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Home , A Man Vanishes, Ballad of a Soldier, Bicycle Thieves, BRD Trilogy, Burnt by the Sun, Death by Hanging

Index

Academy Awards (Oscars), 34, 57, Antares , 2 1 8 98, 103, 167, 184 Antonioni, Michelangelo, 80–90, Actors ’ Studio, 5 7 92–93, 118, 159, 170, 188, 193, Adaptation, 1, 3, 23–24, 69–70, 243, 255 98–100, 111, 121, 125, 145, 169, Ariel , 158–160 171, 178–179, 182, 184, 197–199, Aristotle, 2 4 , 80 201–204, 206, 273 Armstrong, Gillian, 121, 124, 129 A denauer, Konrad, 1 3 4 , 137 Armstrong, Louis, 180 A lbee, Edward, 113 L ’ Atalante, 63 Alexandra, 176 Atget, Eugène, 64 Aliyev, Arif, 175 Auteurism , 6 7 , 118, 142, 145, 147, All About Anna , 2 18 149, 175, 187, 195, 269 All My Sons , 52 Avant-gardism, 82 Amidei, Sergio, 36 L ’ A vventura ( The Adventure), 80–90, Anatomy of Hell, 2 18 243, 255, 270, 272, 274 And Life Goes On . . . , 186, 238 Anderson, Lindsay, 58 Baba, Masuru, 145 Andersson,COPYRIGHTED Karl, 27 Bach, MATERIAL Johann Sebastian, 92 Anne Pedersdotter , 2 3 , 25 Bagheri, Abdolhossein, 195 Ansah, Kwaw, 157 Baise-moi, 2 18

Film Analysis: A Casebook, First Edition. Bert Cardullo. © 2015 John Wiley & Sons, Inc. Published 2015 by John Wiley & Sons, Inc.

284 Index

Bal Poussière , 157 Bodrov, Sergei Jr., 184 Balabanov, Aleksei, 176, 184 Bolshevism, 5 The Ballad of Narayama , 147, Boogie , 234 149–150 Braine, John, 69–70 , 174, 183–184 Bram Stoker’ s Dracula , 1 Bancroft, Anne, 114 Brando, Marlon, 5 4 , 56–57, 59 Banks, Russell, 197–198, 201–204, Brandt, Willy, 137 206 BRD Trilogy (Fassbinder), see FRG Barbarosa, 129 Trilogy Barker, Philip, 207 Breaker Morant, 120, 129 Barrett, Ray, 128 Breathless , 60, 62, 67 Battle in Heaven, 2 17–225, 266–267, Brecht, Bertolt, 8 2 , 187 270, 273 Breillat, Catherine, 217 Bazin, André, 6 6 , 100 Bresson, Robert, 4 2 , 96, 159, 164, BBC (British Broadcasting 195, 210, 224, 274 Corporation), 136 Brezhnev, Leonid, 175 Le Beau Serge , 67 Brightness , 156–157 Bebey, Francis, 154 Brinton, Ralph, 70 Beethoven, Ludwig van, 136 Brizzi, Anchise, 37 , 166 Broadway, 52, 113 Belle de Jour, 2 19 Brody, Adrian, 216 Bellocchio, Marco, 2 1 7 Brother, 176, 184 Ben Hur, 95 The Brown Bunny, 2 17 Benoît-Levy, Jean, 153 Browning, Robert, 203–206 Beresford, Bruce, 120–121, 124, 129 Brueghel, Pieter, 142 Bergman, Ingmar, 65, 91–97, 195, Bucur, Dragoş , 234 207, 256–257 Buñuel, Luis, 1 6 7 , 219 Berlin Alexanderplatz, 132 , 1 8 4 Berlin Film Festival, 167 Burstall, Tim, 121 Bernstein, Leonard, 57–58 Burton, Richard, 113 , 34 Byrd, George, 136 The Big Parade, 166 Birsel, Taner, 246–247 The Cabinet of Dr. Caligari, 2 , 82 B jörnstrand, Gunnar, 94 Cahiers du cinéma, 138 Black Mountain Road , 166 Cain, James M., 170–171 Black Rain, 150 , 8 0 , 129, 150, Bloody Dawn , 166 167, 172, 186, 209–210, 216 Blow-Up , 118 , 99 Bodrov, Sergei, 174–185, 263–264 Carnal Knowledge , 118

