Cinematic Representations of the 1982 Lebanon War
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Beneath the Surface *Animals and Their Digs Conversation Group
FOR ADULTS FOR ADULTS FOR ADULTS August 2013 • Northport-East Northport Public Library • August 2013 Northport Arts Coalition Northport High School Sunday Monday Tuesday Wednesday Thursday Friday Saturday Courtyard Concert EMERGENCY Volunteer Fair presents Jazz for a Yearbooks Wanted GALLERY EXHIBIT 1 Registration begins for 2 3 Friday, September 27 Children’s Programs The Library has an archive of yearbooks available Northport Gallery: from August 12-24 Summer Evening 4:00-7:00 p.m. Friday Movies for Adults Hurricane Preparedness for viewing. There are a few years that are not represent- *Teen Book Swap Volunteers *Kaplan SAT/ACT Combo Test (N) Wednesday, August 14, 7:00 p.m. Northport Library “Automobiles in Water” by George Ellis Registration begins for Health ed and some books have been damaged over the years. (EN) 10:45 am (N) 9:30 am The Northport Arts Coalition, and Safety Northport artist George Ellis specializes Insurance Counseling on 8/13 Have you wanted to share your time If you have a NHS yearbook that you would like to 42 Admission in cooperation with the Library, is in watercolor paintings of classic cars with an Look for the Library table Book Swap (EN) 11 am (EN) Thursday, August 15, 7:00 p.m. and talents as a volunteer but don’t know where donate to the Library, where it will be held in posterity, (EN) Friday, August 2, 1:30 p.m. (EN) Friday, August 16, 1:30 p.m. Shake, Rattle, and Read Saturday Afternoon proud to present its 11th Annual Jazz for emphasis on sports cars of the 1950s and 1960s, In conjunction with the Suffolk County Office of to start? Visit the Library’s Volunteer Fair and speak our Reference Department would love to hear from you. -
Ethical Concerns & Misconceptions in the Israeli-Palestinian Conflict
Augustana College Augustana Digital Commons Ethics Essay Contest Prizewinners 2015 Ethical Concerns & Misconceptions in the Israeli- Palestinian Conflict Makenzie Logan Augustana College - Rock Island Follow this and additional works at: http://digitalcommons.augustana.edu/ethicscontest Part of the Ethics and Political Philosophy Commons, and the Near and Middle Eastern Studies Commons Augustana Digital Commons Citation Logan, Makenzie. "Ethical Concerns & Misconceptions in the Israeli-Palestinian Conflict" (2015). Ethics Essay Contest. http://digitalcommons.augustana.edu/ethicscontest/1 This Student Paper is brought to you for free and open access by the Prizewinners at Augustana Digital Commons. It has been accepted for inclusion in Ethics Essay Contest by an authorized administrator of Augustana Digital Commons. For more information, please contact [email protected]. Logan 1 ETHICAL CONCERNS & MISCONCEPTIONS IN THE ISRAELI-PALESTINIAN CONFLICT Makenzie Logan RELG 327-LC: Business Ethics December 18, 2014 Logan 2 Table of Contents Introduction………………………………………………………………………………………..3 Terrorism in the Middle East……………………………………………………………………...3 IDF Code of Ethics………………………………………………………………………………..5 Is Israel an Apartheid State?………………………………………………………………………6 The 2014 Israeli-Gaza War: Criticisms & Defenses of the IDF…………………………………..8 Future Implications………………………………………………………………………………12 Logan 3 Introduction The roots of the Israeli-Palestinian conflict go deep in its long and complicated history with many different arguments and opinions on each side. While one could write an entire essay on the history of the conflict alone, this essay aims to highlight the current situation concerning the Israeli-Palestinian conflict. Overall, this paper aims to address both sides of the conflict, to bring to light the criticisms of each side, to examine the ethics and intentions of both sides, and to draw implications for the future of the Middle East. -
Screening Trauma in Waltz with Bashir and Lebanon
