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1 COM 321, Documentary Form in Film, Television, & Interactive Media 1/27/17 Documentarists and Documentary/Narrative Filmmakers Those listed are directors, unless otherwise noted. Documentary/Narrative Filmmakers—Many have done both: Name & Key Documentaries Key Narrative Works Nation Allen, Woody Zelig, 1983 (mockumentary) Annie Hall, 1977 US Manhattan, 1979 Altman, Robert The James Dean Story, 1957 M*A*S*H, 1970 US The Player, 1992 Short Cuts, 1993 Anderson, Lindsay Thursday’s Children, 1954 (with Guy if. , 1968 Britain Brenton) O Lucky Man!, 1973 Anderson, Paul Junun, 2015 Boogie Nights, 1997 Thomas There Will be Blood, 2007 The Master, 2012 Anger, Kenneth Kustom Kar Kommandos, 1963 Fireworks, 1947 US Scorpio Rising, 1964 Antonioni, Ragazze in bianco, 1949 L’Avventura, 1960 Michelangelo Chung Kuo – Cina, 1972 La Notte, 1961 Italy L'Eclisse, 1962 Apted, Michael The Up! series (1970‐2012 so far) Gorillas in the Mist, 1988 Britain Nell, 1994 The World is Not Enough, 1999 Berlinger, Joe Brother’s Keeper, 1992 Book of Shadows: Blair Witch 2, 2000 US The Paradise Lost Trilogy, 1996-2011 Facing the Wind, 2015 (all with Bruce Sinofsky) Berman, Shari The Young and the Dead, 2000 The Nanny Diaries, 2007 Springer & Pulcini, Hello, He Lied & Other Truths from Cinema Verite, 2011 Robert the Hollywood Trenches, 2002 Girl Most Likely, 2012 US American Splendor, 2003 (hybrid) Wanderlust, 2006 Blitz, Jeffrey Spellbound, 2002 Rocket Science, 2007 US Lucky, 2010 The Office, 2006-2013 (TV) Brakhage, Stan The Act of Seeing with One’s Own Dog Star Man, 1962 US Eyes, 1971 Mothlight, 1963 Broomfield, Nick Lily Tomlin, 1986 Ghosts, 2006 England Aileen Wuornos: The Selling of a Battle for Haditha, 2007 Serial Killer, 1992 Biggie and Tupac, 2002 Aileen: Life and Death of a Serial Killer, 2003 Bunuel, Luis Las Hurdes (Land Without Bread), Un Chien Andalou, 1928 (with Salvador 2 Spain/France 1933 (mockumentary?) Dali) L’Age D’Or, 1930 The Discreet Charm of the Bourgeoisie, 1972 Cameron, James Expedition Bismarck, 2002 Titanic, 1997 US Ghosts of the Abyss, 2003 Avatar, 2009 Capra, Frank Why We Fight series, 1942‐44 Mr. Deeds Goes to Town, 1936 US Mr. Smith Goes to Washington, 1939 It’s a Wonderful Life, 1946 Chukrai, Grigori Pamyat, 1971 Ballad of a Soldier, 1959 Soviet Union Cooper, Merian C. Grass: A Nation’s Battle for Life, 1925 The Four Feathers, 1929 US (with Ernest B. Schoedsack) King Kong, 1933 Chang: A Drama of the Wilderness, 1927 (with Ernest B. Schoedsack) Demme, Jonathan Stop Making Sense, 1984 Married to the Mob, 1988 US The Agronomist, 2003 Silence of the Lambs, 1991 Jimmy Carter Man from Plains, 2007 Philadelphia, 1993 Enzo Avitabile Music Life, 2012 Rachel Getting Married, 2008 Denis, Claire Jacques Rivette, the Watchman, 1990 Chocolat, 1988 France Beau Travail, 1999 35 Shots of Rum, 2008 Disney, Walt (Co.) The Living Desert, 1953 Bambi, 1942 US Swiss Family Robinson, 1960 Dovzhenko, The Fight for Our Soviet Ukraine, Arsenal, 1938 Alexander 1943 Soviet Union Eisenstein, Sergei Que Viva Mexico!, 1932 The Battleship Potemkin, 1925 Soviet Union Strike, 1925 Epstein, Rob The Times of Harvey Milk, 1984 Howl, 2010 US Common Threads: Stories from the Lovelace, 2013 Quilt, 1989 The Celluloid Closet, 1995 Fassbinder, Rainer Theater in Trance, 1981 Ali: Fear Eats the Soul, 1974 Werner Fox and His Friends, 1975 W. Germany Fellini, Federico Fellini: A Director’s Notebook, 1969 La Dolce Vita, 1960 Italy 8‐1/2, 1963 Amarcord, 1974 Folman, Ari Waltz with Bashir, 2008 The Congress, 2013 Israel Ford, John The Battle of Midway, 1944 The Grapes of Wrath, 1940 US The Searchers, 1956 Franju, Georges Blood of the Beasts, 1949 Eyes Without a Face, 1960 France Hotel of the Invalids, 1952 Spotlight on a Murderer, 1961 Godard, Jean‐Luc Operation Beton, 