Index
Academy Awards (Oscars), 34, 57,
98, 103, 167, 184 Actors’ Studio, 5 7 Adaptation, 1, 3, 23–24, 69–70,
98–100, 111, 121, 125, 145, 169, 171, 178–179, 182, 184, 197–199, 201–204, 206, 273 A denauer, Konrad, 1 3 4 , 137 A lbee, Edward, 113
Antares, 2 1 8
Antonioni, Michelangelo, 80–90,
92–93, 118, 159, 170, 188, 193, 243, 255
Ariel, 158–160
Aristotle, 2 4 , 80 Armstrong, Gillian, 121, 124, 129 Armstrong, Louis, 180
L’Atalante, 63
Alexandra, 176
Atget, Eugène, 64
Aliyev, Arif, 175
All About Anna, 2 18 All My Sons, 52
Auteurism, 6 7 , 118, 142, 145, 147,
149, 175, 187, 195, 269 Avant-gardism, 82
Amidei, Sergio, 36
Anatomy of Hell, 2 18
L’A vventura (The Adventure), 80–90,
243, 255, 270, 272, 274
And Life Goes O n..., 186, 238
Anderson, Lindsay, 58 Andersson, Karl, 27
Anne Pedersdotter, 2 3 , 25
Ansah, Kwaw, 157
Baba, Masuru, 145 Bach, Johann Sebastian, 92 Bagheri, Abdolhossein, 195
Baise-moi, 2 18
Film Analysis: A Casebook, First Edition. Bert Cardullo.
© 2015 John Wiley & Sons, Inc. Published 2015 by John Wiley & Sons, Inc.
284
Index
Bal Poussière, 157
Bodrov, Sergei Jr., 184 Bolshevism, 5
Boogie, 234
Braine, John, 69–70
Bram Stoker’s Dracula, 1
Brando, Marlon, 5 4 , 56–57, 59 Brandt, Willy, 137
Balabanov, Aleksei, 176, 184
The Ballad of Narayama, 147,
149–150
Ballad of a Soldier, 174, 183–184
Bancroft, Anne, 114 Banks, Russell, 197–198, 201–204,
- 206
- BRD Trilogy (Fassbinder), see FRG
Trilogy
Barbarosa, 129
Barker, Philip, 207 Barrett, Ray, 128 Battle in Heaven, 2 17–225, 266–267,
270, 273 Bazin, André, 6 6 , 100 BBC (British Broadcasting Corporation), 136
Breaker Morant, 120, 129 Breathless, 60, 62, 67
Brecht, Bertolt, 8 2 , 187 Breillat, Catherine, 217 Bresson, Robert, 4 2 , 96, 159, 164,
195, 210, 224, 274 Brezhnev, Leonid, 175
- Brightness, 156–157
- Le Beau Serge, 67
Bebey, Francis, 154 Beethoven, Ludwig van, 136 Beijing Film Academy, 166
Belle de Jour, 2 19
Brinton, Ralph, 70 Brizzi, Anchise, 37 Broadway, 52, 113 Brody, Adrian, 216
Bellocchio, Marco, 2 1 7
Ben Hur, 95
Benoît-Levy, Jean, 153
Brother, 176, 184 The Brown Bunny, 2 17
Browning, Robert, 203–206
Beresford, Bruce, 120–121, 124, 129 Brueghel, Pieter, 142 Bergman, Ingmar, 65, 91–97, 195,
207, 256–257
Berlin Alexanderplatz, 132
Berlin Film Festival, 167 Bernstein, Leonard, 57–58
Bicycle Thieves, 34
Bucur, Dragoş, 234 Buñuel, Luis, 1 6 7 , 219
Burnt by the Sun, 1 8 4
Burstall, Tim, 121 Burton, Richard, 113 Byrd, George, 136
The Big Parade, 166
Birsel, Taner, 246–247 B jörnstrand, Gunnar, 94
Black Mountain Road, 166 Black Rain, 150 Bloody Dawn, 166 Blow-Up, 118