Anna Ball 1 ‘Looking the Beast in the Eye’: Screening Trauma in Waltz With Bashir and Lebanon Published in The Ethics of Representation in Literature, Art and Journalism: Transnational Responses to the Siege of Beirut, ed. Caroline Rooney and Rita Sakr (London: Routledge, 2013), pp.71-85. PRE-PRINT PROOF: PLEASE REFER TO PRINTED VERSION FOR CITATION Anna Ball, [email protected] Having looked the beast of the past in the eye, having asked and received forgiveness and made amends, let us shut the door on the past – not in order to forget it but in order not to allow it to imprison us. - Archbishop Desmond Tutu, South African Truth and Reconciliation Commission Report.i [Figure 1: Image from Waltz With Bashir, dir. Ari Folman (London: Artificial Eye, 2008).] It is the kind of place that we have all visited in our dreams: somewhere that at first seems drearily familiar, a nocturnal cityscape perhaps, streets littered and rain-sodden. Until you see the sky. Not black but a lurid yellow: a sickly light, the colour of phosphorous, an unnatural illumination of the darkness. Then, as you knew they would, they come, all twenty-six of them, snarling and slathering, sleek black coats gleaming in the rain, eyes bright as flares. All Anna Ball 2 night, they circle beneath your window, howl at you through your restless sleep, and though in the morning they will be gone, as dreams always are, you know that they will return – for this is what it is to be hunted by this particular kind of beast. -
2021 International Day of Commemoration in Memory of the Victims of the Holocaust
Glasses of those murdered at Auschwitz Birkenau Nazi German concentration and death camp (1941-1945). © Paweł Sawicki, Auschwitz Memorial 2021 INTERNATIONAL DAY OF COMMEMORATION IN MEMORY OF THE VICTIMS OF THE HOLOCAUST Programme WEDNESDAY, 27 JANUARY 2021 11:00 A.M.–1:00 P.M. EST 17:00–19:00 CET COMMEMORATION CEREMONY Ms. Melissa FLEMING Under-Secretary-General for Global Communications MASTER OF CEREMONIES Mr. António GUTERRES United Nations Secretary-General H.E. Mr. Volkan BOZKIR President of the 75th session of the United Nations General Assembly Ms. Audrey AZOULAY Director-General of UNESCO Ms. Sarah NEMTANU and Ms. Deborah NEMTANU Violinists | “Sorrow” by Béla Bartók (1945-1981), performed from the crypt of the Mémorial de la Shoah, Paris. H.E. Ms. Angela MERKEL Chancellor of the Federal Republic of Germany KEYNOTE SPEAKER Hon. Irwin COTLER Special Envoy on Preserving Holocaust Remembrance and Combatting Antisemitism, Canada H.E. Mr. Gilad MENASHE ERDAN Permanent Representative of Israel to the United Nations H.E. Mr. Richard M. MILLS, Jr. Acting Representative of the United States to the United Nations Recitation of Memorial Prayers Cantor JULIA CADRAIN, Central Synagogue in New York El Male Rachamim and Kaddish Dr. Irene BUTTER and Ms. Shireen NASSAR Holocaust Survivor and Granddaughter in conversation with Ms. Clarissa WARD CNN’s Chief International Correspondent 2 Respondents to the question, “Why do you feel that learning about the Holocaust is important, and why should future generations know about it?” Mr. Piotr CYWINSKI, Poland Mr. Mark MASEKO, Zambia Professor Debórah DWORK, United States Professor Salah AL JABERY, Iraq Professor Yehuda BAUER, Israel Ms. -
Animation! [Page 8–9] 772535 293004 the TOWER 9> Playing in the Online Dark
9 euro | SPRING 2020 MODERN TIMES REVIEW THE EUROPEAN DOCUMENTARY MAGAZINE CPH:DOX THESSALONIKI DF ONE WORLD CINÉMA DU RÉEL Copenhagen, Denmark Thessaloniki, Greece Prague, Czech Paris, France Intellectually stimulating and emotionally engaging? [page 10–11] THE PAINTER AND THE THIEF THE PAINTER HUMAN IDFF MAJORDOCS BOOKS PHOTOGRAPHY Oslo, Norway Palma, Mallorca New Big Tech, New Left Cinema The Self Portrait; Dear Mr. Picasso Animation! [page 8–9] 772535 293004 THE TOWER 9> Playing in the online dark In its more halcyon early days, nature of these interactions. ABUSE: In a radical the internet was welcomed Still, the messages and shared psychosocial experiment, into households for its utopi- (albeit blurred for us) images an possibilities. A constantly are highly disturbing, the bra- the scope of online