1955 Breathless, 1960 France Alphaville, 1965 Gordon, Seth The King of Kong: A Fistful of Horrible Bosses, 2010 US Quarters, 2007 Identity Thief, 2013 Freakonomics, 2010 Granik, Debra Stray Dog, 2014 Winter’s Bone, 2010 3 US Guest, Christopher Waiting for Guffman, 1996 The Big Picture, 1989 US (mockumentary) Attack of the 50 Ft. Woman, 1993 Best in Show, 2000 (mockumentary) Guggenheim, Davis An Inconvenient Truth, 2006 Training Day, 2001 (executive producer) US Waiting for Superman, 2010 The Shield, 2003, and other TV series Herzog, Werner Little Dieter Needs to Fly, 1997 Aguirre, The Wrath of God, 1972 (W.) Germany My Best Fiend, 1999 Nosferatu the Vampyre, 1979 Grizzly Man, 2005 Fitzcarraldo, 1982 Cave of Forgotten Dreams, 2010 Into the Abyss, 2011 Hickenlooper, Hearts of Darkness: A Filmmaker’s Factory Girl, 2006 George Apocalypse, 1991 Casino Jack, 2010 US “Hick” Town, 2009 Hitchcock, Alfred Memory of the Camps, 1945 Rear Window, 1954 US (co‐writer, co‐editor; incomplete & Vertigo, 1958 unreleased until 1985 PBS Frontline) North by Northwest, 1959 Huston, John The Battle of San Pietro, 1944 The Maltese Falcon, 1941 US The Treasure of the Sierra Madre, 1948 James, Steve Hoop Dreams, 1994 Prefontaine, 1997 (producer/director) The Interrupters, 2011 US Life Itself, 2014 Jarecki, Andrew Capturing the Friedmans, 2003 All Good Things, 2010 US The Jinx: The Life and Deaths of Robert Durst, 2015 Kaye, Tony Lake of Fire, 2006 American History X, 1998 US Kieslowski, Krzysztof Workers, 1971 The Decalogue, 1989-90 Poland Talking Heads, 1980 Blue/White/Red Trilogy, 1993-4 Kopple, Barbara Harlan County U.S.A., 1976 Havoc, 2005 US Wild Man Blues, 1997 Homicide: Life on the Street, 1997‐1999 (TV Shut Up and Sing, 2006 series) Running from Crazy, 2013 Kubrick, Stanley Day of the Fight, 1951 Dr. Strangelove . , 1964 Britain 2001: A Space Odyssey, 1968 Lee, Spike 4 Little Girls, 1997 Do The Right Thing, 1989 US When The Levees Broke: A Requiem Malcolm X, 1992 In Four Acts, 2006 Loach, Ken Save the Children Fund Film, 1971 Kes, 1969 England Which Side are You On?, 1985 The Wind That Shakes the Barley, 2006 The Spirit of ’45, 2013 Lumet, Sidney King: A Filmed Record…Montgomery 12 Angry Men, 1957 US to Memphis, 1970 Dog Day Afternoon, 1975 Network, 1976 Lumiere, Auguste & Workers Leaving the Lumiere Factory, The Sprinkler Sprinkled, 1895 Louis 1895 Transformation by Hats, 1895 France Baby’s Breakfast, 1895 Fishing for Goldfish, 1895 Macdonald, Kevin The Making of an Englishman, 1995 The Last King of Scotland, 2006 Scotland (about his grandfather, Emeric State of Play, 2009 Pressburger) How I Live Now, 2013 4 One Day in September, 2000 A Brief History of Errol Morris, 2000 Touching the Void, 2003 Life In a Day, 2011 (hybrid?) Marley, 2012 Malle, Louis Phantom India, 1968 Pretty Baby, 1978 France ... And the Pursuit of Happiness, 1986 My Dinner with Andre, 1981 Marker, Chris Letters from Siberia, 1957 La Jetee, 1962 France The Lovely Month of May, 1963 A Grin Without a Cat, 1977 Sans Soleil, 1983 A.K. (Akira Kurosawa), 1985 Marsh, James Man on Wire, 2008 The King, 2005 Project Nim, 2011 The Theory of Everything, 2014 Miller, Bennett The Cruise, 1998 Capote, 2005 Moneyball, 2011 Foxcatcher, 2014 Morris, Errol Gates of Heaven, 1978 The Dark Wind, 1991 US The Thin Blue Line, 1989 Holland, Michigan, announced 2015 The Fog of War, 2003 Tabloid, 2010 The Unknown Known, 2013 Murnau, F. W. Tabu: A Story of the South Seas, 1931 Nosferatu, 1922 Germany Sunrise, 1927 Nair, Mira India Cabaret, 1985 Monsoon Wedding, 2001 India/US Amelia, 2009 Panahi, Jafar The Wounded Heads, 1988 The White Balloon, 1995 Iran This is Not a Film, 2012 Offside, 2006 Pasolini, Pier Paolo Love Meetings, 1965 The Decameron, 1971 Italy Notes for an African Orestes, 1970 Salo, or the 120 Days of Sodom, 1975 Polley, Sarah