
<p>Index </p><p>Academy Awards (Oscars), 34, 57, <br>98, 103, 167, 184 Actors’ Studio, 5 7 Adaptation, 1, 3, 23–24, 69–70, <br>98–100, 111, 121, 125, 145, 169, 171, 178–179, 182, 184, 197–199, 201–204, 206, 273 A denauer, Konrad, 1 3 4 , 137 A lbee, Edward, 113 </p><p><em>Antares</em>, 2 1 8 </p><p>Antonioni, Michelangelo, 80–90, <br>92–93, 118, 159, 170, 188, 193, 243, 255 </p><p><em>Ariel</em>, 158–160 </p><p>Aristotle, 2 4 , 80 Armstrong, Gillian, 121, 124, 129 Armstrong, Louis, 180 </p><p><em>L’Atalante</em>, 63 <br><em>Alexandra</em>, 176 </p><p>Atget, Eugène, 64 <br>Aliyev, Arif, 175 </p><p><em>All About Anna</em>, 2 18 <em>All My Sons</em>, 52 </p><p><em>Auteurism</em>, 6 7 , 118, 142, 145, 147, <br>149, 175, 187, 195, 269 Avant-gardism, 82 <br>Amidei, Sergio, 36 </p><p><em>Anatomy of Hell</em>, 2 18 <br><em>L’A vventura </em>(<em>The Adventure</em>), 80–90, </p><p>243, 255, 270, 272, 274 </p><p><em>And Life Goes O n</em>..., 186, 238 </p><p>Anderson, Lindsay, 58 Andersson, Karl, 27 </p><p><em>Anne Pedersdotter</em>, 2 3 , 25 </p><p>Ansah, Kwaw, 157 <br>Baba, Masuru, 145 Bach, Johann Sebastian, 92 Bagheri, Abdolhossein, 195 </p><p><em>Baise-moi</em>, 2 18 </p><p><em>Film Analysis: A Casebook, </em>First Edition. Bert Cardullo. </p><p>© 2015 John Wiley & Sons, Inc. Published 2015 by John Wiley & Sons, Inc. </p><p>284 </p><p><em>Index </em></p><p><em>Bal Poussière</em>, 157 </p><p>Bodrov, Sergei Jr., 184 Bolshevism, 5 </p><p><em>Boogie</em>, 234 </p><p>Braine, John, 69–70 </p><p><em>Bram Stoker’s Dracula</em>, 1 </p><p>Brando, Marlon, 5 4 , 56–57, 59 Brandt, Willy, 137 <br>Balabanov, Aleksei, 176, 184 </p><p><em>The Ballad of Narayama</em>, 147, </p><p>149–150 </p><p><em>Ballad of a Soldier</em>, 174, 183–184 </p><p>Bancroft, Anne, 114 Banks, Russell, 197–198, 201–204, </p><ul style="display: flex;"><li style="flex:1">206 </li><li style="flex:1">BRD Trilogy (Fassbinder), <em>see </em>FRG </li></ul><p>Trilogy </p><p><em>Barbarosa</em>, 129 </p><p>Barker, Philip, 207 Barrett, Ray, 128 <em>Battle in Heaven</em>, 2 17–225, 266–267, <br>270, 273 Bazin, André, 6 6 , 100 BBC (British Broadcasting Corporation), 136 </p><p><em>Breaker Morant</em>, 120, 129 <em>Breathless</em>, 60, 62, 67 </p><p>Brecht, Bertolt, 8 2 , 187 Breillat, Catherine, 217 Bresson, Robert, 4 2 , 96, 159, 164, <br>195, 210, 224, 274 Brezhnev, Leonid, 175 </p><p></p><ul style="display: flex;"><li style="flex:1"><em>Brightness</em>, 156–157 </li><li style="flex:1"><em>Le Beau Serge</em>, 67 </li></ul><p></p><p>Bebey, Francis, 154 Beethoven, Ludwig van, 136 Beijing Film Academy, 166 </p><p><em>Belle de Jour</em>, 2 19 </p><p>Brinton, Ralph, 70 Brizzi, Anchise, 37 