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<p>Index </p><p>Academy Awards (Oscars),&nbsp;34, 57, <br>98, 103, 167, 184 Actors’ Studio,&nbsp;5 7 Adaptation, 1,&nbsp;3, 23–24, 69–70, <br>98–100, 111, 121, 125, 145, 169, 171, 178–179, 182, 184, 197–199, 201–204, 206, 273 A denauer, Konrad,&nbsp;1 3 4 , 137 A lbee,&nbsp;Edward, 113 </p><p><em>Antares</em>, 2&nbsp;1 8 </p><p>Antonioni, Michelangelo,&nbsp;80–90, <br>92–93, 118, 159, 170, 188, 193, 243, 255 </p><p><em>Ariel</em>, 158–160 </p><p>Aristotle, 2&nbsp;4 , 80 Armstrong, Gillian,&nbsp;121, 124, 129 Armstrong, Louis,&nbsp;180 </p><p><em>L’Atalante</em>, 63 <br><em>Alexandra</em>, 176 </p><p>Atget, Eugène,&nbsp;64 <br>Aliyev, Arif,&nbsp;175 </p><p><em>All About Anna</em>, 2&nbsp;18 <em>All My Sons</em>, 52 </p><p><em>Auteurism</em>, 6&nbsp;7 , 118,&nbsp;142, 145, 147, <br>149, 175, 187, 195, 269 Avant-gardism, 82 <br>Amidei, Sergio,&nbsp;36 </p><p><em>Anatomy of Hell</em>, 2&nbsp;18 <br><em>L’A vventura </em>(<em>The Adventure</em>), 80–90, </p><p>243, 255, 270, 272, 274 </p><p><em>And Life Goes O n</em>..., 186,&nbsp;238 </p><p>Anderson, Lindsay,&nbsp;58 Andersson, Karl,&nbsp;27 </p><p><em>Anne Pedersdotter</em>, 2&nbsp;3 , 25 </p><p>Ansah, Kwaw,&nbsp;157 <br>Baba, Masuru,&nbsp;145 Bach, Johann Sebastian,&nbsp;92 Bagheri, Abdolhossein,&nbsp;195 </p><p><em>Baise-moi</em>, 2&nbsp;18 </p><p><em>Film Analysis: A Casebook, </em>First Edition. Bert Cardullo. </p><p>© 2015 John Wiley &amp; Sons, Inc. Published 2015 by John Wiley &amp; Sons, Inc. </p><p>284 </p><p><em>Index </em></p><p><em>Bal Poussière</em>, 157 </p><p>Bodrov, Sergei Jr.,&nbsp;184 Bolshevism, 5 </p><p><em>Boogie</em>, 234 </p><p>Braine, John,&nbsp;69–70 </p><p><em>Bram Stoker’s Dracula</em>, 1 </p><p>Brando, Marlon,&nbsp;5 4 , 56–57,&nbsp;59 Brandt, Willy,&nbsp;137 <br>Balabanov, Aleksei,&nbsp;176, 184 </p><p><em>The Ballad of Narayama</em>, 147, </p><p>149–150 </p><p><em>Ballad of a Soldier</em>, 174,&nbsp;183–184 </p><p>Bancroft, Anne,&nbsp;114 Banks, Russell,&nbsp;197–198, 201–204, </p><ul style="display: flex;"><li style="flex:1">206 </li><li style="flex:1">BRD Trilogy (Fassbinder), <em>see </em>FRG </li></ul><p>Trilogy </p><p><em>Barbarosa</em>, 129 </p><p>Barker, Philip,&nbsp;207 Barrett, Ray,&nbsp;128 <em>Battle in Heaven</em>, 2&nbsp;17–225, 266–267, <br>270, 273 Bazin, André,&nbsp;6 6 , 100 BBC (British Broadcasting Corporation), 136 </p><p><em>Breaker Morant</em>, 120,&nbsp;129 <em>Breathless</em>, 60,&nbsp;62, 67 </p><p>Brecht, Bertolt,&nbsp;8 2 , 187 Breillat, Catherine,&nbsp;217 Bresson, Robert,&nbsp;4 2 , 96,&nbsp;159, 164, <br>195, 210, 224, 274 Brezhnev, Leonid,&nbsp;175 </p><p></p><ul style="display: flex;"><li style="flex:1"><em>Brightness</em>, 156–157 </li><li style="flex:1"><em>Le Beau Serge</em>, 67 </li></ul><p></p><p>Bebey, Francis,&nbsp;154 Beethoven, Ludwig van,&nbsp;136 Beijing Film Academy,&nbsp;166 </p><p><em>Belle de Jour</em>, 2&nbsp;19 </p><p>Brinton, Ralph,&nbsp;70 