updating trove of searchable zenness and sheer volume of child abuse in the Czech information made bound en- the approaches enough to sha- Republic is uncovered. cyclopaedia sets all but obso- ke anyone’s trust in basic hu- lete; email and social media manity to the core («potential- BY CARMEN GRAY promised to connect citizens ly triggering» is a word applied of the world, no longer seg- to films liberally these days, Caught in the Net mented into tribes by physical but if any film warrants it, it is distance, in greater cultural un- surely this one). Director Vit Klusák, Barbora derstanding. The make-up artist recog- Chalupová In the rush of enthusiasm, nises one of the men and is Czech Republic, Slovakia the old truth was suspended, chilled to witness this behav- that tools are only as enlight- iour from someone she knows, ened as their users. -
The Israel Defense Forces, 1948-2017
The Israel Defense Forces, 1948-2017 Kenneth S. Brower Mideast Security and Policy Studies No. 150 THE BEGIN-SADAT CENTER FOR STRATEGIC STUDIES BAR-ILAN UNIVERSITY Mideast Security and Policy Studies No. 150 The Israel Defense Forces, 1948-2017 Kenneth S. Brower The Israel Defense Forces, 1948-2017 Kenneth S. Brower © The Begin-Sadat Center for Strategic Studies Bar-Ilan University Ramat Gan 5290002 Israel Tel. 972-3-5318959 Fax. 972-3-5359195 [email protected] www.besacenter.org ISSN 0793-1042 May 2018 Cover image: Soldier from the elite Rimon Battalion participates in an all-night exercise in the Jordan Valley, photo by Staff Sergeant Alexi Rosenfeld, IDF Spokesperson’s Unit The Begin-Sadat (BESA) Center for Strategic Studies The Begin-Sadat Center for Strategic Studies is an independent, non-partisan think tank conducting policy-relevant research on Middle Eastern and global strategic affairs, particularly as they relate to the national security and foreign policy of Israel and regional peace and stability. It is named in memory of Menachem Begin and Anwar Sadat, whose efforts in pursuing peace laid the cornerstone for conflict resolution in the Middle East. Mideast Security and Policy Studies serve as a forum for publication or re-publication of research conducted by BESA associates. Publication of a work by BESA signifies that it is deemed worthy of public consideration but does not imply endorsement of the author’s views or conclusions. Colloquia on Strategy and Diplomacy summarize the papers delivered at conferences and seminars held by the Center for the academic, military, official and general publics. -
Anziska, Seth Revisiting the 1982 Lebanon
Anziska, Seth Revisiting the 1982 Lebanon War: History, Memory and the Making of Akram Zaatari’s Letter to a Refusing Pilot Israelis, it is said, tend to “forget and suppress” the 1982 invasion of Lebanon.1 There is often silence or selective remembrance about Lebanon, for some it is even an “exonerated war.”2 Yet it is not forgotten in the cities of Beirut, Sidon and Tyre, or in the Palestinian refugee camps of Burj el-Barajne, Sabra and Ain al-Hilweh. Israel’s presence in Lebanon altered daily life and shaped the political dynamics of a fractured country. Beyond the history of the war itself, what happens when the Lebanese confront their memories of 1982? In revisiting this war, how might they force us to look anew at dominant narratives of the Zionist past and Israel’s fraught place in the contemporary Middle East? My presentation focuses on the recovery of one moment in the history of the 1982 War, an incident of refusal over the skies of southern Lebanon. It is pieced together from archives, interviews and memories between Jaffa and Beirut. This uncanny story has led to Akram Zaatari’s acclaimed film installation, Letter to a Refusing Pilot, at the Lebanese Pavilion of the 2013 Venice Biennale. Zaatari’s Letter is intended for the mythological pilot revealed as Hagai Tamir, but it is for all of us to read. A portrait of life on the ground, the artist returns to the target and excavates the fabric of a quotidian Lebanese reality forgotten (or never known) in Israel. -