Broadway, 52, 113 Brody, Adrian, 216 <br>Bellocchio, Marco, 2 1 7 </p><p><em>Ben Hur</em>, 95 </p><p>Benoît-Levy, Jean, 153 </p><p><em>Brother</em>, 176, 184 <em>The Brown Bunny</em>, 2 17 </p><p>Browning, Robert, 203–206 <br>Beresford, Bruce, 120–121, 124, 129 Brueghel, Pieter, 142 Bergman, Ingmar, 65, 91–97, 195, <br>207, 256–257 </p><p><em>Berlin Alexanderplatz</em>, 132 </p><p>Berlin Film Festival, 167 Bernstein, Leonard, 57–58 </p><p><em>Bicycle Thieves</em>, 34 </p><p>Bucur, Dragoş, 234 Buñuel, Luis, 1 6 7 , 219 </p><p><em>Burnt by the Sun</em>, 1 8 4 </p><p>Burstall, Tim, 121 Burton, Richard, 113 Byrd, George, 136 </p><p><em>The Big Parade</em>, 166 </p><p>Birsel, Taner, 246–247 B jörnstrand, Gunnar, 94 </p><p><em>Black Mountain Road</em>, 166 <em>Black Rain</em>, 150 <em>Bloody Dawn</em>, 166 <em>Blow-Up</em>, 118 <br><em>The Cabinet of Dr. Caligari</em>, 2 , 82 <em>Cahiers du cinéma</em>, 138 </p><p>Cain, James M., 170–171 Cannes Film Festival, 8 0 , 129, 150, <br>167, 172, 186, 209–210, 216 </p><p><em>Capricious Summer</em>, 99 </p><p>Bodrov, Sergei, 174–185, 263–264 </p><p><em>Carnal Knowledge</em>, 118 </p><p>285 </p><p><em>Index </em></p><p>Carroll, Peter, 128 Catholicism, 95–96, 124, 146, <br>221–222 Ceauşescu, Nicolae, 228–229, <br>232–233 <br>Comedy, 42–51, 99–100, 102–103, <br>111–116, 138, 158, 160, 162–164, 172, 175, 192, 197, 232, 234, 237, 245, 269–270, 273 </p><p><em>commedia dell’arte</em>, 47 </p><p>Ceylan, Ebru, 240 Ceylan, Emin, 238 <br>Communism, 53, 59, 103, 105, 141, <br>166, 172, 234 <br>Ceylan, Fatma, 238 Ceylan, Nuri Bilge, 236–247, <br>267–268 </p><p><em>Confusion</em>, 46 </p><p>Coppola, Francis Ford, 1 </p><p><em>Les Cousins</em>, 6 7 </p><p>Chabrol, Claude, 6 1 , 67 </p><p><em>The Chant of Jimmie Blacksmith </em></p><p>120–130, 258–259, 270–271, 273 Chaplin, Charles, 42–43, 50 Chechnyan War, 174–185 </p><p><em>The Checkpoint</em>, 176 </p><p>Chekhov, Anton, 244–245 Chen, Kaige, 166 Chenal, Pierre, 170 </p><p><em>Chocolat</em>, 151, 153 <em>The Choice</em>, 151 </p><p>Christianity, 54, 57–59, 123, <br>210–211, 214–216, 273 Chukhrai, Grigori, 183 Chytilová, VěCicognini, Alessandro, 37 CinemaScope, 243 Ciné-Tamaris (production company), 60 Cisse, Souleymane, 156–157 </p><p><em>Citizen Kane</em>, 6 1 </p><p>Clayton, Jack, 69–79, 254–255 </p><p><em>Cléo from 5 to 7</em>, 6 1, 67 <em>Climates</em>, 2 40 <em>Closely Watched T r ains</em>, 9 8 – 107, 257, </p><p>271, 273 </p><p><em>The Cranes Are Flying</em>, 174 <em>The Creatures</em>, 67 <em>Crime and Punishment</em>, 158 <em>Crime at a Girls’ School</em>, 9 9 – 100 <em>Crime in a Nightclub</em>, 9 9 – 100 <em>Cronaca di un Amore</em>, see <em>Story