The Cabinet of Dr. Caligari, 2 , 82 Cahiers du cinéma, 138
Cain, James M., 170–171 Cannes Film Festival, 8 0 , 129, 150,
167, 172, 186, 209–210, 216
Capricious Summer, 99
Bodrov, Sergei, 174–185, 263–264
Carnal Knowledge, 118
285
Index
Carroll, Peter, 128 Catholicism, 95–96, 124, 146,
221–222 Ceauşescu, Nicolae, 228–229,
232–233
Comedy, 42–51, 99–100, 102–103,
111–116, 138, 158, 160, 162–164, 172, 175, 192, 197, 232, 234, 237, 245, 269–270, 273
commedia dell’arte, 47
Ceylan, Ebru, 240 Ceylan, Emin, 238
Communism, 53, 59, 103, 105, 141,
166, 172, 234
Ceylan, Fatma, 238 Ceylan, Nuri Bilge, 236–247,
267–268
Confusion, 46
Coppola, Francis Ford, 1
Les Cousins, 6 7
Chabrol, Claude, 6 1 , 67
The Chant of Jimmie Blacksmith
120–130, 258–259, 270–271, 273 Chaplin, Charles, 42–43, 50 Chechnyan War, 174–185
The Checkpoint, 176
Chekhov, Anton, 244–245 Chen, Kaige, 166 Chenal, Pierre, 170
Chocolat, 151, 153 The Choice, 151
Christianity, 54, 57–59, 123,
210–211, 214–216, 273 Chukhrai, Grigori, 183 Chytilová, VěCicognini, Alessandro, 37 CinemaScope, 243 Ciné-Tamaris (production company), 60 Cisse, Souleymane, 156–157
Citizen Kane, 6 1
Clayton, Jack, 69–79, 254–255
Cléo from 5 to 7, 6 1, 67 Climates, 2 40 Closely Watched T r ains, 9 8 – 107, 257,
271, 273
The Cranes Are Flying, 174 The Creatures, 67 Crime and Punishment, 158 Crime at a Girls’ School, 9 9 – 100 Crime in a Nightclub, 9 9 – 100 Cronaca di un Amore, see Story of a Love Affair
Cui, César, 176 Cultural Revolution (China), 167,
172
Curse of the Golden Flower, 173
Czech Renaissance, see New Wave
(Czech)
Daniels, William, 115 Danna, Mychael, 205 Daquin, Louis, 154 Dardenne, Jean-Pierre, 209–216,
265–266 Dardenne, Luc, 209–216, 265–266 Davis, Judy, 120 Day of Wrath, 23–33, 96, 250–251,
270, 273 De Palma, Brian, 127 De Sica, Vittorio, 34–41, 102,
251–252
Death by Hanging, 142
“The Death of Mr. Baltisberger,”
99
Clouds of May, 238–240
Cobb, Lee J., 54
286
Index
Death of a Salesman, 52
Denis, Claire, 151, 153
Department of Sanitation, 87 Le Dernier T o urnant (The Last T u rn),
170
Devil in the Flesh, 2 17 The Devil’s Playground, 124, 129 Diary of a Country Priest, 96 Diary of a Shinjuku Thief, 142
Dickinson, Emily, 197
Dies Irae, 28
Erhard, Ludwig, 131–132 Ershadi, Homayoun, 195 Euripides, 27 Existentialism, 187, 195, 223 Expressionism, 2–3, 6–8, 10–11,
82–88, 228
“Faith” Trilogy (Bergman), 91–92,
95–96 FAMU (Faculty of the Academy of Dramatic Arts [Czech]), 98 Fascism, 5 8 , 102, 272 Fassbinder, Rainer Werner, 131–
139, 259–260
Dietrich, Marlene, 1 3 4 , 138
The Disenchanted, 53 Distant, 239–241
