Index

Academy Awards (Oscars), 34, 57,
98, 103, 167, 184 Actors’ Studio, 5 7 Adaptation, 1, 3, 23–24, 69–70,
98–100, 111, 121, 125, 145, 169, 171, 178–179, 182, 184, 197–199, 201–204, 206, 273 A denauer, Konrad, 1 3 4 , 137 A lbee, Edward, 113

Antares, 2 1 8

Antonioni, Michelangelo, 80–90,
92–93, 118, 159, 170, 188, 193, 243, 255

Ariel, 158–160

Aristotle, 2 4 , 80 Armstrong, Gillian, 121, 124, 129 Armstrong, Louis, 180

L’Atalante, 63
Alexandra, 176

Atget, Eugène, 64
Aliyev, Arif, 175

All About Anna, 2 18 All My Sons, 52

Auteurism, 6 7 , 118, 142, 145, 147,
149, 175, 187, 195, 269 Avant-gardism, 82
Amidei, Sergio, 36

Anatomy of Hell, 2 18
L’A vventura (The Adventure), 80–90,

243, 255, 270, 272, 274

And Life Goes O n..., 186, 238

Anderson, Lindsay, 58 Andersson, Karl, 27

Anne Pedersdotter, 2 3 , 25

Ansah, Kwaw, 157
Baba, Masuru, 145 Bach, Johann Sebastian, 92 Bagheri, Abdolhossein, 195

Baise-moi, 2 18

Film Analysis: A Casebook, First Edition. Bert Cardullo.

© 2015 John Wiley & Sons, Inc. Published 2015 by John Wiley & Sons, Inc.

284

Index

Bal Poussière, 157

Bodrov, Sergei Jr., 184 Bolshevism, 5

Boogie, 234

Braine, John, 69–70

Bram Stoker’s Dracula, 1

Brando, Marlon, 5 4 , 56–57, 59 Brandt, Willy, 137
Balabanov, Aleksei, 176, 184

The Ballad of Narayama, 147,

149–150

Ballad of a Soldier, 174, 183–184

Bancroft, Anne, 114 Banks, Russell, 197–198, 201–204,

• 206
• BRD Trilogy (Fassbinder), see FRG

Trilogy

Barbarosa, 129

Barker, Philip, 207 Barrett, Ray, 128 Battle in Heaven, 2 17–225, 266–267,
270, 273 Bazin, André, 6 6 , 100 BBC (British Broadcasting Corporation), 136

Breaker Morant, 120, 129 Breathless, 60, 62, 67

Brecht, Bertolt, 8 2 , 187 Breillat, Catherine, 217 Bresson, Robert, 4 2 , 96, 159, 164,
195, 210, 224, 274 Brezhnev, Leonid, 175

• Brightness, 156–157
• Le Beau Serge, 67

Bebey, Francis, 154 Beethoven, Ludwig van, 136 Beijing Film Academy, 166

Belle de Jour, 2 19

Brinton, Ralph, 70 Brizzi, Anchise, 37 Broadway, 52, 113 Brody, Adrian, 216
Bellocchio, Marco, 2 1 7

Ben Hur, 95

Benoît-Levy, Jean, 153

Brother, 176, 184 The Brown Bunny, 2 17

Browning, Robert, 203–206
Beresford, Bruce, 120–121, 124, 129 Brueghel, Pieter, 142 Bergman, Ingmar, 65, 91–97, 195,
207, 256–257

Berlin Alexanderplatz, 132

Berlin Film Festival, 167 Bernstein, Leonard, 57–58

Bicycle Thieves, 34

Bucur, Dragoş, 234 Buñuel, Luis, 1 6 7 , 219

Burnt by the Sun, 1 8 4

Burstall, Tim, 121 Burton, Richard, 113 Byrd, George, 136

The Big Parade, 166

Birsel, Taner, 246–247 B jörnstrand, Gunnar, 94

Black Mountain Road, 166 Black Rain, 150 Bloody Dawn, 166 Blow-Up, 118
The Cabinet of Dr. Caligari, 2 , 82 Cahiers du cinéma, 138