of a Love Affair </em></p><p>Cui, César, 176 Cultural Revolution (China), 167, <br>172 </p><p><em>Curse of the Golden Flower</em>, 173 </p><p>Czech Renaissance, <em>see </em>New Wave <br>(Czech) </p><p>Daniels, William, 115 Danna, Mychael, 205 Daquin, Louis, 154 Dardenne, Jean-Pierre, 209–216, <br>265–266 Dardenne, Luc, 209–216, 265–266 Davis, Judy, 120 <em>Day of Wrath</em>, 23–33, 96, 250–251, <br>270, 273 De Palma, Brian, 127 De Sica, Vittorio, 34–41, 102, <br>251–252 </p><p><em>Death by Hanging</em>, 142 </p><p>“The Death of Mr. Baltisberger,” <br>99 </p><p><em>Clouds of May</em>, 238–240 </p><p>Cobb, Lee J., 54 </p><p>286 </p><p><em>Index </em></p><p><em>Death of a Salesman</em>, 52 </p><p>Denis, Claire, 151, 153 </p><p><em>Department of Sanitation</em>, 87 <em>Le Dernier T o urnant </em>(<em>The Last T u rn</em>), </p><p>170 </p><p><em>Devil in the Flesh</em>, 2 17 <em>The Devil’s Playground</em>, 124, 129 <em>Diary of a Country Priest</em>, 96 <em>Diary of a Shinjuku Thief</em>, 142 </p><p>Dickinson, Emily, 197 </p><p><em>Dies Irae</em>, 28 </p><p>Erhard, Ludwig, 131–132 Ershadi, Homayoun, 195 Euripides, 27 Existentialism, 187, 195, 223 Expressionism, 2–3, 6–8, 10–11, <br>82–88, 228 </p><p>“Faith” Trilogy (Bergman), 91–92, <br>95–96 FAMU (Faculty of the Academy of Dramatic Arts [Czech]), 98 Fascism, 5 8 , 102, 272 Fassbinder, Rainer Werner, 131– <br>139, 259–260 <br>Dietrich, Marlene, 1 3 4 , 138 </p><p><em>The Disenchanted</em>, 53 <em>Distant</em>, 239–241 </p><p>Documentary, 37, 43, 59, 61, 67, <br>141, 143–145, 147, 187, 212, 270 Dodds, Steve, 128 <br>Fatimata, Sanga, 156 Faulkner, William, 62 Fellini, Federico, 88 </p><p><em>Dog Days</em>, 2 18 </p><p>Fields, W. C., 46 </p><p><em>La Dolce Vita </em>(<em>The Sweet Life</em>), 88 </p><p>Donen, Stanley, 115 </p><p><em>La Donna Lupo</em>, 2 18 </p><p>Dostoyevsky, Fyodor, 158 </p><p><em>Dracula</em>, 1, 3, 5 </p><p>Fifth Generation (China), 166 Fifth Symphony (Beethoven), 136 <em>Film noir</em>, 5 8 , 81, 219, 242 “Fishermen of Capri,” 136 Flynn, Errol, 184 </p><p><em>Dressed to Kill</em>, 127 </p><p>Formalism, 1 0 0 <br>Dreyer, Carl-Theodor, 23–33, 96, <br>250–251 Duparc, Henry, 157 <br>Forman, Miloš, 103 </p><p><em>The 400 Blows</em>, 60, 67 <em>4 Months, 3 Weeks, and 2 Days </em></p><p></p><ul style="display: flex;"><li style="flex:1">227–228, 234 </li><li style="flex:1">Duvivier, Julien, 153 </li></ul><p>Franci, Adolfo, 36 </p><p><em>L’E clisse </em>(<em>Eclipse</em>), 81, 87, 88, 193 <em>The Eel</em>, 143, 150 </p><p>Francis, Freddie, 70 Freud, Sigmund, 2 </p><p><em>Effi Briest</em>, 132 </p><p>Egoyan, Atom, 197–208, 265 </p><p><em>Eijanaika</em>, 1 4 7 </p><p>FRG