). Masters Theses 1911 - February 2014. 2489. Retrieved from https://scholarworks.umass.edu/theses/2489 This thesis is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses 1911 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. POLITICS AND PLEASURES: SEXUAL CONTROVERSIES IN THE WOMEN'S AND LESBIAN/GAY LIBERATION MOVEMENTS A Thesis Presented By LISA J. ORLANDO Submitted to the Graduate School of the University of Massachusetts in partial fulfillment of the requirements for the degree of MASTER OF ARTS September 1985 Political Science Department Politics and Pleasures: Sexual Controversies in the Uomen's and Lesbian/Gay Liberation Movements" A MASTERS THESIS by Lisa J. Orlando Approved by: Sheldon Goldman, Member Philosophy \ hi (UV .CVvAj June 21, 19S4 Dean Alfange, Jj' Graduate P ogram Department of Political Science Lisa J. Orlando © 1982, 1983, 1984, 1985 All Rights Reserved iii ACKNOWLEDGEMENTS I would like to thank the following friends who, in long and often difficult discussion, helped me to work through the ideas presented in this thesis: John Levin, Sheila Walsh, Christine Di Stefano, Tom Keenan, Judy Butler, Adela Pinch, Gayle Rubin, Betsy Duren, Ellen Willis, Ellen Cantarow, and Pam Mitchell. -
Download Download
Conditions By Various Authors Conditions By various authors, with an emphasis on writing by lesbians. Contents 01 The Moon Is No Muse — Enid Dame .................................................1 Copyright © 1977 by Conditions 02 Bushpaths — Wilmette Brown ............................................................3 All rights reserved. No part of this book can be copied, reproduced, or used in any way without written permission from Conditions. At the time of publication, 03 Grinning Underneath — Maureen Brady ...........................................5 all rights revert to the authors. Illustrations © 2020 by Keira Zanbak 04 Assumption in the Algarve: 1974 — Jacqueline Lapidus .................12 Book design by Keira Zanbak 05 Waiting for release — Sukey Durham ..............................................16 Conditions is edited by Elly Bulkin, Jan Clausen, Irena Klepfisz, and Rima Shore. We work collectively to select and edit material which will reflect women’s per- ceptions of themselves, each other, the conditions of their lives, and of the world 06 A Trip to the Anza-Borrego Desert — Susan Krieger ....................19 around them. This collective process is a difficult one. We have found that the four of us do not 07 Dead Heat — Lorraine Sutton ............................................................31 always agree or identify with viewpoints expressed by the women we publish, or with each other. 08 An Interview With Adrienne Rich — Elly Bulken .........................33 Because we do not proceed from a single conception of what Conditions should be, we feel it is especially important to receive critical and personal reactions to the writing we publish. 09 Contributors’ Notes .............................................................................53 The Moon Is No Muse Enid Dame The moon is no muse. She’s got enough to do hauling oceans back and forth across the world. -
The Year 1969 Marked a Major Turning Point in the Politics of Sexuality
The Gay Pride March, begun in 1970 as the In the fertile and tumultuous year that Christopher Street Liberation Day Parade to followed, groups such as the Gay commemorate the Stonewall Riots, became an Liberation Front (GLF), Gay Activists annual event, and LGBT Pride months are now celebrated around the world. The march, Alliance (GAA), and Radicalesbians Marsha P. Johnson handing out flyers in support of gay students at NYU, 1970. Photograph by Mattachine Society of New York. “Where Were Diana Davies. Diana Davies Papers. which demonstrates gays, You During the Christopher Street Riots,” The year 1969 marked 1969. Mattachine Society of New York Records. sent small groups of activists on road lesbians, and transgender people a major turning point trips to spread the word. Chapters sprang Gay Activists Alliance. “Lambda,” 1970. Gay Activists Alliance Records. Gay Liberation Front members marching as articulate constituencies, on Times Square, 1969. Photograph by up across the country, and members fought for civil rights in the politics of sexuality Mattachine Society of New York. Diana Davies. Diana Davies Papers. “Homosexuals Are Different,” 1960s. in their home communities. GAA became a major activist has become a living symbol of Mattachine Society of New York Records. in America. Same-sex relationships were discreetly force, and its SoHo community center, the Firehouse, the evolution of LGBT political tolerated in 19th-century America in the form of romantic Jim Owles. Draft of letter to Governor Nelson A. became a nexus for New York City gays and lesbians. Rockefeller, 1970. Gay Activists Alliance Records. friendships, but the 20th century brought increasing legal communities. -
For Fans by Fans: Early Science Fiction Fandom and the Fanzines