Cain, James M., 170–171 Cannes Film Festival, 8 0 , 129, 150,
167, 172, 186, 209–210, 216

Capricious Summer, 99

Bodrov, Sergei, 174–185, 263–264

Carnal Knowledge, 118

285

Index

Carroll, Peter, 128 Catholicism, 95–96, 124, 146,
221–222 Ceauşescu, Nicolae, 228–229,
232–233
Comedy, 42–51, 99–100, 102–103,
111–116, 138, 158, 160, 162–164, 172, 175, 192, 197, 232, 234, 237, 245, 269–270, 273

commedia dell’arte, 47

Ceylan, Ebru, 240 Ceylan, Emin, 238
Communism, 53, 59, 103, 105, 141,
166, 172, 234
Ceylan, Fatma, 238 Ceylan, Nuri Bilge, 236–247,
267–268

Confusion, 46

Coppola, Francis Ford, 1

Les Cousins, 6 7

Chabrol, Claude, 6 1 , 67

The Chant of Jimmie Blacksmith

120–130, 258–259, 270–271, 273 Chaplin, Charles, 42–43, 50 Chechnyan War, 174–185

The Checkpoint, 176

Chekhov, Anton, 244–245 Chen, Kaige, 166 Chenal, Pierre, 170

Chocolat, 151, 153 The Choice, 151

Christianity, 54, 57–59, 123,
210–211, 214–216, 273 Chukhrai, Grigori, 183 Chytilová, VěCicognini, Alessandro, 37 CinemaScope, 243 Ciné-Tamaris (production company), 60 Cisse, Souleymane, 156–157

Citizen Kane, 6 1

Clayton, Jack, 69–79, 254–255

Cléo from 5 to 7, 6 1, 67 Climates, 2 40 Closely Watched T r ains, 9 8 – 107, 257,

271, 273

The Cranes Are Flying, 174 The Creatures, 67 Crime and Punishment, 158 Crime at a Girls’ School, 9 9 – 100 Crime in a Nightclub, 9 9 – 100 Cronaca di un Amore, see Story of a Love Affair

Cui, César, 176 Cultural Revolution (China), 167,
172

Curse of the Golden Flower, 173

Czech Renaissance, see New Wave
(Czech)

Daniels, William, 115 Danna, Mychael, 205 Daquin, Louis, 154 Dardenne, Jean-Pierre, 209–216,
265–266 Dardenne, Luc, 209–216, 265–266 Davis, Judy, 120 Day of Wrath, 23–33, 96, 250–251,
270, 273 De Palma, Brian, 127 De Sica, Vittorio, 34–41, 102,
251–252

Death by Hanging, 142

“The Death of Mr. Baltisberger,”
99

Clouds of May, 238–240

Cobb, Lee J., 54

286

Index

Death of a Salesman, 52

Denis, Claire, 151, 153

Department of Sanitation, 87 Le Dernier T o urnant (The Last T u rn),

170

Devil in the Flesh, 2 17 The Devil’s Playground, 124, 129 Diary of a Country Priest, 96 Diary of a Shinjuku Thief, 142

Dickinson, Emily, 197

Dies Irae, 28

Erhard, Ludwig, 131–132 Ershadi, Homayoun, 195 Euripides, 27 Existentialism, 187, 195, 223 Expressionism, 2–3, 6–8, 10–11,
82–88, 228

“Faith” Trilogy (Bergman), 91–92,
95–96 FAMU (Faculty of the Academy of Dramatic Arts [Czech]), 98 Fascism, 5 8 , 102, 272 Fassbinder, Rainer Werner, 131–
139, 259–260
Dietrich, Marlene, 1 3 4 , 138