Trilogy (Fassbinder), 131–132 Fröhlich, Pea, 132 </p><p><em>Fu-hsi, Fu-hsi</em>, 1 6 9 </p><p>Eisenstein, Sergei, 174 </p><ul style="display: flex;"><li style="flex:1">Eisner, Lotte, 2 </li><li style="flex:1">Gabin, Jean, 19 </li></ul><p></p><p><em>L’Enfant</em>, 2 10–211 <em>Entomological Chronicles of Japan </em><br>(a.k.a. <em>Insect Woman</em>), 142 </p><p>Galeen, Henrik, 4 Gallo, Vincent, 2 1 7 Garfunkel, Art, 114 </p><p>287 </p><p><em>Index </em></p><p></p><ul style="display: flex;"><li style="flex:1"><em>Genuine</em>, 85 </li><li style="flex:1"><em>Henry: Portrait of a Serial Killer</em>, 150 </li></ul><p><em>Heritage Africa</em>, 157 </p><p>Hernández, Marcos, 224 </p><p><em>Hero</em>, 173 <br><em>Germany, Y e ar Zero</em>, 210 <em>The Getting of Wisdom</em>, 120, 124 </p><p>Gibson, Mel, 120 </p><p><em>The Gift of God</em>, 1 5 1 </p><p>Giller, Boris, 175 <br>Hillcoat, John, 128 </p><p><em>Hippolytus</em>, 2 7 <br><em>Giulia</em>, 2 1 8 </p><p>Hirohito, Michinomiya, 141 </p><p><em>Hiroshima, Mon Amour</em>, 67 </p><p>Hitchcock, Alfred, 2 2 3 , 234 Hitler, Adolf, 5 , 12, 14, 105, 137, <br>272 </p><p><em>The Gleaners and I</em>, 67 </p><p>“Go Down Moses,” 180 “God Sees the Truth, But Waits,” <br>178, 183 Godard, Jean-Luc, 60–62, 141, 195 </p><p><em>Golden Boy</em>, 52 <em>The Golem</em>, 82 </p><p>Hoffman, Dustin, 1 0 8 , 115, 117 Hollywood, viii, 52–53, 103, 120, <br>129, 138, 218, 269, 272 </p><ul style="display: flex;"><li style="flex:1">Holm, Ian, 207 </li><li style="flex:1">Gomes, Flora, 157 </li></ul><p></p><ul style="display: flex;"><li style="flex:1">Gong, Li, 167, 169 </li><li style="flex:1">Hondo, Med, 151 </li></ul><p>Gorbachev, Mikhail, 175 </p><p><em>The Gospel According to St. Matthew </em></p><p>96 Gourmet, Olivier, 215–216 Governor, Jimmy, 121 </p><p><em>The Graduate</em>, 108–119, 258, </p><p>270–271, 273 </p><p><em>La Grande Illusion</em>, 12–22, 249–250, </p><p>270, 272 </p><p><em>The Greatest Story Ever T o ld</em>, 95 </p><p>Grede, Kjell, 154 <br>Horace, 2 4 </p><p><em>The Horse Thief</em>, 166 <em>House of Flying Daggers</em>, 173 <em>House of Fools</em>, 177 </p><p>House Un-American Activities Committee (HUAC), 53–54, 59 Houston, Penelope, 73, 86 Hrabal, Bohumil, 98–100, 104–105 </p><p><em>The Hudson Review</em>, 174 <em>Hugo and Josephine</em>, 154 </p><p>Greenwood, Bruce, 2 0 7 Griffith, D. W., 2 0 , 174 Group Theatre, 52 Gu, Changwei, 171 </p><p><em>Guardami</em>, 218 <br><em>I Served the King of England </em></p><p>103–106 </p><p><em>I Stand Alone</em>, 2 1 8 <em>Iceman</em>, 129 <em>The Idiots</em>, 218 </p><p>Imamura, Shohei, 140–150, <br>260–261 Impressionism, 3, 237 </p><p><em>In the Cut</em>, 