Regione Autonoma Valle D'aosta
PANO RAMI QUES VALLE d’AOSTA - VALLéE d’AOSTE Periodico semestrale - Sped. in a.p. - art. comma 20/c legge 662/96 - Filiale di Aosta - Tassa riscossa / Taxe perçue / Taxe riscossa - Tassa legge 662/96 - Filiale di Aosta - Sped. in a.p. art. comma 20/c Periodico semestrale Alejandro Fernandez Almendras + Cinema Yu-Chieh Cheng in valle d’aosta Tizza Covi e Rainer Frimmel Hippolyte Girardot et Nobuhiro Suwa + Focus sul documentario Måns Månsson valdostano 48 Avi Mograbi Marilia Rocha + Joseph Péaquin: II semestre 2009 Adrian Sitaru ritratto di un cineasta Rivista di cinema edita dall’assessoRato istRuzione e cultuRa della Regione autonoma valle d’aosta E éDITORIAL La Valle d’Aosta avrà una sua Film Commission Fra la Valle d’Aosta e il cinema esi- anni di diverse manifestazioni ci- ha seguito l’evoluzione del cine- ste quello che si dice un rapporto nematografiche, che punteggiano ma attraverso i film e la parola dei consolidato. La nostra regione non con il loro programmi il calendario; loro autori. Oggi questa pubblica- è stata soltanto il set di molti film non solo la Saison Culturelle con zione dell’Assessorato Istruzione del passato (dalle avventure del ra- le proiezioni del Giro del mondo, e Cultura della Regione autonoma gionier Fantozzi, a commedie come ma anche festival che toccano di- Valle d'Aosta si presenta in veste Tutta colpa del Paradiso di France- versi argomenti: il Noir in Festival rinnovata e accresciuta, attraverso sco Nuti, a film d’autore come Le e il genere poliziesco, il Cervino una nuova immagine grafica, il pas- acrobate di Silvio Soldini), ma, tra- Film Festival e il film di montagna, saggio dal bianco e nero al colore e mite l’avviamento dell’iter che con- Strade del Cinema e i classici del uno spazio dedicato alle cronache durrà alla costituzione di una Film cinema muto musicati dal vivo, lo cinematografiche della Valle. -
Medea of Gaza Julian Gordon Connecticut College, [email protected]
Connecticut College Digital Commons @ Connecticut College Theater Honors Papers Theater Department 2014 Medea of Gaza Julian Gordon Connecticut College, [email protected] Follow this and additional works at: http://digitalcommons.conncoll.edu/theathp Part of the Theatre and Performance Studies Commons Recommended Citation Gordon, Julian, "Medea of Gaza" (2014). Theater Honors Papers. 3. http://digitalcommons.conncoll.edu/theathp/3 This Honors Paper is brought to you for free and open access by the Theater Department at Digital Commons @ Connecticut College. It has been accepted for inclusion in Theater Honors Papers by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. GORDON !1 ! ! Medea of Gaza ! Julian Blake Gordon Spring 2014 MEDEA OF GAZA GORDON !1 GORDON !2 Research Summary A snapshot of Medea of Gaza as of March 7, 2014 ! Since the Summer of 2013, I’ve been working on a currently untitled play inspired by the Diane Arnson Svarlien translation of Euripides’ Medea. The origin of the idea was my Theater and Culture class with Nancy Hoffman, taken in the Spring of 2013. For our midterm, we were assigned to pick a play we had read and set it in a new location. It was the morning of my 21st birthday, a Friday, and the day I was heading home for Spring Break. My birthday falls on a Saturday this year, but tomorrow marks the anniversary, I’d say. I had to catch a train around 7:30am. The only midterm I hadn’t completed was the aforementioned Theater and Culture assignment. -
Forgotten Palestinians
1 2 3 4 5 6 7 8 9 THE FORGOTTEN PALESTINIANS 10 1 2 3 4 5 6x 7 8 9 20 1 2 3 4 5 6 7 8 9 30 1 2 3 4 5 36x 1 2 3 4 5 6 7 8 9 10 1 2 3 4 5 6 7 8 9 20 1 2 3 4 5 6 7 8 9 30 1 2 3 4 5 36x 1 2 3 4 5 THE FORGOTTEN 6 PALESTINIANS 7 8 A History of the Palestinians in Israel 9 10 1 2 3 Ilan Pappé 4 5 6x 7 8 9 20 1 2 3 4 5 6 7 8 9 30 1 2 3 4 YALE UNIVERSITY PRESS 5 NEW HAVEN AND LONDON 36x 1 In memory of the thirteen Palestinian citizens who were shot dead by the 2 Israeli police in October 2000 3 4 5 6 7 8 9 10 1 2 3 4 5 Copyright © 2011 Ilan Pappé 6 The right of Ilan Pappé to be identified as author of this work has been asserted by 7 him in accordance with the Copyright, Designs and Patents Act 1988. 8 All rights reserved. This book may not be reproduced in whole or in part, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright 9 Law and except by reviewers for the public press) without written permission from 20 the publishers. 1 For information about this and other Yale University Press publications, 2 please contact: U.S. -