285 Index

Carroll, Peter, 128 Comedy, 42–51, 99–100, 102–103, Catholicism, 95–96, 124, 146, 111–116, 138, 158, 160, 162–164, 221–222 172, 175, 192, 197, 232, 234, 237, Ceauşescu, Nicolae, 228–229, 245, 269–270, 273 232–233 commedia dell’ arte, 47 Ceylan, Ebru, 240 Communism, 53, 59, 103, 105, 141, Ceylan, Emin, 238 166, 172, 234 Ceylan, Fatma, 238 Confusion , 46 Ceylan, Nuri Bilge, 236–247, Coppola, Francis Ford, 1 267–268 Les Cousins, 6 7 Chabrol, Claude, 6 1 , 67 , 174 The Chant of Jimmie Blacksmith , The Creatures , 67 120–130, 258–259, 270–271, Crime and Punishment , 158 273 Crime at a Girls’ School , 9 9 – 100 Chaplin, Charles, 42–43, 50 Crime in a Nightclub , 9 9 – 100 Chechnyan War, 174–185 Cronaca di un Amore , see Story of a The Checkpoint, 176 Love Affair Chekhov, Anton, 244–245 Cui, César, 176 Chen, Kaige, 166 Cultural Revolution (China), 167, Chenal, Pierre, 170 172 Chocolat , 151, 153 Curse of the Golden Flower, 173 The Choice , 151 Czech Renaissance, see New Wave Christianity, 54, 57–59, 123, (Czech) 210–211, 214–216, 273 Chukhrai, Grigori, 183 Daniels, William, 115 Chytilová, Vě ra, 98 Danna, Mychael, 205 Cicognini, Alessandro, 37 Daquin, Louis, 1 54 CinemaScope, 243 Dardenne, Jean-Pierre, 209–216, Ciné-Tamaris (production 265–266 company), 60 Dardenne, Luc, 209–216, 265–266 Cisse, Souleymane, 156–157 Davis, Judy, 120 , 6 1 Day of Wrath , 23–33, 96, 250–251, Clayton, Jack, 69–79, 254–255 270, 273 Cléo from 5 to 7, 6 1, 67 De Palma, Brian, 127 Climates , 2 40 De Sica, Vittorio, 34–41, 102, , 9 8 – 107, 257, 251–252 271, 273 Death by Hanging, 142 Clouds of May, 238–240 “The Death of Mr. Baltisberger,” Cobb, Lee J., 54 99

286 Index

Death of a Salesman , 52 Erhard, Ludwig, 131–132 Denis, Claire, 151, 153 Ershadi, Homayoun, 195 Department of Sanitation, 87 Euripides, 27 Le Dernier Tournant (The Last Turn ), Existentialism, 187, 195, 223 1 70 Expressionism, 2–3, 6–8, 10–11, Devil in the Flesh , 2 17 82–88, 228 The Devil ’ s Playground , 124, 129 Diary of a Country Priest, 96 “Faith” Trilogy (Bergman), 91–92, Diary of a Shinjuku Thieff, 142 95–96 Dickinson, Emily, 197 FAMU (Faculty of the Academy of Dies Irae , 28 Dramatic Arts [Czech]), 98 Dietrich, Marlene, 1 3 4 , 138 , 5 8 , 102, 272 The Disenchanted , 53 Fassbinder, Rainer Werner, 131– Distant , 239–241 139, 259–260 Documentary, 37, 43, 59, 61, 67, Fatimata, Sanga, 156 141, 143–145, 147, 187, 212, 270 Faulkner, William, 62 Dodds, Steve, 128 Fellini, Federico, 88 Dog Days, 2 18 Fields, W. C., 46 (The Sweet Life) , 88 Fifth Generation (China), 166 Donen, Stanley, 115 Fifth Symphony (Beethoven), 136 La Donna Lupo, 2 18 Film noir, 5 8 , 81, 219, 242 Dostoyevsky, Fyodor, 158 “Fishermen of Capri,” 136 Dracula , 1, 3, 5 Flynn, Errol, 184 Dressed to Kill , 127 Formalism, 1 0 0 Dreyer, Carl-Theodor, 23–33, 96, Forman, Miloš, 103 250–251 , 60, 67 Duparc, Henry, 157 4 Months, 3 Weeks, and 2 Days , Duvivier, Julien, 153 227–228, 234 Franci, Adolfo, 36 L ’ E clisse (Eclipse ), 81, 87, 88, 193 Francis, Freddie, 70 The Eel , 143, 150 Freud, Sigmund, 2 Effi Briest , 1 32 FRG Trilogy (Fassbinder), 131–132 Egoyan, Atom, 197–208, 265 Fröhlich, Pea, 132 Eijanaika, 1 4 7 Fu-hsi, Fu-hsi , 1 6 9 Eisenstein, Sergei, 174 Eisner, Lotte, 2 Gabin, Jean, 19 L ’ Enfant, 2 10–211 Galeen, Henrik, 4 Entomological Chronicles of Gallo, Vincent, 2 1 7 (a.k.a. In sect Woman), 142 Garfunkel, Art, 114