2 18 </p><p>“In the Mood,” 136 </p><p><em>In the Realm of the Senses</em>, 217 <em>In Search of Unreturned Soldiers</em>, 144 <br><em>Hamlet Goes to Business</em>, 158–159 </p><p>Hannam, Ken, 1 2 9 </p><p><em>The Harder They Fall</em>, 5 3 </p><p>Harlow, Jean, 138 Hasenclever, Walter, 82 Henry, Buck, 108 </p><p>288 </p><p><em>Index </em></p><p>Interlenghi, Franco, 35–36 </p><p><em>Intimacy</em>, 218 </p><p>Islam, 174–196, 273 Ivanov, Vlad, 234 <br>Kinoshita, Keisuke, 141 Kleist, Heinrich von, 133 Klos, Elmar, 103 Kluge, Alexander, 132 </p><p><em>Kolya</em>, 184 </p><p>Ivashev, Vladimir, 184 <br>Konchalovsky, Andrei, 177 </p><ul style="display: flex;"><li style="flex:1">Kornfeld, Paul, 82 </li><li style="flex:1">J a gger, Mick, 120 </li></ul><p>Jannings, Emil, 10 <em>Japón</em>, 2 18, 224 <br>Kracauer, Siegfried, 5 Kurosawa, Akira, 1 8 6 , 198 <br>Jarmusch, Jim, 159 Jireš, Jaromil, 98 Johnson, Malcolm, 52–53 Johnson, Samuel, 28 Joyce, James, 45 <br>Lamy, Benoît, 156 </p><p><em>Larks on a String</em>, 99 <em>The Last Laugh</em>, see <em>Der letzte Mann </em></p><p><em>Ju Dou</em>, 166–173, 263, 270, 272–273 Judaism, 16, 18 </p><p><em>The Last Man</em>, see <em>Der letzte Mann </em></p><p>Leander, Zarah, 136 Lebeshev, Pavel, 177 Lemmon, Jack, 115 Leone, Sergio, 243 Lermontov, Mikhail, 176 </p><p><em>Der letzte Mann</em>, 10 </p><p>Lewis, Tommy, 127–128 Li, Boatian, 169 <br>Kaboré, Gaston, 151 Kadár, Jan, 103 Kael, Pauline, 129 Kaiser, Georg, 82 Kälin, Matthias, 156 </p><p><em>Karayuki-san: The Making of a Prostitute</em>, 1 4 4 </p><p>Li, Shaohong, 166 <br>Kauffmann, Stanley, 77 Kaufman, Boris, 55 <br>Li, Wei, 168 </p><p><em>Li Lianying</em>, 166 </p><p>Kaurismäki, Aki, 158–165, 262–263 <em>The Lighthouse</em>, 177 Kazan, Elia, 52–59, 226, 252–253 Keaton, Buster, 42–43, 164, 237 Keneally, Thomas, 121, 125 Kesal, Ercan, 2 4 1 , 245 Khotinenko, Vladimir, 176 Khrushchev, Nikita, 174 Kiarostami, Abbas, 166–167, <br>186–196, 237–238, 240, 243, 264–265, 272 </p><p><em>Little V e ra</em>, 175 </p><p>Liu, Heng, 169 </p><p><em>Lola</em>, 131–132 <em>Loves of a Blonde</em>, 103 </p><p>Lutheranism, 9 3 , 95 </p><p><em>Machinal</em>, 85 <em>The Magician</em>, 92 </p><p>Malden, Karl, 54 </p><p><em>A Man Vanishes</em>, 142 </p><p>Marcoen, Alain, 212 Marinne, Morgan, 216 </p><p><em>The Kid with a Bike</em>, 2 10–211 </p><p><em>King Lear</em>, 2 8 , 30, 32, 91 </p><p><em>King of Kings</em>, 95 </p><p>289 </p><p><em>Index </em></p><p><em>The Marriage of Maria Braun </em></p><p>131–139, 259–260, 270 </p><p><em>The Marriages of Our Parents</em>, 132 </p><p>Märthesheimer, Peter, 132 Martin, Steve, 1 1 5 Martínez Vignatti, Diego, 225 Marx Brothers, 46 