Pensumliste/Syllabus MEVI326 Filmanalyse Våren 2017 Emneansvarlig: Asbjørn Grønstad

Bøker

* Downing, Lisa & Libby Saxton, Film and Ethics: Foreclosed Encounters, London: Routledge, 2010.

* Grønstad, Asbjørn, Film and the Ethical Imagination, Basingstoke: Palgrave Macmillan, 2016.

* Lothe, Jakob, Etikk i Litteratur og Film, Oslo: Pax, 2016, kap. 1, 2 (Lanzmann), 4, 7 & 8.

* Wheatley, Catherine, Michael Haneke’s Cinema: The Ethic of the Image, New York: Berghahn Books, 2009.

* Zylinska, Joanna, Minimal Ethics for the Anthropocene, Open Humanities Press, 2014.

Artikler

Anderson, Benedict, ”Impunity,” i Joram Ten Brink & Joshua Oppenheimer, red., Killer Images: Documentary Film and the Performance of Violence, London: Wallflower Press, 2012, 268-286.

Booth, Wayne C., “Why Ethical Criticism Can Never Be Simple,” i Todd F. Davis & Kenneth Womack, red., Mapping the Ethical Turn: A Reader in Ethics, Culture, and Literary Theory, Charlottesville: University Press of Virginia, 2001, 16-29.

Butler, Judith, ”Precarious Life,” i Judith Butler, Precarious Life: The Powers of Mourning and Violence, London: Verso, 2004.

Daney, Serge, ”The Tracking Shot in Kapo,” Trafic 4, 1992, http://sensesofcinema.com/2004/feature-articles/kapo_daney/

Jay, Martin, ”The Aesthetic Alibi,” Salmagundi 93 (1992), 13-25.

Nichols, Bill, ”Axiographics: Ethical Space in Documentary Film,” i Bill Nichols, Representing Reality: Issues and Concepts in Documentary, Bloomington: Indiana University Press, 1991, 76-103.

Rivette, Jacques, ”On Abjection,” Cahiers du Cinema 120, 1961, http://www.dvdbeaver.com/rivette/ok/abjection.html Sobchack, Vivian, ”Inscribing Ethical Space: Ten Propositions on Death, Representation, and Documentary,” Quarterly Review of Film Studies 9. 4 (1984), 283-300.

Stewart, Garrett, ”Screen Memory in Waltz with Bashir,” i Joram Ten Brink & Joshua Oppenheimer, red., Killer Images: Documentary Film and the Performance of Violence, London: Wallflower Press, 2012, 120-126

Filmer

35 Shots of Rum (Claire Denis, 2008) The Act of Killing (Joshua Oppenheimer, 2012) Amour (Michael Haneke, 2012) Cache (Michael Haneke, 2005) Force Majeure (Ruben Östlund, 2014) Funny Games (Michael Haneke, 1997) Leviathan (Lucien Castaing-Taylor & Verena Paravel, 2012) The Look of Silence (Joshua Oppenheimer, 2014) The Nine Muses (John Akomfrah, 2010) Nostalgia For the Light (Patricio Guzmán, 2010) Post Tenebras Lux (Carlos Reygadas, 2012) This is Not a Film (Jafar Panahi, 2011) Waltz with Bashir (Ari Folman, 2008)