The Disenchanted, 53 Distant, 239–241

Documentary, 37, 43, 59, 61, 67,
141, 143–145, 147, 187, 212, 270 Dodds, Steve, 128
Fatimata, Sanga, 156 Faulkner, William, 62 Fellini, Federico, 88

Dog Days, 2 18

Fields, W. C., 46

La Dolce Vita (The Sweet Life), 88

Donen, Stanley, 115

La Donna Lupo, 2 18

Dostoyevsky, Fyodor, 158

Dracula, 1, 3, 5

Fifth Generation (China), 166 Fifth Symphony (Beethoven), 136 Film noir, 5 8 , 81, 219, 242 “Fishermen of Capri,” 136 Flynn, Errol, 184

Dressed to Kill, 127

Formalism, 1 0 0
Dreyer, Carl-Theodor, 23–33, 96,
250–251 Duparc, Henry, 157
Forman, Miloš, 103

The 400 Blows, 60, 67 4 Months, 3 Weeks, and 2 Days

• 227–228, 234
• Duvivier, Julien, 153

Franci, Adolfo, 36

L’E clisse (Eclipse), 81, 87, 88, 193 The Eel, 143, 150

Francis, Freddie, 70 Freud, Sigmund, 2

Effi Briest, 132

Egoyan, Atom, 197–208, 265

Eijanaika, 1 4 7

FRG Trilogy (Fassbinder), 131–132 Fröhlich, Pea, 132

Fu-hsi, Fu-hsi, 1 6 9

Eisenstein, Sergei, 174

• Eisner, Lotte, 2
• Gabin, Jean, 19

L’Enfant, 2 10–211 Entomological Chronicles of Japan
(a.k.a. Insect Woman), 142

Galeen, Henrik, 4 Gallo, Vincent, 2 1 7 Garfunkel, Art, 114

287

Index

• Genuine, 85
• Henry: Portrait of a Serial Killer, 150

Heritage Africa, 157

Hernández, Marcos, 224

Hero, 173
Germany, Y e ar Zero, 210 The Getting of Wisdom, 120, 124

Gibson, Mel, 120

The Gift of God, 1 5 1

Giller, Boris, 175
Hillcoat, John, 128

Hippolytus, 2 7
Giulia, 2 1 8

Hirohito, Michinomiya, 141

Hiroshima, Mon Amour, 67

Hitchcock, Alfred, 2 2 3 , 234 Hitler, Adolf, 5 , 12, 14, 105, 137,
272

The Gleaners and I, 67

“Go Down Moses,” 180 “God Sees the Truth, But Waits,”
178, 183 Godard, Jean-Luc, 60–62, 141, 195

Golden Boy, 52 The Golem, 82

Hoffman, Dustin, 1 0 8 , 115, 117 Hollywood, viii, 52–53, 103, 120,
129, 138, 218, 269, 272

• Holm, Ian, 207
• Gomes, Flora, 157

• Gong, Li, 167, 169
• Hondo, Med, 151

Gorbachev, Mikhail, 175

The Gospel According to St. Matthew

96 Gourmet, Olivier, 215–216 Governor, Jimmy, 121

The Graduate, 108–119, 258,

270–271, 273

La Grande Illusion, 12–22, 249–250,

270, 272

The Greatest Story Ever T o ld, 95

Grede, Kjell, 154
Horace, 2 4

The Horse Thief, 166 House of Flying Daggers, 173 House of Fools, 177

House Un-American Activities Committee (HUAC), 53–54, 59 Houston, Penelope, 73, 86 Hrabal, Bohumil, 98–100, 104–105

The Hudson Review, 174 Hugo and Josephine, 154

Greenwood, Bruce, 2 0 7 Griffith, D. W., 2 0 , 174 Group Theatre, 52 Gu, Changwei, 171

Guardami, 218
I Served the King of England

103–106

I Stand Alone, 2 1 8 Iceman, 129 The Idiots, 218

Imamura, Shohei, 140–150,
260–261 Impressionism, 3, 237

In the Cut, 2 18

“In the Mood,” 136

In the Realm of the Senses, 217 In Search of Unreturned Soldiers, 144
Hamlet Goes to Business, 158–159