Marxism, 99 <br>Muntean, Radu, 234 Murnau, F. W., 1–11, 248–249 Mushkadiz, Anapola, 224 </p><p><em>The Muslim</em>, 176 </p><p>Mussolini, Benito, 12 Mweze, Ngangura, 156 <em>My Brilliant Career</em>, 1 2 0 , 124, 129 </p><p><em>My Life as a Dog</em>, 154 </p><ul style="display: flex;"><li style="flex:1"><em>My Uncle</em>, 44–45 </li><li style="flex:1"><em>The Match Factory Girl</em>, 158–165, </li></ul><p></p><p>262–263, 270, 272, 274 </p><p><em>La Maternelle</em>, 153 </p><p>Naruse, Mikio, 1 4 1 <br>McDowell, Roddy, 35 McNaughton, John, 150 Mekhralieva, Susanna, 183 Melodrama, 24–25, 27, 38, 59, <br>72–73, 78, 136, 240, 269 Menshikov, Oleg, 184 Menzel, JiřThe Method (acting), 57 </p><p><em>Metropolis</em>, 82 </p><p>Mikhalkov, Nikita, 184 </p><p><em>Mildred Pierce</em>, 135 </p><p>Miller, Arthur, 52 Miller, George, 121 Miller, Glenn, 136 <br>Naturalism, 8 2 , 95, 100, 136, 150, <br>210, 212, 215, 228 Nazism, 5 , 8, 26–27, 74, 100, 102, <br>105, 132, 136 Neckár, Václav, 100 </p><p><em>Ned Kelly</em>, 120 </p><p>NěNeoclassicism, 24 Neorealism (Italian), 20, 34–41, 61, <br>63, 82, 211, 224, 271 New American Cinema, 1 0 8 , 118 New Australian Cinema, 1 2 1 , 129 New Romanian Cinema, 226–235, <br>272 </p><p><em>Miracle in Milan</em>, 3 4 <em>Mr. Hulot’s Holiday</em>, 42–51, 252, </p><p>273–274 <br>New Wave (Czech), 98, 103 New Wave (French), 60–68, 141 New Wave (Japanese), 141, 144 New York Film Festival, 138 </p><p><em>New Y o rk Sun</em>, 52 </p><p>Mizoguchi, Kenji, 141 Modernism, 2 4 , 45, 60, 67 Monfort, Silvia, 61–62 Monsigny, Jean, 156 Monty Python, 163 “Moonlight Serenade,” 136 Moradi, Safir Ali, 1 9 5 Moravia, Alberto, 102 </p><p><em>Mortu Nega</em>, 1 5 7 <br><em>New Y o rk Times</em>, 1 3 8 </p><p>Nichols, Mike, 108–119, 258 Nietzsche, Friedrich, 14 </p><p><em>Night and Fog in Japan</em>, 142 </p><p>Nikkatsu Studio, 141–144 </p><p><em>9 Songs</em>, 2 17 </p><p>Nishiguchi, Akira, 145 Noiret, Philippe, 62, 64 <em>Nosferatu</em>, 1–11, 248–249, 272–273 <br>Munch, Edvard, 88 Mungiu, Cristian, 227–228 </p><p>290 </p><p><em>Index </em></p><p></p><ul style="display: flex;"><li style="flex:1"><em>Not One Less</em>, 172 </li><li style="flex:1"><em>Pelle the Conqueror</em>, 154 </li></ul><p><em>People of the Po</em>, 87 <em>Persona</em>, 65 <br><em>La Notte </em>(<em>The Night</em>), 81, 87 </p><p>Nouri, Mir Hossein, 195 Noyce, Phillip, 121 </p><p><em>Phaedra</em>, 2 7 </p><p>Nykvist, Sven, 93, 207 </p><p><em>The Pianist</em>, 216 <em>Pickpocket</em>, 2 1 0 </p><p>Odets, Clifford, 52 </p><p><em>Oedipus the King</em>, 3 2 , 113 </p><p>Ogata, Ken, 147 </p><p><em>Picnic at Hanging Rock</em>, 120, 124 </p><p>“The Pied Piper of