287 Index

Genuine , 85 Henry: Portrait of a Serial Killer, 150 Germany, Year Zero, 210 Heritage Africa, 157 The Getting of Wisdom, 120, 124 Hernández, Marcos, 224 Gibson, Mel, 120 Hero , 173 The Gift of God , 1 5 1 Hillcoat, John, 128 Giller, Boris, 175 Hippolytus , 2 7 Giulia , 2 1 8 Hirohito, Michinomiya, 141 , 67 Hiroshima, Mon Amour, 67 “Go Down Moses,” 180 Hitchcock, Alfred, 2 2 3 , 234 “God Sees the Truth, But Waits,” Hitler, Adolf, 5 , 12, 14, 105, 137, 178, 183 272 Godard, Jean-Luc, 60–62, 141, 195 Hoffman, Dustin, 1 0 8 , 115, 117 Golden Boy, 52 Hollywood, viii, 52–53, 103, 120, The Golem , 82 129, 138, 218, 269, 272 Gomes, Flora, 157 Holm, Ian, 207 Gong, Li, 167, 169 Hondo, Med, 151 Gorbachev, Mikhail, 175 Horace, 2 4 The Gospel According to St. Matthew , The Horse Thieff, 166 96 House of Flying Daggers , 173 Gourmet, Olivier, 215–216 House of Fools , 177 Governor, Jimmy, 121 House Un-American Activities , 108–119, 258, Committee (HUAC), 53–54, 59 270–271, 273 Houston, Penelope, 73, 86 , 12–22, 249–250, Hrabal, Bohumil, 98–100, 104–105 270, 272 The Hudson Review, 174 The Greatest Story Ever Told, 95 , 154 Grede, Kjell, 154 Greenwood, Bruce, 2 0 7 I Served the King of England, Griffi th, D. W., 2 0 , 174 103–106 Group Theatre, 52 I Stand Alone, 2 1 8 Gu, Changwei, 171 Iceman, 129 Guardami, 218 The Idiots , 218 Imamura, Shohei, 140–150, Hamlet Goes to Business, 158–159 260–261 Hannam, Ken, 1 2 9 Impressionism, 3, 237 The Harder They Fall , 5 3 In the Cut, 2 18 Harlow, Jean, 138 “In the Mood,” 136 Hasenclever, Walter, 82 In the Realm of the Senses, 217 Henry, Buck, 108 In Search of Unreturned Soldiers , 144

288 Index

Interlenghi, Franco, 35–36 Kinoshita, Keisuke, 141 Intimacy, 218 Kleist, Heinrich von, 133 Islam, 174–196, 273 Klos, Elmar, 103 Ivanov, Vlad, 234 Kluge, Alexander, 132 Ivashev, Vladimir, 184 , 184 Konchalovsky, Andrei, 177 J a gger, Mick, 120 Kornfeld, Paul, 82 Jannings, Emil, 10 Kracauer, Siegfried, 5 Japón , 2 18, 224 Kurosawa, Akira, 1 8 6 , 198 Jarmusch, Jim, 159 J ireš, Jaromil, 98 Lamy, Benoît, 156 Johnson, Malcolm, 52–53 , 99 Johnson, Samuel, 28 The Last Laugh, see De r letzte Joyce, James, 4 5 Mann , 166–173, 263, 270, 272–273 The Last Man, see Der letzte Mann Judaism, 16, 18 Leander, Zarah, 136 Lebeshev, Pavel, 177 Kaboré, Gaston, 151 Lemmon, Jack, 115 Kadár, Jan, 103 Leone, Sergio, 243 Kael, Pauline, 129 Lermontov, Mikhail, 176 Kaiser, Georg, 82 Der letzte Mann, 10 Kälin, Matthias, 156 Lewis, Tommy, 127–128 Karayuki-san: The Making of a Li, Boatian, 169 Prostitute , 1 4 4 Li, Shaohong, 166 Kauffmann, Stanley, 77 Li, Wei, 168 Kaufman, Boris, 55 Li Lianying , 166 Kaurismäki, Aki, 158–165, 262–263 The Lighthouse, 177 Kazan, Elia, 52–59, 226, 252–253 Little Vera , 175 Keaton, Buster, 42–43, 164, 237 Liu, Heng, 169 Keneally, Thomas, 121, 125 Lola , 131–132 Kesal, Ercan, 2 4 1 , 245 , 103 Khotinenko, Vladimir, 176 Lutheranism, 9 3 , 95 Khrushchev, Nikita, 174 Kiarostami, Abbas, 166–167, Machinal, 85 186–196, 237–238, 240, 243, The Magician, 92 264–265, 272 Malden, Karl, 54 , 2 10–211 , 142 King Lear, 2 8 , 30, 32, 91 Marcoen, Alain, 212 King of Kings, 95 Marinne, Morgan, 216