FOR FANS BY FANS: EARLY SCIENCE FICTION FANDOM AND THE FANZINES by Rachel Anne Johnson B.A., The University of West Florida, 2012 B.A., Auburn University, 2009 A thesis submitted to the Department of English and World Languages College of Arts, Social Sciences, and Humanities The University of West Florida In partial fulfillment of the requirements for the degree of Master of Arts 2015 © 2015 Rachel Anne Johnson The thesis of Rachel Anne Johnson is approved: ____________________________________________ _________________ David M. Baulch, Ph.D., Committee Member Date ____________________________________________ _________________ David M. Earle, Ph.D., Committee Chair Date Accepted for the Department/Division: ____________________________________________ _________________ Gregory Tomso, Ph.D., Chair Date Accepted for the University: ____________________________________________ _________________ Richard S. Podemski, Ph.D., Dean, Graduate School Date ACKNOWLEDGMENTS First, I would like to thank Dr. David Earle for all of his help and guidance during this process. Without his feedback on countless revisions, this thesis would never have been possible. I would also like to thank Dr. David Baulch for his revisions and suggestions. His support helped keep the overwhelming process in perspective. Without the support of my family, I would never have been able to return to school. I thank you all for your unwavering assistance. Thank you for putting up with the stressful weeks when working near deadlines and thank you for understanding when delays -
Sinister Wisdom 70.Pdf
Sinister Sinister Wisdom 70 Wisdom 70 30th Anniversary Celebration Spring 2007 $6$6 US US Publisher: Sinister Wisdom, Inc. Sinister Wisdom 70 Spring 2007 Submission Guidelines Editor: Fran Day Layout and Design: Kim P. Fusch Submissions: See page 152. Check our website at Production Assistant: Jan Shade www.sinisterwisdom.org for updates on upcoming issues. Please read the Board of Directors: Judith K. Witherow, Rose Provenzano, Joan Nestle, submission guidelines below before sending material. Susan Levinkind, Fran Day, Shaba Barnes. Submissions should be sent to the editor or guest editor of the issue. Every- Coordinator: Susan Levinkind thing else should be sent to Sinister Wisdom, POB 3252, Berkeley, CA 94703. Proofreaders: Fran Day and Sandy Tate. Web Design: Sue Lenaerts Submission Guidelines: Please read carefully. Mailing Crew for #68/69: Linda Bacci, Fran Day, Roxanna Fiamma, Submission may be in any style or form, or combination of forms. Casey Fisher, Susan Levinkind, Moire Martin, Stacee Shade, and Maximum submission: five poems, two short stories or essays, or one Sandy Tate. longer piece of up to 2500 words. We prefer that you send your work by Special thanks to: Roxanna Fiamma, Rose Provenzano, Chris Roerden, email in Word. If sent by mail, submissions must be mailed flat (not folded) Jan Shade and Jean Sirius. with your name and address on each page. We prefer you type your work Front Cover Art: “Sinister Wisdom” Photo by Tee A. Corinne (From but short legible handwritten pieces will be considered; tapes accepted the cover of Sinister Wisdom #3, 1977.) from print-impaired women. All work must be on white paper. -
Fiuther Indicates That Considerations of Science Fiction That Conceive It As a Col
Homophile Fictions Fan Writing, Science Fiction, and the Birth of Gay Communities in Post-war America Chris West Science fiction is a natural, in a way, for any kind of radical thought. Because it is about things that have not happened and do not happen. It's very fruitful if you want to pres- ent the concerns of any marginal group, because you are doing it in a world where things are different. I was talking to an ex-Mormon, and she said it was science fiction that had gotten her out of the ethos she had been born into, and she said it was not the characters but the landscapes, which of course was the pi2ce de rksistance in the '30s or in the '40s - those landscapes made her understand that things could be dzfferent. In many social encounters and in many discussions, I've had a terrible time because the one thing my opponents do not have is the sense that things could be different . .. Joanna Russ l It is often asserted - more or less emphatically, with a greater or lesser degree of irritation, and despite or more probably because of the persistence of both popular and elite perceptions to the contrary - that science fiction is a serious business. Frequently science fiction's proponents find themselves explaining that, in spite of the gaudy dust-jackets with their scantily-clad maidens, and in spite of the boy's-own obsession with techno-trickery and techno-babble, sci- ence fiction is in fact a type of cultural production that engages serious politi- cal questions: overpopulation, the threat of nuclear war, genetic engineering, the moral and ethical dilemmas posed by cloning, the possibilities inherent in alternative socio-economic and socio-cultural arrangements, and so on.