Hamelin,” <br>203–206 </p><p><em>On the Beach</em>, 120 <em>On the Waterfront</em>, 52–59, 252–253, </p><p>270, 273–274 </p><p><em>Pigs and Battleships</em>, 142 <em>Playtime</em>, 45–46 <em>Poil de Carotte</em>, 153 <br><em>Once Upon a Time in Anatolia </em></p><p>236–247, 267–268, 272–273 </p><p><em>Once Upon a Time in the West </em></p><p>243 </p><p><em>The One and the Eight</em>, 166 <em>One Sings, the Other Doesn’t</em>, 67 </p><p>Oscars, <em>see </em>Academy Awards Oshima, Nagisa, 141–142, 217 </p><p><em>Ossession</em>e (<em>Obsession</em>), 170 <em>Othello</em>, 3 2 </p><p>Ouédraogo, Idrissa, 151–157, <br>261–262 </p><p><em>The Outcry </em>(a.k.a. <em>The Cry</em>), 87 </p><p>Outinen, Kati, 159, 161 Özdemir, Muzaffer, 240 Ozu, Yasujiro, 141, 159 </p><p><em>La Pointe Courte</em>, 60–68, 253–254, </p><p>270, 272, 274 </p><p><em>Polax</em>, 2 18 <em>Police, Adjective</em>, 226–235, 243, 267, </p><p>270, 273 Polley, Sarah, 207 </p><p><em>The Pornographers</em>, 142–143 </p><p>Pornography, 217–225, 273 </p><p><em>Portrait of Innocence</em>, 154 </p><p>Porumboiu, Corneliu, 226–235, <br>243, 267 </p><p><em>The Postman Always Rings T w ice </em></p><p>170–171 <br>“A Prisoner of the Caucasus,” <br>175–176, 178–179, 182–184 </p><p><em>Prisoner of the Mountains</em>, 174–185, </p><p>263–264, 270, 272–273 </p><p><em>The Profound Desire of the Gods </em><br>(a.k.a. <em>T a les from a Southern Isle</em>), </p><p>142, 144 Proletariat Trilogy (Kaurismäki), <br>158, 160 <em>La Promesse</em>, 2 0 9 , 211, 214–216 </p><p><em>The Proposition</em>, 128 </p><p>Panahi, Jafar, 190 Panavision, 45 Panduru, Marius, 231 </p><p><em>Parade</em>, 46 </p><p>Pasolini, Pier Paolo, 9 6 , 153, 273 </p><p><em>The Passion of Joan of Arc</em>, 23 </p><p>Paterson, Neil, 7 0 </p><p><em>Pathfinder</em>, 153 </p><p>Protestantism, 96 <br>Payvar, Homayoun, 188 </p><p><em>Pearls of the Deep</em>, 98–99 </p><p>Pudovkin, Vsevolod, 174 Puiu, Cristi, 234 </p><p>291 </p><p><em>Index </em></p><p>Pulitzer Prize, 52 Pushkin, Alexander, 176 <br>Saakyan, Mariya, 177 Saint, Eva Marie, 54 “St. James Infirmary,” 194 Saki, Ryuzo, 145 </p><p><em>Quo Vadis?</em>, 95 </p><p>Salminen, Timo, 161 </p><ul style="display: flex;"><li style="flex:1">Sarossy, Paul, 207 </li><li style="flex:1">Racine, Jean, 27 </li></ul><p></p><p><em>Raise the Red Lantern</em>, 167–168, 171, <em>Sarraounia</em>, 151 </p><p></p><ul style="display: flex;"><li style="flex:1">173 </li><li style="flex:1">Sarris, Andrew, 138 </li></ul><p><em>Rashomon</em>, 1 8 6 , 198 Ray, Satyajit, 20 <br>Schepisi, Fred, 120–130, 258–259 Schepisi, Rhonda, 128 </p><p><em>Schindler’s List</em>, 121 </p><p>Schlöndorff, Volker, 132 Schmidt, Helmut, 