289 Index

The Marriage of Maria Braun, Muntean, Radu, 234 131–139, 259–260, 270 Murnau, F. W., 1–11, 248–249 The Marriages of Our Parents, 132 Mushkadiz, Anapola, 224 Märthesheimer, Peter, 132 The Muslim, 176 Martin, Steve, 1 1 5 Mussolini, Benito, 12 Martínez Vignatti, Diego, 225 Mweze, Ngangura, 156 Marx Brothers, 46 My Brilliant Career , 1 2 0 , 124, 129 Marxism, 99 , 154 The Match Factory Girl , 158–165, My Uncle , 44–45 262–263, 270, 272, 274 La Maternelle , 153 Naruse, Mikio, 1 4 1 McDowell, Roddy, 35 Naturalism, 8 2 , 95, 100, 136, 150, McNaughton, John, 150 210, 212, 215, 228 Mekhralieva, Susanna, 183 Nazism, 5 , 8, 26–27, 74, 100, 102, Melodrama, 24–25, 27, 38, 59, 105, 132, 136 72–73, 78, 136, 240, 269 Neckár, Václav, 100 Menshikov, Oleg, 184 Ned Kelly, 120 Menzel, Jiří, 98–107, 257 N ě mec, Jan, 98 The Method (acting), 57 Neoclassicism, 24 Metropolis, 82 (Italian), 20, 34–41, 61, Mikhalkov, Nikita, 184 63, 82, 211, 224, 271 Mildred Pierce , 135 New American Cinema, 1 0 8 , 118 Miller, Arthur, 52 New Australian Cinema, 1 2 1 , 129 Miller, George, 121 New Romanian Cinema, 226–235, Miller, Glenn, 136 272 , 3 4 New Wave (Czech), 98, 103 Mr. Hulot ’ s Holiday, 42–51, 252, New Wave (French), 60–68, 141 273–274 New Wave (Japanese), 141, 144 Mizoguchi, Kenji, 141 New York Film Festival, 138 Modernism, 2 4 , 45, 60, 67 New York Sun, 52 Monfort, Silvia, 61–62 New York Times , 1 3 8 Monsigny, Jean, 156 Nichols, Mike, 108–119, 258 Monty Python, 163 Nietzsche, Friedrich, 14 “Moonlight Serenade,” 136 , 142 Moradi, Safi r Ali, 1 9 5 Studio, 141–144 Moravia, Alberto, 102 9 Songs, 2 17 Mortu Nega , 1 5 7 Nishiguchi, Akira, 145 Munch, Edvard, 88 Noiret, Philippe, 62, 64 Mungiu, Cristian, 227–228 Nosferatu, 1–11, 248–249, 272–273