Hannam, Ken, 1 2 9

The Harder They Fall, 5 3

Harlow, Jean, 138 Hasenclever, Walter, 82 Henry, Buck, 108

288

Index

Interlenghi, Franco, 35–36

Intimacy, 218

Islam, 174–196, 273 Ivanov, Vlad, 234
Kinoshita, Keisuke, 141 Kleist, Heinrich von, 133 Klos, Elmar, 103 Kluge, Alexander, 132

Kolya, 184

Ivashev, Vladimir, 184
Konchalovsky, Andrei, 177

• Kornfeld, Paul, 82
• J a gger, Mick, 120

Jannings, Emil, 10 Japón, 2 18, 224
Kracauer, Siegfried, 5 Kurosawa, Akira, 1 8 6 , 198
Jarmusch, Jim, 159 Jireš, Jaromil, 98 Johnson, Malcolm, 52–53 Johnson, Samuel, 28 Joyce, James, 45
Lamy, Benoît, 156

Larks on a String, 99 The Last Laugh, see Der letzte Mann

Ju Dou, 166–173, 263, 270, 272–273 Judaism, 16, 18

The Last Man, see Der letzte Mann

Leander, Zarah, 136 Lebeshev, Pavel, 177 Lemmon, Jack, 115 Leone, Sergio, 243 Lermontov, Mikhail, 176

Der letzte Mann, 10

Lewis, Tommy, 127–128 Li, Boatian, 169
Kaboré, Gaston, 151 Kadár, Jan, 103 Kael, Pauline, 129 Kaiser, Georg, 82 Kälin, Matthias, 156

Karayuki-san: The Making of a Prostitute, 1 4 4

Li, Shaohong, 166
Kauffmann, Stanley, 77 Kaufman, Boris, 55
Li, Wei, 168

Li Lianying, 166

Kaurismäki, Aki, 158–165, 262–263 The Lighthouse, 177 Kazan, Elia, 52–59, 226, 252–253 Keaton, Buster, 42–43, 164, 237 Keneally, Thomas, 121, 125 Kesal, Ercan, 2 4 1 , 245 Khotinenko, Vladimir, 176 Khrushchev, Nikita, 174 Kiarostami, Abbas, 166–167,
186–196, 237–238, 240, 243, 264–265, 272

Little V e ra, 175

Liu, Heng, 169

Lola, 131–132 Loves of a Blonde, 103

Lutheranism, 9 3 , 95

Machinal, 85 The Magician, 92

Malden, Karl, 54

A Man Vanishes, 142

Marcoen, Alain, 212 Marinne, Morgan, 216

The Kid with a Bike, 2 10–211

King Lear, 2 8 , 30, 32, 91

King of Kings, 95

289

Index

The Marriage of Maria Braun

131–139, 259–260, 270

The Marriages of Our Parents, 132

Märthesheimer, Peter, 132 Martin, Steve, 1 1 5 Martínez Vignatti, Diego, 225 Marx Brothers, 46 Marxism, 99
Muntean, Radu, 234 Murnau, F. W., 1–11, 248–249 Mushkadiz, Anapola, 224

The Muslim, 176

Mussolini, Benito, 12 Mweze, Ngangura, 156 My Brilliant Career, 1 2 0 , 124, 129

My Life as a Dog, 154

• My Uncle, 44–45
• The Match Factory Girl, 158–165,

262–263, 270, 272, 274

La Maternelle, 153

Naruse, Mikio, 1 4 1
McDowell, Roddy, 35 McNaughton, John, 150 Mekhralieva, Susanna, 183 Melodrama, 24–25, 27, 38, 59,
72–73, 78, 136, 240, 269 Menshikov, Oleg, 184 Menzel, JiřThe Method (acting), 57