137 Schneider, Romy, 132 Schorm, Evald, 98 Schrader, Paul, 3 2 Schulberg, Budd, 53, 58–59 Schuricke, Rudi, 136 Schygulla, Hanna, 132, 134, 138 </p><p><em>Sciuscià</em>, see <em>Shoeshine The Scream</em>, 88 </p><p>SDS (Students for a Democratic Society), 117 <br>Realism, 10–11, 15, 35, 49, 63, 69, <br>81–82, 88, 100, 103, 106, 151–152, 166, 174–175, 189, 195, 209–210, 218, 234, 237, 247, 272 <em>Red Desert</em>, 8 1, 88, 188 </p><p><em>Red Sorghum</em>, 167–168, 171 </p><p>Reitz, Edgar, 132 Renoir, Auguste, 21 Renoir, Jean, 12–22, 249–250 </p><p><em>Repentance</em>, 175 </p><p>Resnais, Alain, 60–62 Reygadas, Carlos, 217–225, <br>266–267 Reynolds, Freddy, 128 Ritualism, 155–156 Rivette, Jacques, 141 </p><p><em>The Road Home</em>, 172–173 </p><p>Roeg, Nicolas, 126 </p><p><em>Seclusion Near a Forest</em>, 103 </p><p>Sembène, Ousmane, 156 Sentimentality, 64, 155, 174–175, <br>183, 207, 269 </p><p><em>The Seventh Seal</em>, 9 1–92 <em>Shadows of Our Forgotten Ancestors </em></p><p>174 <br>Rogozhkin, Alexander, 176 Rohmer, Eric, 1 4 1 </p><p><em>Romance</em>, 2 1 7 <em>Room at the T o p</em>, 69–79, 254–255, </p><p>270–273 </p><p><em>Shadows in Paradise</em>, 1 5 8 , 160 </p><p>Shakespeare, William, 32, 158 </p><p><em>Shanghai T r iad</em>, 1 7 3 </p><p><em>Rosetta</em>, 2 0 9 , 211, 214–216 Ross, Katharine, 114–115 Rossellini, Roberto, 6 6 , 210 </p><p><em>Roxanne</em>, 1 2 9 <em>The Rules of the Game</em>, 12 <em>The Russia House</em>, 129 </p><p>Sheen, Martin, 184 Shinoda, Masahiro, 141 Shochiku Studio, 1 4 2 , 145 <em>Shoeshine</em>, 34–41, 251–252, 270–272 </p><p><em>The Shop on Main Street</em>, 103 <em>The Silence</em>, 9 1–92 </p><p>292 </p><p><em>Index </em></p><p><em>The Silence of Lorna</em>, 2 10–211 </p><p>Simon, John, 129 Simon, Paul, 114 <br>Tati, Jacques, 42–51, 252 Taverner, John, 224 Taylor, Elizabeth, 113 </p><p><em>La T e rra T r ema</em>, 63–64 </p><p>Tessier, Max, 142 <br>Sinatra, Frank, 54 Skvorecký, Josef, 99 </p><p><em>The Small T o wn</em>, 237–239 </p><p>Smordoni, Rinaldo, 35–36 Socialism, 102–103 <br>Théâtre National Populaire, 62 </p><p><em>Theme</em>, 175 </p><p>Thomas of Celano, 2 8 </p><p><em>Three Monkeys</em>, 2 40–242 <em>Through a Glass Darkly</em>, 9 1–92 <em>Through the Olive T r ees</em>, 186, 238 </p><p>Thulin, Ingrid, 94 <br>Sofr, Jaromír, 100 Sokurov, Alexander, 1 7 6 <em>The Son</em>, 209–216, 265–266, 270– <br>271, 273 </p><ul style="display: flex;"><li style="flex:1">Sophocles, 32 </li><li style="flex:1">Tian, Zhuangzhuang, 166 </li></ul><p></p><p><em>Tilaï</em>, 156–157 </p><p>Tiryaki, Gökhan, 243 </p><p><em>To D amascus</em>, 3 </p>
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