Brizzi, Anchise,&nbsp;37 Broadway, 52,&nbsp;113 Brody, Adrian,&nbsp;216 <br>Bellocchio, Marco,&nbsp;2 1 7 </p><p><em>Ben Hur</em>, 95 </p><p>Benoît-Levy, Jean,&nbsp;153 </p><p><em>Brother</em>, 176,&nbsp;184 <em>The Brown Bunny</em>, 2&nbsp;17 </p><p>Browning, Robert,&nbsp;203–206 <br>Beresford, Bruce,&nbsp;120–121, 124, 129&nbsp;Brueghel, Pieter,&nbsp;142 Bergman, Ingmar,&nbsp;65, 91–97, 195, <br>207, 256–257 </p><p><em>Berlin Alexanderplatz</em>, 132 </p><p>Berlin Film Festival,&nbsp;167 Bernstein, Leonard,&nbsp;57–58 </p><p><em>Bicycle Thieves</em>, 34 </p><p>Bucur, Dragoş, 234 Buñuel, Luis,&nbsp;1 6 7 , 219 </p><p><em>Burnt by the Sun</em>, 1&nbsp;8 4 </p><p>Burstall, Tim,&nbsp;121 Burton, Richard,&nbsp;113 Byrd, George,&nbsp;136 </p><p><em>The Big Parade</em>, 166 </p><p>Birsel, Taner,&nbsp;246–247 B jörnstrand, Gunnar,&nbsp;94 </p><p><em>Black Mountain Road</em>, 166 <em>Black Rain</em>, 150 <em>Bloody Dawn</em>, 166 <em>Blow-Up</em>, 118 <br><em>The Cabinet of Dr. Caligari</em>, 2&nbsp;, 82 <em>Cahiers du cinéma</em>, 138 </p><p>Cain, James M.,&nbsp;170–171 Cannes Film Festival,&nbsp;8 0 , 129,&nbsp;150, <br>167, 172, 186, 209–210, 216 </p><p><em>Capricious Summer</em>, 99 </p><p>Bodrov, Sergei,&nbsp;174–185, 263–264 </p><p><em>Carnal Knowledge</em>, 118 </p><p>285 </p><p><em>Index </em></p><p>Carroll, Peter,&nbsp;128 Catholicism, 95–96,&nbsp;124, 146, <br>221–222 Ceauşescu, Nicolae,&nbsp;228–229, <br>232–233 <br>Comedy, 42–51,&nbsp;99–100, 102–103, <br>111–116, 138, 158, 160, 162–164, 172, 175, 192, 197, 232, 234, 237, 245, 269–270, 273 </p><p><em>commedia dell’arte</em>, 47 </p><p>Ceylan, Ebru,&nbsp;240 Ceylan, Emin,&nbsp;238 <br>Communism, 53,&nbsp;59, 103, 105, 141, <br>166, 172, 234 <br>Ceylan, Fatma,&nbsp;238 Ceylan, Nuri Bilge,&nbsp;236–247, <br>267–268 </p><p><em>Confusion</em>, 46 </p><p>Coppola, Francis Ford,&nbsp;1 </p><p><em>Les Cousins</em>, 6&nbsp;7 </p><p>Chabrol, Claude,&nbsp;6 1 , 67 </p><p><em>The Chant of Jimmie Blacksmith </em></p><p>120–130, 258–259, 270–271, 273 Chaplin, Charles,&nbsp;42–43, 50 Chechnyan War,&nbsp;174–185 </p><p><em>The Checkpoint</em>, 176 </p><p>Chekhov, Anton,&nbsp;244–245 Chen, Kaige,&nbsp;166 Chenal, Pierre,&nbsp;170 </p><p><em>Chocolat</em>, 151,&nbsp;153 <em>The Choice</em>, 151 </p><p>Christianity, 54,&nbsp;57–59, 123, <br>210–211, 214–216, 273 Chukhrai, Grigori,&nbsp;183 Chytilová, VěCicognini, Alessandro,&nbsp;37 CinemaScope, 243 Ciné-Tamaris (production company), 60 Cisse, Souleymane,&nbsp;156–157 </p><p><em>Citizen Kane</em>, 6&nbsp;1 </p><p>Clayton, Jack,&nbsp;69–79, 254–255 </p><p><em>Cléo from 5 to 7</em>, 6&nbsp;1, 67 <em>Climates</em>, 2&nbsp;40 <em>Closely Watched T r ains</em>, 9&nbsp;8 – 107, 257, </p><p>271, 273 </p><p><em>The Cranes Are Flying</em>, 174 <em>The Creatures</em>, 67 <em>Crime and Punishment</em>, 158 <em>Crime at a Girls’ School</em>, 9&nbsp;9 – 100 <em>Crime in a Nightclub</em>, 9&nbsp;9 – 100 <em>Cronaca di un