Documentary, 37, 43, 59, 61, 67,
141, 143–145, 147, 187, 212, 270 Dodds, Steve, 128
Fatimata, Sanga, 156 Faulkner, William, 62 Fellini, Federico, 88
Dog Days, 2 18
Fields, W. C., 46
La Dolce Vita (The Sweet Life), 88
Donen, Stanley, 115
La Donna Lupo, 2 18
Dostoyevsky, Fyodor, 158
Dracula, 1, 3, 5
Fifth Generation (China), 166 Fifth Symphony (Beethoven), 136 Film noir, 5 8 , 81, 219, 242 “Fishermen of Capri,” 136 Flynn, Errol, 184
Dressed to Kill, 127
Formalism, 1 0 0
Dreyer, Carl-Theodor, 23–33, 96,
250–251 Duparc, Henry, 157
Forman, Miloš, 103
The 400 Blows, 60, 67 4 Months, 3 Weeks, and 2 Days
- 227–228, 234
- Duvivier, Julien, 153
Franci, Adolfo, 36
L’E clisse (Eclipse), 81, 87, 88, 193 The Eel, 143, 150
Francis, Freddie, 70 Freud, Sigmund, 2
Effi Briest, 132
Egoyan, Atom, 197–208, 265
Eijanaika, 1 4 7
FRG Trilogy (Fassbinder), 131–132 Fröhlich, Pea, 132
Fu-hsi, Fu-hsi, 1 6 9
Eisenstein, Sergei, 174
- Eisner, Lotte, 2
- Gabin, Jean, 19
L’Enfant, 2 10–211 Entomological Chronicles of Japan
(a.k.a. Insect Woman), 142
Galeen, Henrik, 4 Gallo, Vincent, 2 1 7 Garfunkel, Art, 114
287
Index
- Genuine, 85
- Henry: Portrait of a Serial Killer, 150
Heritage Africa, 157
Hernández, Marcos, 224
Hero, 173
Germany, Y e ar Zero, 210 The Getting of Wisdom, 120, 124
Gibson, Mel, 120
The Gift of God, 1 5 1
Giller, Boris, 175
Hillcoat, John, 128
Hippolytus, 2 7
Giulia, 2 1 8
Hirohito, Michinomiya, 141
Hiroshima, Mon Amour, 67
Hitchcock, Alfred, 2 2 3 , 234 Hitler, Adolf, 5 , 12, 14, 105, 137,
272
The Gleaners and I, 67
“Go Down Moses,” 180 “God Sees the Truth, But Waits,”
178, 183 Godard, Jean-Luc, 60–62, 141, 195
Golden Boy, 52 The Golem, 82
Hoffman, Dustin, 1 0 8 , 115, 117 Hollywood, viii, 52–53, 103, 120,
129, 138, 218, 269, 272
- Holm, Ian, 207
- Gomes, Flora, 157
- Gong, Li, 167, 169
- Hondo, Med, 151
Gorbachev, Mikhail, 175
The Gospel According to St. Matthew
96 Gourmet, Olivier, 215–216 Governor, Jimmy, 121
The Graduate, 108–119, 258,
270–271, 273
La Grande Illusion, 12–22, 249–250,
270, 272
The Greatest Story Ever T o ld, 95
Grede, Kjell, 154
Horace, 2 4
The Horse Thief, 166 House of Flying Daggers, 173 House of Fools, 177
House Un-American Activities Committee (HUAC), 53–54, 59 Houston, Penelope, 73, 86 Hrabal, Bohumil, 98–100, 104–105
The Hudson Review, 174 Hugo and Josephine, 154
Greenwood, Bruce, 2 0 7 Griffith, D. W., 2 0 , 174 Group Theatre, 52 Gu, Changwei, 171
Guardami, 218
I Served the King of England
103–106
I Stand Alone, 2 1 8 Iceman, 129 The Idiots, 218
Imamura, Shohei, 140–150,
260–261 Impressionism, 3, 237
In the Cut, 2 18
“In the Mood,” 136