Metropolis, 82

Mikhalkov, Nikita, 184

Mildred Pierce, 135

Miller, Arthur, 52 Miller, George, 121 Miller, Glenn, 136
Naturalism, 8 2 , 95, 100, 136, 150,
210, 212, 215, 228 Nazism, 5 , 8, 26–27, 74, 100, 102,
105, 132, 136 Neckár, Václav, 100

Ned Kelly, 120

NěNeoclassicism, 24 Neorealism (Italian), 20, 34–41, 61,
63, 82, 211, 224, 271 New American Cinema, 1 0 8 , 118 New Australian Cinema, 1 2 1 , 129 New Romanian Cinema, 226–235,
272

Miracle in Milan, 3 4 Mr. Hulot’s Holiday, 42–51, 252,

273–274
New Wave (Czech), 98, 103 New Wave (French), 60–68, 141 New Wave (Japanese), 141, 144 New York Film Festival, 138

New Y o rk Sun, 52

Mizoguchi, Kenji, 141 Modernism, 2 4 , 45, 60, 67 Monfort, Silvia, 61–62 Monsigny, Jean, 156 Monty Python, 163 “Moonlight Serenade,” 136 Moradi, Safir Ali, 1 9 5 Moravia, Alberto, 102

Mortu Nega, 1 5 7
New Y o rk Times, 1 3 8

Nichols, Mike, 108–119, 258 Nietzsche, Friedrich, 14

Night and Fog in Japan, 142

Nikkatsu Studio, 141–144

9 Songs, 2 17

Nishiguchi, Akira, 145 Noiret, Philippe, 62, 64 Nosferatu, 1–11, 248–249, 272–273
Munch, Edvard, 88 Mungiu, Cristian, 227–228

290

Index

• Not One Less, 172
• Pelle the Conqueror, 154

People of the Po, 87 Persona, 65
La Notte (The Night), 81, 87

Nouri, Mir Hossein, 195 Noyce, Phillip, 121

Phaedra, 2 7

Nykvist, Sven, 93, 207

The Pianist, 216 Pickpocket, 2 1 0

Odets, Clifford, 52

Oedipus the King, 3 2 , 113

Ogata, Ken, 147

Picnic at Hanging Rock, 120, 124

“The Pied Piper of Hamelin,”
203–206

On the Beach, 120 On the Waterfront, 52–59, 252–253,

270, 273–274

Pigs and Battleships, 142 Playtime, 45–46 Poil de Carotte, 153
Once Upon a Time in Anatolia

236–247, 267–268, 272–273

Once Upon a Time in the West

243

The One and the Eight, 166 One Sings, the Other Doesn’t, 67

Oscars, see Academy Awards Oshima, Nagisa, 141–142, 217

Ossessione (Obsession), 170 Othello, 3 2

Ouédraogo, Idrissa, 151–157,
261–262

The Outcry (a.k.a. The Cry), 87

Outinen, Kati, 159, 161 Özdemir, Muzaffer, 240 Ozu, Yasujiro, 141, 159

La Pointe Courte, 60–68, 253–254,

270, 272, 274

Polax, 2 18 Police, Adjective, 226–235, 243, 267,

270, 273 Polley, Sarah, 207

The Pornographers, 142–143

Pornography, 217–225, 273

Portrait of Innocence, 154

Porumboiu, Corneliu, 226–235,
243, 267

The Postman Always Rings T w ice

170–171
“A Prisoner of the Caucasus,”
175–176, 178–179, 182–184

Prisoner of the Mountains, 174–185,

263–264, 270, 272–273

The Profound Desire of the Gods
(a.k.a. T a les from a Southern Isle),

142, 144 Proletariat Trilogy (Kaurismäki),
158, 160 La Promesse, 2 0 9 , 211, 214–216