Amore</em>, see <em>Story of a Love Affair </em></p><p>Cui, César,&nbsp;176 Cultural Revolution (China),&nbsp;167, <br>172 </p><p><em>Curse of the Golden Flower</em>, 173 </p><p>Czech Renaissance, <em>see </em>New Wave <br>(Czech) </p><p>Daniels, William,&nbsp;115 Danna, Mychael,&nbsp;205 Daquin, Louis,&nbsp;154 Dardenne, Jean-Pierre,&nbsp;209–216, <br>265–266 Dardenne, Luc,&nbsp;209–216, 265–266 Davis, Judy,&nbsp;120 <em>Day of Wrath</em>, 23–33,&nbsp;96, 250–251, <br>270, 273 De Palma, Brian,&nbsp;127 De Sica, Vittorio,&nbsp;34–41, 102, <br>251–252 </p><p><em>Death by Hanging</em>, 142 </p><p>“The Death of Mr. Baltisberger,” <br>99 </p><p><em>Clouds of May</em>, 238–240 </p><p>Cobb, Lee J.,&nbsp;54 </p><p>286 </p><p><em>Index </em></p><p><em>Death of a Salesman</em>, 52 </p><p>Denis, Claire,&nbsp;151, 153 </p><p><em>Department of Sanitation</em>, 87 <em>Le Dernier T o urnant </em>(<em>The Last T u rn</em>), </p><p>170 </p><p><em>Devil in the Flesh</em>, 2&nbsp;17 <em>The Devil’s Playground</em>, 124,&nbsp;129 <em>Diary of a Country Priest</em>, 96 <em>Diary of a Shinjuku Thief</em>, 142 </p><p>Dickinson, Emily,&nbsp;197 </p><p><em>Dies Irae</em>, 28 </p><p>Erhard, Ludwig,&nbsp;131–132 Ershadi, Homayoun,&nbsp;195 Euripides, 27 Existentialism, 187,&nbsp;195, 223 Expressionism, 2–3,&nbsp;6–8, 10–11, <br>82–88, 228 </p><p>“Faith” Trilogy (Bergman),&nbsp;91–92, <br>95–96 FAMU (Faculty of the Academy of Dramatic Arts [Czech]),&nbsp;98 Fascism, 5&nbsp;8 , 102,&nbsp;272 Fassbinder, Rainer Werner,&nbsp;131– <br>139, 259–260 <br>Dietrich, Marlene,&nbsp;1 3 4 , 138 </p><p><em>The Disenchanted</em>, 53 <em>Distant</em>, 239–241 </p><p>Documentary, 37,&nbsp;43, 59, 61, 67, <br>141, 143–145, 147, 187, 212, 270 Dodds, Steve,&nbsp;128 <br>Fatimata, Sanga,&nbsp;156 Faulkner, William,&nbsp;62 Fellini, Federico,&nbsp;88 </p><p><em>Dog Days</em>, 2&nbsp;18 </p><p>Fields, W. C.,&nbsp;46 </p><p><em>La Dolce Vita </em>(<em>The Sweet Life</em>), 88 </p><p>Donen, Stanley,&nbsp;115 </p><p><em>La Donna Lupo</em>, 2&nbsp;18 </p><p>Dostoyevsky, Fyodor,&nbsp;158 </p><p><em>Dracula</em>, 1,&nbsp;3, 5 </p><p>Fifth Generation (China),&nbsp;166 Fifth Symphony (Beethoven),&nbsp;136 <em>Film noir</em>, 5&nbsp;8 , 81,&nbsp;219, 242 “Fishermen of Capri,”&nbsp;136 Flynn, Errol,&nbsp;184 </p><p><em>Dressed to Kill</em>, 127 </p><p>Formalism, 1&nbsp;0 0 <br>Dreyer, Carl-Theodor,&nbsp;23–33, 96, <br>250–251 Duparc, Henry,&nbsp;157 <br>Forman, Miloš,&nbsp;103 </p><p><em>The 400 Blows</em>, 60,&nbsp;67 <em>4 Months, 3 Weeks, and 2 Days </em></p><p></p><ul style="display: flex;"><li style="flex:1">227–228, 234 </li><li style="flex:1">Duvivier, Julien,&nbsp;153 </li></ul><p>Franci, Adolfo,&nbsp;36 </p><p><em>L’E clisse </em>(<em>Eclipse</em>), 81,&nbsp;87, 88, 193 <em>The Eel</em>, 143,&nbsp;150 </p><p>Francis, Freddie,&nbsp;70 Freud, Sigmund,&nbsp;2 </p><p><em>Effi Briest</em>, 132 </p><p>Egoyan, Atom,&nbsp;197–208, 265 </p><p><em>Eijanaika</em>, 