290 Index

Not One Less , 172 , 154 (The Night) , 81, 87 People of the Po, 87 Nouri, Mir Hossein, 195 Persona, 65 Noyce, Phillip, 121 Phaedra, 2 7 Nykvist, Sven, 93, 207 The Pianist, 216 Pickpocket , 2 1 0 Odets, Clifford, 52 Picnic at Hanging Rockk, 120, 124 Oedipus the King, 3 2 , 113 “The Pied Piper of Hamelin,” Ogata, Ken, 147 203–206 On the Beach , 120 , 142 , 52–59, 252–253, Playtime, 45–46 270, 273–274 Poil de Carotte , 153 Once Upon a Time in Anatolia, , 60–68, 253–254, 236–247, 267–268, 272–273 270, 272, 274 Once Upon a Time in the West, Polax, 2 18 243 Police, Adjective , 226–235, 243, 267, The One and the Eight , 166 270, 273 One Sings, the Other Doesn ’t , 67 Polley, Sarah, 207 Oscars, see , 142–143 Oshima, Nagisa, 141–142, 217 Pornography, 217–225, 273 (Obsession ), 170 Portrait of Innocence , 154 Othello , 3 2 Porumboiu, Corneliu, 226–235, Ouédraogo, Idrissa, 151–157, 243, 267 261–262 The Postman Always Rings Twice , The Outcry (a.k.a. T he Cry), 87 170–171 Outinen, Kati, 159, 161 “A Prisoner of the Caucasus,” Özdemir, Muzaffer, 240 175–176, 178–179, 182–184 Ozu, Yasujiro, 141, 159 Prisoner of the Mountains, 174–185, 263–264, 270, 272–273 Panahi, Jafar, 190 The Profound Desire of the Gods Panavision, 45 (a.k.a. Tales from a Southern Isle ), Panduru, Marius, 231 142, 144 Parade , 46 Proletariat Trilogy (Kaurismäki), Pasolini, Pier Paolo, 9 6 , 153, 273 158, 160 The Passion of Joan of Arc, 23 , 2 0 9 , 211, 214–216 Paterson, Neil, 7 0 The Proposition, 128 Pathfi nder, 153 Protestantism, 96 Payvar, Homayoun, 1 88 Pudovkin, Vsevolod, 174 , 98–99 Puiu, Cristi, 234

291 Index

Pulitzer Prize, 52 Saakyan, Mariya, 177 Pushkin, Alexander, 176 S aint, Eva Marie, 54 “St. James Infi rmary,” 194 Quo Vadis?, 95 Saki, Ryuzo, 145 Salminen, Timo, 161 Racine, Jean, 27 Sarossy, Paul, 207 , 167–168, 171, Sarraounia, 151 173 Sarris, Andrew, 138 , 1 8 6 , 198 Schepisi, Fred, 120–130, 258–259 Ray, Satyajit, 20 Schepisi, Rhonda, 128 Realism, 10–11, 15, 35, 49, 63, 69, Schindler ’ s List , 121 81–82, 88, 100, 103, 106, 151–152, Schlöndorff, Volker, 132 166, 174–175, 189, 195, 209–210, Schmidt, Helmut, 137 218, 234, 237, 247, 272 Schneider, Romy, 132 Red Desert , 8 1, 88, 188 Schorm, Evald, 98 Red Sorghum, 167–168, 171 Schrader, Paul, 3 2 Reitz, Edgar, 132 Schulberg, Budd, 53, 58–59 Renoir, Auguste, 21 Schuricke, Rudi, 136 Renoir, Jean, 1 2–22, 249–250 Schygulla, Hanna, 132, 134, 138 Repentance, 175 Sciuscià, see Sh oeshine Resnais, Alain, 60–62 The Scream, 88 Reygadas, , 217–225, SDS (Students for a Democratic 266–267 Society), 117 Reynolds, Freddy, 128 , 103 Ritualism, 155–156 Sembène, Ousmane, 156 Rivette, Jacques, 141 Sentimentality, 64, 155, 174–175, The Road Home , 172–173 183, 207, 269 Roeg, Nicolas, 126 , 9 1–92 Rogozhkin, Alexander, 176 Shadows of Our Forgotten Ancestors, Rohmer, Eric, 1 4 1 174 Romance , 2 1 7 Shadows in Paradise, 1 5 8 , 160 Room at the Top, 69–79, 254–255, Shakespeare, William, 32, 158 270–273 Shanghai Triad , 1 7 3 Rosetta, 2 0 9 , 211, 214–216 Sheen, Martin, 184 Ross, Katharine, 114–115 Shinoda, Masahiro, 141 Rossellini, Roberto, 6 6 , 210 Shochiku Studio, 1 4 2 , 145 Roxanne , 1 2 9 Shoeshine, 34–41, 251–252, 270–272 , 12 , 103 The House , 129 The Silence, 9 1–92