Stories We Tell, 2012 Away From Her, 2006 US Ray, Satyajit Rabindranath Tagore, 1953 The Apu Trilogy, 1959 India Resnais, Alain Night and Fog, 1955 Hiroshima, Mon Amour, 1959 France Last Year in Marienbad, 1961 Richardson, Tony Momma Don’t Allow, 1956 (with Tom Jones, 1963 Britain Karel Reisz) The Loved One, 1965 Riefenstahl, Leni Triumph of the Will, 1935 The Blue Light, 1932 Germany Olympia, 1938 Ruttmann, Walter Berlin: Symphony of a Metropolis, Opus I, 1921 Germany 1927 Opus II, 1923 Schlondorff, Volker Billy Wilder Speaks, 1992 Young Torless, 1966 Germany The Michael Nyman Songbook, 1992 The Tin Drum, 1979 Scorsese, Martin Woodstock, 1970 (editor) Taxi Driver, 1976 US The Last Waltz, 1978 Raging Bull, 1980 Shine a Light, 2008 Goodfellas, 1990 Sembene, Ousmane The Sonhrai Empire, 1963 Black Girl, 1966 Senegal L’Afrique aux Olympiades, 1973 Spheeris, Penelope The Decline of Western Civilization Wayne’s World, 1992 US Part II: The Metal Years, 1988 5 Stevens, George That Justice be Done, 1945 A Place in the Sun, 1951 US The Nazi Plan, 1945 Shane, 1953 Giant, 1956 Syberberg, The Confessions of Winifred Wagner, Hitler: A Film From Germany, 1977 Hans‐Jurgen 1975 Parsifal, 1982 (W.) Germany Syberberg Films Brecht, 1993 Tarr, Bela City Life, 1990 Damnation, 1988 Hungary The Turin Horse, 2011 Varda, Agnes Jacquot de Nantes, 1991 Cleo from 5 to 7, 1962 France The Gleaners and I, 2000 Vagabond, 1985 The Beaches of Agnes, 2009 Verhoeven, Michael The Second Execution of Romell The White Rose, 1982 (W.) Germany Broom, 2012 The Nasty Girl, 1990 Vigo, Jean Apropos de Nice, 1930 Zero for Conduct, 1933 France L’Atalante, 1934 Warhol, Andy Sleep, 1963 Empire, 1964 Batman Dracula, 1964 US The Velvet Underground and Nico, Vinyl, 1965 1966 Chelsea Girls, 1966 Watkins, Peter The Battle of Culloden, 1964 The War Game, 1965 Britain (reenactment) Punishment Park, 1971 (“pseudo‐doc”) The Media Project, 1991 Welles, Orson F for Fake, 1975 Citizen Kane, 1941 US The Magnificent
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  • Michael Moore: a Man on a Mission Or How Far A

    Michael Moore: a Man on a Mission Or How Far A

    Michael Moore: A Man on a Mission or How Far a Reinvigorated Populism Can Take Us Garry Watson (Cineaction 70) My focus in this essay will be on Michael Mooreʼs four documentaries – Roger and Me (1989), The Big One (1997), Bowling for Columbine (2002) and Fahrenheit 9/11 (2004) – with most of my attention being given to the first and third of these, and least to the second. These four films are significant and worth studying for a number of reasons: (i) The size of the audiences they have succeeded in reaching; (ii) the political impact they have had (on which, among other things, see Robert Brent Toplinʼs useful book on Michael Mooreʼs “Fahreneit 9/11”: How One Film Divided A Nation [2006]); (iii) and the extent to which they helped prepare the reception for such recent political documentaries as, for example, Errol Morrisʼs The Fog of War (2004), Mark Achbar and Jennifer Abbottʼs The Corporation (2005), Alex Gibneyʼs Enron: The Smartest Guys in the Room (2005), Eugene Jareckiʼs Why We Fight (2005), David Guggenheimʼs An Inconvenient Truth (2006), and Chris Paineʼs Who Killed the Electric Car? (2006). It may not be redundant to rehearse some of the facts. If Roger and Me was more successful at the box office than any documentary that preceded it, Moore went on to break the same record on two subsequent occasions – first with Bowling for Columbine, then with Fahrenheit 9/11. And as far as the latter is concerned, we get some sense of the excitement that was generated when it first screened in the US by the Foreword that John Berger wrote in 2004 for The Official “Fahrenheit 9/11” Reader (while the film was “still playing in hundreds of theaters across America”1).