1&nbsp;4 7 </p><p>FRG Trilogy (Fassbinder),&nbsp;131–132 Fröhlich, Pea,&nbsp;132 </p><p><em>Fu-hsi, Fu-hsi</em>, 1&nbsp;6 9 </p><p>Eisenstein, Sergei,&nbsp;174 </p><ul style="display: flex;"><li style="flex:1">Eisner, Lotte,&nbsp;2 </li><li style="flex:1">Gabin, Jean,&nbsp;19 </li></ul><p></p><p><em>L’Enfant</em>, 2&nbsp;10–211 <em>Entomological Chronicles of Japan </em><br>(a.k.a. <em>Insect Woman</em>), 142 </p><p>Galeen, Henrik,&nbsp;4 Gallo, Vincent,&nbsp;2 1 7 Garfunkel, Art,&nbsp;114 </p><p>287 </p><p><em>Index </em></p><p></p><ul style="display: flex;"><li style="flex:1"><em>Genuine</em>, 85 </li><li style="flex:1"><em>Henry: Portrait of a Serial Killer</em>, 150 </li></ul><p><em>Heritage Africa</em>, 157 </p><p>Hernández, Marcos,&nbsp;224 </p><p><em>Hero</em>, 173 <br><em>Germany, Y e ar Zero</em>, 210 <em>The Getting of Wisdom</em>, 120,&nbsp;124 </p><p>Gibson, Mel,&nbsp;120 </p><p><em>The Gift of God</em>, 1&nbsp;5 1 </p><p>Giller, Boris,&nbsp;175 <br>Hillcoat, John,&nbsp;128 </p><p><em>Hippolytus</em>, 2&nbsp;7 <br><em>Giulia</em>, 2&nbsp;1 8 </p><p>Hirohito, Michinomiya,&nbsp;141 </p><p><em>Hiroshima, Mon Amour</em>, 67 </p><p>Hitchcock, Alfred,&nbsp;2 2 3 , 234 Hitler, Adolf,&nbsp;5 , 12,&nbsp;14, 105, 137, <br>272 </p><p><em>The Gleaners and I</em>, 67 </p><p>“Go Down Moses,”&nbsp;180 “God Sees the Truth, But Waits,” <br>178, 183 Godard, Jean-Luc,&nbsp;60–62, 141, 195 </p><p><em>Golden Boy</em>, 52 <em>The Golem</em>, 82 </p><p>Hoffman, Dustin,&nbsp;1 0 8 , 115,&nbsp;117 Hollywood, viii,&nbsp;52–53, 103, 120, <br>129, 138, 218, 269, 272 </p><ul style="display: flex;"><li style="flex:1">Holm, Ian,&nbsp;207 </li><li style="flex:1">Gomes, Flora,&nbsp;157 </li></ul><p></p><ul style="display: flex;"><li style="flex:1">Gong, Li,&nbsp;167, 169 </li><li style="flex:1">Hondo, Med,&nbsp;151 </li></ul><p>Gorbachev, Mikhail,&nbsp;175 </p><p><em>The Gospel According to St. Matthew </em></p><p>96 Gourmet, Olivier,&nbsp;215–216 Governor, Jimmy,&nbsp;121 </p><p><em>The Graduate</em>, 108–119,&nbsp;258, </p><p>270–271, 273 </p><p><em>La Grande Illusion</em>, 12–22,&nbsp;249–250, </p><p>270, 272 </p><p><em>The Greatest Story Ever T o ld</em>, 95 </p><p>Grede, Kjell,&nbsp;154 <br>Horace, 2&nbsp;4 </p><p><em>The Horse Thief</em>, 166 <em>House of Flying Daggers</em>, 173 <em>House of Fools</em>, 177 </p><p>House Un-American Activities Committee (HUAC),&nbsp;53–54, 59 Houston, Penelope,&nbsp;73, 86 Hrabal, Bohumil,&nbsp;98–100, 104–105 </p><p><em>The Hudson Review</em>, 174 <em>Hugo and Josephine</em>, 154 </p><p>Greenwood, Bruce,&nbsp;2 0 7 Griffith, D. W.,&nbsp;2 0 ,&nbsp;174 Group Theatre,&nbsp;52 Gu, Changwei,&nbsp;171 </p><p><em>Guardami</em>, 218 <br><em>I Served the King of England </em></p><p>103–106 </p><p><em>I Stand Alone</em>, 2&nbsp;1 8 <em>Iceman</em>, 129 <em>The Idiots</em>, 218 </p><p>Imamura, Shohei,&nbsp;140–150, <br>260–261 Impressionism, 3,&nbsp;237 </p><p><em>In the Cut</em>, 2&nbsp;18 </p><p>“In the Mood,”&nbsp;136 </p><p><em>In the Realm of the Senses</em>, 217 <em>In Search of Unreturned Soldiers</em>, 144 <br><em>Hamlet Goes to Business</em>, 158–159 </p><p>Hannam, Ken,&nbsp;1 2 9 </p><p><em>The Harder They Fall</em>, 5&nbsp;3 </p><p>Harlow, Jean,&nbsp;138 Hasenclever, Walter,&nbsp;82 Henry, Buck,&nbsp;108 </p><p>288 </p><p><em>Index </em></p><p>Interlenghi, Franco,&nbsp;35–36 </p><p><em>Intimacy</em>, 218 </p><p>Islam, 174–196,&nbsp;273 Ivanov, Vlad,&nbsp;234 <br>Kinoshita, Keisuke,&nbsp;141 Kleist, Heinrich von,&nbsp;133 Klos, Elmar,&nbsp;103 Kluge, Alexander,&nbsp;132 </p><p><em>Kolya</em>, 184 </p><p>Ivashev, Vladimir,&nbsp;184 <br>Konchalovsky, Andrei,&nbsp;177 </p><ul style="display: flex;"><li style="flex:1">Kornfeld, Paul,&nbsp;82 </li><li style="flex:1">J a gger,&nbsp;Mick, 120 </li></ul><p>Jannings, Emil,&nbsp;10 <em>Japón</em>, 2&nbsp;18, 224 <br>Kracauer, Siegfried,&nbsp;5 Kurosawa, Akira,&nbsp;1 8 6 , 198 <br>Jarmusch, Jim,&nbsp;159 Jireš, Jaromil,&nbsp;98 Johnson, Malcolm,&nbsp;52–53 Johnson, Samuel,&nbsp;28 Joyce, James,&nbsp;45 <br>Lamy, Benoît,&nbsp;156 </p><p><em>Larks on a String</em>, 99 <em>The Last Laugh</em>, see <em>Der letzte Mann </em></p><p><em>Ju Dou</em>, 166–173,&nbsp;263, 270, 272–273 Judaism, 16,&nbsp;18 </p><p><em>The Last Man</em>, see <em>Der letzte Mann </em></p><p>Leander, Zarah,&nbsp;136 Lebeshev, Pavel,&nbsp;177 Lemmon, Jack,&nbsp;115 Leone, Sergio,&nbsp;243 Lermontov, Mikhail,&nbsp;176 </p><p><em>Der letzte Mann</em>, 10 </p><p>Lewis, Tommy,&nbsp;127–128 Li, Boatian,&nbsp;169 <br>Kaboré, Gaston,&nbsp;151 Kadár, Jan,&nbsp;103 Kael, Pauline,&nbsp;129 Kaiser, Georg,&nbsp;82 Kälin, Matthias,&nbsp;156 </p><p><em>Karayuki-san: The Making of a Prostitute</em>, 1&nbsp;4 4 </p><p>Li, Shaohong,&nbsp;166 <br>Kauffmann, Stanley,&nbsp;77 Kaufman, Boris,&nbsp;55 <br>Li, Wei,&nbsp;168 </p><p><em>Li Lianying</em>, 166 </p><p>Kaurismäki, Aki,&nbsp;158–165, 262–263&nbsp;<em>The Lighthouse</em>, 177 Kazan, Elia,&nbsp;52–59, 226, 252–253 Keaton, Buster,&nbsp;42–43, 164, 237 Keneally, Thomas,&nbsp;121, 125 Kesal, Ercan,&nbsp;2 4 1 , 245 Khotinenko, Vladimir,&nbsp;176 Khrushchev, Nikita,&nbsp;174 Kiarostami, Abbas,&nbsp;166–167, <br>186–196, 237–238, 240, 243, 264–265, 272 </p><p><em>Little V e ra</em>, 175 </p><p>Liu, Heng,&nbsp;169 </p><p><em>Lola</em>, 131–132 <em>Loves of a Blonde</em>, 103 </p><p>Lutheranism, 9&nbsp;3 , 95 </p><p><em>Machinal</em>, 85 <em>The Magician</em>, 92 </p><p>Malden, Karl,&nbsp;54 </p><p><em>A Man Vanishes</em>, 142 </p><p>Marcoen, Alain,&nbsp;212 Marinne, Morgan,&nbsp;216 </p><p><em>The Kid with a Bike</em>, 2&nbsp;10–211 </p><p><em>King Lear</em>, 2&nbsp;8 ,&nbsp;30, 32, 91 </p><p><em>King of Kings</em>, 95 </p><p>289 </p><p><em>Index </em></p><p><em>The Marriage of Maria Braun </em></p><p>131–139, 259–260, 270 </p><p><em>The Marriages of Our Parents</em>, 132 </p><p>Märthesheimer, Peter,&nbsp;132 Martin, Steve,&nbsp;1 1 5 Martínez