In the Realm of the Senses, 217 In Search of Unreturned Soldiers, 144
Hamlet Goes to Business, 158–159
Hannam, Ken, 1 2 9
The Harder They Fall, 5 3
Harlow, Jean, 138 Hasenclever, Walter, 82 Henry, Buck, 108
288
Index
Interlenghi, Franco, 35–36
Intimacy, 218
Islam, 174–196, 273 Ivanov, Vlad, 234
Kinoshita, Keisuke, 141 Kleist, Heinrich von, 133 Klos, Elmar, 103 Kluge, Alexander, 132
Kolya, 184
Ivashev, Vladimir, 184
Konchalovsky, Andrei, 177
- Kornfeld, Paul, 82
- J a gger, Mick, 120
Jannings, Emil, 10 Japón, 2 18, 224
Kracauer, Siegfried, 5 Kurosawa, Akira, 1 8 6 , 198
Jarmusch, Jim, 159 Jireš, Jaromil, 98 Johnson, Malcolm, 52–53 Johnson, Samuel, 28 Joyce, James, 45
Lamy, Benoît, 156
Larks on a String, 99 The Last Laugh, see Der letzte Mann
Ju Dou, 166–173, 263, 270, 272–273 Judaism, 16, 18
The Last Man, see Der letzte Mann
Leander, Zarah, 136 Lebeshev, Pavel, 177 Lemmon, Jack, 115 Leone, Sergio, 243 Lermontov, Mikhail, 176
Der letzte Mann, 10
Lewis, Tommy, 127–128 Li, Boatian, 169
Kaboré, Gaston, 151 Kadár, Jan, 103 Kael, Pauline, 129 Kaiser, Georg, 82 Kälin, Matthias, 156
Karayuki-san: The Making of a Prostitute, 1 4 4
Li, Shaohong, 166
Kauffmann, Stanley, 77 Kaufman, Boris, 55
Li, Wei, 168
Li Lianying, 166
Kaurismäki, Aki, 158–165, 262–263 The Lighthouse, 177 Kazan, Elia, 52–59, 226, 252–253 Keaton, Buster, 42–43, 164, 237 Keneally, Thomas, 121, 125 Kesal, Ercan, 2 4 1 , 245 Khotinenko, Vladimir, 176 Khrushchev, Nikita, 174 Kiarostami, Abbas, 166–167,
186–196, 237–238, 240, 243, 264–265, 272
Little V e ra, 175
Liu, Heng, 169
Lola, 131–132 Loves of a Blonde, 103
Lutheranism, 9 3 , 95
Machinal, 85 The Magician, 92
Malden, Karl, 54
A Man Vanishes, 142
Marcoen, Alain, 212 Marinne, Morgan, 216
The Kid with a Bike, 2 10–211
King Lear, 2 8 , 30, 32, 91
King of Kings, 95
289
Index
The Marriage of Maria Braun
131–139, 259–260, 270
The Marriages of Our Parents, 132
Märthesheimer, Peter, 132 Martin, Steve, 1 1 5 Martínez Vignatti, Diego, 225 Marx Brothers, 46 Marxism, 99
Muntean, Radu, 234 Murnau, F. W., 1–11, 248–249 Mushkadiz, Anapola, 224
The Muslim, 176
Mussolini, Benito, 12 Mweze, Ngangura, 156 My Brilliant Career, 1 2 0 , 124, 129
My Life as a Dog, 154
- My Uncle, 44–45
- The Match Factory Girl, 158–165,
262–263, 270, 272, 274
La Maternelle, 153
Naruse, Mikio, 1 4 1
McDowell, Roddy, 35 McNaughton, John, 150 Mekhralieva, Susanna, 183 Melodrama, 24–25, 27, 38, 59,
72–73, 78, 136, 240, 269 Menshikov, Oleg, 184 Menzel, JiřThe Method (acting), 57
Metropolis, 82
Mikhalkov, Nikita, 184
Mildred Pierce, 135
Miller, Arthur, 52 Miller, George, 121 Miller, Glenn, 136