292 Index

The Silence of Lorna , 2 10–211 Tati, Jacques, 4 2–51, 252 Simon, John, 129 Taverner, John, 224 Simon, Paul, 114 Taylor, Elizabeth, 113 Sinatra, Frank, 54 , 63–64 Skvorecký, Josef, 99 Tessier, Max, 142 The Small Town, 237–239 Théâtre National Populaire, 62 Smordoni, Rinaldo, 35–36 Theme, 175 Socialism, 102–103 Thomas of Celano, 2 8 Sofr, Jaromír, 100 Three Monkeys, 2 40–242 Sokurov, Alexander, 1 7 6 Through a Glass Darkly, 9 1–92 The Son, 209–216, 265–266, 270– Through the Olive Trees, 186, 238 271, 273 Thulin, Ingrid, 94 Sophocles, 32 Tian, Zhuangzhuang, 166 Sorge, Reinhard, 82 Tilaïï, 156–157 Spaak, Charles, 14–15 Tiryaki, Gökhan, 243 Spanish Civil War, 12 To Damascus , 3 Spiegel, Sam, 53 To Live, 172 Stalin, Joseph, 174–175, 184 Toller, Ernst, 82 Steiger, Rod, 54 Tolstoy, Leo, 175–176, 178, 182– Stockwell, Dean, 3 5 184, 211 Stoker, Bram, 1 , 3, 5 Toprak, M. Emin, 239–240 Stolen Desire, 143 A Town of Love and Hope, 142 Story of a Love Affair , 8 7 , 170 Traffi c , 46 The Story of Qiu Ju , 172–173 Tragedy, 10, 23–33, 37–40, 72–73, A Streetcar Named Desire, 52 77–78, 99, 102–103, 121, 123, 128, Strindberg, August, 3 168, 200, 237, 270 Stroheim, Erich von, 1 9 Tragicomedy, 12, 103 The Student of Prague, 8 2 Treadwell, Sophie, 85 Stuff and Dough, 234 The Trial of Joan of Arc , 9 6 Sunday Too Far Away , 1 2 9 Truffaut, François, 20, 60–61, 138, Surrealism, 2 , 102 141 Sverák, Jan, 184 12:08 East of Bucharest , 228–230 The Sweet Hereafter, 197–208, 265, Two for the Road, 115 270–271, 273 Two or Three Things I Know About Sydow, Max von, 94 Her , 6 2 , 102 Tamburella, Paolo William, 3 5 A , 186–196, 243, Ulysses , 45 264–265, 272–273 Umberto D. , 3 4

293 Index

Unholy Desire , 143 Who Looks for Gold? , 103 Uzuner, Muhammet, 246 Who ’ s Afraid of Virginia Woolf? , 113 Wiene, Robert, 2 , 85 Vagabond , 6 1, 64, 67 Wiers-Jenssen, Hans, 23, 25 Valente, Caterina, 136 The Wild Palms , 6 2 Vampire , 2 3 Wilde, Oscar, viii Vanč ura, Vladislav, 9 9 Williams, Robin, 115 Varda, Agnès, 60–68, 253–254 Williams, Tennessee, 52 Velvet Revolution, 103 Willingham, Calder, 108 Vengeance Is Mine , 140–150, Wilson, Elizabeth, 114 260–261, 273 The Wind Will Carry Us, 186–187, Venice Film Festival, 1 6 7 , 186 238 Verism, 219 , 91–97, 256–257, 270, , 131 273 La Vie Est Belle , 156 Winterbottom, Michael, 217 Vietnam War, 117 Wood, Robin, 2 Vigo, Jean, 63 The Word, 2 3 , 96 The Village Fair, 43–44 World War I, 5 , 12–22, 81, 124 Village Voice , 138 World War II, 8 , 12, 14, 34–35, 37, Viola, Cesare Giulio, 36 73–74, 76, 81–82, 98–106, , 9 1, 96 131–141, 144, 146–148, 150, 167, Visconti, Luchino, 63–64, 170 174, 177, 183 Vitti, Monica, 88 Vivaldi, Antonio, 1 3 6 Yaaba , 151–157, 261–262, 270 Voyage in , 6 6 Yang, Edward, 237 Yellow Earth, 166 Walkabout, 126 Yoshishige, Yoshida, 141 Warner Brothers, 135 Young, Vernon, 174 Warning Shadows, 82 Warshow, Robert, 3 2 Zavattini, Cesare, 34–36, 102, Webb, Charles, 1 0 8 , 111–112, 117 152–153 Weir, Peter, 120–121, 124 , 1 4 4 , 147 Welles, Orson, 20 Zhang, Junzhao, 166 What Makes Sammy Run?, 5 3 Zhang, Yimou, 166–173, 263 When Evening Falls on Bucharest or Zhou, Xiaowen, 166 Metabolism, 235 Zimmermann, Herbert, 137 , 190 Zola, Émile, 2 1 1

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