Vignatti, Diego,&nbsp;225 Marx Brothers,&nbsp;46 Marxism, 99 <br>Muntean, Radu,&nbsp;234 Murnau, F. W.,&nbsp;1–11, 248–249 Mushkadiz, Anapola,&nbsp;224 </p><p><em>The Muslim</em>, 176 </p><p>Mussolini, Benito,&nbsp;12 Mweze, Ngangura,&nbsp;156 <em>My Brilliant Career</em>, 1&nbsp;2 0 , 124,&nbsp;129 </p><p><em>My Life as a Dog</em>, 154 </p><ul style="display: flex;"><li style="flex:1"><em>My Uncle</em>, 44–45 </li><li style="flex:1"><em>The Match Factory Girl</em>, 158–165, </li></ul><p></p><p>262–263, 270, 272, 274 </p><p><em>La Maternelle</em>, 153 </p><p>Naruse, Mikio,&nbsp;1 4 1 <br>McDowell, Roddy,&nbsp;35 McNaughton, John,&nbsp;150 Mekhralieva, Susanna,&nbsp;183 Melodrama, 24–25,&nbsp;27, 38, 59, <br>72–73, 78, 136, 240, 269 Menshikov, Oleg,&nbsp;184 Menzel, JiřThe Method (acting),&nbsp;57 </p><p><em>Metropolis</em>, 82 </p><p>Mikhalkov, Nikita,&nbsp;184 </p><p><em>Mildred Pierce</em>, 135 </p><p>Miller, Arthur,&nbsp;52 Miller, George,&nbsp;121 Miller, Glenn,&nbsp;136 <br>Naturalism, 8&nbsp;2 , 95,&nbsp;100, 136, 150, <br>210, 212, 215, 228 Nazism, 5&nbsp;, 8, 26–27, 74, 100, 102, <br>105, 132, 136 Neckár, Václav,&nbsp;100 </p><p><em>Ned Kelly</em>, 120 </p><p>NěNeoclassicism, 24 Neorealism (Italian),&nbsp;20, 34–41, 61, <br>63, 82, 211, 224, 271 New American Cinema,&nbsp;1 0 8 , 118 New Australian Cinema,&nbsp;1 2 1 , 129 New Romanian Cinema,&nbsp;226–235, <br>272 </p><p><em>Miracle in Milan</em>, 3&nbsp;4 <em>Mr. Hulot’s Holiday</em>, 42–51,&nbsp;252, </p><p>273–274 <br>New Wave (Czech),&nbsp;98, 103 New Wave (French),&nbsp;60–68, 141 New Wave (Japanese),&nbsp;141, 144 New York Film Festival,&nbsp;138 </p><p><em>New Y o rk Sun</em>, 52 </p><p>Mizoguchi, Kenji,&nbsp;141 Modernism, 2&nbsp;4 , 45,&nbsp;60, 67 Monfort, Silvia,&nbsp;61–62 Monsigny, Jean,&nbsp;156 Monty Python,&nbsp;163 “Moonlight Serenade,”&nbsp;136 Moradi, Safir Ali,&nbsp;1 9 5 Moravia, Alberto,&nbsp;102 </p><p><em>Mortu Nega</em>, 1&nbsp;5 7 <br><em>New Y o rk Times</em>, 1&nbsp;3 8 </p><p>Nichols, Mike,&nbsp;108–119, 258 Nietzsche, Friedrich,&nbsp;14 </p><p><em>Night and Fog in Japan</em>, 142 </p><p>Nikkatsu Studio,&nbsp;141–144 </p><p><em>9 Songs</em>, 2&nbsp;17 </p><p>Nishiguchi, Akira,&nbsp;145 Noiret, Philippe,&nbsp;62, 64 <em>Nosferatu</em>, 1–11,&nbsp;248–249, 272–273 <br>Munch, Edvard,&nbsp;88 Mungiu, Cristian,&nbsp;227–228 </p><p>290 </p><p><em>Index </em></p><p></p><ul style="display: flex;"><li style="flex:1"><em>Not One Less</em>, 172 </li><li style="flex:1"><em>Pelle the Conqueror</em>, 154 </li></ul><p><em>People of the Po</em>, 87 <em>Persona</em>, 65 <br><em>La Notte </em>(<em>The Night</em>), 81,&nbsp;87 </p><p>Nouri, Mir Hossein,&nbsp;195 Noyce, Phillip,&nbsp;121 </p><p><em>Phaedra</em>, 2&nbsp;7 </p><p>Nykvist, Sven,&nbsp;93, 207 </p><p><em>The Pianist</em>, 216 <em>Pickpocket</em>, 2&nbsp;1 0 </p><p>Odets, Clifford,&nbsp;52 </p><p><em>Oedipus the King</em>, 3&nbsp;2 , 113 </p><p>Ogata, Ken,&nbsp;147 </p><p><em>Picnic