Naturalism, 8 2 , 95, 100, 136, 150,
210, 212, 215, 228 Nazism, 5 , 8, 26–27, 74, 100, 102,
105, 132, 136 Neckár, Václav, 100
Ned Kelly, 120
NěNeoclassicism, 24 Neorealism (Italian), 20, 34–41, 61,
63, 82, 211, 224, 271 New American Cinema, 1 0 8 , 118 New Australian Cinema, 1 2 1 , 129 New Romanian Cinema, 226–235,
272
Miracle in Milan, 3 4 Mr. Hulot’s Holiday, 42–51, 252,
273–274
New Wave (Czech), 98, 103 New Wave (French), 60–68, 141 New Wave (Japanese), 141, 144 New York Film Festival, 138
New Y o rk Sun, 52
Mizoguchi, Kenji, 141 Modernism, 2 4 , 45, 60, 67 Monfort, Silvia, 61–62 Monsigny, Jean, 156 Monty Python, 163 “Moonlight Serenade,” 136 Moradi, Safir Ali, 1 9 5 Moravia, Alberto, 102
Mortu Nega, 1 5 7
New Y o rk Times, 1 3 8
Nichols, Mike, 108–119, 258 Nietzsche, Friedrich, 14
Night and Fog in Japan, 142
Nikkatsu Studio, 141–144
9 Songs, 2 17
Nishiguchi, Akira, 145 Noiret, Philippe, 62, 64 Nosferatu, 1–11, 248–249, 272–273
Munch, Edvard, 88 Mungiu, Cristian, 227–228
290
Index
- Not One Less, 172
- Pelle the Conqueror, 154
People of the Po, 87 Persona, 65
La Notte (The Night), 81, 87
Nouri, Mir Hossein, 195 Noyce, Phillip, 121
Phaedra, 2 7
Nykvist, Sven, 93, 207
The Pianist, 216 Pickpocket, 2 1 0
Odets, Clifford, 52
Oedipus the King, 3 2 , 113
Ogata, Ken, 147
Picnic at Hanging Rock, 120, 124
“The Pied Piper of Hamelin,”
203–206
On the Beach, 120 On the Waterfront, 52–59, 252–253,
270, 273–274
Pigs and Battleships, 142 Playtime, 45–46 Poil de Carotte, 153
Once Upon a Time in Anatolia
236–247, 267–268, 272–273
Once Upon a Time in the West
243
The One and the Eight, 166 One Sings, the Other Doesn’t, 67
Oscars, see Academy Awards Oshima, Nagisa, 141–142, 217
Ossessione (Obsession), 170 Othello, 3 2
Ouédraogo, Idrissa, 151–157,
261–262
The Outcry (a.k.a. The Cry), 87
Outinen, Kati, 159, 161 Özdemir, Muzaffer, 240 Ozu, Yasujiro, 141, 159
La Pointe Courte, 60–68, 253–254,
270, 272, 274
Polax, 2 18 Police, Adjective, 226–235, 243, 267,
270, 273 Polley, Sarah, 207
The Pornographers, 142–143
Pornography, 217–225, 273
Portrait of Innocence, 154
Porumboiu, Corneliu, 226–235,
243, 267
The Postman Always Rings T w ice
170–171
“A Prisoner of the Caucasus,”
175–176, 178–179, 182–184
Prisoner of the Mountains, 174–185,
263–264, 270, 272–273
The Profound Desire of the Gods
(a.k.a. T a les from a Southern Isle),
142, 144 Proletariat Trilogy (Kaurismäki),
158, 160 La Promesse, 2 0 9 , 211, 214–216
The Proposition, 128
Panahi, Jafar, 190 Panavision, 45 Panduru, Marius, 231
Parade, 46
Pasolini, Pier Paolo, 9 6 , 153, 273