Everyday Transcendence: Contemporary Art Film and the Return to Right Now
Wayne State University Wayne State University Dissertations January 2019 Everyday Transcendence: Contemporary Art Film And The Return To Right Now Aaron Pellerin Wayne State University Follow this and additional works at: https://digitalcommons.wayne.edu/oa_dissertations Part of the Film and Media Studies Commons Recommended Citation Pellerin, Aaron, "Everyday Transcendence: Contemporary Art Film And The Return To Right Now" (2019). Wayne State University Dissertations. 2333. https://digitalcommons.wayne.edu/oa_dissertations/2333 This Open Access Dissertation is brought to you for free and open access by DigitalCommons@WayneState. It has been accepted for inclusion in Wayne State University Dissertations by an authorized administrator of DigitalCommons@WayneState. EVERYDAY TRANSCENDENCE: CONTEMPORARY ART FILM AND THE RETURN TO RIGHT NOW by AARON PELLERIN DISSERTATION Submitted to the Graduate School of Wayne State University, Detroit, Michigan in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY 2019 MAJOR: ENGLISH (Film and Media Studies) Approved By: _________________________________________ Advisor Date _________________________________________ _________________________________________ _________________________________________ _________________________________________ © COPYRIGHT BY AARON PELLERIN 2019 All Rights Reserved DEDICATION For Sue, who always sees the magic in the everyday. ii ACKNOWLEDGEMENTS I‘d like to thank my committee, and in particular my advisor, Dr. Steve Shaviro. His encouragement, his insightful critiques, and his early advice to just write were all instrumental in making this work what it is. I likewise wish to thank Dr. Scott Richmond for the time and energy he put in as I struggled through the middle stages of the degree. I am also grateful for a series of challenging and exciting seminars I took with Steve, Scott, and also with Dr. -
Waltz Bashir
WALTZ created by WITH BASHIR AN ARI FOLMAN FILM THE MAKOM in collaboration with VIEWER’S GUIDE "We are invited on a voyage of discovery into Folman’s uncharted subconscious after his late-night mercy dash to a friend plagued by nightmares of being pursued by slathering hounds… The dreams, concludes Folman’s friend, are connected to a time in the early 1980s when both men were teenaged soldiers during an Israeli Army mission in the rst Lebanon war. It is at this point that Folman realizes that, although he knows he was present during the massacre of Palestinian refugees by a Christian Phalangist militia in August 1982 (Sabra and Shatila), he has little concrete recollection of the events. Folman then sets about gathering testimonials from friends and former colleagues to try and color in m the virtually blank sheet of his memory." The Times, UK What was Israel doing in Lebanon in the rst place? In June 1982, the Israeli army invaded South Lebanon after Israel’s civilians in northern towns had been bombarded by Palestinians for years from Lebanese territory. The Israeli government’s original plan was to occupy a 25 mile security zone in Lebanon in order to distance the Palestinian missiles from Israel's border. This mission turned into a full scale invasion of Lebanon, and set o a spiraling of events that led to the massacre of Palestinians by a Christian Phalangist militia in the Sabra and Shatila refugee camp. Israeli response to the Sabra and Shatila massacre The moment Israel's connection to Sabra and Shatila became known, Israelis took to the streets in protest.