at Hanging Rock</em>, 120,&nbsp;124 </p><p>“The Pied Piper of Hamelin,” <br>203–206 </p><p><em>On the Beach</em>, 120 <em>On the Waterfront</em>, 52–59,&nbsp;252–253, </p><p>270, 273–274 </p><p><em>Pigs and Battleships</em>, 142 <em>Playtime</em>, 45–46 <em>Poil de Carotte</em>, 153 <br><em>Once Upon a Time in Anatolia </em></p><p>236–247, 267–268, 272–273 </p><p><em>Once Upon a Time in the West </em></p><p>243 </p><p><em>The One and the Eight</em>, 166 <em>One Sings, the Other Doesn’t</em>, 67 </p><p>Oscars, <em>see </em>Academy Awards Oshima, Nagisa,&nbsp;141–142, 217 </p><p><em>Ossession</em>e (<em>Obsession</em>), 170 <em>Othello</em>, 3&nbsp;2 </p><p>Ouédraogo, Idrissa,&nbsp;151–157, <br>261–262 </p><p><em>The Outcry </em>(a.k.a. <em>The Cry</em>), 87 </p><p>Outinen, Kati,&nbsp;159, 161 Özdemir, Muzaffer,&nbsp;240 Ozu, Yasujiro,&nbsp;141, 159 </p><p><em>La Pointe Courte</em>, 60–68,&nbsp;253–254, </p><p>270, 272, 274 </p><p><em>Polax</em>, 2&nbsp;18 <em>Police, Adjective</em>, 226–235,&nbsp;243, 267, </p><p>270, 273 Polley, Sarah,&nbsp;207 </p><p><em>The Pornographers</em>, 142–143 </p><p>Pornography, 217–225,&nbsp;273 </p><p><em>Portrait of Innocence</em>, 154 </p><p>Porumboiu, Corneliu,&nbsp;226–235, <br>243, 267 </p><p><em>The Postman Always Rings T w ice </em></p><p>170–171 <br>“A Prisoner of the Caucasus,” <br>175–176, 178–179, 182–184 </p><p><em>Prisoner of the Mountains</em>, 174–185, </p><p>263–264, 270, 272–273 </p><p><em>The Profound Desire of the Gods </em><br>(a.k.a. <em>T a les from a Southern Isle</em>), </p><p>142, 144 Proletariat Trilogy (Kaurismäki), <br>158, 160 <em>La Promesse</em>, 2&nbsp;0 9 , 211,&nbsp;214–216 </p><p><em>The Proposition</em>, 128 </p><p>Panahi, Jafar,&nbsp;190 Panavision, 45 Panduru, Marius,&nbsp;231 </p><p><em>Parade</em>, 46 </p><p>Pasolini, Pier Paolo,&nbsp;9 6 , 153,&nbsp;273 </p><p><em>The Passion of Joan of Arc</em>, 23 </p><p>Paterson, Neil,&nbsp;7 0 </p><p><em>Pathfinder</em>, 153 </p><p>Protestantism, 96 <br>Payvar, Homayoun,&nbsp;188 </p><p><em>Pearls of the Deep</em>, 98–99 </p><p>Pudovkin, Vsevolod,&nbsp;174 Puiu, Cristi,&nbsp;234 </p><p>291 </p><p><em>Index </em></p><p>Pulitzer Prize,&nbsp;52 Pushkin, Alexander,&nbsp;176 <br>Saakyan, Mariya,&nbsp;177 Saint, Eva Marie,&nbsp;54 “St. James Infirmary,”&nbsp;194 Saki, Ryuzo,&nbsp;145 </p><p><em>Quo Vadis?</em>, 95 </p><p>Salminen, Timo,&nbsp;161 </p><ul style="display: flex;"><li style="flex:1">Sarossy, Paul,&nbsp;207 </li><li style="flex:1">Racine, Jean,&nbsp;27 </li></ul><p></p><p><em>Raise the Red Lantern</em>, 167–168,&nbsp;171, <em>Sarraounia</em>, 151 </p><p></p><ul style="display: flex;"><li style="flex:1">173 </li><li style="flex:1">Sarris, Andrew,&nbsp;138 </li></ul><p><em>Rashomon</em>, 1&nbsp;8 6 , 198 Ray, Satyajit,&nbsp;20 <br>Schepisi, Fred,&nbsp;120–130, 258–259 Schepisi, Rhonda,&nbsp;128 </p><p><em>Schindler’s List</em>, 121 </p><p>Schlöndorff, Volker,&nbsp;132 Schmidt, Helmut,&nbsp;137 