The Passion of Joan of Arc, 23
Paterson, Neil, 7 0
Pathfinder, 153
Protestantism, 96
Payvar, Homayoun, 188
Pearls of the Deep, 98–99
Pudovkin, Vsevolod, 174 Puiu, Cristi, 234
291
Index
Pulitzer Prize, 52 Pushkin, Alexander, 176
Saakyan, Mariya, 177 Saint, Eva Marie, 54 “St. James Infirmary,” 194 Saki, Ryuzo, 145
Quo Vadis?, 95
Salminen, Timo, 161
- Sarossy, Paul, 207
- Racine, Jean, 27
Raise the Red Lantern, 167–168, 171, Sarraounia, 151
- 173
- Sarris, Andrew, 138
Rashomon, 1 8 6 , 198 Ray, Satyajit, 20
Schepisi, Fred, 120–130, 258–259 Schepisi, Rhonda, 128
Schindler’s List, 121
Schlöndorff, Volker, 132 Schmidt, Helmut, 137 Schneider, Romy, 132 Schorm, Evald, 98 Schrader, Paul, 3 2 Schulberg, Budd, 53, 58–59 Schuricke, Rudi, 136 Schygulla, Hanna, 132, 134, 138
Sciuscià, see Shoeshine The Scream, 88
SDS (Students for a Democratic Society), 117
Realism, 10–11, 15, 35, 49, 63, 69,
81–82, 88, 100, 103, 106, 151–152, 166, 174–175, 189, 195, 209–210, 218, 234, 237, 247, 272 Red Desert, 8 1, 88, 188
Red Sorghum, 167–168, 171
Reitz, Edgar, 132 Renoir, Auguste, 21 Renoir, Jean, 12–22, 249–250
Repentance, 175
Resnais, Alain, 60–62 Reygadas, Carlos, 217–225,
266–267 Reynolds, Freddy, 128 Ritualism, 155–156 Rivette, Jacques, 141
The Road Home, 172–173
Roeg, Nicolas, 126
Seclusion Near a Forest, 103
Sembène, Ousmane, 156 Sentimentality, 64, 155, 174–175,
183, 207, 269
The Seventh Seal, 9 1–92 Shadows of Our Forgotten Ancestors
174
Rogozhkin, Alexander, 176 Rohmer, Eric, 1 4 1
Romance, 2 1 7 Room at the T o p, 69–79, 254–255,
270–273
Shadows in Paradise, 1 5 8 , 160
Shakespeare, William, 32, 158
Shanghai T r iad, 1 7 3
Rosetta, 2 0 9 , 211, 214–216 Ross, Katharine, 114–115 Rossellini, Roberto, 6 6 , 210
Roxanne, 1 2 9 The Rules of the Game, 12 The Russia House, 129
Sheen, Martin, 184 Shinoda, Masahiro, 141 Shochiku Studio, 1 4 2 , 145 Shoeshine, 34–41, 251–252, 270–272
The Shop on Main Street, 103 The Silence, 9 1–92
292
Index
The Silence of Lorna, 2 10–211
Simon, John, 129 Simon, Paul, 114
Tati, Jacques, 42–51, 252 Taverner, John, 224 Taylor, Elizabeth, 113
La T e rra T r ema, 63–64
Tessier, Max, 142
Sinatra, Frank, 54 Skvorecký, Josef, 99
The Small T o wn, 237–239
Smordoni, Rinaldo, 35–36 Socialism, 102–103
Théâtre National Populaire, 62
Theme, 175
Thomas of Celano, 2 8
Three Monkeys, 2 40–242 Through a Glass Darkly, 9 1–92 Through the Olive T r ees, 186, 238
Thulin, Ingrid, 94
Sofr, Jaromír, 100 Sokurov, Alexander, 1 7 6 The Son, 209–216, 265–266, 270–
271, 273
- Sophocles, 32
- Tian, Zhuangzhuang, 166
Tilaï, 156–157
Tiryaki, Gökhan, 243
To D amascus, 3