The Proposition, 128

Panahi, Jafar, 190 Panavision, 45 Panduru, Marius, 231

Parade, 46

Pasolini, Pier Paolo, 9 6 , 153, 273

The Passion of Joan of Arc, 23

Paterson, Neil, 7 0

Pathfinder, 153

Protestantism, 96
Payvar, Homayoun, 188

Pearls of the Deep, 98–99

Pudovkin, Vsevolod, 174 Puiu, Cristi, 234

291

Index

Pulitzer Prize, 52 Pushkin, Alexander, 176
Saakyan, Mariya, 177 Saint, Eva Marie, 54 “St. James Infirmary,” 194 Saki, Ryuzo, 145

Quo Vadis?, 95

Salminen, Timo, 161

• Sarossy, Paul, 207
• Racine, Jean, 27

Raise the Red Lantern, 167–168, 171, Sarraounia, 151

• 173
• Sarris, Andrew, 138

Rashomon, 1 8 6 , 198 Ray, Satyajit, 20
Schepisi, Fred, 120–130, 258–259 Schepisi, Rhonda, 128

Schindler’s List, 121

Schlöndorff, Volker, 132 Schmidt, Helmut, 137 Schneider, Romy, 132 Schorm, Evald, 98 Schrader, Paul, 3 2 Schulberg, Budd, 53, 58–59 Schuricke, Rudi, 136 Schygulla, Hanna, 132, 134, 138

Sciuscià, see Shoeshine The Scream, 88

SDS (Students for a Democratic Society), 117
Realism, 10–11, 15, 35, 49, 63, 69,
81–82, 88, 100, 103, 106, 151–152, 166, 174–175, 189, 195, 209–210, 218, 234, 237, 247, 272 Red Desert, 8 1, 88, 188

Red Sorghum, 167–168, 171

Reitz, Edgar, 132 Renoir, Auguste, 21 Renoir, Jean, 12–22, 249–250

Repentance, 175

Resnais, Alain, 60–62 Reygadas, Carlos, 217–225,
266–267 Reynolds, Freddy, 128 Ritualism, 155–156 Rivette, Jacques, 141

The Road Home, 172–173

Roeg, Nicolas, 126

Seclusion Near a Forest, 103

Sembène, Ousmane, 156 Sentimentality, 64, 155, 174–175,
183, 207, 269

The Seventh Seal, 9 1–92 Shadows of Our Forgotten Ancestors

174
Rogozhkin, Alexander, 176 Rohmer, Eric, 1 4 1

Romance, 2 1 7 Room at the T o p, 69–79, 254–255,

270–273

Shadows in Paradise, 1 5 8 , 160

Shakespeare, William, 32, 158

Shanghai T r iad, 1 7 3

Rosetta, 2 0 9 , 211, 214–216 Ross, Katharine, 114–115 Rossellini, Roberto, 6 6 , 210

Roxanne, 1 2 9 The Rules of the Game, 12 The Russia House, 129

Sheen, Martin, 184 Shinoda, Masahiro, 141 Shochiku Studio, 1 4 2 , 145 Shoeshine, 34–41, 251–252, 270–272

The Shop on Main Street, 103 The Silence, 9 1–92

292

Index

The Silence of Lorna, 2 10–211

Simon, John, 129 Simon, Paul, 114
Tati, Jacques, 42–51, 252 Taverner, John, 224 Taylor, Elizabeth, 113

La T e rra T r ema, 63–64

Tessier, Max, 142
Sinatra, Frank, 54 Skvorecký, Josef, 99

The Small T o wn, 237–239

Smordoni, Rinaldo, 35–36 Socialism, 102–103
Théâtre National Populaire, 62

Theme, 175

Thomas of Celano, 2 8

Three Monkeys, 2 40–242 Through a Glass Darkly, 9 1–92 Through the Olive T r ees, 186, 238

Thulin, Ingrid, 94
Sofr, Jaromír, 100 Sokurov, Alexander, 1 7 6 The Son, 209–216, 265–266, 270–
271, 273

• Sophocles, 32
• Tian, Zhuangzhuang, 166

Tilaï, 156–157

Tiryaki, Gökhan, 243

To D amascus, 3