Schneider, Romy,&nbsp;132 Schorm, Evald,&nbsp;98 Schrader, Paul,&nbsp;3 2 Schulberg, Budd,&nbsp;53, 58–59 Schuricke, Rudi,&nbsp;136 Schygulla, Hanna,&nbsp;132, 134, 138 </p><p><em>Sciuscià</em>, see <em>Shoeshine The Scream</em>, 88 </p><p>SDS (Students for a Democratic Society), 117 <br>Realism, 10–11,&nbsp;15, 35, 49, 63, 69, <br>81–82, 88, 100, 103, 106, 151–152, 166, 174–175, 189, 195, 209–210, 218, 234, 237, 247, 272 <em>Red Desert</em>, 8&nbsp;1, 88, 188 </p><p><em>Red Sorghum</em>, 167–168,&nbsp;171 </p><p>Reitz, Edgar,&nbsp;132 Renoir, Auguste,&nbsp;21 Renoir, Jean,&nbsp;12–22, 249–250 </p><p><em>Repentance</em>, 175 </p><p>Resnais, Alain,&nbsp;60–62 Reygadas, Carlos,&nbsp;217–225, <br>266–267 Reynolds, Freddy,&nbsp;128 Ritualism, 155–156 Rivette, Jacques,&nbsp;141 </p><p><em>The Road Home</em>, 172–173 </p><p>Roeg, Nicolas,&nbsp;126 </p><p><em>Seclusion Near a Forest</em>, 103 </p><p>Sembène, Ousmane,&nbsp;156 Sentimentality, 64,&nbsp;155, 174–175, <br>183, 207, 269 </p><p><em>The Seventh Seal</em>, 9&nbsp;1–92 <em>Shadows of Our Forgotten Ancestors </em></p><p>174 <br>Rogozhkin, Alexander,&nbsp;176 Rohmer, Eric,&nbsp;1 4 1 </p><p><em>Romance</em>, 2&nbsp;1 7 <em>Room at the T o p</em>, 69–79,&nbsp;254–255, </p><p>270–273 </p><p><em>Shadows in Paradise</em>, 1&nbsp;5 8 , 160 </p><p>Shakespeare, William,&nbsp;32, 158 </p><p><em>Shanghai T r iad</em>, 1&nbsp;7 3 </p><p><em>Rosetta</em>, 2&nbsp;0 9 , 211,&nbsp;214–216 Ross, Katharine,&nbsp;114–115 Rossellini, Roberto,&nbsp;6 6 , 210 </p><p><em>Roxanne</em>, 1&nbsp;2 9 <em>The Rules of the Game</em>, 12 <em>The Russia House</em>, 129 </p><p>Sheen, Martin,&nbsp;184 Shinoda, Masahiro,&nbsp;141 Shochiku Studio,&nbsp;1 4 2 , 145 <em>Shoeshine</em>, 34–41,&nbsp;251–252, 270–272 </p><p><em>The Shop on Main Street</em>, 103 <em>The Silence</em>, 9&nbsp;1–92 </p><p>292 </p><p><em>Index </em></p><p><em>The Silence of Lorna</em>, 2&nbsp;10–211 </p><p>Simon, John,&nbsp;129 Simon, Paul,&nbsp;114 <br>Tati, Jacques,&nbsp;42–51, 252 Taverner, John,&nbsp;224 Taylor, Elizabeth,&nbsp;113 </p><p><em>La T e rra T r ema</em>, 63–64 </p><p>Tessier, Max,&nbsp;142 <br>Sinatra, Frank,&nbsp;54 Skvorecký, Josef,&nbsp;99 </p><p><em>The Small T o wn</em>, 237–239 </p><p>Smordoni, Rinaldo,&nbsp;35–36 Socialism, 102–103 <br>Théâtre National Populaire,&nbsp;62 </p><p><em>Theme</em>, 175 </p><p>Thomas of Celano,&nbsp;2 8 </p><p><em>Three Monkeys</em>, 2&nbsp;40–242 <em>Through a Glass Darkly</em>, 9&nbsp;1–92 <em>Through the Olive T r ees</em>, 186,&nbsp;238 </p><p>Thulin, Ingrid,&nbsp;94 <br>Sofr, Jaromír,&nbsp;100 Sokurov, Alexander,&nbsp;1 7 6 <em>The Son</em>, 209–216,&nbsp;265–266, 270– <br>271, 273 </p><ul style="display: flex;"><li style="flex:1">Sophocles, 32 </li><li style="flex:1">Tian, Zhuangzhuang,&nbsp;166 </li></ul><p></p><p><em>Tilaï</em>, 156–157 </p><p>Tiryaki, Gökhan,&nbsp;243 </p><p><em>To D amascus</em>, 3 </p>

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